A virtual press conference from Sound & Video Contractor

Archive of the NSCA Newslink Category

SCOTT PETITO PRODUCTIONS ADDS A 1608 CONSOLE “THE BEST PIECE OF GEAR FROM API”

WOODSTOCK, NEW YORK – JULY 2014: Musician, audio engineer, and studio owner Scott Petito has roots in the jazz and acoustic genres that go back to the early 1980s. His studio, Scott Petito Productions, has worked with major acts including James Taylor, Keith Richards, Pete Seeger, Bela Fleck, and Brian Setzer. In an effort to return to his roots in analog recording, Scott consulted Alto Music in Middletown, New York, who directed him toward an API 1608.

“It’s the best piece of gear I have ever used from API,” said Scott. “I have mixed on the Vision and Legacy consoles, as well as several vintage consoles. This has that same sound, but in a compact, simple and reasonable affordable design. It’s new, reliable, and has a great warranty.” The console has 24 channel inputs and 32 slots, providing over 48 reruns from Pro Tools. “It quickly became clear that it’s the only choice for uncompromising analog sound, and a familiar character and layout.”

With a degree from Berklee College of Music and countless hours in the studio, the sound generated by the 1608 is held to a high standard by Scott. “I already can feel and hear the added depth and dimensionality. It makes it easier to get what I want, I use fewer plug-ins, and being a smaller footprint the short signal path is always pristine and clear. It also has great headroom.”

Also among his favorite features and functions, Scott appreciates the Channel Strip and lunchbox implementation. “It lets me keep a lot of flavors on hand. The routing is wonderful. We have everything coming up on the patchbay.”

Scott and his crew wasted no time in getting to know the capabilities of the 1608. “The first session even before everything was wired to the patchbay or furniture was installed, we recorded a new album with Tony Levin, the bassist for Peter Gabriel and King Crimson among others. It’s turning out great! We are now mixing it.”

Next, the new 1608 will be used to mix the new album from Mercury Rev, whose fourth studio album Deserters Song was voted as one of the top twenty most influential albums of the last twenty years by Mojo Magazine. Scott will also use the new console to mix a new album of his own.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Reach Communications Adds NEXO STM Line Array To Arsenal

BUENA PARK, Calif.—Reach Communications of Minneapolis, MN has added a new NEXO STM line array to its already impressive stable of NEXO boxes. “We researched NEXO, L’Acoustics, d&b and others for boxes having a high 145+db peak output per box, to use as a large format line array for our bigger shows, states Dan Brown, Event Services Manager, at Reach. Having had a long history with NEXO and owning 130+ boxes in house before this purchase, we felt with our current inventory and amazing support from NEXO, this was the obvious option.” With the addition of the STM, Reach now owns 192 NEXO boxes, and 34 NXAmp 4×4 and 4 NXAmp 4×1 amplifiers.

So far, the NEXO STM rig has been used on Unite – NDOP 2014 and the KTIS Joyful Noise Family Festival 2014. NDOP included Hillsong United and a local Unite house band. KTIS Joyful Noise acts included Lincoln Brewster, Mercy Me, Tenth Ave North, Steven Curtis Chapman, Audio Adrenaline, Mandisa, and Hawk Nelson.

“The output and sound quality is incredible and very accurate, says Brown. We have had engineers comment that the STM rig has headroom for days and I barely had to do anything to the EQ! We wanted a system that would give engineers a clean canvas to mix on and headroom to handle the largest venues, and STM provides that.”

For NDOP 2014, the NEXO layout consisted of 12 STM M46 boxes and 12 B112 bass per side, 8 GEO S12s per side for outfill and 9 GEO S12s per side for rear fill. 8 STM S118 subs were used left and right with 8 RS18 spread across the center, and 8 PS10-R2s provided front fill. For Joyful Noise, the NEXO layout consisted of 12 STM M46 boxes and B112 bass per side, 12 GEO S12s HL used for outfill, 5 GEO S12s HR for outfill, 16 GEO S12 used for delays – 8 left and 8 right, 16 NEXO STM S118 subs – 8 per side in Cardioid configuration, 18 RS18 ray subs spread across the center in stacks of 3, and 8 PS10-R2 for front fill. The monitor rig for Joyful Noise included 10 PS15-R2 wedges, 2 PS15-R2 and 2 RS18s for side fills, and 2 RS15 used for drum subs. 14 NEXO NUAR racks powered the system.

“Reach Communications rig was my first experience with the NEXO STM, and it was incredible! states Lee Fields, front of house engineer for Lincoln Brewster. The horsepower of this PA is remarkable. From the second I started mixing until the last note, I was blown away by the punch of the LF and smoothness of the HF. This is Seriously the muscle-car of PA’s.”

For Unite NDOP, Reach provided two Yamaha CL5 digital audio consoles, one at front of house and one for monitors and a PM5D-RH for the house band monitors. A Yamaha CL5 was used at FOH and PM5D-RH at monitors for Joyful Noise. Reach also used the new Yamaha QL1 digital audio console for playback and announcements.

Additional audio gear supplied by Reach included Sennheiser 2000 IEM, Shure UHF-R, Shure, Sennheiser, Beyer, AT mics and Radial, Countryman DI’s. Lighting included Vari-Lite VL3000 spot, VL3500 spot, Martin MAC Aura, MAC 101 – Atomic 3000, ChromaQ colorforce 48, Chauvet 230SR Beam, GrandMA2 light. Video consisted of Hitachi HD1000 camera, Ross Carbonite 2ME switcher, Ross Router, AJA KiPro recorders.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the NEXO STM line array, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Corporate A/V Company Adds Yamaha QL1 For Fortune 100 Clients

BUENA PARK, Calif.—Sardis Media of Grayslake, Illinois recently took delivery of a new Yamaha QL1 Series Digital Audio Console for use on their corporate A/V projects. For over 30 years, Sardis Media has produced videos, meetings, and special events for Fortune 100 corporations, non-profits, and A-list associations. Clients include Advisors Excel, Motorola Solutions, Baxter, MorphoTrak, RustOleum, & RZIM. The company purchased its QL1 from Reach Communications of Brooklyn Park, Minnesota.

Sardis, who also owns a Yamaha M7CL Digital Audio Console, will use the new QL1 on the road as the primary audio console for smaller corporate events that require large event features. “We needed a console that had a lot of power and features but in a much smaller footprint for front of house for our production truck, says company spokesperson Nate Aguilar. Clients are always happy when we save space at FOH so they can fit more attendees in the room. As operators, we love that we don’t have to sacrifice quality when going to a small console like the QL1.”

Aguilar said that being in the corporate events business they are always dealing with more than a few Lavaliere microphones open at one time on stage, and the built-in Dugan auto mixer feature of the QL1 helps manage levels tremendously.

“We knew we wanted a touch screen for quick adjustments and graphic feedback on changes being made, says Aguilar. Most of us on staff at Sardis have a background in graphics or video, so being able to actually see what the console is outputting is important. Also, the built-in Dante network gives us the flexibility to add channels and outputs when needed in small increments, and having the ability to record every input separately is vital.”

Since Sardis already owns an M7CL and loves the operation, Aguilar notes, “it was a no brainer to add the Yamaha QL1 with its minimal learning curve to our inventory.”

For more information on Sardis Media, visit www.sardismedia.com.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the new Yamaha QL Series Digital Audio Consoles,
visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

PLATINUM MIX ENGINEER ERIC RACY DEPENDS ON METRIC HALO PLUG-INS IN THE STUDIO AND ON THE ROAD WITH KATY PERRY

SAFETY HARBOR, FLORIDA: Eric Racy made his entrance into the world of high-profile mixing and producing via the underground world of dance music, a pivot that allowed him to leverage skills and perspective honed by the diverse tones and influences of EDM. He has gone on to mix Robin Thicke, Lil’ Wayne, Pharrell, and Busta Rhymes, along with dozens of other big name artists, and a host of indie and underground artists that deserve to have “big” names. His intuitive, yet technically precise mixing on Tyga’s “Faded” helped propel it to Platinum status, and his affable nature and unfailing ability to work magic with all things audio earned him mission-critical playback positions on tours with 2NE1 and, most recently, Katy Perry. He’s also half of boutique analog signal processing manufacturer Black Box Analog Design and thus aware of tone on a level transcending that of most mix engineers. Racy’s faithful reliance on Metric Halo’s ChannelStrip plug-in, which has been present on most channels on every (yes, every) song he has mixed since discovering it four years ago, speaks to ChannelStrip’s unique musicality and usability.

“ChannelStrip is incredible,” Racy stated flatly. “I’ve used it on every single mix since I discovered it. Although I go out of the box for EQ sweetening on a few critical channels, everything else that needs equalization gets Metric Halo’s ChannelStrip. In fact, those critical channels often get ChannelStrip, too.” Racy has an established methodology in which ChannelStrip plays a key role. When he first opens up a new mix, he combs through each channel, carefully listening for unpleasant resonances and low or high frequency content that can be filtered out. He uses ChannelStrip to then notch out the resonances and filter the unnecessary extremes.

“I’ve tried this with a million plug-ins and outboard EQs,” he said, “but nothing is as effective as Metric Halo ChannelStrip. It doesn’t mangle the audio around the notch or filter, and it doesn’t make it sound like there’s a hole in the frequency range. It gets rid of the annoying frequencies and content, and it does it transparently.” For vocals, Racy often automates the notch frequency to keep the resonance from peeking out when the vocalist changes his or her mouth shape. “The results are well worth the effort,” he said. “Nothing else I’ve found can compare with this technique.”

Similarly, Racy claims to obtain results with the keyed gate on ChannelStrip that he cannot get with any other plug-in or hardware. “I love that I can adjust the key on the gate and that those adjustments are so effective,” he said. “I’ve been working on a forthcoming Killbot album, which involves members of Korn, Sluggo, and Tyler Blue making some aggressive rock meets dubstep. As with any live recording, there’s tons of bleed on the live drums (especially the snare and toms), and – as almost always happens with drum kits – any drum or cymbal can accidently trigger any other drum’s gate. It’s a mess that often required hand-editing in the past; no other gate could get it right. But with Metric Halo ChannelStrip, I can effectively key each drum’s gate so that it only opens for its intended target. I know that other gates have that same functionality, but none of them work nearly as well as ChannelStrip.”

Racy has all of the software and hardware tools he could want in his LA-based studio, but he knew he wouldn’t have access to that gear if he took the job building the audio tracks and doing Pro Tools playback on the Katy Perry “Prismatic World Tour.” “I’m a mix engineer first and foremost, and I certainly didn’t want to give that up on the road,” he said. “Metric Halo plug-ins formed one of the essential components of my mobile rig; ChannelStrip of course, but also Metric Halo’s Character plug-in. Given everything they can do, the Metric Halo plug-ins are very efficient and wouldn’t drain DSP resources on my native rig.”

He continued, “The Character plug-in is great. It models different kinds of analog signal paths, and just like real high-end studio hardware, the effect is critical, but also subtle. Placing different Character settings on a few different channels really adds up to something. It was especially useful to have on the road when I didn’t have access to my outboard gear, but I’ve continued to find plenty of uses for it now that I’m back in my studio.” Racy looks forward to dipping into the rest of Metric Halo’s Production Bundle of plug-ins as time in his busy schedule permits.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

SWEDEN’S UNIVERSITY OF ÖREBRO INSTALLS AN API 1608

ÖREBRO, SWEDEN: With 17,000 students, the University of Örebro is one of the fastest growing universities in Sweden. Its school of music, theatre and art provides the growing student body with an array of course subjects, including recording music technology. In its quest to prepare students for moving on to a modern recording studio, the university has commissioned an API 1608 console.

Situated in the heart of Sweden, the university’s proximity to Stockholm, Gothenburg and Oslo offer students a wide range of cities to seek employment after graduation. It is a young, modern and rapidly growing university with an ambitious agenda for the future. The university also offers courses in English and a foreign exchange program, attracting students from across the globe.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

FIREHOUSE 12 UPGRADES TO AN API LEGACY PLUS CONSOLE

NEW HAVEN, CONNECTICUT: Firehouse 12, a recording studio, live music venue, and record label, located in New Haven, Connecticut, recently commissioned a 32-channel Legacy Plus console. The 24-bus, 12 aux, dual-input console replaces the API Legacy that had previously been installed.

In April, a team of API engineers and service technicians accompanied the console to Connecticut, and the team remained on hand for several days to ensure a smooth transition as the console was integrated into the newly-renovated control room.

“Prior to the Legacy Plus, I had an API Legacy installed at Firehouse 12,” shares studio owner Nick Lloyd, who has a Master’s Degree in Music Theory from neighboring Yale University. “I fell in love with the sound of that console, but realized that the flow and layout of the control room would benefit from a smaller footprint board. The 32-input Legacy Plus provides that smaller size, along with significant workflow enhancements over the Legacy.”

Located in the Ninth Square District of New Haven, Firehouse 12 is an integral part of the southern New England music scene. Nick and his crew record music in a variety of styles, but tend to work on improvised music and jazz. The commissioning of the new console is part of a larger renovation and upgrade to accommodate longer-term residential bookings at Firehouse 12. The acoustics in the main recording space remain pristine, and can accommodate anything from a rock band to the most delicate acoustic music. Equipped with its own bar, the venue also hosts live shows with up to seventy-five audience members.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO PROCESSING AND USER CONTROL STREAMLINES NEW MICHIGAN FUNERAL HOME

HOMER, MICHIGAN: Long established in Michigan, the Craig K. Kempf Funeral Home recently expanded to Homer, Michigan, where it purchased a small funeral home. Kempf immediately brought in contractors to revitalize the existing structure, which itself had originally been a residential house, and ordered an expansion to provide a modestly larger chapel than the existing 30’ x 15’ room. Local A/V firm Crookston Audio designed and installed a new sound reinforcement system for the new chapel and for the remodeled rooms. Based on its simplicity of installation, competitive pricing, and intuitive user interfaces, company president John Crookston specified an Ashly Pema 4125.70 integrated processor & four-channel amplifier together with Ashly RD-8C and WR-2 user controls.

“They originally asked for two zones, one for the new chapel and one for the existing chapel, the lobby, and the fellowship hall combined,” explained Crookston. “They wanted the ability to reinforce a small keyboard, a soloist, audio from DVD or CD, plus, of course, the spoken word from the person officiating the funeral or delivering a eulogy. Those inputs would be reinforced within the new chapel, and they would also be sent to the old chapel and the fellowship hall, which could serve as cry rooms or overflow. We explained that using four zones, one for each room, would give them greater flexibility, with the promise that using the system would be so intuitive that staff would be able to confidently negotiate source selection and volume control with little or no training.”

A two-rack space, four-channel Ashly Pema 4125.70 resides at the heart of the system and delivers 125 watts to each of the four 70-volt systems. The new chapel, which is still a modest 25’ x 35’, has four mic-level inputs, enough for soloists, vocalists, and spoken word. The audio system also takes input from the room’s CD and video sources. A single Community V2-28 two-way loudspeaker provides coverage in the new chapel, whereas Community D5 ceiling speakers provide coverage in the old chapel, the lobby, and the fellowship hall.

User control consists of two complementary controls. First, an Ashly RD-8C remote desktop fader bank allows anyone to sit within the new chapel and mix the input sources in real time. A single cable ties the RD-8C to the Pema 4125.70, which allows the operator to sit anywhere in the new chapel and discretely mix. Second, an Ashly WR-2 resides near the equipment rack and allows staff to send audio from the new chapel to any (or none) of the other rooms.

