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WorxAudio Technologies Joins the PreSonus Family

 Baton Rouge, Louisiana, June 2014… PreSonus is pleased to announce the acquisition of loudspeaker manufacturer WorxAudio Technologies, Inc., of Greensboro, North Carolina, founded in 1979 by CEO and Director of Engineering Hugh Sarvis.

WorxAudio designs and manufactures a broad range of line array, point-source, sub-bass, stage monitor, and related loudspeaker systems and accessories. WorxAudio has established itself as a leading provider of loudspeaker systems in the mid to large church market, professional touring, and corporate AV channels.

With this acquisition, WorxAudio will significantly augment core elements of PreSonus’ professional loudspeaker development efforts, especially drivers, system and mechanical design, system tuning, and rigging system design. In addition, WorxAudio’s knowledge of the commercial sound and portable/touring markets will help PreSonus develop the infrastructure required to support the specific requirements of those customers. With PreSonus’s technical, software, distribution, and financial resources and WorxAudio’s technical, domain, and production expertise, the resulting collaboration—led by Hugh Sarvis—creates a very formidable competitor in the live-sound loudspeaker market.

“This is a logical move for us,” observes PreSonus CEO Jim Mack. “Our StudioLive™ AI series loudspeakers are great for small to medium-sized venues, but the advanced DSP platform utilized in the AI speaker line, including the optional Dante networking capability, is extremely valuable for systems designed for much larger venues and environments. The acquisition of WorxAudio significantly extends our product line to provide advanced networked loudspeaker systems to a much larger audience. Further, this acquisition brings us extremely valuable engineering system design expertise and technology, as well as loudspeaker manufacturing expertise.”

WorxAudio has gained considerable notoriety by placing near the top in several loudspeaker array shootouts, and they were the first company to implement AFMG’s advanced FIRMaker technology.

Says AFMG’s Managing Director Stefan Feistel, “WorxAudio is a premium example of a long-lasting, very positive business relationship for AFMG. WorxAudio is the first FIRmaker licensee to actually deliver two very impressive installs employing this revolutionary technology. Congratulations!”

One of the fastest growing companies in the pro audio industry, PreSonus has a well-established worldwide sales channel and, in recent years, has significantly expanded its operations, marketing and branding, testing facilities, and technical/customer support. The combined companies are expected to develop a broad range of loudspeakers for studio and stage, from low-cost, high-value products for musicians to advanced systems for mid-sized rental touring companies and systems integrators.

“Like WorxAudio, PreSonus is engineering-driven,” comments Sarvis. “We’re excited about combining our engineering know-how with PreSonus’ networking, software, and signal-processing technology to develop groundbreaking and highly competitive new professional audio products.”

For more information about WorxAudio Technologies, visit www.worxaudio.com. For more about PreSonus, visit www.presonus.com.

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About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

XTA Launches New APA Series at InfoComm 2014

The first model, the APA-4E8, set to be unveiled on Group One Ltd. stand C11336

LAS VEGAS – June 2014 – Group One Ltd. stand C11336 — XTA is proud to be debuting the APA series – short for Adaptive Processing Amplification – at this year’s InfoComm show. APA’s new power and DSP platforms have been designed to interact intelligently and adapt to prevailing conditions, protecting drivers and significantly enhancing performance from all speaker systems.

By including studio-quality analog-to-digital converters at the outputs as well as the inputs, real-time audio currents and voltages presented at the speaker terminals can be fed back into the DSP in addition to processing the incoming audio, allowing the amplifier to adapt and correct its performance continuously. The tight coupling of the power supply’s behavior through real-time monitoring of the mains supply, as well as over ten temperature sense points, means that the amplifier can adjust its power consumption and output drive to ensure that maximum permissible power is always available.

“We have included the same A-to-D converters that we use in the DS8000D [XTA's Audio Distribution System], which allows us to monitor the outgoing audio voltages and currents to the same degree of accuracy as we do when digitizing incoming analog audio prior to processing,” notes XTA Technical Director John Austin. “These outgoing signals can then be fed back into the DSP [responsible for all the user adjustable EQ and protection] so that it can make adjustments to ensure that any connected speaker driver is being utilized to the best of its abilities, without undue stress to the driver, or the amp for that matter.”

The Class D amplifier design, combined with a highly efficient power supply and generous energy storage reservoirs result in an amplifier that not only is better at converting input mains power into output speaker power with less wasted heat (system efficiency is 80%), but is also able to offer better sustained peak power at low frequencies – where you need it most. A quick start mode, and an ultra low power stand-by mode (with a power consumption of under 0.75W) mean reduced running costs in all circumstances.

According to XTA Technical Brand Manager Waring Hayes, “It’s not so difficult to add a DSP module to an existing amplifier design in the form of a plug-in card, but to provide the level of monitoring and feedback within the amplifier that we wanted – that took a little longer!”

The first model – the APA-4E8 – features four channels of power totaling 20kW peak output into four ohms, and continuous power available of 3400W per channel into four ohms. Four audio inputs allow all four amplifier channels to be individually utilized if required with a full suite of XTA’s world-renowned DSP, including dynamic EQ, FIR (and phase linearization) and classic IIR filtering, mix matrix and the manufacturer’s famously transparent limiters and soft knee compressors.

“What with all the feedback from the PSU and mains monitoring and all the temperature sensors everywhere, the DSP really is at the center of things in the amplifier, and far from being bolted on to the front end – it’s more an engine management system than a speaker management system,” Hayes points out.

The APA-4E8 can route audio from analog, AES or network sources with automatic fallback. USB and internal SD cards offer additional audio choices for playback of emergency evacuation messages, and quick upload of presets or download of performance logging data. The APA series also includes extensive GPIO and remote control covered by Ethernet, USB and RS485.

Housed in a 2U chassis and weighing 28.2 pounds (12.8 kg), the APA-4E8 sports an elegant front panel interface with a large color LCD, which, in combination with innovative user selectable metrics and tricolor multimode panel metering, offers reassuring feedback of the amplifier status from any distance.

New remote software written to run natively on both the Windows and Mac platforms is available and operable via an Ethernet or USB connection.

Hayes sums up by adding, “Ultimately, what counts can be distilled down to sound quality, power delivery, reliability, usability, flexibility and blue front-panel-ability!”

About Group One Ltd.
Group One Ltd. is a U.S. importer and distributor for a number of professional audio and lighting manufacturers. The company’s audio division currently distributes Blue Sky powered nearfield monitors, DiGiCo digital mixing consoles, MC2 high quality innovative amplifiers, and XTA digital signal processing equipment. The lighting division currently distributes Avolites lighting control consoles, ElektraLite controllers and intelligent lighting, and Pulsar LED lighting.

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Contact:
XTA / Group One Ltd.
70 Sea Lane, Farmingdale, NY 11735
Tel: 516.249.1399 / Fax: 516.249.8870
Email: sales@g1limited.com
Web: www.g1limited.com / www.xta.co.uk

PRG Calls K2 Into Active Duty for National Memorial Day Concert

PRG's initial deployment for K2 was at the 25th annual National Memorial Day Concert on the West Lawn of the U.S. Capitol (photo credits: Alan Henig)

Two complete L-ACOUSTICS rigs purchased, one immediately deployed at 25th annual event on the U.S. Capitol’s West Lawn

WASHINGTON, D.C. — Leading entertainment and event production services provider Production Resource Group (PRG) has officially begun upgrading to L-ACOUSTICS’ new K2 platform with the purchase of two complete line source array systems. Delivered in mid-May, the sale comprised a total of 48 K2 enclosures and 24 LA8 amplified controllers.

PRG’s inaugural K2 deployment came almost immediately – two dozen enclosures were put into active duty for the 25th annual National Memorial Day Concert, attended by countless spectators on the West Lawn of the U.S. Capitol in Washington, D.C. on May 26. This year’s event, hosted by actors Joe Mantegna and Gary Sinise, featured an all-star lineup of performers, including the National Symphony Orchestra, Jennifer Nettles, Megan Hilty, the U.S. Army Chorus and Air Force Singing Sergeants.

One of the L-ACOUSTICS K2 arrays

Having supported this annual holiday event for over two decades now, PRG’s new K2 rig replaces the call for V-DOSC used in years past. “PRG has been anxiously waiting for the arrival of the L-ACOUSTICS K2 system and it went right to work at the Capitol for Memorial Day,” says Randy Hutson, GM of PRG Chicago and vice president of PRG Audio. “We’ve been looking for a speaker system that is versatile yet meets the needs of our most demanding clients and L-ACOUSTICS has delivered with the K2. It is a high-powered, full-range speaker that weighs less, has a small footprint, offers excellent audience coverage with superb audio qualities and can easily support multiple markets, from music concerts to corporate events.”

“The K2 gives us more reach into large-scale venues, such as arenas and stadiums, but does so at significantly reduced weight without sacrificing power,” says Mark Boettcher, project manager at the Memorial Day event and a senior engineer at PRG. “At the same time, its lighter weight means it can go into venues like ballrooms and expo centers that have a lower-load rigging capacity.

“Also, the K2 enclosures have the same width as the L-ACOUSTICS K1, so it has complete rigging compatibility with K1 and K1-SB enclosures. That allows us to use K2 for downfill on K1 arrays. And all of that has significant economic implications, making the K2 extremely cost-effective. There’s just so much in the way of flexibility with the system.”

At the National Memorial Day Concert on the U.S. Capitol’s massive West Lawn, the K2 rig was configured in left and right hangs of 12 enclosures each. These were flown from towers, also used for fixed and moving lighting fixtures, positioned 105 feet downstage of the stage deck. Eight SB28 subs deployed in an end-fire array configuration provided the low-end reinforcement, while 16 coaxial 12XT wedges served as stage monitors. Thirteen LA-RAK touring racks, each loaded with three LA8 amplified controllers, furnished power and processing for the entire system.

In addition to the K2s, the project also used a total of 24 ARCS II systems – two hangs of five each for the invited-guest main stage, two more hangs of five for the reverse satellite stage, and two hangs of two each flanking the K2 arrays for wide horizontal coverage. Twenty-four dV-DOSC speakers, in four stacks of six enclosures each coupled with a single SB28 sub, provided delay while two more stacks of four dV-DOSC were used as guest area fills positioned on a tower on either side of the stage, also used for lighting fixtures and video screens.

With K2′s new PANFLEX variable horizontal coverage technology, the familiar challenge of surface reflections was easily overcome. “The stage was playing directly into the face of the Capitol building, which is flanked by stairs on either side, but centered on a large, ornate glass window – beautiful, certainly, but nothing we wanted to purposefully fire acoustic energy against,” notes Chris “Sully” Sullivan, L-ACOUSTICS’ east coast application engineer. “To solve the problem, we viewed the obstacle in SOUNDVISION, predicted which elements in the K2 array were going to hit it, then simply shifted the K2′s pattern asymmetrically for just those loudspeakers in the middle of the array. We reduced the reflected energy in excess of 6dB, and that was just the direct reflected energy! Combine that benefit with the reduction or elimination of the myriad of tangential off-time tertiary reflections and that becomes a massive win for the whole audience.”

PRG employees with a few of their new K2 enclosures

In terms of overall performance, the K2s were troupers. “What I can tell you is that the K2 system went up very quickly thanks to its lighter weight – much faster than the comparable V-DOSC system it was replacing – and the same goes for taking it down,” says Boettcher, who worked on the event with Alan Henig, co-systems engineer. “And the rig sounded extremely transparent. There tends to be a natural fall off of the high frequencies by the time the sound hits the Capitol steps, but the K2 had extended frequency response past 10 kHz that far out, so the sound was exquisite.”

This year’s Memorial Day concert also saw another first. Previously, the show’s FOH had been mixed using a total of three consoles – a Yamaha PM5D, PM1D and an LS9/32, all connected with multiple copper-cable snakes. This year, PRG ran the entire show on just a pair of DiGiCo SD7 consoles, with six DiGiCo SD-I/O racks and an SD-Mini I/O rack, connected by two fiber-optic cables, with the FOH mix handled by Patrick Baltzell. “This really unified operations at the site and, combined with the much lighter K2 system, gave us the same amount of punch in a smaller and more efficient footprint.”

The same system will be deployed for the July 4th concert event in the same location. “The K2 will set the benchmark going forward as its predecessor V-DOSC did when it was released years ago,” Hutson declares. “Along with K1, this gives L-ACOUSTICS the leading edge in line arrays and we at PRG are very excited to add K2 to our extensive inventory of L-ACOUSTICS products. They listened to our needs and have delivered an innovative product that will perform for years to come.”

For more details on the 2014 National Memorial Day Concert, which was broadcast live via the Public Broadcasting Service (PBS) and American Forces Network, visit www.pbs.org/national-memorial-day-concert.

About Production Resource Group
Production Resource Group (PRG) is the world’s leading provider of entertainment and event technology and production services to a wide range of markets, including corporate events, concerts, special events, theatre, television, film and installations, such as theme parks, museums, retail stores and performing arts centers. PRG provides integrated services and equipment, including audio, video, lighting, rigging, staging, and scenery and automation systems, for these markets from more than 40 offices in North and South America, Europe, Asia and Australia. For more info on PRG, visit www.prg.com.

About L-ACOUSTICS
L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

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Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

DANLEY SOUND LABS AT INFOCOMM 2014: COME HEAR THE DIFFERENCE!

LAS VEGAS, NEVADA – JUNE 2014: Danley Sound Labs, manufacturer of innovative loudspeakers and subwoofers that cleverly sidestep the trade-offs and constraints of conventional designs, will have its newest cutting-edge products on display (Booth C11711) and powered up (Demo Room N108) at InfoComm 2014, Las Vegas, Nevada from June 14 to June 20. Included will be:

• Danley’s SBH (Skinny Big Horn) Series of ultra-compact, column-shaped loudspeakers, which has been expanded to include several dispersal patterns and frequency ranges.
• Danley’s OS Series of fully-weatherized outdoor loudspeakers, which has been expanded to include a new wider beamwidth model and a new subwoofer model.
• Danley’s BC218 subwoofer, which marks an “all-time low” for the company (25Hz!).
• A LARES electronic sound enhancement system composed of Danley Nano loudspeakers, with special demonstrations by company president Mike Hedden on the trumpet.
• A range of Danley’s speakers from the mighty Jericho horns to the Compact Mini’s. Danley encourages all lovers of big sound – curious, converts, and skeptics alike – to come enjoy the Danley difference!

Unlike conventional designs, Danley’s SBH column loudspeakers are acoustically coupled to create a single large horn with an effective path length of over 25 feet. As a result, listeners enjoy an uncompromised frequency response at any listening position, and the output is free of troublesome lobes. Danley will have the SBH-10 (10-deg vertical), SBH-20 (20-deg vertical), and SBH-20LF (integrated subwoofer section for 40Hz performance) on hand. Hear for yourself.

Although most Danley products can be optionally weatherized, Danley’s OS Series is designed to endure unrelenting inclement conditions without compromising fidelity and performance – right out of the box. In addition to the original OS-80, Danley has added the OS-100, which has a 100-deg conical pattern and a smaller footprint than the OS-80, along with the OS-115LF, which delivers Danley’s famous low-frequency output. Show up and spill your drink on one.

In addition, Danley will demo its BC-218 subwoofer, which uses Tom Danley’s pioneering “Boundary Coherent” technology to deliver smooth, undistorted low end down to 25Hz (those in the EDM world take special note!).

And finally, lucky attendees will get to enjoy Mike Hedden’s sonorous trumpeting as amplified and spatialized through a LARES system composed of Danley’s diminutive (in stature, not in sound) Nano loudspeakers. Like most of what goes on at Danley Sound Labs, it has to be heard to be believed!

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

MAKE SURE YOU STOP BY AND SEE (AND HEAR) US AT INFOCOMM 2014 BOOTH #C11711 AND DEMO ROOM #N108 (DEMOS EVERY EVEN HOUR DURING SHOW)

Symetrix Partners with Attero Tech & Stewart Audio to Speed Dante Design

SEATTLE, WASHINGTON – JUNE 2014: In a significant development for users of Audinate’s Dante audio networking technology, Symetrix has announced that the latest version of its popular SymNet Composer software will support native configuration of select Dante-enabled Attero Tech and Stewart Audio products.

Settings affecting I/O levels, routing, and more may be defined with SymNet Composer 2.0, which gives customers the ability to consolidate design on a single software platform where previously multiple platforms were required.

“As of this release, integrators will no longer need Audinate’s Dante Controller as well as separate software packages for each manufacturer’s products,” comments Trent Wagner, senior product manager at Symetrix. “Supported Attero Tech and Stewart Audio Dante-enabled products can now be configured and managed right along side to SymNet hardware. Integrators who have used Composer before will have no learning curve.”

Stewart Audio has long pursued a focus on making networked A/V affordable and practical, and its current range includes innovative Dante end-points. “Our customers desire solutions that are both compatible and complete in their implementations. The collaboration between Stewart Audio, Symetrix and Attero Tech represents a major step in that direction,” says Stewart Audio’s Chief Marketing Officer, Brian McCormick.

He continues, “By collaborating with Symetrix, we are creating outcomes that align with our customer’s expectations. By carefully analyzing and responding to the challenges consultants and integrators face daily, presenting them with the results they are looking for is what this partnership is really all about.”

Mike Sims, director of marketing and sales at Attero Tech – which produces a trio of Dante interfaces – welcomes the partnership as ‘the next logical step’ in the interoperability of Dante networked audio systems. “Our goal has been to make deployment of these systems as seamless as possible, while allowing consultants and integrators to choose best-of-class products from a variety of manufacturers. This is the future of interoperability,” he declares.

The initial response from the integrator community is also encouraging. Chuck Mitchell, owner of California-based Technology of the Arts, recently undertook a Dante-centric installation involving Symetrix and Attero Tech products. “Dante is rapidly becoming a default choice for all manner of projects in the installed environment,” he says. “The Dante-centric partnership between Symetrix, Attero Tech and Stewart Audio is to be warmly welcomed as it helps to bring every installer’s dream of blanket interoperability that much closer to realization.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

www.symetrix.cowww.atterotech.comwww.stewartaudio.com

BE SURE TO STOP BY OUR BOOTHS AT INFOCOMM FOR A DEMONSTRATION
ATTERO TECH BOOTH #C9945
STEWART AUDIO BOOTH #C9947
SYMETRIX BOOTH #C9416

Major OEMs Announce AV Networking World 2014 – Earn Four CTS InfoComm RU credits about Audio Over IP Networking

LAS VEGAS, NEVADA: Twenty of the leading manufacturers in the A/V industry announced the speaker lineup for the AV Networking World (AVNW) educational seminar and training workshop to be held on June 17, 2014 in Las Vegas. This year’s highly-anticipated event is co-sponsored by Atlas Sound, Attero Tech, Audinate, BSS Audio, Bosch, Bose, Focusrite Rednet, IED, Lab.gruppen, Lake, Lectrosonics, Peavey Commercial Audio, Powersoft, PreSonus, Stewart Audio, Shure, Symetrix, TC Group, Studio Technologies, and Yamaha Commercial Audio.

AVNW includes more hands-on interactive workshops than previous years with more presentations on actual use cases by the A/V system owners, corporate industry design consultants, and A/V installation contractors. Participants to AVNW may also earn four CTS InfoComm RU credits. Topics include:

Live Demonstrations and Workshops
• SMAART Acoustical Measurement Analysis simplified with Dante.
Jamie Anderson, Rational Acoustics
• Live Interactive Dante Installation Workshop with audience participation
• Manufacturers Interoperability Demonstration

Panels and Presentations
• Microsoft Production Studios A/V Network Enhancement: John Ball, Microsoft
• Audio system upgrade to the San Jose Convention Center: Mark Berlo-ICS Corporate Installations Systems
• Fred W Smith National Library: Jim Hogan, IES Commercial
• Corporate Conference Center: Klas Dalbjorn, TC Group
• House of Worship Installations: Kevin Potts, Coherant Designs; Tim Bailey-Communication Engineering Inc.; Mark Cooke, Sun Grove Church; Gordon Moore, Rio Rancho United Methodist
• Performing Arts Centers and Theaters Upgrade to the Axis Theatre at Planet Hollywood Casino: Michael Cusick, SAVI
• New Audio System at The Cube at Virginia Tech University: Dennis Blount, ARUP Consulting
• Installation Systems: High Performance audio networks: Focusrite, Ted White
• A glimpse of the future Dante Networked World with Audinate’s new Dante Via™:
Aidan Williams, Audinate

Due to the space limitation, pre-registration is highly advised. Lunch will be provided during the day with cocktails served following the seminars. The event will be held at the Renaissance Las Vegas Hotel, 3400 Paradise Rd., Las Vegas, NV 89169.

Special Giveaways: All attendees will receive five free Dante Virtual Soundcards for participating in the conference ($149.95 value). Additional giveaway drawings for A/V equipment will be held throughout the day, valued at over $7,500.

For registration, please visit: www.audinate.com/webmail/AVNW_June_2014/Symetrix_AVNW_June_2014_STD_schedule.html

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C9416

ATC TWEAKS ITS ENTRY-LEVEL PASSIVE NEAR-FIELD MONITOR AND RAISES IT TO A NEW STANDARD OF PERFECTION

LAS VEGAS, NEVADA – JUNE 2014: TransAudio Group, U.S. distributors for ATC UK, introduces the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active Pro Range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. They are ideally suited for critical near-field applications or smaller rooms.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII.”

The ATC SCM20PSL MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same ATC developed SL technology used in our larger nine-, twelve- and fifteen-inch based monitors. The SCM20PSL MkII is the first professional product to incorporate ATC’s brand new in-house built ATC Dual Suspension 25mm tweeter. Five years in development, the new ATC Tweeter offers lower distortion, higher output and greater reliability. A newly ATC designed/built passive Crossover has been incorporated combining second and third order features to offer improved imaging and precision, comparing favorably to our active designs. Exceptionally neutral output extends across the audible spectrum and within an all-new cabinet design, minimizing size and weight. “Given the excellence of previous designs, these advantages lead to a substantive improvement in passive speaker technology,” concluded Lunde.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

NEW JERSEY STUDIO ADDS THE BOX

MIDDLETOWN, NEW JERSEY – JUNE 2014: Studio owner and musician Greg Padrusch, better known as LEK, has just commissioned THE BOX by API for his northern New Jersey studio. This becomes the latest sale from Calistro Music, API’s distributor in the tri-state area.

Since purchasing THE BOX, LEK has kept busy reconstructing his studio. Throughout that process, he has still managed to immerse himself in some of THE BOX’s recording features. Soon, his studio will feature state-of-the-art acoustics in its new building, creating the ideal surroundings for mixing.

Early this summer, LEK is also planning on releasing new original singles.

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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