A virtual press conference from Sound & Video Contractor

Archive of the NSCA Newslink Category

Yamaha CL5 Struts Its Stuff with Charbonneau on The Offspring Live Recording

BUENA PARK, Calif.— The Offspring is an American punk rock band from Orange County, California, formed in 1984. Recently, the band asked engineer Ian Charbonneau to record and mix an upcoming web release. The recording took place in Warsaw, Poland at the Orange Warsaw Festival held at Narodowy Stadium. Charbonneau has worked with the band for the past five years, recording and mixing live TV, Webcast or Radio broadcast they may do Internationally. His last name may sound familiar, as he is the son of LeMobile Remote Recording Studio owner, and mix engineer, Guy Charbonneau. The younger Charbonneau also works on LeMobile’s Le-Fly-Pak system that utilizes a Yamaha DM2000 digital audio console for live broadcast mixing.

“Doing live projects on the road is always a lot of fun and can be very challenging, not necessarily knowing which console and set up I will have to work with. It is always different. A big part of the challenge comes from the very little prepping time and often without any sound check, you just got to nail it”, states the younger Charbonneau. “In the last few years, I’ve expended my own business in consulting, recording and mixing for artists, managements and labels when doing live TV, webcast or broadcast appearances around the globe. It gives both artists and production teams great assurance that someone is looking out for them. As most know, when doing live projects, there’s only one chance of getting things right. I was excited when I found out for this particular project, I would have the opportunity to use the new Yamaha CL5 digital audio console.”

The Poland set up consisted of two consoles, the CL5 used as the main console and a Yamaha DM2000 for backup purposes, all recorded via Nuendo Live. “I chose to try out the new CL5 even though I’m very familiar with the DM2000. I was quite pleased with how easy it was to get around this console,” says Charbonneau. “Very simple and logical layout, I find some digital console today seem to have lost their logic with too many places to do the same things, busy layouts or too many menus and layers like trying to please everyone. It is often too easy to get lost or make mistakes. The CL5 seemed to have been very well thought out.

As for sound, Charbonneau said he was also happy with what he heard. “It was really responsive; I learned over the years working with our DM2000 and other digital consoles that you often have to exaggerate a little when EQing and compressing. The CL5 seemed more natural. I was also impressed on the integration of Nuendo Live; it worked flawlessly. The Dante networking and Rio rack did great. I would be curious to try a CL5 with Le Mobile’s Fly-Pak. Great job on the new console, Yamaha!”

For more information on Ian Charbonneau, visit http://www.ian-c.com.

For more information on LeMobile Remote Recording Studio and Le-Fly-Pak, visit http://www.lemobile.com.

For more information on the Yamaha CL digital console series, visit http://www.yamahaca.com.

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PHOTO ID: Photo 1: L to R: Ian Charbonneau and PogoArt engineer Wojtek Igielski

Photo 2: Narodowy Stadium

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ACIR Professional Supports Forgotten Veterans at VetRock

Egg Harbor Township, N.J.—Bader Field, Atlantic City was the site for the first VetRock concert, held in honor of those forgotten that served in the Vietnam War. Held the first Saturday in June, the concert featured memorable bands from the 70s including headliners Mark Farner from Grand Funk Railroad, Mitch Rider, the Buckinghams, the Traamps, Soul Survivors, as well as local area bands. Special guest speaker was Lt. Oliver North with Joe Piscopo acting as the event’s emcee. The day’s festivities lasted every bit of 12 hours to tribute to Vietnam Vets; Local Vietnam Veteran organizations will receive 100% of profits from tickets and t-shirts sold that commemorate the day.

The main sound system was provided by ACIR Professional (Egg Harbor Township, N.J.) and included the company’s new d&b Audiotechnik J rig, configured with 16 boxes of J8s, four J12s, two Q7 line arrays that were used for front fills, and 20 B2 subs configured in a “sub array” to achieve even coverage of the entire listening area. A Yamaha CL5 and two Rio3224-D remote i/o racks was used at front of house, a Yamaha PM5D-RH was used for monitors, along with Yamaha P7000 amps. A plethora of mics included Shure, AKG, Sennheiser, EV, A-T, Countryman, along with Shure and Sennheiser wireless systems. ACIR also provided, lighting, backline, staging, rigging, and supervised power, video, and barricade installation.

“The Yamaha CL console was excellent from a festival standpoint, and connectivity of the Rio rack with AES inputs digitally was a big plus,” states ACIR co-owner and front of house engineer for the event, John Grasso. “From all accounts, the entire rig sounded pristine, especially our new d&b J rig. It was an honor to be included in this event in remembrance of our Vietnam Vets.”

This was my first experience as a TD for a show of this size so I needed to hire a company who would cover all production elements,” states Sam Schwartz. “From staging to audio, lighting, video, and band gear, ACIR’s great crew worked flawlessly with our IATSE Local #77. I received a number of complements on the new d&b J8 audio rig and its massive sound, It filled our 10 acres of seating area with no sweat. Being responsible for the entire production, you can’t get a better production company than ACIR Professional. They moved quickly to address all the changes and additions that were presented along the way. They made me look very good.

ACIR co-owner, Ed DiBona chose a Yamaha PM5D-RH to mix monitors. “I chose the PM5D for monitors because I needed a console that could handle a large number of mixes, both wedges and in-ear monitors, with a mixture of mono and stereo outputs. The exceptional sound quality and ability to quickly make changes and mix on the fly made the 5D the only choice for this fast-paced, high- profile show. The desk performed flawlessly all day. The promoter was extremely happy with the entire sound system, and we received many compliments from performers.”

For more information on ACIR Professional, visit www.acirpro.com.

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Photo ID: John Grasso at Yamaha CL5 digital console

ASHLY RATED THE TOP AUDIO ENTRÉE AT CHEF ROB’S CARIBBEAN CAFÉ

SANDY SPRINGS, GEORGIA – MAY 2013: Located in Sandy Springs, Georgia, Chef Rob’s Caribbean Café has been a culinary destination for Atlantans since 2006. The restaurant’s success inspired Chef Rob to open a sister establishment next door, Chef Rob’s Upscale Lounge. Of course, the lounge would need an authoritative sound reinforcement system and a high-end video system, and because the two establishments share staff, customers, and a wall, it was also an excellent time to update the café’s audio and video system. Local A/V integration firm T. Magee, Inc. designed and installed a new value-engineered sound and video system based on Ashly Audio processing, amplification, and user control that gives both establishments access to the same source material and yet provides each establishment with independent source selection and volume control.

Todd Magee, the eponymous owner of T. Magee, Inc., spent decades behind a live mixing console before concentrating his attention on the more geographically-rooted profession of A/V integration. Nevertheless, he continues to tour the world (though less occasionally now) and has worked with seventeen Grammy-winning artists, including Gladys Knight, OutKast, and Loretta Lynn. To be sure, Magee knows what it takes to make audio sound great. “Chef Rob’s Caribbean Café used to use a home-grown stereo receiver with long loudspeaker runs,” he explained. “They wanted to upgrade that to a commercial system and to tie it into the video system. On the lounge side, they wanted access to all the same music and video inputs that they had on the café side, plus inputs for a DJ.”

Stereo inputs to the system include a DMX Pandora receiver, two satellite receivers, and three floor boxes on the lounge side. Each floor box includes stereo XLR inputs, stereo ?-inch inputs, and stereo RCA inputs. An Ashly ne24.24M modular processor, configured with twelve inputs and eight outputs, provides input processing, matrixing, and loudspeaker equalization and delay. Because it is so easy to add inputs or outputs to the ne24.24M, Magee will soon add four more inputs to accommodate the lounge’s recent request for a few handheld wireless microphones.

Five Ashly KLR 2000 amplifiers, three on the lounge side and two on the café side, power the system. High fidelity Australian Monitor loudspeakers and SoundTube subwoofers complete the system. “One unique aspect of this installation is the rack system we used,” said Magee. “There are four racks recessed into an area near the entranceway. It’s an elegant, out-of-the-way place to put them, and when we need access, they pull out and rotate 90-degrees. Very cool.”

He continued, “I’ve been an Ashly fan for years. I first worked with Ashly’s analog crossovers, GQX series equalizers, and compressors in live audio. Now their digital equipment reflects the same commitment to quality that I heard so many years ago. The sound quality is comparable to units from other manufacturers that cost twice as much. The IP-based control and communication is also very nice.” A pair of Ashly neWR-5 wall remote controls provide all of the system management required – source selection and volume control.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

SYMETRIX ANNOUNCES AN INTERACTIVE AUDIO CONFERENCING CALL-IN DEMONSTRATION

SEATTLE, WASHINGTON – JUNE 2013: Symetrix announces an interactive call-in demonstration of the SymNet 4 Channel Acoustic Echo Cancellation (AEC) Input Option Card, for installation in both SymNet Edge and Radius AEC DSPs. The SymNet audio conferencing demonstration is fully automated, originating from a conference room at Symetrix headquarters. The demo is available 24/7/365 by calling 1-425-640-3331.

During the demonstration, the caller’s voice is played live from an array of loudspeakers, picked up by an array of microphones, recorded, and routed back to the caller first with AEC bypassed, and then with AEC engaged. In this way, the caller experiences firsthand the effect of three audio conferencing subsystems: acoustic echo cancellation, automatic gain control, and noise cancellation. Additionally, DTMF tones are decoded within the context of the demonstration allowing the caller to repeat, skip, or fast forward using their phone’s keypad.

“The Symetrix AEC Demo room is unique,” said Ryan Curtright, senior technical sales engineer. “This is the only fully-automated conference room in the world where a customer can call in 24/7/365 from any phone and hear AEC, AGC, and noise cancellation in a real world scenario. The caller even has the ability to repeat sections by hitting a few digits on their phone, so they can hear a particular feature a second time without having to hang up and redial. This is an incredible sales tool for our reps, integrators, and anyone else who wants to experience the benefits of a SymNet conferencing system. This is also a fantastic remote-end for our partners who are commissioning systems and need an always-available remote system to test phone audio levels and functionality of the local room.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

STOP BY AND SEE US AT INFOCOMM BOOTH #922

NEXO STM Rocks the Range

BUENA PARK, Calif.—Columbus Crew Stadium in Columbus, Ohio was the place and mid-May was the date of this year’s Rock On The Range Festival, marking the seventh annual rock festival expanded to three-days this year due to its success and interest by bands to be part of the line up.

Once again, Logic Systems Sound and Lighting of St. Louis handled audio and lighting production for the 105,000+ concertgoers treated to music over three stages by Love & Death, Hollywood Undead, Buckcherry, Cheap Trick, Korn, Pop Evil, All That Remains, Halestorm, Papa Roach, Three Days Grace, Smashing Pumpkins, Sevendust, Bush, Alice In Chains and Soundgarden, to name a few.

The crowd was treated to superb sound as this year Logic Systems brought in the new NEXO STM line array to the main stage that consisted of 36 STM M46 main cabinets, 36 B112 bass cabinets, 36 S118 subs, 10 NUAR racks, 12 GEO-Ts, and 12 CD-18s. A Yamaha PM5D-RH was used as the primary monitor console for the main stage.

“The overall response to the new NEXO STM system by guest engineers was very good,” states Chip Self, President, Logic Systems Sound and Lighting. “Everyone was duly impressed by the sound quality and the overall SPL achieved with so few boxes. The rigging on the STM is exceptional, and very fast. We were able to fly each side of the main PA with just four crew in less than 20 minutes!”

In related Logic Systems news, the company brought in their NEXO GEO T rig for the Carolina Rebellion Festival that took place in the beginning of May at the Rock City Campground located at the Charlotte Motor Speedway.

For more information on Rock On The Range, visit www.rockontherange.com.

For more information on Logic Systems Sound and Lighting, visit www.logicsound.com.

For more information on the NEXO STM, GEO T or Yamaha PM5D-RH, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

New Hope Baptist Church Goes Digital with Yamaha CL1: Adds to DSR Arsenal

ATLANTIC CITY, N.J.—Initially opening in 1941, the 250-seat contemporary-style New Hope Baptist Church in Atlantic City, New Jersey recently wanted to switch their analog mixer out for a digital mixer and chose a Yamaha CL1 equipped with a Rio3224-D input/output box. ACIR Professional (Egg Harbor Township, N.J.) was responsible for the installation and at the same time, upgraded their current DSR speaker system. In 2012, the church added a few Yamaha DSRs and DSR subs, and craving for even more coverage, they just added two DSR115s, four DXR12s, and two more DSR118 subs.

“The church fell in love with the CL1,” states Bobby Harper, Vice President/Sales, ACIR. “They wanted to be able to easily record to multi-track and utilize the Dante networking functions.” Harper also said the church staff is thrilled with the DSR and DXR coverage (the DSRs are flown).

“Our new Yamaha speakers gives us an overall bigger, but controlled sound,” states Minister John W. Howard, Jr., Director of Worship and Arts. “Bands and groups from outside of our church are now renting our space because of our new sound system! The recording capabilities and functionality of the Yamaha CL1 is priceless and easy to use. Our audio staff loves the new system and has learned the CL1 very easily. We work with a number of bands and gospel groups, so the console’s ability to save scenes, saves a lot of work. I would recommend our Yamaha system to anyone.” Minister Howard noted that on any given Sunday, there are 2-3 musicians and 9-20 in the choir.

For more information on ACIR Professional, visit www.acirpro.com.

For more information on the Yamaha CL1 and DSR and DXR speakers, visit www.yamahaca.com.

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PHOTO CREDIT: Digital Warmth

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

RF VENUE PARTNERS WITH REVOLABS® TO PROVIDE REMOTE ANTENNA EXTENSION SYSTEM

ASHLAND, MASSACHUSETTS – JUNE 2013: Under a new co-marketing agreement, RF Venue will offer Revolabs® dealers and installers its new directional Remote Antenna Extension System, designed for use with Revolabs’ Executive HD wireless microphone systems.

The wall mounted antenna features 9 dB of gain and a directional pattern, which improves RF signal level and coverage area for installed systems, giving system integrators and designers greater flexibility in locating wireless equipment racks and overcoming RF signal loss over coaxial cables. The Remote Antenna Extension System also features four high-quality coaxial cable leads terminated with N-type connectors and a high-quality eggshell white enclosure, which may be painted to match the color of any interior. The Antenna Extension System is also available bundled with plenum-rated low-loss coaxial cables in lengths of 25, 50, and 100 feet with custom lengths and cable types available.

“We are excited to be partnering with Revolabs to provide this important piece in the wireless signal chain,” commented RF Venue CEO Chris Regan. “The 1.9 GHz frequency band has numerous advantages, such as freedom from interference, but signal attenuation from walls, in between floors, and long coaxial cable runs can make locating equipment a challenge. Our Remote Antenna Extension system for Revolabs overcomes these issues and gives system designers and installers much greater flexibility to integrate the system with the client’s facility.”

“More and more system design consultants and integrators are locating audio/visual equipment racks in dedicated IT equipment rooms, which neatly consolidates a facility’s equipment but poses challenges for wireless signal distribution,” commented Revolabs CTO Tim Root. “The RF Venue Remote Antenna Extension System is a turnkey platform for Revolabs Executive HD products that will greatly facilitate integration and improve system performance in multi-room applications.”

The Remote Antenna Extension System is available directly from RF Venue and qualified dealers may apply at www.RFvenue.com and place orders with the company.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

STOP BY AND SEE US AT RF VENUE INFOCOMM BOOTH #1075 OR REVOLABS BOOTH #2181

UC Irvine’s Celebrated Sound Design Program Adds DiGiCo SD9 To Curriculum

The University of California, Irvine is home to a celebrated Sound Design program created in 2006. Under the umbrella of the Drama department at the university’s Claire Trevor School of the Arts, the program is spearheaded by Mike Hooker along with Vincent Olivieri, who is the head of the undergraduate sound design program. Late in 2012, the department added a DiGiCo SD9, DRack and UB MADI into its inventory, which made its debut on a series of student-designed programs this spring. One of those shows was the Festival of New Musicals, a unique partnership between the university and the Academy for New Musical Theater, a three-decade-old creative incubator. The alliance paired the talents of professional writers and composers affiliated with the ANMT with UCI students to create the fourth annual festival, staged at UCI’s xMPL – Experimental Media Performance Lab (featuring a flexible seating capacity of 25-150) this spring. One of the festival pieces, ‘Digital Natives’, featured sound design by second year MFA student, Matt Glenn. [Pictured L to R: UCI MFA student, Matt Glenn; Karli Blalock, Assistant Sound Designer; Vincent Olivieri, head of UCI's undergraduate sound design program.]

