A virtual press conference from Sound & Video Contractor

Archive of the NSCA Newslink Category

South Point Hotel, Casino and Spa in Las Vegas Builds to the Future with Complete QSC Audio System

South Point Hotel, Casino and Spa, Las Vegas

Las Vegas, NV (June 2013) — South Point Hotel, Casino and Spa, the first mega-resort to be built south of McCarran Airport on the Las Vegas Strip, has installed a QSC Audio Q-Sys(TM) Core 500i network processor, CX Series amplifiers and AcousticDesign(TM) ceiling speakers to handle paging and P.A. in its recently expanded Arena and Equestrian Center. The resort, which purchased the QSC Audio components through Solotech Las Vegas, intends to extend the Q-Sys network into a $30 million bowling arena planned for completion at the beginning of 2016.

The property opened at the very end of 2006, and added QSC Audio BASIS networked audio products to the resort, reports Jason Lein, South Point’s production manager. “When we expanded the arena we took the opportunity to upgrade the processing in there from BASIS to the new Q-Sys 500i. The system has so much processing power that all of the bowling arena expansion will be run off that same core as well. The bowling center will be built for broadcast TV and we’ll have two new equestrian arenas as well—we’ll run it all off that same system.”

South Point recently expanded a concourse and added meeting rooms to its Arena and Equestrian Center, which features a 4,600-seat show arena, an indoor practice arena and a covered outside arena. The center also hosts motor sports and other events in addition to equestrian shows.

Using the new Core 500i, adds Lein, “We created four different concourse zones. We’ve got a bar, tunnels, a practice arena and 1200 air-conditioned horse stalls; the new meeting rooms located on the concourse. We run approximately 144 different page configuration options, using both wired and wireless mics for paging. Depending on what horse events are in here we have to set up several different page zoning scenarios on the fly.”

Lein and his crew installed a dozen AcousticDesign AD-CI52ST two-way, high fidelity in-ceiling speakers in the concourse and meeting rooms, as well as TSC-3 networked touch screen controllers in the meeting rooms. South Point added QSC CX602 amplifiers to power the new ceiling speakers. “Everything is QSC amp-based, even in the main arena,” reports Lein. “We’ve got some PowerLight 4.0 amps from the original install that we never need to replace, and we’re using the PL380s as well.”

Production staff members typically employ wireless control of the Q-Sys set-up, says Lein. “Whichever tech crew is assigned to an event will grab an iPad or the computer controller and set the paging configurations up prior to that show, based on that event’s needs. Switching from the BASIS to the Q-Sys system made it very easy for us to program these iPad-controllable UCIs [user control interfaces] to fit those needs, then reset the whole system before the next event, and then set up the next event, all off these UCIs. The Q-Sys system has been a big benefit for that alone.”

At the end of April, South Point, Las Vegas Events and the Las Vegas Convention and Visitors Authority jointly announced a 12-year agreement with the United States Bowling Congress to host seven championship events in Las Vegas beginning in 2016. South Point, which already features a 64-lane Bowling Center, home to the Professional Bowlers Association’s World Series of Bowling, will build a two-story complex housing a 60-lane bowling facility outfitted with the latest technology on the top floor and two additional horse arenas—sound isolated from the floor above—on the lower level.

“When we get into the new expansion, the two new arena bowls, we’ll install the new QSC AcousticDesign Series speakers,” says Lein. “We’ll be installing over 100 of the 5 ¼-inch AD-CI52ST ceiling speakers throughout the bowling center hallways. We’ll also be installing AcousticDesign series speakers for the bowling lanes, with QSC subs placed throughout the bowling center. We’ll probably be adding more Q-Sys I/O Frames later this year.”

The upgrade to the Q-Sys system’s advanced Layer 3 networking technology has made it easier for Lein to program the new set-up. “Our new design with Q Sys, where the schematics are all-in- one is phenomenal. It definitely makes it easier on the programmer,” he observes. Lein also praises the remote access offered by the system. “We’ve got one or two people, myself included, who handle the programming. When we’re at home and we get service calls, it’s so great to be able to have the remote Signal Probe and be able to analyze what’s going on with the system from anywhere.”

About QSC
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, network audio systems and digital signal processors worldwide. qsc.com

Gand Helps River Edge Park Kick Off Opening Concert Season

BUENA PARK, Calif.—Along the banks of the Fox River in Aurora, Illinois, the new River Edge Park represents a strong collaborative effort between the public and private sectors, including businesses, environmental advocates, developers, and community members. The 30-acre park has a 10-acre Music Garden, with its John C. Dunham venue seating 8,500 including the lawn area. At a cost of 13.2 million dollars, the city of Aurora has taken a huge step in upgrading a former rust belt industrial area and turning it into the place to go for music during the summer months.

To kick off its first season, Gand Concert Sound (GCS) Elk Grove Village IL, aka “the NEXO guys” provided a NEXO Geo T sound system along with Yamaha PM5D-RH and M7CL-48 consoles for the opening weekend. The NEXO rig included 24 GEO T speakers, 12 CD-18 subs, plus PS-15 monitors and Alpha side fills powered by NX 4×4 amps. Entertainment included Buddy Guy, Dr. John, JJ Grey & Mofro, Tommy Castro, Robert Randolph Family Band, and the Stone Foxes for the weekend’s “Blues on the Fox” Festival.

GCS President, Gary Gand said, “It was a great way to start off our outdoor summer season here in the Midwest. BBQ, beer, and Buddy Guy are about as good as it can get under a star-filled sky by the Fox River.”

Audience comments overheard by crew covered the gamut from “I’m all the way in the back, and it sounds great,” to “I’m right in front and it sounds great,” showing off the even coverage provided by the NEXO speakers and GeoSoft plotting software.

Florida swamp rocker JJ Grey, the first artist to play on the park’s stage, had never been to Aurora before the park’s opening night, and called it “beautiful” saying the venue’s sound system, equipment procedures, and crowd made a great impression. Grey announced to the audience, “They killed it.” during his 90-minute set, referring to the new park.

For more information on Gand Concert Sound, visit www.gandconcertsound.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

UNIVERSITY OF MINNESOTA GOLDEN GOPHERS ENJOY NEW LOCKER ROOM SOUND SYSTEM WITH SYMETRIX JUPITER 4 APP BASED TURN-KEY DSP

MINNEAPOLIS, MINNESOTA – JUNE 2013: Four years ago, the University of Minnesota’s Golden Gophers men’s football team moved into the TCF Bank Stadium, a brand new, on-campus football stadium that seats 51,000. Around the same time, the completion of a new athletic facility, the Gibson-Nagurski Football Complex, provided a new home for the team, its coaches, and its support staff. After a few years settling in, the team requested improvements to the audio playback system in the complex’ locker room, where the players often hang out between classes and practices. Alpha Video & Audio of nearby Edina, Minnesota designed and installed a cost-effective, new system centered on the powerful, but easy to use, Symetrix Jupiter 4 app based turn-key DSP.

“The school was revamping the locker room and wanted the improvements completed in time for recruiting season,” said Darren Whitten, account representative for Alpha Video Sports and Entertainment. “The existing flat panels and the sound system were underperforming, in part because the system had no subwoofers and in part because the players had blown some of the components by driving it too hard. Also, the system regularly disturbed the coaches and other personnel in the adjoining offices. So they wanted a system that sounded better but that was also limited so that no one nearby would be disturbed.”

The new audio system starts with two iPod docks, a DirecTV input, and a cable input. Those feed the four inputs on the Symetrix Jupiter 4 DSP, which uses the freely-downloaded “Sound Reinforcement 5” app to provide modest input conditioning, hard limiting to keep the volume in check, and user control. Three Lab.gruppen E4:2 amplifiers and three Lab.gruppen E12:2 amplifiers power a distributed array of Tannoy Di8 DC full-range loudspeakers and Tannoy VS10 BP subwoofers. Flat screen TVs deliver clear visual content throughout the locker room.

A Symetrix ARC-2e wall panel remote located in the locker room gives the players intuitive control of the input source and volume. A second ARC-2e located in the coach’s office gives him override control of the system. When they installed the system, Alpha Video & Audio tested various volume selections and dialed in the limiting so that no one would be disturbed by the players’ music. However, the university’s A/V staff expressed interest in being able to make adjustments on their own. “The Symetrix Jupiter 4 DSP is very easy to set up and very easy to adjust,” said Brad Horbal of Bormann Marketing, Inc., the local Symetrix rep. “I knew the school A/V staff would be able to get into the program and make adjustments without a problem.”

Now that the men’s football team has a clean, updated sound system for its locker room, other University of Minnesota teams, including volleyball, gymnastics, and hockey, are contacting Alpha Video & Audio to get updated systems of their own!

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ASHLY AUDIO PROCESSING AND AMPLIFICATION MAXIMIZE VALUE FOR NEW CHRIST BAPTIST CHURCH SANCTUARY

RALEIGH, NORTH CAROLINA – JUNE 2013: Christ Baptist Church in Raleigh, North Carolina branched off of nearby Providence Baptist Church. For many years, Christ Baptist used a converted office building as their worship center until funds could be raised to build a sanctuary that would serve the needs of the fledgling church for decades to come. That time arrived recently, and now Christ Baptist Church has a 1,200-seat sanctuary with a 150-seat choir. A/V integration firm Provision Audio/Video Services of Rolesville, North Carolina designed and installed a first-rate sound reinforcement system for the new sanctuary, relying on Ashly Audio amplifiers and processing, along with a custom Ashly GUI to give the church reliable, high-performance audio for the long haul.

“Christ Baptist Church is a very traditional Baptist church,” said John Linden, managing owner of Provision AVS. “Their music is primarily orchestral and choral with a sixteen voice organ. The church wanted an appropriate acoustic space to support their worship style.” A digital snake from the stage feeds a DiGiCo SD9 digital console at FOH. The main sound reinforcement system is comprised of a pair of Renkus Heinz ICLive-Dual steerable column arrays. Two Danley TH-212 subwoofers provide deep low-end support while simultaneously delivering “tight low-end that punches,” in the words of Linden. A pair of Ashly KLR-3200 dual-channel amplifiers, each running in bridged mono mode, power the subwoofers.

“We went with Ashly amplification based on its sound quality and value,” said Linden. “They have a low-noise floor and clean output. Ashly’s great range of options and formats, including big, beefy amps like the KLR-3200 allowed us to order the power we need. On Ashly’s ne Amplifiers, we can add DSP as needed and specify the input configuration. The ne Series includes networking capability. It’s like having a huge menu of options, and we can pick exactly the right combination of features so as to maximize system performance at the minimum cost. Reliability is also a factor. In the many years we’ve been using them, we’ve had very few problems. In fact, we have never had an Ashly amp fail.”

Two Ashly ne8800 Protea DSPs provide all of the necessary processing for the main system. To complement the formats on the upstream devices, one is outfitted with standard analog inputs, whereas the other is outfitted with AES/EBU digital inputs. One ne8800 handles all of the processing requirements for the main system, including the subwoofers. The other handles all of the processing requirements for the floor monitors and satellite systems. “The sound quality on the Ashly processors is impeccable; they’re very musical,” said Linden. “They’re easy to program and operate and are a remarkable value for the church.” In addition to input control at the DiGiCo console, the FOH operator can remotely control the Ashly DSP via multiple pages of intuitive, custom GUIs that determine the operation of the main system and the various systems that support it.

Four K-array KV50 miniature column loudspeakers powered by an Ashly ne800 amplifier provide front- and side-fill for the main system. Thirty-three 70-volt SoundTube SM31 loudspeakers cover the choir loft. An Ashly ne8250.70pe not only provides power, its optional on-board DSP allowed Provision to custom tailor the frequency and dynamic response across eight separate zones in the choir loft. Similarly, an Ashly ne4250.70pe amplifier with optional DSP controls an overflow system in the adjoining Fellowship Hall. Finally, a pair of Ashly KLR-2000 amplifiers powers the smaller systems in the adjacent choir room and the gathering hall.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

API 1608 VENTURES INTO THE CANADIAN NORTH

QUEBEC, CANADA – JUNE 2013: When singer-songwriter Florent Vollant updated his studio, it was a 32-channel API 1608 console that found its home in an interesting place in the far north. Established in 1997, Vollant’s Studio Makusham is located in Mani-Utenam, Quebec, Canada, a part of the Innu Reserve, where over 3,000 indigenous people reside.

Florent Vollant’s music history runs deep. He has released three albums in his Innu-language and is well-known in the Inuit community. His Christmas album, Nipaiamianan, received a blessing from Pope John Paul II and the Juno Award for Aboriginal Recording of the Year in 2001. Throughout the years, Studio Makusham was very interested in API gear and finally, in December 2012, they made a major upgrade to the facility, acquiring an automated 1608 console through API’s dealer Studio Economik in Montréal.

“The Makusham home – it is the traditional dance, this is a gathering, a feast, a celebration of the rhythms Teuaikan. I am pleased to invite you to this place of creation to live an experience of freedom, sharing, exchange and respect for the music of the world,” said Vollant of Studio Makusham.

The first endeavor on the console was Vollant’s upcoming album, but the 1608 has also lent its capabilities to Quebec recording artists such as Richard Seguin and many others. “The sound is very pleasant and surprising and the build quality is undeniable,” said Volant. “Thanks to Marc-Andre at Studio Economik for consulting on the deal. We are extremely happy customers!”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

FSR’s PoE to USB Charger Takes Home Commerical Integrator’s “Best Installation Tools & Testers” Award from InfoComm 2013

Orlando, FL • FSR, manufacturer of audio and video switching, control products, and connectivity boxes, was a winner at InfoComm 2013 in more ways than one. Company President, Jan Sandri, reported a busy and successful show, and was happy to accept another award for the organization’s increasingly crowded Trophy shelf. The New Jersey–based manufacturer took home the “Best Installation Tools & Tester” award, presented by Commercial Integrator, for its PoE to USB Charger, a device that allows AV professionals to power and charge USB devices such as an iPad® from an PoE-ethernet drop without the need for AC line power.

A panel consisting of the editors of Commercial Integrator, along with integrators in the commercial industry, selected the winners in 37 categories based upon innovation, functionality, competitive advantages, and benefits to the installer.

FSR’s patent pending PoE to USB Chargers fit the bill for their ability to provide a small, convenient power option for Apple® iPad display applications. The Chargers derive ample power from a standard PoE (not PoE+) network connection, without need for AC line power. When used alongside FSR’s iPad enclosure, they offer easy, convenient single-cable Installation.

“We take a lot of pride in our product coverage and our CI BEST Awards is a great example,” says Tom LeBlanc, Commercial Integrator editor-in-chief. “The winning products all offer something special to our integrator readers. They bring unique performance and installation benefits that give them a competitive edge—and will help them to find new sources of revenue. Congratulations to the winners.”

# # #

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

FSR complies with the American Recovery and Reinvestment Act of 2009 and is a woman owned business. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information visit www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • mailto:sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Yamaha CL5 Struts Its Stuff with Charbonneau on The Offspring Live Recording

BUENA PARK, Calif.— The Offspring is an American punk rock band from Orange County, California, formed in 1984. Recently, the band asked engineer Ian Charbonneau to record and mix an upcoming web release. The recording took place in Warsaw, Poland at the Orange Warsaw Festival held at Narodowy Stadium. Charbonneau has worked with the band for the past five years, recording and mixing live TV, Webcast or Radio broadcast they may do Internationally. His last name may sound familiar, as he is the son of LeMobile Remote Recording Studio owner, and mix engineer, Guy Charbonneau. The younger Charbonneau also works on LeMobile’s Le-Fly-Pak system that utilizes a Yamaha DM2000 digital audio console for live broadcast mixing.

“Doing live projects on the road is always a lot of fun and can be very challenging, not necessarily knowing which console and set up I will have to work with. It is always different. A big part of the challenge comes from the very little prepping time and often without any sound check, you just got to nail it”, states the younger Charbonneau. “In the last few years, I’ve expended my own business in consulting, recording and mixing for artists, managements and labels when doing live TV, webcast or broadcast appearances around the globe. It gives both artists and production teams great assurance that someone is looking out for them. As most know, when doing live projects, there’s only one chance of getting things right. I was excited when I found out for this particular project, I would have the opportunity to use the new Yamaha CL5 digital audio console.”

The Poland set up consisted of two consoles, the CL5 used as the main console and a Yamaha DM2000 for backup purposes, all recorded via Nuendo Live. “I chose to try out the new CL5 even though I’m very familiar with the DM2000. I was quite pleased with how easy it was to get around this console,” says Charbonneau. “Very simple and logical layout, I find some digital console today seem to have lost their logic with too many places to do the same things, busy layouts or too many menus and layers like trying to please everyone. It is often too easy to get lost or make mistakes. The CL5 seemed to have been very well thought out.

As for sound, Charbonneau said he was also happy with what he heard. “It was really responsive; I learned over the years working with our DM2000 and other digital consoles that you often have to exaggerate a little when EQing and compressing. The CL5 seemed more natural. I was also impressed on the integration of Nuendo Live; it worked flawlessly. The Dante networking and Rio rack did great. I would be curious to try a CL5 with Le Mobile’s Fly-Pak. Great job on the new console, Yamaha!”

For more information on Ian Charbonneau, visit http://www.ian-c.com.

For more information on LeMobile Remote Recording Studio and Le-Fly-Pak, visit http://www.lemobile.com.

For more information on the Yamaha CL digital console series, visit http://www.yamahaca.com.

-END-

PHOTO ID: Photo 1: L to R: Ian Charbonneau and PogoArt engineer Wojtek Igielski

Photo 2: Narodowy Stadium

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ACIR Professional Supports Forgotten Veterans at VetRock

Egg Harbor Township, N.J.—Bader Field, Atlantic City was the site for the first VetRock concert, held in honor of those forgotten that served in the Vietnam War. Held the first Saturday in June, the concert featured memorable bands from the 70s including headliners Mark Farner from Grand Funk Railroad, Mitch Rider, the Buckinghams, the Traamps, Soul Survivors, as well as local area bands. Special guest speaker was Lt. Oliver North with Joe Piscopo acting as the event’s emcee. The day’s festivities lasted every bit of 12 hours to tribute to Vietnam Vets; Local Vietnam Veteran organizations will receive 100% of profits from tickets and t-shirts sold that commemorate the day.

The main sound system was provided by ACIR Professional (Egg Harbor Township, N.J.) and included the company’s new d&b Audiotechnik J rig, configured with 16 boxes of J8s, four J12s, two Q7 line arrays that were used for front fills, and 20 B2 subs configured in a “sub array” to achieve even coverage of the entire listening area. A Yamaha CL5 and two Rio3224-D remote i/o racks was used at front of house, a Yamaha PM5D-RH was used for monitors, along with Yamaha P7000 amps. A plethora of mics included Shure, AKG, Sennheiser, EV, A-T, Countryman, along with Shure and Sennheiser wireless systems. ACIR also provided, lighting, backline, staging, rigging, and supervised power, video, and barricade installation.

“The Yamaha CL console was excellent from a festival standpoint, and connectivity of the Rio rack with AES inputs digitally was a big plus,” states ACIR co-owner and front of house engineer for the event, John Grasso. “From all accounts, the entire rig sounded pristine, especially our new d&b J rig. It was an honor to be included in this event in remembrance of our Vietnam Vets.”

This was my first experience as a TD for a show of this size so I needed to hire a company who would cover all production elements,” states Sam Schwartz. “From staging to audio, lighting, video, and band gear, ACIR’s great crew worked flawlessly with our IATSE Local #77. I received a number of complements on the new d&b J8 audio rig and its massive sound, It filled our 10 acres of seating area with no sweat. Being responsible for the entire production, you can’t get a better production company than ACIR Professional. They moved quickly to address all the changes and additions that were presented along the way. They made me look very good.

ACIR co-owner, Ed DiBona chose a Yamaha PM5D-RH to mix monitors. “I chose the PM5D for monitors because I needed a console that could handle a large number of mixes, both wedges and in-ear monitors, with a mixture of mono and stereo outputs. The exceptional sound quality and ability to quickly make changes and mix on the fly made the 5D the only choice for this fast-paced, high- profile show. The desk performed flawlessly all day. The promoter was extremely happy with the entire sound system, and we received many compliments from performers.”

For more information on ACIR Professional, visit www.acirpro.com.

-END-

Photo ID: John Grasso at Yamaha CL5 digital console

ASHLY RATED THE TOP AUDIO ENTRÉE AT CHEF ROB’S CARIBBEAN CAFÉ

SANDY SPRINGS, GEORGIA – MAY 2013: Located in Sandy Springs, Georgia, Chef Rob’s Caribbean Café has been a culinary destination for Atlantans since 2006. The restaurant’s success inspired Chef Rob to open a sister establishment next door, Chef Rob’s Upscale Lounge. Of course, the lounge would need an authoritative sound reinforcement system and a high-end video system, and because the two establishments share staff, customers, and a wall, it was also an excellent time to update the café’s audio and video system. Local A/V integration firm T. Magee, Inc. designed and installed a new value-engineered sound and video system based on Ashly Audio processing, amplification, and user control that gives both establishments access to the same source material and yet provides each establishment with independent source selection and volume control.

Todd Magee, the eponymous owner of T. Magee, Inc., spent decades behind a live mixing console before concentrating his attention on the more geographically-rooted profession of A/V integration. Nevertheless, he continues to tour the world (though less occasionally now) and has worked with seventeen Grammy-winning artists, including Gladys Knight, OutKast, and Loretta Lynn. To be sure, Magee knows what it takes to make audio sound great. “Chef Rob’s Caribbean Café used to use a home-grown stereo receiver with long loudspeaker runs,” he explained. “They wanted to upgrade that to a commercial system and to tie it into the video system. On the lounge side, they wanted access to all the same music and video inputs that they had on the café side, plus inputs for a DJ.”

Stereo inputs to the system include a DMX Pandora receiver, two satellite receivers, and three floor boxes on the lounge side. Each floor box includes stereo XLR inputs, stereo ?-inch inputs, and stereo RCA inputs. An Ashly ne24.24M modular processor, configured with twelve inputs and eight outputs, provides input processing, matrixing, and loudspeaker equalization and delay. Because it is so easy to add inputs or outputs to the ne24.24M, Magee will soon add four more inputs to accommodate the lounge’s recent request for a few handheld wireless microphones.

Five Ashly KLR 2000 amplifiers, three on the lounge side and two on the café side, power the system. High fidelity Australian Monitor loudspeakers and SoundTube subwoofers complete the system. “One unique aspect of this installation is the rack system we used,” said Magee. “There are four racks recessed into an area near the entranceway. It’s an elegant, out-of-the-way place to put them, and when we need access, they pull out and rotate 90-degrees. Very cool.”

He continued, “I’ve been an Ashly fan for years. I first worked with Ashly’s analog crossovers, GQX series equalizers, and compressors in live audio. Now their digital equipment reflects the same commitment to quality that I heard so many years ago. The sound quality is comparable to units from other manufacturers that cost twice as much. The IP-based control and communication is also very nice.” A pair of Ashly neWR-5 wall remote controls provide all of the system management required – source selection and volume control.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

SYMETRIX ANNOUNCES AN INTERACTIVE AUDIO CONFERENCING CALL-IN DEMONSTRATION

SEATTLE, WASHINGTON – JUNE 2013: Symetrix announces an interactive call-in demonstration of the SymNet 4 Channel Acoustic Echo Cancellation (AEC) Input Option Card, for installation in both SymNet Edge and Radius AEC DSPs. The SymNet audio conferencing demonstration is fully automated, originating from a conference room at Symetrix headquarters. The demo is available 24/7/365 by calling 1-425-640-3331.

During the demonstration, the caller’s voice is played live from an array of loudspeakers, picked up by an array of microphones, recorded, and routed back to the caller first with AEC bypassed, and then with AEC engaged. In this way, the caller experiences firsthand the effect of three audio conferencing subsystems: acoustic echo cancellation, automatic gain control, and noise cancellation. Additionally, DTMF tones are decoded within the context of the demonstration allowing the caller to repeat, skip, or fast forward using their phone’s keypad.

“The Symetrix AEC Demo room is unique,” said Ryan Curtright, senior technical sales engineer. “This is the only fully-automated conference room in the world where a customer can call in 24/7/365 from any phone and hear AEC, AGC, and noise cancellation in a real world scenario. The caller even has the ability to repeat sections by hitting a few digits on their phone, so they can hear a particular feature a second time without having to hang up and redial. This is an incredible sales tool for our reps, integrators, and anyone else who wants to experience the benefits of a SymNet conferencing system. This is also a fantastic remote-end for our partners who are commissioning systems and need an always-available remote system to test phone audio levels and functionality of the local room.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

STOP BY AND SEE US AT INFOCOMM BOOTH #922

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication