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Archive of the Worship Facilities Expo Newslink Category

DANLEY SOUND LABS LOUDSPEAKERS AND SUBS WIN THE SHOOTOUT FOR INCLUSION AT MT. MORIAH BAPTIST CHURCH’S NEW SANCTUARY

CHARLESTON, SOUTH CAROLINA – AUGUST 2013: Lou Jones, president of NBS Media Systems in Charleston, South Carolina, has been working with the members of Mt. Moriah Baptist Church for over twenty years. He helped to design and install their previous three sound systems, each a response to the church’s continued growth. Recently, Mt. Moriah expanded yet again, building a new 2,250-seat sanctuary on its property. Again, Jones and his company helped the church meet all of its audio/visual needs. He arranged a sound reinforcement system shootout, pitting three well-regarded line array systems against a Danley Sound Labs point source system. Danley came out on top sonically and, as a bonus, was the least expensive system under consideration. The church used some of the money it saved to add a few extra Danley boxes, which absolutely guaranteed clear, high SPLs required for the full impact of its energetic gospel services.

“They wanted to be absolutely certain that they would have a sound system capable of delivering high-end, concert-quality SPL and low-frequency output for their full production, which includes a 150-voice choir, drums, bass, guitar, sax, keyboards, B3, and soloists,” said Jones. “And they wanted to be rider-ready for touring Christian acts.” It was destined to be an impressive sound system, and the church wanted to be sure it would get the best components available. At the request of the church officials, Jones arranged a loudspeaker/subwoofer shootout, sequentially bringing in four well-respected manufacturers, including Danley Sound Labs.

Except for Danley, the other three systems were all line arrays, consistent with the size and format of the room. All of the systems sounded good, but the church’s task was to pick the best. “They were impressed by the Danley system,” said Jones. “They liked its warm, hi-fi quality. The subs were also tremendous and more than capable of putting out the kind of solid low end that they were hoping for. They had the money in the bank for even the most expensive of the four systems, so their decision was based purely on performance. Nevertheless, the Danley system would save them some money. In addition, the Danley point-source system affords them better sight lines than they would have had with a line array.”

Engineers at Danley Sound Labs assisted Jones with a system model. Three Danley SH-96 HO full-range boxes provide main coverage in an exploded LCR arrangement. The new “HO” suffix on many of Danley’s full-range loudspeakers denotes a new high-frequency element that allows the entire box to operate at higher SPLs with Danley’s characteristic flat, undistorted response. A pair of Danley SH-95-HOs provide delay on either side, and two more SH-95 HOs deliver down-fill for the choir. Two Danley SH-Micros serve as apron fills, and two SH-Minis fill in the dead zones on the Deacon and Deaconess boxes on the platform. Eight Danley SH-LPMs serve as stage monitors. A pair of flown Danley DBH-218 subwoofers convey ample low end from either side of the stage. The DBH-218 is Danley’s nuanced take on conventional subwoofer design. Finally, forty-five Tannoy ceiling-mounted loudspeakers distribute sound throughout the rest of the building. A Yamaha M7CL accepts 48 of 96 possible inputs at a time, and three Biamp Nexia processors provide routing, crossovers, and loudspeaker conditioning. Crown CTs-Series amplifiers power the system. He system also includes a full compliment of stage microphones and six Shure SLX combo wireless mic systems – each including a Shure SM58 handheld mic and a Countryman E6 head-worn mic with belt-pack.

NBS also designed and installed the HD video system for the project. This system includes three two Vaddio HD-19 and one Vaddio HD-20 1080p remote PTZ camera (and they are adding a fourth), controlled by Vaddio’s joystick controller. Video processing and distribution is done using a Roland V1600HD video switcher. Camera inputs are all HD/SDI and outputs to projectors and flat-screens are DVI. There are five Digital Pro E-Vision 7,000 lumens/WUXGA DLP projectors. Two projectors are “stacked” per side to illuminate 16’x10’ VU Easy fixed screens on either side of the proscenium. The fifth E-Vision projector illuminates a Draper 137-inch 16:10 ratio screen above and in front of the choir seating position and behind the proscenium arch (not visible from the audience). Additional flat-screen monitors are located in various areas on the platform on rolling low-profile mounts so that the celebrants can see the video presentation. There are also flat-screens installed in the Pastor’s Study and conference room with numerous other locations in the building being “roughed-in” for the addition of future displays.

The theatrical lighting system was designed and installed, in partnership with NBS, by High Output with local offices in Charleston and headquartered in Boston. Mark Shore from the Boston office was High Output’s lead engineer and designer on the project.

The theatrical lighting system includes twelve LED Prism Projection RevEAL Profile 14 degree color-changing fixtures at the front of house pipe batten position. There are three lighting pipe battens suspended over the platform area, behind the proscenium with thirty LED Elektralight ElektraLED 1018 color-changing wash fixtures with Source 4 barn doors. The system includes a 1×12 opto-splitter, a programmable wall controller and a Leprecan LPC-96V 96-channel console with touch-screen at front of house.

ABOUT DANLEY SOUND LABSDanley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

ASHLY AUDIO APPOINTS NATIONAL AUDIO SYSTEMS (NAS) AUSTRALIAN DISTRIBUTOR

WEBSTER, NEW YORK – AUGUST 2013: Ashly Audio, longtime American manufacturer of professional audio signal processors, amplifiers, and end-user controllers, has appointed National Audio Systems (NAS) to distribute its products throughout Australia. Headquartered in Melbourne, and with satellite offices in Sydney, Brisbane and Perth, NAS has grown in the fifteen years since its founding to become one of Australia’s most trusted audio suppliers for the professional, commercial, and MI vertical markets. Ashly will join NAS’ prestigious line card, which includes d&b audiotecnik, Midas, Klark-Teknik, Cloud, SoundTube, Listen, Chiayo, and inDesign.

“We are happy to work with Ashly because we like the direction they are heading and the range of products they make,” said Richard Hulston, commercial audio sales specialist with NAS. “Ashly just licensed Audinate’s Dante Digital Network, and they are issuing a new DSP and amplifier series that meet the evolving needs of integrators. We see Ashly as a company developing relevant and new products that will satisfy the needs of our customers. We look forward to developing the Ashly brand within our portfolio and within the Australian market. We will build brand awareness amongst our customers through support and training and establish Ashly as a preferred product.”

“National Audio Systems is small enough to care and big enough to matter, without losing focus on the fact they are in business for their customers and suppliers,” said Anthony Errigo, Ashly’s director of marketing communications. “They have an established reputation of looking out for the needs of their customers and commanding an authoritative knowledge of the latest in audio equipment and trends. We at Ashly are pleased to be partnering with them in Australia.”

ABOUT ASHLY AUDIO
Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

METRIC HALO ANNOUNCES IMMEDIATE AVAILABILITY OF MIO CONSOLE 5.6

SAFETY HARBOR, FLORIDA – AUGUST 2013: Metric Halo announces the immediate availability of MIO Console v.5.6, a free software upgrade for all users of the Mobile I/O family of audio interfaces, including the award-winning 2882, ULN-2, LIO-8 and ULN-8. Version5.6 includes the following new features: I/O inserts for accessing external hardware from within the MIO Mixer, ConsoleSync hardware/software synchronization technology, AAX ConsoleConnect plug-in for compatibility with Pro Tools 11, saving of system boot states and support for EuCon 3.0. In addition to these new features, v.5.6 continues to improve stability and compatibility with current and future versions of Mac OS X.

ConsoleSync is a unique enhancement to the Mobile I/O family that benefits both new and experienced users. ConsoleSync allows MIO Console to read the complete state of any attached hardware seamlessly, automatically and without any disruption of running audio. ConsoleSync auto loads the mixer configuration, complex signal processing chains, Monitor Controller settings, analog I/O configuration and even window layout from the hardware.

With ConsoleSync, new users will experience a dramatically reduced learning curve for accessing the power of MIO Console. Experienced users will value the ability to have MIO Console re-connect to the hardware with exact recall of the current hardware state and no disruption of audio. For live sound and monitoring applications this allows the user to disconnect and re-connect the computer or quit and launch MIO Console without being concerned about introducing dropouts to ongoing primary and backup recordings or to the monitoring paths for talent.

I/O inserts streamline the use of external analog and digital processors within the MIO mixer. This new feature also allows inserting processors that are hosted on the computer directly within the signal flow of the MIO low-latency hardware mixer. This enables the use of host-based reverbs and delays with greatly simplified routing.

This free upgrade continues the Metric Halo tradition of adding value to the Mobile I/O platform as well as enhancing the product for new users. A 30-day money-back guarantee backs Metric Halo’s hardware products so you can try them out in your studio with no risk. All products in the Mobile I/O family are discounted during the Metric Halo 2013 Summer Sale, which runs until September 15, 2013.

Free download from http://mhsecure.com/metric_halo/support/downloads.html

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

HANOI INTERNATIONAL FELLOWSHIP INSTALLS FIRST DANLEY SOUND LABS SYSTEM IN VIETNAM’S CAPITAL

HANOI, VIETNAM: The Hanoi International Fellowship (HIF) is a non-denominational church serving both expatriates and nationals in Hanoi, Vietnam. It draws together a congregation of over four hundred people, representing over forty nationalities. Because many of its members are itinerant or transient diplomats, students, and employees of NGOs, international businesses, and the like, HIF’s congregation turns over more rapidly than the congregations of most churches. HIF recently moved to its first permanent building, and its challenging acoustics demanded exceptional pattern control from its new sound reinforcement system. Singapore-based Soundsmith Solutions Pte. Ltd. designed the new system using Danley Sound Labs SM-80 and SH-micro loudspeakers and TH-mini subwoofers.

The new sanctuary seats just over two hundred people, and HIF’s services are punctuated by a full band playing contemporary music. “Previously, the congregation met at a local 5-star hotel, and the hotel provided them with the usual hotel sound system,” said Pastor Jinggoy of Hanoi International Fellowship. “That system was uneven. It was too loud toward the front and inconsistent throughout the rest of the room. The subs were boomy and the high-end was harsh.” In addition to designing the system, Soundsmith Solutions also supplied the components. Pastor Jinggoy helped coordinate the church’s own contractors to install the system based on Soundsmith Solution’s drawings and specifications.

Edwin Ng, project manager at Soundsmith Solutions Pte. Ltd., commented, “The big challenge in the new space was its very low ceilings. Moreover, it used to be a warehouse, so none of the walls were designed with acoustics in mind. The challenge was compounded by the fact that there were few places to position loudspeakers that wouldn’t interfere with sight lines. The Danley Sound Labs boxes were a very fitting solution due to their low profiles and their exceptional directivity.” The goal was to keep energy on the congregants and off the walls.

Inputs to the system collect at an Allen & Heath GL2400-424 console, which outputs to a Xilica XP8080 digital loudspeaker management processor. In turn, the processor outputs to QSC RMX 4050HD and RMX 5050 amplifiers. Those power two Danley SM-80 loudspeakers that provide main coverage, six Danley SH-micro loudspeakers that serve as delays, and one more Danley SH-micro that fills in the center front. “The SM-80s were ideal loudspeakers for the mains because they are so slim and could be mounted into the wall without any trouble,” said Ng. “Both the SM-80 and the SH-micro are highly directional, which was great for these low ceilings. The sound goes where it is supposed to go and nowhere else! Importantly, that directivity extends down to 400Hz. Moreover, the Danley tone is natural and not at all fatiguing.”

To provide low-end support for the system, Ng included two Danley TH-mini subwoofers, which the installers mounted into the front wall below the SM-80s. “The TH-mini has to be the smallest but loudest sub I’ve ever heard,” he said. “The amount of bass coming out of this box when properly powered is nothing short of amazing. Subjectively, every bass note is tight and punchy.”

He continued, “All together, the new system is way, way better than the system they used at the hotel. Everything sounds clear, crisp, and pleasant to the ears, and it doesn’t matter where you sit. The whole room is evenly covered. Even when the microphones are placed right underneath the center fill Danley SH-micro, there is no feedback. Hanoi International Fellowship couldn’t be happier.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

ASHLY AUDIO PRODUCTS NOW ALLOW USER CONTROL FROM APPLE iPAD, iPAD MINI, iPHONE, & iPOD TOUCH DEVICES VIA KEY DIGITAL’S COMPASS CONTROL TECHNOLOGY

WEBSTER, NEW YORK – JULY 2013: Ashly Audio is pleased to announce that all of its processors and amplifiers with Ethernet or RS-232 control capability are now compatible with Key Digital’s Compass Control Technology, which allows end-user control from Apple’s ubiquitous iPad, iPad Mini, iPhone, and iPod Touch wireless devices. Because many users already own these devices, offering user control via Apple’s wireless iOS products is both cost-effective and convenient. Moreover, the “wow factor” is sure to impress clients and win more work via word of mouth.

The Ashly Audio products that integrate with Compass Control include the ne24.24M modular matrix processor; the ne4400, ne4800, & ne8800 processors; the Protea 3.6SP & 4.8SP processors; the ne800, ne1600, ne2400, ne4250, & ne8250 amplifiers; the nXe & nXp amplifiers; and all Pema integrated processor/amplifiers. “In this age of highly integrated A/V systems, we at Ashly Audio are excited to be able to give our customers yet another means of controlling their pro sound equipment via Compass Control® and Apple iOS devices,” said Ashly CEO Mark Wentling.

“Resulting from cooperative efforts between Ashly and Key Digital, the integration of its audio products within the Compass Control® environment represents a powerful and user-friendly comprehensive solution delivering iOS-based control and entertainment functionality,” said Key Digital’s Vice President of Sales, Michael Lakhter. “The Compass Alliance™ Partners have come together to create a system that has full-driver integration already completed, increasing efficiency for integrators.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

WOODLAWN BAPTIST CHURCH SINGS THE PRAISES OF NEW SR SYSTEM FROM WORXAUDIO TECHNOLOGIES

**** Photo: Woodlawn Baptist Church’s sanctuary ****

Baton Rouge, LA – July 2013… With music becoming an increasingly important aspect of worship services as a means of staying relevant to their congregation, more churches are discovering the importance of quality sound reinforcement. Such was the case at Woodlawn Baptist Church, where an outdated, poorly implemented sound system was hindering the effectiveness of their worship services. As of February, the situation was rectified by the installation of a new system drawn from the TrueLine catalog of Greensboro, NC-based WorxAudio Technologies. more

Iconyx Brings Clarity to the Art of Living Foundation

Boone, NC – July 2013… Founded in 1981 by spiritual leader Sri Sri Ravi Shankar, the Art of Living Foundation has evolved to become one of the world’s largest volunteer-based humanitarian and educational non-governmental organizations. Working with the United Nations Economic and Social Council, the Foundation offers programs dedicated to health, education, eliminating stress, and restoring human values in more than 140 countries worldwide.

One of the Foundation’s most treasured retreats is The International Center for Meditation and Well-Being, located in the lush, rolling hills of the Great Smokey Mountains. It’s an idyllic piece of Planet Earth, where visitors can immerse themselves in the grandeur of nature, while retuning their bodies and minds with yoga, meditation, and organic diet. 

The retreat’s Meditation Hall is a large, multi-purpose space that is used for everything from yoga and meditation classes to dance events and performances. As Jeff Hedgecock, Project Manager for AVI-SPL in Charlotte, NC explains, the room is visually appealing but acoustically challenging. 

“It’s a very large space, very bright and airy and open, with nice high ceilings,” says Hedgecock. “But when they have someone leading a yoga or mediation class, intelligibility is quite an issue. And that’s not a scenario where one wants to shout, so for people at the back of the room it’s very difficult to concentrate on the instruction being given.” 

A single pair of Renkus-Heinz Iconyx IC16-R-II provided an ideal solution for the room’s sonic challenges. “They hold some dance events and performances there as well, so the musical performance of the Iconyx was equally critical,” says Hedgecock.  

The Iconyx’s multiple steerable beams can be individually attenuated to provide uniform coverage and SPL across even the most challenging spaces. “That’s one of the things that’s great about the Iconyx – we were able to steer the beam to make the whole hall sound great,” says Hedgecock.

The design-build system is streamlined and uncomplicated. A Biamp Red One handles simple volume and source selection, with all audio routed directly to the Iconyx columns. As Hedgecock observes, aesthetics was also a consideration here. 

“The fact that we were able to paint the speakers to pretty much blend into the walls was a major advantage for them,” he explains. He points to his own previous experience with Iconyx as instrumental in trying them at the Foundation. “I’ve used Iconyx on a couple of other problematic spaces, and was pretty certain it would be a good fit here.” 

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Markertek is Now a Certified Assembler and Distributor of LEMO’s Well Established 3K.93C HDTV Cable Assemblies (SMPTE)

SAUGERTIES, NY – July 24, 2013Markertek, (a division of Tower Products) has announced that they have been officially certified by LEMO to build and repair SMPTE 311M fiber optic cable assemblies with the LEMO 3K connectors. The LEMO 3K.93C hybrid connector has a compact design with two single-mode fiber contacts, two power contacts and two signal contacts for HD camera interconnection systems. The LEMO 3K.93C is fully ANSI/SMPTE (USA), ARIB (Japan) and EBU (Europe) compliant. Markertek has achieved the highest level of technical excellence in attaining LEMO Certified SMPTE cable assembler status.SMPTE Hybrid Cables

“We are pleased to include Markertek as a LEMO certified distributor/supplier of our HDTV/SMPTE Cable Assembly products”, said Dean Pohwala, LEMO USA General Manager. “LEMO offers high quality in all of our products and we expect a continuation of this quality through the commitment of Markertek.”

“Our SMPTE cables were certified on the first attempt after vigorous testing in multiple environments,” said Chris Fisher, Markertek VP of Manufacturing. “This speaks volumes about our fiber lab and its commitment to quality craftsmanship. Our shop boasts the very latest in fiber optic termination and testing equipment. We are proud to be among a very select group to achieve LEMO SMPTE cable assembler certification.”

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About Markertek
Markertek is a highly specialized broadcast and pro-audio supply house serving the technical side of the media industry with over 60,000 unique solutions at reasonable prices – supported with dependable advice from actual pro-audio and broadcast video professionals. The Markertek catalog has achieved cult-like status among digital media professionals as the ultimate design tool for creating the electronic infrastructure required to produce the majority of primetime television shows, feature films, commercials and chart-topping music hits, as well as all other areas in the audio and video industry.

Markertek is the #1 “Go-To” source in the industry for everything fiber optic including SMPTE Hybrid camera cables, 2-12 channel tactical fiber snakes, fiber rack mount solutions, fiber reels, fiber consumables, specialized tooling and fiber repairs.

Visit www.markertek.com for more information.

About LEMO
LEMO (www.lemo.com) is a global leader in the design and manufacture of precision custom connection solutions. Our high quality push-pull connectors are found in a variety of challenging application environments including medical, industrial control, test and measurement, audio-video, and telecommunications. LEMO has a wide variety of electrical and fiber optic connectors for studio (indoor), harsh field environments (outdoor), audio connectors for microphones and headsets, and power / signal communication connectors for booms and 3D rigging systems.

Shotoku’s Pedestal/Head Systems Elevate Newscasts for Communications Corporation of America Stations

Torrance, CA • KETK-TV, a Communications Corporation of America station and the East Texas NBC affiliate located in Tyler, recently replaced a set of aging and obsolete pedestals with three Shotoku Broadcast Systems TP200/SX300 systems. Naoki Ebimoto President announced the installation from US headquarters in Torrance, CA.

On the air since 1987, KETK-TV provides news for Tyler, Longview, Waco, Shreveport and Baton Rouge sister stations from its Tyler facility. Communications Corporation of America is a leading medium-market broadcast and digital media company with outlets throughout Louisiana, Texas and Indiana.

“KETK selected the Shotoku systems following a fairly extensive research process,” explained Dan Trent, chief engineer at KETK-TV. “Price is always a driver, and Shotoku gives ‘more bang for the buck’”.

Trent continued, “We produce 12 hours of news per day for 5 stations from our Tyler facility, so Shotoku’s TP200/S300 pedestal/head system gets a lot of use. Our former equipment wasn’t capable of up and down movement, and that limited production creativity. The new units change elevation easily, giving operators the freedom to capture a variety of shots and adjust to our different sets. ”

Shotoku’s elegant and ergonomically designed TP200/SX300 Pedestal System is a state-of-the-art configuration ideal for news and production studios. The 2-stage pneumatic pedestal has a maximum payload of over 80kg (177 lbs.) and supports a wide-range of camera configurations. Its perfect balance column and base offer maximum stability and great operational flexibility. One-step foot brake and single-action cable guard enables precise movements and control at all times for fast and easy positioning.

The companion SX300 pan & tilt fluid head offers top class performance with 40kg (88 lbs.) payload and perfect counterbalance/smooth pan & tilt drag to maximize image flexibility.

Added Trent, “The systems have been performing flawlessly; we’ve already experienced a significant improvement over the previous equipment. The operators are very happy.”

The TP200/SX300 systems have been in constant use since their installation.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

# # #

Shotoku contact: Naoki Ebmioto
1-866-Shotoku • mailto:info@shotoku.tv

Press contact: Desert Moon Communications, Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

ASHLY AUDIO PROCESSING AND AMPLIFICATION MAXIMIZE VALUE FOR NEW CHRIST BAPTIST CHURCH SANCTUARY

RALEIGH, NORTH CAROLINA – JUNE 2013: Christ Baptist Church in Raleigh, North Carolina branched off of nearby Providence Baptist Church. For many years, Christ Baptist used a converted office building as their worship center until funds could be raised to build a sanctuary that would serve the needs of the fledgling church for decades to come. That time arrived recently, and now Christ Baptist Church has a 1,200-seat sanctuary with a 150-seat choir. A/V integration firm Provision Audio/Video Services of Rolesville, North Carolina designed and installed a first-rate sound reinforcement system for the new sanctuary, relying on Ashly Audio amplifiers and processing, along with a custom Ashly GUI to give the church reliable, high-performance audio for the long haul.

“Christ Baptist Church is a very traditional Baptist church,” said John Linden, managing owner of Provision AVS. “Their music is primarily orchestral and choral with a sixteen voice organ. The church wanted an appropriate acoustic space to support their worship style.” A digital snake from the stage feeds a DiGiCo SD9 digital console at FOH. The main sound reinforcement system is comprised of a pair of Renkus Heinz ICLive-Dual steerable column arrays. Two Danley TH-212 subwoofers provide deep low-end support while simultaneously delivering “tight low-end that punches,” in the words of Linden. A pair of Ashly KLR-3200 dual-channel amplifiers, each running in bridged mono mode, power the subwoofers.

“We went with Ashly amplification based on its sound quality and value,” said Linden. “They have a low-noise floor and clean output. Ashly’s great range of options and formats, including big, beefy amps like the KLR-3200 allowed us to order the power we need. On Ashly’s ne Amplifiers, we can add DSP as needed and specify the input configuration. The ne Series includes networking capability. It’s like having a huge menu of options, and we can pick exactly the right combination of features so as to maximize system performance at the minimum cost. Reliability is also a factor. In the many years we’ve been using them, we’ve had very few problems. In fact, we have never had an Ashly amp fail.”

Two Ashly ne8800 Protea DSPs provide all of the necessary processing for the main system. To complement the formats on the upstream devices, one is outfitted with standard analog inputs, whereas the other is outfitted with AES/EBU digital inputs. One ne8800 handles all of the processing requirements for the main system, including the subwoofers. The other handles all of the processing requirements for the floor monitors and satellite systems. “The sound quality on the Ashly processors is impeccable; they’re very musical,” said Linden. “They’re easy to program and operate and are a remarkable value for the church.” In addition to input control at the DiGiCo console, the FOH operator can remotely control the Ashly DSP via multiple pages of intuitive, custom GUIs that determine the operation of the main system and the various systems that support it.

Four K-array KV50 miniature column loudspeakers powered by an Ashly ne800 amplifier provide front- and side-fill for the main system. Thirty-three 70-volt SoundTube SM31 loudspeakers cover the choir loft. An Ashly ne8250.70pe not only provides power, its optional on-board DSP allowed Provision to custom tailor the frequency and dynamic response across eight separate zones in the choir loft. Similarly, an Ashly ne4250.70pe amplifier with optional DSP controls an overflow system in the adjoining Fellowship Hall. Finally, a pair of Ashly KLR-2000 amplifiers powers the smaller systems in the adjacent choir room and the gathering hall.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

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