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SYMETRIX SYMNET RADIUS 12X8 DSP PLAYS BALL AT PHILADELPHIA’S WELLS FARGO ARENA

PHILADELPHIA, PENNSYLVANIA: FM 97.5 is better known to Philadelphia sports fans as The Fanatic, and recent agreements with the Philadelphia 76ers and the Philadelphia Flyers gave its listeners a new reason to cheer. As of this season, the station will broadcast all 76ers and Flyers games in full FM stereo and full FM bandwidth, a substantial improvement over the previous station’s AM broadcasts. Both teams play in The Wells Fargo Center, and Greater Media, the owner of FM 97.5, recognized that a substantial upgrade in its broadcast audio infrastructure would be required to deliver reliable, high-fidelity game day sound. In what is perhaps the one of the nation’s first Dante radio broadcast digital backbone system in a professional sports arena. Greater Media installed three Symetrix SymNet Radius 12×8 processors with built-in Dante digital audio networking. The SymNet Radius 12x8s gather inputs from three strategic locations in the Wells Fargo Center and deliver them with full fidelity and near-zero latency to the station’s codec.

“It was apparent that a lot of The Wells Fargo Center’s broadcast audio infrastructure might have been appropriate for the fidelity of an AM broadcast but that it wouldn’t work for an FM broadcast,” said Rodney Byrd, engineer with Greater Media. “AM is forgiving; FM is not.” And because bringing the fidelity up to FM standards would require a complete overhaul, it was an excellent time to build an infrastructure that would be flexible, easy to use, and amenable to future changes. “The Fanatic has the contract for multiple years, and the expectation is that they will renew,” explained Pat Conneen, an audio engineer who contracts with Greater Media, was an A/V integrator, and a is also a Symetrix rep. “So, they wanted to get it right from the start.”

Several issues presented themselves, but foremost was the disparate locations used by the players, the 76ers announcers, and the Flyers announcers. The players, of course, use the locker rooms and the main floor. The 76ers’ announcers use an area on the balcony, and the Flyers’ announcers use a space adjacent to the press box. The previous radio station physically moved its equipment several hundred feet depending on which team was playing. “It was clear to us that that was not what we wanted to do,” laughed Byrd. A better plan was to place a SymNet Radius 12×8 at each of the three locations and rely on its Dante network backbone to deliver audio to the Telos Zephyr Xstream codec via the SymNet Radius 12×8 located near the press box.

“Of course, cabling all of that up with copper would have been a tremendous and costly undertaking,” said Byrd. “In contrast, the Dante bus requires only CAT6 cabling, and it allows us to push signals from anywhere to anywhere within the network.” Conneen added, “We were originally considering using another manufacturer’s system with a proprietary digital network, but then Symetrix announced the SymNet Edge system [to which the Radius 12x8 is related]. The features, benefits, and industry acceptance of Dante made it the clear choice. Personally, both Rodney and I have history in the live sound industry, and there Dante is being used to send huge numbers of channels between inputs, and outputs of consoles. If it was working for that application, I was confident it would be robust for our needs.”

He continued, “I also knew that Symetrix has a longstanding reputation within the broadcast industry for delivering clear, high-fidelity audio. Its analog components are excellent, and its processing algorithms are transparent.”

The other major component of the installation is a pair of digital mixing consoles, a Soundcraft unit for the Flyers and a PreSonus unit for the 76ers. Signal processing duties are shared between the consoles and the SymNet Radius 12x8s. “The SymNet units are flexible enough to bring in either line inputs or mic-level inputs, so we have a lot of flexibility in terms of which inputs go where,” said Byrd. “We’re still working out exactly how we want to control them on a day to day basis, but the most likely solution will be to create custom SymVue panels for a PC interface.” Because the Radius 12x8s are easily IP addressable, the station can make changes to the system either at the arena or remotely from its broadcast studios.

Because the Dante network accepts 128 channels of audio, it will be easy for Greater Media to expand the system with the addition of another SymNet Radius 12×8 or a SymNet Edge processor. No additional wiring will be necessary to bring new signals to the station’s codec.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management.  For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

Yamaha Commercial Audio Systems Launches Yamaha Ri8-D and Ro8-D Input and Output Rack Units

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced the worldwide launch today of the Yamaha Ri8-D and Ro8-D input and output rack units that will maximize the live sound experience by using the same Dante audio network protocol as that found in the new CL Series Digital Audio Consoles. The small, but mighty 1U rack mount units provide additional options for flexible system design and implementation, while maintaining the excellent sound quality found in the CL Series and Rio3224-D and Rio1608-D I/O racks.

Both sound quality and system layout flexibility were enhanced in the CL Series by separating I/O hardware from the mixing console. The new Ri8-D and Ro8-D take that freedom one step further with the number of inputs and outputs available wherever they are required for sound reinforcement installation and I/O distribution.

In addition to working with CL Series components, by using Dante-MY16-AUD card(s) with the new Rio units and a Yamaha PM5D will create a 96kHz system. The new Rio units can also be used with M7CL and LS9 Digital Consoles, DME64N Digital Mix Engines, and other compatible Yamaha products such as NEXO NXAmps using an NXDT104 card, further enhancing the Dante networking experience. The Ri8-D head amplifiers can even be controlled directly from the interface of the M7CL, LS9, or other compatible console.

“The natural, musical sound that is a key element of the CL Series design is again achieved without compromise in the Ri8-D and Ro8-D input and output units,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “Whether used as portable input and output racks, or alongside a Yamaha console, we know our customers will appreciate the addition of these two new units in supporting Dante networked systems of any size.”

The Ri8-D and Ro8-D can be used in any combination with the Rio3224-D and Rio1608-D. Availability is expected spring of 2013 with a targeted MRSP of $1,900 for the Ri8-D and $1,700 for the Ro8-D.

For more information on the Ri8-D and Ro8-D, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

KanexPro Releases HDBaseT Scaler for Presentation Systems

Introducing the next-generation in ultimate presentation scaling and switching, KanexPro announced today the HDSC12D scaler to its pro-line of high-resolution scalers.
This 12-input high resolution scaler boasts a twisted pair output based on HDBaseT® technology that will compensate for long runs up to 230 feet (70m) while switching and scaling up to 12-inputs. It includes an independent receiver, which extends the HDMI output. Fully HDCP and EDID compliant, this professional scaler can be used anywhere from lecture halls, conference rooms to health care facilities and control centers.

Features:
• Switch & Scale 12-inputs to 2-high-resolution displays
• 4 HDMI + 4 VGA Inputs with 3.5mm Audio
• 1 YPbPr + 1 Composite / S-Video Input with L/R Stereo Audio
• 1 Microphone Input
• 1 HDMI +1 VGA Output with L/R Stereo Audio (For non-HDCP encrypted content)
• 1 HDMI HDBaseT CAT6 STP receiver included
• Extender supports distance up to 230ft [70m]
• Supports scaling input up to 1080p
• 2 x 10 Watt Amplifier
• IR remote control included
• RS-232 & TCP/IP control with third party control systems
• Backed by KanexPro 3 -Year Parts & Labor Warranty

For more information, please visit: http://www.kanexpro.com/item/?id=HDSC12D

Ultimate in Presentation Switching Environments

In Time for Holiday Services, Church Gives Congregation the Gift of Enhanced Sound with Yamaha CL5

BUENA PARK, Calif.—This year’s holiday services at Ebenezer United Methodist Church in Stafford, Virginia will be enhanced significantly with the addition of a new Yamaha CL5 digital console. The 500-seat traditional and contemporary style-worship sanctuary purchased the new console along with two Yamaha RIO input/output racks from Sound Productions in Irving, Texas.

“Our decision to replace our existing analog console, was based on three major factors,” states James Mills, Director of Technology. “It had to be a digital console since we have a tight turn-around of 15 minutes between services, and attempting to use an analog board to get accurate sound levels at each service would be very difficult. The console had to physically fit in a tight space. And, as a church, we wanted to spend our money as wisely as possible, so looking at the long-term picture, it made sense to go with the CL5 knowing there would be plenty of room for growth.”

Mills said church staff and volunteers actually had to completely remove their old sound/video booth and rebuild it to fit the new console. Then he and Dave Bryant, the Director of Contemporary Music re-installed the booth’s contents including the new CL5. “I love the ease of setup and punch and clarity the CL5 brings to our sanctuary,” notes Bryant. “Since the band changes almost every week, it’s nice having such a fast, easy way to make changes to the setup, EQ and DCAs. This certainly has set us up for the future, and I’m really excited about that.”

“The console has a lot of nice features that make it friendlier to our volunteer-operator environment, including channel labeling and plenty of room for custom banks,” adds Mills. While he never had direct experience with Dante before the CL5, Mills was familiar with what it could provide in terms of audio networking and features like being able to tap into the network for multi-track recording. “Dante gave us the assurance that this was the console that would take us well into the future.”

Ebenezer UMC’s sanctuary has an average attendance on a weekend of about 1,200 across five services. There are two traditional services, one with a four to six person vocal group and the other with a 30-voice choir. The other three services are contemporary in style with multiple musicians and vocalists.

“The Yamaha CL5 sounds great!” Mills said. “With no other audio changes to our system, the difference in sound from our old analog console to the CL5 is huge. From the pastors to the choir and band, the new console has brought to us a new standard of clarity and natural sound we had not heard in our sanctuary before. The choice of the CL5 has given us the confidence that no matter what happens next, we have a console that will be able to handle it.”

For more information on Ebenezer United Methodist Church, visit www.ebenezerumc.org.

For more information on Sound Productions, Inc. visit www.soundpro.com.

For more information in the new Yamaha CL5 Digital Audio Console, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Grammer Engineer ‘Spellbound’ by NEXO GEO S12

BUENA PARK, Calif.—Known for his vibrant pop/rock/soul mix and free-flowing vocal delivery, Andy Grammer is an acclaimed singer, songwriter, and musician who reached the Top 10 at Adult Pop Radio with his first two singles, “Keep Your Head Up” and “Fine By Me”.

Nearing the close of his 2012 tour, Grammer recently performed at North Central Illinois College in its 825-seat Wentz Concert Hall. Sound Works Productions (Frankfort, Ill.) provided a NEXO GEO S12 system, ground stacked on the stage with the sound company’s custom carts. The house rig consisted of ten GEO S1210s, four RS18 Ray Subs, four PS10s and three 4×4 NXAMPs. For monitors, the company provided three RS18s for sidefills/drum subs, two 4×4 NXAMPs, and a Yamaha M7CL digital console.

“Anytime I’m remotely close to Chicago and need production elements, I want Sound Works there with the GEO S12,” states Kevin Flasza, Grammer’s front of house engineer. “Andy puts on a very dynamic show, and the NEXO rig remains transparent through our entire set and easily allows me to reproduce the delicate details I need to highlight at times. What more can I ask for? The GEO S12 reigns supreme when it comes to that size format.”

For more information the Sound Works Productions, visit www.soundworkspro.com.

For more information the NEXO and Yamaha products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

New Renkus-Heinz Distributor for France Announced

Bernay-Vilbert, France – December 2012… Renkus-Heinz is delighted to announce the appointment of a new distributor for France, signing an agreement with leading French distribution company SoundCo to handle the distribution of Renkus-Heinz products for the French market. They will also cover the North Africa countries Algeria, Morocco and Tunisia, on a non-exclusive basis.

With offices in the Paris suburb and a sales agent team, SoundCo offers its customers support throughout the country.

The company works in all of the entertainment technology sectors including the live sound / PA rental market, the MI market (including both online and retail outlets), installation and system integration companies and the broadcast industry, and more besides.

Another string to the company’s bow is the direct import and distribution of pro audio products. SoundCo is the exclusive distributor for France for Lewitt Microphones GmbH, ESI Audio GmbH, M Pro Audio, Violet Audio and DVK Technologies.

Its customers include rental and service providers in the performing arts, corporate and events sectors; integrators and installers; recording studios; broadcast; distributors (direct sales stores and online) and specifiers and end users including engineers and sound technicians, set designers and stage managers.

SoundCo’s key people are Martin Broucqsault, who holds a postgraduate degree in Marketing Management from top business school ESDES Lyon, and a former sales agent for SCV Audio (Harman Pro French distributor) and EVI Audio, dealing with Electro-Voice, Dynacord, Midas and Klark-Teknik. He has strong experience with PA and rental companies and his combined skills provide marketing and sales strategies for the different markets of the pro audio business.

Jérôme Hardy holds a graduate degree in Electronics Applications. A former sales agent for CINECO, the French distributor for Shure, APEX, Symetrix, Celestion and QSC, and SCV Audio, French distributor for the Harman Pro Group with brands JBL, Crown, Soundcraft, AKG, BSS, DBX and Native Instruments, Merging, NTI and more, and was product manager for Audio-Technica.

Håkan Sjöö, Renkus-Heinz European Sales Manager, commented: “We are really delighted to have secured the services of SoundCo. We believe their deep knowledge of the French market, their enthusiasm and their broad customer base will strengthen the Renkus-Heinz brand in the country and enable us to grow into new markets.”

(Photo: Jérôme Hardy and Martin Broucqsault of SoundCo (left) with Ralph Heinz and Håkan Sjoo of Renkus-Heinz) – click for hi-res image

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Iconyx Delivers for the Daily Planet

Overcoming a Towering Acoustical Challenge at  North Carolina’s Museum of Natural Science

Raleigh, NC, December 2012.… Already one of the largest facilities of its kind, Raleigh’s Museum of Natural Sciences recently completed work on an impressive new addition: the 80,000 square foot Nature Research Center (NRC). Featuring state-of-the-art labs, research opportunities, and numerous interactive exhibits, the crown jewel of the new NRC wing is surely the SECU Daily Planet, an intensely immersive, three-story multimedia space that engages visitors with a flurry of sight and sound, while offering a powerful message about the wonders of science in our daily lives.

Designed to facilitate both pre-recorded and live content, the Daily Planet’s massive, three-story visual display runs continually-projecting a variety of poetic and informational content to excite the senses. A small stage at ground level also allows for occasional live presentations. The entire Daily Planet exhibit resides in a massive, dome-shaped room with two balcony levels extending seven feet into its center. The three-level design allows visitors to choose from three unique vantage points as they take in any of up to 50 powerful presentations that run throughout the day.

With its unique ellipsoidal shape and vantage points from a main level and two balconies, delivering impactful and immersive audio consistently to all three levels presented numerous obstacles. Rising to the challenge were AV integrators Electrosonic, in partnership with Milford, CT-based SH Acoustics, who created a system centered around Renkus-Heinz’s Iconyx series steerable column arrays.

“Unlike similar spaces – for example, an Omnimax Theater – the Daily Planet needed to accommodate a variety of different formats, including lectures and live performances,” explained Steve Haas, Founder and President of SH Acoustics. “The room’s unique design and its numerous reflective elements created some unique challenges right from the beginning. We knew we couldn’t simply apply tons of sound-absorptive materials because deadening the room too much wouldn’t work well for lectures.”

As Haas observes, the Iconyx steerable beam technology would allow them to more effectively direct the output and avoid unwanted reflections, while at the same time addressing the unique acoustic requirements at all three levels.

The complete Renkus-Heinz loudspeaker complement includes eight Iconyx IC8-R-II steerable arrays for mains, augmented by ten SG61-2R powered two-way systems for surround, with three PN112SUB 12-inch powered subwoofers providing powerful low-end reinforcement.”We decided very early that we wanted to create three different audio experiences on each of the three levels,” explained Haas. “In addition, each level needed to be surround sound, and most importantly, needed to ensure minimal interaction between adjacent levels and the rest of the room. This is where the Iconyx system was a no-brainer.”

Haas elaborates, “The first and second levels each include left, center, and right, as well as four surrounds. On the third level the dome is much tighter, so we opted for just left and right with two surrounds. For low frequencies, we placed all three subwoofers on the second level. There simply wasn’t enough room for discreet subs on each level, so we configured each one as the point sources for the adjacent levels, and delayed the LF signal appropriately from the first level, second level and third level. It actually worked quite well.”

Once installed, Haas and his team were able to take full advantage of the Iconyx system’s beam steering capabilities to dial in the perfect output at the ground floor and both balconies.

“We needed to make sure that we had a very tight pattern-at least vertically-so that the experiences at each level did not interact with each other in any appreciable way.” Haas explains. “We were able to get the second and third levels sounding fantastic with little difficulty. The first level was a bit more challenging, but the Iconyx beam steering, combined, with the careful addition of diffusion materials, made all the difference.”

After the system was configured, Haas worked with the museum production staff to save a number of unique output presets that could be easily retrieved to accommodate different program types.

“There are several different modes including a presentation mode and a media mode,” says Haas. “We even gave the producers the opportunity to have a secondary beam from some of the upper arrays-like from the second level down to the first level-in case they wanted a spot effect or some other secondary sound source.”

In the end the results speak for themselves. The new NRC wing and Daily Planet exhibits are big hits with museum attendees and management alike. And for Haas, this is yet another seemingly impossible acoustic challenge conquered through a synergy of great technology, real-world know how and savvy partnerships.

Haas sums it up: “We like challenges, and we have a very long history of working successfully with Electrosonic on unique projects like this. We absolutely love coming up with unique solutions, and as a technology partner, Renkus-Heinz has always been there with fantastic tools. They’re just great to work with.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Verrex Adds Ferentinos to Enterprise AV Sales Team

Verrex's Michael Ferentinos

Verrex's Michael Ferentinos

AV systems integrator Verrex welcomes Michael Ferentinos to its Sales group. Michael, who joins with a broad range of ProAV and broadcast experience, will be based at the company’s corporate headquarters.

MOUNTAINSIDE, NEW JERSEY USA / 13 December 2012 / — Verrex, a global design-build integrator and managed services provider of conferencing, collaboration and presentation technologies, today announced that Michael Ferentinos has joined as Account Executive for the metropolitan New York area. Mr. Ferentinos will be responsible for matching Verrex’s full range of AV systems design, integration and managed services solutions to corporate market needs. He will report directly to Verrex Vice President of Sales, Bill Chamberlin.

“Overseeing the roadmap for our clients’ conferencing and collaboration strategies requires high-caliber consultative, technical and interpersonal skills,” said Mr. Chamberlin. “Michael is a proven leader in this respect. He is an excellent fit to put Verrex workplace solutions to work for a growing and diverse array of clients.”

Mr. Ferentinos is an industry veteran with nearly two decades of experience in systems integration and technology vendor services. Prior to joining Verrex he was Project Manager for Harris Broadcast working with clients such as the NBA, Fox News, New Jersey Meadowlands Stadium and the United Nations on a broad range of audiovisual and broadcast projects. Additional career highlights include Operations & Project Services Director for Manhattan Crewing Company and increasingly senior roles at The Systems Group, culminating as Production Manager. During his career, Ferentinos has worked with clients such as NBC News, CNBC, the Conan O’Brien Show, ABC Good Morning America, MTV Networks and the National Geographic Channel.

“Exceeding the expectations of my clients is a requisite,” added Mr. Ferentinos. “However, a successful project and relationship means not only am I committed, but the entire organization responsible for delivery. This is an established Verrex approach and clear differentiator that my clients can take real value from. I am excited to join such a client-centric organization.”

Mr. Ferentinos is based out of Verrex’s Corporate & Global headquarters in Mountainside, New Jersey and can be reached at mferentinos@verrex.com.

About Verrex
Founded in 1947, Verrex designs, integrates, services and supports conferencing and collaboration systems globally that allow companies to communicate and collaborate through video conferencing and other audio visual technologies. Verrex’s approach is driven by a proprietary quality-management process and focus on documentation to deliver consistency and best-in-class standards across an entire enterprise. Led by full-service offices in key corporate hubs, Verrex has built an allied network across 40 countries to share its vision of exceptional integration and support services worldwide. For information, visit verrex.com.

Verrex, the Verrex Logo and GMS are registered trademarks of Verrex Corporation and/or its affiliates in the U.S. and other countries.
# # #

Media Contact:
Theresa Hahn, Director of Marketing & Business Development
Verrex
Phone: +1 908 664 8391
Email: thahn@verrex.com

Judy Bayley Theater at UNLV Installs All-Yamaha ES System

BUENA PARK, Calif.—Home to many of the University of Nevada Las Vegas performing arts groups, the 550-seat Judy Bayley Theater opened in 1972 and features a raked auditorium, a fully-rigged, proscenium stage, and a thrust-apron that can be used as an orchestra pit.

A new audio system was recently recommended by audio expert Mary McFadden, designed and installed by PRG, and includes a Yamaha M7CL-48ES digital audio console, IS series speakers, DME24 (Digital Mixing Engine), and XP amplifiers. McFadden is quite familiar with the venue and has taught in the theater as faculty adjunct for sound design. Last year, she had students put a delay line in the theater, a very successful project. “Brackley Frayer, the department chairman, called me in January to ask me to consult on a new system, as funding had been obtained to update both the sound and lighting system,” states McFadden.

“There is no sound design degree at the school, but there is a concentration in sound design available within the general theater BA,” says McFadden. “Since there is no full-time faculty that teaches sound, my feeling was, the new system needed to be easy to operate and have a digital signal path to familiarize students with digital audio networking and concepts. The Yamaha M7CL-48ES package fit these requirements.”

“PRG worked as a subcontractor to American Southwest Electric to bid on the project, and we won the bid with ASE,” states PRG Audio Designer, Eric Hebard. The bid’s Scope of Work included more than pro audio and lighting; ASE handled the general and electrical construction portions, and PRG handled all the audio system engineering and installation. “The design included the rigging of the speakers based on locations that Mary had specified: the small shrouds for the portable Yamaha SB168’s stage boxes, the rack with power and thermal dissipation to properly house the equipment, how to reasonably network the SB168’s, power and network locations to stay within budgets, and in keeping with modular capabilities,” says Hebard.

“The Yamaha DME is a key part of the system, McFadden says; ‘it is very cost effective, and has all the DSP required for the system – EQ, crossovers, delays, etc. It also has a delay matrix component, and surround sound capability. I used the delay matrix to teach and design with last year, and this year I am using it for ‘God Lives in Glass’, a benefit for both Family Promise and the Nevada Conservatory Theatre, the professional Equity arm of the theater school. The DME is a great teaching tool, and gets students to think about signal processing and design in the digital realm.” The school plans to buy an ES card for the DME to make the DME part of the ES network – right now it’s analog in and out. By using the GUI for the DME, students can become familiar with system design concepts.”

“I am very pleased with the new Yamaha sound system,” states Brackley Frayer, Chair and Executive Director, Department of Theater and the Nevada Conservatory Theater. “When the designers and engineers played their demo tapes through the new system, I sat back and enjoyed the result. This is the best sound I have heard in the Judy Bayley Theater since I arrived 17 years ago.”

For more information on PRG, visit www.prg.com.

For more information on Yamaha Commercial Audio products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SYMETRIX SOLUS 8 AND JUPITER 4 DELIVER THE MESSAGE AT SOUTHEAST ASIA BIBLE SEMINARY

MALANG, INDONESIA – DECEMBER 2012: The Southeast Asia Bible Seminary (SEABS) instructs students from around Indonesia and other nearby countries from its campus in Malang, East Java. It offers several degrees, including a Bachelor of Divinity, multiple masters degrees, and a Doctor of Ministry. To match the needs of an expanding student body, SEABS has added new buildings and infrastructure to its facilities. Most recently, the school added a 1,600-seat auditorium and a 150-seat recital hall, both of which required high-impact sound reinforcement. A/V integration firm PT Gracia Auvindo of Jakarta designed and installed those systems using the Symetrix Solus 8 open-architecture processor and the Symetrix Jupiter 4 fixed-architecture processor, both of which offered cost-effective performance perfectly tailored to the needs of the school.

“The school officials asked for a very clear and intelligible sound reinforcement system,” said T.S. Phan, engineer with PT Gracia Auvindo. “They wanted excellent dispersion and coverage for all of the seats in both venues.” The auditorium will be used for very large services (an existing sanctuary hosts SEABS’ regular services) and for other large events, such as graduation ceremonies. In contrast, the new recital hall will be used for small services, seminars, and overflow from the auditorium.

A new Midas mixing console serves as the input and control hub in the auditorium. On-stage microphones, piano, and band instruments provide the bulk of the input material. The console sends signal directly to a Coda Audio house PA via CAMCO amplifiers. However, console output is also distributed to the basement, the first floor public areas, and the second floor by way of the Symetrix Solus 8 processor. For the distributed system, QSC amplifiers provide power to Ecler ceiling-mounted loudspeakers. The Symetrix Solus 8 also provides output for Coda Audio side-fill, out-fill, front-fill, and backfill loudspeakers.

“The Symetrix Solus 8 was a cost-effective choice,” said Phan. “It not only gave us the high-fidelity sound asked for by the client, but also gave us open-architecture flexibility to design exactly what was needed. For example, I could insert two channels of feedback fighters on the stage side-fills, where it was needed, without wasting that resource on the other outputs, where it wasn’t needed.”

The recital hall is considerably simpler. Input sources such as stage microphones and a few band instruments feed a small Midas mixer, which in turn feeds a Symetrix Jupiter 4 fixed-architecture processor. From there, CAMCO amplifiers power a Coda Audio loudspeaker system consisting of stereo full-range boxes paired with stereo subwoofers. Phan used a “Sound Reinforcement” app to configure the Symetrix Jupiter 4 with appropriate input/output structure and processing blocks. “The Symetrix Jupiter 4 is a very simple, cost-effective DSP for this type of application,” said Phan. “I just chose an appropriate app using the Symetrix App Finder on the Symetrix webpage, loaded it up on the unit, and made a few parameter adjustments, and it was ready to go!”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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