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New NEXO STM Line Array and Yamaha Consoles Put Finishing Touch on Funshine Festival

TAMPA—More than 30 acts performed over five musical stages during Funshine Fest, held May 3-5 on the fairgrounds of Florida State in Tampa with an attendance of 20,000. Main stage artists included Train, the Smashing Pumpkins, REO Speedwagon, Styx, the Wallflowers, Cheap Trick, New Found Glory, Gary Allen, and Chris Carrabba of Dashboard Confessional.

ESI Audio of Tampa provided audio production, and this year, the new NEXO STM was used as the Live Nation Amphitheatre main stage line array. Company President, Erick Celeiro, functioned as FOH tech and Ozzy Giron acted as monitor tech on the rig. The system consisted of 15 M46 per side flown, 15 B112 per side flown, 32 S118 subs ground stacked, 10 NUAR racks that included 2x 4×4 NXAmps, and four M46s stacked on S118 subs for front fills. The entire system was running from front of house via the Dante network to the amp racks. A Yamaha PM5D was at the front of house mix position.

About the new STM system, Live Nation Amphitheatre production manager Andy Martinez said, ” I have seen many systems come in and out of here, and never had a system that rigs and flies so easy and sounds amazing.” And, REO front of house engineer, Neil Schaefer, added, “I had the pleasure of using the NEXO STM, and having had plenty of time in front of NEXO rigs over the years, my expectations were high. The STM PA is very tidy with clever rigging. Most important, it sounded very good. Smooth, powerful, and responsive; a very nice rig indeed!”

The NEXO STM Series (Scale Through Modularity) loudspeaker cabinets are the first of its kind on the market and combine the best of Alpha functionality with the technical innovation of GEO waveguide designs, delivering a powerful, flexible, and easy to use system. STM enables line array systems to scale up or down depending on event audience size, from 1,000 to 100,000 people. STM is unique in that it is the first vertical array system to offer scalable LF, making it easy to add extra bass cabinets for increased power and headroom, without introducing unwanted phase anomalies.

The outdoor Pavilion Stage used a NEXO GEO T line array along with a Yamaha CL5 at front of house used by mix engineer Jan Javier, with a CL1 at monitors for engineer Rob “DH” Durkee. “I felt very comfortable taking the CL out for the three-day festival with multiple bands, some with their own engineers, some without,” states Javier. The CL screen is like the difference between a regular VHS tape and a Blue-Ray DVD. I was using AES outs all the way to the amps. The system sounded great, the desk was very easy to use from the first day. The next day, I put the Premium Rack’s Portico Compressor in stereo in the left and right, and what a difference, just passing through the unit; smooth and warm become the words to best describe the sound. I used the DCAs, as I am used to mixing that way. Assignments are very easy, and finding my way around the desk is simple and very intuitive.”

“The guest engineers were amazed at the sound of the desk and how friendly it is, notes Javier. All who used it said they would tour with it.” Javier said they ran the stage rack onstage, and ran a cat6 snake out. He also said he noticed the pre-amps are much more responsive and a lot warmer out of the box. The Pavilion Stage hosted Lone Bellow, Tonic, Big Sam’s Funky Nation, and Dead Confederates. “They all loved the sound.”

The Concourse Stage housed a Yamaha CL1 at front of house with mixing by Bryan Rogers and Justin Lenards. An LS9 was used for monitors. Rogers said the CL1 was “like butter… smooth and creamy.” Lenards who mixed FOH and Monitors said “Love it, great little console.”

For more information on ESI Audio, visit www.esiaudio.com.

For more information on the NEXO STM and Yamaha CL Series, visit www.yamahaca.com.

-END-

Photo ID: NEXO STM and Yamaha PM5D during FOH mix for Styx
Photo ID: L to R: Pat Clark, VP ESI, Yamaha’s Brian Coviello, Andy Martinez, Live Nation Amphitheater Technical Director

DATATON GETS THE VOTE AS PROVINCE OF ONTARIO GETS NEW PREMIER

Show Sage and Dataton will exhibit on Booth 3915 at InfoComm 13 at the Orange County Convention Center, Orlando, FL, from 12-14 June 2013.

WATCHOUT powers ‘history in the making’ at Liberal Party Convention in Toronto

In a powerful demonstration of its ability to integrate live data into a multimedia production with both local-venue and broadcast connectivity, Dataton WATCHOUT™ multi-image display and presentation software has been deployed as a key presentation tool at the Canadian Liberal Party’s Ontario Leadership Convention in Toronto.


The WATCHOUT licences were supplied to Mediaco by Show Sage, Dataton’s Premium Partner for North America. Jim Testa, President, Show Sage, comments: “Whether it’s equipment rental, lighting and staging, technical production or fully fledged system design, Mediaco is a highly innovative and trusted partner, and it was a pleasure to support them in the creation of the Liberal Party Convention multimedia show.”

The Convention, which resulted in the nomination of Kathleen Wynne as the first openly gay female Premier in Canadian provincial history, was held in Toronto’s historic former Maple Leaf Gardens building and took place over two days in January this year.

Local event production company Mediaco was responsible for the technical system design and co-ordination of the event, including all on-site AV provision and appropriate OB feeds to Canada’s broadcast community. Mediaco has just rebranded aligning themselves to providing the fastest service and support possible.

Matt Farrell, Mediaco’s Production Manager for the Convention, takes up the story: “The Liberal Party is the sitting party in Ontario so this was no ordinary Leadership Convention – it was a congress to elect a new leader for the entire province of Ontario. As such there was an enormous amount of media attention, in addition to all the hectic negotiations you would expect from a Convention where six candidates have to be reduced down to one winner in a matter of 48 hours.”

Mediaco’s work on the project began a week ahead of the Convention’s opening, with lighting and audio systems being hung over truss in a series of eight-hour shifts. “We came into the building the day before and had to be loaded-in by 4pm for the start of rehearsals,” Farrell continues.

“We had three separate rear-projection displays, using WATCHOUT to create a single HD backdrop that could also be divided into three, depending on the requirements of the event and the timing of the votes inside the venue.

“The screens showed a mixture of pre-made images created by our in-house content team, live camera feeds of the candidates making their pitches to the Convention delegates and other key party members delivering speeches and, last but not least, the big numbers for each candidate as the votes were tallied up.”

As well as the edge-blending and scheduling capabilities of WATCHOUT, Mediaco also used the software platform’s geometry correction functionality for projection onto the center screen because of installation issues caused by the building design.

WATCHOUT’s timeline-based show management tools also allowed direct integration with pre-programmed sound effects and cues that were fed into the on-site audio desk.

The complete audio and video feed was then made available to a broadcast connection that was used live by local stations and in highlights packages by national networks.

Throughout the two-day Convention, Mediaco staff had to adapt the content of their main display to accommodate the shifting political landscape of the event – as Chris Cameron, Technical Director at Mediaco, relates:

“There were a lot of last-minute changes to the presentation which we were able to accommodate into the WATCHOUT timeline because the software is just so easy to use. Once on-site we used the platform’s ability to take data from a live input capture card. This allowed us to broadcast up-to-date voter statistics throughout the frenzy of delegates transferring their vote from one candidate to another as each round of voting was completed.”

Fredrik Svahnberg, Marketing Director, Dataton, concludes: “People tend to associate WATCHOUT with artistic content, and rightly so. But in this particular application we see the power of our platform to act as a communications tool as political history is being made – to the benefit not just of the local audience but to the millions watching broadcast channels at home.”

ENDS
About Show Sage
Show Sage LLC is Dataton’s Premium Partner and distributor in North America. For over a decade, Show Sage has provided sales, training and support to WATCHOUT users across the U.S. and Canada. Show Sage also sells, rents and supports a broad line of specially configured, WATCHOUT-tuned computer systems.

About Dataton
Established in 1973, renowned Swedish show control developer and manufacturer, Dataton this year celebrates its 40th year in business. The company serves its core markets in multi-media entertainment, visitor attractions, digital signage scenography, event production and corporate A/V. The company’s flagship products include the WATCHPAX™ media server, award-winning Dataton WATCHOUT™ multi-display production and presentation system as well as the intuitive Dataton PICKUP™ audio guide. The entire range is supported by Dataton’s established global distribution and reseller network.

For further information about this and other leading products please visit www.dataton.com or contact:

Manufacturer Enquiries
Fredrik Svahnberg
Dataton AB
Telephone: +46 70 3228557
Fax: +46 13 138445
Email: fredrik@dataton.se

Publicist
Katinka Allender
Telephone: +44 (0) 1491 571402
Mobile: +44 (0) 7887 711 246
Email: katinka@k-communications.com

Kinky Boots Has Broadway On Its Feet With DiGiCo

With songs by rocker girl Cyndi Lauper and story by celebrated actor/playwright, Harvey Fierstein, Kinky Boots has Broadway on its proverbial feet. Based on the 2005 British flick about a struggling shoe factory that reinvigorates business by making fetish footwear for drag queens, the show opened to rave reviews—and a TONY award nom on the horizon. In keeping with many award-winning shows on the ‘Great White Way,’ sound designer John Shivers opted for a DiGiCo SD7T to handle the production, after becoming familiar with the system on his previous productions for Bonnie & Clyde, Sister Act and The Lion King overseas. The SD7′s powerful system and diminutive size made it a perfect fit for the new show.

“A few years ago, I saw a brief demo at Masque Sound when the SD7 first became available,” he recollected. “Seeing the feature set and the redundant engine and power supply all onboard got me interested. When designing The Lion King for Singapore in 2010, part of my negotiation involved suggesting that we swap out the Cadacs with SD7s in New York and London for both creative and financial reasons. Before I knew it, I’d gotten an email telling me to move forward. Within 6 weeks of that conversation we were implementing the SD7s on the New York show and a month after that we were doing the same in London. I’ve been using SD7s pretty much on every show since.”

Shivers says the console offers a lot of flexibility, especially with the new “T” software, which he says brings features and functionality specific to our needs on theatrical productions as well as a solid sounding foundation in a very compact package.

“The SD7T software has added these very beneficial features thanks to [award-winning sound designer] Andrew Bruce’s involvement in the development. Having onboard compression, gating and delay—along with the programmability and recallability of those parameters on every channel—opens up possibilities that you just can’t have with an analog console. It’s definitely been an upgrade for us from that standpoint. A positive byproduct has definitely been the size of the console, which allows you to get into smaller spaces and require less seats and has served as a large financial windfall for producers. For me, from a purely creative and design standpoint, it’s about the capabilities of the console. I’m not one to follow the crowd necessarily, but the SD7 has become a standard of our industry and the reason everybody’s using them seems clear. It has proven itself to be a very capable and reliable console.”

“The SD7 with the ‘T’ software option has indeed proven to be a very good investment for Masque Sound,” says Masque’s Scott Kalata. “It has near-universal client acceptance, unlimited flexibility and its small footprint make it the ideal choice for today’s theatrical sound designer.”

The show’s Associate Sound Designer & Production Sound Engineer David Patridge has mixed on virtually every make and model DiGiCo has offered since the D5 in his two decades on Broadway. He, too, raves about the increased functionality that the Theatre Software offers.

“This is the number one reason for using SD7 in my opinion,” he offers. “We really appreciate all of the work that DiGiCo has undertaken, in tandem with Andrew Bruce, in developing a purpose-built version of the SD7 software for the theatrical market. DiGiCo has been very responsive in listening to end-users and new features are added and perfected constantly along with the elimination of oddities and bugs.

“I could fill pages on all of the features and how we use them. Specifically, the Auto Update is a great feature on its own but when it is employed as part of the theatre software it is really powerful and allows the desk to remain automated to a much larger degree than other types of desks. Typically, when using a recallable desk, you would need to dumb-down many of the features in order to avoid constantly recalling entirely new settings each time a scene is recalled. With the theatre software, you can expect the desk to operate in a ‘manual’ way but with full and selectable recall ability from moment to moment. On other productions such as The Lion King, we have enjoyed using the Gain Tracking ability of the desk in a creative new way. There is no other desk that I know of where you can assign headamps to a redundant set of control channels dedicated to band monitoring and then have the digital trim of those redundant channels track changes to the headamp. DiGiCo has really stepped up by providing a console that provides us with the greatest creative freedom when doing theatrical sound designs.”

“We use the onboard processing extensively for band reverbs and dynamics, which really cuts down on the real estate at the FOH position. The only outboard gear we’re using is a couple of Avalon Tube Compressors for our lead vocalists to fatten up their vocals. We also have a TC6000 System and Eventide H3000 for Vocal Effects/Reverbs etc. We are not using Waves yet, but I am interested in doing this in the future.”

The show’s system inputs total 116 analog and 6 AES, in addition to 60 analog outputs and 14 AES outputs. The production uses a pair of DiGiCo SD Racks along with the local I/O and MADI for the QLab playback system. They took advantage of the onboard MADI Split on the SD Rack in order to provide audio to a Yamaha PM5D monitor console. “The new racks offer a host of features positioning them well for use where audio is being split to a number of places like OB trucks etc., without needing to tap into the topology of the SD7 audio engines.”

By its very nature, Patridge explains, the SD7T solves many of the issues that crop up when dealing with a theatrical piece. “The cuelist structure, MIDI implementation, onboard input and output dynamics, the desk footprint and the Auto Update features not to mention the desk’s excellent sonic characteristics make choosing an SD7T a no-brainer. And in terms of flexibility and ease of use, I would say that DiGiCo is at the top of the ladder. There is no other digital desk that offers the same degree of theatrical features. The desk is also designed in such a way that it is very simple and intuitive to explain it to a new operator. Sonically I would say that that DiGiCo is on par with the top of the marketplace. Often the weakest link in any sound design is things like the content, mic positions or the room architecture. I don’t get the sense that any of the available top-of-the-line digital consoles add much of a sonic signature, although certainly you get what you pay for. We have been very pleased with the results that we get from DiGiCo desks.”

FSR Teams With NSCA and WAVE to Sponsor Networking Reception at InfoComm 2013

Woodland Park, NJ – FSR, along with co-sponsors NSCA and Women in AV (WAVE), will host an informal reception on Wednesday, June 12, from 5 to 6:30 p.m. at The Peabody Hotel in Orlando, Florida. The event coincides with opening day of the InfoComm, the premiere trade show for the commercial audiovisual industry. Women are encouraged to attend the unique reception where they can network with colleagues, share success stories, industry tips and ideas.

“It’s an honor to sponsor this reception,” said Jan Sandri, FSR president. “It’s important to provide opportunities that allow women from all industry segments to mingle with their peers, share knowledge, and benefit from one another’s successes. We’re pleased to join NSCA and WAVE in this initiative. “

Register today for the reception at www.womeninav.com

About FSR – www.fsrinc.com
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions. The Flex LT control systems and IT-AS411 Series Audio Switcher/Amplifiers are 100% made in the USA.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives.

About NSCA
The National Systems Contractors Association (NSCA) is the leading not-for-profit association representing the commercial low-voltage electronic systems industry. NSCA is a powerful advocate for all who work within the low-voltage industry, including systems contractors/ integrators, product manufacturers, consultants, sales representatives, architects, specifying engineers and other allied professionals. NSCA is dedicated to serving its contractor members and all channel stakeholders through advocacy, education, member services and networking designed to improve business performance. For more information, visit: www.nsca.org

About WAVE
WAVE’s mission is to support women within the AV industry through collaborating, mentoring and networking opportunities. The popular Twitter group, !Womenin AV was formed to encourage women to become involved in both technical and management roles within the electronic systems industry.

# # #
FSR Contact: Jan Sandri, President
973-785-4347 • sales@fsrinc.com

FSR Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

NSCA Contact: Cathy Mrosko
Senior Director of Government Affairs and Industry Outreach
571-263-9800 • cmrosko@nsca.org

CRAIG RICHARDSON, Ph.D., JOINS SYMETRIX AS V.P. OF GLOBAL SALES

SEATTLE, WASHINGTON – MAY 2013: Symetrix announces today the appointment of Craig Richardson to the position of Vice President of Global Sales. Richardson assumes responsibility for management of the company’s worldwide sales and business development. Richardson most recently served as Vice President of A/V Integrator Market Development with Polycom and prior to that was the Vice-President and General Manager of Polycom’s Installed Voice Business for many years. According to Symetrix CEO, Paul Roberts, “Craig Richardson is a major player in the world of audio for voice and video conferencing. We’re extremely excited to have a person of his caliber on board as we rapidly add teleconferencing products to our complete range of digital signal processors and accessories.”

“At Symetrix, I found a company with talented and dedicated people, a reputation for great products and customer-support, and a palpable level of enthusiasm for their new products and direction,” said Richardson. “It’s exhilarating to experience the passion and focus a rapidly growing company like Symetrix has for creating best-in-class products and services.”

During InfoComm Richardson will deliver a session called, “Designing and Troubleshooting Audio Conferencing Systems” on Wednesday, June 12th from 8 am to 10 am.  The session will focus on the lifecycle of an audio conferencing system: from the needs assessment and design guidelines to troubleshooting during installation and commissioning. “This session will streamline participants’ installation efforts and allow them to finish an installation sooner and with greater customer satisfaction,” said Richardson. “From a solution perspective, Symetrix’ new conferencing products, including SymNet Edge, the SymNet 4 Channel AEC Input Card, and SymNet Radius AEC, have a number of unique strengths including audio performance, audio routing options, form-factor, and price points. Their flexible architectures support both cost-effective smaller conferencing systems typically with eight or fewer microphones, and large, complex, conferencing systems connected via a Dante network over Ethernet.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

STOP BY AND SEE US AT INFOCOMM BOOTH #922

Canadian Duo Uses Yamaha CL Digital Console On International Tour

BUENA PARK, Calif.—Tegan and Sara’s 13-year career has seen them build an avid global following of fans and fellow musicians alike. Born in Calgary, Alberta, the Quinn sisters’ unique ability to bridge the pop and indie worlds has allowed their music to cross all traditional boundaries of genres, from being covered by The White Stripes to collaborating with superstar DJs such as Tiesto and David Guetta. Having sold nearly 1 million albums and touring with acts from The Killers to Neil Young, Tegan and Sara are on the road in support of their 7th studio album – “Heartthrob”.

A Yamaha CL3 digital audio console with two Rio3224-D racks has been provided by Gearforce of Coquitlam, BC, Canada for front of house mixing by Scottie Baldwin. Robert Nevalainen, President of Gearforce said that it became obvious early on that the CL line represented a leap forward in audio quality. “Yamaha managed to retain the Centralogic interface that so many engineers love, and the company has such market penetration, that it just made sense.”

“The CL Series sounds amazing; a perfect blend of the sonic purity and coloration add up to the most musical console on the market,” states Baldwin. “I’ve found the Dante networking to be not only simple to set up, but incredibly reliable as well. The simple setup of the Dante network gets me where I need to be: into the music. Baldwin says he makes extensive use of the console’s Premium Rack; specifically, the Neve compressors and EQ’s as well as the multi-band compressors.

Baldwin has been a Yamaha end user engineer from the first days of Yamaha digital consoles. In 2002, the Yamaha PM1D was the first large-scale digital console he used for a Prince tour. He’s used Yamaha consoles exclusively since. “The thought behind where an engineer’s hands and eyes will be during a show are most impressive, Baldwin adds, completely intuitive to live mixing, that allows maximum capability to focus on the most important element of all: the music.”

For more information on Gearforce, visit www.gearforce.com.

For more information on the Yamaha CL, visit www.yamahaca.com.

-END-

PHOTO ID: Scottie Baldwin at Yamaha CL3

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SYMETRIX EXPANDS GLOBAL CTS CERTIFICATION BOTH ON SITE AND ONLINE

SEATTLE, WASHINGTON – MAY 2013: Symetrix, manufacturer of high-end professional audio solutions, specializing in DSP hardware and software, is pleased to announce the global expansion of its INFOCOMM accredited training. The announcement parallels the growth of Symetrix’ international sales.

“As we continue to expand internationally, the need for training also increases,” said Mark Ullrich, International Sales Manager with Symetrix. “We’re excited to now offer worldwide training courses that are INFOCOMM accredited. We have trainers covering Europe, Africa, the Middle East, Asia, and Australia, and the full-day course carries four CTS renewal points. Alternatively, for those who are unable to join in person for training, our self-paced online training provides renewal points as well. With CTS becoming more popular everyday among A/V professionals we’re glad to be able to offer this extra benefit for those attending our training.”

Ryan Curtright, Senior Technical Sales Engineer with Symetrix, will deliver domestic training throughout the United States. Hock Thang, Symetrix Technical Sales Engineer for Asia, will cover Asia. Iain Cameron, Director of Technical Support and Training with World Marketing Associates, will provide training throughout Europe, Africa, and the Middle East. Udo Stoof, Product and Project Manager for Digital Audio Products with TRIUS GmbH & Co., will focus on training in Germany. Matt Vance, Technical Training Specialist with Production Audio Video Technology, will deliver trainings in Australia. Mark Ullrich himself will provide training throughout the world based on demand. Online trainings are also available worldwide.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

STOP BY AND SEE US AT INFOCOMM BOOTH #922

DANLEY’S NEW OS80 TAKES THE LEAD AS A FULLY-WEATHERIZED OUTDOOR LOUDSPEAKER WITH PATENTED SYNERGY HORN TECHNOLOGY

GAINESVILLE, GEORGIA – MAY 2013: Danley Sound Labs brings its revolutionary Synergy Horn technology to the great outdoors with the Danley OS80. Like its Synergy Horn siblings, the OS80 delivers tremendous output, both in terms of sound pressure level and transparency, as well as precise pattern control. Unlike its Synergy Horn siblings, however, the OS80 is housed in an enclosure that is utterly impervious to weather, making it the ideal loudspeaker for outdoor installations at sports venues, arenas, athletic fields and complexes, theme and recreational parks, public gatherings, race tracks, community centers, cruise ships, hockey rinks, water parks, swimming areas, and more.

“The Danley OS80 brings high fidelity to outdoor loudspeakers,” asserted Mike Hedden, president of Danley Sound Labs. “Until now, installing a fully-weatherized loudspeaker meant significant compromises in fidelity and impact. But like all Danley products, the OS80 doesn’t play by those rules. The OS80 not only delivers the kind of clarity and power that characterizes our flagship SH-50 loudspeaker, but it can do it in a driving rain or after a winter spent buried under snow. In addition, the OS80’s precise pattern control created by the large horn makes it possible for outdoor sound reinforcement systems to deliver superior Synergy Horn fidelity to every seat.”

The Danley OS80’s coverage pattern is 80 deg conical with an operating frequency range that spans 113 Hz to 18 kHz (+/- 3 dB). It has 101 dB SPL sensitivity and a maximum output that rates 127 dB SPL continuous and 133 dB SPL program. A single high performance 12-inch driver and a single 1.4-inch driver energize the Synergy Horn and are hidden away inside a thermal molded poly-composite exterior measuring 32.25 inches high by 26-inches wide by 14.5 inches deep. Total weight is 51 pounds, and a U bracket is included as are other flexible mounting options which allow the Danley OS80 to make itself at home in any circumstance.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SEE US AT INFOCOMM BOOTH #143 – COME TO HEAR THE OS80 IN DEMO ROOM W203B

API 1608 STARS IN ONE-OF-A-KIND STUDIO IN MILAN

MILAN, ITALY – MAY 2013: A new studio in Italy features a 16-channel API 1608 as the main attraction for a one-of-a-kind studio experience. INDIEHUB, located in Milan, is a “co-working” facility with a primary focus on creating music. Here, engineers, producers and musicians can rent space using either their own equipment (such as a laptop, audio interface, etc.) or supplied equipment and the recently installed 1608.

It all started with the idea that people in the music industry should have access to quality equipment in order to create quality music. Giving them the opportunity to meet each other and encouraging the comparison in a professional workflow is the goal of the INDIEHUB.

Owner Andrea Dolcino was introduced to a similar idea in a different type of facility, and thus the idea for INDIEHUB was born. “Before starting INDIEHUB, I’d been working for ten years as an audio engineer, specializing in post-production for advertising jingles. Three years ago, a customer took me to a co-working facility for a job,” says Dolcino. “So I decided to start the first co-working facility dedicated to music production.”

When it came time to choose a console, INDIEHUB worked with Paolo Orizio of Funky Junk in Italy. The API was the clear choice. “For our budget, the 1608 was the only console with a strong personality and a comfortable and modern routing,” says Dolcino. “It’s modern and vintage at the same time. The routing is perfect for HD recording and the 1608 preamplifiers are really attractive, especially for their response to the bass frequencies. For that money, it’s the best choice.”

The INDIEHUB facility invites clients to rent space for as little or as long as they like and can also host concerts and showcases, making this a unique experience – not only because of the facility, but also because this is the first 1608 console in Milan. “We are excited to spread our wings in Italy,” said Mark Seman, API sales. “This is a great endeavor for both API and INDIEHUB.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO INTRODUCES THE nX AMPLIFIERS: A WAVE OF TREMENDOUS POWER, EFFICIENCY, AND FLEXIBILITY FOR THE PRICE OF A MODEST SPLASH

WEBSTER, NEW YORK – MAY 2013: With founder Billy Thompson’s invention of the “Loud Amp” in the early 1970s and the introduction of its path-breaking MOS-FET amplifier technology in the early 1980s, Ashly Audio established itself as a company that would lead the industry in technological innovations. It continues that tradition with the new Ashly nX family of Class D amplifiers, which deliver up to 12,000W of clean power while drawing less than 1W in sleep mode. nX amplifiers are offered in four- or two-channel versions with selectable high-Z (70/100V) or low-Z output on each channel. nX model variants include the addition of Ethernet control, and onboard Protea™ DSP with load monitoring, to meet the many and varied requirements of modern fixed installation and live sound applications. True to the craftsmanship that launched the company, Ashly hand-builds nX amplifiers in the United States and backs their performance with a five-year warranty.

“nX amplifiers are lightweight and efficient, yet pack a tremendous amount of power and flexibility into a 2U chassis” said Anthony Errigo, director of communications for Ashly. “We have designed them to meet the demanding requirements of stadiums, arenas, performance venues, worship spaces, and convention centers – anywhere big sound and modern performance requirements are needed. nX amplifiers are especially appealing for value-engineered installs because they offer features, performance, and reliability that Ashly is known to deliver.”

Ashly is offering three series of nX amps with feature sets that build upon each other. The base nX amplifiers are available in four- or two-channel models at 3000W or 1500W per channel (@ 2 Ohms) and feature a defeatable automatic sleep mode. nXe series amps add Ethernet control, serial data control, aux preamp outputs, programmable standby mode, preset recall, fault condition logic outputs, event scheduling, and optional network audio and digital audio capability (CobraNet® or AES3). Finally, nXp series amps feature everything in nXe plus onboard 32-bit SHARC Protea DSP processing (48 or 96kHz sampling rate) and precision swept load-impedance monitoring.

Additional features include multiple independent power supplies for increased channel separation and reliability; front panel power switch and level controls (defeatable in nXe and nXp models); front panel LEDs for temperature, current, signal, clip, mute, bridge mode, protect, sleep, and more; Neutrik® Combo XLR – 1/4” TRS jack plus Euroblock input connectors; Neutrik speakON® twist locking loudspeaker connectors for security, safety, and reliability; rear panel DIP switches per channel for selection of high pass filter, limiter, input gain, and High-Z or Low-Z speaker output configuration; remote DC level control on each input channel; switch mode power supply automatically detects 120V or 240V AC operation; and extensive protection circuitry, including continuously variable cooling fans.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

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