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SYMETRIX JUPITER 8 APP BASED TURN-KEY DSP JOINS THE JACKSONVILLE JAGUARS

JACKSONVILLE, FLORIDA – MARCH 2013: When the new owner of the National Football League’s Jacksonville Jaguars sought to boost team morale and solidify team camaraderie, he focused on renovating the locker room – the place where the team members gear up, hang out, and let off steam. It’s a sign of the times that perhaps the most critical and appreciated improvement came in the form of a brand new, high-impact audio-visual system. Under the direction of Neil Cooper, senior project manager for Florida Sound Engineering, they designed and installed the Jaguar’s new A/V system, which relies on a dependable and cost effective Symetrix Jupiter 8 app based turn-key DSP for critical signal conditioning and routing.

“The team came to us with a simple request,” Cooper explained. “They wanted a rockin’ sound system with plenty of screens to go with it. They really wanted to give the players a place to associate with… a place to retreat to and enjoy. Because we pride ourselves on building long-lasting systems, I place a premium on reliability and quality. When I looked at my options for processing, the Symetrix Jupiter 8 DSP was an obvious choice. It’s powerful and easy to set up, and nothing else comes close to matching its feature set for the price. And since I’ve already used a number of Jupiters on other jobs, I know they’re reliably solid. I never have to go back.”

In addition to the literal locker room, the new system covers all of the more extensive facilities that go with it, including the showers, the drying area, the restaurant, the cool- and hot-tanks, the therapy room, the equipment room, the manager’s area, and more. All thirty-three of the inputs, only two of which are audio-only, are fully matrixed such that any input can be selected in any zone. Apart from the locker room itself, which uses a DBX Drive Rack processor, the rest of the system relies on the Symetrix Jupiter 8 DSP, which takes its inputs from a Crestron control and matrixing system. Its eight outputs feed separate zones. QSC amplifiers, loudspeakers, and subwoofers fill the audio portion of the new system.

“Despite the complexity of the Jaguar’s new A/V system, programming the Symetrix Jupiter 8 DSP was super easy,” said Cooper. “I used the Sound Reinforcement #6 App, which gave me great sounding equalization and dynamics. I know that there are other manufacturers who make 8 x 8 processors of good quality, but the price isn’t there. The Symetrix Jupiter DSP delivers the quality, flexibility, reliability, and affordability that makes my clients smile.”

The Jaguar’s new video system is comprised of two 80-inch, five 52-inch, four 46-inch, and seven 42-inch full-HD Sharp flat screens. Inputs include ten Comcast TV sources, a Blu-ray player, Apple TV, and two wall plate inputs. The Crestron DM system scales everything appropriately such that the full screen is filled for any input/output combination. A 15-inch Crestron interface in the equipment manager’s area provides total system control, and a smaller nine-inch Crestron interface in the locker room allows selection of presets, such as “pre-game,” “half-time,” and “post-game.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

Sun Shines Bright on Ft. Pierce Theatre with Yamaha CL5

BUENA PARK, Calif.— Listed on the National Register of Historic Places, the Sunrise Theatre in Fort Pierce opened its doors in 1923 as the largest theatre on Florida’s East Coast. Sixty years later, the theatre closed its doors due to the decline of the downtown area and refusal to convert to multi-screen operation. In 1988, the Main Street Fort Pierce Association was established and began its effort to save the historic theatre, and in 1997, the St. Lucie Preservation Association, Inc purchased it. By 2006, the theatre had been completely renovated to its original splendor and is now owned and operated by the City of Fort Pierce. The 1,236-seat theatre hosts’ national Broadway touring companies, concerts and comedy acts, and ballet and opera companies with full orchestras.

This year, the Sunrise Theatre upgraded its front of house console to digital by installing a Yamaha CL5 Digital Audio Console with Rio3224-D and Rio1608-D input/output boxes. Incoming engineers for Tony Bennett, Ziggy Marley, The Alan Parsons Project Live, and Hotel California have already gotten their hands on the theatre’s new console.

“John Wilkes, our executive director, announced in front an audience that we had two donors from our board of directors that wanted to donate money for a new FOH console,” states Eric Hatcher, front of house engineer. “I found out about that at the same time the audience did. It was very shocking and yet exciting at the same time. I was given the go ahead to research new boards within a specific budget and looked at a Yamaha PM5D, Avid Profile, Soundcraft Vi6, and several others. A visiting engineer told me about the CL Series, so I researched that as well. As I began to look into it, I immediately fell in love with the CL, and the rest is history. The demo I was given after the fact, was icing on the cake!”

Hatcher said he went on various online forums, and he and the theatre’s technical director, Marty Petlock, spoke with some of the engineers that were coming through to see if they were agreeable to use the CL even though his (Hatcher’s) decision had already been made that the CL console was what he wanted. “It sounds absolutely wonderful! I am an analog man but this was one of the few digital consoles out right now that really impressed me, especially with the updated VCMs and effects, iPad control, and, the Premium Rack.”

Hatcher says he is running Dante networking in redundant mode. “I’ve also hooked my computer up to the CL to use Nuendo Live—purely awesome! This was one of the best decisions I’ve ever made, thanks to our executives and donors.”

The theatre complex is also home to a 220-seat Black Box theatre, a state-of-the-art venue offering a variety of national, regional, local programming, completely outfitted with Yamaha products.

For more information on the Sunrise Theatre, visit www.sunrisetheatre.com.

For more information on the Yamaha CL, visit www.yamahaca.com.

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PHOTO ID: Eric Hatcher

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ORMOND BEACH PERFORMING ARTS CENTER GETS NEW DANLEY SOUND SYSTEM

ORMOND BEACH, FLORIDA – MARCH 2013: Over twenty years ago, the city of Ormond Beach, Florida purchased an old church building and had it retrofitted. In 1991, the gorgeous space opened as the Ormond Beach Performing Arts Center, with capacity for 600 in a fan-shaped auditorium. Today, it hosts national, regional, and local musicians, theatrical troupes, dancers, and other performing artists, as well as school groups, seminars, and other events. Since veteran pro audio designer and engineer Marc Schwartz became the center’s director several years ago, he longed to elevate the room’s sound reinforcement capabilities to equal its stellar acoustics. Recently, that wish came true as local integration firm and new Danley dealer Protechs installed a system comprised of Danley Sound Labs loudspeakers and subwoofers. Schwartz designed the system with input from Danley’s application engineers.

Schwartz owned his own sound production company for decades before settling down to direct the Performing Arts Center. “I was a regular on Pro Sound Web, and that’s where I first heard about Danley Sound Labs,” he explained. “Of course, I knew about Tom Danley through his ServoDrive subwoofer technology, which was a very advanced idea. I was impressed by that sort of innovative engineering. Then I heard that he and Mike Hedden got together to form Danley Sound Labs and would be introducing a range of new designs. I was intrigued, but I didn’t have the opportunity to hear Danley loudspeakers or subwoofers for a while.”

It was a few years later that Schwartz attended InfoComm with his supervisor from the city’s parks and recreation department. “Danley had a demo room that we checked out,” he said. “Of course it was a convention room, which was terrible, acoustically-speaking. Nevertheless, when they fired up, my supervisor turned to me and said, ‘we need some of these for the Performing Arts Center.’ I couldn’t have agreed more. What was really impressive was the pattern control – I felt like I was listening only to the loudspeakers; the room was out of the equation.”

In anticipation of the old sound reinforcement system’s eventual replacement, Schwartz had the room modeled in EASE five years ago. That proved useful because it allowed him to pick the ideal coverage patterns from Danley’s now-extensive catalog, patterns that would allow him to provide uniform coverage over the seating area without energizing the walls. Danley’s application engineers assisted, directing him to the right models and helping to keep the project on budget.

Most of the seating is covered by a stereo pair of Danley SH-60s, which are 60-degree versions of Danley’s flagship SH-50. Flanking them are two single-fifteen Danley TH-115 subwoofers, which Schwartz asserts deliver as much bass as most other manufacturer’s double-eighteens, but with far less distortion. Finally, two Danley SH-100s occupy the outside positions to provide front- and side-fill. An existing 40-channel Soundcraft console provides input to the system, and new QSC and Crown amplifiers power it.

A basic DBX unit handles straightforward processing. “We only really needed the processor to filter out subharmonic content for the subs,” explained Joseph Carpenter, principal at Protechs. “It’s a great sounding room by itself, and the Danley’s are naturally well-balanced. Of course, we’re still tweaking things here and there, but it doesn’t take much.”

Given the Ormond Beach Performing Arts Center’s busy schedule, Carpenter took advantage of the MLK holiday weekend to quickly pull the old system out and put the new system in. “I’m accustomed to having happy clients,” he said, “but this one’s special. Marc is a true audiophile, and he was certain that Danley was the way go. Indeed, the system sounds fantastic!” As a bonus, Carpenter gets to use the new system from time to time when the center hires him as a guest engineer.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

BROOKLYN HISTORICAL SOCIETY LEAPS FORWARD WITH ASHLY AMPS

BROOKLYN, NEW YORK – MARCH 2013: The Brooklyn Historical Society is dedicated to illuminating how the past has affected the present and how it will contribute to the course New Yorkers will chart in the future. To that end, it is part library, part museum, and part venue for lectures, meetings, and other events. Designed by architect George B. Post and completed in 1881, the Brooklyn Historical Society’s four-story building is in the U.S. National Register of Historic Places and is an example of living history in its own right. The society renovated the building a decade ago, and it continues to make improvements to ensure and enlarge its mission. Recently, it expanded the building’s event space to two hundred seats and overhauled its A/V system and that of an adjoining classroom and gallery space. A pair of eight-channel Ashly ne8250 amplifiers forms the electrified heart of the new system and – by dint of power, fidelity, and reliability – prepare the Brooklyn Historical Society for a bright future at the center of the borough’s cultural scene.

“The Brooklyn Historical Society wanted a high-performing A/V system with a lot of flexibility and simple, foolproof operation,” said Peter Starr, owner and chief designer at the Starr Entertainment Group, the firm contracted to design and install the new system. “That’s the trend these days. Not only will the society use the space for its own artists, lecturers, and musicians, but it plans to rent the space for any conceivable event type. It’s therefore competing with hotels and other venues with event spaces.” To succeed, the Brooklyn Historical Society must present its event space as a jack-of-all-trades – and a master at each.

“Because the building itself is so historic and architecturally stunning, we had to be very careful in our design so as not to damage or spoil the gorgeous columns, wood, and soffits,” said Starr. “That constrained us to placing the loudspeakers twenty-two feet in the air. Nevertheless, the society wanted the ability to provide small concert-volume sound reinforcement when needed. Their list of request was extensive, and we had to be ready for everything from a simple background music system for a gallery opening to a full-on rock show! In previous installations, the Ashly ne8250 amplifier has proven itself to be tremendously reliable and powerful. At 250Watts per channel, they have a lot of ‘oomph’ and stand up to scrutiny in demanding listening situations.” The Starr Entertainment Group worked very closely with architect Thomas Ryan of Christoff:Finio Architecture and the Brooklyn Historical Society’s Associate Director, Janice Monger.

Inputs to the system include a Blu-Ray player, a DVD player, iPod docks, and XM Satellite Radio together with a bevy of sound reinforcement and wireless microphones. A sixteen-channel Soundcraft FX16 mixer on a rolling rack helps with live music events and the performing arts. A Peavey Media Matrix NION N3 system handles all of the processing and routing. At the heart of the video system is a Crestron Digital Media DM-MD8x8 video matrix processor, two video projectors, and various flat screens. Crestron DM input panels provide auto switching between HDMI and VGA/PC. Video signal transport is accomplished digitally via CAT6 cable. A Listen Technologies assisted listening system exceeds ADA requirements. The stage floor monitor system featuring four JBL wedge floor monitors, dbx EQs and a QSC RMX2400 amplifier provides crisp, clear sound to stage performers. A second roll around rack with automated and manual mixers, and other facilities for tabletop conference style usage, allows setup of conference and lecture mics anywhere. The two eight-channel Ashly ne8250 amplifiers power fourteen JBL AC 1895 two-way loudspeakers and a pair of EAW UB82s. Four QSC RMX 2400 amplifiers power the four EAW SB180 subwoofers.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

ASHLY GETS THE MESSAGE AND MUSIC TO STUDENTS IN THE ROCHESTER HIGH SCHOOL CAFETERIA

ROCHESTER, NEW YORK – MARCH 2013: The principal at John Marshall High School in Rochester, New York had a simple request. He just wanted to be able to speak over the commotion of excited students that always seemed to overwhelm the school’s cafeteria at lunchtime. A sound reinforcement system with a simple microphone was the solution. But since a sound reinforcement system would also be capable of playing music – and perhaps because music might soothe the raw spirit of rambunctious youth – he also wanted the ability to play music over the system. Rochester’s AAA Sound stepped in to install a cost-effective, high-performance system centered on an Ashly Pema 4125 integrated processor/amplifier combo and an Ashly RD-8C remote fader user interface.

“The principle told our technician that the kids were simply too loud at lunchtime,” said Rich Petty, AAA Sound president. “It was a really straightforward request for a really straightforward sound reinforcement system. The ability to play music at lunchtime was a bonus.”

Inputs to the system include a pair of Mipro handheld wireless microphones, a wired microphone, a tuner, and a Tascam combination CD player and iPod dock. The inputs feed the Ashly Pema 4125, which has eight DSP inputs and outputs with full processing and matrixing capabilities, as well as four integrated amplifier channels rated at 125W each. Each amplifier channel drives a single Community MVP-12 loudspeaker, and the four loudspeakers are distributed around the room. An Ashly RD-8C provides nine software-assignable faders, one of which is separated in the style of a master fader. The system at John Marshall High School uses the simplest possible configuration: each of the eight faders controls an input volume and the master fader controls the output volume.

“The Ashly Pema is a cost-effective solution for a situation like this,” said Petty. “The pricing is very favorable and very competitive. Our company specs jobs with a number of different processors, and the feedback that I get from my techs is that Ashly processing is the easiest to work with. It doesn’t take a lot of training to become familiar with the operation… literally five minutes in the shop with a tech that’s not familiar with Ashly is all it takes for him to feel comfortable enough to go out and install it. Every now and then they run up against something that takes a minute; they either figure it out or a quick call to Ashly’s service department clears up the matter.”

“For a school cafeteria,” proclaimed Petty, “John Marshall High School has a really nice sound system.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

TANGLES TAMED AT OKLAHOMA CHURCH WITH SYMETRIX JUPITER 12 AND JUPITER 8 APP BASED TURN-KEY DSP

OKLAHOMA CITY, OKLAHOMA – MARCH 2013: Since its founding during the hard dustbowl years, Oklahoma City’s Southwest Church of Christ has grown steadily in membership. A series of buildings and sanctuaries of ever-growing capacity trace a path from the church’s first meeting, which took place in a member’s living room, to its modern 700-plus-seat sanctuary. Although only a decade old, Southwest Church of Christ’s latest building quickly amassed an ad hoc collection of sound reinforcement equipment that strained the capacity of the technician’s booth and often flummoxed the volunteer technicians who attempted to use it. Hoping to maintain its functionality while greatly simplifying the user interface, the church contacted Robert Rogers, senior design consultant with Audio Video Designs (AVD) of nearby Moore, Oklahoma. AVD used a cost-effective Symetrix Jupiter 12 app based turn-key DSP to replace all of the analog clutter. The church was so pleased with the improvement that they asked AVD to integrate their three fellowship halls, and AVD obliged using a Symetrix Jupiter 8 running the Sound Reinforcement #6 app configured to do room combining.

“The audio booth was cluttered with consoles, switches, and dials, with a few computers and screens thrown in for good measure,” explained Jeff Brocaw, design consultant with AVD. “They just kept adding on as new needs presented themselves. Not only was the sanctuary system controlled from the booth, so too were the more modest systems in the three fellowship halls.” Because the input sources and loudspeakers were all still in fine shape, AVD was able to leave them in place. However, new Crown and ElectroVoice four-channel amplifiers now power the system.

“Of course, money was a huge factor, and the Symetrix Jupiter 12 DSP was the logical choice,” said Brocaw. “We could eliminate all that clutter with the processing power in that single rack space unit, and they wouldn’t have to spend $20K on a digital console.” The twelve inputs of the Jupiter 12 collect outputs from all of the stage microphones, as well as from video playback devices and a pair of ambient microphones for use in recording. The Jupiter 12’s four outputs send signal to the main sanctuary system, the three fellowship halls, and a computer-based recorder, as well as hallways and other areas of the building. One of the outputs is currently unused and awaits future expansion.

Partly because there are a lot of open microphones on stage, Brocaw used the “Gating Automixer” app with the Jupiter 12. The gates effectively eliminate feedback problems that the church was having with the old system. For Sunday service, the system operator makes adjustments from a computer running the Symetrix Jupiter software. “Now it takes very little effort to run a service,” said Fred Lowery, with the church. “When needed, we mix from within the app. For the simpler Wednesday service, the pastor can make any necessary adjustments from a Symetrix ARC-2e wall panel remote. He doesn’t even have to turn on the computer! The church fell in love with the simplicity of the new Jupiter-based system.”

In fact, they were so pleased that they requested a similar transformation of the ad hoc room combining system that they had constructed. With eight inputs, eight outputs, and an app easily-made to perform room-combining (Sound Reinforcement #6) the Symetrix Jupiter 8 was the obvious cost-effective solution. “As with the Jupiter 12, the Jupiter 8’s interface is sufficiently simple that church staff and volunteers can use it reliably,” said Brocaw. “That simplicity, together with processing power and affordability, made the Jupiter 8 the right choice.”

The Symetrix Jupiter 8 takes its inputs from each of the fellowship halls, and sends outputs back to each of the fellowship halls. Additionally, three hard disc recorders stand ready to capture events that take place in the fellowship halls. Users execute room combining by opening the matrix from within the Jupiter software application. Any input can be sent to any output, and by incorporating input from and outputs to the main sanctuary system, all four rooms can be combined in any desired configuration.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

Morris Light & Sound Takes Delivery of First NEXO STM System in North America

BUENA PARK, Calif.—An early adopter of NEXO loudspeaker systems, Nashville-based Morris Light & Sound is the first in North America to take delivery of the new, flagship NEXO STM loudspeaker system, it was announced today by the Company and Yamaha Commercial Audio Systems, Inc. (YCAS).

The 200+-box STM system includes 68 STM M46, 80 STM B112 bass, 48 STM S118 subs, 22 NUAR Racks, 12 PS10R2 speakers, 18 RS18 Ray Subs, and 16 GEO S12 loudspeakers. Two Yamaha DME64N Digital Mix Engines have also been purchased to run 16 channels of Lake Mesa EQ for zone control when required. The company also owns 24 NEXO 45-N12 line monitors.

Morris Light and Sound is a full service production and integration company with more than 25 years experience in the entertainment industry providing professional audio, video, and lighting services for live events, tours and the fixed installation marketplace throughout North America.

We are extremely pleased to be collaborating with Morris Light & Sound on the new STM system and excited to introduce them as our first NEXO STM associate in North America,” states Paul Furtkamp, National Sales Manager, Yamaha Commercial Audio Systems, Inc. “Involved with STM since its early stages, Morris L & S has provided very valuable input to NEXO on its development. Both NEXO and YCAS are very proud to be aligned with a company like Morris Light & Sound that truly define what it means to be on the cutting edge of a new technology like NEXO STM. We look forward to a very long and productive relationship between our two companies.”

The NEXO STM Series (Scale Through Modularity) loudspeaker cabinets are the first of its kind on the market. Ideal for touring, festivals, and sound company rental, the new system combines the best of Alpha functionality with the technical innovation of NEXO’s patented Hyperbolic Reflector and venting design in which all radiating surfaces are in phase, delivering a powerful, flexible, and easy to use system. STM enables line array systems to scale up or down depending on event audience size, from 1,000 to 100,000 people.

The STM system can be configured from three discrete loudspeaker elements: M46 main, B112 bass, S118 sub-bass modules with plans to release addition STM components in the near future. System configurations can comprise arrays of main cabinets only, main plus bass, or bass plus main plus bass. STM is unique in that it is the first vertical array system to offer scalable LF, making it easy to add extra bass cabinets for increased power and headroom, without introducing unwanted phase anomalies makes STM unique, as it is the first vertical array system to offer scalable LF. Deploying the dedicated subbass cabinets, either in the arrays or as ground-stacks, further increases the system’s options. The ‘Omni’ fill speakers complete the coverage pattern, whatever the scale of the system. STM also features a very innovative “one-man” rigging system that allows quick and safe construction of STM configurations. PistonRigTM allows pre-setting of inter-cabinet angle values. REDLockTM handle locks front rigging points from rear of cabinet. All adjustments made from one position at rear of cluster.

“From our first trip to NEXO headquarters over a year ago, we immediately embraced the concept of STM,” states David Haskell, President, Morris Light & Sound. “The ability to scale the system for audiences from 1,000 to 100,000 got our attention. And, after working closely with the NEXO team, I can proudly say they have delivered the most flexible and best sounding system I have heard in many years. We are proud to be a developmental partner with NEXO and YCAS in bringing this wonderful new product to the market and look forward to a lasting relationship.”

For more information on Morris Light & Sound, visit www.morrislightandsound.com.

For more information on the NEXO STM system, visit www.yamahaca.com.

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PHOTO ID: L to R: Morris L&S V.P, John Mills; Paul Furtkamp, YCAS National Sales Manager; David Haskell, President, Morris L&S

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha CL Firmware Upgrade Now Available

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced the availability of Version 1.51 firmware upgrade for the CL Digital Console Series.

New features include Scene Preview functionality; the Help function is further supported by an on-screen reference guide, which once loaded, resides in the console permanently. The recently launched Ri8-D, Ro8-D, and NXAmp with NXDT104 have been added as Dante devices that can be detected/patched into the CL Series. A CUE LEVEL knob has been added to the CUE section, allowing adjustment of the CUE level and can be assigned to a custom fader or user defined knob. The HPF in the Parametric EQ section has been improved with an option for a slope of -12dB/oct or -6dB/oct.

Yamaha CL Version 1.51 also includes improvements to the DANTE SETUP screen, and a NEW I/O DEVICE screen, separate from the VIRTUAL RACK screen has been added, allowing for more flexible control and management of each I/O device.

“Our company continually strives to make significant improvements and additions of key features and benefits to systems’ firmware that will be beneficial to our customers,” states Kevin Kimmel, Systems Application Engineer, Yamaha Commercial Audio Systems, Inc. “Version 1.51 for the CL Series is proof that we don’t just put a new product out, we continue to improve on that product based on input from our end users.”

Yamaha CL Version 1.51 firmware upgrade is available now, free of charge via download at www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

BROOKLYN-BASED KEMADO RECORDS INSTALLS 32-CHANNEL API 1608

BROOKLYN, NEW YORK: Kemado Records is the latest studio to install a 32-Channel version of API’s popular 1608 console. Kemado, long known for bringing national attention to innovative artists spanning the spectrum from indie rock to heavy metal, choose the 1608 to complement its recent plans for expansion, which included the creation of two new labels (Mexican Summer and Software), a brick-and-mortar record store, and a recording studio in 2009.

Kemado’s founders Andrés Santo Domingo and Tom Clapp are happy to report that the recording studio has seen near continual use and offers clients over 1,000 square-feet of tracking space. Kemado’s new 1608 is housed in the larger of two separate control rooms.

Deciding what would replace the existing console became increasingly clear as the choices were analyzed and rejected, explained Clapp. “We figured that if we were going to replace a classic vintage console, we had to replace it with something in the same respected sonic family. But at the same time, we wanted to avoid the near-constant servicing required of some older consoles. So we decided we wanted something new but still classic, which made the 1608 the perfect fit; it’s a classic console with a classic sound. Plus it’s designed to be in constant use, and the modular design ensures that it can be serviced when that time comes. The other options we looked at were not in the same sonic league with the 1608, nor were they built for the long haul.”

Clapp and colleagues burned the midnight oil and installed the new console in just three days, and synched the 1608 into a fully-decked Pro Tools HD rig with 48in/48out, a Studer 827A tape machine, and a Studer A80 VU mix-down deck. And with so many engineers coming through the door, part of the 1608’s allure was its straightforward topology and signal flow, as was its gain structure. “The 1608 definitely has a modern gain structure, in contrast to many of the choices we reviewed,” said Clapp. Choosing that classic API sound was, in Clapp’s words, a “no-brainer”.

“I’ve worked with API gear before, and I love the fast transients and headroom,” he said. “We even tried 500-series modules from a range of high-end manufacturers to fill out the 1608’s API 500-Series slots, but we kept coming back to the API sound.” To date, eighteen of the available 32 slots have been filled with API 550b 4-band and API 560 graphic EQs. “We’re going to slowly fill the rest of the slots with API EQs down the road,” Clapp promises.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY PROCESSORS AND AMPS EARN AN ENCORE

COLUMBUS, OHIO: Encore is a new, high-spirited nightclub located in the Crosswoods neighborhood of Columbus, Ohio. Its strategy for success is to show patrons such a fantastic time that they quickly return to enjoy an encore. Tasteful bar food, a wide range of drinks, and elegant décor and lighting provide the perfect frame for Encore’s daily upscale party. But the heart of the party resides in an articulate, high-SPL, bass-rich sound system designed and installed by local A/V integrator Demmer Audio Video Solutions. Two Ashly 3.6SP Protea digital speaker processors and six Ashly KLR Series amplifiers drive the sound system – and thus Encore’s enthusiastic patrons – nightly.

The new club occupies approximately 2,500 square-feet on a single floor, with a large main room and dance floor complemented by a handful of smaller rooms that are available for private functions. “The owners were looking for a very reliable sound system with solid fidelity and bass,” said Ken Demmer, owner of Demmer Audio Video Solutions. “Moreover, they wanted to be able to come in, turn it on, and know that it would work as expected. They didn’t want to worry about adjusting this or that, and they wanted the minimal access necessary to simply plug in a DJ, select a source, and adjust the volume. That’s it.”

Inputs to the system include a DISH Satellite interface, a cable interface, an iPod dock, a computer media player, and, of course, a DJ input. Because the owners requested it based on their familiarity with systems at their other establishments, Demmer installed a DBX ZonePRO processor for input selection and volume control. However, the meat of the processing at Encore resides within two Ashly 3.6SP Protea digital speaker processors.

“The Ashly Protea processors have excellent sonic quality,” Demmer said. “They’re very clean, the equalization is smooth, and the conversion is nice. The programming software is easy to use, and I can save the configuration program on my laptop, load it via a straightforward USB connection, and lock out the front panel of the unit so that no one fiddles with the settings. That’s a big selling point for my clients – it protects their investment.”

Six Ashly KLR-2000, two Ashly KLR-4000, and three Ashly KLR-5000 amplifiers power the system. Six Community S-3294 three-way twelve-inch speakers, four Community VLF212 dual twelve-inch subwoofers, and six Community VLF118 single eighteen-inch subwoofers comprise the new sound reinforcement system for the dance floor. Existing distributed ceiling-mounted loudspeakers contribute to even coverage throughout the establishment.

“When I first heard of the Ashly KLR Series, the price seemed too good to be true,” Demmer said. “But I still see classic Ashly amps still running day-in and day-out in the field. They build things to last. So I bought a pair of KLR-5000s to power some subwoofers, and they were beat to death. But they held their own, and now I’m happy to install them to deliver high-performance systems on a budget. In addition, they are lightweight and energy-efficient, which are both great selling points.”

Demmer once had a service issue with an Ashly amplifier. “I understand that even well-made things break every so often,” he said. “What impressed me was how great and speedy Ashly’s service was. They turned it around immediately and got it back to me in a matter of a few days.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

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