“One of the interesting things about the way we run our sound design program here is that, with little exception, all of the equipment we own is independent of venue,” explains Olivieri. “Most of the equipment is kept in storage, in workshop rooms, and when a show is being developed, the sound designers are able to choose the tools that they need for their particular project, and can spec what they need and just plug in and play.”

The SD9 was the first DiGiCo purchased by the school and was chosen by Mike Hooker, UCI’s Head of Sound Design, in conjunction with RSPE Audio Solutions. “We knew that we were looking for a digital console of a certain size,” Olivieri recalls, “something that was beefy and designed for live playback and mid-range in size. The SD9 fitted that bill perfectly as it’s great for a mid-size show like this.”

The ‘Digital Natives’ piece comprised a juxtaposition of technology and digital feeds against a backdrop of singers and piano accompaniment for a total of 27 inputs (mics, iPod feeds, playback audio off of multiple computers) and a dozen outputs. Glenn configured a deceptively complex playback system, complete with different sounds and setups configured on different templates within the console. Having the ability to recall these different scenes at the push of a button was huge. Additionally, the SD9 was the perfect console not only for its expandability and versatility, but also for its diminutive size for the small theatre space. And, for a first-time user, Glenn was able to get up to speed quickly by watching the online product videos prior to getting hands-on with the console.

“I wanted to keep the console size down, but I also couldn’t sacrifice the number of channels,” adds Glenn. “Back in the planning stages of this show, before I really knew what it was going to be, I didn’t necessarily know how many mics I would have or how big the pit would be but I wanted to keep open my options with the stage box. With the DiGiCo console, I could have up to 32 inputs from stage from just one D-Rack with the expandability for the future of adding another and you wouldn’t necessarily get that with other consoles. I also wanted an interface that I could intuitively navigate around. The SD9 has a structure similar to Pro Tools and other digital audio workstations (DAWs) and when I started playing with the SD9—my first time using a DiGiCo in a real setting—the way it’s laid out just made sense to me. I didn’t want to be fighting my own brain in the middle of tech, especially with this show, where it’s a really fast turnaround of only three-days. That, the expandability and the ability to write snapshots so quickly and easily, it just all came together with the SD9.”

Onstage, I have six Meyer loud speakers that make up the main system and a subwoofer, plus an additional six loudspeakers placed around the stage for various effects. I’m also using two different internal stereo reverbs that are feeding some of the main speakers. I’m also sending my playback channels to various places around the space to kind of give a surround sound for some of the cues, and they also add a bit of warmth for some of the voices onstage. During pre-production, every time I want to change an EQ or I how much reverb is on a person, I was able to program a macro to update the current snapshot I was working in, and quickly get to it without having to think twice about it. Having eight macro buttons is one of the things I love about this board. Beyond that, there’s so much more to explore with this console but honestly, this show is so fast-paced, I don’t get much of a chance to!”

Moving forward, Oliveiri says the console will serve them in myriad ways, for different productions in varying venues. “We do a lot of shows in a lot of different spaces, and the SD9 is going to be an excellent tool for us for mid-sized musicals and musical events. It’s also going to be useful for us on workshop productions, where the technical needs aren’t always completely known in the early planning stages. For those kinds of productions, the flexibility of a console like the SD9 is essential in order to allow the sound team to quickly respond to unexpected needs.”

Wirebox Media Provides Production Services for Auburn University Last Roll: NEXO System Plays Key ‘Role’

BUENA PARK, Calif.—Wirebox Media of Smyrna, GA was selected by Auburn University to provide production services for the Auburn Oaks Celebration at Toomer’s Corner that included a block party and “One Last Roll” of the historic oak trees. The event took place in late April just after a record-setting attendance at the spring football game. The attendance at Jordan-Hare Stadium was over 83,400, and the downtown celebration was thought to be very close to that number. Auburn Oaks rolling has been a tradition for nearly 80 years; the trees are then replaced by live oaks.

The audio production system selected by Wirebox Media was centered around a NEXO GEO S 12 loudspeaker system and NEXO PS15R2 and PS10R2 monitors. “The NEXO system is consistently predictable, and sound fantastic,” states Tim Harrigan, Owner, Wirebox Media. “This job, in particular, proved the ease of use for the GEO S12 Series as we didn’t even have time to tune the system before the show and made very few adjustments in the first few minutes.” A total of 32 NEXO GeoS12 cabinets were configured as 10 per side for main hangs with an additional 6 per side for out fills, all powered by 8 4×4 NXAMPs.

“Staging a block party in three hours was not that simple,” says Harrigan. The complexity of the event snow-balled in the ten days Wirebox had to prep for the event that involved a nationally attended press conference with VIP’s from AU and the city, highlighted by a kabuki drop for the new architectural plans for the area, a spirit rally headed by the AU Band, and the event finale featuring a concert by local band Kidd Blue.

“Design and planning was key as the day was really four separate events: load-in/setup, press conference, spirit rally, and concert,” Harrigan notes. “This was all compounded by the three-hour setup time and the massive crowd. We could not have successfully completed this without a stellar crew, great clients and the cooperation of the City of Auburn, the Chamber of Commerce, and the Auburn Police Department.”

For more information on Wirebox Media, visit www.wireboxmedia.com.

For more information on NEXO products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

TV One Introduces Breakthrough CORIOmaster mini The industry’s first compact all-in-one videowall processor

ERLANGER, KY, June 3, 2013— TV One (www.tvone.com), a leading designer and manufacturer of cutting-edge video and multimedia processing equipment introduces the CORIOmaster mini, the industry’s first compact all-in-one videowall processor.

The new CORIOmaster mini fits up to 12 High Density Universal DVI or HDBaseT ports within a breakthrough 1 RU frame. This allows users to design full-scale 3×3 video walls while eliminating a rack’s worth of discrete video components. The efficient CORIOmaster mini saves up to 10X the power required to drive complex video walls.

 

The industry’s first compact all-in-one videowall processor

“The radical CORIOmaster mini design allows a 1RU system to perform the full range of demanding videowall processing tasks,” said Sean Burke, President, Nortek Technology Solutions Group. “Like its big brother, the mini achieves stunning performance through the patented TV One Parallel Processing architecture.”

CORIO Parallel Video Processing Architecture tightly joins patented CORIO® video engines with up to 10 independent video processors. This radical design supports up to 26 Billion video matrix calculations per second. To ensure optimal parallel bandwidth, video transfers between the CORIO video layer(s) and video I/O processors occur at an industry-leading 4 Gigabits per second per I/O channel.

This design allows a single all-in-one system to perform the range of video tasks simultaneously, including: real-time video rotations, multi projector edge blending, image warping, transitions, still image store and logo keying. This combination plus the mini’s software upgradeability ensures that customers maximize the long-term value of their video wall investment.

The CORIOmaster mini delivers Real Time Video Quality with a less than two frame signal delay from input to output regardless of video resolution and frame rates. Only CORIO technology can massively parallelize video tasks to deliver the highest quality video possible at ultra-low latency.

Complementing the processing skills of the mini is an unparalleled I/O versatility. Universal DVI I/O modules support the full range of analog and digital formats as well as universal conversion to virtually any HD or PC resolution. The CORIOmaster mini design further supports HDBaseT, 3G/HD/SD-SDI and future Cross-Fade and 4K output modules. This versatility gives users unmatched flexibility to configure the mini to meet every video wall need.

The CORIOmaster mini base unit has a Manufacturer’s suggested Retail Price of $10,995. Come see the NEW CORIOmaster mini on demonstration and display at the TV One booth # 3931.

Please visit www.nortekinc.com for more information

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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