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Challenging Texas Chapel Gets Help from Iconyx

Tyler, TX – March 2014… The Chapel of Saints Peter and Paul opened its doors last year after a lengthy construction project, rewarding this east Texas town with a brand new 13,000 square foot main building, along with a new softball field. The 650 seat sanctuary is a beautiful, classically designed structure with a high peaked roof and plenty of ornate wood, marble, and glass.

“It’s a really impressive architectural design, and the acoustics are ideal for their choir and organ,” explains Jason Brantley, CEO of Longview, TX-based Sound Logic Integrations. “But it’s not so good for the band or for intelligibility.”

The Sound Logic crew was brought in to design the audio for the new building, opting for a system centered around Renkus-Heinz Iconyx digitally steerable array loudspeakers. A pair of IC16-R-II columns mounted on either side of the proscenium covers the entire room.

“We originally specified some acoustical treatment to cut down the reverberance a bit,” says Brantley. “But the budget for sound absorption was cut halfway through the project, and we ended up with about a quarter of the treatment we had planned for. That’s where the Iconyx really saved the day.”

Brantley says the ability to tightly focus the sound toward the seating areas, and away from walls, windows, and other reflective surfaces, was critical to the success of the audio system design. “The band and the choir are not on stage — they’re in a choir pocket that’s stage left. The Iconyx enabled us to take the first beam and push it right past where the choir mic is hung, to eliminate any feedback issues. That kind of precision is something we could have only done with the Iconyx.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

ASHLY AUDIO POWERED PROCESSORS AT CORNELL UNIVERSITY’S SAGE CHAPEL CONDENSING SEVEN FEET OF PROCESSING & AMPLIFICATION INTO SEVEN INCHES

ITHACA, NEW YORK – MARCH 2014: Erected in 1875, Sage Chapel sits near the center of the picturesque campus of Cornell University in upstate New York. It is expressly non-denominational, and its interior is adorned by symbols of all the major and minor religions from around the world. For services and other events, Sage Chapel seats over 700 people, plus a large choir. To help voices carry with intelligibility in the large space, its sound reinforcement system has evolved with the state of technology over the decades. Apart from the chapel’s two organs, the system also provides reinforcement for any musical instruments used. Its latest upgrade condensed seven feet of rack space used for 1990s-era processing and amplification into just seven inches using an Ashly Pema 8250 and an Ashly ne4250pe. Each unit combines Ashly’s Protea signal processing with clean, high-powered amplifier channels – twelve in all.

“We put the previous system in over twenty years ago to deal with issues of intelligibility that were plaguing them at the time,” said Barny Cole, president of Calf Audio, also of Ithaca. “We put in three sets of loudspeakers arrayed in stereo pairs on delays running from the front of the chapel to the back. It delivered great sound quality, but it took a ton of processing to dial in. In those days, that meant a lot of separate rack units to individually equalize and time align each component. That system took seven feet of rack space! The university approached us recently to ask if we could condense all that processing because the closet was coveted by the janitorial staff. Of course, they didn’t want to lean their mops against a bunch of electrical equipment, so if we could condense it down and raise it up, everyone would be happy.”

With its fully-implemented front-end processing capabilities, the Ashly Pema 8250 now takes care of all of the “everyday” mixing and processing chores. It also delivers eight 250-Watt amplifier channels, all within two rack spaces. Because the Pema 8250 also includes line-level outputs from the processing section, it feeds the four-channel Ashly ne4250pe amplifiers with optional processing. All together, the system provides twelve 250-Watt amplifier channels and all of the processing they require in a tamperproof package. “I’m predisposed to choosing Ashly,” Cole admitted. “The company is a close neighbor – they’re just an hour-and-a-half down the road – and I like the individuals who work there. Ashly’s products are famously solid and reliable, and their service is spectacular. Since they deliver all of that at a huge price advantage, it would seem silly to bother with anyone else!”

