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SYMETRIX SYMNET EDGE AND RADIUS DSPs HANDLE PERFORMING ARTS CENTERS IN HOUSTON’S KATY SCHOOL DISTRICT

HOUSTON, TEXAS: The rapidly growing Katy Independent School District serves over 65,000 students in the greater Houston area. To meet their growing audio and visual media demands, school officials recently earmarked funds to update the performing arts center A/V systems in four of its seven high schools. Broadcast Works of Tyler, Texas was contracted to do the installation and used SymNet Edge and Radius AEC open architecture Dante network audio DSPs.

“The old A/V systems were 1990s vintage and entirely analog,” explained Aaron Comer, project manager with Broadcast Works. “The system designer, Erich Friend of Teqniqal Systems assessed their existing systems and determined that they could transform the performing arts centers from outdated to cutting-edge by revamping only the front end and control systems. The existing QSC amplifiers and Renkus-Heinz loudspeakers were basically in excellent shape.”

Although the original design called for another DSP manufacturer, Comer and his team lobbied hard for SymNet Edge and Radius DSP. “We had worked with this other manufacturer’s products in the past, and it was always a challenge,” he said. “In contrast, we’ve done a lot of Symetrix jobs, and they always go well. Ryan Curtright, Symetrix’ senior technical sales engineer, worked with us to put a nice package together centered on SymNet solutions. Based on our past experience, we knew it would work well and reliably… and would save the district some money.” The new systems make use of the Dante network’s stability and flexibility to send signal long distances without copper and provide digital patch bays that allow users (including first-year students) to select among each stage’s 70+ inputs for allocation to a 48-channel Avid SC48 console.

Stage inputs include a multitude of wired input plates together with a portable rack feeding a SymNet Edge and SymNet xIn12 expander. Rather than home running all of the stage inputs back to the sound booth, as in the old design, the new system uses a stage-located SymNet Radius AEC to collect them for transfer to the sound booth via Dante. That same Radius AEC, together with a SymNet xOut12 expander, receives the final house mix from the sound booth (again via Dante) for output to the stage-located amp rack. The portable SymNet Edge rack pairs up with a sixteen-count wireless microphone system or an additional twelve-count hardwired microphone collection and can connect to the system via any one of four Dante ports located around the stage.

Each sound booth contains three SymNet Radius AEC units with additional input cards, three SymNet xIn12s, and three SymNet xOut12s. Broadcast Works designed a custom computer interface using Symetrix’ SymVue software that allows users to connect any input source to any channel on the Avid SC48 console. In turn, the console outputs thirty-two channels that feed back into the SymNet system for transfer to the amp rack via Dante. “The students love it,” said Comer. “We trained a group of freshmen who had zero experience with a system like this. Within a couple of hours, they were completely comfortable and playing with the whole thing. Despite its complexity from our perspective, SymVue makes it simple from their perspective. They get it.”

For less elaborate events, Broadcast Works gave each school an iPad outfitted with Crestron control that would allow them to turn the system on with a minimal number of commonly-used microphones and input sources. The iPad gives them control over which commonly-used inputs are active, their individual volumes, and the overall volume.

The new systems’ easy learning curve made it possible for the theater and music departments in all four schools to start production on fall programs without delay. A few of the highlights include The Wizard of Oz, a Masquerade Serenade concert, and a play called The Cherry Orchard.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

DANLEY SOUND LABS LOUDSPEAKERS AND SUBS CONTRIBUTE TO TRUE STEREO IMAGING AT FIRST FREE CHURCH

ROCKFORD, ILLINOIS: First Free Church has been a cornerstone of spiritual life in Rockford, Illinois since 1884. Over the decades, First Free has occupied several buildings of ever-growing size and, since the advent of A/V technology, ever-growing technical sophistication. Its current sanctuary seats close to 1,800 congregants in an arc spanning nearly 180 degrees, with a balcony and under-balcony area that stretches from wall to wall. Tired of poor coverage from a faux-LCR system of mid-1990s vintage, First Free hired SVL Productions of nearby Cherry Valley, Illinois to build a new system that would provide nearly every seat with crisp stereo imaging. Of course, this would be no small feat to achieve. SVL Productions turned to Chicago-based Johnson AV Engineering to help design and commission the new system, which relies on the tight pattern control of Danley Sound Labs loudspeakers to meet – and then greatly exceed – the church’s expectations.

“Music is a vital component of First Free’s services,” said Aaron Johnson, president and principle engineer at Johnson AV Engineering. “The old system had three clusters to cover different wedges of the room’s wide arc, but despite the fact that they were set up as a Left-Center-Right system, none of the seats had any true imaging to speak of. The church wanted true imaging, where each instrument seems to emanate from the empty space between the loudspeakers, but that’s very hard to achieve in such a wide arc. You can’t simply place a couple of clusters on either side of the stage and expect even coverage and convincing imaging. The relative volume and time delay of each loudspeaker at the listener’s location have to be nearly equal to make the stereo effect work.”

The solution was to divide the room into three 60-degree wedges, each of which would receive its own stereo image. Although that’s easy to conceptualize, it’s very difficult to actually implement because almost all loudspeakers spill energy “off-axis.” That spillover would cross the dividing line between one wedge and the next and destroy the stereo imaging effect. “Danley’s tight pattern control made it the obvious choice for this application,” said Johnson. “No other loudspeaker manufacturer comes close to Danley’s razor-sharp pattern control, which extends even to lower frequencies.”

Because of their specific coverage patterns and the geometry of the room, Johnson specified a Danley SH-60 on top of a Danley SM-96 at each loudspeaker location for coverage of the main seating area. A total of six such clusters comprise the main system: three sets of left and right. Four monophonic Danley SH-Micros provide front fill for seats very near the stage. Partitions separate six under-balcony areas, four of which seat thirty to forty each and two of which seat only eight. For the larger partitions, a stereo pair of Danley SH-Micros deliver convincing stereo imaging, whereas a single Danley SH-Micro in each of the smaller partitions deliver a monophonic summed signal.

“I don’t know of another loudspeaker that can achieve the kind of pattern control that Danley has managed,” said Brent Hayes, president of SVL Productions. “Aaron and I walked the room during commissioning, and it was truly astounding to step just past the edge of one loudspeaker’s pattern. It fell off immediately. One more step and we were clearly into the pattern of the next loudspeaker. I remember seeing it on paper, but it’s a whole other thing to experience it.” Johnson agreed: “I love that Danley products always model exactly like they work, and they work exactly as you expect them to.”

But the miracles of great pattern control don’t stop with the loudspeakers at First Free Church. Johnson designed a directional subwoofer cluster comprised of three Danley TH-118s flown near the ceiling, just in front of the stage. By paying careful attention to each unit’s phase and signal delay, the bass volume on stage is a full 18 dB lower than it is in the seats, which is an obvious and significant difference. The dividing line is, in Johnson’s words, “like a curtain,” and even the first row of seats is fully immersed in bass. By keeping so much low-frequency energy off the stage, the sound quality captured on stage by open microphones is much better and far less likely to growl or feed back.

Processing support for the new system is extensive, as proper alignment required a separate processing channel for almost every individual loudspeaker and subwoofer. BiAmp Audia provides that fine-scale level of control. Because the Danley loudspeakers and subwoofers require only a single amplifier channel, the total number of amplifiers was kept to a minimum, but the sheer number of loudspeakers and subwoofers involved still amounted to an impressive 26 channels. Powersoft K-Series and Ottocanali-Series amplifiers provide that power. “The new system requires more power to the loudspeakers and subs than the old system did, but the efficiency of the Powersoft units allow us to draw less AC power!” said Hayes. “As a result, we didn’t have to call in an electrician. Moreover, their physical compactness left an entire rack from the previous installation wide open. In summary, we had more processing channels, more amplifier channels, and more loudspeaker power, but less current draw and less space consumed.”

New video projectors and screens, together with a new high-end Chauvet lekos and LED lights completed the installation.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Slovak National Theatre Upgrades to IC Live

Bratislava, Slovikia – November 2013… Completed in 1886, the Slovak National Theatre was designed by Viennese architects Ferdinand Fellner and Hermann Helmer. Since 1920, the ornate, 1,000-seat building has been the seat of the Slovak National Theatre opera and ballet ensembles. The hall has also hosted performances by some of the world’s top opera and ballet talents.

Its acoustics, however, have come under more scrutiny. The room’s very short reverberation time, while acceptable for opera, doesn’t suit orchestral performances. Its narrow stage faces a long auditorium where the rear seats are 75 ft (22 m) away. Uneven sound coverage confronted its numerous balconies.

A subtle sound reinforcement system, effectively invisible to the audience, was needed, and the theater approached MediaTech, Bratislava’s largest pro audio company.

EASE analysis led to them recommending the IC Live digitally steerable system by Renkus-Heinz. Its clear, uncolored musical sound, the ability to steer multiple sound beams into specific areas of the audience offered precisely the solution that was needed. And its slim, low profile design — complete with a custom paint finish – complemented the theatre’s décor perfectly.

The system includes extra reverb for orchestral shows via a TC Electronics M6000, with a Yamaha PM5D console linked directly to the IC Live system via CobraNet. “The audience had to be unaware of sound reinforcement,” says MediaTech’s project manager Miroslav Paciga. “IC Live allowed us to achieve that subtle effect while being visually unnoticeable.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

NOW YOU CAN MIX IN THE BOX

JESSUP, MARYLAND – OCTOBER 2013: Automated Processes Inc. (API) takes great pleasure in announcing the latest addition to its line of highly acclaimed analog consoles: THE BOX® project console. THE BOX is specifically designed for audio professionals with project or home studios who require a smaller format console with that “big console sound.” True to its heritage, THE BOX features the same circuitry, performance and legendary API sound as the company’s highly successful Vision, Legacy Plus and 1608 consoles. The new console debuted to a highly enthusiastic AES show in New York, and is now shipping from the company’s factory in Jessup, Maryland.

“THE BOX offers an easy, turnkey solution for recording and mixing,” said API President Larry Droppa. “It’s a great option for people who record a few channels at a time, but demand the warmth and punch that a large API console delivers. In addition to four inputs, full center section control, and 16 channels of API’s famous summing, the icing on the cake is a classic API stereo compressor on the program bus. Now you can truly record and mix… in THE BOX.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

HISTORIC GIBSON’S BOOKSTORE EXPANDS USING AN ASHLY NE8250.70PEM PROCESSOR/AMPLIFIER FOR DIVERSITY OF PLANNED EVENTS

CONCORD, NEW HAMPSHIRE – OCTOBER 2013: Gibson’s Bookstore opened in Concord in 1898 and has been a cornerstone of the community’s cultural and intellectual milieu ever since. Seizing on the revitalization of the city’s historic downtown, owner Michael Herrmann recently moved the bookstore down the street to the first floor of a brand new five-story office building. At 10,000 square-feet, the move more than doubled Gibson’s floor space and incorporated the newly-acquired Imagination Village educational toy store. The fact that it was new construction gave Herrmann the opportunity to design the store to his exact specifications. Included within those specifications is a sophisticated sound reinforcement system that will gracefully accommodate events of varying sizes and styles. A single, two-rack space Ashly ne8250.70pem eight-channel 250W network amplifier with an on-board Protea™ DSP processor is paired with four Ashly neWR-5 wall-mounted remote controls to form the cost-effective heart of the new location’s flexible, easy-to-use sound system. Factory-installed microphone preamp inputs complete the amplifier package.

“The old location was small enough that a simple, consumer-type sound system could do the job,” explained Rick Elliott, production manager at MFI Productions, the firm that designed and installed the new sound system at Gibson’s Bookstore. “When the owner was looking over the plans with designer Kat Whouley of Books In Common, he realized it would take something more high-tech to do it right. He wanted the flexibility to accommodate any type of event, but he also wanted to make sure that his staff could operate the system intuitively.” Herrmann stopped in at Concord’s Capitol Center for the Arts (literally right across the street from the new location) for recommendations, which led him to MFI Productions. The firm worked with Herrmann for an entire year to ensure that the sound system they installed would be right in every respect from the beginning. After all, they had the opportunity to install it while the building-to-be was still nothing more than steel and concrete.

As the design evolved, the number of zones grew from just a few to eight. Separate Pandora music boxes allow different content to play in the children’s section, the main floor, the café, and the on-hold phone system. A handful of line and microphone inputs accommodate a simple acoustic music setup, a presentation, or a lecture. Two outdoor speakers handle the café’s outdoor seating area, while Twenty-four Electro-Voice Evid C8.2 coaxial ceiling speakers cover the bookstore and are zoned so that speakers can be either muted or used for events of various sizes in either the children’s section or the main section. Since it was easy to install during construction, Elliott ran a few extra input lines that the store can grow into if needed. Four Ashly neWR-5 network wall-mounted remote controls placed at strategic locations allow staff to intuitively select zone inputs and control the volume in each zone.

A single, two-rack space Ashly ne8250.70pem provides all of the necessary microphone preamplifiers, input processing, I/O matrixing, and loudspeaker processing, along with eight channels of amplification at 250W per channel into 70V. “The Ashly ne8250.70pem was the right solution because of its simplicity and flexibility,” said Elliott. “It could do everything that the expanded Gibson’s would require, and, when paired with four Ashly neWR-5 wall-mounted remote controls, could deliver that functionality in a way that would be transparent for the staff. When you consider that the two-rack space ne8250.70pem is handling all of the processing and amplification for the entire store, its cost is more than fair.” To help with the evolving system use, the IT contractor allowed Elliott to get through the bookstore’s firewall so that he can make adjustments to the ne8250.70pem from anywhere in the world.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

DANLEY TH-812 “ROCK MONSTER” SUBS SHAKE BIG-10 FOOTBALL FANS IN ILLINOIS AND WISCONSIN

CHAMPAGNE, ILLINOIS/MADISON, WISCONSIN – OCTOBER 2013: The University of Illinois’ 60,000-seat Memorial Stadium and the University of Wisconsin’s 80,000-seat Camp Randall Stadium each received a huge new Daktronics video board in time for the 2013-2014 season. At 3,500 and 4,200 square feet, respectively, the new boards dwarf their predecessors in both size and quality. With them came new Daktronics-designed and installed sound reinforcement systems, each with abundant musical low-end supplied by four giant Danley TH-812 “Rock Monster” subwoofers. For the throngs of ardent Illini and Badger fans that pack the historic stadiums on game day, the powerful low-end inspires new levels of enthusiasm!

At four hundred and counting, South Dakota-based Daktronics has installed more sound reinforcement systems in large sports venues than any other company in the U.S. “Our clients never ask for more high end,” laughed John Olsen, a Daktronics regional sales representative with a focus on large sports venues. “And when it comes to low end, no one ever complains that there’s too much! With the program material that is being played by students these days, thunderous low end has become an essential component of the game day experience. Danley provides a clean and punchy low end that we like better than most other manufacturers.” Daktronics has a complete in-house design team that includes system design engineers, electrical engineers, mechanical engineers, structural engineers, marketing experts, project managers, field installation engineers, and site supervisors. “It’s a big team that, together, builds very engaging sound solutions for our customers and their fans,” said Olsen.

Both new systems use JBL VLA line arrays for full-range content. A BSS Hi-Q Network and Crown amplifiers provide processing and power at Illinois, and a QSC Q-Sys Network and QSC amplifiers do the same at Wisconsin. Each stadium’s complement of four Danley TH-812s hang from its new scoreboard and provide, in Olsen’s words, “seat-shaking bass” fifty feet off grade at Illinois and one hundred feet at Wisconsin, using 128,000 watts of power. “Our design team keeps specifying Danley’s Rock Monster because it gives our clients a rich low-frequency response that extends below that of most normal subwoofers.”

Olsen continued, “When a client’s new system is operational, it’s always a great day. And when we bring the subs into the mix, the usual reaction is stunned silence and big smiles. The contrast is stark: they had been using a system with only partial low-frequency response that had reached the end of its life. Moving to a new system with the kind of deep low-frequency response that the Danley TH-812s deliver really puts an exclamation point on the new experience!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

WESTLAKE PRO SPEAKS OUT ABOUT ITS NEW 1608

LOS ANGELES, CALIFORNIA – OCTOBER 2013: API announces the placement of another 1608 console in Southern California, this time into the newly0complete and fully-furnished demo room at Westlake Pro.

The choice to add the 1608 to Studio A came with ease. “The API 1608 is a fantastic tracking console with an impressive legacy. It appeals to anyone looking to keep analog production techniques in today’s digital workstation environments,” said Westlake’s CEO George Adjieff. “The high-quality circuitry, the classic analog look, feel, and sound of an API console are unmatched.”

“It is customizable so that you can add any API 500 Series® modules that you need, enabling you the flexibility to craft your perfect console,” said Westlake President Joe Taupier. “The layout is intuitive and easy to understand, allowing a wide range of producers, mixers, and engineers to focus all their attention on what they do best – making the music sound just right.”

As longtime API supporters, Westlake Pro knows the value of quality products with a longstanding reputation. “API has a legendary lineage, great brand recognition, and everything about this mixer is well-conceived,” said Taupier. “The layout is smart, the board is made from quality components, and any studio will instantly receive esteem and credibility if an API console is in the room.”

The 1608 has become a popular addition to Westlake Pro and a regular spot to find pro audio lovers and gear enthusiasts. “Clients are wildly impressed with the API 1608 in our space,” said Adjieff. “Our clients enjoy spending hours trying it out, listening to mixes, and demoing and evaluating other pieces of equipment. It really is the central piece of gear in the room, and really enhances the studio that we’ve designed around it.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SYMETRIX SYMNET RADIUS 12X8 DANTE NETWORKED AUDIO PROCESSORS GET RAVE REVIEWS AT THE WEBER CENTER FOR THE PERFORMING ARTS

LA CROSSE, WISCONSIN: The new Weber Center for the Performing Arts in La Crosse, Wisconsin is a dream come true, not only for the residents of the Mississippi River city, but also for the two institutions that partnered to build the $8 million facility. The La Crosse Community Theatre endured the cramped and ill-suited conditions of its previous space while theater and performing arts students at Viterbo University put up with rehearsals in hallways and other inconveniences not befitting so prestigious a liberal arts institution. Beyond a spacious lobby, patrons will now find a 450-seat main theater with ideal sightlines and a versatile 100-seat black box theater. To achieve maximum flexibility and to accommodate future expansion on a very tight budget, Commercial AV Systems of nearby Onalaska, Wisconsin designed and installed a sound system centered on four SymNet Radius 12×8 processors.

Split between the two performance spaces the four Radius 12x8s at the Weber Center effectively behave as one large custom processor because they communicate via Dante. Together, they also handle the routing logic for nine zones of paging. Like the Dante-based SymNet Edge system, the Radius 12×8 is configured using SymNet Composer open architecture software.

“We designed the system so that you can essentially route audio from anywhere to anywhere,” said Ryan Van Berkum, the Commercial AV Systems project manager who designed and oversaw the installation of the new system. “Nothing is hard-patched – Dante takes care of everything.” Eight channels of audio can flow simultaneously between the two performance spaces in overflow situations. In addition, the community theatre and school both anticipate scenarios where one performance space may serve as a prop room or dressing room for the other. By allowing audio to flow between them, critical cues and other information will not be missed.

The main theater is configured as a mono cluster of two EAW loudspeakers, a Yamaha 1218 subwoofer, under-balcony Yamaha IF2205 fill speakers, a comprehensive monitor system, and a hearing loop that can take as its source a pair of ambient microphones or a direct line from the Yamaha digital console. The console is outfitted with two Dante network cards, one for transfer of signal to the SymNet Radius 12×8 system and one for transfer to a Yamaha digital stage box. In addition, a presentation mode in the main theater supports four input channels – mic, line, or audio from a direct box.

The black box theater makes use of the theaters’ existing Allen & Heath console. A fixed Yamaha IS1118 subwoofer provides low-end support in either full-range or discrete mode. The presentation mode has similar behavior and channel count as the main theater, simplifying training requirements for staff and volunteers while facilitating use of the black box space for simple events without a tech on hand.

The La Crosse Community Theatre will kick off its new season in the Weber Center for the Performing Arts with the comedy Noises Off. The students of Viterbo University will break it in with a performance of Little Women – The Broadway Musical.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

FSR’s T6 FLEX Control Named Winner in 2013 WFX New Product Facility Awards

Woodland Park, NJ – FSR is proud to announce that its T6 FLEX control unit, ideally suited for churches with congregations of varying sizes, has been named “Most Innovative Green Product” in the 2013 WFX New Product Facility Awards. Winners were revealed earlier this month in Dallas during the Worship Facilities Conferences & Expo (WFX).

FSR’s small, powerful, affordable T6 FLEX merges a simple touch screen control system with an elegant table box for fingertip room control. The fully-featured unit controls a full-range of AV equipment from an attractive, convenient housing making it perfect for classrooms, children’s ministry areas and other rooms in worship facilities.

“FSR is honored that our T6 FLEX has received this prestigious WFX Award from Worship Facilities Magazine, Worship Facilities Designer Magazine and Church Production Magazine. FSR wanted to design a compact unit that would deliver outstanding performance and yet also meet the needs of facilities that may be facing budget constraints. We are truly pleased that the very community in which we designed this product has recognized our efforts,” explained Jan Sandri, FSR president.

Encased in an elegant and convenient housing at an appealing price point, the T6 FLEX allows Houses of Worship control over a variety of AV equipment, including projectors, displays and playback devices as well as screens and shades without the aid of an IR remote. It can serve larger installations as an auxiliary controller for the seamless switcher, the control point for remote pan / tilt / zoom cameras and much more. The system’s vast number of features and its ability to control a full-range of AV gear also makes it ideal for classrooms, student, young adult and children’s ministry areas, family viewing rooms and other AV equipped worship and meeting facilities.

The control system’s touch screen is housed in the hinged top of a T6 Series table box. When closed, the T6 FLEX presents an elegant and stylish appearance and the control system is out of sight. When open, the touch screen is easily accessible as are the interior compartments that can be populated with a variety of AC, audio, video and data connector plates available from FSR.

Non-technical volunteers can operate the T6 FLEX’s user-friendly touch screen with confidence and ease. Should they need assistance, AV personnel can remotely control the system using Flex Remote, a software application available for Windows®, Windows8®; Window RT®; Windows Phone®; Android® tablets and phone; iPad® and iPhone®.

The T6 FLEX installations throughout the campus can be centrally monitored using Flex Manager, a Windows based application that tracks the current status of each T6 FLEX and provides usage information, projector lamp life monitoring, remote control and advanced scheduling that saves energy by making sure that equipment is off when not in use.

The T6 FLEX features four serial ports, four IR ports (each able to control up to four devices), four GPIO ports, an IP port, built-in clock/calendar with scheduler, multi command scripting, conditionality and Power over Ethernet.

The 2013 WFX Awards are presented by Worship Facilities Magazine, Worship Facilities Designer Magazine and Church Production Magazine and are the leading annual national awards program recognizing innovative new facility products for the church market, church building design and management and innovative new technology products for the church market. WFX Award Winners were determined by Church Production Magazine, Worship Facilities Magazine and Worship Facilities Designer Magazine editors, distinguished members of the WFX Advisory Board, and WFX.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Yamaha Steinberg Networkable Recording System Makes AES Debut: ‘NU’ Components Added

NEW YORK—A joint collaboration between Yamaha and Steinberg, NUAGE will make its AES 2013 debut in the Yamaha Commercial Audio Systems, Inc. booth #2623, at the Jacob Javits Convention Center in New York City. A hardware and software system that adds the power of the Dante audio network to world-class recording, post production, live to tape broadcast, and house of worship recording for re-broadcast, NUAGE is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements. The system is currently shipping, and more features have been added to those previously announced.

The first truly networkable recording system, NUAGE consists of hardware work surface components, sleek interface, comprehensive visual feedback, networkable audio interface units, and a software-based digital audio workstation. It offers advanced processing capabilities and superior sonic quality. The Yamaha control surface features a combination of fader and main control units allowing for various system configurations. At the core of NUAGE is Steinberg’s award winning Nuendo digital audio workstation software. Coupled with the power of Dante, this advanced production system provides mix engineers a truly synergistic studio solution. Dante audio networking provides unrestricted system design and expandability both in the studio and in situations where audio is to be shared with live mixing systems.

Yamaha has added two new components to NUAGE. The ADR Mode for the NUAGE Master allows the operator to quickly and easily enable the Nuendo 6 ADR Taker functionality on the Ncs500-CT to provide transport control for the Rehearse, Review and Record modes via the NUAGE Master Transport section. Insert Marker and Insert Cycle Marker buttons are conveniently assigned in the touch screen as well as marker information like Start/End points for cycle markers, Take No. (Number), Character Name, and Dialog. Cue Bus Control is editable from the touch sensitive encoders and the user can easily toggle the ADR functions to the user define buttons and back to the previous assigned functions. The “Marker” button in the numeric keypad section now toggles between “Marker ID” and “Take No.” for easy content location. User Assign Groups of 1-12 and 13-24 from the four banks can now be toggled to the User Define Keys.

The second new feature added is a Yamaha AD8HR mic preamp can now be controlled from the NUAGE Multi-Function Knobs when the “PRE” Button in pressed in the control section. HA Gain, HA Trim, HPF and 48V phantom power can be edited along with LC (Low Cut), HC (High Cut), and Digital Gain. The AD8HR connects to a PC or MAC via a serial connection and is configured in the NUAGE Workgroup Manager.

NUAGE modular architecture and network audio interface enable broad system flexibility. Two types of control surface units can be used individually or in combination, according to system needs. Three types of high-end audio interfaces are available, used individually or in combination for up to 128 channels. 16-channel analog, 16-channel digital, and 8-channel analog + 8-channel digital can be controlled at once with two encoders per channel, or all encoders can be mapped to one or two highlighted channels in the Channel Setting Mode. NUAGE I/O also features advanced JetPLL™ jitter reduction technology for extremely low jitter and superior AD/DA resolution.

NUAGE benefits lead to uncompromised product quality and include 32-bit/192 kHz support for superior sonic quality (Nuendo 6 supports sampling rates up to 384 kHz). Advanced audio interface DSP hardware offers “True Integrated Monitoring” for ultra-low-latency monitoring. The DSP surround processing capabilities provide all the essentials for state-of-the-art surround sound including speaker/level display adjustments and base management. The power of native system processing allows a large number of plug-ins to be used simultaneously across multiple channels/tracks. Nuendo Syncstation provides sample-accurate synchronization for audio and video.

A Dante Accelerator audio interface card can be installed in the computer running the Nuendo DAW to provide extra-low latency multi-channel audio data transfer capacity, advantageous when communicating with NUAGE I/O units. A secondary port can be used to provide redundant connections for failsafe reliability.

NUAGE provides intuitive operation and visual organization for enhanced efficiency. Any 24” monitor can be used with the system. The system incorporates the computer LCD displays for “Extensive Console View” channel strip extension, customizable Nuendo shortcuts that can be freely assigned to numerous User Assignable Keys, Touch Slider functionality for instant channel navigation, touch sensitive faders and encoders, Channel Name Display, and Channel Color Bar. A precision jog wheel supports accurate, error-free editing on the master section. Computers and monitors are not included in the system components.

The system’s space-saving keyboard/mouse editing capabilities as well as compact rack-mount dimensions round out the unique NUAGE system.

A basic NUAGE system has an MSRP of $18,000.

For more information on NUAGE, visit the Yamaha Commercial Audio Systems, Inc. booth #2623 at AES N.Y. or on the web www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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