A virtual press conference from Sound & Video Contractor

Archive of the NSCA Newslink Category

ASHLY AUDIO PROCESSING AND MULTI-CHANNEL AMPS REVAMP CHICAGO AREA MALL

VERNON HILLS, ILLINOIS: Built in the early 1970s, Westfield Hawthorn Mall is located in the Chicago suburb of Vernon Hills. Its classic mall architecture boasts 4 anchor stores, 180 retail spaces, and 1.3 million square feet of space. However, until recently, its sound system possessed the lifeless quality of 1970s-era contractor-grade components. Music was low-fidelity, speech was of poor intelligibility, and volume throughout was too loud during slow times and too quiet during busy times. Renaissance Communications Systems, located nearby in Franklin Park, Illinois, overhauled Westfield Hawthorn Mall’s sound system. In addition to replacing the ceiling speakers, Renaissance also gave the mall modern auto-leveling control and multi-zone support using two Ashly Audio ne8800M 8-In x 8-Out Protea™ DSP System Processors and two 8-channel Ashly ne8250.70 Network Amplifiers.

“Certainly, one big issue was the sound quality itself,” said Mike Shares, CEO with Renaissance. “The components needed to be modernized. Beyond that, they were having problems with the volume control. First, the system wasn’t zoned properly, so low-ceiling areas had to share the same volume with high-ceiling areas such that neither area could be ideal. Moreover, traffic in the mall varies widely; it’s very slow on a weekday afternoon but very busy on a weekend afternoon or in the rush up to the holidays. The management wanted the sound system to play at appropriate volumes without having to manually track it. They have enough other things to worry about.”

Shares divided the system into thirteen zones based on location, purpose, and ceiling height. Input sources to each zone may be selected independently, and the target volume-over-noise in each zone may also be selected independently. Sensing microphones in several of the zones feed the pair of Ashly ne8800M Protea™ Digital Processors, which analyze the ambient noise and adjust the music or paging output to hit the target sound pressure level. A pair of Ashly ne8250.70 8-Channel Network Power amplifiers deliver 250-Watts per channel to all thirteen zones while taking-up only 4 rack spaces. Nearly 200 full-fidelity Community D6 loudspeakers now deliver the background music with modern impact and convey pages with crystal-clear intelligibility. Of course, paging and alarm overrides provide Westfield Hawthorn Mall patrons with a secure environment.

“I’ve been using Ashly for twelve years now, and I’ve always had excellent results,” said Shares. “The equipment is extremely reliable, and its five-year warranty was a selling point for the client. I have a good relationship with the Ashly support staff, and they helped with the most efficient plan for Westfield Hawthorn Mall. The ambient noise detection and adjustment feature in the Protea software works very well, and the fact that we could fit all of the processing and amplifier channels into just 8 rack spaces was great. That saves space and power consumption.” Based on the success of Westfield Hawthorn Mall, Renaissance has already secured another mall renovation job, where Shares will again use Ashly processing and amplification to deliver excellent performance at a fiercely competitive price.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Clearwing Holds Top Manufacturers, One Event Showcase

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. is one of many manufacturers that will be on hand at Clearwing’s Vendor Showcase on Tuesday, August 26, 2014 between 10:00 am – 4:00 pm. Mike Eiseman, District Manager, will be on hand bringing along the new Yamaha QL5 Digital Audio Console as well as a CL1 digital console, Rio3224-D input/output box, and DXR12 speakers. He will also demonstrate the Yamaha StageMix application and Nuendo Live v1.1.

Manufacturers include Robe, Clay Paky, Shure, Rane and others.

The event is free of charge and will be held at Clearwing, 11101 West Mitchell Street, Milwaukee. For more information, telephone 414-258-6333.

RSVP: http://clearwing.com/html_email/cw_event_vendor_MKE_2014/vendor_MKE_2014_landing.html

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DANLEY LOUDSPEAKERS DELIVER AUDIO HORSEPOWER AT CHURCHILL DOWNS

LOUISVILLE, KENTUCKY: Churchill Downs in Louisville, Kentucky held the very first Kentucky Derby and Kentucky Oaks horse races in 1875, the year it opened. The track acquired its now-iconic twin-spires grandstand in 1895 and subsequently added to it on either side in pieces during the last century, bringing the grandstand’s current capacity to 52,000. In anticipation of the 2014 Kentucky Derby, Churchill Downs commenced installation of a 171-ft. by 90-ft. video screen, the largest 4k video board in the world. Because the facility’s low-fi sound reinforcement system had been designed ages ago for only spoken word reproduction, the new screen would require a serious sound system upgrade to realize its full potential and impact. Dallas-based Marsh/PMK International, LLC designed the new sound reinforcement systems for all of the outdoor areas including nearly sixty clusters in the grandstands comprised of Danley Sound Labs SH50, SM96 and SM60F loudspeakers as well as TH212 subwoofers.

Encompass Develop, Design & Construct oversaw the installation of both the new video board and the new sound systems and they hired Marsh/PMK. Dave Stearns and Tim Lindstrom worked with Marsh/PMK to execute the sound system project from conception to completion. “The timeline for such a large-scale project was incredibly short – only six-and-a-half months from start to finish,” said David Marsh, owner of Marsh/PMK. “We were selected as the consultant in early October and delivered the design to Encompass at the end of December with two addenda following in January. Siemens was awarded the installation contract at the beginning of February. They won the bid in part because they have an ongoing contract to operate and maintain the sound systems at Churchill Downs. As such, they were already familiar with the facility and all the relevant operational aspects. Minor installation work and punch list corrections were still going on after the opening of Churchill Downs’ spring meet on April 26. Final testing and adjustments followed to make the system fully ready for the Kentucky Oaks and Kentucky Derby race days on May 2nd and 3rd.”

“I’ve been listening to Danley systems at trade shows for years now,” said Marsh. “I like the company’s philosophy of building large horn systems instead of adding to the already flooded market of line arrays. We see line arrays used in many permanent installations where properly designed horn arrays would work better. People have the idea that line arrays are a panacea, the cure-all for every situation, because they can throw sound long distances and because the main sound lobe can be electronically shaped and steered. True, but there is another side to that story.” Marsh goes on to explain, “Constructive and destructive interference that makes line arrays work also causes noticeable variations in tonal quality. Interference also produces lobes of sound in unintended directions, including behind the array. Lastly, most line arrays have wide horizontal dispersion, the angle of which is usually fixed by the basic building block of the array. In such cases, it is not possible to vary the horizontal dispersion angle along the length of the array to optimally match the intended coverage area.”

Marsh said, “I’ve been looking for the right project for Danley. Churchill Downs became the one. Danley clusters positioned along the front edge of Level 300 serve the largest covered seating tier and all the trackside sections in front of the grandstand building from one end to the other. A tight vertical pattern with sharp cut-offs was critical in our long-throw situation. We had to throw sound all the way down to the edge of the track without ‘sizzling the hair’ of people seated below the clusters where Level 200 protrudes out from the building. The system performs as intended. I was also pleased by the performance of Danley’s TH-212 subwoofers. This is a tapped horn design that delivers an impressive amount of bass in a relatively small package.”

Our original design was based on a different loudspeaker manufacturer, but they couldn’t guarantee that their products would be delivered on time,” said Marsh. “Danley had slightly greater vertical coverage patterns in similar box sizes [to those of the other manufacturer], which allowed us to modify our design to use one less box per cluster. That would ultimately be a cost savings. Danley emphatically stated that the boxes would be delivered on time and that sealed the deal. They made good on their promise.”

Danley Sound Labs, Inc. President and CEO Mike Hedden commented, “One of the things we are very proud of is our U.S.-based manufacturing. From the time we got the order until it was shipped complete was four weeks; 250 fully weatherproofed loudspeakers in four weeks, that’s unheard of in this day of off shore production! During this time the south got hit by two severe snowstorms that wreaked havoc on the region. Even with raw goods being lost in logistics which delayed shipments, we still delivered the products in organized pallets so that each load represented a finished cluster on the job site in four weeks.”

Unlike a typical baseball or football stadium, the grandstand building at Churchill Downs has seating tiers that are stacked vertically, straight up and down. Moreover, various expansions have occurred over the years adding sections on either side of the historic “twin spires.” All of these sections have slightly different profiles. There are varying ceiling heights, seating depths and column spacing. It was a unique situation that required careful planning. Unfortunately, Churchill Downs did not have CAD drawings of the facility. In fact, PDF drawings provided to Marsh/PMK trickled in over a period of weeks and none of them were to scale. “This put the already tight design schedule in serious jeopardy.” Marsh said. “How were we going to get this project into EASE [for coverage modeling] and how were we going to produce usable CAD backgrounds?”

Tim Lindstrom worked with Melvin Saunders, another consultant working on the Marsh/PMK team, to meet the challenge. Tim used dimensions obtained during the initial site survey to create re-scaled PDFs. Melvin used Google Earth to confirm or correct the dimensions and then created a SketchUp model of the complicated grandstands. The SketchUp model was imported into EASE, which finally allowed Dave Stearns to get into the detailed loudspeaker system design. Tim subsequently set about creating the necessary CAD backgrounds. “I was very proud of our team’s resourcefulness.” Marsh declared.

Two basic cluster types alternate along the length of the grandstand, just under the front edge of the Level 300 ceiling. There are nearly sixty clusters in total. The first type of cluster includes a Danley SH50 long-throw box and a companion TH212 subwoofer. The SH50 covers the seating in front of the grandstand building all the way out to the edge of the track. The second type of cluster replaces those boxes with a Danley SM96 to provide near coverage in between the horizontal cut-off angles of the SH50s in the adjacent clusters. Both cluster types include a rear-firing full-range SM60F aimed toward the top of the Level 300 seating tier and a more-or-less down firing SM96 with its woofer removed.

Marsh/PMK expanded existing Q-Sys DSP and QSC amplification to power the system. Existing Renkus-Heinz and QSC loudspeakers were repurposed and added to as necessary to improve coverage on the “porches” in front of upper level suites and on Level 200 of the grandstand building. Renkus boxes were also used on the front edge of Level 200 to cover walkways in front of the building and the rear of Level 100 seating where the Danley coverage is shadowed by overhangs. Existing Community loudspeakers were repurposed and added as necessary on poles to cover seating that extends beyond the building as well as the track infield, the entry plaza and the paddock area. “Re-use of existing equipment where possible was a goal of our design, but Danley now provides the major audio horsepower for the grandstands at Churchill Downs,” said Marsh, claiming no pun intended.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Symetrix Appoints Millar Electronics as Rep in Southeast U.S.

SEATTLE, WASHINGTON: Symetrix, manufacturer of a wide range of DSP solutions for the installed sound market, from turnkey Jupiter processors to Dante-based, open architecture Radius and Edge processors, announces the appointment of North Carolina-based Millar Electronics as its rep in the Southeast. Millar Electronics will cover North Carolina, South Carolina, Georgia, Tennessee, Alabama, and Mississippi, where it has a deep history and a well-established network of connections. Millar Electronics was founded ninety years ago – in 1924 – as a components company selling capacitors, resistors, and the like. Over the decades, it grew with the times to become an audio/video manufacturers rep firm.

“Millar Electronics has built its success on relationships,” said Craig Richardson, vice president of global sales with Symetrix. “When I talk with people who do business with Millar Electronics, they always relate the trust they have in the salesmen they work with. Those salesmen are always out in their territories, talking with their clients, and keeping on top of what’s going on. They help their clients make the right choices for success now and in the long run.”

“We’re excited to work with Symetrix,” said Pete Petty, sales manager with Millar Electronics. “Symetrix builds cutting-edge DSP solutions, and its Edge and Radius products use Dante as a networking platform. Of course, Dante is becoming a big part of the industry, and Symetrix’ native Dante capacity will work hand-in-hand with a lot of the other equipment we represent and provide our clients with a complete solution. Moreover, great people work to make Symetrix what it is, and, having personally worked with them before, I know they’ll make it easy for us to go out and do our job. We’re looking forward to delivering a substantive increase in Symetrix’ market share in our territories.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

COLUMBIA PERFORMING ARTS CENTRE DANCING TO ASHLY’S NX-SERIES AMPS

COLUMBIA, MISSOURI: The Columbia Performing Arts Centre in Columbia, Missouri is a private, not-for-profit dance school for children founded in 1998, and its students range in age from toddlers through college age. The school recently completed a major addition including four new studios. The addition replaced the nearby, but separate, studio annex allowing them to have all eight studios under one roof creating a safer environment for the students. Local A/V integration firm Sound Concepts Inc. was hired to design and install high-fidelity sound systems, both for the new studios and to preemptively replace the older components in the existing studios. Sound Concepts Inc. delivered an impactful, energy-efficient sound system centered on the Ashly nXp8002 two-channel Network Amplifier rated at 800W per channel with a built-in Protea™ DSP Processor. All nX Series amplifiers can be programmed to trigger a defeatable sleep mode where the amp draws less than 1 Watt of AC power.

“The Columbia Performing Arts Centre is always brimming with energy and activity, and high-quality sound reproduction is an important component in its success,” said Chris Howe, manager at Sound Concepts Inc. “In addition to supplying the new studios with great, easy-to-operate sound systems, the center’s directors wanted us to harmonize functionality and quality in the existing studios as well. That way, instructors trained in one studio will be able to use any other studio without a hiccup.” Howe completed the installation in stages, beginning with the new rooms and progressing to the existing rooms as class schedule logistics permitted.

As requested, each studio is nearly identical. Each features a Denon DM700C CD player for a primary music source. Howe used its digital output with the Ashly nXp’s optional digital input card. In addition, he gave each system a 1/8-inch iPod-style jack and connected it to the nXp’s analog input. “If an instructor wants to use the CD player, they just use it and it works,” he said. “If they want to connect their digital music source from a player, phone, or computer, they just turn the Denon player off, and the nXp automatically fails over to the analog input. It’s really simple and removes a layer of equipment that we (and they) would have had to deal with.” He used the nXp’s back-panel volume control option to wire a 10k potentiometer for a simple volume control. Depending on the room, the nXp powers either four 8ohm Renkus-Heinz TRX182s or two 8ohm Renkus-Heinz TRX151s. Each room gets the full benefit and liveliness of stereo sound.

“There were a lot of good reasons to go with the Ashly nXp combined amplifiers/processors,” said Howe. “Of course the built-in DSP is one of the first features that drew us to the nXp line, we needed smooth compression and limiting to protect the system as well as a good EQ to fine tune the speaker response to each space. The fail-over functionality was huge, as was the unit’s super low power consumption at idle. That kind of intelligent power management is great in a situation like this! The fact that they’re American made with a huge five-year warranty is excellent. And of course, the sound quality and reliability is tremendous. When we got the first nXp8002 in, we A/B’d it with an amp from our rental stock in the adjacent room. That rental amp’s got a good name and a good reputation. Everything else about the two rooms was exactly alike – same size, same speakers, same everything. I assumed I wouldn’t be able to hear a difference, or if I did hear a difference, I’d have to strain to hear it. I was surprised that the Ashly nXp8002 was obviously better. It was the kind of difference you just hear, no straining needed.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

DANLEY EXPANDS LINE OF OS “OUTDOOR SERIES” FULLY-WEATHERIZED LOUDSPEAKERS

GAINESVILLE, GEORGIA: Danley Sound Labs, maker of innovative loudspeakers and subwoofers, announces the expansion of its OS “Outdoor Series” of fully-weatherized loudspeakers, including a new fully-weatherized subwoofer. Although all Danley products are optionally available with level-2 weatherization, which includes fiberglass seams, stainless steel hardware, and protective coatings over all wooden components, the fact remains that those wooden components will have a shorter life span in the elements than they would have had in an indoor installation. In contrast, Danley OS products are constructed of molded plastic with a custom injection molded shell rated to last fifty-years. The cabinet is sealed so the inner components are also protected from harsh outdoor elements. The materials are sourced from within a half-hour of Danley’s Gainesville, Georgia headquarters – a boon for large orders and/or short lead times.

“Like all of our Synergy Horn loudspeakers, the Danley OS-80 sounds fantastic,” said Mike Hedden, president of Danley Sound Labs. “Fidelity is excellent and distortion is remarkably low at all SPLs, and the OS-80 has the same highly-articulated coverage pattern and arrayability for which Danley is known. What sets the OS-80 apart is that its construction and materials make it impervious to the weather, for years and decades to come. Our local sources and molding machinery make it easy for us to turn over large Outdoor Series orders on short notice. Moreover, the molding process itself is very efficient, which allows us to sell the OS products at fiercely competitive prices.”

Soon, the OS-80′s versatile 80-degree conical coverage pattern will be joined by other OS models with a diversity of coverage patterns that will give designers greater flexibility to meet the needs of a range of outdoor situations. These will include the OS-90 and OS-100. In addition, the new Danley OS-115LF subwoofer will extend the bottom end of the OS line and the OS Nano will be the power of Danley in the palm of your hand.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Montreal Jazz Festival Front Loaded With Yamaha Consoles

Guy Vincent

BUENA PARK, Calif.—From June 26-July 5 at venues across Montreal, the annual Montreal Jazz Festival featured a boat load of musical guests from Earth, Wind & Fire, B.B. King, Tony Bennett, and Diana Krall, to Aretha Franklin, Diana Ross, Terence Blanchard, and Nikki Yanofsky to name a few.

Solotech of Montreal provided the majority of the audio production for the 30 stages and stacked them with Yamaha digital audio consoles. Yamaha Commercial Audio Systems pitched in for five of the stages: Scene TD, the main outdoor stage, was outfitted with two Yamaha CL5 digital consoles and three Rio-3224D input/output boxes. Two CL5s and two Rio-3224Ds were in position at Theatre Maisonneuve, Lounge Heineken used a QL5 and one Rio-3224D, and Club Soda and Savoy both had new Yamaha QL5 digital audio consoles. The Savoy also used a Rio-3224D.

Front of House engineer, Guy Vincent, has been mixing sound for over 30 years and says he has worked with a lot of digital boards but his favorite is the Yamaha CL5. “The feature I like the most Is the Premium Rack. It is amazing how warm the sound is by activating any of the plug-ins. I also like the custom faders.” Vincent used a CL5 at the Maisonneuve Theater during the Festival mixing Terence Blanchard and others. He is currently on tour with Florence K using a CL5.

Front of house engineer, Richie Forte, used his own personal Yamaha LS9-32 console at the Metropolis during the Festival for artist Nikki Yanofsky. “According to my dear friends at Yamaha, my LS9 was one of the very first in eastern Canada, a fact I’m very proud of,” states Forte. “I’ve taken this little workhouse and pushed it beyond its limits. With the use of a fiber optic snake capable of transporting 32X8 of the LS9′s 32X16 i/o, plus one channel of bi-directional high speed EtherSound transport built in, I am able to use the two MY card slots on the LS9 to connect to my two Yamaha SB168-ES stage boxes for a total on stage analog i/o of 64X24.”

Richie Forte

Forte said that his current console as well as the two Yamaha digital consoles he previously owned, have preformed flawlessly and reliably. “It’s this ease of use, size, weight, flexibility, and “bang for buck” price point that has kept me a loyal Yamaha user and owner since 1997.” He’s now in Europe and using a Yamaha CL5 and says he’s “truly blown away by the sound of the console” and equally happy that its flexibility and workflow has been greatly refined and fulfills everything on his wish list. “I’m looking forward to upgrading to a QL5, my fourth Yamaha console very soon!”

Stephane Grimm

Stephane Grimm, who mixed The Jordan Officer Trio and Betty Bonifassi Chants on a new Yamaha QL console at both Club Soda and Club Savoy, said he’s really into the new QL and has used a Yamaha CL a number of times. “I was really impressed by the QL, and having the touch screen makes it totally easy to use, Grimm says. The four user layers is a wonderful feature especially now that you are able to color identify the faders, making it impossible to miss the channel you’re looking for. I also like the fact that it is fully compatible with the CL series, without even having to convert the file. WOW!” Grimm also said the new plug-ins is a great feature. “The 2-band Dynamic EQ, works very well especially on vocals and other instruments that change tones.”

For more information on Yamaha digital consoles, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

NUAGE Road Tour and Nuendo Masterclass at RSPE Audio Solutions

BUENA PARK, Calif.—A Yamaha NUAGE Demo and Nuendo Masterclass will be held by top Yamaha Commercial Audio Systems and Steinberg engineers and hosted by RSPE Audio Solutions on Tuesday, August 5, 2014 from 7:00 PM to 9:00 PM at 4130 Cahuenga Blvd. #210, Universal City, CA. The event is free of charge.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with a Nuendo masterclass presented by Steinberg’s Greg Ondo discussing the latest news, tips and tricks in Nuendo. Plus get hands on with Yamaha’s Nuage, the dedicated, scalable, DAW control surface/recording mixer for Nuendo.

Spots are limited so registration is required at: https://www.eventbrite.com/register?orderid=321450975521&client_token=a2951db3596148c782f325bc5a917688&eid=11858933389

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NASHVILLE’S HISTORIC SOUND EMPORIUM STUDIOS INSTALLS AN API LEGACY PLUS

NASHVILLE, TENNESSEE – JULY 2014: Sound Emporium Studios is a go-to destination for artists including Willie Nelson, Kenny Chesney, and Alison Krauss, not to mention major projects by T-Bone Burnett. The facilities, built by “Cowboy” Jack Clement in 1969, are the birthplace of legendary recordings including Kenny Rogers’ The Gambler, REM’s Document, Sammy Davis Jr.’s final album, as well as Taylor Swift’s first. To meet the growing needs of its diverse clients, Sound Emporium consulted Rob Dennis at API reseller Rack-N-Roll, who directed the studio towards a 48-channel Legacy Plus console.

“Our clients have long requested an API in that room,” said studio manager, Juanita Copeland. “The flexibility, build and sonic quality, along with the reputation of API made it an easy decision. It just brings together a lot of great API sonic solutions into one user-friendly package. Having the 2500 bus compressor is the icing on the cake.” Copeland also mentioned having 48 inputs, 48 returns, and 12 aux inputs is a huge improvement to the studio’s former setup. The room can also be used for mixing now thanks to the Uptown 2 automation.

Since commissioning the console early this summer, it’s been used for tracking, overdubs, and some mixing. The Legacy Plus is already booked for major clients in the coming months, including one of the top 100 guitar players of all time, and a critically-acclaimed alternative country artist. Recordings for the hit ABC show Nashville are also booked for when filming resumes this month, as well as several rock projects later in the year. “We are just thrilled to finally have such an amazing console in that historic room!” adds Copeland.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SUMMER PRICING ON NEW ATC SCM20PSL MONITORS

LAS VEGAS, NEVADA – JULY 2014: TransAudio Group, U.S. distributors for ATC UK, announces special introductory pricing on the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch, two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active pro range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. Purchases made before September 1, 2014 benefit from the reduced price of $2,990 per pair. After that, the price rises to a (still very reasonable) $3,490 per pair.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII. We’re offering the special introductory pricing to both celebrate and motivate.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

The ATC SCM20 PSL Monitors are now shipping.
MSPR: Now until September 1st – $2,990.00 pair • After September 1st – $3,490.00 pair.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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