“As a contractor, I not only have to deliver a great final product, I also have to make money doing it,” Crookston laughed. “Ashly is a great help with that! Ashly equipment is totally reliable. We’ve been using it for years and never had a problem. Moreover, Ashly’s Protea™ signal processing software is common to the entire Ashly line. So my staff can learn Protea, which is quite intuitive, and then install any Ashly product in any size system. There’s no learning curve. As a result, all of our installations are predictable and as easy as they can be, which is the way I like it.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

EDEN HIGH SCHOOL PUMPS UP HOME GAMES WITH ASHLY GEAR

EDEN, NEW YORK – JUNE 2014: Eden High School graduated its first class in 1899, when the small town of Eden was not a suburb of Buffalo, New York, eighteen miles to the north. Since then, the high school has been consistently recognized for its academic achievement and for the tenacity of the Eden Raiders sports teams. Indeed, the girls’ volleyball team is vying for its fifth straight state championship! In addition to volleyball, the school’s 1,300+ seat gymnasium hosts home basketball games and wrestling tournaments, but until recently, its sound reinforcement system was underpowered and frequently unintelligible. Harvey Electric and Sound of nearby Hamburg, New York designed and installed an abundantly powered and highly-intelligible sound reinforcement system using an Ashly nX-Series amplifier and a ne-Series processor.

“The previous system wasn’t particularly old, it just didn’t meet the needs of the space,” explained Greg Harvey, owner of Harvey Electric and Sound. “The Eden All Sports Boosters raised the funds for a replacement because it was so obvious to everyone that a vast improvement was needed. The system couldn’t overcome a cheering crowd, and even when everyone was quiet, it was still difficult to understand what was being said.”

The inputs to the system are simple and a mere update from the previous system: a new Shure wireless microphone, a new Shure announcer microphone, and an auxiliary input. It’s what happens after that point that makes all the difference. The inputs feed an Ashly ne4400 4-in x 4-out Protea™ DSP System Processor. “The old system was a simple mixer-amp, and the Ashly ne4400 is a vast improvement,” said Harvey. “It gave us the ability to shape the sound with compression, limiting, equalization, and filtering. We also gave them feedback suppression modules on the microphone inputs.”

Outputs from the ne4400 feed a four-channel Ashly nX 1.54 amplifier, which packs four channels of 1500W output into just two rack spaces. “This is our first experience with Ashly’s nX-Series amplifiers, and we chose the nX 1.54 for its tremendous output capacity,” said Harvey. “It sounds great and delivers as promised.” Right now, only two of the amplifier channels are in use. They power two EAW VFR159i loudspeakers, which will be doubled for the other side of the room once the funds become available. The remaining two channels on the Ashly nX 1.54 will power them.

An Ashly WR-5 wall-mounted remote control gives users simple control over input gains and overall volume. Once the system expands to four cabinets, Harvey will reprogram the WR-5 to allow preset selection for different types of events as well. “We went with Ashly for a couple of reasons,” he said. “Ashly’s rep firm in the area, Eaton Sales, does a great job. We’ve worked with them for twenty years. Ashly’s pricing is very competitive, but they don’t make a cheap product. The processors and amplifiers sound great and are very functional and rugged. This is the second installation of Ashly Audio products at Eden High School and we are confident that they will have great sound systems for a long, long time.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

PreSonus Delivers No-Hassle Dante Networking for StudioLive AI Loudspeakers

 Baton Rouge, Louisiana, June 2014… With the new SL-Dante-SPK upgrade option,StudioLive™ AI-series Active Integration™ loudspeakers become the first Dante-enabled active loudspeakers on the market. The SL-Dante-SPK card houses one Ethercon connection for Dante™ audio networking and remote control via the free SL Room Control application for StudioLive AI-series loudspeakers.

Dante-enabled StudioLive AI-series 3-way active loudspeakers allow users to create a complete, networked audio system with any Dante-enabled mixer using a standard 1 GB Ethernet switch and Audinate’s Dante digital-media networking technology, which offers no-hassle, self-configuring, true plug-and-play digital audio networking.

Users can also connect non-Dante mixers, such as a first-generation StudioLive, to the analog inputs of a Dante-equipped AI loudspeaker and then broadcast the signal over the Dante network using CAT5 cables. This makes Dante-enabled StudioLive AI an ideal solution for large FOH systems.

The Dante upgrade works with StudioLive 312AI, 315AI, and 328AI loudspeakers and the StudioLive 18sAI subwoofer. It will be available from PreSonus dealers in August 2014 with an expected MAP/street price of $199.

For more information about Audinate and Dante, please visit www.audinate.com. For more about PreSonus StudioLive AI Active Integration loudspeakers, visit www.presonus.com/products/live-sound-reinforcement.

###

About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

 

Symetrix Radius 12×8 Dante™ Network DSPs Help Revitalize St. Peter Catholic Church

OMAHA, NEBRASKA – JUNE 2014: The Diocese of Omaha erected St. Peter Catholic Church in Omaha, Nebraska in 1926, and the church enjoyed many decades at the heart of Omaha’s Catholic community. However, times changed, demographics shifted, and the church didn’t have the funds to keep up with needed maintenance. It fell into disrepair. However, a recent resurgence in attendance inspired by the leadership of Fr. Damien Cook motivated the diocese to fund a major external and internal renovation at St. Peter Catholic Church. Now complete, the renovation, designed and coordinated by Conrad Schmitt Studios of Milwaukee, Wisconsin has won awards and features a new sound reinforcement system anchored by a Symetrix Radius 12×8 Dante network audio DSP system with Symetrix ARC wall panel remote.

“It was a complete overhaul, from the roof to the floors, from the walls to the ceiling, everything is renovated and revitalized,” said Tim Burkhart, senior systems designer with Omaha-based Midwest Sound & Lighting, the firm that installed St. Peter’s new sound reinforcement system. “It’s really stunning. In the process, they knew they would radically alter the room’s acoustics. They wanted to ensure that the new sound system would give them musical impact and intelligibility.”

Milwaukee-based DSH Audio Visions designed the sound system and partnered with Scott Riedel Associates of Milwaukee for acoustic design. David Hosbach, DSH president and principal design consultant concurred with Burkhart, and added, “Father Cook and Music Director Zachary Turner understand that while the music portion of Mass is really important, if worshipers can’t hear the Word clearly the rest of it – the majestic music, the ornate worship space – really doesn’t matter. I take my hat off to them and the St. Peter congregation for allowing the sound design, the room acoustics and the architectural beauty to work together in harmony, so to speak.”

Two Symetrix Radius 12×8 DSPs form the heart of the system. One unit is located at the front of the room, the second unit is located at the back of the room, and they connect via the Dante network. That way, each unit is near to a collection of inputs and appropriate outputs, and because the system integrates completely via Dante, any of those inputs can be sent to any of those outputs. Redundant Dante connections provide a failsafe in case one of the networks goes down – the other network will pick up seamlessly. The Radius units provide sophisticated processing for Crown amplifiers and a Tannoy QFlex 64 steerable line array.

The Radius units are located in a wall rack at the back of the loft and at the main equipment rack in the sacristy at the front of the room. Two remote sets provide user control, with one mounted in the main rack, and the other in the loft in a custom portable box at the organ console. All told, two Symetrix ARC-K1e, five Symetrix ARC-EX4e, and three Symetrix ARC-SW4e wall panel remote control units provide comprehensive, yet intuitive, control of the system. They primarily select active inputs and allow volume adjustment and configuration preset changes. “We use a lot of Symetrix equipment, and we love the hardware, the software, and its bullet-proof reliability,” said Burkhart. “The sound quality is always top-notch, and the Symetrix open-architecture processing is capable of anything we ask of it. Considering how frequently we use Symetrix products, the failure rate is remarkably low. And if something does go wrong, Symetrix makes it right immediately.”

Hosbach commented, “I like the Symetrix SymNet DSPs for the same reasons as Tim. And I’ll add that they are really easy to program, the site files are fast and convenient to move around in and modify on the fly during setup, and the tuning filters are extremely accurate.”

Burkhart concluded, “St. Peter Catholic Church is very happy with the new sound reinforcement system. They are delighted with its sound quality and with its ease of operation.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C9416

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication