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NEW API 1608 ANALOG CONSOLE INSTALLED IN THE PEABODY CONSERVATORY AT JOHNS HOPKINS UNIVERSITY

BALTIMORE, MARYLAND: When the highly-respected Recording Arts and Sciences Program at the Peabody Conservatory/Johns Hopkins University needed to replace an aging console the clear choice was with a new sixteen-channel API Audio 1608 console, largely because of its authentic sound quality and flexibility. The University program, which awards a double-major Bachelor’s degree and a Master’s of Arts in Audio Sciences is the American equivalent of the European Tonmeister training program, and its students benefit from being in close alliance with the JHU’s G.W.C. Whiting School of Engineering, a dedicated faculty of experts and a comprehensive recording studio facility to anchor the program.

Students from the Peabody Conservatory engage in over one thousand performances a year in five venues of varying size, and the Recording Arts and Sciences Program’s studio facilities tie into those venues. Recording arts students record each and every performance under the guidance of faculty members. Beginning students handle simpler stereo recording sessions and assist on more complex sessions, whereas advanced students conduct multi-mic recording sessions for the orchestras, operas and jazz ensembles. Studio D is connected to three of those performance venues, and the new API 1608 console will play a large role in those recording sessions.

The API 1608 is paired with a Pro Tools HD system, which Scott Metcalfe, director of the program, asserts is an excellent hybrid analog/digital combination. “With the API 1608, students can experiment with the full range of possibilities, from in-the-box mixes, to analog summing, to DAW fader control, to full-analog mixing and processing,” he said. “It’s a very flexible design, and we will use it in a lot of different ways.”

Metcalfe and colleagues also look forward to putting the API 1608’s modular design to equally practical use. Each channel features a slot for an API 500-series format module, with eight spare slots that can be patched in. Although API is famous for having pioneered the format and makes many popular 500-series processors, a huge number of established and boutique manufacturers have adopted the 500-series format for their processors as well. Thus, the API 1608 readily accepts third-party processors of tremendous scope and variety.

API is already present in the facility’s other studios. A four-channel API 3124 preamp and a ten-space 500V rack loaded with API equalizers and dynamics processors lend the warm analog “API sound” to Studio A. “In addition to the sonics of API and the flexibility of the 1608, I was also happy to be working with our neighbors,” said Metcalfe, acknowledging the fact that API’s headquarters are a mere twenty-five minutes from the Recording Arts and Sciences Program at the Peabody Conservatory/Johns Hopkins University.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

DANLEY SPEAKERS GIVE NATIONWIDE ARENA THE HOME ADVANTAGE

COLUMBUS, OHIO: Nationwide Arena is home to the Columbus Blue Jackets of the National Hockey League and is host to most of the popular musical acts that travel through Ohio’s capital city. Depending on its configuration, Nationwide Arena can accommodate between 17,000 and 21,000 people, and its recent turn-of-the-millennium design and construction have been widely praised by sports fans and critics. ESPN The Magazine wrote that Nationwide Arena is “the No. 2 stadium experience in professional sports” and the “Ultimate Sports Road Trip” deemed it the greatest arena in the NHL. However, poor sound system coverage had been Nationwide Arena’s dirty little secret since it opened its doors in 2000, and the owners were wisely unwilling to rest on their laurels. Recently, as part of a project that included a massive video upgrade, acoustical consultant Anthony James Partners joined A/V integration firm Daktronics to bring sound reinforcement in line with the rest of the arena’s amenities using efficient, point-source Danley Sound Labs loudspeakers and subwoofers.

“Achieving even coverage with conventional loudspeaker technologies is challenging because low-frequency pattern control is seldom very good,” explained Larry Lucas, director of audio engineering with Anthony James Partners. “As a result, system components interfere with each other and create uneven coverage that cannot be rectified with all the processing in the world. Danley Sound Labs’ unconventional designs array seamlessly and deliver excellent pattern control. Moreover, they are inexpensive relative to their output, which provides exceptional return on investment for the client.”

