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DANLEY SOUND LABS HOSTS TRAINING SESSIONS FOR INTERNATIONAL DISTRIBUTORS

GAINESVILLE, GEORGIA – APRIL 2014: Danley Sound Labs, manufacturer of innovative loudspeaker and subwoofer solutions for high SPL applications, hosted an ongoing series of training sessions for its growing team of international distributors. Key members of Finnish distributor LF Imports came to Danley’s Gainesville, Georgia headquarters in February, followed in March by members of Singapore distributor The Soundsmith and German distributor Carsten Eichstaedt-BLL-Veranstaltungstechnik. Participants engaged in critical listening exercises across a wide range of Danley products, from the flagship SH-50 loudspeaker and BC-415 subwoofer, to the company’s latest offerings, the lobe-free columnar SBH-10 Skinny Big Horn loudspeaker and the fully-weatherized OS-80 loudspeaker. Participants also learned the finer points of Danley’s free, easy-to-use DDT 2D & 3D system modeling software.

“We are developing the international side of Danley and are actively seeking new distributors in key geographies around the world,” said Jonathan “J.P.” Parker, Danley’s director of sales. “We realize that education is critical because, although Danley gets a lot of favorable press, decisions are made on a project-by-project basis, and making decisions about audio is often subjective. After going over the technology behind Danley’s product line, these training sessions give our distributors a frame of reference for the aspects of sound that they – and their customers – should be listening for. Once they have that frame of reference, it’s much easier to explain and show through a demo why Danley offers the better solution. We hope our international distributors can take that knowledge home and effectively convey it in their own culture and language.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

(PHOTO CAPTION) (Attendees around the table, clockwise from left) Chad Edwardson – Danley; Carsten Eichstaedt – BLL-Veranstaltungstechnik; Ivan Beaver – Danley; Edwin Ng – The Soundsmith; Nicholas Loe – The Soundsmith; Choon San Ng – The Soundsmith; J.P. Parker – Danley (not pictured).

HEAVY MELODY MUSIC PRAISES THE BOX® BY API AN “ALL-IN-ONE SOLUTION FOR COMPOSERS”

NEW YORK, NEW YORK – APRIL 2014: Located in the heart of Manhattan, Heavy Melody Music composes original tracks for film and video game trailers, designs sound and music for video games and television, and functions as a post-production facility. Four friends run the studio, as well as software development company Heavyocity Media – a resource for composers and sound designers looking for production-ready musical and sound design elements. Producing for both companies requires a wide range of technical audio needs, which is why each of Heavy Melody’s composing rooms uses THE BOX®, the latest recording and mixing innovation from API.

Heavy Melody was founded in 2003 by Dave Fraser and Neil Goldberg as a new music and sound design company focusing on video game audio and music for advertising. Today, the team focuses on original music for motion picture advertising and video game trailers. “As soon as the release of THE BOX was announced, I was running around the studio showing the guys what it was. We HAD to get them,” recalls Neil. “We saw THE BOX as a solution to getting a really big sound in a small footprint, with a lot of the great features found in large format consoles.”

The studio has three albums out, and also creates custom trailer and spot work, as well as dialog casting and recording for games and TV spots. Much of the sound capturing and mixing for Heavyocity’s “DM-307” virtual instrument was done through THE BOX, as well as some custom revisions for tracks on the trailer album God Machine. “We noticed a significant difference in punch and depth, said Neil. “Running the analog synth percussion sound through THE BOX produced some amazingly heavy tones with a great, transparent top.”

The group isn’t a stranger to API, and has used the brand’s microphone pre’s for previous projects. Among the studio’s favorite feature on THE BOX is the Talkback system. “THE BOX has all of my favorite features rolled into one with the API sound,” said Neil. “I was excited that it had four mic/line input channels with the 500 Series EQ, a stereo bus compressor, and a sixteen-input summing mixer with sends/inserts and the headroom and character of API.”

“It has a great bottom end,” shares partner, composer, and sound designer Ari Winters. “The sound that comes out is punchy, yet transparent. With sixteen channels, you get a ton of headroom, that comes together nicely with the on-board compressor.”

While compact in size compared to a larger format studio console, THE BOX is capable of seeing projects through from start to finish, which is something Ari appreciates. “It’s an all-in-one solution for us as composers. It allows us to have multiple computers linked together, spitting out a ton of stems at very high output levels. Also, we now have the ability to monitor and record live microphones without ‘in the box’ latency.”

Co-Founder Dave Fraser sums it up easily, “What can we say, THE BOX is a beast.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: The crew at Heavy Melody from left to right: Ari Winters, George Valavanis, Neil Goldberg, and Dave Fraser. IMAGE 2: Co-Founder/Composer/Sound Designer Dave Fraser’s room.

Martin Audio AQs Excel At Amble Links Holiday Park


Country and leisure park operators Park Leisure recently undertook a major upgrade of its Amble Links ‘owners-only’ holiday park on the Northumberland, England coast.

Preferred AV integrators Promotiontime NE carried out the technology design and outfitting of its main entertainment areas, The Links Owners Only Bar & Entertainment Lounge and refurbished Old Storehouse restaurant/bar, exclusively using a Martin Audio AQ solution for all of its requirements.

Brian Graham, who took over Promotiontime NE ten years ago, has been a frequent user of Martin Audio systems over the years, particularly the Blackline series, but the compact AQ architectural range has opened up a number of new opportunities for him.

“Martin Audio is generally our ‘go to’ brand for most requirements above a basic bar, and I would probably have specified Blackline again for the entertainment room. But when we heard the AQ series, we knew this would be equal to the demands of the room.”

The stage system needed to reinforce small acts, as well as a resident DJ and karaoke, but also needed to be used for larger performances when required.

After sampling the AQ series Graham specified a pair of AQ28’s, with dual 8in drivers, one each side of the stage, as the main front-facing PA with an AQ10 on each wing providing outfills. Recessed into the stage on each side is an AQ215 (2×15) bass enclosure with a 42-way patch so that incoming productions carrying their own mixing console can plug straight in and override the house desk.

The Old Storehouse is divided into two areas; a restaurant and bar, with background music fed to eight AQ6 in the main restaurant and a pair of AQ5s in the overspill/annex area, while the dedicated bar area is served by an additional combination of AQ8, AQ6 and pair of AQ112 (1×12) subs.

The music extends to the outside patio area where Brian Graham has specified four Martin Audio C115 surface-mount weather-resistant speakers.

The entire system is powered by Martin Audio MA5.2K, MA4.8Q and MA2.8Q amplifiers and fed by a 16×16 audio routing matrix, which allows any sound source to be switched to any zone via the Martin Audio Engineer 818 DSP. Limiting and EQ settings are also stored in the Engineer, with inputs recalled and switched between the different operating modes via the Control4 audio and lighting environmental control platform (linked to Mode dimming packs for the lighting).

The installation needed to offer ease of use and the site is configured so that all audio and vision can be switched and controlled from two touch screens, one located in the main bar and the other in the performance area, to allow intuitive use throughout the complex.

In summary, Brian Graham confirmed, “In addition to raising the performance level, we had to make the installation look sleek which the AQ certainly does. And with only around 10 ft. ceiling height in the entertainment room, we are able to run the AQ28s in landscape orientation, flush against the ceiling. It was the perfect solution.

“Everything works seamlessly; the client is absolutely delighted, the feedback has been great and we have had nothing but positive comments.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

TC Takes QL On Demonstration Road Show

BUENA PARK, Caiif.—Yamaha Commercial Audio Systems, Inc. announces the first mid-west demonstrations of the new Yamaha QL Series Digital Consoles hosted by TC Furlong Inc. Events are free. The dates and locations are as follows:

Wednesday, 4/16, 4:30 pm – 7:00 pm
TC Furlong Inc. in Lake Forest, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-after-hours-tc-furlong-inc-tickets-11201286349?aff=yamaha

Tuesday, 4/22, 9:00 am -1:00 pm (with Yamaha district manager, Mike Eiseman)
Regus Offices in Rosemont, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-rosemont-il-tickets-11203922233?aff=yamaha

Tuesday, 4/22, 4:00 pm -7:30 pm (with Yamaha district manager, Mike Eiseman)
The Moody Church in Chicago, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-chicago-il-tickets-11204000467?aff=yamaha

The new Yamaha QL Series inherits CL console features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

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Yamaha NUAGE Version 1.5 Announced Today

LAS VEGAS—In response to an overwhelmingly positive reaction, Yamaha Commercial Audio Systems, Inc. has announced Version 1.5 software of the NUAGE Advanced Production System. Available in May via free download, the new version will allow remote control of R Series audio interface head amplifiers from NUAGE Fader/Master control surfaces. In addition to providing a broader selection of I/O options for NUAGE systems, the software also allows Yamaha CL Series Digital Mixing Console inputs to be shared via a Dante network for significant system expansion capability.

Although NUAGE already allows switching between up to three different DAWs, with V1.5 the “NUAGE PT Bridge” driver for Avid Pro Tools control gains OSX 10.9 compatibility so that Pro Tools running on Mac platforms is fully supported. Also, adding Quick Control to the NUAGE Master unit, specified parameters can be assigned to the multi-function display so the user has even greater customization control. The NUAGE Master unit now has the ability to instantly access a vast range of VST instruments from the display and knobs for more efficient, effective sound crafting. The multi-function knobs will also provide as much as 512 times finer control than has been available in the Fine Mode.

“All of the powerful refinements in NUAGE V1.5 add up to enhanced efficiency and improved workflow for end users,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “With ongoing feedback from the field, NUAGE will continue to evolve as the new standard for DAW system performance.”

Launched in 2012, the flexible NUAGE system features tight DAW software integration, groundbreaking operability, modular architecture, and Dante networking capability. NUAGE systems are currently being installed in audio post-production and recording facilities around the world.

For more information on NUAGE V1.5, visit Yamaha Commercial Audio Systems, Inc. at NAB 2014, booth #C2143 or on the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LEGENDARY L.A. STUDIO THE VILLAGE ADDS ATC SCM25A ACTIVE 3-WAY MONITORS TO ITS ARSENAL

LOS ANGELES, CALIFORNIA: As The Village approaches its fiftieth year of making compelling soundtracks and hit records, its technology and the artists who make it their creative home continue to evolve. Early sessions with the Rolling Stones, Steely Dan, Pink Floyd and Bob Dylan still echo as contemporary hit-makers, such as Lady Gaga, Coldplay, Taylor Swift, and John Mayer, track, mix, and master tomorrow’s classics and inspired The Village to add a pair of ATC SCM25A Compact
3-Way Monitors to its arsenal.

“ATC monitors were a common request from our clients,” said Tina Morris, studio manager at The Village. “ATC has a ruthlessly transparent sound that doesn’t color the work at all. Other loudspeaker manufacturers tend to emphasize different components of the frequency range, whereas ATC is flat and clean. ATCs reveal the good as well as the bad so that our clients can be confident moving forward that the work they’ve done will translate in the later stages of production.”

The ATC SCM25A embodies ATC’s legendary low-distortion performance in a remarkably small footprint: 10” x 17” x 16”. Its precision crossovers and tri-amplified topology (150W, 60W, & 25W) are designed to work in perfect concert with the acoustics of the drivers and housing. The ATC SCM25As are small enough that engineers at The Village are able to transport them from studio to studio to meet the needs of various projects, though Morris reports that they’ve been spending most of their time in studios A and D.

“People are happy to hear that we have the ATCs available,” said Morris. “Next up will be producer Ed Cherney!” Cherney is best known for his Grammy Award-winning work with Bonnie Raitt, The Rolling Stones, and Eric Clapton, among many, many others.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com

(PHOTO CREDIT: © 2014 Zane Roessell)

DANLEY LOUDSPEAKERS INFILTRATE THE SPORTS MARKET

GAINESVILLE, GEORGIA: With a design team led by celebrated acoustician Tom Danley, Danley Sound Labs has developed an extensive catalog of loudspeakers and subwoofers that cleverly sidestep the constraints and trade-offs of conventional designs. Its original patented Synergy Horn and Tapped Horn technologies led to a range of products that deliver point-source sound with stunning fidelity at any volume, near-perfect phase coherence, seamless arrayability, and “cliff edge” pattern control. In its latest generation of products, including the Jericho Horn and the Genesis Horn, those technologies have been combined with Tom Danley’s newest patent-pending technologies, Shaded Amplitude Lens Technology and Paraline, to deliver those same advantages in the high SPL environments typical of sports stadiums.

While still point sources – and retaining all of the advantages of point sources – the new designs allow controlled SPL by distance to provide even coverage to raked seating, pulling the rug out from under the line array’s claim to fame. Recognizing these advantages, and because Danley solutions are still more affordable than most conventional designs, sports venues are increasingly turning to Danley Sound Labs. A Danley system gives their fans an awesome game day experience and even more reason to get off the couch for the next home game. After all, even the best home entertainment systems cannot compare to a Danley system and the thrill of the game day experience!

Perhaps the most visible arenas to turn to Danley are 80,750-seat Lambeau Field, home to the Green Bay Packers, and 74,000-seat Ralph Wilson Stadium, home to the Buffalo Bills. Fans of both NFL teams now enjoy impactful music and crystal clear announcements with distributed Danley Genesis Horns, supplemented by a range of Synergy Horn loudspeakers and Tapped Horn subwoofers. South of the border, Juárez Vive in Ciudad Juárez, Mexico seats 12,000 baseball fans and employs a distributed ring of Danley SM80 loudspeakers and TH118 subwoofers.

Danley’s rising visibility is well represented by college football stadiums around the country. The immensely powerful Jericho Horn has been used in several end-fired systems, including Montana State University and Troy University, which cover 30,000 and 17,000 seats with just a single Jericho Horn. Two Jericho Horns suffice for Grand Valley State University (8,500 seats), Florida Atlantic University (30,000 seats), and Northwestern University (47,000 seats). Brigham Young University and University of Arizona each use four Jericho Horns to cover 64,000 and 56,000 seats, and Michigan State University uses six Jericho Horns to cover 80,000 seats.

The thunderous roar from the crowds at 92,500-seat Tiger Stadium at Louisiana State University has earned it the title of loudest stadium in the world, and it now has a sound system to match: eighteen Jericho Horns paired with six Danley “Rock Monster” subwoofers provide abundant SPL with Danley’s characteristic fidelity. Amazingly, Tiger Stadium measures +/-5dB 28Hz-10kHz over the entire stadium with an enough power to do 105dBA at 800+ feet. Furthermore the directivity of the TH812 subwoofer arrays are such that the seats under the scoreboard are only +6dB compared to 800 feet! The most recent additions to Danley’s roster include Boise State University (end-fired, four Jericho Horns plus two BC415 subwoofers, for 36,000 seats), Washington State University (end-fired, five Jericho Horns plus four Rock Monster subwoofers, for 33,500 seats), and Mercer University (end-fired, two Genesis Horns plus two DBH218 subwoofers, for 6,000 seats). The colossal stadiums at University of Illinois and University of Wisconsin both added beefy low end with four giant Rock Monster subwoofers.

Indoor stadiums at all levels are also benefitting from Danley designs. The NHL’s Nationwide Arena in Columbus, Ohio is home to an all-Danley system consisting of SH96HO and TH118 products and has the reputation of the being the best sounding venue in the National Hockey League. Washington State University’s basketball stadium uses twelve Genesis Horns to cover 11,500 seats. Wichita State University’s 10,500-seat Koch Arena covers fans and the court with eight clusters that circle the top ring of a new center-hung video board, each comprised of an SH96, SH64, and an SM80. Four TH118 subwoofers provide low end. Other Danley installations include Olivet Nazarene University, which uses Genesis Horns, SH100s, and TH118 subwoofers, and Family Arena, which supported its full-range system in a 10,000-seat venue with a single BC412 subwoofer! Danley’s weatherproof OS80 loudspeakers have found ready venues both indoors (J.D. McArthur Arena for ice hockey) and outdoors (Texas A&M Corpus Christi and Florida State University).

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

(PHOTO CAPTIONS) (top) Michigan State University’ Spartan Stadium; (middle) University of Arizona – Wells Fargo Arena; (bottom) The NHL’s Nationwide Arena in Columbus, Ohio.

VIRGINIA ARTS RECORDING INSTALLS AN API 1608

CHARLOTTESVILLE, VIRGINIA – MARCH 2014: As part of a complete architectural and electronic renovation, Virginia Arts Recording recently replaced its large-format digital console with a sixteen-channel API 1608 analog console with API’s P-Mix fader automation. The north-central Virginia-based studio has been serving local musicians, labels, and radio stations for over thirty years. The current owners, Chris Doermann and Sean Dart, are embracing that history and the industry’s pivot to analog with the new API console and a 24-track, two-inch tape machine. Virginia Arts Recording also retains all the professional digital platforms with top-end converters to allow projects to effectively hybridize between the two technologies.

Virginia Arts Recording resides in a historic house in southeast Charlottesville, just miles from the University of Virginia campus. A little over a year ago, the coupling that merged the city water supply and the house’s water heater on the second floor failed just as everyone was closing up shop for a holiday weekend. “When we returned, the control room, and much of the equipment was totally wrecked,” recalled Dart. “The digital console was one of the casualties, but we decided to make the most of it. We wanted to put the studio on solid footing for the next twenty-five years.”

Analog consoles, tape machines, ADATs, and a steady progression of DAWs all had a place in Virginia Arts Recording’s history. Doermann and Dart decided to build a hybrid analog/digital studio with a workflow that made negotiating the two technologies transparent. “We definitely wanted an analog console, and we pride ourselves on capturing big drum sounds,” said Dart. “That’s API’s signature talent, so naturally we chose the 1608.”

Doermann and Dart took an API factory tour as a part of their research. “Interacting with API is a different experience,” said Dart. “Mark Seman of API invited us to the factory, and we packed a few mixes that we know well. API let us see everything, and gave us a few hours behind the 1608. It sounded amazing, and the feel of real faders has been a welcome relief from menus and double clicks. I just get in there with my hands, and thank API for giving us the recording feel we were missing.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608, and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Yamaha CL5 Howls at Mohegan Sun’s Wolf Den

BUENA PARK, Calif.—Mohegan Sun Casino in Uncasville, Connecticut opened in 1996 by the Mohegan Tribe of Connecticut, and is one of the world’s most amazing destinations with some of New England’s finest dining, hotel accommodations, retail shopping, live entertainment and sporting events. Located in the center of the action, in Casino of the Earth, the popular 350-seat Wolf Den offers a state-of-the-art sound system for nightly performances. The Wolf Den seats 350 and entrance is on a first come, first served basis. Recently, two Yamaha CL5 Digital Audio Consoles were installed to enhance the sound system, one at front of house and the other at the monitor position including Rio 3224-D and 1608-D input/output boxes.

Mat Diamond, lead audio technician for entertainment at the resort said the decision to add two Yamaha CL consoles to the entertainment arsenal was a departmental decision. “As the head of the department, I had the final say, but I don’t get to use the equipment as much as the rest of the department which is why it is important to make the decision as much a group decision as possible. We already own two Yamaha M7CL-48 digital consoles, two Yamaha LS9-16s and an LS9-32 so between that and the price point, the CL5s seemed like the next logical step.”

Diamond said the custom knobs and fader banks, storing system scenes that can be recalled, EQs, and built-in Premium Rack that can be used together or independently are all valuable features. “I love the idea of the Premium Rack and hope that more effects will be added down the road. I personally like to use the Portico 5033 as my EQ for masters. I really like using the dynamic EQs for vocals. I love how the Yamaha CL allows me to control certain frequencies without eliminating them entirely.”

With regard to the CL learning curve, Diamond said his staff picked it up fairly quickly but since they own several Yamaha consoles, they just needed to learn their way around the CL. “Most of the visiting engineers just need a quick walk through if they haven’t used a CL in the past.”

Since the Yamaha CL consoles have been installed, artists that have performed in the Wolf Den include Macy Gray, Starship featuring Mickey Thomas, Foghat, G. Love & Special Sauce, Walk Off the Earth, Chuck Negron, Gin Blossoms, Uncle Kracker, Los Lonely Boys, and Eddie Money.

For more information on the Wolf Den at Mohegan Sun, visit www.mohegansun.com/poi/venues/wolf-den.html

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

-END-

Photo ID: Standing Mat Diamond, Lead Audio Technician
Seated: Curt Wade, Front of House Engineer – Wolf Den

Photo Credit: CM Photos

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Challenging Texas Chapel Gets Help from Iconyx

Tyler, TX – March 2014… The Chapel of Saints Peter and Paul opened its doors last year after a lengthy construction project, rewarding this east Texas town with a brand new 13,000 square foot main building, along with a new softball field. The 650 seat sanctuary is a beautiful, classically designed structure with a high peaked roof and plenty of ornate wood, marble, and glass.

“It’s a really impressive architectural design, and the acoustics are ideal for their choir and organ,” explains Jason Brantley, CEO of Longview, TX-based Sound Logic Integrations. “But it’s not so good for the band or for intelligibility.”

The Sound Logic crew was brought in to design the audio for the new building, opting for a system centered around Renkus-Heinz Iconyx digitally steerable array loudspeakers. A pair of IC16-R-II columns mounted on either side of the proscenium covers the entire room.

“We originally specified some acoustical treatment to cut down the reverberance a bit,” says Brantley. “But the budget for sound absorption was cut halfway through the project, and we ended up with about a quarter of the treatment we had planned for. That’s where the Iconyx really saved the day.”

Brantley says the ability to tightly focus the sound toward the seating areas, and away from walls, windows, and other reflective surfaces, was critical to the success of the audio system design. “The band and the choir are not on stage — they’re in a choir pocket that’s stage left. The Iconyx enabled us to take the first beam and push it right past where the choir mic is hung, to eliminate any feedback issues. That kind of precision is something we could have only done with the Iconyx.”

###

 

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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