A virtual press conference from Sound & Video Contractor

Archive of the Worship Facilities Expo Newslink Category

Earthworks FlexMics Capture Beatification Ceremony Conducted by Pope Francis in South Korea

Milford, NH – Earthworks FlexMic™ podium microphones were recently used in a Beatification Ceremony conducted by Pope Francis in Seoul, Korea on August 16. The ceremony was held at Gwanghwamun Square in central Seoul, with nearly one million people in attendance and 20 percent of South Korea’s population tuning in to watch the historic event on television.

Sung Jun Park, Director of Engineering for Art Mix, selected six FMR500/HC 19 inch Earthworks podium microphones for the ceremony.

Park commented on some of the benefits that the Earthworks FlexMics provide. “The sensitivity and dynamic range are good. Additionally, their gain before feedback is definitely superior to the other microphones.”

Park also noted the response of the ceremony’s organizers to the sound quality the FMR500/HCs delivered. “The Vatican was satisfied, since the FMR500/HCs have a high quality sound.”

In addition to the overall sound quality, the FMR500/HCs also provided aesthetic benefits for an event being broadcast on television. “The microphone’s head is small. So, it did not hide the Pope’s face.”

For this particular ceremony, Park utilized J-Series and Q Series loudspeakers from d&b audiotechnik, a DIGICO SD-8 console and six Earthworks FMR500/HC podium microphones.

www.earthworksaudio.com
www.audioworks.co.kr
www.artmix.co.kr

FSR Expands Infrastructure Line of Wall Box Solutions with Introduction of PWB-353

Open face design facilitates quick access to cables

Woodland Park, NJ – FSR, leading manufacturer of a wide variety of products for the audio/video, education, hospitality, government, and religious markets, continues to expand its infrastructure line of Wall Box solutions with the introduction of the PWB-353 Wall Box unit. Featuring an open face design with a white interior and white extended trim ring, rather than a closed cover, this model facilitates quick access to cables and connectors without cover removal.

The PWB-353 features multiple knockouts for power and openings for up to six single IPS connector plates. At 3-inches deep, it is designed for use in 3-inch or 4-inch stud walls. The extended trim ring provides a clean appearance while covering rough cuts in the drywall created during installation.
“We are always pleased to be able to offer industry professionals working in the audio/video markets cost-effective solutions that help make their jobs easier,” said Jan Sandri, FSR president. “With our new PWB-353 Wall Box unit, we are confident that we are doing just that. The PWB-353 offers, among many other things, an open face design that lends itself well to quick and easy access to cables and connectors. Users can even add LITE-it to easily provide lighting.” FSR’s new award-winning LITE-IT securely fastens to any ferrous metal surface and easily provides lighting in floor, wall and ceiling boxes, or anywhere a work light is needed.

Key features of the PWB-353 Wall Box include: A rugged 16 gauge steel back box, simple installation
features, quick access to cables and connectors, multiple knockouts in a variety of sizes and included hardware.
The PWB-353 is shipping now. As always, all FSR products are made of durable materials in the USA.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

FSR Launches Next-Generation Matrix Switcher

Company Extends Line of Cost-Effective and Easy to Use Solutions For An Array of Pro-AV Applications

Woodland Park, NJ — FSR is once again extending its range of innovative Pro AV solutions with the launch of its new, next-generation matrix switcher. Joining the company’s switcher line of products that already address the needs of all types of users, FSR is now introducing its DV-HMSW4K-88 Matrix switcher, which routes eight HD sources to any eight HDTV displays.

The new FSR DV-HMSW4K-88 Matrix switcher supports 1080p full HD up to 4K plus all 3D formats, along with multichannel digital audio formats such as PCM, Dolby® True HD and DTS-HD® Master Audio™. Switching and other commands can easily be implemented using the front-panel push buttons, IR remote control, RS-232, or via TCP/IP.

“FSR has always had a dynamic range of product offerings, enabling us to accommodate so many markets with smart technologies and solutions, including our complex matrix switchers, which are cost-effective, easy to use and reliable,” said company president Jan Sandri. “To this end, we are thrilled to be able to extend our line of matrix switchers by introducing the new DV-HMSW4K-88. With so many great features, we can support the many needs of AV professionals in a wide variety of applications.”

Among its many features, the DV-HMSW4K-88 supports resolutions up to 1080p@60Hz, 48-bit deep color, 4k@30Hz; allows any source to be displayed on multiple displays at the same time; allows any HDMI display to view any HDMI source at any time; allows PCM, Dolby TrueHD and DTS-HD master audio pass through HDMI output; offers multiple switching mode, push-in button, IR remote control, RS-232 control, and TCP/IP control; offers easy installation with rack-mounting ears; offers full 3D pass through; is HDCP compliant; and includes 9 IR receivers, 8 IR transmitters, a handheld IR Remote Control, and power supply.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Southwestern Assembly of God U Installs Yamaha NUAGE DAW System

BUENA PARK, Calif.—Located in Waxahachie, TX, Southwestern Assemblies of God University (SAGU) began as a regional bible school and later, added a junior college program. The university has experienced phenomenal enrollment increases from 596 students in 1991 to approximately 2,200 today. In 2013, the academic divisions of the university realigned into three colleges: the College of Bible & Church Ministries, the College of Business and Education, and the College of Music and Communication Arts. All colleges maintain Bible-based curriculum to fulfill the mission of SAGU. Since 2000, SAGU has added 24 new academic programs, bringing the total to more than 60 programs.

Recently, SAGU added a 48-Fader Yamaha NUAGE Advanced Production DAW System, purchased through Audio DAWG of Irving, Texas. The system is installed in a dedicated studio for commercial production that is available for rental and an academic learning lab for Digital Media Arts students. Internships are being offered for students in the program, but they will also have to complete at least one major audio project using the studio, with staff engineer assistance.

“I started using Nuendo 2.0 in 2003 as an upgrade from Cubase SX which I was strictly using for MIDI programming, states John Cookman, Chief Engineer and Director of Media Services and Production. My DAW at the time was a PARIS system that had been discontinued, and I needed a DAW that could keep up with where I was leaving off. Wow! Nuendo really did that and more.”

Cookman purchased NUAGE primarily because he had grown tired of recording/editing/mixing with a mouse and keyboard. “I always sensed that my creativity was being stifled due to the inefficient ways of keyboard and mouse work flow, Cookman says. I had originally planned to purchase a Euphonix system because of its acclaimed integration with Nuendo, but once I demoed the NUAGE at NAB 2013, I decided it was much more practical to buy a console that was specifically made for the Nuendo platform and would also be supported by Nuendo’s parent company, Yamaha. From the first minute I sat down with the NUAGE, I have felt at home.”

The Digital Media Arts BA degree is the path for all of SAGU media students, and the department is moving toward an audio recording degree path. They do offer an audio recording class that is mandatory for all DMA students. Each student will be doing at least one project on the NUAGE. SAGU averages roughly 20 students in the audio recording class per semester.

Technically, SAGU is not a house of worship but they do have daily chapel services. “My department has started up a live and on-demand outlet to view and listen to services (www.SAGU.tv chapel channel), notes Cookman. This is a multi-camera and multi channel audio mix for broadcast TV using our DMA students as student workers. We also do sports broadcasting as well.”

Two main facilities are used for broadcasting, the largest auditorium seats approximately 2,300. During the school year the auditorium is occupied mostly by students. The other auditorium is a new performing arts theater seating 625. “Our NUAGE system is directly integrated to this room so that we can use it as a sound stage to record from,” adds Cookman.

Cookman appreciates the NUAGE state-of-the-art approach adding in the elements of the analog workflow to a digital non-linear workflow. “Now I am able to access the best of both worlds concerning work flow. Yamaha has done an outstanding job at connecting the user to efficient workflow systems. The way they have integrated NUAGE with the DAW (especially Nuendo) has empowered the engineer with hands-on tools that are unprecedented in our industry.”

Specific features that were attractive in SAGU’s decision process were the motorized faders, one-touch navigation to any parameter, and the ability to edit each parameter microscopically with professional grade encoders. “Faders and buttons impact our work environment everyday. Being able to reach over and instantly access channel data makes workflow so efficient. Now, I don’t have to spend time scrolling with my mouse and keyboard keeping me from really getting into that creative zone. The NUAGE is a “Must Have” for every DAW.”

John Cookman has been in the industry for 30 years, and 18 of those were spent in the non-linear DAW world. “Since I started working with NUAGE, I finally feel like I am tapping into the top layer of my potential as a engineer and producer. In May, we released a Christian music project for an outside artist (I was hired to produce and record/edit/mix). Within 45 days, we charted at #10 on the Billboard Hot Christian charts and the next week, we topped out at #8. The artist was the only independent artist in the top 100 at that time. I attribute a lot of that to the flexibility the NUAGE brought us to use more of our creative brain rather than engineering brain.”

Cookman says he is budgeting for a smaller NUAGE setup for broadcast remix in SAGU’s master control room currently using Nuendo.

For more information on SAGU, visit www.sagu.edu.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on NUAGE, visit www.yamahaca.com.

-END-

PICTURED: John Cookman

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

HOSANNA LUTHERAN CHURCH GOES HI-FI WITH DANLEY

MANKATO, MINNESOTA – AUGUST 2014: Growing with the community since its founding in 1972, Hosanna Lutheran Church is now a cornerstone of religious life in Mankato, Minnesota. With four contemporary services a week, plus one traditional service and plenty of high-SPL youth events, its sanctuary sound and video systems were tapped to provide a huge range of content. Despite having loudspeakers made by a respected manufacturer, intelligibility and low-end extension were poor and a regular source of complaints until recently, when Audio Video Electronics (AVE) (Maple Grove, Minnesota) renovated the system. Citing their excellent fidelity and intelligibility, AVE installed a pair of Danley Sound Labs SH-60 loudspeakers. To give Hosanna Lutheran Church plenty of bass when needed, AVE also gave the church a beefy Danley DBH-218 subwoofer.

“Before AVE’s renovation, we always had complaints,” said Matt Kotthoff, technical director at Hosanna. “The system was muddy, and a lot of our disciples, especially some of the senior members, had a hard time understanding what was being said depending on where they were sitting. Also the system lacked intelligibility and power.” Stefan Svärd, president of AVE, added, “Not only that, the low-frequency extension was simply missing. This was despite its big name components and the fact that it looked like a good system on paper. It simply didn’t translate to real-world performance.”

Svärd designed an elegantly simple new sound reinforcement system for Hosanna. An exploded mono cluster of two Danley SH-60s leverages Danley’s excellent pattern control to cover all of the seating without energizing the rest of the structure. Between them, also on the ceiling, is the Danley DBH-218 subwoofer. Svärd repurposed Lab.gruppen C-series amplifiers for the mains and added a Lab.gruppen FB14000 for the subwoofer. An existing Biamp Nexia and EV-DC1 processor condition the system, albeit less now than with the previous components, as the Danley boxes are naturally flat and transparent. A new Midas Pro 3 mixer gives Kotthoff and his techs control of the system for complex services, and a Crestron control system provides simple control of audio, video, lighting, and HVAC via iPad or iPhone. Finally, a new 8000lumen Digital Projection HD projector gives the congregation crisp imagery.

“I’ve had a lot of experience with loudspeakers from all sorts of manufacturers,” said Svärd. “To me, Danley’s unique designs offer the smoothest, most ‘studio-monitor-like’ performance in the sound reinforcement market. They have accurate phase response, great pattern control, and true hi-fi sound. The Danley DBH-218 subwoofer delivers a lot of clean output, and because it’s horn-loaded, it affords a degree of pattern control. For the youth services, they have that subwoofer shaking the whole building! Together, the whole system sounds phenomenal.”

Kotthoff agrees, “The Danleys sound great! Everything sounds crisp, clear, and clean. Nothing sounds harsh or painful. The intelligibility in the whole worship space is outstanding, everything from feeling the bass guitar rhythm to the clear natural sound of both singing and speaking voices. The DBH-218 subwoofer is awesome, every chance I get I love to crank the kick drum and feel the beat go right through me! I have received so many compliments, from ‘the audio is so clear’ and ‘now that’s an HD presentation’ to things like ‘I got bass in my butt!’ and ‘can you turn it louder?’ The system is amazing! It totally enhances Hosanna Lutheran’s strong music ministry in so many ways!!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Florida Baptist Church Converts (A/D) with Symetrix

OCALA, FLORIDA – AUGUST 2014: The sound system at Trinity Baptist Church in Ocala, Florida is quite sophisticated for a sanctuary that seats approximately 800 congregants. It delivers left-center-right imaging to nearly every seat from multiple loudspeaker positions, including six time-delayed left-center-right zones that cover the areas farthest from the pulpit. This system was installed by Pro Sound & Video in 2004 and although the loudspeakers and amplifiers have held up well, the original DSP processing system that performed the complex routing and filtering did not. Florida-based Pro Sound & Video, Inc. replaced the original processing system with two Symetrix Radius 12×8 Dante™ network audio DSPs and augmented their sixteen combined outputs with two SymNet xOut 12 audio output expansion boxes. All of the units network seamlessly via Dante and replace all of the old analog processing, with plenty of processing power to spare for improvements.

“The system at Trinity Baptist is really nice with almost every seat getting a left-center-right experience,” said Michael Frazee, project manager with Pro Sound & Video. “However, the old processing system was based on a system of five digital processors that were cross wired with analog and AES patches to share various signals between the processors. This worked well for a long time, but one of the main processors went bad, and since the original components are out of production, it became clear that a new system would be required. To say the least, the Symetrix new generation of open architecture, Dante networking processors would afford us a considerable amount of signal handling flexibility to handle the complex processing tasks required for the multi-zone LCR system.”

The required processing includes equalization, distribution, and crossovers for the various speaker zones, which are comprised of the main house system, distributed LCR systems, stage monitors, and additional recording and general distribution mixes. Two Radius 12×8 DSP and two xOut 12 audio output expansion units form one integrated processing network via Dante with 24 inputs and 40 outputs. Programming the system, despite its complexity, was straightforward using Symetrix’ Composer software. “Circumstances in this case necessitated my involvement at the programming level. The Composer software was very predictable, but when I ran into a few snags, I contacted the tech staff at Symetrix, and they were very helpful in resolving programming issues.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Cobalt Prepares to Introduce European Market to A Significant Number of NEW Products at IBC 2014

IBC Stand # 10.B44

Quint-Split Multi-Image Display Tops the List of 13 Additions to Already Robust Product Ranges

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, has revealed plans to roll out a record-breaking number of product launches in Stand 10.B44 at this year’s IBC exhibition taking place from 12 – 16 September 2014. Topping the lengthy list of launches are numerous openGear® cards including a quint-split multi-image display processor, a high-quality down-converter, embedder/de-embedder, DA, a MPEG multi-standard broadcast transcoder, and several fibre optic cards. The outrageously popular Blue Box Group™ is also being expanded with many new units, and Cobalt’s SPOTCHECK® loudness measurement/compliance monitoring system will be sporting numerous upgrades at the show.

“We’re excited to bring over 13 new and enhanced products to IBC, the premier international show devoted to professionals engaged in creating, managing and delivering media,” says Chris Shaw, EVP sales and marketing, Cobalt Digital. “Our customers play a critical role in our development process and we’re thrilled to respond with reasonably priced solutions that target exactly what they need to keep them technically advanced and financially sound.”

NEW openGear® CARDS
9970-QS 3G/HD/SD-SDI/CVBS Quint-Split Multi-Image Display Processor

Cobalt Digital will debut the 9970-QS 3G/HD/SD-SDI/CVBS Quint-Split Multi-Image Display Processor. A single processor is capable of auto-detecting and displaying up to five independent 3G/HD/SD/Composite inputs and multiple processor cards can be cascaded to provide additional input source capacity. An Ethernet-based GUI control enables intuitive set-up of video windows and advanced on-screen graphics, and a simultaneous display output over SDI and HDMI supports flexible system design and easy integration. The 9970-QS is ideal for outside broadcast vehicles and production control rooms.
9902-DC-4K UHDTV High-Quality Down Converter
Cobalt’s reputation for high-quality down-converters grows with the introduction of its Quad 3G-SDI 1080p 50/60Hz (UHDTV) to HD 50/60Hz or SD 50/60Hz. The card makes copies of the down converted output TO 3G/SDI/ HDMI, and features a timecode burn-in window and user defined character insertion.

9950-EMDE-ANC Embedder/De-Embedder
The new 9950-EMDE Embedder/De-Embedder provides multiple serial RS-232/422 and GPIO to/from ancillary data insertion and extraction. An IP (RJ-45) I/O option is also available.

9910DA-4Q-3G-RCK 3G/HD/SD/ASI Partitionable Multirate Reclocking Distribution Amplifier
This single DA card can be configured as 1×16, 2×8, 4×4, or 1×8 and 2×4. Designed for 4K applications and high-density base band or ASI distribution, the 9910DA-4Q-RCK is capable of receiving 3G input signals up to 120m on 1694A cable. As a safety feature it will automatically perform a switch over from any of the four inputs, upon loss of signal. Amazing configurability, and loss of signal source switching for peace of mind.

9990-TRX-MPEG Multi-standard Broadcast Transcoders
Cobalt’s new 9990-TRX-MPEG multi-standard broadcast transcoders target MPEG-2 to MPEG4 AVC and MPEG-4 AVC to MPEG-2, and media conversion to and from ASI and IP. Up to 40x channels of real time transcoding can be accomplished in a 2RU openGear frame. The card offers MPEG-1 Layer II, AAC, and AC-3 audio support

Cobalt is also extending its series of fibre cards for openGear with a number of new solutions, including:
9420LT/LR Fibre Optic L-BAND Transmitters and Receivers

• Remote antennae extension over fiber up to 30km
• 25dB Tx and Rx Adjustable Gain Range
• One 2RU openGear frame houses up to 20x transmitter or receiver cards
• 1310nm, 1550nm, and CWDM laser options

9450GT Fibre Optic Gigabit Ethernet Transceivers
• 4 x Port (RJ-45) Ethernet Switch with copper extension over 2 x LC fibers
• Point-to-point and CWDM laser options with support of distances up to 80km.

9490CWDM Fibre Optic Multiplexers
• Available in 4, 8, 12, 16 channel configurations
• Fully passive design has no active components for maximum reliability

BBG-1000 SERIES
Cobalt’s user-friendly Blue Box Group™ offers peak performance from compact conversion modules at a low-cost. The series will be expanded to include numerous new models, Including:

BBG-1002-DC-4K UHDTV Downconverter
Cobalt is introducing IBC attendees to a standalone high-quality UHDTV downconverter from the Blue Box Group. The BBG-1002-DC-4K Quad 3G-SDI converts 1080p 50/60 (UHDTV) to HD 50/60Hz or SD 50/60Hz and offers simultaneous SDI and HDMI ouputs for extended capabilities. The unit can be rack-mounted for 3x paths of downconversion in 1RU.

BBG-1070-QS 3G/HD/SD-SDI/CVBS Standalone Quint-Split Multi-Image Display Processor
Also new to the global market is the standalone version (1/3 Rack Width) of the quint-split multi-image display processor. The BBG-1070-QS 3G/HD/SD-SDI/CVBS can auto-detect and display up to 5x independent 3G/HD/SD/composite inputs on one unit. An Ethernet based GUI control facilitates intuitive set-up of video windows and advanced on-screen graphics. A simultaneous display output over SDI and HDMI allows flexible system design and easy infrastructure integration. Rack-mounted units can be cascaded for up to 13x Inputs in 1RU.

BBG-1090-TRX-MPEG Standalone Multistandard Broadcast Transcoders
The new BBG-1090 TRX-MPEG converts MPEG-2 to MPEG4 AVC and MPEG-4 AVC to MPEG-2, and media conversion to and from ASI and IP. Three units can be rack-mounted for up to twelve channels of real time transcoding in 1RU. The modules support MPEG-1 Layer II, AAC, and AC-3 audio.

More Blue Box Group™ BBG Series Launches
Small form factor Audio Embedders and De-Embedders will be debuted, including:

• BBG-EM-AA 3G/HD/SD eight Channel Balanced Analogue Audio Embedder
• BBG-DE-AA 3G/HD/SD eight Channel Balanced Analogue Audio Embedder
• BBG-EMDE-AES 3G/HD/SD sixteen Channel Un-Balanced AES Embedder / De-Embedder

Small form factor HDMI Fibre Optic Transmitters and Receivers,
• BBG-H-to-F HDMI to Fibre Transmitter
• BBG-F-to-H Fibre to HDMI Receiver

UPGRADE
SPOTCHECK® – Transport Stream Compliance Monitoring

Cobalt Digital’s SPOTCHECK®, initially developed to provide loudness measurement and records for broadcasters, returns to IBC with significant upgrades including full EBU-R128 compliance (Including DVB-T, DVB-C & DVB-S), as well as CALM A/85. SPOTCHECK now detects transport communication errors as well as frozen/black frame and audio silence for superior quality control. Multiple operators in different destinations can now receive email alerts by email, and reports can be located by date. The Optional feature – AIRCHECK – provides easily managed lo-res proxy downloads of user-selected transport stream segments.

Come see all of Cobalt’s new and established products being showcased in Stand 10.B44!

# # #

ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, EVP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

Shotoku Broadcast Systems Announces “SMART” IBC Exhibition Plans

IBC Stand # 11.F40

New SmartTrack System Anchors New and Enhanced Studio and Field Camera Support Gear

Staines, UK — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, will anchor its IBC Stand with a new ‘smart’ rail camera system targeting the rigorous demands of daily TV studio use. The SmartTrack system will be at show alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to visitors from Europe and so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, as usual, we will be showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS

    NEW SmartTrack
    For the first time at IBC, Shotoku will demonstrate the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

    ENHANCED TR-XT Control Systems
    Shotoku’s leading advanced control system will be shown once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show will be controlling multiple cameras and sharing camera operation across several controller-types.

    ENHANCED Fully Robotic Pedestal
    Shotoku will also be showing the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

    SEE IT LIVE Orchestra CMS Parliamentary Systems
    Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system will be shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, will be shown under the control of the TR-S panel.

    MANUAL HIGHLIGHTS
    NEW TTH1502C Carbon Fibre Tripod

    Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

    TRIED & TRUE SX300 Pan & Tilt Head
    One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

    FLEXIBLE SG900 Pan & Tilt Head
    Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

    BACKED BY EXPERIENCE Virtual Tracking Systems
    Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku will have a sample of these systems on show at IBC.

    About Shotoku Broadcast Systems
    Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

    Shotoku contact: James Eddershaw
    +44 (0) 1784 224650 / mailto:info@shotoku.co.uk

    Press contact: Desert Moon Communications / Harriet Diener
    +1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Sound Works Pro Gives HOW Kids Camp ‘Surge’ Protection

BUENA PARK, Calif.—Surge is a weeklong evening summer camp for children entering first through sixth grade held by the Westridge Church of Dallas, Georgia. The camp offers coaching in various sports and instruction in the arts, along with religious teachings.

Sound Works Productions of Frankfort, Ill. provided the audio gear for the camp, which took place at the Star Plaza Radison Hotel in Merrillville, Indiana, and included a NEXO GEO S12 line array consisting of four GEO S12s and two RS18 Ray Subs per side, two PS10s used for front fills, NEXO NX4x4 amplifiers, and Yamaha M7CL digital audio console with Aviom card used for front of house and monitors.

“When our clients are looking for a smooth implementation and excellent sound quality, we turn to our NEXO rig, ” states Daniel Nickleski, Co-owner at Sound Works Productions.

For more information on Surge, visit www.westridge.com.

For more information on Sound Works Productions, visit www.SoundWorksPro.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

Shotoku Makes Gains With El Financiero ׀ Bloomberg TV

UNIQUE VR TRACKING SYSTEM DELIVERS AUGMENTED REALITY SOLUTION FOR FINANCIAL NEWS BROADCASTER IN MEXICO CITY

Mexico City – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, has announced the recent installation of its highly regarded Shotoku TK-53LVR Dolly Crane System for a Virtual Studio at El Financiero|Bloomberg TV, a station based in Mexico City that broadcasts, through an alliance with Bloomberg NY, both worldwide and local financial-based programming to Mexico and Central America. The sale was facilitated through long-time Shotoku dealer Comtelsat, based in Mexico City with offices in US, Brazil and Central America, to help the station deliver stunning graphics and visuals to viewers.

According to Ricardo Granada, IT & TV support manager, El Financiero|Bloomberg TV, the station is using the TK-53LVR system, alongside a Vizrt Virtual Studio solution, Grass Valley LDX camera dedicated to the Shotoku system, and a Kayak production switcher, as an augmented reality system, for the graphics and statistics, as well as logos of the station’s sponsors in some sections. It is used for augmented reality and virtual elements matched to the real studio.

“They don’t use a traditional lower third or a bumper to show some sponsored section of the news show,” explains Angélica Elizalde, sales executive and specialist in graphic solutions for Comtelsat. “Instead, they use the logo of the sponsor in augmented reality during the whole section — which is way more spectacular, since the anchor is interacting with the virtual element. Also, the anchors can present statistics and schemes that come out right from the floor of the studio — which is a simpler and more creative way to present the information to the audiences. And those graphics can get sponsored, too.”

“We knew the brand from other installations and knew it was a reliable and very stable system,” says Granada. “We were quite impressed because of the length of the crane and the possibilities it has for live production; and also by the fact that no other vendor has a product with the same quality, accuracy and level of service we are used to receive from Shotoku.”

The Shotoku TK-53LVR Dolly Crane System for Virtual Studio offers a unique set of VR features coupled with a sturdy twin arm structure that provides vibration-free, high performance with a single operator. The VR Dolly Crane System allows any studio to be easily transformed into a virtual environment without the need for targets on the ceiling, floors, or walls, or infrared sensors. Reliable, accurate and immediate VR data, including pan/tilt, zoom, focus and X/Y camera date is sent to the graphic computer via an RS422 cable. A Pan Bar control unit maximizes optimal pan & tilt operation. The TK-53LVR also features Shotoku’s unique SPi-Touch 2 point calibration system for quick set-up.

“We’ve been dealers for Shotoku for a number of years, and we have always preferred the system because of its reliability and accuracy in the mechanical tracking data –it’s just the best,” adds Elizalde. “They can have a 360-degree tracking of virtual elements; the arm of the crane is totally vibration free (no matter the length of it, which is quite large). They can make a very large range of movements without worrying about undesired bumping; plus they just need one operator to manage the whole system (nevertheless, they often use two people just to make sure, but most of the time is just one). Also, unlike some other systems, Shotoku guarantees that there won’t be any delay or loss on the receiving of the mechanical tracking data.”

Granada adds, “I have been a user for a few years, but I never worked with a crane system, so this was a challenge. Nevertheless, the system has proved to be as reliable as all other Shotoku products I know. Once you get to know it, it is fairly simple and straightforward to use. Overall, it’s easy to manage, it’s accurate and the final result is always impressive.”

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:harriet@desertmoon.tv

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication