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Archive of the Worship Facilities Expo Newslink Category

Field Template Releases Significant Upgrades to SoftSymbol Packages

Field Template™SoftSymbols 3.5.1 Upgrade, the industry’s leading source for theatrical lighting symbols, is pleased to announce the release of significant upgrades to its popular SoftSymbol™ packages of ETC, ETC Selador, and USITT for use in the Vectorworks® environment. Designed by Steve Shelley, these upgrades include the latest equipment for all three libraries, and the 3D components possess Focus Functionality® in the Vw2011 more

Chicago’s College Church Offers a Landmark Iconyx Installation

Wheaton, IL, April 2012... Founded in 1861 with close ties to Wheaton College, College Church has achieved a reputation as one of the most influential churches in America.

The stunning Georgian Revival-style building on Washington Street that the church calls home was built around two decades ago. It’s an architectural gem that boasts high glass ceilings, soaring columns, and a U-shaped wrap-around balcony. The room’s acoustics provide a wonderful complement for the piano, pipe organ, and choir that typically accompany most services. But that same architecture has represented a long-standing challenge for spoken-word intelligibility. As Greg Dieckhaus, President and CEO of Bolingbrook, IL-based Practical AV Solutions explains, the church has been through more than one attempt at addressing the issue.

“It’s a gorgeous building, but problems with intelligibility and consistency of coverage have plagued them since the beginning,” says Dieckhaus. “It’s not just the high ceilings. The room itself is somewhat U-shaped, with gallery seating along the sides and back, covered by a balcony level. The resulting acoustics tend to cause some odd reflection patterns.”

The sanctuary’s original audio system comprised severalhundred small speakers mounted underneath the seating, pointing downward to reflect off the tiled floor. “It was a distributed, under-pew system, the concept being that it would bring the sound very close to the listener,” says Dieckhaus. “It was a great idea in theory, and it did address their aesthetic concerns, combined with some full range loudspeakers built into the organ loft above and behind the chancel platform. But in practice it failed to deliver the desired results.”

“We abandoned the under-pew system within a matter of months,” says Tim Hollinger, the church’s Technology Manager. “We experimented with several alternative options over the next year, eventually settling on a more traditional center cluster design. That served us for about 18 years, and was considerably better than the original system.”

Eventually, though, it became clear that the main issues were with the building’s acoustics, which needed to be addressed before the audio system itself.

“It’s a gorgeous but somewhat cavernous space that, frankly, has the potential for standing waves that can go on for up to two or three seconds, no matter how good the sound system is,” says Tim Hollinger, the church’s Technology Manager.

Recognizing that, Acoustician Gregory Miller of Chicago-based Pin Drop Acoustics was brought in to evaluate the space. As Dieckhaus observes, Miller was chosen for his unique approach toward acoustics.

“Greg is a person with a strong performing arts and music background,” says Dieckhaus. “He has a great love for traditional, unamplified music, and is very conscious of the acoustics of a space and how they affect the music. He approached the project with the clear mission of improving speech intelligibility without destroying the room’s unique musical acoustical characteristics.”
“Greg determined that the best solution would combine acoustic treatment with a redesigned sound system, and brought us in to look at revamping the speaker system as well,” says Dieckhaus. “The first thing that came to mind for me was the Iconyx IC2 digitally steerable array from Renkus-Heinz. I had used Iconyx in many other churches and knew it worked well in very challenging acoustical environments. I had educated myself on the new IC2 model and was confident it was the right system for this application. This particular church has a rather wide chancel stage, without a lot vertical elements to position a column array.” The IC2 system, comprising a two-box array mounted above the chancel platform, was installed by Pentegra Systems of Elmhurst, IL. The IC2 system is augmented by four Renkus-Heinz SGX81 two-way 8-inch cabinets, installed to provide coverage to the over-balcony seating. Another pair of SGX81 boxes are installed as monitors for the chancel choir.To that end, Miller designed a system utilizing diffusers, rather than absorption, to treat the room’s excessive reflectivity. “The musical aspect of our service is very important, and the sound of our organ and choir in particular,” says Hollinger. “Sound absorption was never an option for us, so Greg Miller’s approach of using diffusion was really the right one for us.”

Dieckhaus says the IC2 proved to be the ideal choice for controlling the sound within the space. “It was clearly able to place the sound where we needed it and keep the directivity under control without firing at the walls, ceiling and other reflective surfaces.”

For Hollinger, the challenge of treading the fine line of improving the room’s intelligibility while retaining its signature acoustics has indeed been met. “Spoken word intelligibility is vastly improved, and as our organist put it, we’ve done no damage to the music. Given that he’s one of our most discerning listeners, that’s perhaps the ultimate compliment.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

dB AUDIO AND VIDEO INSTALLS REALISTICALLY-PRICED PANASONIC-BASED HD VIDEO SYSTEM AT LIVING HOPE BAPTIST CHURCH

livinghopechurch_stage.JPGBOWLING GREEN, KENTUCKY – APRIL 2012: Living Hope Baptist Church in Bowling Green, Kentucky is not unlike other mid-sized churches. “Although we had always been happy to embrace new audio and video technologies over the years, the fact that we had fallen behind crept up on us slowly,” said the church’s creative arts pastor, Jon Farmer. In order to stay true to the church’s stated relationship with supporting technologies – “to better connect people with our message,” in Farmer’s words – Living Hope recently undertook a significant overhaul of its video system. Aided by the experts at dB Audio and Video of Gainesville, Georgia, the church now has a full HD presentation and recording system centered on Panasonic cameras, switchers, and projectors. Despite the truly vast improvement in performance, the cost was only a fraction of what it would have been just a few more

Seaside Church Revamps Audio System

EGG HARBOR TOWNSHIP, New Jersey—St. Thomas The Apostle Church is located in the shore community of Brigantine, New Jersey. During the summer months, the church congregation swells to about 3,000 from approximately 1,000 attendees in the off-season, due to residents that flock to the ocean community from May through September. “The existing church space could not accommodate the increase in congregation, so they decided to expand services by constructing an overflow event center,” states Bobby Harper, V.P. of Sales, ACIR Professional. “ACIR Professional was hired to expand the church audio requirements in order to tie the event center to the main sanctuary through a video and audio feed, as well as to renovate the main sanctuary to accommodate more of the congregation.”

Phase One of the enhancement to St. Thomas The Apostle Church included the installation of a 5.1 audio system for playback of media for non-service affairs, as well as a portable audio and video system to handle church services for overflow, and other events such as weddings, meetings, etc. ACIR accomplished this with the installation of a Yamaha MG series mixer, Eiki Projector, JBL ceiling and wall speakers, JBL portable PRX12M and PRX18 speakers, and Sennheiser wireless microphones. “The church budget was influential in the requirement criteria,” says Harper. “The combination of equipment used fulfilled the budget requirements as well as the quality and portability requirements.”

Phase Two was to renovate the existing sanctuary. The interior of the church was modified slightly with the addition of Naves on Altar L+R. The entire floor was converted from carpet to marble, so an affordable, yet highly intelligible distributed speaker system from Community Professional was used. This system is also driven by a Yamaha MG series mixer (for a total of three Yamaha mixers throughout the premises), and includes a Community DSpec processor, all powered by Yamaha P series amplifiers (four in total). “Sennheiser wireless microphones were chosen for their clarity,” adds Harper, “and Shure MX series boundary mics are utilized on the altar, pulpit, and choir area.”

While Phase Two was taking place, the sanctuary was moved to the overflow event center. Because audio I/O panels were placed throughout the room, the church was able to setup a portable sanctuary and perform services as needed, while waiting for the renovation of the main sanctuary to take place. Once the main sanctuary was complete, the services were moved back to the church, with feeds continually sent to the overflow event center.

“The sound system is awesome in the church and the hall,” states Mary Jane Morey, Director of Liturgy and Music. ACIR was exceptional to work with and unbelievably knowledgeable. I was able to contact them with concerns during the installation process and initial use of the system 24/7.”

For more information on ACIR Professional, visit www.acirpro.com.

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Illinois St Matthew UMC Church Goes Fully Digital With DiGiCo

After years of research, St. Matthew United Methodist Church undertook a major renovation of its technology systems in 2009, including making the leap from analog to digital installing a DiGiCo SD8 as its main audio console. Continuing its digital progression, the house of worship recently added an SD9 with D-Rack (connected to the SD8 via DiGiCo’s Little Red Box), replacing an analog desk at the hub of its video production suite to handle the increased complexity of its productions. Church media consultant Phil Mahder of Training Resources and Ben Shipman, president of AVA Audio Video Associates again assisted in the transition, working with house broadcast engineer DJ Rockwell.

“St. Matthew has been pleased with their SD8 at FOH since they got it 2 years ago,” Mahder conveyed. “The production level for their large dramas has made the mixer a must—even their Sunday services have had so much complexity that they are using the potential of the SD8 routinely. Not only do they have a lot of sources on stage, but they also do a rapid and complete changeover between services as they switch music styles. The church has been on local cable for many years, producing a quality product in both content and production value. Since getting the SD8, they have realized that the analog console in the video control room has been a limitation. Although they have remote control over the SD8 from the video station, there were conflicts at times between the goals of the FOH operators and the video operators. When the SD9 was introduced, we all quickly realized that this would be the perfect replacement for the analog console in the video control room, making FOH and video independent and completely digital. With the SD9′s affordable price tag, everyone was in agreement.”

Ironically, the DiGiCo SD systems were Rockwell’s first foray into the digital mixing realm. Growing up at St. Matthew and actively involved in the media ministry for the past 10 years, he’s a third generation broadcast engineer with a keen interest in trending technology—particularly as it relates to video production. He found the DiGiCo desks to have a well-thought-out design offering an intuitive ease of use and fantastic sound quality.

“When we originally put the system in, back in 2009, we knew that there would be some more upgrades to come—especially for the video mix,” Rockwell said. “We started off mixing for video with an analog console, and then switched to a computer running the SD8 remotely. We were all in agreement that the new SD9 would be ideal for us, and were able to demo one prior to purchase. In fact, I was able to make a demo reel that showed how much it would improve the quality of our videos, which very much helped to convince the committees in charge of granting the funding. The SD9 proved to be the perfect solution for our problem and improved our productions greatly.”

Once the console was installed, Rockwell recalled, it was ready to run within an hour. “It sounded great and the processing was seamless. The snapshots were very smooth and easily customizable. St. Matthew is a house of worship that has been into technology for a long time, and we do our best to stay on the cutting edge. We started airing our services on cable more than 25 years ago, and now also stream live. On Sundays, we have three services back-to-back with no time for rehearsals in between and can be as simple as three mics and as extreme as 75-plus inputs. The SD8 and SD9 made these 15- and 20-minute switchovers—from Traditional to Contemporary to Blended with choir and orchestra—possible. Besides our normal worship services, we also put on two technically intensive productions each year, at Easter and Christmas, with a cast, crew, and orchestra of over 300. Having this kind of digital footprint—with all the bells and whistles it affords—is a must-have for what we do.”

DiGiCo’s Little Red Box (LRB) played an integral role in integrating the SD8 with the SD9. “It allowed us to take the second MADI I/O on the SD8, run it into the LRB—which is then sent to the SD9 over CAT5E. This enables us to send the local inputs on the SD8 to the SD9 using direct outs.”

From the crew to the congregation, everyone at the church has been extremely pleased with the SD9. “It’s really improved the audio quality of our worship services and productions,” Rockwell concluded. “We stream our services live and air them on cable, the quality of which has noticeably improved by our members who watch on line or at home.”

Canada’s The Weather Network Warms-Up With Shotoku Camera Support

Staines, UK – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, recently completed the successful installation and commissioning of a state-of-the-art IP-based camera control system for The Weather Network, Canada’s leading provider of weather information services. The announcement was made by Shotoku sales director James Eddershaw from the Company’s European headquarters in Staines, UK.

The five camera package combined legacy with new remote systems, and included Shotoku’s lightweight TG-27 pan tilt heads mounted on TI-11 elevator pedestals. All five systems came under the control of the company’s high performance TR-8B Joystick panel and used Shotoku’s unique DigiPort IP network to replace legacy serial with modern, more flexible IP-based interfaces. The entire upgrade was carried out by The Weather Network staff assisted by a Shotoku engineer, and was installed into a live, working studio without disruption.

“We’ve benefitted from the use of robotic cameras in our operations for many years,” said Kiko Grusecki, The Weather Network’s Director of Broadcast Operation. “But our system needed to expand and adapt to our camera upgrade plans. Shotoku helped us plan a smooth, cost-effective replacement without disrupting our on-air operations.”

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK.
For further information: www.Shotoku.co.uk

# # #
Shotoku contact: James Eddershaw
+44 (0)1784 224 650 • info@shotoku.co.uk

Press contact: Desert Moon Communications, Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

FSR Announces a Winning Trifecta of New Representatives

Woodland Park, NJ – FSR, manufacturer of audio and video switching, control products, and connectivity boxes, appointed three new representative firms to add expert coverage in the Rocky Mountain Region, Indiana, Kentucky, Texas, and Louisiana. Jan Sandri, president of FSR Inc., made the announcement today from headquarters in Woodland Park, NJ.

Jack Aragon Marketing and Sales (J.A.M.S.), specializing in professional and commercial audio, brings new support to the broad Rocky Mountain region. J.A.M.S.’s dedication to detail and extensive market knowledge will help customers work smarter and more efficiently through their equipment purchases.

Tech Solutions + Sales has joined the FSR family to serve customers in Indiana and Kentucky. The organization represents manufacturers of audio, video, and security solutions with an emphasis on providing integrators and the consulting community with reliable service, expert support, and ‘best-in-class’ products from select manufacturers.

Highway Marketing, an audio and security manufactures’ representative company with a broad range of sales and technical skills, will use its extensive experience to counsel FSR’s Texas and Louisiana market-base regarding the most appropriate, eco-friendly, and cost-effective solutions, and deliver the highest degree of service available in the area.

“We couldn’t be happier to welcome all three organizations to the FSR family,” stated Sandri. “Each company brings its own brand of dedication and experience to its region and we are confident that our customers will benefit from their expertise.”

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

All FSR products are designed and manufactured in its Woodland Park, NJ facility. The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: http://www.fsrinc.com.

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FSR Contact: Jan Sandri
973-785-4347 • mailto:sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmooncomm.com

METRIC HALO RELEASES PRODUCTION BUNDLE FOR AAX, CELEBRATES WITH SALE

channelstrip-3.JPGMUSIKMESSE, FRANKFURT – MARCH 21, 2012: Today at Musikmesse, Metric Halo announced the release of the Metric Halo Production Bundle for Pro Tools 10. The software will be available starting on March 26, 2012 and consists of seven AAX plug-ins compatible with both Native and HDX DSP systems: ChannelStrip 3, Character, Haloverb, Multiband Dynamics, Multiband Expander, Precision DeEsser, and TransientControl. The software may be seen at the Audiologistik booth – Hall 5.1, Stand A85.

This bundle provides the all the tools necessary to sculpt a mix. Four of the plug-ins contain audio analysis tools from SpectraFoo, giving the user visual feedback of the plug-in’s processing. “We’re thrilled to release the Production Bundle for AAX,” said Allen Rowand of Metric Halo. “We wanted to do more than simply port our existing ChannelStrip plug-in to the AAX format. We wanted to release a suite of more

AuviTran Introduces Audinate’s Dante Protocol in Its Audio Toolbox

Meylan, France and Portland, OR March 20, 2012- AuviTran, the Audio networking specialist, and Audinate, the inventors of the award winning Dante™ media networking solution, announces today it is adding Dante technology to its Audio Toolbox product range. Audinate was chosen to accelerate AuviTran’s development towards new networking technologies.

“The integration of Dante technology into our product portfolio will allow AuviTran to address market’s demands for new network interoperability. Dante offers our customers a smart path to AVB. AuviTran is continuously and consistently expanding its product offer in terms of powerful and versatile networking solutions” says Yves Ansade, AuviTran’ s Managing Director.

Audinate is leading the way networks are connected by transporting high-quality media over standard IT networks. Its Dante products deliver a no-hassle, self-configuring, true plug-and-play digital audio network that uses standard Internet Protocols. Dante offers a market leading solution today, while de-risking the future by providing a migration path to upgrade to new standards such as the IEEE Audio Video Bridging (“AVB”).

“We are glad to contribute to the convergence of audio networking technologies and share our expertise with AuviTran” states Lee Ellison, Audinate’s CEO. “Auvitran is one of the more experienced implementers of audio networking technologies, so this agreement is a strong recognition of the market momentum of Dante”.

Thanks to the new AuviTran product range, audio professionals can now use a playful Audio ToolBox to connect various types of interfaces (Analog Line, Microphone, AES-EBU, MADI, ADAT™…) or bridge different audio network technologies. “This is an exciting opportunity for our customers to build their own tailor made products, regardless of the technologies they want to use or the product they want to plug in. We will supply the tools and they will use their talents” adds product development manager Jeremie Weber.

AuviTran’s AxC-DANTE interface card will be presented during PL+S 2012. Hall 8 Booth B19
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About AuviTran
Since 2003 AuviTran has provided audio professionals with innovative networking solutions, using EtherSound technology. With almost 30000 audio network devices supplied worldwide and a unique audio network cross brand control software, AuviTran benefits of a wide knowledge and presence on the Audio Pro market.

About Audinate
Audinate revolutionizes the way that AV systems are connected by transporting high-quality media over standard IT networks. Using Audinate’s patented Dante networking solution, digital media networking just got easy. Audinate’s solution has been licensed by customers across the AV industry and can be found in installations and live sound applications globally. Audinate is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Dante is a trademark of Audinate Pty Ltd. Visit www.audinate.comfor the latest news and information on the company.
Audinate is a registered trademark of Audinate Pty Ltd.

DANLEY SOUND LABS TO EXHIBIT AT PRO LIGHT AND SOUND

1308756190598.jpgFRANKFURT, GERMANY – MARCH 2012: For the first time, Danley Sound Labs will exhibit in Europe and they have selected Pro Light and Sound to be the show where they make their debut. They will be located in Booth #8.0 P93, together with their regional distributor, Carsten Eichstadt at Frankfurt’s Exhibition Centre. Sales manager Paul Giansante, general manager Scott Barker, and consultant (and more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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