An Ashly neWR-5 wall panel remote control provides simple selection of several presets. At its most basic, the Ashly Pema 8250 auto-mixes all of the usual inputs. The presets also allow selection of arrangements for other common event scenarios. For more complicated events, a console can patch in and take control of the inputs. Calf Audio is usually called in to provide sound engineer support for those more complicated events.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Iconyx Tames a Timeless Chamber

Dobbs Ferry, NY – March 2014…  Overlooking the Hudson River just minutes away from Manhattan, Mercy College was founded in 1950 by the Sisters of Mercy. In 1961 it became a four-year college offering baccalaureate degrees. The school’s stellar reputation draws students from all over the country, and Mercy College was featured in the book “Cool Colleges” as one of the most exciting schools in the United States.

The Rotunda is an important focus for all Mercy students and is a popular multi-purpose activity center. The historic structure was a former house of worship, and carries with it both the decor and the sonic character of a majestic old cathedral. Its soaring brick walls, stained glass windows and high, rounded shape and domed ceiling create a natural reverberance that makes even normal conversation nearly impossible.

Leo Garrison of Metro Sound Pros elaborates, “Picture a circle, with 50 ft stone walls, eight pillars and a massive video wall. The space is a natural reverb chamber.” Depending on the event, a podium can be set up in any part of the room, creating an even greater challenge — designing a system that could achieve audio clarity amid this ever changing footprint.

Metro Sound Pros designed a solution utilizing a creative application of Renkus-Heinz Iconyx Series IC7-II manually steered column arrays. Four pairs of columns are mounted at 90 degrees from each other, providing selectable coverage from any direction. The Iconyx steered beam technology enables the sound to be focused on the audience, and away from the walls, windows, and other problematic surfaces.

As Garrison explains, while the assignment was to deliver coverage and intelligibility, the building’s landmark status meant that aesthetics trumped all else. “Protecting the room’s historic architecture was of utmost importance,” he states. “The profile of the IC7s are so small and slim, they just blend right in.”

Garrison concludes, “With a project like this one, we always face a balance between the need to preserve the natural beauty of the architecture, and the need to create a space that is functional. The integration of the Iconyx series into the Mercy College Rotunda gave us the performance and intelligibility we needed, while maintaining the building’s classic aesthetics. They were a great choice.”

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

ASHLY MIXES IT UP WITH VINTAGE MOS-FET AND NEW AMPLIFIERS TO UPDATE MIDLAND NAZARENE CHURCH

MIDLAND, MICHIGAN – MARCH 2014: Though founded decades earlier, the Midland Nazarene Church in Midland, Michigan moved to its present, 450-seat church in 1970. Although much changed in the four decades that followed, the church’s sound system didn’t change until only very recently. It bore the burden of the church’s increasing use of reinforced music, and equipment slowly succumbed to time and wear. When finally the only things that were still functioning as they had when they went in were a pair of Ashly FTX-1501 MOS-FET amplifiers (circa early 1980s), Midland Nazarene put its renovation out to bid. Nearby A/V integrator Center Line Technologies won the bid, scrapped everything except the perfectly functioning “vintage” Ashly amps, and added new Ashly amplifiers and processing to bring the sound system up to modern standards.

“This was the kind of church that likes to do things for themselves,” said Tony Rogalski, vice president at Center Line Technologies. “As their on-stage needs grew, they added four mini floor monitors for the praise team, two monitors for the pulpit, and two monitors for the musicians. All told, they had eight floor monitors on stage and only two small loudspeakers to cover the congregation. And they were the original two loudspeakers!”

Rogalski replaced those two loudspeakers with a new JBL system comprised of multiple flown loudspeakers and monitors, plus subwoofers. The new system called for vastly more channels, and while he was happy to keep the Ashly FTX-1501 MOS-FET amplifiers in service for monitors, he added an Ashly KLR 5000 to power the left/right loudspeakers and an Ashly KLR 4000 to power the center loudspeaker and the flown monitors. A new Ashly ne24.24M processor with modular I/O now replaces the scant analog processing of the original system. He increased its I/O count to 8×8 to handle all the new equipment. New Shure wireless microphones and an Aviom system provide a robust input set, which the church now mixes with a new Allen & Heath GLD-80 digital console. Rogalski repurposed several of the floor monitors for use in the classrooms that serve as overflow.

“We started working with Ashly processing over fifteen years ago, and it became our go-to processor,” said Rogalski. “Ashly processors never failed, and my field techs consistently reported that they were the easiest to program and gave them the most consistent results. Why mess with that track record? Ashly amplifiers won me over when we started specifying their combined amplifier/processor units. At their price point, it’s like buying an amplifier and getting a processor for free. Ashly amplifiers have proven to be every bit as robust as the Ashly processors that I’m more familiar with.”

He continued, “Midland, Michigan supposedly has more PhDs than anywhere else, and selling them on a system was a bit of challenge because they were all rocket scientists. Because their original Ashly amplifiers had proven themselves, they had no problem with our choice of Ashly for the new amps and processing. They’re very happy with the way things turned out. There is a clarity and naturalness to the sound, and the coverage, which had previously been spotty, is now even and seamless.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.
www.ashly.com

RF VENUE INTRODUCES RF OPTIX™

ASHLAND, MASSACHUSETTS – MARCH 2014: Wireless audio manufacturer RF Venue has released the RF Optix™ RF to fiber optic conversion system, a powerful new tool for mainstream wireless microphone users that expands the possibilities of antenna distribution and wireless audio design.

“RF Optix brings technology from the world of broadcast and IT into the reach of church, school, and theater wireless users,” says CEO Chris Regan. “Integrators, tour managers, and church technicians are now able to do things with fiber that would have been way out of budget, or downright impossible, with coaxial cable.”

The RF Optix system leverages the low cost, lossless characteristics of fiber optic cable over the expensive, fragile, lossy characteristics of coaxial cables. Fiber cable runs thousands of feet long are possible with negligible in-line attenuation, so antennas can be remoted in venues far away from racks or equipment rooms located elsewhere in the facility.

“One of the main constraints for distributed antenna systems for wireless audio is the cost and signal loss challenges of coax cables,” says Regan. “This is especially true for plenum installs, where plenum rated coax can exceed the cost of the entire audio system. With inexpensive plenum rated fiber cables, system designers can now rethink their equipment layouts without sacrificing the huge performance benefit of using a remote antenna system for their wireless system.”

The RF Optix system is offered as a single channel for connecting to one antenna or in a dual channel package for diversity antenna systems. The Install Package includes wall or rack mountable flanges and the Live Package includes a hard-shell carrying case. Both options include 10’ BNC to SMA adapter cables for connecting to antennas and wireless rack equipment; 9V screw-on power supplies are also provided. Available accessories include 100m single mode plenum fiber cables and 100m indoor/outdoor reinforced fiber cables. Custom fiber cable lengths are available.

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events.

http://www.rfvenue.com

Contact RF Venue at 800-795-0817 or email orders@RFvenue.com for further details.

WICHITA STATE UNIVERSITY’S KOCH ARENA UPS GAME DAY WITH DANLEY HORNS AND SUBS

WICHITA, KANSAS – MARCH 2014: Originally constructed in 1953 and renovated in 2003, the 10,500-seat Charles Koch Arena is home to the Wichita State University Shockers’ basketball and volleyball teams. The men’s basketball team is a ten-time contender in the NCAA finals, and its home games usually sell out the arena. Recently, Daktronics (Brookings, South Dakota) designed and installed a new center-hung video board in Koch Arena, which prompted a simultaneous renovation of its previously disappointing sound reinforcement system. Now, twenty-four Danley Sound Labs Synergy Horn loudspeakers join four Tapped Horn subwoofers to deliver high-volume, high-fidelity audio to Shockers fans.

“Men’s basketball at Wichita State University attracts large, mostly sold-out, crowds,” said John Olsen, a Daktronics regional sales representative for large sport venue audio. “Because the shape of the building is circular and because the roof is curved, the sound level in Koch Arena can be challenging to overcome when the action on the court heats up. The old system lacked the proper design and performance to cover the entire arena with intelligible speech and impactful music, and there was a definite lack of low-end performance. The school had invested a lot of money in past improvements, but they were ineffective for the whole facility. The new system had to be more inclusive of their immediate in-game needs for all the fans.”

In addition to Olsen, who provided the client contact and communication necessary to understand and meet the university’s expectations, the Daktronics team consisted of Aaron Louwagie, project manager, Dan Eckert, system design engineer, and Doug Dodge, field installation engineer. Decker Electric of Wichita, Kansas provided the high- and low-voltage installation and rigging of the clusters, which required extensive welding to existing roof structures. Larry Lucas of Anthony James Partners (Richmond, Virginia) assisted with system design and commissioning.

Owing to its circular architecture (designed to give everyone a better seat), Koch Arena is known locally as “The Roundhouse.” “It’s a symmetrical room with a highly reflective dome,” said Lucas. “The acoustical challenges that come with that are extreme. The new system would have to have exceptional pattern control so that energy would hit the fans and not the ceiling. Danley Sound Labs’ unique horn-loaded designs offer that kind of precise pattern control. Moreover, they’re very cost-effective, especially when you factor in that each Synergy Horn loudspeaker or Tapped Horn subwoofer requires only one processing and amplifier channel.”

The system is comprised of eight clusters that circle the top ring of the new center-hung video board. Each cluster contains a Danley SH-96, a Danley SH-64, and a Danley SM-80. In addition, four Danley TH-118 subwoofers round out the bottom end. “The tight pattern control of those Synergy Horn boxes worked well within each cluster and between each cluster,” continued Lucas. “When we commissioned the system, one box was inadvertently set 6dB hotter than the rest, and it upset the acoustical balancing act that we had designed for the symmetry of the room. Once we brought it back down, the whole system tightened up nicely.”

A Yamaha LS9-16 manages all of the inputs to the system and in turn feeds a QSC Q-Sys processing system. Twenty QSC PL240 and four QSC CX1102 amplifiers power the Danley boxes, whereas two QSC CX302V and two QSC CX108V 70-volt amplifiers power thirty-six JBL Control 25T wall-mounted speakers that cover seats below a balcony lip that is shaded from the video board.

“On the surface, projects like Koch Arena can sometimes seem straightforward, but in reality they are very complex,” explained Olsen. “The SPL and intelligibility required in a facility like this can be very tricky to obtain. The complexity of equipment and the engineering know-how that is needed to properly design, install, test, tune, and fully commission this kind of system takes experience. At Daktronics, we are fortunate to have a team that includes experienced people who can make a project like this look easy. We are pleased with how the Danley speakers perform. They fit well at Koch Arena and the Wichita State University Athletics Department is pleased with the clarity of music and speech that we have achieved. Their fans immediately noticed the upgrades. With a high-performance audio and video system in place, the production team at Wichita now has a broad palette with which to work. Just like viewing a standard-definition video signal on an HD screen reveals hidden flaws, so too, a modern high-definition sound system reveals details in audio content that could not be heard before!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Yamaha Renowned Digital Console Legacy Continues With QL Series

BUENA PARK, Calif.—The Yamaha CL Series of digital consoles raised the bar in live digital mixing to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Today, Yamaha Commercial Audio Systems, Inc. announces the worldwide launch of the QL Series inheriting CL features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

As with the CL Series, the Yamaha QL Series includes circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With a solid, sonic foundation it is possible to take full advantage of built-in premium internal processors such as legendary Yamaha VCM technology and the Portico 5033/5043 created in cooperation with Rupert Neve Designs to shape and create as required. For a wide range of speech applications, built-in Dan Dugan Sound Design automatic mixing provides optimum channel balance while allowing the mix engineer to concentrate fully on the overall sound.

“When Yamaha learned about my process, they thought it would be good for us to get together, states Dan Dugan. We collaborated on making a plug-in card that would go into Yamaha mixing boards, and it has been very successful. Then we decided to go one step further and build Dugan automatic mixing right into the new Yamaha QL. I am very excited about giving more Yamaha customers the opportunity to use my auto mixing.”

Significant features include port to port routing via built-in R Series input/outputs that can patch any input port to any output port so the QL console can function as a remote I/O device for any other QL or CL, touch and turn knob operation, and direct file compatibility between the new QL and CL Series Digital Consoles (no need for Console File Converter to exchange files). Yamaha QL consoles feature large touch-panel displays that make up a remarkably smooth, efficient control interface. In addition to ample analog input and output capacity, the QL Series features the same onboard Dante audio networking protocol that provides broad connectivity in CL consoles.

“The new QL Series brings the powerful features and quality of the CL Series to smaller applications along with additional enhancements not typically found in digital mixers in this price range,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “These new enhancements will enable the engineer to use a sophisticated system that improves the overall operating experience.”

Remote control via an iPad with Yamaha StageMix as well as online/offline QL Editor Software for MAC and PC computers adds even more refinement to an already state-of-the-art operating environment. Yamaha QL 1 and QL5 consoles feature 16/32 built-in Mic/Line Analog Inputs, 18/34 faders, 8/16 built-in Analog Outputs, 32/64 + 8 Stereo input mixing channels capability, and 16 Mix + 8 Matrix (or 24 mix total) + Stereo + Mono Outputs. The built-in Dante interface (Daisy-chain or Redundant modes) provides a 64×64 matrix for the QL5 and 32×32 for the QL1. All consoles feature two MY Card Slots, 8-space Premium Rack, 8-space GEQ Rack, 8-space Effects Rack, and one license of Dante Virtual Soundcard is included.

Yamaha QL consoles are compatible with Nuendo Live (sold separately) and feature Nuendo Live Control, MIDI/GPI Control Ports, and two-track direct to USB and multi-track recording playback capabilities. The QL1 is also rack mountable (RK1 rack mount kit sold separately).

The Yamaha QL Series will be available in early April 2014 at an MSRP of $8,499 for the QL1 and $16,499 for the QL5.

For more information on the Yamaha QL Series, visit www.yamahaca.com.
To witness the new QL in action, visit Yamaha Commercial Audio Systems, Inc. at NAB 2014 in Las Vegas at booth #C2143.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha CL V2.0 Available in May

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced Version 2.0 of the Yamaha CL Series of digital audio consoles being introduced today at PL+S in Frankfurt. This major update includes enhancements for sound reinforcement applications as well as mix-minus capabilities for the broadcast market, broadening the range of applications where CL Series performance can be advantageous. Another significant enhancement in V2.0 is discovery and head amp control for the compact QL Series consoles, also launched today, that inherits CL Series features and performance. A QL console can function as both monitor mixer and I/O rack, for example, while a front-of-house CL console can remotely control the head amp gain of the QL console’s I/O.

New features in CL V2.0 include DCA Roll-Out: Channels assigned to DCA groups can be instantly called up to the console faders for enhanced operational flexibility; output DCA enables the Stereo/Mono bus masters, Mix bus masters, and Matrix bus masters to be assigned to DCA groups. Mix Minus, an important feature in broadcast applications is now provided; with one simple operation the signal from a particular channel can be removed from a specified bus.

“CL V2.0 not only adds features that are also included in new the QL Series launched today, but provides additional support for our core sound reinforcement customers with features that were only previously available on PM digital mixers,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “Future plans include built-in Dugan automatic mixing similar to the new QL Series and additional support for broadcast applications in the CL Series. We will continue to keep a close eye on the market in order to provide features and performance that will maximize our customers’ investment in CL.”

With Read Only Scene Memory, it is now possible to create read-only scene memories. A new Daisy Chain Insert feature allows two devices to be inserted into one channel or bus for enhanced processing freedom. A GR Meter (dynamics meter) Option within the Channel Name Display will show the Dynamics 1 and Dynamics 2 gain reduction meters in the channel name display.

The CL V2.0 update will be available for download from the Yamaha Commercial Audio Systems web site in May and is free of charge. For more information on the Yamaha V2.0, visit www.yamahaca.com or stop by Yamaha Commercial Audio Systems at NAB 2014 in Las Vegas, booth #C2143.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

FSR To Grow Presence In Education Market With New Appointment

GINA SANSIVERO JOINS COMPANY AS DIRECTOR OF EDUCATIONAL SALES

Woodland Park, NJ – FSR, an industry-leading manufacturer of products for the Pro AV market, is pleased to announce the appointment of Gina Sansivero as the company’s new director of educational sales. Jan Sandri, company president, today announced details from FSR’s headquarters in Woodland Park, NJ, noting that in her role, Sansivero is charged with strengthening FSR’s reputation and brand recognition even further within the education market.

In her new position, Sansivero will also be responsible for educating the market about new opportunities for interactive and collaborative learning systems offered by FSR, embedding the company as a primary or top-tier manufacturer of installations in higher-education and K-12 buildings and campuses. Working with integrators and consultants to identify key opportunities for FSR to further address the specific needs of the education market, Sansivero will build relationships with educational contacts and uncover ideas and applications for even more comprehensive and cohesive products clearing a path for company growth in the education marketplace.

“We are thrilled to welcome someone of Gina’s caliber to join the FSR team and help us continue to expand our role as a leading manufacturer within the education market,” said Sandri. “As technology continues to change, along with the needs of those working in a learning environment, it’s imperative that we remain on the cutting edge and continue to supply our customer base with products that specifically address their needs. We are confident that Gina will help us reach our goals.”

Introduced to the audiovisual industry early in 2005, Sansivero has embraced it ever since. She first worked in sales and marketing, and then became a partner at RelampIt in New York. Recognizing an industry need, she combined her passions of environmental responsibility and education to launch Project Green AV (www.projectgreenav.com) in 2008. An industry portal for GreenAV information and dialogue, Project Green AV addresses the changing needs and is a facilitator for Green AV education, news, products, industry highlights and connections. Similarly, Sansivero has helped RelampIt to consistently grow into a well-recognized replacement projection lamp business as a preferred sustainable vendor-partner to AV systems integrators and the vertical markets the AV industry touches. In 2011, Sansivero was awarded the Young AV Professional Award by industry association, InfoComm. Sansivero is also involved with a number of organizations including the Huntington Chamber of Commerce Green and Education committees in New York, Seatuck Sustainability Business Council, the Long Island Volunteer Enterprise (LIVE), and is a regular contributor to rAVe Blog Squad.

“FSR is a recognized, stable and well-respected part of our industry and I am truly excited to have this opportunity to be part of the team,” said Sansivero. “Not only is FSR’s commitment to quality, service and ethical business practices aligned with my own professional values, but I view Jan Sandri as a mentor. This position will allow me the opportunity for continued growth under her ‘coaching,’ while also working in the education market, which I truly love. I welcome the challenges this new position will surely bring and will move ahead with a fresh mind-set to help expand this established company even further into new markets.”

Sansivero can be reached at gsansivero@fsrinc.com or 516-282-5346.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications / Harriet Diener
845-512-8283 • harriet@desertmoon.tv

New York’s Pig ‘n’ Whistle Sounds Better than Ever with Renkus-Heinz

New York, NY – March 2014… In a city with no shortage of Irish pubs, the Pig ‘n’ Whistle Murray Hill truly stands out. At once unique and familiar, it’s a warm, welcoming space where neighborhood residents and visitors alike can gather, chat, enjoy a drink, and watch their favorite game.

But the room’s cozy confines can present some acoustical challenges, with its long, narrow dimensions and high-beamed ceilings making it difficult to achieve the right balance of sound across the entire space. “It’s a relatively narrow room, which makes it hard to provide consistent coverage,” explains John Paturno of Rego Park, NY-based Starview Audio. “The high ceilings add to the boominess.”

The demand was for a budget conscious, high quality sound system that would meet the pub’s needs for intelligibility and tight pattern control. Starview selected a system centered on ten Renkus-Heinz CFX 61 two-way Complex Conic loudspeakers. Six speakers cover the pub area in front, with the remaining four serving the rear dining space. The system is powered by Powersoft amplification, with processing handled by Symetrix Solus 8.

“The CFX61’s coverage pattern is very tight and very accurate, and gives us seamless coverage from box to box with wider spacing between the cabinets,” offers Paturno. “That translates to fewer speakers than we would have needed to achieve this degree of consistency with a different solution.”

Paturno adds, “they needed a system that could provide a comfortable level of background music for the day crowd, but had the capability to get loud enough for the sports crowd. The CFX61 delivers great speech intelligibility, which is great when there’s a full house watching the game.”

Clearly, the new system has more than met the pub’s needs. “Everyone involved is truly pleased with the results,” Paturno reports.

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

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