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DANLEY SOUND LABS SH-50s AT THE COUNTRY’S LARGEST CHURCH – LIFECHURCH.TV

JENKS, OKLAHOMA: With weekly attendance topping 46,000, LifeChurch.tv is, by many counts, the largest church in the country. It has eighteen physical campuses stretching from New York to Florida and back to its headquarters in Oklahoma. As one might guess from its embrace of the “.tv” suffix, LifeChurch.tv also has a vibrant online presence, including a weekly online service and a virtual church in the online virtual world – Second Life. Its Jenks, Oklahoma location recently opened its doors and welcomed new members (or in LifeChurch.tv’s parlance, “partners”) to a progressive church experience anchored by a dynamic live band. As in many of the more recent LifeChurch.tv locations, stereo clusters of Danley Sound Labs SH-50 full-range loudspeakers deliver the full impact of the band and convey spoken word and video playback with crystalline intelligibility.

Summit Integrated Systems of Lafayette, Colorado began working with LifeChurch.tv six years ago and has designed and installed the A/V systems at most of the campus locations. “The fact that LifeChurch.tv continues to build new campuses has given us the opportunity to critique and grow with each design/build project,” explained Shane Beeson, church relationship manager and director of sales and Marketing at Summit Integrated Systems. “After every project, we meet with the LifeChurch.tv technical staff to evaluate the systems and discuss what we can improve upon. Danley Sound Lab products have been a part of Summit’s product line since Danley launched in 2005, and Danley became a part of the LifeChurch.tv conversation five years ago. We were exploring ways to improve the audio quality of their multi-site campuses while still being mindful of budget and to meet their request for a stereo system using point-source boxes.”

Although LifeChurch.tv requests stereo coverage of the worship auditorium at most sites, it also typically compromises on the architecture such that the ceiling height is lower than would be optimal. “Like every church, LifeChurch.tv operates within a budget,” said Beeson. “The ceiling height makes it challenging to get the right coverage and impact. Moreover, acoustic treatment is usually the minimum needed to get the space up and running. That was the case at Jenks, so we designed two 3-box clusters of Danley SH-50s. The supreme pattern control and smooth phase response of the Danley SH-50 gave us the control we needed for excellent coverage of the seats and minimal coverage of the walls. Danley’s innovative solution allowed us to increase performance and offset budget challenges by using a loudspeaker product with maximum pattern control to keep the sound in the seating areas without overexciting the room reflections.” In addition, Beeson noted that because the Danley SH-50 is passive, it required a minimum number of processor and amplifier channels, which helped the project stay on budget.

The Jenks system begins with a Yamaha CL5 paired with RIO stage boxes, which act as a digital snake and patch bay to collect inputs from the stage. The output from the CL5 feeds a Biamp Audia Flex, which handles loudspeaker management and processing. Lab.gruppen C-Series amplifiers power the system. Mounted at the seventeen-foot ceiling, three close-packed Danley SH-50s per side provide the main stereo coverage for the room with forty feet between them. Four subs provide low-frequency extension from below the stage. Six Danley SH-Mini loudspeakers complete the system by providing side-fill at the edge of each cluster and front-fill from the edge of a portable stage when needed.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Symetrix SymNet Radius 12×8 Dante Networked Audio DSP Keeps Indiana Town Dancin’ in the Streets

GREENFIELD, INDIANA: Although the city of Greenfield, Indiana is now a suburb of Indianapolis, its history runs deep into the 1800s, when it was a railway stop and the birthplace of famed poet James Whitcomb Riley. The city celebrates that tradition for a long weekend every October with Riley Days, which ranks among the Hoosier State’s best-attended festivals. Because Greenfield also puts on a Christmas festival and numerous other smaller citywide events throughout the year, it recently decided to invest in a citywide sound reinforcement system. Local A/V integration firm Force Technologies designed and installed the system for future expansion and convenient control using the Symetrix SymNet Radius 12×8 Dante networked audio signal processor and ARC-WEB user control for mobile devices.

“Riley Days is a big deal,” said A.J. Fager, owner of Force Technology Solutions. “Greenfield closes down its main streets, and vendors from all around set up tents. The city officials wanted a permanent sound reinforcement system that would serve Riley Days, as well as the other events that the city hosts. The Symetrix SymNet Radius 12×8 was the perfect processor because it is powerful, cost-effective, and easily scalable via Dante. Moreover, we could give them customized control via SymVue real-time user control panel application running on any Windows compatible PC and simultaneously give them simple, intuitive control for technicians’ smartphones via Symetrix’ ARC-WEB technology.”

In its initial deployment, the system is comprised of eight zones, each of which are independently tuned and delayed to minimize echo effects. Weatherproof Community R.5HP 8 Ohm and R.5HPt 70-Volt loudspeakers mounted to poles and powered by Crown CDi-Series amplifiers now dot downtown Greenfield. “Those loudspeakers and amplifiers are capable of delivering high sound pressure, and the design became a case of ‘less is more,’” said Fager. “When we modeled the system, it was apparent that more loudspeakers would have complicated the delay scheme and ultimately resulted in more harm than good.” Inputs to the system include two music sources and two wireless microphone systems.

The Greenfield IT department manages the citywide sound reinforcement system. Fager designed a custom Windows-compatible, PC-based control interface using Symetrix SymVue software. The interface consists of a map of the city broken down by zone. Within each zone, technicians can control volume and other aspects of system performance. Because such adjustments are sometimes better made from the zone itself, Fager also gave them a Symetrix ARC-WEB interface. Technicians access the password protected ARC-WEB interface from their smartphones and can thus make adjustments from anywhere.

Already, the city officials are excited to expand the system with four more zones. Fager anticipated this, and that was part of the reason why he went with the Dante networked SymNet Radius 12×8. Because its full processing power is far from tapped, Fager can simply add a Symetrix SymNet xOut 12 and, via the magic of Dante, the system will have the required additional outputs at little expense.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

PRODUCER/ENGINEER NOAH SHAIN RECORDS BREAKOUT ARTIST DEAD SARA ON AN API 1608

MALIBU, CALIFORNIA: Producer Noah Shain recently purchased an analog API 1608 small-format console to record breakout artist Dead Sara in a Malibu mansion for a forthcoming release on Epic Records. The tracks will form the follow-up to the band’s 2012 eponymous self-release. Shain, who is best known for his work with Sonny Moore (Skrillex) and Atreyu, purchased the API 1608 because it was, in his words, “the only console available with a small enough footprint and a big enough sound.”

After recording their previous album with Shain at Sonic Ranch in Texas, the band members had their heart set on taking the laid back experience they had there to the next level. “They didn’t want to work in a studio at all,” Shain said. “They just wanted to work in a house. I said, ‘OK, but if we’re going to work in a house, we’re going to do it right. I’m not bringing my laptop over to your buddy’s apartment.’ In the end, we rented an 8,000 square-foot Malibu mansion for two months. All told, we paid about as much going that route as we would have paid going to any of the world-class L.A. studios that I tried to talk them into originally.”

As a self-described API-fan who had been considering a 1608 to complement his hybrid, bus-intensive mix style, Shain recognized the sonic and logistic advantages of having a 1608 for the two-month remote date with Dead Sara. “I like discrete transistor electronics,” he said. “That’s saying something, because Shain’s workflow is unique. Like Michael Brauer, Shain separately processes stems according to their role in the music. He uses eight passive busses and saturates signal on the other end with boutique gain make-up amps. “The 1608 is the perfect heart for that kind of system,” he said. “It’s small enough to make it easy, and I can still focus a lot on the computer for a truly hybrid workflow.”

With the remote recording date with Dead Sara finished, Shain has moved the new 1608 into his three-room studio located inside Bedrock, a 120-room rehearsal space in the hip Echo Park neighborhood of L.A. “Bedrock is a great place with a great community of musicians,” he said. “A lot of notable bands rehearse there. My door is open and a lot of people are going to see the new API 1608.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

River Oaks Retires Analog Console, Upgrades to Yamaha CL5 Digital

BUENA PARK, Calif.—The 600-seat River Oaks Community Church, in Goshen, Indiana, holds contemporary worship services, and on any given Sunday, serves 1,200 of its congregation. With a rotating pool of 25 musicians, a standard worship service consists of 5-10 members on stage. The church recently retired its aged analog console and upgraded to a new Yamaha CL5 digital audio console and Rio 3224-D and 1608-D input/output boxes, purchased from Mid-America Sound in Greenfield, Indiana.

“We had an analog console for about ten years that outlived its welcome”, states Tim Blaum, Program Director at the church and who installed the CL. “We realized we needed to have additional control and mixing space.”

Blaum notes that on occasion, the church had to rent a Yamaha M7CL for outdoor gigs or other special services when they needed a little extra control. “We have a volunteer team that is comfortable in the analog environment using a full bank of physical faders because it’s what we’ve been used to, but we knew it was time to upgrade to digital. Several industry professionals recommended we investigate the new Yamaha CL Series since it has several added benefits. After weighing our options, we heeded their advice and decided to go with the CL5 because of its power and features.”

Prior to the new CL’s arrival, volunteers viewed online tutorial videos, having been familiar with the M7CL. “Yamaha digital consoles have always been strong and reliable, and with the CL’s price point, the console will give us room to grow and expand our worship ministry,” Blaum says. “Talented musicians with years of training and skill lead our ministry, and our production team is eager to help them sound the best they can with our new desk.” The church is currently using the Dante network locally due to its pre-existing snake structure.

Blaum also said the front of house location is an elevated mezzanine, which makes mixing difficult. “We are living by the console’s iPad App; our engineers stay on ground level during rehearsals and worship to make sure our mix is perfect. The labeling on the CL was a major enhancement, but we really love just about every feature it has since we came directly from the analog world. The console sounds great, and since its installation, we’ve had numerous compliments about our mix greatly improving. No doubt, this is an exciting step forward for us.”

For more information on River Oaks Community Church, visit www.riveroaks.org.

For more information on Mid-America Sound, visit www.midamericasound.com.

For more information on the Yamaha CL Digital Audio Console, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

David Lees Joins Yamaha Commercial Audio Systems NUAGE Production System Team

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. (YCAS) has announced the appointment of David Lees to the position of NUAGE District Manager effective immediately. Lees has been with Yamaha since 2002 and has held various positions within the Professional Audio & Combo Division as a Steinberg and Hi-Tech District Manager in the mid-Atlantic region, as well as the Keyboard Division. Prior to joining Yamaha, Lees worked for EMU Systems and previously at ProSound in Denver.

“We are very pleased to welcome David to the YCAS, Inc. team and look forward to the role he will play in building upon the already strong momentum developed for the NUAGE Production System,” states Paul Furtkamp, National Sales Manager, Yamaha Commercial Audio Systems, Inc.

Lees is currently living in Delaware and will relocate to the Southern California area in early 2014. “I’m very much looking forward to joining the YCAS organization and to working with such a strong network of NUAGE dealers and end-users.”

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ASHLY PEMA 8250 PROCESSOR/AMPLIFIERS GET SAUCY AT 4 RIVERS SMOKEHOUSE

WEBSTER, NEW YORK – DECEMBER 2013: Now with five locations in Florida that regularly generate lines out the door, 4 Rivers Smokehouse is one of the fastest growing restaurants in the Southeast. The young chain and everything it stands for, from perfected BBQ to generous philanthropy, is driven by the passion of successful businessman John Rivers. Indeed, it is rumored that Rivers worked for fifteen years, taking careful notes on copious spreadsheets to perfect the 4 Rivers Smokehouse sauces before launching the restaurant and its associated line of bottled products. Rivers is also passionate about music, and with the help of Sound Stage of Winter Park, Florida, his restaurants pulse with inspired tunes tweaked to perfection (much like his sauces) by an eight-channel Ashly Pema 8250 Protea™-Equipped Media Amplifier.

“An important thing to know about the owner, Mr. Rivers, is that he loves music,” explained Joe Forbes, systems consultant at Sound Stage. “Before we became involved with the restaurant, he opened a few locations in which the music playback system hadn’t been given a lot of consideration. Mr. Rivers wanted something that would give full-fidelity, full-impact music the role he felt it deserved at 4 Rivers Smokehouse. We knew we could help.” Sound Stage designed and installed the music playback system at the next 4 Rivers Smokehouse location using the Ashly Pema 8250 together with JBL Control Contractor-Series loudspeakers, and its success earned Sound Stage the same role at every subsequent new location.

Each system begins with a simple music source that feeds an Ashly Pema 8250. An ambient noise-sensing microphone on an input to the Pema 8250 engages Ashly’s Ambient Noise Compensation feature, which automatically adjusts the overall volume level based on how busy the restaurant gets. That feature is important because 4 Rivers Smokehouse can go from empty at opening to packed so quickly that managers and staff are justifiably focused on matters other than the music volume. Depending on the situation at a particular location, the eight 250-watt amp channels of the Ashly Pema 8250 feed some composition of JBL Control 25AV, Control 19, or Control 24 loudspeakers and some number of JBL Control SB210 subwoofers. “These systems are full-range and have plenty of power… they rock!” said Forbes.

He continued, “Our experience with Ashly began with its NE-Series amplifiers, which are great. But in a situation like this, the Pema range carries that same great sound and power, and a small footprint, but adds all of the front-end processing that we need. Working with Ashly has always been easy, and the tech support is fantastic.” Forbes cited Ashly’s collection of straightforward, inexpensive user controls as another factor working in Ashly’s favor. In the case of 4 Rivers Smokehouse, he uses a handful of Ashly WR-1 dual potentiometer remotes, which provide volume control for two adjacent zones using just one wire.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

DANLEY HORNS ELEVATE THE SOUND QUALITY AT RALPH WILSON STADIUM HOME OF THE BUFFALO BILLS

BUFFALO, NEW YORK – DECEMBER 2013: Fervent football fans know that the Buffalo Bill’s Ralph Wilson Stadium is one of the most difficult places for kickers, owning to its exposure to Lake Erie’s gusty winds, but few footballs recognize the tremendous challenge those winds create for the stadium’s sound reinforcement system. Moreover, Buffalo’s notoriously snowy winters regularly incapacitated the loudspeakers and subwoofers that were exposed to it, and unintelligible announcements and underpowered music were a constant frustration. However, with a new Danley Sound Labs distributed loudspeaker and subwoofer system in place, that lackluster performance is history, and Ralph Wilson Stadium now stands as one of the league’s best venues for a soul-shaking game-day experience that few living room hi-fi system can rival.

“The NFL is striving to improve the game-day experience,” explained Steve Asposto, senior director of broadcast operations with the Buffalo Bills. “We want to keep people coming to the stadium, but with so much HD technology available in fans’ living rooms, there is a huge temptation for them to stay home. Our goal is to give them an experience at the stadium that cannot be replicated on the couch, and music is a huge part of that. The league has softened many of the rules that used to restrict music playback, and so now we’re able to build music into a greater part of the experience.”

The trouble was that Ralph Wilson Stadium wasn’t ready to make effective use of those new rules. Even when it was brand new, the old sound system fired from only one side, which generated an intelligibility-killing clot of late arrivals. Worse, over a decade of Buffalo’s ceaseless wind and superabundant snowfall had destroyed approximately half of the stadium’s loudspeakers and subwoofers. “We used to get regular complaints that the announcements and referee calls were completely muddled,” said Asposto. “The clarity simply wasn’t there.” The Bills called on Anthony James Partners (Richmond, Virginia) to design a new system that would stand up to Buffalo’s inclement weather and that would deliver clear, high-fidelity audio even on the windiest days. Ronco Specialized (Tonawanda, New York) installed the new system.

“The idea was to place a loudspeaker and subwoofer cluster on each of four towers that encircle the stadium,” said Larry Lucas, director of audio engineering for Anthony James Partners. “As always, price was a big consideration, but we also needed exceptional pattern control to avoid the late arrivals that had plagued the old system. Danley Sound Labs delivered on both counts, and Danley’s Shaded Amplitude technology in its GH-60 Genesis Horns would provide even coverage across the seats.” Each of the four clusters consists of three Danley GH-60 Genesis Horns, a Danley SH-95 for center fill, four Danley SH-MINIs for fill right below the cluster, and two Danley TH-118 subwoofers. In addition, four Danley SH-64s (two at each end zone) provide additional coverage, and 35 Danley SH-Micros provide under-balcony coverage. An existing Yamaha LS-7 digital console and four Peavey Neon processors (two of which are new) form the front end, and sixteen Lab.gruppen PLM-20000 amplifiers power the Danley boxes. A new computer system operates the system with multiple screens (including one dedicated to the NIO software and a touchscreen dedicated to the Lake software). The amplifiers receive signal via CobraNet or Dante and contain DSP resources to handle all of the loudspeaker conditioning.

Unfortunately, some of the electrical requirements necessitated a shift in the original design that then compromised the coverage of the Danley GH-60 Genesis Horns. “It turned out that even with the Shaded Amplitude design, the SPL was too hot on the top,” said Dean Churpita, who led the installation for Ronco Specialized. “Danley worked with us and twice sent technicians to physically modify the boxes to give us the coverage we needed. The sound quality itself is exceptional. I barely had to equalize the Danley boxes at all!” Al Colucci, account manager at Ronco Specialized, added, “Danley really came through for us. They’ve been tremendously responsive and are obviously invested in making this installation right for us and for the client.”

With the Danley-led modifications now in effect, the coverage is smooth, and the sound quality at Ralph Wilson Stadium has leapfrogged its NFL peers to become one of the best. “We’re very happy with the new system and with Danley’s commitment to making it perfect,” said Asposto. “It’s not an easy trick to deliver consistent audio to all 75,000 seats in an open stadium in Buffalo’s climate. We’re similar to Lambeau Field, except that Lambeau has the benefit of an uninterrupted ring of stands. In contrast, we have a lot of ‘holes’ for the wind to play with. Despite that, Danley’s coverage is keeping direct sound on the seats and minimizing the sort of extraneous echoes that we used to contend with.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

WEATHERPROOF DANLEY OS-80 LOUDSPEAKERS COVER ONTARIO HOCKEY ARENA

ONTARIO, CANADA – DECEMBER 2013: The J.D. McArthur Arena seats 3,500 for ice hockey games and 3,000 for lacrosse games and resides within the Harry Lumley Bayshore Community Centre in Owen Sound, Ontario, Canada. The Owen Sound Attack of the Ontario Hockey League and the Owen Sound Woodsmen of the Ontario Lacrosse Association both call it home. Although thoroughly modern in most respects (including private boxes and a restaurant), the arena suffered from a sound reinforcement system with poor intelligibility and impact. A recent renovation, led by Straight Street Event Services of Cambridge, Ontario, took the sound system from terrible to fantastic with the replacement of the existing loudspeakers to the fully-weatherized Danley Sound Labs OS80s.

“The owners of the hockey team wanted a better experience for their ticket holders,” explained Keith Broughton, an independent contractor who led the design and installation on behalf of Straight Street. “The existing system did not provide clear announcements, and the quality and SPL of music playback did not cover all seating areas sufficiently. Many people complained that they couldn’t understand the announcer, and, this being a fairly small town, those complaints reached the right ears… many times!” Keith Kissner, the owner of Straight Street Event Services, who has a trusted relationship with the owners, hired Broughton to help evaluate the owners’ requirements, evaluate the existing system, recommend a solution, oversee its implementation, and test and tune the system after installation. In addition, he added, “and I would take the heat if the new system didn’t live up to expectations!”

Kissner and Broughton have been using a Danley TH-115 subwoofer in a rental application and were impressed by its performance. Based on that experience, together with the realization that it was precisely the “conventional” aspects of conventional loudspeakers that had so failed the McArthur Arena, Broughton scheduled a two-day trip to visit Danley headquarters in Georgia. “The folks at the ‘lab’ treated me very well,” he said. “They made me feel welcomed and answered all of my questions. They’re clearly interested in building relationships with the people who use their products. Southern hospitality is alive and well!”

Broughton’s requirements for the new loudspeakers were exceptional vocal clarity, high directivity, good visual appeal, and even coverage across the spectrum. A lightweight, easy-to-rig design was also important, as was a weather-resistant enclosure since the arena becomes very humid during the transition from lacrosse to hockey. “I originally spoke with Ivan Beaver, Danley’s chief engineer, about the Danley SM-80, which met my requirements,” said Broughton. “He turned me on to the new Danley OS-80, which has the SM-80’s characteristics plus a truly weatherproof enclosure and less overall weight. My visit to Danley headquarters gave me a chance to listen to the product and to talk with Ivan about its technical points. I left confident that the OS-80 was the right product.”

The new system covers the seating area only and was “piggy-backed” onto the existing control system. The Straight Street installation team removed the old loudspeakers and amplifiers and left the rest of the house system as it was. Broughton added a new Xilica processor, which conditions the system and feeds three Crest Pro9200 amplifiers. The amplifiers power five sets of four Danley OS-80s each (twenty OS-80s total), and the remaining channel powers a new Danley TH-118 subwoofer mounted over center-ice. Broughton and the Straight Street crew mounted the OS-80s directly on the roof trussing with the included yokes using beam clamps. “Director of Danley University, Doug Jones was also very generous with his time, and walked me through the use of the speaker prediction software,” he said. “That further convinced me that the OS-80 was the right tool for the job. Its 80-degree pattern is perfect for covering the front to rear seats and proved to be just as the Danley speaker prediction software had indicated.”

He continued, “The J.D. McArthur Arena may not be a big ticket install compared to what Danley usually does, but to this client, this is THE big ticket item. As you can imagine, my reputation, the reputation of this sound company, and the satisfaction of the client were riding on this products ability to deliver. The OS-80 and the support from Danley both exceeded my expectations. Danley included high-grade wire with the weather resistant coupler, they pre-lubricated the hardware, and they coated the grill with weather resistant film. Those details were not lost on me or the installation team! Both the arena technical staff and the hockey team’s director of marketing met the initial audio demonstration with a big ‘WOW, we have never heard sound like that in here!’ In fact, the members of the arena tech crew were so impressed that they want to add more Danley OS-80s to cover the ice area.” We are very happy with the OS80 and hope to use more Danley Sound Lab products in the future.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

Symetrix Announces Rep Award Winners: The Farm • CS&A • Native Media

SEATTLE, WASHINGTON – DECEMBER 2013: Closing another record year, Symetrix, DSP solution specialists, announces its annual U.S. regional sales representative award winners. Based in Roseville, California and having represented Symetrix for 25 years, The Farm AV earned Rep of the Year, while on the opposite coast venerable Cardone, Solomon, & Associates (CSA) earned Highest Sales Growth. The recently launched, Texas-based Native Media successfully leveraged owner Michael Austin’s decades of industry experience to earn the Symetrix Outstanding Sales Achievement Award.

“All of our representatives have done very well for us and our new products this year, and we thank each of them for their hard work on behalf of Symetrix,” said Dane Butcher, Symetrix Chairman. “The Farm, CS&A, and Native Media stood out in a very crowded field and earned this special recognition. With the introduction of Radius AEC to round out our advanced SymNet Edge and Radius 12×8 open architecture Dante scalable DSP solutions, we enjoyed significant growth this past year and look forward to continued growth in 2014. We couldn’t do it without our nationwide group of experienced independent sales reps.”

“Symetrix has created a real cultural connection with the customer. And by the ‘customer’ I mean the integrator,” explained John Hood, principal of The Farm. “Our firm’s loyalty to Symetrix begins with [Symetrix founder] Dane Butcher and his ongoing commitment to keeping Symetrix at the leading edge of the industry. Symetrix has been our rock. The management at Symetrix understands the independent rep model, and it shows in Symetrix’ continuing success.”

“All of us at Cardone, Solomon, & Associates are proud to be recognized by Symetrix for our achievement,” said John Cardone, co-owner of the firm. “We have been very happy with the way Symetrix has been bringing new products to market. They understand and listen to our customer’s needs, and that is what ultimately drives sales.” Michael Austin agreed, adding: “‘Flattered’ would be the only word to describe the feelings here at Native Media, LLC on winning the Symetrix Outstanding Sales Achievement award! Symetrix has evolved over the years into one of the leaders in the DSP world by producing the most complete line of forward-thinking products available. Native Media strives to be a ‘new style’ rep firm; one that works to provide the best in support and service. Symetrix really steps up and gives us the tools to meet those goals.”

Concluded Craig Richardson, Symetrix VP of Global Sales, “Our independent reps are an integral part of the Symetrix success story and I’m very pleased to recognize these three groups for their outstanding sales achievements.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

(pictured above) John Hood, principal of The Farm – recipient of Symetrix’ Rep of the Year Award.

PreSonus Ships Innovative StudioLive AI-series Active Integration PA Loudspeakers

Baton Rouge, Louisiana – January 2014…  PreSonus is shipping its new StudioLive™ AI-series Active Integration Loudspeakers, the first active loudspeakers that deliver studio-monitor accuracy onstage. The new line includes the full-range StudioLive 312AI, 315AI, and 328AI and the StudioLive 18sAIsubwoofer. All models are available immediately.

A key component of the StudioLive AI’s design is its use of Active Integration technology. Active Integration combines wireless and wired networking and communications with powerful DSP to create a unified working environment.

StudioLive AI-series speakers incorporate Fulcrum Acoustics’ TQ™ Temporal Equalization algorithms. Taking advantage of Active Integration’s ample DSP, TQ employs multiple, fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies in coaxial systems. Collaborating with Fulcrum Acoustics’ co-founder, Dave Gunness, PreSonus software designers incorporated custom TQ algorithms with dynamics processing, FFT tools, and performance monitoring into the onboard DSP. The result is a PA system with remarkably clear, coherent, studio-quality sound.

Each full-range, powered, 3-way loudspeaker relies on a custom-designed, CoActual™ 8-inch coaxial speaker with a 1.75-inch titanium compression driver to reproduce the mid and high frequencies. Triamplified, Class D power amplifiers in each model deliver a combined 2,000 watts of power.

The StudioLive 312AI comes equipped with a 12-inch ferrite speaker to handle low-frequency reproduction, while the 315AI employs a 15-inch woofer, and the StudioLive 328AI features dual 8-inch ferrite speakers, enabling it to deliver high-powered performance in a noticeably streamlined and compact enclosure.

Each full-range system has a combo XLR/TRS line input and an XLR microphone input with an XMAX™ Class A mic preamplifier and 12V phantom power, as well as an XLR audio throughput. The full-range speaker systems are pole-mountable and have ergonomic side handles, interlocking stacking, and M10 fly points. All enclosures are of lightweight plywood construction.

Three operation modes allow the user to choose DSP presets for their application, such as MP3 playback, live performance, or stage monitoring. Users can also create a custom preset using SL Room Control and store it onboard for use later.

In addition to the full-range, 3-way systems, PreSonus is offering the StudioLive 18sAI, a powered, 18-inch, ferrite subwoofer designed to complement the full-range StudioLive AI speakers while still being flexible enough to work with other powered loudspeakers. A 1,000W amplifier powers the subwoofer. The StudioLive 18sAI offers stereo line inputs (XLR/¼-inch combo) and full-range stereo line outputs (XLR) with a switchable, low-cut crossover.

All StudioLive AI-series loudspeakers include an Ethernet port and a USB port with a Wi-Fi module to connect to SL Room Control software over a wireless network. Expected to be available in Spring 2014, SL Room Control is a speaker-management application for Mac OS X®, Windows®, and iPad that provides both individual and grouped speaker control and includes a 31-band graphic EQ and an 8-band parametric EQ, muting, soloing, and level control, in addition to performance monitoring (over temperature, click detection, and excursions). A network-setup wizard will be included.

Custom accessories for the AI-series speakers include a mountable Sub Dolly to make hauling the 18sAI subwoofer easy and a pull-tested Sub Pole to mount a full-range system atop the 18sAI. An M10 Kit, which contains four M10 eyebolts, lets you fly any full-range model in a permanent installation. Protective covers for the 312AI, 328AI, 315AI, and 18sAI are also available.

U.S. MAP/street prices are expected to be $1,399.95 for the StudioLive 312AI, $1,499.95 for the StudioLive 328AI, $1,599.95 for the StudioLive 315AI, and $1,299.95 for the StudioLive 18sAI subwoofer. All models are available immediately. For more information visit www.presonus.com/products/live-sound-reinforcement

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About PreSonus

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

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