A virtual press conference from Sound & Video Contractor

Archive of the NSCA Newslink Category

ASHLY GEAR SCORES AT FINLAND HOCKEY ARENA

HEINOLA, FINLAND: Although the hockey arena in Heinola, Finland seats 1,600, attendance commonly swells to nearly 3,000 as hockey fans crowd through its doors. Until recently, however, fans strained to hear announcements and cringed at the sound of anemic music coming from the arena’s aged ceiling speakers. That all changed when Finnish A/V integration firm Noretron Communication Ltd. replaced the system with full-fidelity FBT loudspeakers and Ashly Audio processing, amplification, and user control. Shortly after the overhaul, Heinola hosted the Women’s Hockey World Championship to rave reviews.

“The previous system was very old and functioning poorly,” said Timo Kunnas, owner of Noretron Communication Ltd. “Using an Ashly back-end and FBT Shadow loudspeakers, we composed a plan that would give them the control and performance they desperately needed. Part of the challenge was meeting their budget and yet still providing excellent coverage in an acoustically-poor environment.” Noretron, a distributor for both Ashly and FBT in Finland, designed the system, installed the rack, and performed the system tuning at commissioning. Local electrical installation firm Electrowise Ltd. handled all of the cabling and the loudspeaker installation.

“Ashly builds reliable and great-sounding gear and sells it at a price that is very competitive,” said Kunnas. “The Ashly ne24.24M modular processor, Ashly KLR-Series amplifiers, and RD-8C remote fader control would give the arena everything they needed. And for us, it’s all very easy to set up and program.”

Because it has a modular I/O count, Kunnas was able to order an Ashly ne24.24M with twelve inputs and eight outputs to accommodate four microphones, two stereo RCA input jacks, a radio output, and a CD player output. The eight outputs feed four dual-channel Ashly KLR-3200 amplifiers, which in turn power nine FBT Shadow loudspeakers, four for the central cluster and five for delays. User control consists of three redundant Ashly RD-8C remote fader panels that provide individual volume control of each input, plus overall volume control. The three redundant locations allow user control from anywhere that staff may need to make adjustments.

“The client is very happy with the sound quality, speech intelligibility, and ease of use, all thanks to Ashly,” concluded Kunnas.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

JOHNSON AUDIO WORKS SUCCESS IS BASED ON QUALITY: DANLEY SOUND LABS SPEAKERS AND SUBS HELP MAKE IT HAPPEN

COMER, GEORGIA: Bill Johnson knows live sound. Before assuming the roles of full-time technical director and chief audio engineer for the massive touring Kenneth Copeland Ministries, where he served for fourteen years, Johnson cut his teeth mixing for acts such as Concrete Blonde, the Dave Matthews Band, Ice T, and Widespread Panic. In 2000, Johnson started his own company, Johnson Audio Works, to marshal that extensive experience for the benefit of clients with small- to mid-sized live events. Recently, Johnson upgraded his rig to Danley Sound Labs, his newfound favorite loudspeakers and subwoofers. Now, Johnson graces clients with improved fidelity and impact delivered by a pair of lightweight but hugely efficient Danley SM-80 full-range loudspeakers and a pair of powerful Danley TH-118 subwoofers.

Most of Johnson’s clients are ministries, government, and community organizations, with a few upscale weddings thrown in for good measure; and three-quarters of the content he is responsible for is spoken word. His audience sizes typically range between 300 and 700 people. After recently relocating from Texas to Georgia, Johnson has developed a closer relationship with the engineers at Georgia-based Danley Sound Labs. “Of course, I was aware of Danley Sound Labs and its reputation – the pro audio industry isn’t so big,” he said. “But the first time I actually heard Danley products, I was hooked.” Part of Johnson’s success is his commitment not just to sound quality, but to the system’s overall appearance and its fine scale details. “I aim for installation quality for temporary events,” he said.

The Northside Jam is an annual event put on by Rick Nunez Ministries in Fort Worth, Texas and serves as an excellent example of the power of Johnson’s new portable Danley system. Last year, Howard Scott, former band leader of the 1970s act, War, headlined and drew 1,500 people to Marine Park. “The guy I hired to run FOH couldn’t believe I was seriously going to cover the event with just two Danley SM-80s for full-range,” Johnson said. “He could understand the two Danley BC-415 subwoofers, which I had on loan from Ivan [Beaver, Danley’s chief engineer]. But I walked in with the two SM-80s, one on each arm. They just don’t look capable of delivering the necessary SPLs. He expressed his concern but totally changed his tune after sound check. Not only were the SM-80s plenty loud enough, the sound quality was outstanding. He said it felt like mixing on studio monitors! That was at 110 feet from the stage, outdoors! I walked back 350 feet and the sound was still natural and balanced. Danley’s high-end output is notable and makes the SM-80 pleasant and effective for both near- and far-field applications.”

He continued, “In my world, it’s hard to find a one-box-fits-all solution, but the SM-80 is it. Not only is the sound quality excellent, the size greatly simplifies my set up time. That’s critical, because the margin on live events is small. I’m able to charge the competition’s rates, but where they have a four or five hour bump in, I’m able to get the job done in just two. Moreover, the Danley system tunes up with almost no adjustment, so I’m able to quickly move on to making things look nice and tending to the client’s requests. I think part of Danley’s success is the fact that everyone in the company has lived and breathed in the live and installed sound industries before. It’s more than just the sound.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

(PHOTO CAPTION: IFCM Branson Service in 2013.)

SYMETRIX LAUNCHES SYMNET COMPOSER SOFTWARE VERSION 2.0

SEATTLE, WASHINGTON: Symetrix announces a new release of its SymNet Composer open architecture design software for Edge and Radius DanteTM network audio DSPs. In addition to a host of time-saving workflow enhancements, Composer 2.0 natively integrates select Dante third-party hardware supporting the discovery, signal routing, and other aspects of AtteroTech unDIO2x2 and unDX2IO and Stewart Audio AV25-2 and NetAV 2×2 devices. Composer 2.0 is the only programming environment needed to build a Dante networked system from start to finish, simplifying and speeding initial design, revisions, and troubleshooting.

Trent Wagner, senior product manager at Symetrix, noted, “I’m very excited to launch this version of SymNet Composer. To my knowledge, Composer 2.0 is the first full integration of third-party Dante devices in our industry. Contractors can now manage an entire Dante-based system from end-to-end (remote wall box I/O, to DSP, to power amps) using only SymNet Composer 2.0 with select products from AtteroTech, Stewart Audio, and Symetrix.”

In addition to third-party Dante device integration, Composer 2.0 offers a number of workflow enhancements. Remote control protocol can be accessed via TCP/IP and TCP/IP string output modules, simplifying integration with control devices and increasing the number of compatible control systems (e.g. projectors). Module input and output names can be automatically propagated to downstream modules, speeding and standardizing the labeling process, and presets can now be created and edited without going off-line. In addition to the 600+ DSP modules already within the Edge and Radius system, a new Transient Suppressor DSP module reduces random transient noise (e.g. pen tapping, silverware clanking) for clearer conference audio. Furthermore, a new “Trace Signal Path Forward” feature now traces through all Dante transmitters and receivers that significantly reduces the time required to understand, follow, and troubleshoot signal flows within large systems.

Added Symetrix Founder and CEO, Dane Butcher, “SymNet Composer 2.0 is yet another milepost in our ongoing mission to provide software and hardware tools that help our integrators achieve the greatest possible levels of technical excellence while at the same time expending the least time and effort.”

SymNet Composer 2.0 is available for free download at www.symetrix.co

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO VISIT US AT INFOCOMM BOOTH #C9416

FORT WORTH BUILDS ITS STUDIO PROFILE WITH AN API 1608 CONSOLE

FORT WORTH, TEXAS: Over a span of 25 years and growing out of two previous studios, producer/engineer/studio owner Bart Rose has made his presence known in the Texas music scene through what is now called Fort Worth Sound. The studio works with both bands and singer/songwriters ranging from rock, country, blues and jazz. A new 1608 console by API completes the transformation of Fort Worth Sound’s Studio A, which has been a project in the making since 2008.

It took years to complete the construction of Fort Worth’s Studio A. “I wanted a console with amazing analog character, a small-ish footprint, and great reputation in the production world,” shares Bart. “There had been times when a prospective client looked at my control surface and asked ‘where’s the console?’ We think you will agree that Fort Worth Sound is one of the finest recording studios in the North Texas area.”

Studio A, which houses the 1608 console, accommodates the majority of the album recording and mixing projects. Since purchasing the console, Bart has used the console for several recording sessions. “I love the sound of the preamps. Just having amazing preamps with a high-pass filter yields great results on tracks that don’t need EQ.” Bart takes the sound coming from the studio into great consideration. The main recording room for Studio A has twelve-foot ceilings, independent climate control for each room, and floating floors to avoid low-frequency rumble from city traffic.

Since 2008, Fort Worth Sound has worked with major artists including The Toadies, Los Lobos, and Pat Green. Soon after the 1608 commissioning, the studio hosted a very successful two-night open house, where past and perspective clients were shown the new capabilities of Studio A. Bart has confidence that the purchase of the 1608 will diversify his studio profile. “I have a feeling this console will attract clients who wouldn’t have recorded with me before I had an analog console on the front end.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) (TOP) Bart Rose with the API 1608 console in Fort Worth Sound’s Studio A. (BOTTOM) FortWorthSound_StudioA.JPG: Studio A at Fort Worth Sound.

HPUMC Installs Yamaha NUAGE DAW, CL Digital Console

BUENA PARK, Calif.—Highland Park (Texas) United Methodist Church (HPUMC) recently installed a Yamaha NUAGE Digital Audio Workstation for recording and post work along with a Yamaha CL5 Digital Audio Console for front of house mixing in the sanctuary. Audio DAWg of Irving, Texas installed the NUAGE system, while Mike Mason of Clair Systems – Dallas, installed the CL5. The 900-seat contemporary worship space where the NUAGE and CL5 systems are housed has three services on the weekend with an average of 2,200 attending. The congregation consists of 5,000 who regularly attend five different contemporary and traditional service locations.

AUDIO DAWg began offering DAW systems solutions about seven years ago focusing on turn-key audio recording packages for studios, post, broadcast, houses of worship, and educational facilities. “The NUAGE installation began as a request from Bruce O’Leary, Director of Production at HPUMC,” states owner, Spunky Brunone. “The church installed Dante networking throughout the sanctuary and recording studio, so NUAGE was a perfect solution for them.”

O’Leary first heard about NUAGE via social media and contacted Audio DAWg for a demo at the company’s office. “I wanted a solution that allowed me to mix live and track at the same time while writing automation, and would have enough ‘virtual horsepower’ for generous use of third party plug-ins,” states O’Leary.

“I was super impressed with the workflow the console portion of NUAGE facilitates and the integration of Nuendo’s channel strip (with the basics that I need already inserted on each channel…4-band fully parametric EQ, gate, comp, saturation, etc. And, the fact that it ‘looked’ similar to a live console and had Dante integration, made our decision very easy. No other manufacturer has an option that fit our needs more perfectly!” O’Leary made the jump to the Yamaha NUAGE from ProTools having heard its praises sung by people in Nashville.

The church NUAGE system is a 16-channel unit (8a/8d), with a Yamaha Dante soundcard. “I’m loving what I’m seeing so far, notes O’Leary. The edit functions are all within easy reach in the center of the workspace; very well thought out for real-world work. The surface just feels killer too…again…no one else has anything close to this!”

HPUMC is planning on using NUAGE for their audio for video mix as well as for post-production projects. They have four channels of Rascall Audio V2 mic pre-amps and two channels of Classic API 312DI in a Radial Workhorse rack, with an additional eight channels of Audient that will come into the DAW via the eight channels of AES on the Nio8a8d. “In addition to the great plug-ins Nuendo has out of the box, adds O’Leary, we’ll be using plug-ins from Waves and Universal Audio via an UAD2 Octo PCIe card installed by Audio DAWg.”

As for the Yamaha CL5 digital audio console, it is located at the FOH location in the sanctuary. HPUMC converted the entire room to Dante networking (also running 16 channels of Shure ULXd wireless mics also on Dante) and will soon integrate a LiveMix personal monitoring system using the Dante network for both live and studio use. The church uses four Yamaha Rio1608-D input/output racks along with two Ri8-Ds and one Ro8-D.

“The CL console has more inputs than our previous console with great onboard effects, says O’Leary. The Premium Rack is a really great feature. I have so many options right inside the console I do not have to purchase third party products. The integration with CL Editor and the CL StageMix make it the complete package. Again, I looked at a lot of manufacturers, but kept coming back to the Yamaha CL5 because of its flexibility, feature set, proven durability, and value.”

Church amplifiers are fed from BSS London Blue with Dante cards, for a L/R hang of Clair Brothers i208 line array boxes and five of their dual 18 boxes (two on the floor and three hung center in cardiod pattern), as well as front fills/under balcony areas.

For more information on Highland Park United Methodist Church, visit www.hpumc.org.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on Clair Bros., visit www.clairsystems.com.

For more information on the Yamaha CL Digital Audio Console Series, visit www.yamahaca.com.

-END-

PHOTO ID: L to R Spunky Brunone from Audio DAWG and HPUMC’s Bruce O’Leary

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SoundLab Held At USITT With Yamaha Support

BUENA PARK, Calif.—Held at USITT every other year, SoundLab concentrates on free product demonstrations for students, and this year, the conference was devoted to live sound reinforcement. Yamaha Commercial Audio Systems, Inc. made a key contribution by supplying its latest products set up for the event in the Arena at the Fort Worth Convention Center.

“The idea that Mike Hooker (Head of Sound Design at UC Irvine’s Department of Dramatic Arts) and myself who co-chaired the project together was to provide students with the opportunity to mix live music while being mentored by some of the top people in the field as well as mixing on premium systems, states Erik Alberg, Technical Director for Events and Conferences, Hope College, Holland, Michigan. The ideal system was to be much larger and possibly bigger than students would ever have a chance to mix on with in their own university settings. We came up with a model of having two consoles at FOH and switching the live console from one to the other while bands were performing on stage.”

Alberg said they contacted a lot of manufacturers to see if they were interested in participating. “We needed a console to drive the line array rigs and were thrilled when Yamaha stepped up and offered us not only equipment but the expertise of their staff. Kevin Kimmel, a systems application engineer at Yamaha Commercial Audio was a great help in developing the system layout for FOH and monitor system. We created a network of inputs and consoles that not only worked for the SoundLab mixing events, but also for the special events held at USITT such as the keynote speech and award presentations, along with system demonstrations.”

The console system included three Yamaha CL5 consoles, two at front of house that handled the mixing for the live bands, and one as a monitor console. There was also a CL1 at front of house that switched between the two CL5s and was used for running the special events requirements such as wireless microphones, video feeds, and playback. The whole system was connected via Dante and included Yamaha Rio boxes onstage for inputs and outputs to the mains.

The bands were mixed by students at USITT under the mentoring of Buford Jones and Jim Van Bergen, as well as Kimmel who stepped in for one session and provided invaluable services as monitor engineer for all but one of the bands. Over 70 students had the chance to mix during the event.

“The Yamaha consoles were intrinsic to the success of this year’s SoundLab, says Alberg. They worked well and we had no problems with connectivity or routing thanks to Dante and Yamaha. I was also very impressed with the consoles, their flexibility, and ease of use. Sonically they were great and provided our students with an amazing opportunity. The Yamaha staff was critical to the success of the project. Their patience, understanding, and support were great and a real gift.”

For more information on Yamaha products, visit www.yamahaca.com.

-END-

PHOTO: Engineer Buford Jones and SoundLab Students

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

METRIC HALO ULN-8’s FRONT IMMERSIVE IDEAL – A RECORDING SESSION ON DISPLAY AT D.C. AREA MUSEUM

ARLINGTON, VIRGINIA – APRIL 2014: Beauty Pill is the musical brainchild of veteran producer and engineer Chad Clark, who founded the band in 2001 shortly after the dissolution of Smart Went Crazy. Both bands have received heaps of critical praise from outlets local to Washington D.C. and from the national press. Solid songwriting has turned Beauty Pill’s on-again/off-again status into something that promotes, rather than detracts, from its cult following. Beauty Pill recently teamed up with the Arlington, Virginia-based Artisphere museum to take on a unique artistic, musical, and sociological experiment. The band set up in a large room inside the museum with a windowed overlook and spent two weeks on display recording an album. Although they went in with racks of borrowed A-list studio gear, their initial recordings fell flat. It was only after Clark stripped everything down to just his Metric Halo ULN-8 interfaces that the recordings came alive, a testament to the ULN-8’s fantastic sound.

“Artisphere initially approached me to ask if I could do something ‘musical’ in the museum’s beautiful space,” explained Clark. “I was touring around, trying to come up with some ideas, when they showed me a large room with a window that overlooked it. It reminded me of Abbey Road Studio 2, where the Beatles made a lot of famous recordings. That put the idea in my head to do a recording there. It would be live in the sense that people would be watching us, but my plan was to record exactly as we would in a normal studio… including all of the discussions, overdubs, and the like. I thought it would interesting for the public to see that process – I have some non-musician friends who seem to think an album is made in almost the time it takes to listen to it!”

A musician first, Clark happily fell into engineering and production when other bands in the D.C.-area approached him because they liked the sound of Smart Went Crazy. He quit his day job in 1998 and spent nearly a decade between now and then as a mastering engineer at Silver Sonya. These days, he works mainly as a mix engineer, where he finds his passion for music is best nurtured. “It was working with Beauty Pill that first got me interested in the Metric Halo ULN-8,” Clark said. “It seemed to fit what I needed and what the band needed. Although I have nothing against low-fi recordings, I have no romance for them. I like sound that is vivid and the descriptions of the ULN-8 conveyed that idea. It’s turned out to be completely true – the ULN-8 is a miracle device! It’s incredibly flexible, and everything I record with it sounds amazing.”

Nevertheless, when someone goes to do a big studio recording – especially one that will be on display – there are certain preamps with legacies deep in the recordings of the late 1960s that engineers naturally assume will be the best choice for a rock record. With the help of friends at local studios, Clark amassed a rack of the choicest analog preamps and processors available. “We mic’d everything up with the best mics for each application and ran them to the textbook pro preamps that engineers have been using for decades,” he said. “The initial recordings were okay, but they weren’t fantastic. We all agreed that they fell kind of flat. So we simplified the mic’ing and pulled out all those great preamps, relying entirely on the Metric Halo ULN-8s for preamps and conversion to 24-bit/88.2kHz.”

He continued, “It was a revelation. The sound came alive. It was vivid and tactile. The ULN-8 preamps are just stellar. That was a convincing test, and now I never wonder about using anything but the ULN-8s now. I think it’s worth pointing out that although Metric Halo’s use of the term ‘archival quality’ is totally appropriate, it shouldn’t give anyone the idea that the ULN-8 is only for purists or documentary recording styles. Beauty Pill’s Artisphere recording is far from documentary. We use all kinds of overdubs and textures and found sounds. The quality of the ULN-8 simply makes that mode of recording more vivid and involving.”

Some of the band’s friends advised them against the experiment, citing YouTube’s “comment culture” as an example of how mean people can be when a band is vulnerable. “I suspect that if we had streamed the installation or posted video, things might have gotten ugly,” said Clark. “But the people who came to the exhibit were completely supportive. Sure, there were some uncomfortable moments when we were arguing amongst ourselves, but I mainly felt empathy from the window. They were wishing us well. It was an encouraging experiment!”

Ultimately, Immersive Ideal ran as an interactive multimedia photography and music exhibit with pictures from the recording sessions paired with a surround-sound mix of the final versions. Beauty Pill anticipates releasing it as a conventional stereo recording in the fall.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Yamaha Commercial Audio Systems to Sponsor POD 2014 In Quebec

BUENA PARK, Calif.—Le Diplomate Audiovisual is hosting its first two-day Open Door (French Porte Ouverte le Diplomate or POD) event bringing together over 25 audio-visual exhibitors, guest presenters, product demonstrations, conferences, animation, and networking opportunities for industry professionals. The 2014 POD event is designed to create a meaningful and valuable experience and includes clinics with AV specialists, hands-on demonstrations, and an exhibition of new products.

Yamaha Commercial Audio Systems, Inc. (YCAS) is the main sponsor of this new event to be held at Le Diplomate Audio Visual, 5588 Blvd Rossignols, in Laval, Quebec. YCAS products to be exhibited during the two-day event include the new Yamaha QL digital console line, CL console, NEXO PS speakers and Commercial Installation Solutions (CIS) products. On a mobile stage, a NEXO STM line array will be used for live events, and on ‘the Patio’ CIS products will be used in real world setting. Classes on QL and Dante network will also be offered.

Exhibition dates and times are Tuesday, May 13, 2014 – 10:00 am – 5:00 pm and Wednesday, May 14, 2014 – 10:00 am to 3:00 pm.

For more information on POD 2014 visit, http:www.//diplomate.com/pod2014/en.html.

The event is free but registration is necessary. To register,
visit https://www.qvc.qc.ca/Inscript/Publique/QVC2101A.aspx?m=2&a=.

-END-

Trivium, The ME, And New Yamaha QL: A “Three-Way Logical” Combination

BUENA PARK, Calif.—“Trivium” is an American heavy metal band from Orlando, Florida that formed in 2000, and since signing with Roadrunner Records in 2004, has released six studio albums and eighteen singles. Selling over one million albums worldwide and following the release of their sixth album, the band is out on tour in support of Vengeance Falls.

After speaking with Clair Bros. (Littiz, PA) who is responsible for audio production for the tour about different console options, Trivium’s monitor engineer, Mike Babcock, chose the new Yamaha QL5 Digital Audio Console for monitor mixing. Clair is also providing a FOH control package, a full stage patch package, and snake system for Trivium. The band owns JH-Audio IEMs and Sennheiser transmitters. Clair is also providing a full monitor system and control package for “Volbeat” who headlines the tour.

“The Yamaha QL Console Series could not have been released at a more opportune time, states Clair Account Manager, Justin Weaver. We were in the middle of talking to tour manager Joey Brueckmann and Mike Babcock about their upcoming tour package, and the QL5 was the perfect fit for the tour. Trivium is jumping around between headline, support, and festival shows, so having a reliable, compact console in monitor world was a must since real estate on stage is at a premium.”

After speaking with Doug Staab at Yamaha Commercial Audio Systems, he assured Clair Bros. that Yamaha could have the QL5 QC’d and shipped to them before their shop load-out date. “Not only did they deliver on time, but our console department also had time to play with the console and was quite impressed with the design and feel of the QL, says Weaver. We look forward to deploying this desk on many more tours in the future that require a dependable, small-footprint mixing console.”

Initially, Trivium chose a Yamaha CL1 for the tour mainly because Brueckmann was finding that all of their fly dates had Yamaha PM5Ds for monitors, and we wanted to stay within the Yamaha family for consistency yet keep a small footprint for ease of everything,” states Babcock. The fact that the new QL5 was available was a huge bonus, mainly for the onboard preamps and not needing an additional Rio rack. I’ve never been one to shy away from new gear, especially from Yamaha.”

Babcock said since the main goal for a monitor console was a small footprint and Trivium is the main support act on the Volbeat tour, a quick load out was important. “Having a file system that is compatible with all Yamaha consoles is a big plus. The file conversion utility worked great with our first fly date festival using a Yamaha PM5D.” Babcock said that on that fly date with a converted QL5 show file for PM5D externally clocked at 96 there was no noticeable audio quality difference after gain structure was reset. “I would consider the QL5 to be PM5D quality (or better) in an Yamaha LS9 size. Great for club tours, support tours, and anywhere a small footprint is needed. Keeping client demands for high quality audio is the main goal, and the addition of the Premium Rack plug-ins is greatly appreciated and adds that little special sauce we all love. There are times where I really need dynamic EQ, and that option is great as well.”

“It all adds up to be the best monitor mixes anyone in the band has ever had mainly due to having the QL5 tools required to offset various venue conditions at the tip of my fingers.”

For more information on Trivium, visit www.trivium.org.

For more information Clair Bros., visit www.clairglobal.com.

For more information on the Yamaha QL Digital Console, visit www.yamahaca.com.

-END-

PHOTO ID: L to R: ME Mike Babcock with TM Joey Brueckmann

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Renkus-Heinz Adds Color to New York’s Grey Bar

New York, NY – April 2014… The area around midtown Manhattan is about as busy and bustling as one might expect in the heart of the City that Never Sleeps. Packed into these few square miles is a staggering array of museums, shops, casual and upscale eateries and watering holes.

Since opening its doors last year, Grey Bar has quickly become a popular neighborhood spot for the midtown crowd. The restaurant’s kitchen has been receiving stellar reviews, and the dining room has been perpetually full.

The Grey Bar’s sound system, installed by Rego Park, NY-based Starview Satellite and designed by Rich Trombitas of Cardone, Solomon, and Associates, is designed to keep pace with the club’s ambience, whether it’s the midday lunch crowd or the more upbeat dinner hours. The system comprises a dozen Renkus-Heinz TRX81 two-way complex conic loudspeakers, with four cabinets across the bar and and eight more covering the dining areas.

As Starview’s John Paturno explains, the TRX Series was ideally suited for this application, with a tight pattern control that enabled the sound to be focused away from many of the room’s abundance of mirrors, glass, and other reflective surfaces.

“We were impressed with the flexibility of the TRX81 as well,” says Paturno. “Initially, we had planned on mounting all the cabinets horizontally, but due to some last-minute architectural changes, it became necessary to reorient a few of them vertically. We were impressed with how easily we were able to rotate the horn to achieve the coverage we needed.” Powersoft amplification drives the system, with Symetrix DSP also providing Web-based access to the system. “The owners can adjust the source and volume, even from off-site,” adds Paturno.

The Grey Bar has become an instant hit with the busy urban set, praised both for its menu and its ambience. As Paturno points out, the TRX Series has been a big part of that ambience. “The uniformity and flexibility of the TRX81s provide the perfect non-intrusive backdrop for the lunch and dinner crowds, with the capacity for a more high energy sound for the later night Manhattan crowd.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication