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Archive of the NSCA Newslink Category

Four DiGiCo Consoles Are Manna From Heaven

In 2012, a DiGiCo SD7 was installed in Jiguchon Church in the South Korea’s Bundang New City. Such was its success that four more of the company’s mixers have now been installed in another church in the city, demonstrating how DiGiCo mixing consoles are making significant inroads into the country’s house of worship market.

Featuring a state-of-the-art technical specification, the new Manna Methodist Church has a seating capacity of 4,000, with around 10,000 worshippers attending each week. Services feature a live band, choir, organ and orchestra, so the audio system needed a high input channel count, as well as facilities to mix live audio for broadcast on its own Internet channel.

The church consulted DiGiCo’s South Korean distributor Soundus Corporation, who supplied and installed an SD7 console at Front of House, with four SD-Racks and an SD8-24 to take care of the live broadcast mix. In addition, Soundus supplied an SD9 for a mobile audio system and an SD11 for the church video editing suite.

“The decision to use DiGiCo consoles was based on the SD7’s ability to handle more than 200 input channels, the dual engine offering stability, reliable redundancy and excellent sound quality,” says Soundus sales manager Byung Chul Park. “The church also needed additional mixing consoles and it was an obvious decision to stay with the same manufacturer.”

Utilising an Optocore fibre optic network, this solution made for a seamless solution throughout the church.

“The system is very versatile and is easily expandable for any future requirements,” concludes Byung Chul. “The church is very happy with it.”

Yamaha Commercial Audio Provides Sound System for Concert Celebrating Company’s 125th Anniversary

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. (YCAS) played a major role in parent company’s 125th anniversary celebration, providing the sound system used at a concert held at the Disney’s Hyperion Theatre during the NAMM Show in Anaheim. YCAS managed all live audio production equipment requirements including the design and implementation of a large-scale Dante network from inputs to speakers and were on hand for assistance to guest artist engineers.

The concert, which featured performances by Amy Grant; Chaka Khan; Dave Grusin; Earth, Wind & Fire; David Foster; Dave Koz; Michael McDonald; Sarah McLachlan; Toto; Lucy Schwartz; new artist LEOGUN; the USC Marching Band; and house band, under the musical direction of Nathan East.

Three Yamaha CL5 digital consoles were used at front of house (one for the orchestra, one for the house band, and one for guest bands) for a total of 150 inputs, two CL5s were used at monitors, two DME64N digital mix engines were used for Dante Network Bridging and FOH speaker system processing, NXAMP4x4s for amplification with NX-DT104 Dante cards, NEXO RS18 and S118 subwoofers, NEXO PS10 speakers for front fill, NEXO 45N-12 stage monitors, LS600 and DXS15 subwoofers for drum mix subs, and, for flown for the first time in the U.S., the new NEXO STM line array used as FOH Mains.

“The new CL5 console is amazing,” states front of house engineer Bryan Lenox, who mixed many of the guest artists as well as the house band. “The three CL5s were linked together and talking to one another during a very complex show. We had a multitude of artists, background singers, multiple pianos, horns, percussionists, a multi-track recording truck, and a live broadcast stream of audio and video. The console is very user friendly and quick to get around; the flexibility, touch screen, and color-coding groups of faders are very helpful especially when having to make quick moves. The console routing is great, and although you can do just about anything with the routing, the layout can even be customized by the engineer.” Lenox said the Neve and Pultec plug-ins sounded great on kick, snare, bass, and vocals. “The new NEXO STM rig sounded unbelievable and very rich sounding while retaining detail, clarity, and punch. It was very easy to get a great sound with the combination of the consoles and the STM.”

The night’s crescendo, however, was Sir Elton John who ended the concert with an amazing five-song set. A historical evening for Yamaha Pianos as John played a Disklavier reproducing piano onstage, accompanied by a 60-piece orchestra, as his actual piano keystrokes were faithfully played, note for note, in real time (via MIDI data) on remote Disklavier pianos all over the world. He and the orchestra were visible on adjacent monitors in perfect sync with the remote piano performance, and even fans from around the world without a Disklavier were able to witness the event via a live streaming feed.

“I enjoyed using the CL, in fact, when we have solo shows with Elton similar to the Yamaha event, it will be my desk of choice,” states Matt Herr, front of house engineer for Elton John. “I’m a fan of Yamaha desks and have been for many years. The product reliability and global service is second to none.” Herr has been using a PM5K when the band performs with John. “The CL is very user friendly and sounded really good in my opinion. The Neve inserts sounded fantastic; I used one of the compressors on Elton’s vocal. Normally, I use an outboard compressor, but this one worked quite well. As far as the NEXO STM line array, it sounded nice and smooth, and I’d like to get my hands on it with the band and really drive it to see what it can do. It seems like it would be a good large line array as opposed to some of the smaller ones out there.”

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Photo 1: Matt Herr, Photo 2: Bryan Lenox

About Yamaha CAbout Yamaha Commercial Audio Systems, Inc.:About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Mid-America Sound to Host Yamaha CL Digital Audio Console Orientation

Mid-America Sound will hold a Yamaha CL Series Orientation/Learning Session and Open House on
Wednesday, February 27 from 1:00 – 8:00 pm

6643 West 400 North, Greenfield, Indiana

Learn about the Yamaha CL Series
from Yamaha Representative Mike Eiseman

Refreshments and snacks will be served from 4pm to 8pm.

For registration and information visit, http://midamericasound.eventbrite.com/

RSVP Jason Wells at Jason@midamericasound.com or call 317-947-9980.

Vintage Takes on New with Yamaha CL

BUENA PARK, Calif.— Vintage Trouble formed just three short years ago, and now are the opening act for The Who’s “Quadrophenia and More” tour, already completing 25 shows with 12 more to go. Recording their first CD The Bomb Shelter Sessions, successfully selling it at gigs, and, as luck would have it, began receiving requests to feature their music in several commercials. Their good fortune continued when they opened for Brian May’s “Anthems” tour; followed by Bon Jovi dates in stadiums and arenas in the UK, Ireland and Germany.

25-year veteran front of house engineer, Brian Anderson, is mixing the band using a new Yamaha CL5 digital audio console and Rio3224-D, provided by Sound Image (Nashville). Anderson’s credits include Blues Traveler, Spinal Tap, Hoobastank, Batlord, Lovehammers, Brother, just to name a few. He has also mixed a Cirque Productions show entitled “Pop Goes The Rock”.

“The CL5 is operating the front of house mix as well as four in-ear monitor mixes on stage and a 24-track ProTools recording using Audinate’s Virtual Sound card,” states Anderson. “The fact that the console allows everything to be done from one surface with one operator has been invaluable to the band in regard to staying on budget. We have a relatively controlled environment that keeps things very consistent from day to day.”

Anderson said he has been mixing on digital consoles since the Yamaha ProMix01. “The CL sound is far superior to previous consoles, and the amount of available effects, Premium Rack plug ins, iPad control, Dante interface (no heavy snake to carry), and control surface ergonomics are great benefits. Other manufacturers’ consoles have often been unreliable, so I always request a Yamaha whenever possible.”

For more information on the Yamaha CL Series, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SYMETRIX SOLUS 16 STANDALONE FIXED I/O DSP PROVIDE UNIQUE, ZONE-SPECIFIC AUDIO SYSTEMS IN 50 BEST BUY STORES

SEATTLE, WASHINGTON – FEBRUARY 2013: Starting with a single location in West Saint Paul, Minnesota, in 1966, Best Buy has worked to become the largest electronics retail store in the eastern United States. It currently operates over one thousand stores around the country and in select locations throughout the world. In its rise to the top, Best Buy has innovated and re-conceptualized the way consumers buy electronics, and the company continues to innovate to keep ahead in the fast-paced and ever-changing world of consumer technology. In that tradition, fifty renovated and newly-constructed Best Buy locations are pioneering a new concept in store sound. Rather than blanketing the entire footprint with a wash of music, discrete zones with very little bleed give the stores a feeling of calm and deliberately direct guests’ attention to the sources of the sound. Because of its powerful open-architecture programming, high sound quality, easy networking, and cost-effective pricing, the Symetrix SymNet Solus 16 standalone fixed I/O DSP underpins the new concept.

“They wanted sound in some areas of the store, but not in other areas,” explained Jon Bormann, owner of Bormann Marketing and the designer of the new system. “It is a directed approach, which is very different from the usual approach taken in retail stores. For example, the store’s Magnolia Audio/Video section, which features really high-end equipment, is better served if sound isn’t spilling into it from the ceiling. In another application, they play a video message every fifteen or thirty minutes, and we’ve arranged the sound so that it effectively emanates from the screen’s location. Since our brains are programmed to look toward the source of a sound, the video message is way more effective than if the audio were raining down from wall to wall.”

The new concept identifies four separate zones per store, the output of which is realized via concentric rings of unobtrusive, ceiling-mounted Innovox miniature steerable line arrays. A pair of energy-efficient Lab.gruppen E-Series amplifiers power the system, and their asymmetrical design allows different loads to be placed on each channel. The 16-input/8-output SymNet Solus 16 DSP handles all of the processing, including robust ambient noise sensing and gain compensation, sophisticated equalization for the line arrays, and flexible multi-zone performance. The emergency and telephone paging systems tie into the new system.

“In contrast to the typical store audio system, this system delivers high fidelity, foreground-quality music, and voice,” said Bormann. “Symetrix is well known for building equipment for installed systems that has studio-quality sonics. Moreover, the SymNet Solus 16 is priced right, which helps allow this new system to go into many stores.” Each SymNet Solus 16 is given a unique IP address, and an engineer stationed at Best Buy’s Richfield, Minnesota headquarters monitors and adjusts system performance in all fifty stores. Although it is seldom used, a Symetrix ARC-2e wall panel remote in each store can override the system’s preprogrammed auto-gain in the event that program material appears too quiet or too loud.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ASHLY AMPS SERVE UP RARE AND WELL DONE AT PERRY’S STEAKHOUSE AND GRILLE

TEXAS – FEBRUARY 2013: Perry’s Steakhouse and Grille truly is rare and well done. From its humble beginnings as a butcher shop more than thirty years ago, Perry’s has grown to become one of the premier steakhouses in Texas. Today with nine locations, each uniquely customized to the neighboring community, Perry’s Steakhouse is located in greater Houston, Austin, Dallas, and San Antonio.

One of the premier A/V integration firms in Central Texas, Intelligent Lighting Services, has designed and installed state-of-the-art sound systems in the most recent Perry’s Steakhouse locations. Intelligent Lighting Services’ Eric Bernstein recommended Ashly’s ne8250pe eight-channel Network Amp with integrated Protea™ signal processor for the Katy, Dallas and San Antonio restaurants.

“I was already looking to make some changes after the first installation at Austin because the big-name DSP we installed there seemed to time-out every other day,” explained Bernstein. “I’d had previous good experiences with Ashly gear and knew that it was reliable. Since I already knew we’d be using Tannoy CMS801 ceiling-mounted loudspeakers, I had my tech wire up an Ashly ne8250 amplifier and another from the manufacturer we had used at the first location. I did a blind comparison in controlled conditions and came away convinced that their clientele would hear no perceptible difference, at least with those loudspeakers. So there it was: an affordable, great-sounding amplifier with optional on-board DSP that I knew was flexible and reliable. And to top it off, Ashly is a nice, contractor-friendly manufacturer. We went forward in the next three locations – Dallas, San Antonio, and Katy, Texas – with the Ashly ne8250pe at the heart of the design.”

Because ambient live music is an integral part of the Perry’s experience, all three locations feature an Allen & Heath console adjoining a modest stage. Its output joins a handful of cable TV channels, a Muzak player, and a wireless microphone at the input to the Ashly Protea DSP environment. Because each of the Perry’s Steakhouse locations is unique, the Dallas location uses four Ashly ne8250pe eight-channel amplifiers, whereas San Antonio and Katy use three. The Ashly Protea DSP Matrix Mixer is used as a room combiner in the private dining rooms, allowing the restaurant to host any size dinner meeting or event. Other common zones include the bar area, lobby, hallways, restrooms, entry, patio plus four or five private dining rooms. Because the Ashly ne8250pe includes separate processing on each output, Bernstein was able to perfectly signal align all of the zones for maximum impact and coherence.

User control is simple. At the Dallas and Katy locations, each zone features a Ashly WR-5 programmable wall-mounted remote. Its simple push buttons allow selection of different input sources and overall volume. The San Antonio location adds a URC KP-4000 wired controller behind the bar for more in-depth control, along with a URC MX-5000 wireless remote that allows the manager to make changes on the fly from any location.

Perry’s Steakhouse and Grille is currently considering new location sites. Because the owner has fallen in love with the sound of the newest restaurants and the way his team is able to so easily control them, Bernstein’s Ashly-based design will serve as the blueprint for all future Perry’s Steakhouse and Grille locations moving forward.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Yamaha CL Premium Rack and Familiarity Key Factors For Youth Event

BUENA PARK, Calif.—Held in late January 2013 at the Pheasant Run Convention Center in St. Charles, Illinois, Willow Creek Community Church hosted Blast 13 a youth group retreat for approximately 1,400, produced by the Willow Creek Student Impact Ministry, with audio support provided by TC Furlong (Chicago).

One Yamaha CL5 digital audio console accompanied by two Rio3224-D input/output racks were used at front of house with a CL1 selected for monitor mixing along with two ProPlex Gigabit switches for network redundancy. “Network redundancy was important because of the high-profile nature of the event,” states Chris Wintz, Rental Manager, TC Furlong. “The crew at Willow Creek likes to have backup/redundant systems whenever possible.”

”Since the CL5 was already specified as the front of house console after the Willow Creek team attended a demo, and challenged with keeping the monitor mix area to a small footprint yet needing a system with ample mix buses, the CL1 was a one-stop solution,” says Wintz. “In the 13 years with have collaborated with the Willow Creek team, this was one of the most streamlined solutions we’ve put together.”

“We decided on the CL system for a number of reasons,” states Nathan Miller, Systems Designer/Engineer, Miller Audio Services (Chicago), audio contractor for the event (assisted by systems engineer Matt Satorius). “One factor was the ability to use the Premium Rack Portico plug-ins. We used the Portico 5033 EQ and 5043 Compression on the lead vocals at both front of house and monitors. We also used the U-76 plug-in at front of house across the drum bus as well as the Opt-2A plug-in to add a mastered sound to the IEM mix busses at monitors. The other major factor was the overall efficiency of the setup and strike. Switching to a digital snake really helped make the overall load in/load out easier. Not only were the FOH/MON runs much cleaner, but the split was much cleaner and easier to troubleshoot.”

Miller said the CL5s were easy to operate by event engineers Stephen Kendeigh and Ryan Pribyl due to console familiarity since the pair use Yamaha consoles for regular youth services. “Blast 2013 represented a major step forward not only in our audio system architecture, but in the overall sound quality of the event,” states Troy Bartholomew, Technical Director for the ministry who oversaw all of the production for the event. “Nathan’s choice of the CL Series streamlined our setup while giving us more features and flexibility than we have had in past events. Also, Ryan and Stephen’s ability to utilize the fantastic new features really elevated the audio experience for all of our students. Throughout the weekend, I received a lot of positive feedback from industry veterans, audio contractors, and Willow production staff who were able to come in and listen to the system.”

One of the largest churches in the U.S. with an attendance of 20,000 on any given weekend, Willow Creek regularly host retreats for youth and adults for their congregation. This particular event featured guest presenters along with a church house band of seven musicians and vocalists. For more information on Willow Creek, visit www.willowcreek.org.

For more information on TC Furlong, visit www.tcfurlong.com.

For more information on Miller Audio Services, visit www.masiaudio.com.

For more information on Yamaha CL consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Boogie Woogie Christmas with Yamaha CL5s

BUENA PARK, Calif.—The Brian Setzer Orchestra (BSO) recently completed their ninth annual Christmas Rocks! Extravaganza 26-show full of fan favorites performed by Setzer and his 18-piece orchestra off the Boogie Woogie Christmas album.

BSO boogied through the Christmas tour with two Yamaha CL5 Digital Audio Consoles and four Rio3224-D input/output boxes, provided by Sound Image of Escondido, California, who provided audio production for the tour.

James ‘Jimbo’ Neal mixed front of house using a Yamaha CL5 with two Rio3224-Ds, and Eric Scott used a second CL5 for the monitor mix along with a second pair Rio3224-Ds. “We ran the Rio boxes, which were in pairs at FOH and monitors, in redundancy through two custom-made switches from Sound Image with the assistance of Joe Lopez from Yamaha Commercial Audio Systems,” states Neal.“ The CL console sounds like nothing else from Yamaha, and I found it to be a little more forgiving with a warmer low-mid and a smoother high end. I love the Premium Rack with the Rupert Neve Designs compressor and EQ.”

Neal said he previously used Dante software and hardware with a PM5D and Cubase 6 on the Rockabilly Riot Tour, where he multi-tracked every show later used for a live CD release,” Live From The Planet ” on Surf Dog Records. “The integration between the CL, Dante software, and Nuendo Live is seamless, and has made my life much easier.”

“Using the CL5 on this run of the tour was an amazing experience,” adds Scott, sighting the custom fader banks as a favorite feature which, he said, really helped out when in flip fade mode. “The combination of the Sound Image MA112 monitor wedge and the CL5 gave us the cleanest stage I ever had for Setzer.”

For more information, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha CL5 is the Cornerstone of Detroit Metro Church

BUENA PARK, Calif.—Cornerstone Baptist Church in Roseville, Michigan recently upgraded from analog to digital when it installed a Yamaha CL5 Digital Audio Console and two Rio 3224-Ds input/output racks. The church seats 2,000 and has a congregation of 1,300 with a blended worship consisting of full band, orchestra, choir, and worship team.

Sound Planning Communications, Inc. of Redford, Michigan, recommended the new CL determining it would be an ideal fit for the church upgrade. “The church required 72 inputs but price played a key factor as well,” states Nathan J. Cole, Director of Sales, Sound Planning. The system was installed with an integrated Waves plug-in package including Vocal Rider, C6, Bass Rider, and Renaissance De-esser.

“We have used Sound Planning for the past few years on several different projects, and they have always been great,” states Josh Scott, church TD. “Nathan Cole has always done a wonderful job helping us figure out what we need and meeting our budget. We had been looking towards purchasing a new console for about two years, and in addition to 72 inputs, we needed at least 16 AUX outputs because of our orchestra, choir, band, and other musical events we hold. Initially, we were looking at one that would have cost us $20,000 more than the CL and didn’t have Virtual Sound Check or an iPad app. The day I heard the Yamaha CL5 had been introduced, I called Nathan who told me that it was priced at $20,000 less than the other console we were looking at, and I was astounded!”

Scott said what he noticed right away was how clean everything sounded. “After our first weekend with the new console, I had people coming up to me saying that it was the best it ever sounded. Having the Waves system has helped me put the finishing touches on my mix. Also, not having to consistently re-patch inputs along with the ability to save channel settings has saved us a lot of time and frustration.”

“We have been delighted with the flexibility and intuitive nature of our Yamaha CL5,” adds church Worship Pastor, Dr. Nathan Platt. “The console is easy to navigate from the broadest spread of instrumentation we employ to the simplest public speaking setup. The CentraLogic section of the board is so user-friendly for sound operators who serve less frequently on our technical team, and the ability to save extensive presets has proved exceedingly helpful, as has the constant use of the iPad for operation outside the sound booth. We have been so pleased with the “bells and whistles” afforded us by Yamaha’s VCM technology and the freedom to employ various Waves effects, be it for compression, equalization enhancement, or signal clarification. These effects have made a world of difference with respect to the refinement of all our mic’ing.”

“The combined digital workflow improvements, sound quality, noise reduction, Virtual Soundcheck, and digital effects have the church thrilled with the CL installation,” Cole says. “Now that they have become more knowledgeable about Dante, they are excited and looking forward to future upgrades of their DSP using full Dante networking as well as wireless systems directly tying into the Dante network.”

For more information on Cornerstone Baptist Church, visit www.cbcroseville.org.

For more information on Sound Planning Communications, Inc. visit www.soundplanning.net.

For more information on the Yamaha CL5, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Blue Man Group Launches New Vegas Production With DiGiCo In The Mix

The creative forces of Blue Man Group (BMG) have been working for two years to bring an all-new production to the Monte Carlo Resort and Casino in Las Vegas. This international entertainment phenomenon—one of many adaptations around the globe from Berlin to Boston—comprises a trio of blue men and an electrifying combination of music and inventive technology celebrating the more

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