A virtual press conference from Sound & Video Contractor

Archive of the Worship Facilities Expo Newslink Category

NEW HOPE BAPTIST CHURCH BELIEVES IN ASHLY

New_Hope_Baptist_InteriorGRAND RAPIDS, MICHIGAN – NOVEMBER 2014: Founded in 1934 by a small collection of the faithful who opened up their living rooms every Sunday in the bustling Michigan town of Grand Rapids, New Hope Baptist Church has grown to a congregation of over 800 active members. To better accommodate its members, the church recently underwent a comprehensive renovation of its 750-seat sanctuary and associated overflow and ancillary use rooms. A new sound system centered on Ashly Audio processing, amplification, and user control is a centerpiece of the project and gives New Hope congregants exceptional intelligibility for spoken word, along with musical transcendence for the New Hope band and praise choir. Critically, the Ashly gear came in at a price point that allowed the church to meet its needs reliably, without breaking the project’s budget. Pro Audio Inc., of nearby Grandville, Michigan designed and installed the system for New Hope Baptist Church.

“The performance of Ashly gear is top-notch and yet its cost is very reasonable,” said Ken Reinecke, owner of Pro Audio Inc. “That’s a rare combination. In terms of sound quality, Ashly’s processing and amplification is transparent. What goes in is what comes out, plus whatever dynamics or equalization I’ve dialed in. And the gear can run at 96kHz for super critical situations. Programming Ashly’s Protea DSP platform is straightforward. I just drag and drop whatever processing I need, and drag appropriate inputs to appropriate outputs. Linking groups is also handy. Ashly gear is also tremendously reliable – it basically never breaks or fails.” Because space at New Hope Baptist Church was at a premium, it also helped that Reinecke could fit all of the system’s processing and amplification in just six rack spaces.

A new Soundcraft Si Performer 3 console serves as the user interface in the sanctuary itself. From there, an Ashly ne8800 8×8 Network DSP Protea™ Processor handles all of the loudspeaker settings for the sanctuary’s new JBL VRX928LA eight-inch, two-way line array system with JBL 915S subs. The stereo line array is powered by a single Ashly nXe 3.04 network four-channel amplifier rated at 3,000W per channel, providing ample power to the main sanctuary system. Additionally, output from the console feeds an Ashly Pema 8250 combination 8×8 Matrix Protea processor and eight-channel 250-Watt amplifier. The Pema 8250 takes additional inputs, such as wall jacks for microphones or music players that are located in the narthex and other out rooms. The versatile eight-channel Pema 8250 handles all of the audio routing, signal processing, and amplification for New Hope Baptist’s two nurseries, its nursing room, the bathrooms, and the narthex.

Four Ashly WR-5 programmable wall-mounted remote controls located strategically around the out rooms provide customized, intuitive control of those inputs, as well as of the sound from the sanctuary. “The nice thing about that arrangement is that folks can make changes in all those rooms without bothering the sound tech,” said Reinecke. “While the main system is controlled entirely from the Soundcraft console, the church staff can use the mic inputs and the Ashly WR-5 remote controls to play music or have a standalone PA for meetings and small events in those out rooms.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

GRAMMY AWARD-WINNING PASTOR OPTS FOR DANLEY AT VICTORY CATHEDRAL WORSHIP CENTER

Victory_Cathedral_Worship_Center_1BOLINGBROOK, ILLINOIS: Pastor Smokie Norful founded Victory Cathedral Worship Center in Bolingbrook, Illinois in 2005, the same year he won a Grammy Award for Contemporary Soul Gospel Album of the Year for Nothing Without You. He is one of the country’s top gospel artists, and his credits include several gold and platinum albums, dozens of awards and nominations, and numerous high-profile performances, including a performance at the White House in celebration of Black Music Month. When Victory raised funds for its first permanent sound system, Norful scrutinized the options, using his unique perspective to articulate exacting requirements. The Chicago branch of Advanced Systems & Technologies (AST) designed and installed the new system, which centers on Danley Sound Labs loudspeakers and subwoofers for the main house system, the delay system, and on-stage monitoring.

“Victory Cathedral Worship Center seats 1,500, and Pastor Norful fills it to capacity for two services every Sunday,” said Terry McCarthy, systems specialist with AST. “Due to cost overruns with the building’s original construction, the church had to put a new sound system on hold. They leased for many years, and when they were ready to install a permanent sound system, they wanted to do it right. Pastor Norful was very particular and we made it a priority to team up with his staff to insure that every detail was covered. We took the staff around to various installations in the Chicago area. They hadn’t recognized the name Danley Sound Labs at the outset, but when they heard it, they knew that Danley was their obvious favorite. “The first thing our customers notice when they hear Danley is great sound, plain and simple. And then, as they walk the room, they experience great coverage to every seat.”

The main system is comprised of two clusters of three Danley SH-46 full-range loudspeakers per side for true stereo coverage. Two massive coupled Danley DBH-218 subwoofers hang from the ceiling just in front of the stage. Three Danley SH-69 full-range loudspeakers provide LCR delays, two-thirds back from the stage, which give excellent representation at the mix position. Finally, four molded-horn Danley SM-80s provide incredible stage monitoring and two, flown, molded-horn Danley SM-96s cover the choir.

“AST started working with Danley Sound Labs based on Danley’s excellent sound quality, deep bass, minimal necessary processing, and unparalleled pattern control,” said McCarthy. “Taking clients on tours of our Danley installations is the best way to demonstrate the quality that we can deliver.” Moreover, Danley offers excellent service and product support – including design assistance – which is essential. As we focus on a broader class of technologies these days – sound, video, lighting and acoustics – our clients greatly benefit from this high level partnership.”

The system includes 64 channels of digital audio distribution, with Allen & Heath and Dante, including consoles at front-of-house, a complete audio suite, and a customized personal monitor mixing system. Powersoft K Series amplifiers provide power and processing for the mains. QSC PLX Series amplifiers and a Danley DSLP48 System Processor power and distribute to the stage monitors and delay fills. In addition, AST designed and installed full HD-SDI video production and presentation systems. The system includes three large video screens, six camera locations, independent IMAG control at FOH and a complete video suite and control room.

Pastor Norful and the rest of Victory’s staff and congregation are very pleased with the new system. “Smokie said it was a ‘home run’ and that it met and exceeded their every expectation,” said McCarthy.” The greatest feeling in the world when you finish a project is in the knowledge that you’ve delivered an outstanding product and that your research and hard work has paid off. They’re very happy and we are extremely proud to have served them in this capacity.” AST also provided extensive training for the staff and volunteers and the church is currently planning a new children and youth center that will utilize Danley Sound Labs loudspeakers and subwoofers as well.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Advanced Systems and Technologies, AST • www.soundvideolighting.com
Dallas/Ed Butler: ed@soundvideolighting.com • Chicago/Terry McCarthy: terry@soundvideolighting.com

Renkus-Heinz and First Baptist Church of Shawnee – Keeping Tradition Alive

 Shawnee, OK – November 2014… Shawnee’s First Baptist Church was founded in 1892, 15 years before Oklahoma gained statehood. After their main sanctuary was damaged by a tornado in the 1930s, the church rebuilt, and that structure serves as the main sanctuary to this day.

While the historic building has been well maintained over the years, its aging sound system had not been so fortunate. Church officials and congregation members alike were increasingly frustrated by intelligibility issues in the main sanctuary, and inconsistent coverage in the balcony and under balcony areas. The church turned to Edmond, OK-based AVL Systems Design, who recommended the steered-beam technology of Renkus Heinz ICONYX IC Live.

“The main sanctuary seats about 800 people, and has a balcony area in the rear,” explains Danny Nix of AVL Systems. “In addition to the intelligibility and coverage problems with the old system, there were reflection issues that needed to be addressed.”

 The new system comprises four ICONYX IC Live ICL-FR-DUAL columns, hung from the ceiling to avoid damaging the walls. “We used the IC Live’s beam steering capabilities to fill the balcony and the main floor of the church and we used four Renkus Heinz PNX61 Two-Way Complex Conic Loudspeaker Systems for under balcony coverage,” said Nix. “The IC Live’s beam steering technology eliminated the need for front fills, which made for a cleaner look overall. As a final touch, we painted the boxes to match the color of the walls.”

In the end, church officials were pleased that the ICONYX system not only addressed the sanctuary’s intelligibility and coverage issues, but also blended in seamlessly with the décor as well.

“Everyone at the church has been very happy with the results,” said Nix.

###

 

About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

Margarita Mix of Santa Monica Adds Fourth Fairlight EVO System

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

SANTA MONICA, CA (Nov 3, 2014) — Margarita Mix of Santa Monica, a FotoKem company specializing in audio post services for commercials and advertising media, has installed a fourth Fairlight EVO integrated audio production system for their award-winning team of sound designers, mixers and composers. With the upgrade, the facility’s accomplished sound mixers Paul Hurtubise, Jimmy Hite, Nathan Dubin and Jeff Levy are now working on identical audio post platforms in their HD mixing suites.

“The facility was already working extensively on Fairlight, and after careful evaluation and testing, I made the transition,” says Hurtubise, who joined Margarita Mix in late 2012 with over 20 years of experience in commercial audio post.

Having used a number of platforms over the course of his career, Hurtubise notes, “I simply think Fairlight sounds better. It’s less fatiguing on the ears, and I seem to hear things more clearly and definitively.

“The EVO workstation is also very ergonomic and easy to operate,” he adds. “I feel like I’m on a system that’s been developed for humans to work on. EVO’s jogger fits my hand, and its keyboard fits my fingers. I’m running sessions more efficiently because I’m not as focused on all the clicking.”

Hurtubise also points out that the graphic displays are less fatiguing. “It’s much easier for me to be on the Fairlight all day. I noticed immediately that I wasn’t as physically tired at the end of the day. The displays are comfortable to work on, too.”

According to the talented mixing team at Margarita Mix, there are plenty of features to like about the system. They like that the picture has a home in the system, versus floating around the screen. “The picture’s right there when I want it—I love the Pyxis,” Hurtubise says of the dual-channel HD video recorder that is integrated into EVO as standard. “I also like the streaming Pyxis video frames along the bottom of the timeline display, and being able to see the picture frames before and after the playhead. This way, I can see how many frames I have until my next edit.”

When the mixers need to face the voiceover booth with a script in front of them rather than face the EVO surface, they’ve created a macro that puts “Record” on different sides of the controller so that it’s ergonomically easier for them. Fairlight’s one-button record function also helps in VO sessions when the talent starts to speak. “We don’t want to interrupt them; if we press our ‘Record’ macro button, the disk recorder immediately stops one take and goes right into another one in the span of a 1/10th of a second,” Hurtubise explains.

Custom fader sets are another admired attribute of the system. “I’ve never been on a system where I can so easily lay out faders to my liking,” says Hurtubise. “Sometimes I’m knee deep into a session and I really wish I had my beeps next to my mic, right next to my music stem, right next to my sound effects stem, next to the dialog stem next to my headphone send—then I can mute and level them very easily. I can create that quickly with Fairlight.”

There are several features on the Fairlight that the Margarita Mix team hasn’t had available on previous DAWs. “For example, I like the way Fairlight solos tracks: I can solo a set of tracks, un-solo them by holding control and pressing one button, and then re-solo that same set by pressing one button,” Hurtubise reports. “I like being able to memorize zooms. Say I have 128 tracks with 70 music stems and 40 sound effects stems. I can zoom to the music tracks and store it in U1; I can go to the sound effects tracks and store that in U2. If I hear something in the music I just press U1, and instantly I’m looking at the music stems. It is super easy.”

All four Fairlight operators at Margarita Mix use similar console control templates for uniformity. Nathan Dubin has been at Margarita Mix for over a decade recording VO, mixing for television, ADR recording for film and commercial mixing for TV and radio that has earned several industry accolades. Working with clients such as Nissan, Activision, Disney, AT&T, Kaiser Permanente, and UPS, Jimmy Hite has over 30 years of experience in sound mixing for the commercial and advertising industries, and has won numerous awards throughout his career. Paul Hurtubise focuses on commercial mixing as well as ADR and commentary recording. His recent credits include spots for Google, eHarmony, Old Navy, Hyundai, and Toyota, among others. Jeff Levy has been part of the team for 20-plus years, also earning multiple awards for mixing and sound design.

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications. To learn more about Fairlight please visit www.fairlight.com.au

FairlightUS Inc. is the exclusive North American distributor for Fairlight products. For more information visit: www.fairlightus.com

FSR Extends Line of Table Box Offerings With Introduction of T3-DV2S

New model ideal for single users, needing access to HD HDMI video/audio source input and AC power sources

Woodland Park, NJ – FSR, leading manufacturer of a wide variety of products for the audio/video, education, hospitality, government, and religious markets, adds to its family of Table Box products with the launch of its new T3-DV2S Table Box unit. This new solution is intended for single users where convenient access to HD HDMI video/audio source input, and AC power sources is required. The T3-DV2S allows users to power and connect their laptop or any HDMI source to an external video display and house sound systems as well as connect with network, phone lines and other AV system infrastructure.

All T3-DV2S models are HD ready with an HDMI pass-through connector, standard grounded AC outlet and openings for two keystone snap-in connectors. The two keystone openings, supplied with two blanks, can be populated with a variety of snap-in connectors including network, telephone, RCA or mini stereo audio, to custom configure the units to suit unlimited applications. A large selection of keystone style snap-in connectors, including USB DC powered charging stations to charge digital mobile devices, are available separately from FSR.

“FSR is always working hard to offer our customers in the professional audio/video markets innovative and reliable solutions that meet a variety of needs,” said Jan Sandri, FSR president. “We are proud to be able to grow our popular family of Table Box solutions with the addition of the new T3-DV2S. These new models, fitting a 3 1⁄2-inch round opening, are not only stylish with round and square covers available in black, brass or aluminum to blend with the décor, but the small footprint provides an un-obtrusive solution to any interior. AND, they are HD ready!”

There are options for one or two button momentary switches / bi-color LED arrangements on the cover bezel that enable user control input and status indication for an external control system application. Screw down terminals are provided for fast, convenient cable termination.

As always, all FSR products are made of durable materials in the USA.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

DANLEY DOES DOUBLE DUTY FOR RICHWOODS CHRISTIAN CHURCH AND SATELLITE LOCATION

Richwoods_ExteriorPEORIA, ILLINOIS – OCTOBER 2014: Richwoods Christian Church was founded in the late 1990s by pastor Jim Powell in Peoria, Illinois. Its congregation was initially small, a scant sixty-five people, but those congregants were motivated to grow the church. They succeeded, and today Richwoods Christian Church brings 1,400 people together every weekend, spread across four services at two locations. The larger location built its current sanctuary in a former high-end furniture store, where, despite low ceiling height, local A/V integration firm Advanced Audio and Lighting gave the church a highly-intelligible and musical sound reinforcement system based on Danley Sound Labs SH-50 full-range loudspeakers and TH-115 subwoofers. Not wanting to compromise at the satellite location, Richwoods Christian Church asked for Danley again. There, a collapsible system of self-powered Danley SH-96 loudspeakers and TH-118 subwoofers meets that goal.

“Everyone we worked with at Richwoods had a clear vision of what they wanted to achieve without getting overly involved in the nuts and bolts of how it would be achieved,” said Trent Keeling, vice president at Advanced Audio and Lighting. “Quality audio was high on their priority list. They wanted a system that would deliver their very contemporary praise and worship style with authority. Because there’s a lot of musical talent in the church, they needed something that would serve everything from orchestral music to a five-piece rock band, on top of having excellent intelligibility.”

Richwoods_PerformanceWhile the church’s new location in a former furniture store would serve it well in terms of location and accessibility, it was not ideal for sound reinforcement. There was only a nineteen-foot distance between the floor and the low steel, which was compressed even further by a modest stage and drop ceiling. “That’s not a standard hang height,” laughed Keeling. “One of Richwoods’ signature programs is its Christmas pageant, which involves, at various points, up to thirty children running around stage with open omnidirectional lavalier mics. If we could place the PA twenty-five feet up and twenty-five feet forward, then just about any loudspeaker could pull that off. But here we were going to be right above the stage, sixteen feet up. That’s where you separate the men from the boys.”

Keeling’s solution was to cover the room with four Danley SH-50 full-range loudspeakers, two close-packed on each side of the stage. “Danley’s Synergy Horn loudspeakers, like the flagship SH-50, have excellent phase coherency and precise pattern control down to 350Hz and lower,” he said. “Because of that pattern control, the SH-50s can be right above the stage without collapsing into feedback. In addition, the fact that the SH-50 is a three-way enclosure gives Richwoods great vocal intelligibility.” Two flown Danley TH-115 subwoofers provide low-end support. The system is nominally stereo, but because the six hundred-plus seat room is so wide, the techs are “discouraged from doing any hard panning,” in Keeling’s words. Biamp Audia provides modest processing, Lab.gruppen amplifiers power the system, the FOH desk is a Yamaha M7, and Shure microphones provide input.

The church was so pleased with the quality of its Danley sound reinforcement system that it motivated the approach they took to designing a satellite location, Richwoods East. “They recognized that the quality of their services was an important component of Richwoods’ success,” said Keeling. “They wanted the satellite to live up to the quality of the ‘Mother Ship’.” The 500-member congregation of Richwoods East meets at an Embassy Suites ballroom using a portable, plug-and-play system. Keeling maintained the ‘Mother Ship’s’ quality by designing a ground-supported system of two self-powered Danley SH-96s and two self-powered Danley TH-115 subwoofers.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

VALLEY INTERNATIONAL CHRISTIAN CENTER SELECTS D.A.S. AUDIO

**** Photo: Simon Estrada Jr. ****

**** Photo: Simon Estrada Jr. ****

San Benito, TX – October 2014… Just a short drive from the Mexican border and southeast of the city of McAllen, Valley International Christian Center (VICC) recently opened a new, almost 70,000 square foot sanctuary. This state-of-the-art church is the largest house of worship in the Rio Grande Valley and, in 2013, was recognized as one of the fastest growing churches in America by Outreach Magazine. Music plays a vital role in VICC’s worship services and, to ensure a high level of speech intelligibility and excellent music reproduction characteristics, church officials recently gave the green light to the deployment of a new sound reinforcement system drawn from the catalog of Valencia, Spain-based D.A.S. Audio. more

LECTROSONICS ASPEN SERIES PROCESSOR PROVES INTEGRAL TO TRINITY-BY-THE-COVE EPISCOPAL CHURCH RENOVATION

**** Photo: Trinity-by-the-Cove Episcopal Church ****

**** Photo: Trinity-by-the-Cove Episcopal Church ****

Naples, FL – October, 2014… With a history dating back to 1949—when worship services were held on the porch of the original Naples Beach Hotel— Trinity-by-the-Cove Episcopal Church is a small, beautifully maintained and picturesque house of worship originally designed by Palm Beach architect Howard Major. The church recently completed a significant renovation that includes a substantial upgrade of the sound reinforcement system in the sanctuary. And at the heart of that new system is Aspen Series signal processing drawn from the catalog of Rio Rancho, NM-based Lectrosonics. more

Point Source Audio SERIES8 Honored with BEST MICROPHONE Award

Point Source Audio Best Microphone

Point Source Audio President James Lamb (center) accepting New Product Award for the company’s CO-8WD headset microphone

.

Petaluma, CA — Point Source Audio (PSA), maker of the SERIES8 collection of high performance miniature microphones, announced that its CO-8WD headset microphone has won the coveted Worship Facilities New Product Award in the category of Best Microphone. The winners were announced at the 2014 WFX Conference & Expo in Dallas, TX.

Point Source Audio was one of 25 companies to receive the New Product Award but the only microphone manufacturer to receive this honor. Its CO-8WD headset microphone was selected based on a two-part evaluation of the product’s attributes, design, and functionality; and also its impact and benefits to the church market.

James Lamb, president of Point Source Audio, commented “The award is a source of great pride to our company, and shows our dedication to provide the greatest overall experience to our clients when then choose Point Source Audio.” The company also gave away 100 of their new custom protective microphone cases to church attendees.

The SERIES8 collection of headset, earworn and lavalier microphones is Point Source Audio’s next generation of miniature microphones. Its flagship 360° bendable boom feature is one of four features the company touts to be unique in combination with their mics’ IP57 waterproof rating against water, sweat and makeup; 148 dB max SPL; and interchangeable X-connectors for swapping wireless terminations.

Since their introduction, SERIES8 microphones have seen wide adoption from distinguished users such as the New York Philharmonic at the Lincoln Center, Universal Studios, Chase Oaks mega-church, the Kravis Center, and Shiki Theater Company Tokyo to name a few. With an MSRP starting at $389, Point Source Audio’s SERIES8 miniature microphones are available for purchase at a number of resellers and distributors worldwide. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (@PSA_audio) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com

Follow the company on Twitter at www.twitter.com/PSA_audio

Shotoku Boosts Studio Capabilities of National Spanish Broadcaster

Versatile Robotic Pan/Tilt System Delivers Big For Major Madrid Media Group

Madrid, Spain – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, has announced the recent installation of a robotically controlled system comprising numerous pan and tilt heads and dual 16-camera control systems at Atresmedia Corporación de Medios de Comunicación, S.A. The Madrid-based Spanish media group, a national broadcaster, maintains a significant presence in the television, radio and cinema industries. The sale was made through Shotoku’s regional reseller Datos Media.

After in-depth testing and on-site demonstrations, the Shotoku systems — seven TG-18 robotic pan and tilt heads and two 16-camera TR-T control systems — were selected by Atresmedia Corporación as key pieces of its re-launched and refurbished studio to replace its older gear.

“Since the first test, we were satisfied with the overall capability of Shotoku’s system, both operationally and technically,” says Fernando García del Rey, Head of Studio Operations, Atresmedia. “The system works well, operators find it easy to use, and the support we get from Shotoku, with Datos Media, has been excellent.”

According to James Eddershaw, Shotoku sales director, Atresmedia is a brand new client and the first order with Shotoku’s newly appointed agent in the region, Datos Media, signaling a major win for the company. “I am delighted to be working with Atresmedia – one of Spain’s leading national broadcasters with a long history of experience in robotic camera systems,” says Eddershaw. “To be selected by them after a detailed evaluation, is praise indeed for our systems.”
The Datos team worked very closely with the Atresmedia crew during installation and provided full training on-site once the system was integrated. Now, the station is live and on-air every day.

“We were extremely pleased to be able to supply a large Shotoku system to Atresmedia, especially so soon after partnering with Shotoku in Spain,” says Tomas Nielsen, managing director, Datos Media. “Like Atresmedia, we were happy with the way the project went, with very smooth integration into the existing studio environment and all completed on time.”

The TG-18 has a 56kg payload capacity making it ideal for any ENG camera/lens combinations in typical studio configurations including the usual accessories such as viewfinder, hand controls and teleprompter/preview monitor. The TG-18 offers exceptional pan and tilt control, allowing complete freedom for on-air adjustments from the control systems. The head combines all the features expected of a high performance remote pan and tilt head (i.e. high accuracy, smooth movement, silent operation and high payload) with a full manual override capability.

The completely configurable screen layouts of the TR-T system supports 16 cameras, capable of being controlled by a single operator position, and displayed in any configuration to suit the particular requirements of the program. The TR-T panel style uses multicolored illuminated keys to communicate system status and control settings, with the same high precision joystick for ultra-smooth, on-air control that has become the trademark of a Shotoku system.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk
# # #
Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Public Relations & Advertising / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication