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Archive of the Worship Facilities Expo Newslink Category

DAS Announces Lineup of Experts and Case Studies from a Variety of Professions

Multi-Industry Experts Look at the Lifecycle of Assets from Production Through Rights Management

Los Angeles, CA – AMIA continues to add to an incomparable lineup of experts set to present at its acclaimed Digital Asset Symposium (DAS). DAS will be held on May 15 & 16, 2014 at the Linwood Dunn Theater in Hollywood, CA.

DAS is a unique approach that brings together experts from a broad range of institutions and disciplines at the corner where theory and real world experience meet. Understanding that each phase of the digital life cycle impacts the next, DAS explores the different systems used by a variety of practitioners dealing with similar digital challenges. The lineup includes leading experts and focused case studies from studios, entertainment, religious education, production, curation, law and law enforcement. DAS unfolds in an atmosphere of insightful discussions of current projects and the lessons learned along the way. Additional presenters and case studies are being announced weekly.

Law Enforcement Case Study: A Conversation About Authentication
In partnership with LEVA

Jim Hoerricks, Senior Forensic Video Analyst for the Los Angeles Police Department
Law enforcement agencies face incredible challenges as they manage an avalanche of data, video, images, records and nowhere is the need for authentication more important. Jim Hoerricks is a nationally recognized expert in audio, video and image analyst, instructor and best-selling author. Jim will explore the difficulties challenges faced by law enforcement agencies in authenticating and managing massive amounts of digital media within strict legal policies.

Do You Understand Your Digital Liability?
Adam Grant, Apert, Barr & Grant, APLC

Grant, an expert in mobile app law as well as online and digital privacy, will discuss current issues regarding information gathering and privacy case law. He will explore what people need to be aware of now, based on what is coming up in the future, and how to best prepare. The future being whatever case law is currently in litigation or pending.

Archive and Preservation Case Study: Building an Archive-Centric DAM
Rabbi Elkanah Shmotkin, Executive Director for Jewish Educational Media

For the past several years, J.E.M. has been working to build an access system for their archive of video and audio content that could handle all of their metadata needs, as well as be actively used in their research and production environments. The Rabbi will discuss the systems purpose, different file formats used, metadata searching, ability to playback, get user permissions and how the new system dramatically cut down their research and production time.

Law Enforcement: A Case Study in the Challenges Digital Evidence Management
Laura Futrell, Forensic Consultant and DNA Analyst for Santa Clara Police Department

Laura Futrell explores real world issues in dealing with digital forensic evidence, from downloading video interviews, storing mass amounts of crime scene photos, working with the internal IT department and the challenges of online sharing of evidence with the District Attorney.

Miramax: A Keynote Case Study on Digital Rights Management
Denise Evans, Vice President of IT at Miramax and Thomas Coleman, CTO of Film Track

This keynote case study will focus on how after Disney sold Miramax in 2010, an asset management system was developed for their sales team to easily access, gather and track rights to every film in the Disney catalog. Presented with Film Track.

A Conversation About Curation in Digital Archive Management
Tyler Leshney, Executive VP of Corporate Strategy and Development

Leshney will focus on ‘Information Curation’ solutions that are both strategic and indispensible in providing staffing resources, cost management tools, technology platforms and even storage facilities which allow people to solve problems that few vendors are able to address. He will address how to manage the information in digital format, digitize your print assets, tagging and metadata ready to make your digital information more accessible.

Sessions and case studies announced earlier include:

* Flexibility, Inventiveness and Creativity: A Case Study in Data Centric Storytelling
Jacob Rosenberg (Bandito Bros) and Tom Vice (nextLAB)

* Where Has All the Content Gone?
Tom Coughlin in partnership with Creative Storage, Entertainment Storage Alliance

* Digital Rights: Navigating Copyright in a Digital World
Eric J. Schwartz (partner, Mitchell Silberberg & Knupp)

Registration is now open for DAS. Tickets are available at www.DAS2014.org. The two day event includes all panels, case studies, and two cocktail receptions.

Industry partners include; American Cinema Editors, Creative Storage Alliance, Law Enforcement Video Association, Media & Entertainment Services Alliance, Iron Mountain Entertainment Services, Deluxe, LAC Group, Reflex Technologies and Digital Cinema Society.

For further information, visit www.DAS2014.org.

About DAS
DAS addresses the full life cycle of the media asset – from content creation to rights management to assuring asset preservation – with speakers and case studies that address what works in the real world. Each part of the life cycle impacts the next and DAS is the only place where everyone is part of the conversation – content creators, post-production, systems designers, archives, asset managers – where commercial meets nonprofit and corporate meets public.

About AMIA
As the world’s largest international association of professional media archivists, AMIA is uniquely poised to bring together a broad range of experts. Members represent film studios, corporate and national archives, historical societies, labs, post production, universities, footage libraries and more. Because of this diverse membership, AMIA provides an opportunity to interact with every facet of the field and a single forum to address the best ways to preserve our media assets.

# # #

Media Contact:
Chris Purse or Stacey Humphrey
ignite strategic communications
818.980.3473
chris@ignite.bz; stacey@ignite.bz

Opticomm-EMCORE to demonstrate Video Wall driven by Eclipse HD at InfoComm

Alhambra, CA – Opticomm-EMCORE, a leading provider of high-definition video, audio and data transport solutions for Fiber, IP, CATx and Coax networks, will be using the InfoComm 2014 show in Las Vegas on June 18-20 as a platform to demonstrate the quality of the new Eclipse HD as it extends and switches 1080p or 1920×1200 multimedia feeds across a dedicated IP network, sent to a four-panel video wall as example of its capabilities. In addition, other high-quality products for pre- and post-production, live-feed, and Professional A/V will be on display at the booth stand, C7716.

Opticomm-EMCORE will construct a cost-efficient video/audio/data distribution system over an IP network to show design consultants, system integrators and home theater aficionados the painless switching and routing of the new Eclipse HD. This encoder/decoder system provides visually lossless transmission and processing of HDMI 1.3, 5.1 channel audio, RS-232 data and USB HID keyboard/mouse (KVM), over a dedicated Gigabit Ethernet network. A media player, Blu-ray or DVD player, laptop, camera or other HDMI source can send HD signals to the Eclipse HD encoder, which can then be sent to a Layer 2/3 Unmanaged Gigabit Ethernet Switch with IGMP 2.0 (if desired), which lastly can be received by one or more decoders to be connected to single or multiple displays. There are virtually limitless ways to configure a HD matrix by stacking IP switches.

In addition to the Eclipse HD, we will be showing the NV series as a part of the IP network exhibit, which utilizes JPEG 2000 encoding and decoding for lossless DVI, HDMI, and 3G HD-SDI distribution. Also we will also be highlighting, in our booth, the c-linx series, Optiva and GBOX fiber products. The c-linx series are small, stand-alone box units utilizing HDBaseT technology to extend signals for extension up to 100 meters, over CATx. The company will also display the Optiva OTP-1DVI2A1UKM, which has been upgraded with a larger bit-rate of 10GB optics and now supports up to 4K resolution and KVM over a secure, lossless multimode fiber up to 10 km and singlemode fiber up to 25 km. The first in the GBOX Series, GBX-HDMI-VGA, provides for the transmission of either HDMI 1.4b with HDCP and HEAC support, or VGA / Component for legacy stereo analog sources, in a point-to-point configuration. It also supports stereo analog and S/PDIF digital audio, 10/100/1000 Ethernet, bidirectional RS-232 and IR support.

Opticomm-EMCORE’s booth will display the newest and key products that we believe, will cater to consultants and integrators who build and design complex signal network systems and have need of high-quality signal management.

“We are excited to showcase our newest addition to the video-over-IP distribution category, Eclipse HD,” concludes Henok Tafese, Senior Director of Business Development.

Opticomm-EMCORE’s complete breadth of video-over-IP, fiber and CATx/HDBaseT products will be on display at InfoComm 2014, June 18-20, booth C7716 of the Las Vegas Convention Center. For more information, please visit www.opticomm.com, download the EVE/EVD-HD datasheet here, or call 626-293-3400.

FELLOWSHIP BIBLE CHURCH UPGRADES TO DANLEY SOUND LABS

TACOMA, WASHINGTON – APRIL 2014: Fellowship Bible Church in Tacoma, Washington started as a gathering of friends in a living room on July 7, 1977 (7-7-77) and grew over the decades that followed to become a beacon in the community. The church moved into its current 750-seat sanctuary in 1996 and developed an engaging contemporary worship style complete with a small band. However, the church members were long dissatisfied by the sound quality in the sanctuary. So when they recently raised the funds, they sought high and low for the very best sound reinforcement system to replace it. That search took them to Audio Video Electronics, a Twin Cities-based A/V integration firm with extensive experience designing and installing systems based on Danley Sound Labs components. Now, Danley synergy horn loudspeakers and DBH subwoofers provide beautifully articulate, musical reinforcement with even coverage.

“Their old system was in a pretty sorry state when we first arrived to meet and understand their needs,” said Stefan Svard, president of Audio Video Electronics. “They were most interested in getting a new system that would be consistent; Consistent not only in its day-to-day performance, but consistent in its coverage of the seating area. One of the things I really like about Danley is the phase coherency of its designs. It makes for consistent patterns and, perhaps more importantly, remarkably consistent sound quality within that beam. I’ve been a Danley supporter for a long time now, and I’ve really come to believe in [President] Mike [Hedden] and the rest of the company.”

The new system is much simpler than the old system. Three Danley SH-50s comprise a center cluster with a pair of Danley SM-60s providing side fill. A pair of Danley DBH-218 subwoofers generates ample deep bass. Svard used Danley’s modeling software to optimize the positioning and component selection. Three Powersoft Duecanali 3904 amplifiers with integrated DSP power all of the full-range boxes, with a channel to spare for an additional down fill that the church will have funds for in the future. A single Powersoft K20 with integrated DSP powers both subwoofers. A Midas PRO2 console serves as a flexible, easy-to-use front end. “The whole system is much simpler now,” said Svard. “They have a nice console with a digital snake and a clean rack. Although it’s not complicated, it gives Fellowship Bible Church a lot of punch and room for growth.” In addition to the sound reinforcement system, Audio Video Electronics also gave the church a new Vivitek d6010 6000 lumen projector and a 16×10’ pearlescent Da-Lite snap-screen.

“I love that when I cluster the Danley boxes, they act like one large speaker,” said Svard. “Other manufacturers generate comb filtering and lobing, which can cause some nasty feedback when the cluster is above the pulpit. Danley doesn’t do that. Danley gives me excellent pattern control with uniform sound. The clarity of a Danley box is unmatched, in my opinion. The low-end at Fellowship Bible Church is tremendous. We had a few of their new DBH-218s at a much larger, 5,000-seat church in Tulsa, Oklahoma, and they were great. We arranged Fellowship’s two DBH-218s to give some directivity to the low end, which gives them nice on-stage volume and ample bass in the seats. In all, we gave them a premium system all the way across, from the console… to the amps… to the loudspeakers and subs. They’re very happy with it.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

DANLEY SOUND LABS HOSTS TRAINING SESSIONS FOR INTERNATIONAL DISTRIBUTORS

GAINESVILLE, GEORGIA – APRIL 2014: Danley Sound Labs, manufacturer of innovative loudspeaker and subwoofer solutions for high SPL applications, hosted an ongoing series of training sessions for its growing team of international distributors. Key members of Finnish distributor LF Imports came to Danley’s Gainesville, Georgia headquarters in February, followed in March by members of Singapore distributor The Soundsmith and German distributor Carsten Eichstaedt-BLL-Veranstaltungstechnik. Participants engaged in critical listening exercises across a wide range of Danley products, from the flagship SH-50 loudspeaker and BC-415 subwoofer, to the company’s latest offerings, the lobe-free columnar SBH-10 Skinny Big Horn loudspeaker and the fully-weatherized OS-80 loudspeaker. Participants also learned the finer points of Danley’s free, easy-to-use DDT 2D & 3D system modeling software.

“We are developing the international side of Danley and are actively seeking new distributors in key geographies around the world,” said Jonathan “J.P.” Parker, Danley’s director of sales. “We realize that education is critical because, although Danley gets a lot of favorable press, decisions are made on a project-by-project basis, and making decisions about audio is often subjective. After going over the technology behind Danley’s product line, these training sessions give our distributors a frame of reference for the aspects of sound that they – and their customers – should be listening for. Once they have that frame of reference, it’s much easier to explain and show through a demo why Danley offers the better solution. We hope our international distributors can take that knowledge home and effectively convey it in their own culture and language.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.
www.danleysoundlabs.com

(PHOTO CAPTION) (Attendees around the table, clockwise from left) Chad Edwardson – Danley; Carsten Eichstaedt – BLL-Veranstaltungstechnik; Ivan Beaver – Danley; Edwin Ng – The Soundsmith; Nicholas Loe – The Soundsmith; Choon San Ng – The Soundsmith; J.P. Parker – Danley (not pictured).

Challenging Texas Chapel Gets Help from Iconyx

Tyler, TX – March 2014… The Chapel of Saints Peter and Paul opened its doors last year after a lengthy construction project, rewarding this east Texas town with a brand new 13,000 square foot main building, along with a new softball field. The 650 seat sanctuary is a beautiful, classically designed structure with a high peaked roof and plenty of ornate wood, marble, and glass.

“It’s a really impressive architectural design, and the acoustics are ideal for their choir and organ,” explains Jason Brantley, CEO of Longview, TX-based Sound Logic Integrations. “But it’s not so good for the band or for intelligibility.”

The Sound Logic crew was brought in to design the audio for the new building, opting for a system centered around Renkus-Heinz Iconyx digitally steerable array loudspeakers. A pair of IC16-R-II columns mounted on either side of the proscenium covers the entire room.

“We originally specified some acoustical treatment to cut down the reverberance a bit,” says Brantley. “But the budget for sound absorption was cut halfway through the project, and we ended up with about a quarter of the treatment we had planned for. That’s where the Iconyx really saved the day.”

Brantley says the ability to tightly focus the sound toward the seating areas, and away from walls, windows, and other reflective surfaces, was critical to the success of the audio system design. “The band and the choir are not on stage — they’re in a choir pocket that’s stage left. The Iconyx enabled us to take the first beam and push it right past where the choir mic is hung, to eliminate any feedback issues. That kind of precision is something we could have only done with the Iconyx.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

ASHLY AUDIO POWERED PROCESSORS AT CORNELL UNIVERSITY’S SAGE CHAPEL CONDENSING SEVEN FEET OF PROCESSING & AMPLIFICATION INTO SEVEN INCHES

ITHACA, NEW YORK – MARCH 2014: Erected in 1875, Sage Chapel sits near the center of the picturesque campus of Cornell University in upstate New York. It is expressly non-denominational, and its interior is adorned by symbols of all the major and minor religions from around the world. For services and other events, Sage Chapel seats over 700 people, plus a large choir. To help voices carry with intelligibility in the large space, its sound reinforcement system has evolved with the state of technology over the decades. Apart from the chapel’s two organs, the system also provides reinforcement for any musical instruments used. Its latest upgrade condensed seven feet of rack space used for 1990s-era processing and amplification into just seven inches using an Ashly Pema 8250 and an Ashly ne4250pe. Each unit combines Ashly’s Protea signal processing with clean, high-powered amplifier channels – twelve in all.

“We put the previous system in over twenty years ago to deal with issues of intelligibility that were plaguing them at the time,” said Barny Cole, president of Calf Audio, also of Ithaca. “We put in three sets of loudspeakers arrayed in stereo pairs on delays running from the front of the chapel to the back. It delivered great sound quality, but it took a ton of processing to dial in. In those days, that meant a lot of separate rack units to individually equalize and time align each component. That system took seven feet of rack space! The university approached us recently to ask if we could condense all that processing because the closet was coveted by the janitorial staff. Of course, they didn’t want to lean their mops against a bunch of electrical equipment, so if we could condense it down and raise it up, everyone would be happy.”

With its fully-implemented front-end processing capabilities, the Ashly Pema 8250 now takes care of all of the “everyday” mixing and processing chores. It also delivers eight 250-Watt amplifier channels, all within two rack spaces. Because the Pema 8250 also includes line-level outputs from the processing section, it feeds the four-channel Ashly ne4250pe amplifiers with optional processing. All together, the system provides twelve 250-Watt amplifier channels and all of the processing they require in a tamperproof package. “I’m predisposed to choosing Ashly,” Cole admitted. “The company is a close neighbor – they’re just an hour-and-a-half down the road – and I like the individuals who work there. Ashly’s products are famously solid and reliable, and their service is spectacular. Since they deliver all of that at a huge price advantage, it would seem silly to bother with anyone else!”

An Ashly neWR-5 wall panel remote control provides simple selection of several presets. At its most basic, the Ashly Pema 8250 auto-mixes all of the usual inputs. The presets also allow selection of arrangements for other common event scenarios. For more complicated events, a console can patch in and take control of the inputs. Calf Audio is usually called in to provide sound engineer support for those more complicated events.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

ASHLY MIXES IT UP WITH VINTAGE MOS-FET AND NEW AMPLIFIERS TO UPDATE MIDLAND NAZARENE CHURCH

MIDLAND, MICHIGAN – MARCH 2014: Though founded decades earlier, the Midland Nazarene Church in Midland, Michigan moved to its present, 450-seat church in 1970. Although much changed in the four decades that followed, the church’s sound system didn’t change until only very recently. It bore the burden of the church’s increasing use of reinforced music, and equipment slowly succumbed to time and wear. When finally the only things that were still functioning as they had when they went in were a pair of Ashly FTX-1501 MOS-FET amplifiers (circa early 1980s), Midland Nazarene put its renovation out to bid. Nearby A/V integrator Center Line Technologies won the bid, scrapped everything except the perfectly functioning “vintage” Ashly amps, and added new Ashly amplifiers and processing to bring the sound system up to modern standards.

“This was the kind of church that likes to do things for themselves,” said Tony Rogalski, vice president at Center Line Technologies. “As their on-stage needs grew, they added four mini floor monitors for the praise team, two monitors for the pulpit, and two monitors for the musicians. All told, they had eight floor monitors on stage and only two small loudspeakers to cover the congregation. And they were the original two loudspeakers!”

Rogalski replaced those two loudspeakers with a new JBL system comprised of multiple flown loudspeakers and monitors, plus subwoofers. The new system called for vastly more channels, and while he was happy to keep the Ashly FTX-1501 MOS-FET amplifiers in service for monitors, he added an Ashly KLR 5000 to power the left/right loudspeakers and an Ashly KLR 4000 to power the center loudspeaker and the flown monitors. A new Ashly ne24.24M processor with modular I/O now replaces the scant analog processing of the original system. He increased its I/O count to 8×8 to handle all the new equipment. New Shure wireless microphones and an Aviom system provide a robust input set, which the church now mixes with a new Allen & Heath GLD-80 digital console. Rogalski repurposed several of the floor monitors for use in the classrooms that serve as overflow.

“We started working with Ashly processing over fifteen years ago, and it became our go-to processor,” said Rogalski. “Ashly processors never failed, and my field techs consistently reported that they were the easiest to program and gave them the most consistent results. Why mess with that track record? Ashly amplifiers won me over when we started specifying their combined amplifier/processor units. At their price point, it’s like buying an amplifier and getting a processor for free. Ashly amplifiers have proven to be every bit as robust as the Ashly processors that I’m more familiar with.”

He continued, “Midland, Michigan supposedly has more PhDs than anywhere else, and selling them on a system was a bit of challenge because they were all rocket scientists. Because their original Ashly amplifiers had proven themselves, they had no problem with our choice of Ashly for the new amps and processing. They’re very happy with the way things turned out. There is a clarity and naturalness to the sound, and the coverage, which had previously been spotty, is now even and seamless.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.
www.ashly.com

RF VENUE INTRODUCES RF OPTIX™

ASHLAND, MASSACHUSETTS – MARCH 2014: Wireless audio manufacturer RF Venue has released the RF Optix™ RF to fiber optic conversion system, a powerful new tool for mainstream wireless microphone users that expands the possibilities of antenna distribution and wireless audio design.

“RF Optix brings technology from the world of broadcast and IT into the reach of church, school, and theater wireless users,” says CEO Chris Regan. “Integrators, tour managers, and church technicians are now able to do things with fiber that would have been way out of budget, or downright impossible, with coaxial cable.”

The RF Optix system leverages the low cost, lossless characteristics of fiber optic cable over the expensive, fragile, lossy characteristics of coaxial cables. Fiber cable runs thousands of feet long are possible with negligible in-line attenuation, so antennas can be remoted in venues far away from racks or equipment rooms located elsewhere in the facility.

“One of the main constraints for distributed antenna systems for wireless audio is the cost and signal loss challenges of coax cables,” says Regan. “This is especially true for plenum installs, where plenum rated coax can exceed the cost of the entire audio system. With inexpensive plenum rated fiber cables, system designers can now rethink their equipment layouts without sacrificing the huge performance benefit of using a remote antenna system for their wireless system.”

The RF Optix system is offered as a single channel for connecting to one antenna or in a dual channel package for diversity antenna systems. The Install Package includes wall or rack mountable flanges and the Live Package includes a hard-shell carrying case. Both options include 10’ BNC to SMA adapter cables for connecting to antennas and wireless rack equipment; 9V screw-on power supplies are also provided. Available accessories include 100m single mode plenum fiber cables and 100m indoor/outdoor reinforced fiber cables. Custom fiber cable lengths are available.

ABOUT RF VENUE RF Venue is a new wireless audio company specializing in remote antennas, RF distribution equipment and RF signal management and monitoring systems for audio/video installations and live sound events.

http://www.rfvenue.com

Contact RF Venue at 800-795-0817 or email orders@RFvenue.com for further details.

Shotoku Broadcast System To Unveil Revolutionary New Camera Tracking System at 2014 NAB Show

NAB Booth C 8731

Click to visit Shotoku at NAB

Company Set to Showcase Complete Range of Superior Pan & Tilt, Control and VR Tracking Solutions

Staines, UK – Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, is introducing in joint cooperation with ncam, a leading manufacturer that enables virtual production through real-time camera tracking, the revolutionary new ncam Camera Tracking System at this year’s 2014 NAB Show, Booth C8731. In addition, Shotoku will be exhibiting its complete range of advanced robotic camera systems, including its line of pan & tilt heads, control systems and VR camera tracking solutions aimed at all News, Sports and TV Shopping applications as well as systems designed specifically for Government, Legislatures and Houses of Worship. Several significant new product developments will be on show further expanding system capabilities and bringing even more flexibility and cost-efficiency to TV studio operations requiring fully robotic cameras.

The ncam Camera Tracking System features a multi-sensing bar that is unobtrusively mounted on the studio camera and provides real-time data to its associated tracking server. ncam provides complete 8-axis 3D position information via industry standard protocols compatible with any VR/AR graphics system. It is suitable for a wide range of applications both indoor and outdoor, with mounted or even hand-held as well as Steadicam cameras. The system joins Shotoku’s well-established series of advanced encoder-tracking systems.

As part of its range of leading VR camera tracking solutions, the company is also showcasing its advanced TK-53VR crane, which is unmatched in terms of mechanical stability, control precision and tracking sensitivity offering a truly exceptional level of all-round performance for any VR or AR production. In addition, the company’s highly successful TP-90VR full X-Y tracking pedestal will be shown in live demonstrations in the Vizrt booth (Number SL2419).

Easily customizable for government, legislature and houses of worship environments, Shotoku’s robotic solutions, such as the TG-18 and TG-27 pan & tilt heads, height drive and fully robotic pedestal systems feature precise remote control capabilities. The company’s entire range of control systems will be available for demonstration including the TR-HP Hot panel, TR-S legislative panel and the TR-8T touch-screen based robotics control system.

“Shotoku will have an array of products and solutions on display at this year’s NAB show, ranging from the brand new ncam camera tracking system to our technologically superior and robust pan & tilt heads, control systems and VR camera tracking solutions,” says James Eddershaw, sales director, Shotoku. “For years, Shotoku has been leading the way in providing advanced manual and robotic camera support, as well as virtual reality tracking solutions to the broadcast market, and we are looking towards this year’s NAB to reach industry professionals with updates and demonstrations of our various product lines.”

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

VARIA Fills Calvary Chapel with Exquisite Sound

Chattanooga, TN – March 2014…Leaving a rental space for a place of their own was a big step for  Calvary Chapel. Their new campus sits amongst the hustle and bustle of downtown Chattanooga, close to restaurants, hotels, shops and grocery stores, making Calvary Chapel now a visible and accessible part of the community.

In fact, Calvary Chapel’s new home is a converted Bi-Lo grocery store, reminiscent of its former self through the concrete floor and open corrugated metal ceiling. Folding this industrial edge into their contemporary approach, Calvary Chapel cleared the columns and raised the roof, opening up the 100 by 100 square foot space and adding a bit of acoustical treatment to the side walls.

The space seats 750-800 people, in typical fan shaped sanctuary seating, with one center aisle and two on either side. The services are always packed, from Saturday night praise band to late Sunday morning service, where they have an extra 150-200 people in overflow areas, connected via fiber.

Their contemporary services, complete with amplified instruments, fit well into this unique, industrious and sleek aesthetic. Making it sound as good as it looks, with hard surfaced, square dimensions, was a whole other issue; one that couldn’t be solved with a one-size-fits-all solution.

“It was pretty rough when they moved in there three or four years ago,” says Tracy Miller of Chattanooga-based DB Technologies. Calvary Chapel called Miller in for a consultation about a year ago, needing his help in taming and utilizing this new space. Miller had previously demoed the Renkus-Heinz PN102 line arrays in the space, but quickly realized he needed a different approach. “With the liveliness of this particular room, a traditional line array wasn’t the right thing. There was just too much sound bouncing around that place.”

What Miller and Calvary Chapel needed was a line array that could be tailored to fit their needs precisely; from rock bands to sermons, without allowing the square, hard barriers of the Chapel to shape the sound. “I had been wanting to try out the VARIA and this seemed like a good opportunity,” Miller says. “We set up a demo, and it was just night and day. With the VARIA array, we were able to taper the coverage and focus the sound on the seating area, without hitting all those walls and reflective surfaces.”

With left and right three-cabinet arrays of narrow, transitional and wide dispersion boxes, VARIA also fits in well with the pre-existing design of the space, complementing both the industrial and the sleek aesthetics. And, says Miller, the dramatic shift in sound quality made the job easier, even for the Chapel’s new sound guy. “He’s been just getting up to speed on the Roland M400 console, and he usually asks a lot of questions. But we went from nobody in the room to a packed house and it was so smooth, I did not have to go to the console even once.”

Miller recalls, “after the first service, I got a text: ‘we want to keep these.’ And I had the feeling that would be the case.”

 

 

 

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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