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Archive of the 3D Presentation Category

Saran Media Chooses SterGen to Bring 3D Sports to Turkey

(Istanbul, Turkey) SterGen Hi Tech Ltd. and Saran Media—a premiere sports broadcast and entertainment rights distributor in Istanbul, Turkey—have signed an agreement to use SterGen’s patented real-time stereo 3D conversion platform to make 3D sports programming available to Turkish broadcasters and mobile carriers. more

InfoComm International to host Future Trends Summit at ISE 2013

Eve-of-show gathering returns to provide actionable intelligence on markets, technologies and customer needs

For the third year in a row, InfoComm International will host a one-day Future Trends Summit the day before the Integrated Systems Europe 2013 tradeshow.

Running from 11.00am to 5.30pm on Monday 28 January, the Summit programme will be moderated by Clive Couldwell, Editor of AV Magazine.

In a departure from tradition, the day will be divided into three fresh and distinct segments. Part 1, Future Customer Needs, will comprise an end-user panel including AV users from a number of market sectors including corporate, education and healthcare. Part 2, Future of the AV Business and Market, will offer a glimpse into how the world of systems integration will look in 2015 and beyond. And Part 3, Future of AV Technologies, will provide an overview of the cutting-edge developments likely to impact on integration businesses in theyears to come.

Scott Wills, CTS-D, CTS-I, InfoComm’s Director of International Education and Member Services, says the Summit holds a unique place within the conference and education programme at ISE.

“While other events deep-dive into a particular aspect of technology or a particular application, Future Trends takes a comprehensive look at our industry from a number of different viewpoints – consultant, integrator, end customer and more. We discuss market opportunities, disruptive technologies and outside threats, offering a complete picture of the future of AV to today’s business leaders.”

Aimed as in previous years at C-Level owners and managers, Future Trends promises not just industry insight, but actionable intelligence for delegates to take away from the day.

The programme will be driven by InfoComm’s 2012 Global Market Definition and Strategy Study (MDSS).

“If you are keen to get some input on how to position yourself or your company over the next three to five years, the Future Trends Summit is for you,” adds Wills.

“We will hear from end users in growing vertical markets about what their specific requirements will be in coming years; from some of the hottest industry experts about which markets will shrink and which will grow; from innovators positioned at the cutting edge of technology.”

Visitors are encouraged to register early. Pricing and more details about speakers can be found at: www.iseurope.org/futuretrends/

IMT Delivers Media Private Cloud for Visual Data Media Services

Rhozet and EMC Isilon Scale-out NAS Essential in New Transcoding Workflows with Big Data Storage

Integrated Media Technologies, Inc. (IMT) has designed and implemented at Burbank’s Visual Data Media Services (VDMS) a new high performance transcoding system and shared storage workflow.  Key components in the new VDMS install are a Rhozet Carbon Coder transcode farm from Harmonic, Inc., combined with EMC Isilon’s no compromise scale-out NAS to create a large private cloud for asset management services.

John Trautman, CEO at VDMS, explained, “With IMT’s guidance, we have launched the backend infrastructure for our new and proprietary  asset management system that provides global broadcast file distribution and web publishing of all our clients’ digital assets.  With an optimized transcode platform and a large private cloud for storage, it makes managing and moving assets a straightforward and automated process.”

Pictured in Burbank, CA is John Trautman, CEO of Visual Data Media Services.

Visual Data Media Services has earned a solid reputation for quality, service and dependability by providing integrated end-to-end post-production solutions for over 15 years.  To meet the ever-evolving needs of television, feature film, and new media clients, VDMS focuses on the seamless repurposing and distribution of content for all media outlets, including Domestic Syndication, Network Broadcast, International Distribution, Home Video, Video-On-Demand, the Internet, and Mobile Devices.

As the industry transitions from physical asset inventories and distribution to digital catalogs and deliveries, it is increasingly difficult to manage assets and meet tightened delivery windows.  With a multitude of file formats, codec’s, and non-standard delivery platforms to deal with, the traditional methods no longer worked.

“We met with VDMS to determine the best of breed solution that would meet their workflow and performance needs,” explained IMT’s Jason Kranitz.  “Rhozet Carbon Coder was the most flexible of the transcoding products and fit their model nicely.  For the most comprehensive storage solution, Isilon provided the scalability and flexibility, plus the ultra-performance of their new X200 nodes.”

According to IMT’s Director of Architecture Jose Palencia, “The EMC Isilon system at VDMS accelerates high-concurrent and sequential throughput media applications, speeding access to massive amounts of critical data, dramatically reducing costs and complexity.”

The new Harmonic Rhozet and EMC Isilon X200 installation at VDMS enables clients to manage and distribute their content in a secure online environment.  Key features include customizable metadata schemas, file downloads, push files via Aspera, Smartjog and Signiant, full online asset screenings, and unlimited user access for client screenings to assist in licensing content.  All major formats and codec’s are supported.

“We realized we had to completely redesign our operation if we wanted to satisfy our clients and continue to grow at our current rapid pace,” remarked VDMS’s John Trautman.  “After many meetings with vendors at trade shows and interviewing a number of consulting companies, IMT clearly stood out.  They fully understood our complex workflows and gave us the media and storage networking solutions that are working flawlessly.  Obviously, we were under a time crunch, but after IMT’s strategy was finalized, we were able to get the entire project turned around in less than 60 days.”

ABOUT VISUAL DATA MEDIA SERVICES, INC.
Visual Data has earned its reputation for outstanding quality, service and dependability by providing integrated end-to-end post-production solutions for over 16 years.  Visual Data’s veteran management team, with over 85 years of combined industry knowledge, ensures that customers will be met with a high level of service and efficient turn-around on tight deadlines. Strategically integrated services, all under one roof, allow Visual Data to fulfill complex deliveries and solve difficult problems for clients with ease.
Learn more at:  http://www.visualdatainc.com

ABOUT INTEGRATED MEDIA TECHNOLOGIES, INC. (IMT)
IMT is a consulting, design, construction, and systems integration company providing scalable technology systems for business operations.  IMT addresses three major market sectors: Communications Media & Entertainment (CME), Information Technologies (IT), and Healthcare. Through an active engagement process, IMT consultants and engineers collect, interpret, refine, design, build and maintain technology systems that deliver optimum results for clients.
Learn more at: http://www.imtglobalinc.com    tel:  877.761.9770

 

Christie Surpasses 26,000 Digital Cinema Projector Milestone

Christie announced that it has shipped and installed more than 26,000 digital cinema projectors worldwide, led by the firm’s DCI-compliant Christie Solaria™ Series 2K and 4K projectors, from the popular Christie CP2220 and Christie CP2230 workhorses to the CP4220 and CP4230 thoroughbreds.

Christie’s news follows on Texas Instruments Incorporated (TI) (NYSE: TXN) announcement today that in the 12-month period between December 1, 2010 and November 30, 2011, the number of DLP Cinema® screens worldwide grew to a total of 51,620 for an increase of 84 percent. As part of TI’s announcement, coincident with the Cine Asia 2011 conference in Hong Kong, TI awarded a commemorative plaque to Christie customer, United Circuit Cinemas, Shanghai Film Group.

“The versatility and convenience of our one-stop shopping approach based on our deep understanding of exhibitor needs has won us new customers across the globe. Christie continues to be the exhibitors’ choice for financing options like our innovative Virtual Print Fee (VPF) program in North America, leading edge-hardware and software and unparalleled support from Christie’s Managed Services,” said Jack Kline, president and chief operating officer, Christie Digital Systems USA, Inc.

“All of this enables exhibitors to deliver a filmmaker’s vision today in 2D, 3D, 4K and future-proofs their investments for 3D High Frame Rate (HFR) projection quality, depending upon the movie’s format and our clients’ budgets and audience expectations,” added Kline. “Combined with display support for 2D, 3D, 4K and 3D High Frame Rate (HFR) projection, exhibitors can choose between formats to suit their budgets and audience expectations and deliver a filmmaker’s vision or broadcast content the way it was intended while future-proofing their investments.”

Contributing to the total were projectors shipped to a score of exhibitors across the globe in November 2011, including units bound for Canada, Costa Rica, China, France, Japan, Mexico, Poland and the United States.

Not Resting on Success
Since 1999, Christie has been the dominant leader and expert in digital cinema projection. More than 12 years ago, Christie introduced the world’s first digital cinema projector, the Christie DCP-H, followed by the Christie CP2000 series and, most recently, the Christie Solaria™ series for both 2K and 4K resolutions. In addition to product launches and technology firsts, Christie was selected for the first large scale digital cinema deployments in all major regions of the world, including Europe, the Americas and Asia Pacific.

In keeping with its technology leadership and reputation for innovation at the service of its customers, the Christie Solaria™ Series solutions are being continually improved and expanded upon, with recent announcements including:

• Christie’s Solaria V.2.2 software application, to include Christie Previsto™ High Frame Rate (HFR) technology, among other firmware upgrades, which will allow Christie Solaria Series 2 projectors to accept video content at frame rates as high as 48 and 60 frames per second (FPS) per eye in 3D and up to 120 FPS in 2D;

• A fully integrated media block (IMB) solution with 4K and HFR capabilities that is physically integrated into the projector, becoming an integral part of the display device, giving the Christie IMB a secure, high bandwidth connection that can manage HFR and 4K content without compromising image quality;

• The new Christie Avias-TMS™, a Theater Management System (TMS) software application that allows exhibitors to centrally manage and orchestrate all of their projection operations within a cinema multiplex – regardless of the diverse projector, servers or operating systems (OS) in use.

All Christie projectors are designed to meet Digital Cinema Initiatives (DCI) specifications. They feature a new modular architecture for improved serviceability and ease of maintenance, with up to 25 percent lower cost of operation than competing technologies.

Cinemas Guzzo Choose Christie for Digital Cinema Projectors

Les Cinémas Guzzo (“Guzzo”), one of Canada’s leading independent chains and the largest privately owned cinema chain in Quebec, is going 100 percent digital with its recent purchase of projectors, support and services from Christie®. The contract includes the Christie CP2000ZX, Christie CP2000-SB, Christie CP2210, Christie CP2200, and Christie CP2300 projectors. It also includes the upgrading of 27 screens to the Christie CP4220 and Christie CP4230 4K projectors.

With installation managed in-house – supported by Christie – the conversion of all 142 Guzzo screens is planned for completion by April 2012.

“In addition to the terrific image quality offered by digital projection, the conversion will give us more flexibility in the types of presentation we can offer, such as 3D and 2D, and more personalized pre-show and alternative content,” says Vincenzo Guzzo, executive vice president and chief operating officer, Cinémas Guzzo. “It will also help us decrease booth labor cost.

“With Christie, we get first-class service and great after-sale support. It’s also a bonus that their manufacturing is centered in Canada, since that means few border-crossing issues. We’ve been with Christie from our first installs in 2008, so we know they’re the most reliable choice for this project.”

Dave Muscat, senior director of sales, Christie Canada, said, “Christie is honored to help Cinémas Guzzo make this pivotal transition to digital, with best-in-class product and flexible, customized service. Christie is committed to meeting the needs of all exhibitors, including independents. We have earned more than 85 percent of Canada’s digital cinema exhibition market through our commitment to long-term partnership with our customers.”

Services as Well as Projectors Included
Guzzo has committed to working with Christie Managed Services in support of sourcing, integrating and validating hardware that enables Managed Services to remotely monitor and manage Guzzo’s digital cinema projection environments. Included with the hardware will be Library Management Servers that hold the feature films, advertisements, trailers and other digital content for playing on multiple screens.

In addition, Cinémas Guzzo will use Christie ACT™, a theater automation controller to automate presentations in some of its theaters. Christie ACT translates cues from connected devices to control most theater equipment including lighting, curtains, sound, masking and projectors. Christie ACT is accessible on any networked computer, laptop or handheld device using any web browser.

Christie Projectors “To the Rescue” at Comic Con in Javits Center and Avery Fisher Hall in New York City

For preferred Christie® dealer Digital Media Systems, Christie digital cinema projectors were the real “heroes” at the recent New York Comic Con convention and for a special preview of Martin Scorsese’s highly anticipated “Hugo” at Lincoln Center’s Avery Fisher Hall. The company provided powerful Christie DLP Cinema® projectors exclusively to screen the latest films for some of the world’s most demanding moviegoers.
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IOGEAR Advances HD and 3D Wireless Streaming with new Digital A/V Kit

The latest A/V streaming kit wirelessly transmits 1080p HD / 3D video content and 5.1 digital audio up to 100 feet, through standard walls.

Foothill Ranch, Calif. – November 9, 2011 – IOGEAR, a leader in convergence through connectivity products, announces the Wireless 3D Digital Kit (GW3DHDKIT), which reduces cable clutter and provides flexible and reliable 1080p HD and 3D wireless streaming for up to two rooms. Relying on the 5GHz wireless spectrum, the Wireless 3D Digital Kit does not require a line-of-sight placement, and delivers uncompressed full 1080p, 3D content and 5.1 digital audio up to 100 feet (figure assumes ideal wireless conditions).

The IOGEAR Wireless 3D Digital Kit consists of a transmitter and receiver with connections that allow it to stream standard, HD or 3D resolution content from up to two HDMI® enabled devices. Included with the kit are an IR blast cable, a remote control, and two power adapters. To add a second room, one HDTV can connect directly to the transmitter’s loop-through (local) port, while a second HDTV simultaneously receives content via the wireless receiver. A “Floating HDTV” can be set up by connecting two HD or 3D media sources to the wireless transmitter while a wall-mounted TV receives content from the connected wireless receiver.

The Wireless 3D Digital Kit is housed in a sleek black casing with rounded edges, giving it a modern but understated appearance. The unobtrusive transmitter, receiver, IR blast cable and remote control underscore just what a powerful device the Wireless 3D Digital Kit really is. Streaming high-bandwidth 3D and 1080p content up to 100 feet is made possible by the use of 5GHz technology, which is generally less susceptible to network interference and can carry more data than its 2.4 GHz relative.

By supporting devices such as 3D Blu-ray and DVD players, DVR/set-top boxes and game consoles, the Wireless 3D Digital Kit allows users to keep their components neatly out-of-sight and keep the focus on their celebrated HD or 3D TVs. Perfect as a DIY retrofit solution, the built-in Infrared (IR) pass-though allows user control over source devices that are hidden away in a different location. Additionally, the GW3DHDKIT is HDCP 2.0 Compliant and requires no software or driver installation.

“Our Wireless 3D Digital Kit advances the technology of streaming A/V content and is a perfect fit for those who already have a 3D display or are planning to get one,” said Bill Nguyen, Senior Marketing Manager for IOGEAR. “The GW3DHDKIT offers an easy, affordable way to stream both HD and 3D entertainment discretely with multiple retrofit and installation options.”

For its initial launch, the Wireless 3D Digital Kit will be available online at Costco.com. A nationwide roll-out that includes shopIOGEAR.com, brick and mortar retailers and online resellers will happen in later in Q4 2011. MSRP of the Wireless 3D Digital Kit is $379.95.

For more information on IOGEAR and its connectivity solutions, please visit: www.iogear.com. Follow IOGEAR on Twitter, the company blog, and become a fan on Facebook for additional industry, company and product details.

About IOGEAR
IOGEAR, headquartered in Foothill Ranch, Calif., manufactures innovative Home Electronics and Information Technology solutions that enable convergence through connectivity. Founded in 1999, the company develops products that help integrate technologies, share resources, decrease clutter and energy consumption, and reduce electronic waste. IOGEAR distributes throughout North and South America, Europe and Asia.

The company emphasizes the conservation of natural resources to both employees and customers through its GREEN initiatives program and “Road to a Million Trees” campaign. In partnership with Trees for the Future, one tree is planted for every product purchased on the IOGEAR site or through an IOGEAR GREEN initiative partner.

(c)2011 IOGEAR. All rights reserved. IOGEAR and the IOGEAR logo are registered trademarks or trademarks of IOGEAR. Other company and product names may be trademarks of their respective owners.

projectiondesign® F35 AS3D – world’s highest resolution 3D single chip DLP® projector now available


WATCH THE VIDEO ABOUT THE F35 AS3D HERE.

Fully uncompressed 3D at up to 1,920 x 1,200 pixels and 120 Hz for superior imaging and performance.

Further consolidating the Norwegian manufacturer’s reputation for innovation in display technology, projectiondesign® announces that its F35 AS3D – the world’s highest resolution Active Stereo 3D DLP® projector – is now available for immediate shipping.

With up to 1,920 x 1,200 pixel resolution at full 120 Hz refresh rates, the F35 AS3D displays fully uncompressed 3D with more detail than any projector in its size, price and performance category, creating the best and most life like 3D experience available anywhere.

“One of the real user benefits lies in the deployment of our newly developed dual bandwidth imaging”, says Anders Løkke, Marketing Director at projectiondesign. “With double the image processing speed of competing products, we are able to display pictures that do not rely on compression technologies, thus outputting full image detail and accuracy without artefacts.”

Particularly useful for scientific visualization, virtual reality, visitor attraction and training and simulation applications, these higher detail levels allow users to make quicker and better-informed decisions, saving them both time and money.

The F35 AS3D is based on the already popular F35 wqxga model – the highest resolution DLP projector available for commercial use. Roger Carver, manager of DLP’s front projection business at Texas Instruments, developers of the DLP imaging platform, comments: “The F35 wqxga was a stunning technological achievement – now the F35 AS3D version takes this innovation to a new level of image detail. We are proud to be associated with such ground-breaking engineering by a manufacturer that is consistently pushing the boundaries of industry imaging standards and excellence.”

The F35 AS3D features a wide range of specifically designed high resolution projection lenses and incorporates projectiondesign’s unique RealColor™ colour management suite for perfect on-site calibration and unmatched colour accuracy. Natural and precise colours add to the high-resolution performance of the F35 AS3D, and image quality can be guaranteed over any number of projection channels.

The projector offers brightness levels up to 7,500 ANSI lumens, a range of configuration options, and seamless switching between 3D and 2D. Additional benefits include user adjustable Smear Reduction Processing that reduces motion artefacts in high-speed imaging – yet another key feature for simulation applications.

As with all projectiondesign professional projectors, the F35 AS3D benefits from up to five years of full 24/7 warranty availability and is incorporated into the company’s ProNet asset management software suite.

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WATCH THE VIDEO ABOUT THE F35 AS3D HERE.

www.projectiondesign.com

Christie Launches New Christie AVIAS-TMS™ Theater Management System

Christie® has introduced the new Christie Avias-TMS™, a Theater Management System (TMS) software application that allows exhibitors to centrally manage and orchestrate all of their projection operations within a cinema multiplex – regardless of the diverse projector, servers or operating systems (OS) in use.
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Easy to install and simple to use, Christie Avias-TMS™ can be accessed from any location through a standard Web browser, offering management the ultimate freedom and flexibility to conduct theater operations from an office or home PC, tablet computer or iPad. Its many features reduce the costs and inefficiencies of managing digital projectors separately. For example, the web GUI allows centralized scheduling of all content, devices and Key Delivery Messages (KDMs), including a drag and drop playlist to allow rapid changes based on changing customer demands.
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“The Christie Avias-TMS™ is an exceptional overseer of cinema time management,” said Don Shaw, director, product management, Christie Entertainment Solutions. “It is ideal for theaters of all sizes, with multiple digital screens and hardware platforms, because it provides an easy-to-read dashboard interface that highlights in real-time all projector and screen statuses, as well as the overall progress of each playlist playback. Theater managers don’t have to move from station to station to manage devices and KDMs. They can remotely start, stop or pause any show on any screen from a single location.”
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Collaboration with Arts Alliance Media Praised
In creating Christie Avias-TMS™, Shaw emphasized the collaboration with long-term industry partner, Arts Alliance Media (AAM), Europe’s leading supplier of a host of digital cinema technologies and services. “In keeping with Christie’s practice of incorporating tried-and-true third party solutions into some of our products to quickly deliver immediate benefits to our customers, the core of our TMS was built on AAM’s current, strong TMS offering,” noted Shaw.
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Howard Kiedaisch, CEO of Arts Alliance Media, added, “We have worked with Christie since we first started in digital cinema and have always looked for ways of enhancing our partnership. As a manufacturer of digital cinema projectors, Christie boasts its own impressive engineering and development group, so it was only natural that the two of us as leaders in the industry would collaborate to the benefit of exhibitors across the globe.”
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Shaw also noted that, while TMS solutions offered by some server manufacturers are often ‘thrown in’ with the deal, “You get what you pay for, because these so-called ‘free’ solutions tend to limit the exhibitor to one brand of server, effectively preventing the exhibitor from using existing or new hardware from other manufacturers.”
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Christie Avias-TMS™ is all about choice for the exhibitor; it is OS and hardware neutral and does not mandate the expense of a specific Library Management Server (LMS). Furthermore, it fully supports all DCI-compliant DLP Cinema® projectors and servers, so it can be integrated seamlessly into any existing theater system.
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“Like a conductor leading the orchestra, Christie Avias-TMS™ provides full control of every facet of a theater’s operation, allowing the freedom to run with the most cost-effective hardware for each of the screens that make up the digital cinema system,” said Shaw. “No matter how many screens you are managing, the Christie Avias-TMS™ is the perfect solution for getting the job done with a minimal amount of effort.”

Christie Previews Innovative Integrated Media Block (IMB) Solution at ShowEast

Advancing its leadership position in addressing the exhibition industry’s transition to 4K and high frame rate (HFR) projection standards, Christie will preview a fully integrated media block (IMB) solution with 4K and HFR capabilities, designed to meet Digital Cinema Initiatives, LLC (DCI) specifications, at ShowEast.
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Designed and manufactured by Christie, the world’s leading provider of digital cinema projectors, the Christie IMB works with all of Christie’s Solaria™ Series 2 projectors to provide an integrated solution from a single, trusted equipment supplier. A key feature of the Christie IMB is that it utilizes industry-standard, off-the-shelf storage devices, unlike other media blocks that typically require expensive, proprietary storage solutions.
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Also, featuring complete MPEG2 and H.264 support, the Christie IMB allows exhibitors to display a larger variety of alternative and advertising content, fully streamed from the same storage device that holds the packaged cinema content. The complete, all-in-one projection system that results will provide unparalleled value, will be more reliable than third party solutions, and will give exhibitors ultimate confidence in their long-term investment decision.
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“Most current digital projector installations utilize a media block in an external server that is linked by cables to the projector. This creates bandwidth limitations that impact picture quality and inhibit the overall system’s ability to maintain and display video at higher frame rates and increased pixel resolution,” observed Don Shaw, Director, Product Management, Christie Entertainment Solutions. “The Christie IMB overcomes this challenge by physically operating within the projector. It becomes an integral part of the display device, creating a secure connection that can manage the high bandwidth required for HFR and 4K content without compromising image quality.”
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Shaw noted that the IMB design reduces complexity because it eliminates the need for an exhibitor to support varied servers and IMBs currently on the market from different manufacturers, on their different screens. Christie achieves further integration by embedding its Screen Management System – the control interface for the projection system – directly into the IMB.
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“Christie now offers a groundbreaking, single projection solution that converts and delivers packaged feature film content within a secure, DCI-compliant environment, while providing the option to upgrade to full HFR capabilities. And because we also manufacture the projector that forms the keystone of our advanced digital cinema solution, we eliminate compatibility issues that could potentially occur in media blocks from third party suppliers, especially following regular software upgrade cycles,” observed Shaw.
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Designed for Exhibitors by the Engineers That Know Our Projectors Best
The design of Christie’s IMB is grounded in a solid understanding of a projector’s software, thermals, vibrations and internal power supply; the type of knowledge one would expect from the world’s largest sole-source supplier of digital cinema projectors. It comes in three versions to suit your particular needs – a 2K/2D/3D standard frame rate model, that can be easily upgraded to support 2K/2D/3D high frame rates and, beyond that, an all-inclusive upgrade that adds 4K support.
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The Christie IMB, designed to work with all Christie Solaria Series 2K and 4K projectors, plays perfectly with Christie Previsto™ HFR, a technology that enables the upcoming Lord of the Rings prequels and Avatar sequels to be played by exhibitors on single projector systems, exactly as intended by the filmmakers. Choosing a Christie IMB today ensures that, with a simple license key upgrade, an exhibitor is ready when the first HFR feature film, The Hobbit, is released in December 2012.
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For more information on higher frame rates, visit www.higherframerates.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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