The design called for eight primary clusters distributed equally around the arena. Each cluster contains two Danley SH-96 full-range loudspeakers hard-packed side-by-side and a Danley TH-118 subwoofer. Eight wide-dispersion Danley SM-100 loudspeakers populate a delay ring that provides coverage for Nationwide Arena’s highest tier. Two additional SH-96s cover the ice. Daktronics installed all of the clusters on chain motors for easy servicing and, in the case of those clusters whose positions would interfere with musical acts, easy hoisting.

The rest of the sound reinforcement system benefitted from the retrofit as well. A new Allen & Heath iLive console provides 32 inputs and 16 outputs at the main mix position and 16 inputs and 8 outputs at a remote position. A QSC Q-Sys processor with a 500i core provides input conditioning, routing logic, and modest loudspeaker conditioning. Lab.gruppen PLM-series amplifiers deliver clean power to the Danley loudspeakers and subwoofers. Because both the Q-Sys processing system and the PLM-series amplifiers are network-ready, Daktronics was able to provide the owners with comprehensive monitoring facilities in the A/V control room.

Nationwide Arena’s new high-definition sound reinforcement system complements a new high-definition video system. Its showpiece is a new 43,000 lb. scoreboard that uses nearly sixteen million LEDs to display high-definition video on four 25-foot by 15.5-foot screens. The brilliant scoreboard hangs over center ice. In addition, two “party towers” now use LED technology to project 25-foot by 14-foot video images in the west corners of the arena. Various smaller screens project in upgraded high-definition, and the resolution of the ribbon video board that circles most of the arena is doubled.

“With the Danley system installed, the coverage is close to perfect,” said David Sturzenbecher, audio project engineer with Daktronics. “The design specification called for +/- 4dB throughout, and the system measures closer to +/- 2dB throughout. Because the Danley products deliver so much output, we needed vastly fewer boxes to provide full coverage than we would have used with conventional loudspeakers or line arrays. That let us give them a very high-performance system at a much lower price tag. And not only is the coverage excellent, but so too is the fidelity and low-frequency extension.” Jeff Baumgartner, Nationwide’s in-house A/V engineer stated, “Daktronics design engineers created a virtual arena and accurately predicted the performance throughout the arena. Overall, I am extremely pleased with the system. Coverage is darn near perfect.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

QSC Introduces the New AcousticPerformance™ Line of Loudspeakers


Costa Mesa, CA (December 5, 2012) – QSC Audio Products is proud to announce the launch of the AcousticPerformance™ line of professional, two-way, full-range loudspeakers, ideal for a variety of installed sound reinforcement applications which require higher SPL and a stylish enclosure. All models feature a 3-inch voice coil, high power-capacity compression driver combined with high-output woofers to deliver exceptional full bandwidth reproduction.

“In keeping with QSC’s loudspeaker design philosophy, all AcousticPerformance loudspeakers feature Directivity Matched Transition™ (DMT) which matches the compression driver to the natural coverage angle of the woofer in the cross-over region”, states Phil Sanchez, QSC Loudspeaker Product Manager. “When combined with their axisymmetric waveguides, AcousticPerformance loudspeakers deliver a flat power response with smooth and accurate sonic reproduction and remarkably consistent coverage both on and off-axis.”

AcousticPerformance models may be used in passive (full-range) mode to minimize amplifier channel count or bi-amp mode for greater control and performance. To further enhance performance, bi-amp and full-range tunings using QSC Intrinsic Correction techniques are available for Q-Sys™ and future QSC products.

All models feature M10 mounting points for deployment via eye-bolts as well as mount points for an optional yoke bracket. The AP-5122m multi-purpose enclosure features a 40-degree angle, making it ideal for floor monitor use, and a pole cup for deployment on a loudspeaker stand. The enclosure and terminal input cup on the AP-5122m have been designed to facilitate the cable runs for a clean appearance on stage.

Presenting a clean, unobtrusive look, AcousticPerformance grilles are unadorned, eliminating the need to cover-up logo treatments, which can be difficult to hide or remove. The grille is also lined with acoustically transparent backing, adding to the enclosure’s professional appearance.

AP-5102/5122/5152 models are available in black (RAL 9011) and white (RAL 9010) finishes. AP-5122m is available in black only. To minimize impact and disposal fees at the job site, all AcousticPerformance loudspeakers are packaged in environmentally friendly, recyclable cartons.

Key Features of the AcousticPerformance Line:

•DMT™ (Directivity Matched Transition) ensures smooth, coherent power response across the listening plane
•3” diaphragm compression delivers a clean and powerful high frequency response
•M10 fittings and yoke mount fittings offer flexible deployment options for a variety of applications
•Clean industrial design with unadorned grilles complement most decors and settings
•NL4 Speakon™ connector and covered barrier strip terminals*
•Bi-Amp / Passive Switchable
•Constructed from 15-ply Baltic birch plywood
•16-Gauge powder coated steel grilles
•Available in black (RAL 9011) and white (RAL 9010)*
•Complete EASE, CAD & BIM information available online
* Except for 5122m

For more information, visit the AcousticPerformance product page at http://qsc.com/products/speakers/ap/

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

Band Plays It ‘Straight’ With NEXO Rig at the Fox Theatre

BUENA PARK, Calif.—Logic Systems Sound & Lighting, Inc. of Valley Park, MO, recently provided a NEXO GEO S12 rig to the historic Fox Theatre in St. Louis for a Straight No Chaser concert. On the road, Straight No Chaser has built a reputation as an unforgettable live act. Now supporting their SNClive Tour, the 10-member a cappella ensemble’s tour will continue into summer 2013.

Logic Systems Audio Department Manager, Brian Bird and Systems Engineer, Pat Murphy outfitted the 5,060-seat Fox with 20 NEXO GEO S1210s, four NEXO GEO S1230s, six NEXO RS18s, eight NEXO PS8s, and eight NEXO 4×4 NXAMPs. The band is also carrying a pair of Yamaha M7CL digital consoles for mixing duties on the tour.

“The Fox Theatre is a difficult space to cover from a single array position,” states Bird. “The large balcony and overhang make it tricky to cover the entire balcony, while still having a direct line of sight to the front of house mix position which is at the rear of the floor level and deep under the balcony. To accomplish the task at hand, a low hang with a 14-degree vertical angle seemed to work best. This angle is hard to achieve with many boxes on the market today, however, we are able to do so with the GEO S12.”

Bird said the layout for the NEXO system they chose modeled extremely well in the NEXO NS-1 software. “In my experience, the software is spot on, if you take the time to build the model properly. For a lower SPL show like this, the clarity of the GEO S12 fit the Straight No Chaser concert perfectly, and was the best choice. We work in this venue regularly and typically use our NEXO GEO T rig, but in this case, the S12 was definitely a better fit.”

For more information on Logic Systems, Inc., visit www.logicsound.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha Training Sessions Set for November and December

BUENA PARK, Calif.—Yamaha Commercial Audio Training Seminars (YCATS) will make stops in Washington, DC; Cincinnati, Ohio; Novi, Michigan; and Orlando, Florida during the months of November and December.

YCATS trainers will hit the District of Columbia Wednesday through Friday, November 28-30 for Yamaha CL Digital Console Operational Training, M7CL Digital Console for Beginners, M7CL for Advanced Users, Digital Audio Networks for Engineers, and an LS9 Digital Console Workshop. Yamaha CL operational training will be held in Cincinnati on Tuesday, December 4 and in Novi on Friday, December 7 while Orlando training will be held Tuesday through Thursday, December 11-13 and will consist of M7CL for Beginners, M7CL for Advanced Users, CL Series Essentials (for those who are familiar with “Centralogic” on M7CL or LS9), and Digital Audio Networks for Engineers.

For more information and to register, visit: http://yamahacommercialaudiosystems.com/training.php?catID=11001.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SYMETRIX SOLUS 16 SUPPORTS 7.1 SURROUND SOUND COMPUTER LAB

RENO, NEVADA: The Red House Project is an initiative at Reno High School in Nevada that prepares students for future work with computers, software development, Internet content, CAD, and other computer-based college majors and career paths. It is one of the Washoe County School District’s “Signature Academies,” each of which focuses on a specific in-depth curriculum. Reno students who opt for “Track 1” courses receive training in graphic design, animation, video production, and digital game development using a state-of-the-art computer lab featuring the latest software, 7.1 surround sound technology, and high-definition video projection and capture. Reno-based Innovative Communication Systems (ICS) designed and installed the room’s A/V system with a Symetrix SymNet Solus 16 audio processor to provide affordable signal routing and processing.

As far as the students are concerned, the system begins with banks of fully-loaded Apple Mac Pro computers. In order to effectively wrestle all of their video outputs together with input jacks of every flavor, ICS owner Jeff Bowers and his staff installed an FSR DV-MFSW-94 presentation matrix switcher, which accepts them all and scales every signal to HDMI. From there, signal travels to a pair of school-furnished high-definition video projectors, one for a 16-foot screen on each side of the room. In addition, the room features a massive 25-foot green screen that will allow creative students to perform all manner of video trickery. A blue screen is slated for future installation.

On the audio end of things, output from the computers first hits and Extron SSP 7.1, which effectively pre-processes for 7.1 surround sound. Its output, together with two AudioTechnica wireless microphones, a microphone jack, and stereo output from the FSR switcher, feeds a Symetrix SymNet Solus 16. The SymNet Solus 16 features sixteen mic- or line-level inputs, powerful open-architecture signal processing, eight outputs, and myriad control options. The unit handles all of the system’s customized audio routing, as well as input leveling, loudspeaker management, and volume control. Self-powered QSC K10 loudspeakers handle all seven full-range channels. A Crestron AV2/PRO2 paired with a nine-inch touchscreen provides intuitive, customized user control of both the audio and video signals.

Because audio signal also needed to run to an Atlas amplifier for distribution in adjoining rooms, Bowers had to implement one small work-around. “Instead of using the eighth output for the subwoofer, we used it for the distributed system,” he said. “For the self-powered QSC KW181 subwoofer, we sent signal directly from the Extron unit. It’s one of those situations where you do a cost/benefit analysis. Is it better to buy a larger processor at greater expense or to go for the work-around at less expense? In this case the answer was clear because the subwoofer didn’t need any processing.”

He continued, “The capabilities of the SymNet Solus are fantastic, and the everyone at the company loves its price point. Symetrix’ open-architecture programming is intuitive and comprehensive. We can do all those weird little things that seem to always come up. In addition, we’ve been installing Symetrix processors for a long time, and they’re always dependable.”

ABOUT SYMETRIX Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

EASY TO NAVIGATE AND RICH WITH INFORMATION –DANLEY SOUND LABS UNVEILS NEW WEBSITE

new_danley_website.JPGGAINESVILLE, GEORGIA: Danley Sound Labs, innovator and manufacturer of awe-inspiring loudspeakers and subwoofers, has revamped its website, www.danleysoundlabs.com. Apart from a refreshing aesthetic and a transparent “feel,” the new website places information at the fingertips of those who are already involved with projects using Danley designs, those who are contemplating using Danley designs, and those who are simply curious about Danley’s unconventional more

SYMETRIX EXTENDS FACTORY WARRANTY TO THREE YEARS

SEATTLE, WASHINGTON: Symetrix, manufacturer of high-end professional audio solutions specializing in DSP hardware and software, announces that all products purchased on or after October 1, 2012 are covered by a three-year limited factory warranty. The new warranty period covers all Symetrix Edge, Radius, Solus, Jupiter, Integrator Series, AirTools, analog hardware, and user interfaces.

“We at Symetrix are proud of our reputation for building dependable equipment,” said Brooke Macomber, director of marketing. “The newly extended factory warranty period reflects the confidence we have in our product quality. Our equipment stands up to the stresses and strains of the working world with tremendous resilience. Consultants and contractors will find our warranty is clear-cut and devoid of loopholes. Even more importantly, Symetrix products are reliable, and are designed and manufactured to outperform industry product life expectations.”

ABOUT SYMETRIX Sound professionals rely upon the performance, value and reliability of audio mixing, routing and processing products from Symetrix. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

EUREKA! ASHLY PROCESSING AND AMPLIFICATION, PROVE TO BE RELIABLE AND FLEXIBLE FOR VOLUNTEER FIRE AND AMBULANCE COMPANY

STEWARTSTOWN, PENNSYLVANIA – NOVEMBER 2012: The Eureka Volunteer Fire and Ambulance Company serves the greater Stewartstown, Pennsylvania area, and although most of its glory and commitment is deservedly focused on helping neighbors in need, it also boasts a fine social hall that it rents for meetings, wedding receptions, and other events. At over 4,000 square-feet, the social hall can comfortably accommodate up to three hundred people. Until recently, however, its sound reinforcement system delivered poor coverage with marginal fidelity. The company hired Stage Masters, a local AV integration firm, to renovate the room’s A/V system. Stage Masters called on Ashly Audio processing, amplification, and user control to deliver a new system that is perfectly tuned, reliable, and easy to use.

The new system is configured to flexibly meet the needs of all potential users and renters. Shure wireless microphones provide users with a ready and convenient means of amplify voice and are joined by a stereo iPod input, a handful of mic- and line-level input jacks, and the outputs from the video playback system. Shawn Fife, owner of Stage Masters, selected the Ashly ne24.24M processor based on its flexibility. For example, its I/O count is modular, and he initially outfitted the social hall’s ne24.24M with twelve inputs and four outputs. “With the Ashly ne24.24M, I can scale the processing to the needs of a particular job,” said Fife. “Moreover, the unit is network ready, right out of the box, which makes it easy to help clients remotely.”

The Ashly ne24.24M’s modularity was especially useful in this instance, because the officials requested additional output channels after the system was already installed. “I gave them Shure headset microphones for use on bingo nights, among other things,” said Fife. “After they used the system a few times, they changed their minds and wanted to give the caller a monitor channel to listen for bingo calls. Since we were already using all four of the installed output channels, they would have been out of luck were it not for the ne24.24M’s modularity. We were able to meet their request at little expense simply by adding another output card together with a small powered monitor at the caller’s position.”

The original four outputs from the Ashly ne24.24M feed four zones: the entrance hall, the kitchen, main hall left, and main hall right. Because the room is always oriented the same way for video presentations, it was possible to enhance the experience with stereo. A new BenQ SH910 projector gives the room’s users crisp video presentations. Powered by an Ashly ne4250.70 amplifier, Pure Resonance SD4 Lay-In 2×2 drop ceiling speakers give the system impressive punch and clarity with no hot spots. “For the power that they deliver, the Ashly amplifiers are extremely cost-effective,” said Fife. Although he hasn’t yet hooked into them as he has the ne24.24M, the Ashly ne4250.70 is also network-ready right out of the box.

User control of the system is simple and intuitive. An Ashly WR-5 push-button wall remote placed at the front of the room provides volume control of an adjacent microphone jack and computer input, as well as volume control of the system’s four wireless microphones. A second Ashly WR-5 located in the kitchen provides volume control of two adjacent microphone jacks, as well as an adjacent iPod jack.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ASHLY AUDIO REVAMPS WEBSITE, BEEFS UP ORGANIZATION AND CONTENT

WEBSTER, NEW YORK: Ashly Audio, one of leading manufacturers of power amplification and signal processing, now treats its existing and prospective customers to a newly-redesigned website (www.ashly.com) replete with well-organized product, installation and application content. With a modern look and feel, the site is easy to navigate. John Sexton, Ashly’s vice president of sales, conceived the organization and aesthetic, and graphic designer Michael Sukhenko executed it.

“Technical specifiers told us to make data sheets, manuals and drawing files no more than two mouse clicks away”, explains Sexton. “Our Products page has a spreadsheet of information in a single location. It’s two clicks for integrators to download data sheets for submittals. It’s two clicks for system designers to access A&E DOC files that can be cut and pasted right into their specification packages. Two clicks and you’re done.”

Metrics show that the Ashly website has increasing traffic from dealer’s clients and end-users, which underscores the importance of presenting Ashly products to non-technical visitors. The new website features a graphic guide on the home page – Ashly In Your World – that directs these visitors to a page that explains how Ashly products work in worship facilities, restaurants, schools, hotels and other facilities. Each market segment page features information from Ashly’s extensive collection of installation profiles and application notes.

The Technical Support & Educational menu has been enhanced by the addition of Ashly TV, a series of three to five minute videos that address specific technical topics. The page has a built-in video player. The FAQ Section was developed by the technical services staff to answer the most popular questions that arise from new dealers who are using Ashly products for the first time.

Retained in the new design is a comprehensive – and appropriately humorous – look at Ashly’s 38-year history as a pro audio innovator.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

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