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DOWNLOAD SYMETRIX SYMNET COMPOSER TODAY

symnet_composer.JPGSEATTLE, WASHINGTON – MAY 2012: Symetrix announces the release of SymNet Composer DSP configuration software. SymNet Composer is a major leap forward for installed sound DSP configuration software.

When performing basic Edge hardware configuration, Composer automatically identifies the type of audio I/O module installed in each of the Edge frames’ four I/O card slots (up to 16 channels of local audio). When connecting multiple Edge frames via Dante gigabit network audio (up to 128 channels total), quick and easy network management is accomplished entirely within the SymNet Composer programming environment. A fully open architecture application, Composer’s fast and fluid navigation accelerates the audio path design process. System designers exercise complete creative control selecting from a library of over 600 proven DSP processing, routing, mixing, and special purpose modules. A designer’s proprietary Super-modules (complex blocks of multiple DSP modules and routings) can be exported more

FSR To Introduce Digital Video Series at InfoComm 2012

Woodland Park, NJ • FSR, manufacturer of audio and video switching, control products, and connectivity boxes, has announced that they will launch their new Digital Video series at InfoComm 2012. Aimed at professional installations requiring HDMI support, the new line of high bandwidth HDMI extenders, switchers, scalars and distribution amplifiers are designed to reduce the integration challenges inherent in the deployment of digital video systems.

To ease the integration burden, the DV series incorporates the latest features to bridge the digital video pitfalls. HDMI time correction ensures properly formatted HDMI signals over extended distances regardless of the source. Full EDID control means seamless and easy installation of devices with differing resolution. HDCP 2.1 along with a large quantity of keys, greatly improves authentication issues in dynamic installations.

The most unique and exciting product is the new Multi-Format Scaling Switcher. With a combination of 9 analog and digital video inputs, audio insertion, audio breakaway and 4 independently scaled HDMI outputs, the DV-MFSW is the perfect solution for installations requiring the latest in digital video technology and legacy device support.

All of FSR’s latest products will be on exhibit at InfoComm, June 13 – 15, at the Las Vegas Convention Center, North Hall, booth N651.

For additional information, email sales@fsrinc.com, or call 973-785-4347.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. FSR complies with the American Recovery and Reinvestment Act of 2009 and is a woman owned business. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information visit www.fsrinc.com.

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FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

Harley Davidson Showroom Transforms and Puts New Life Into Church with NEXO System

BUENA PARK, Calif.—When LifePointe Christian Church in Elk Grove, California was looking for a sound system to compliment their new location, a converted Harley Davidson showroom, they turned to the expertise of CCI of Olympia, Washington. Project manager, David McLain, recommended a NEXO PS15 system for the 400-seat church that consists of three PS15s, one CD18 and a 4×4 NXAMP.

“Pastor Chris Delfs sought out a new location where they would not only own their space but could create a unique, new culture,” states McLain. “They weren’t looking for a NEXO system per se, but were looking for good advice.” At only 60’ deep, with less than 20’ of trim, a line array would not have been the best tool, whereas, the asymmetrical horn pattern of a PS15 reaches the back rows with ease.”

“David actually discouraged a line array approach in this case, and if you look at how much the HVAC and lighting impacts the trim height, the PS solution was much better,” notes Steve Armstrong, PROS Inc., independent rep firm for NEXO.

“I’d been hearing a lot of talk about NEXO speakers over the past few years,” and have listened to various models and I was impressed enough to recommend them for a couple of rooms, particularly given the outstanding support I’ve been receiving from Yamaha Commercial Audio Systems,” says McLain. I didn’t really know the extent of the NEXO lineup until I had opportunity to listen critically and extensively to their whole selection of speakers at a demo at the Cerritos Performing Arts Center in California. The Cerritos Center is an awesome building. We used their beautiful main room to try out the NEXO speakers. I spent the first demo day designing speaker systems for rooms using various software, and I liked the way the NEXO speakers worked in the planning, and also liked what I saw in the computer models. The NS-1 software was easy to work with, so I imported some real-world rooms, like LifePointe, that I’d been working on. It appeared the NEXO PS Series would provide excellent coverage.”

“I have to admit, there’s a fair bit of skeptic in me,” McLain says. “A box that promises a rectangular coverage pattern had better do more than just advertise well! It needs to offer an actual rectangular coverage pattern. And more importantly, it needs to sound good! In the next day’s listening tests, I measured 112 dB at the back of the listening room, and I have to say, it sure didn’t feel like 112 dB. In fact, it didn’t sound like a PA playing. It sounded like a woman was right there singing to me. Yamaha brought in a live jazz drummer and they just sounded louder, like there was no PA in between. Even the little NEXO PS8 two-way sounded way bigger than its small size. And, all of the subwoofers for the line arrays – which were shaking my pant legs at 100’ – are cardioid subs. Even during the “fairly loud” cuts (think aggressive Sunday morning volume), we could easily hold a conversation on the stage behind the subwoofers.”

Armstrong added that Pastor Delfs was appreciative of CCI’s insistence on NEXO. “David has provided LifePointe with five previous systems and each one has progressed in terms of quality and capabilities.”

“Every Sunday, one of our congregation members emotes about the system, which is so significant to my passion to lead people to a better way, that I’m thrilled beyond words,” states Pastor Delfs. “I love the NEXO sound system. David and CCI hit it out of the ballpark.”

For more information on CCI Solutions, visit www.ccisolutions.com.
For more information on NEXO, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. The company is the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

WORXAUDIO TECHNOLOGIES DEPLOYED AT FIRST CHRISTIAN CHURCH

**** Photo: First Christian Church’s sanctuary ****

Venice, FL – May 2012… With three services each Sunday—two of which are contemporary in nature— First Christian Church has a vibrant worship program that caters to a diverse congregation. After enduring lackluster performance from their sound reinforcement system for far too long, the decision was made to upgrade their sanctuary’s facilities. Seeking a new system capable of delivering a high level of speech intelligibility and first-rate music reproduction, they ultimately resolved their sound system shortcomings by installing a new setup drawn from the TrueLine catalog of Greensboro, NC-based WorxAudio Technologies. more

YO-YO MA’S SILK ROAD ENSEMBLE TOUR RELIES ON DPA MICROPHONES

Grammy Award-Winning Classical Cellist Uses the DPA 4061 and DPA 4088 Microphones for All Performances on the Silk Road Ensemble Tour

Yo-Yo Ma’s Audio Engineer Jody Elff relies on DPA Microphones’ 4088 cardioid headset and 4061 omnidirectional miniature microphones for the Silk Road Ensemble tour.

The Silk Road Ensemble, featuring the Grammy-winning classical cellist Yo-Yo Ma, explores the intersection of a variety of musical traditions, drawing inspiration from the historic Silk Road network of trade routes, where wildly diverse cultures and ideas mingled and evolved. The tour combines Western instruments like the violin, viola, cello, and bass with such Eastern instruments as the shakuhachi, kamanchech, oud, pipa, and sheng. more

TC Furlong Inc. to Host Yamaha CL Chicagoland Launch Tour

LAKE FOREST, IL—Yamaha Commercial Audio Systems, Inc. and TC Furlong Inc. will host a mini-demo tour featuring the new Yamaha CL Digital Console Series, May 1-2, at three separate Chicago-area sites. Yamaha Systems Application Engineer, Kevin Kimmel, Regional District Manager, Mike Eiseman, and TC Furlong staff will be on hand to demonstrate the new console. All events are free of charge and open to audio professionals are welcome.

Dates and location of events are: Tuesday, May 1—2:00 PM-8:00 PM, TC Furlong Inc., Lake Forest, IL; Wednesday, May 2—9:00 AM-1:00 PM, American Management Association, Rosemont, IL; and Wednesday, May 2—3:00 PM-8:00 PM, Tribeca Flashpoint Academy, in Chicago.

The Yamaha CL console is Dante network-based and uses Yamaha CentraLogic technology. Features include remote I/O for a faster, more responsive Yamaha system solution. The three CL models (CL1, 3, and 5) are only differentiated by frame size and input capability. All three models feature 24 mix buses, 8 matrix buses, stereo and mono buses, and 16 DCAs. The console series was specifically designed for sound reinforcement applications, including performing arts venues, theaters, houses of worship, touring, and remote broadcast.

Visit http://tcfurlong.com/CLTour for more information.

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ASHLY KLR-5000 AMPS CHOSEN FOR RONDINELLI AUDIO RENTAL RIGS

george_rondinelli.JPGDUBUQUE, IOWA – APRIL 2012: Rondinelli Audio serves the community of Dubuque and the surrounding tri-state region of northeast Iowa, southwest Wisconsin, and northwest Illinois. With unswerving integrity, Rondinelli Audio sells musical instruments and professional audio equipment from its retail location on the west side of Dubuque, in addition to handling installations for churches, clubs and schools. But with gear and expertise aplenty, owner George Rondinelli effectively handles installations and runs a first-rate music production service. Acts spanning the gamut, from the Little River Band to B.B. King to Uncle Kracker, rely on the Rondinelli Audio to deliver great-sounding, glitch-free shows. Indeed, many aspiring presidential candidates have positioned themselves for a win in the Iowa caucuses with high-energy campaign rallies serviced by Rondinelli. Recently, the company needed more powerful amplifiers for their subwoofers, and George chose Ashly Audio’s new KLR-5000 amplifiers, citing their performance, more

Field Template Releases Significant Upgrades to SoftSymbol Packages

Field Template™SoftSymbols 3.5.1 Upgrade, the industry’s leading source for theatrical lighting symbols, is pleased to announce the release of significant upgrades to its popular SoftSymbol™ packages of ETC, ETC Selador, and USITT for use in the Vectorworks® environment. Designed by Steve Shelley, these upgrades include the latest equipment for all three libraries, and the 3D components possess Focus Functionality® in the Vw2011 more

Chicago’s College Church Offers a Landmark Iconyx Installation

Wheaton, IL, April 2012... Founded in 1861 with close ties to Wheaton College, College Church has achieved a reputation as one of the most influential churches in America.

The stunning Georgian Revival-style building on Washington Street that the church calls home was built around two decades ago. It’s an architectural gem that boasts high glass ceilings, soaring columns, and a U-shaped wrap-around balcony. The room’s acoustics provide a wonderful complement for the piano, pipe organ, and choir that typically accompany most services. But that same architecture has represented a long-standing challenge for spoken-word intelligibility. As Greg Dieckhaus, President and CEO of Bolingbrook, IL-based Practical AV Solutions explains, the church has been through more than one attempt at addressing the issue.

“It’s a gorgeous building, but problems with intelligibility and consistency of coverage have plagued them since the beginning,” says Dieckhaus. “It’s not just the high ceilings. The room itself is somewhat U-shaped, with gallery seating along the sides and back, covered by a balcony level. The resulting acoustics tend to cause some odd reflection patterns.”

The sanctuary’s original audio system comprised severalhundred small speakers mounted underneath the seating, pointing downward to reflect off the tiled floor. “It was a distributed, under-pew system, the concept being that it would bring the sound very close to the listener,” says Dieckhaus. “It was a great idea in theory, and it did address their aesthetic concerns, combined with some full range loudspeakers built into the organ loft above and behind the chancel platform. But in practice it failed to deliver the desired results.”

“We abandoned the under-pew system within a matter of months,” says Tim Hollinger, the church’s Technology Manager. “We experimented with several alternative options over the next year, eventually settling on a more traditional center cluster design. That served us for about 18 years, and was considerably better than the original system.”

Eventually, though, it became clear that the main issues were with the building’s acoustics, which needed to be addressed before the audio system itself.

“It’s a gorgeous but somewhat cavernous space that, frankly, has the potential for standing waves that can go on for up to two or three seconds, no matter how good the sound system is,” says Tim Hollinger, the church’s Technology Manager.

Recognizing that, Acoustician Gregory Miller of Chicago-based Pin Drop Acoustics was brought in to evaluate the space. As Dieckhaus observes, Miller was chosen for his unique approach toward acoustics.

“Greg is a person with a strong performing arts and music background,” says Dieckhaus. “He has a great love for traditional, unamplified music, and is very conscious of the acoustics of a space and how they affect the music. He approached the project with the clear mission of improving speech intelligibility without destroying the room’s unique musical acoustical characteristics.”
“Greg determined that the best solution would combine acoustic treatment with a redesigned sound system, and brought us in to look at revamping the speaker system as well,” says Dieckhaus. “The first thing that came to mind for me was the Iconyx IC2 digitally steerable array from Renkus-Heinz. I had used Iconyx in many other churches and knew it worked well in very challenging acoustical environments. I had educated myself on the new IC2 model and was confident it was the right system for this application. This particular church has a rather wide chancel stage, without a lot vertical elements to position a column array.” The IC2 system, comprising a two-box array mounted above the chancel platform, was installed by Pentegra Systems of Elmhurst, IL. The IC2 system is augmented by four Renkus-Heinz SGX81 two-way 8-inch cabinets, installed to provide coverage to the over-balcony seating. Another pair of SGX81 boxes are installed as monitors for the chancel choir.To that end, Miller designed a system utilizing diffusers, rather than absorption, to treat the room’s excessive reflectivity. “The musical aspect of our service is very important, and the sound of our organ and choir in particular,” says Hollinger. “Sound absorption was never an option for us, so Greg Miller’s approach of using diffusion was really the right one for us.”

Dieckhaus says the IC2 proved to be the ideal choice for controlling the sound within the space. “It was clearly able to place the sound where we needed it and keep the directivity under control without firing at the walls, ceiling and other reflective surfaces.”

For Hollinger, the challenge of treading the fine line of improving the room’s intelligibility while retaining its signature acoustics has indeed been met. “Spoken word intelligibility is vastly improved, and as our organist put it, we’ve done no damage to the music. Given that he’s one of our most discerning listeners, that’s perhaps the ultimate compliment.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

dB AUDIO AND VIDEO INSTALLS REALISTICALLY-PRICED PANASONIC-BASED HD VIDEO SYSTEM AT LIVING HOPE BAPTIST CHURCH

livinghopechurch_stage.JPGBOWLING GREEN, KENTUCKY – APRIL 2012: Living Hope Baptist Church in Bowling Green, Kentucky is not unlike other mid-sized churches. “Although we had always been happy to embrace new audio and video technologies over the years, the fact that we had fallen behind crept up on us slowly,” said the church’s creative arts pastor, Jon Farmer. In order to stay true to the church’s stated relationship with supporting technologies – “to better connect people with our message,” in Farmer’s words – Living Hope recently undertook a significant overhaul of its video system. Aided by the experts at dB Audio and Video of Gainesville, Georgia, the church now has a full HD presentation and recording system centered on Panasonic cameras, switchers, and projectors. Despite the truly vast improvement in performance, the cost was only a fraction of what it would have been just a few more

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