A virtual press conference from Sound & Video Contractor

Archive of the 3D Presentation Category

ASK Proxima Partners With Stampede For Its Projection Products

ASK Proxima, manufacturer of high-performance LCD and DLP® projection displays, today announced the appointment of Stampede Presentation Products, Inc., North America’s oldest and largest distributor of high value added ProAV solutions, to sell ASK Proxima’s full line of projectors to its customer base of 11,500 dealers.

ASK Proxima brings a wide range of presentation and display solutions to the installation, business and ProAV markets. From short- and ultra-short throw projectors to large venue and standard business projection products, ASK Proxima has a variety of feature-rich and network solution-ready projectors to fit just about any need. Stampede will enhance ASK Promixa’s aggressive new approach to the display industry, with competitive pricing, warranties and support.

“Stampede is an excellent fit and partner for our line of projectors,” said Sam Malik, vice president and general manager of Sales and Marketing for ASK Proxima. “We’re very pleased to have partnered with them. Stampede has an excellent reputation with the IT and ProAV communities, and their strategically located warehouse across the U.S. and Canada will help dealers get quick access to ASK Proxima products when needed. Their people are very knowledgeable and ready to help their customers. With our line of projectors, it will be even easier to help select the right model for their needs.”

“We’re honored to be appointed by ASK Proxima to represent their entire product line in the U.S.,” said Stampede president and COO Kevin Kelly. “Our 11,500 dealers pride themselves on being able to offer their customers the very best presentation solutions for use in corporate, education, fixed installation, and increasingly, digital signage applications, and ASK Proxima offers superior performing solutions for each of these critically important, and growing, market segments. We look forward to helping the ASK Proxima team exceed all of their sales objectives.”

Broadcast Pix Announces fX3D Real-Time 3D Graphics System

Billerica, Massachusetts – Broadcast Pix™ today introduced fX3D, a real-time 3D graphics system designed to build dynamic graphic content for live events, sports, broadcast news, or channel branding. Designed as a standalone graphics system for existing broadcast infrastructures or as an addition to Broadcast Pix Granite™ or Mica™ integrated production switchers, fX3D makes it easy to create and playout high-end graphics. fX3D will be available at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev., and is one of several new products that will be demonstrated by Broadcast Pix.

The fX3D system includes three software modules that create a simplified end-to-end graphics workflow. fX3D Creator software provides an intuitive interface to design and create graphic content, complete with a built-in 3D modeler. Lights, shaders, movement, and materials on 3D objects can be controlled in real time and in resolution independent HD. fX3D API allows the system to be controlled through Broadcast Pix switchers, and also allows integration with third-party products, such as broadcast news systems.

fX3D Playout is a template-based rundown controller that brings completed graphics to air. Assets can be searched using a variety of parameters, including keywords and date. fX3D Playout also allows manual or automatic graphic content updates via external resources, including RSS feeds or XML files, and supports multi-resolution output.

“Many of our customers have expressed interest in a powerful but affordable high-end graphics system, and our answer is fX3D. From designing and creating graphics to updating information within those graphics and then taking those graphics to air, fX3D does it all,” explained Steve Ellis, general manager, Broadcast Pix. “It is a complete graphics solution, so you never need to leave the application to get results that rival what you see on national networks.”

The hardware behind fX3D is the real-time fX3D Engine, which provides the power to create and repurpose 3D graphics simultaneously. Housed in a 3 RU chassis, the Windows-based, single-channel system will also be available in a dual-channel configuration. Plus, a high efficiency broadcast model with dual power supplies and support for higher pixel counts will be available in May.

fX3D system pricing starts at $15,995, though modules can be purchased separately.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Granite, and Mica are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

Hyphen and University of Guelph to Share Technology, Innovations, and Services

Hyphen, the most comprehensive rapid prototyping and environmental testing facility open to the public in North America, has announced a partnership with the University of Guelph, one of Canada’s top universities. The partnership will provide Hyphen with access to the equipment, applications, and research at the university’s Digital Haptic Lab (DHL), a design and prototyping facility that focuses on the use of haptic devices which enable physical manipulation of digital information.

In exchange for the lab’s technology, researchers and students from the university will have access to Hyphen’s additive manufacturing technology and expertise at significantly-reduced pricing. This will make 3D printing and environmental testing processes more accessible for research projects and will support even further innovation, with a focus on bringing together art and technology.

Left to right - Mark Barfoot, John Phillips and Christian Giroux

The partnership is the latest to be cultivated by Hyphen with local educational institutions as the company looks to broaden the awareness of additive manufacturing among students and raise the profile of Canadian capabilities within the additive manufacturing industry at large. In addition to the use of the DHL, Hyphen’s partnership with the university also includes the placement of an interactive product shelf at the entrance to the DHL. Made of all printed parts, the shelf design will tell the story about the breadth of Hyphen’s technical and creative expertise, as well as the philosophy of innovation that characterizes how they approach each of their client’s projects.

“The DHL is predicated on collaboration and innovation – on top of Hyphen’s technical expertise, this is what stood out to us about them. Hyphen has an incredibly collaborative spirit and goodwill in sharing its resources with our lab. It’s a rare commodity among private sector companies,” said Christian Giroux, lead researcher at the DHL. “We’re very happy and excited about this partnership and what we’ll be able to achieve using Hyphen’s additive manufacturing processes to develop working prototypes and find solutions to our researchers’ design problems.”

The applications for Hyphen’s capabilities are endless. The Hyphen team can produce components with complex designs and intricate detail affordably and, in some cases, with similar functionality and finishing as production parts, enabling speed-to-market by reducing the design life cycle of a part. Designers and manufacturers can review prototypes of a design and make adjustments quickly and cost-effectively, contributing to a higher-quality end result.

Exploring 3D printing’s multiple uses
“The use of 3D printing is applicable across all of the research streams we work with at the university, including art, engineering, robotics, biology, horticulture, and aerospace,” said John Phillips, Design Engineer and Manager of the DHL. “Typically, you use the tools you have at your disposal to find solutions to design problems. With our new partnership with Hyphen, we now have access to a greater set of tools so we will be able to offer a greater variety of solutions to our researchers. This will dramatically change the way we approach and tackle problems and opens up new possibilities for how we combine the use of 3D printing with haptic technology.”

“Advances in rapid prototyping and 3D printing are opening up new ways of thinking and doing things within the manufacturing industry worldwide. People are starting to see the significant benefits, including speed and efficiency, of taking a computer generated model and turning it into a physical object as part of the design and review process,” said Hyphen Managing Director Mark Barfoot. “Our partnership with the University of Guelph will allow us to explore new applications for additive manufacturing within industries such as the arts, agriculture, veterinary and health care, while supporting research work through the university. This is a great way for Hyphen to educate others on the benefits of additive manufacturing, and to demonstrate the depth of Canadian knowledge and expertise within the additive manufacturing industry. We are excited to work with arts, science and engineering teams through this partnership and look forward to pushing the boundaries of rapid prototyping together.”

In addition to educational institutions, Hyphen also actively seeks out partnerships with large and small companies to further stimulate innovation and advances in industries that are progressively embracing the advantages of rapid prototyping.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: 3D Presentation, Education, News |

Christie to Demo Breakthrough 3D Cinema Technology For Premium Cinema Experiences with Latest ‘6-Primary’ 4K Laser Projector

Christie® today announced upcoming demonstrations of the world’s most advanced laser projection architecture and Dolby® 3D, to be held in the Christie Innovation Theaters throughout CinemaCon 2014 (Caesars Palace, March 24-27) and the National Association of Broadcasters NAB Show® (Las Vegas Convention Center, April 5-10). Christie DLP Cinema® laser projectors using 6-Primary (6P) color laser modules, earmarked for mass production in early 2015, will show how 3D light levels, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, especially when combined with advanced separation technology like Dolby 3D, versus conventional 3D systems found in cinemas around the world today.

“Recent declines in domestic 3D movie attendance are a sign that the novelty is wearing off, with audiences less willing to pay a premium for what is all too often a mediocre experience. The lackluster quality of this experience results from a number of technical limitations with current 3D system architectures, the most serious one being restricted light levels that amount to only 10-30 percent of those levels achieved for 2D presentations,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions. “Simply put, the movies are too dark, leaving audiences struggling to discern critical details that make up the image in front of them.”

“Christie’s latest laser projection technology, using 6 specific primary colors rather than filtered or polarized broad-spectrum white light, brings dramatically improved 3D efficiency to projection systems, regardless of the size of screen in premium movie theaters,” added Shaw. “We believe that this is the future of 3D cinema projection, that it is right around the corner, and that it will be a key element in boosting 3D box office revenues around the world. Our CinemaCon and NAB Show demonstrations will be the first 6P laser events available to the broad cinema community, from filmmakers to exhibitors, and reaffirms Christie’s 80-year commitment to cinema innovation, rather than ‘moving beyond digital cinema’ as some other industry players have promised.”

At least twice as efficient as today’s best 3D systems, Christie’s 6P laser projectors generate a proprietary mix of photoptically-optimized light wavelengths for each eye directly from the source, in effect eliminating the need for a highly inefficient stage of filtering or polarizing the light as it leaves the projector. The Christie demos will use Dolby® 3D glasses specifically engineered to exactly match the 6 primary laser light wavelengths to yield nearly 90 percent light efficiency. “Their color separation based technique for 3D is well regarded as the gold standard among industry professionals, especially for its true color reproduction, compatibility with low-gain white screens, and superior crosstalk performance – only now it can be part of a system that is tremendously more light efficient,” said Shaw.

“Dolby 3D’s advanced color separation technology is ideally suited for next generation laser projectors,” said Doug Darrow, Senior Vice President, Cinema, Dolby Laboratories. “With extremely high light efficiency, nearly no crosstalk and crisp images with vibrant colors, we believe Dolby 3D combined with laser projection produces the best possible 3D viewing experience for audiences.”

“Having had the opportunity to witness an early 6P laser demo at Christie’s worldwide center for engineering, research and development in Canada, I can confidently state that this is an exciting and important innovation in 3D cinema,“ said Matt Cowan, Co-founder & Senior Technical Advisor at Entertainment Technology Consultants. “I look forward to further refinement of this technology and upcoming installation in premiere theaters around the world.”

Consistent with efforts so far in developing 3-Primary (3P) laser projectors, which Christie sees filling important needs in several, non-cinema industries, Christie laser projectors will provide industry-leading brightness (up to 72,000 Lumens per projector head), wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications. As part of its largest research and development program ever, Christie will continue to develop superior 6P and 3P laser projection solutions for all of its global customers.

Specific to the development of cinema laser projectors, Christie leads the industry in this area, having announced last year that it would supply and install the world’s first commercial laser projection solution for the Seattle Cinerama Theatre, and that it was the first to receive a US FDA approval of variance allowing the sale and installation of laser projectors in movie theaters and other high performance projection venues.

Hoyts Chile Chooses Christie for their Conversion to Digital Cinema

Christie®, a world leader in digital cinema projection, is pleased to announce that it has been chosen by Hoyts Chile, the leading screening chain belonging to Grupo Chilefilms, to digitize its 127 35mm theaters distributed across 23 complexes throughout the country. The agreement includes the installation of digital cinema projectors from the Christie Solaria™ Series, the Christie Avias-TMS™ Theatre Management System and select Christie Vive Audio™ cinema sound systems.

To carry out the digital theater conversion process, Hoyts Chile released a private technology tender in which it invited the most distinguished suppliers in the industry to bid. “In the end we chose Christie because their business proposal was the most complete, attractive and aggressive,” stated Juan Carlos Arriagada Mons, General Manager of Cinecolor Chile, Grupo Chilefilms division that provides technology services for all business units of the group.

“Christie knew how to interpret our planning, appreciated our apprehension with technological changes and financing needs and they pledged their commitment to a close, long-term relationship. Their offer was not limited to supplying projection equipment only, but they also guaranteed immediate access to spare parts, lamps, new technologies and financing in a long-term contract,” added Juan Carlos Arriagada Mons, Cinecolor Chile.

Hoyts Chile has a long business relationship with Christie. In fact, in mid-June of 2012, the color correction/projection theaters of Cinecolor –the post-production division for images, sound and cinematographic laboratory of Grupo Chilefilms with presence in Mexico, Colombia, Brazil, Argentina and Chile – was equipped with Christie CP2220 projectors.

Craig Sholder, VP, Entertainment Solutions at Christie, said “We are delighted that Hoyts Chile has once again put their trust in our projectors for their digital theater roll out, which is proof of the confidence and respect that theater professionals have for Christie. Today the digital cinema projectors that Christie manufactures have the largest worldwide market share because exhibitors recognize that our projectors, in addition to having exceptional image quality, offer the best light efficiency and the lowest operating costs”.

Christie will supply Hoyts Chile with a variety of DLP Cinema® projectors, such as Christie CP2215, Christie CP2220 and Christie CP2230, as well as the Christie Avias-TMS™ Theatre Management System (TMS), which allows the screen operators to centrally control and organize all projection operations from a multi-screen theater.

Furthermore, Hoyts Chile will equip three of their theaters with the innovative Christie Vive Audio™ cinema sound solution, which they will use along with a leading immersive audio platform, Dolby® Atmos™.

“Christie invited us to several demonstrations of the Vive Audio technology, where we were able to witness and systematically measure the extraordinary distribution of the sound pressure throughout the audience, which substantially improves the intelligibility of the dialogue (with respect to cone-based speaker systems) and the uniform distribution of sound in the theater, greatly decreasing the rebounding that causes interference,” said Juan Carlos Arriagada Mons.

Hoyts Chile’s roll out, which will take place through a Virtual Print Fee (VPF) agreement with GDC Technology, began in January of 2014 and it is expected to be completed by November of this year, including the digitalization by Christie of the new theaters that Hoyts Chile plans on opening in 2015 and 2016, which could number as many as 30 screens.

Camplex Introduces New HDMI to Fiber Optic Converter

SAUGERTIES, N.Y. – February 24, 2014 - Camplex, a worldwide leader in the design and manufacture of professional broadcast fiber optic interface gear, today announced the availability of a new HDMI to Fiber Optic Conversion System. The CMX-HDMIF accepts HDMI and converts it to ST Fiber allowing the signal to be sent over 10 miles using low cost fiber optic cable. The cost effective Camplex complete converter system is perfect for extended use of HDTV, LCD monitors, digital projectors, plasma TV’s and other equipment requiring HDMI to Fiber conversion.Camplex CMX-HDMIF HDMI to Fiber Optic Conversion System

“Taking into account the low cost of fiber we wanted to provide a simple solution to extend HDMI signals over long distances,” said Dan Coscarella, Product Manager at Camplex. “The Camplex HDMI over Fiber conversion system delivers broadcast results. With ST Fiber connectors and a locking power supply the CMX-HDMIF gives you the added assurance that you’re always connected.”

The Camplex HDMI to Fiber Optic Conversion System is available for pre-order now and is expected to start shipping on March 10th. To learn more about the CMX-HDMIF and other Camplex products visit www.camplex.com.

# # #

About Camplex
Camplex is a popular broadcast industry manufacturer of fiber optic based camera adapter systems and other broadcast grade fiber optic interface gear. With our unique modular design philosophy, you can add high bandwidth, long length easily deployable fiber to any camera – from broadcast to pro-sumer at dramatically lower costs than other professional systems. Unlike other systems, our fiber optic equipment is instantly swappable to any camera. Camplex supports all formats including 4K and Ultra HD production.

Camplex is exclusively distributed by TecNec Distributing and is available through the entire TecNec dealer network and online at Markertek.com.

Christie 3D Visualization Solutions Chosen for Virtual Construction Simulation at Toronto’s George Brown College BIM Lab

One of Canada’s largest and most diverse colleges, Toronto’s George Brown College, chose Christie’s visualization solutions for its Building Information Modeling (BIM) Lab in the Centre for Construction and Engineering Technologies (CCET), at the Casa Loma campus. Students, industry professionals and business partners can use the BIM Lab to create digital 3D models and view them on a custom Christie-designed display solution, powered by three 120Hz stereoscopic 3D DLP® Christie Mirage WU7K-M projectors. The new immersive simulation space supports the College’s mission for continued innovation, enhanced practical and theoretical teaching and learning, as well as staying ahead of trends and technology in the construction industry.

Christie-designed Immersive Space at George Brown BIM Lab


BIM is a global term referring to a technology process where collaboration and knowledge sharing takes place, but when the creation of a simulated virtual reality exists, stakeholders can visualize facilities, operational issues, designs and construction. George Brown College understands that using the latest technology can facilitate learning and prepare their students for the future. Clint Kissoon, chair of CCET’s School of Architectural Studies and the Angelo Del Zotto Construction Management, said, “After detailed benchmarking, several meetings and seeing firsthand the Christie CAVE™ installed at Pennsylvania State University, we knew that a BIM lab was the way of the future, and that the Christie solution was the direction we wanted to take to create a fully immersive environment. The lab will advance skills today and in the future and fill a skills gap in the construction industry.”

Kissoon added: “Christie’s proposal came in within scope, budget and procedural requirements to enable us to conform to the Federal Economic Development Agency’s procurement processes and receive the grant for the project. The help we got from Christie really put us in the position to get what we wanted.”

Christie’s advanced stereoscopic Mirage WU7K-M projector, with WUXGA resolution at 6,300 ANSI lumens from dual lamps delivers crisp images, vibrant colors, uniform brightness, and with Christie Twist™, the user can control warping and blending so that the image fits any dimension or shape.

Christie 3D visualisation at George Brown College BIM Lab


“The Christie Mirage M series projectors are compact, highly efficient, and provide a low cost of ownership,” said Zoran Veselic, vice president of Visual Environments, at Christie. “They are the ideal solution for immersive simulation displays like George Brown College’s BIM Lab and other post-secondary institutions that are considering an enhanced learning and training environment through 3D visualization.”

Thought to be a first of its kind at a community college or university in Canada, the state-of-the-art facility provides learning opportunities that will cover all aspects of virtual design and construction — from project procurement to building processes and facility management. According to Pietro Ferrari, professor and coordinator, School of Architectural Studies at George Brown College, “What we’ve done with this screen in the BIM Lab is to position GBC to offer a program of BIM-related courses, including a post-graduate BIM Certificate program, that’s extremely deep and much more extensive than what other institutions are offering across Canada.”

CAST BlackTrax and Trinity Fellowship Church to present ‘Lights. Camera. Tracking!’

CAST BlackTrax delivers on ROI, increased creativity and systems flexibility

Appealing to large-scale event and production professionals, Paul Braile, BlackTrax expert at CAST BlackTrax Ltd and Michael Wells, executive director of operations at Trinity Fellowship Church, Texas will present the ‘Lights. Camera. Tracking!’ seminar at PLASA Focus: Nashville 2014 at room Mezzanine 27 at The Nashville Municipal Auditorium, TN from 12:00 to 13:00 on Tuesday, 18th and Wednesday, 19th of February.

Trinity Fellowship Church in Amarillo, Texas utilized BlackTrax motion tracking system in its 3,750 seat auditorium integrated with live performers, lighting, sound, multi-media and video for its 2013 Christmas Program and beyond.

“Visitors will walk away from the seminar with an in-depth understanding of how our production has deployed BlackTrax bringing significant ROI as well as lighting, logistical and creative benefits,” explained Michael Wells, executive director of operations at Trinity Fellowship Church.

“BlackTrax is key to our presence at PLASA Focus: Nashville 2014,” said Bruce Freeman, chairman at CAST Group. “We will offer visitors outstanding education as well as hands-on experience of our innovations, opening their use for future projects.”

In addition to the company’s education initiative, CAST will exhibit its revolutionary BlackTrax, wysiwyg and Vivien technologies at Booth 201 at PLASA Focus: Nashville 2014 from February 18 to 19, 2014.

All seminars in the Professional Development Program at PLASA Focus: Nashville 2014 are free to attend. Interested parties are encouraged to register early for the ‘Lights. Camera. Tracking!’ seminar at http://www.prereg.net/2014/plasaone/.

For enquiries about the BlackTrax Solution please contact bt@blacktrax.ca or visit the website at www.blacktrax.ca.

www.blacktrax.ca

MassAV Creates ‘Ultimate Production Snake’ by FiberPlex

It’s lights, cameras and a whole lot more action for massAV as a result of a new FiberPlex Technologies optical snake recently added to its linecard.

The live event AV staging and production company in Billerica, Massachusetts, purchased FiberPlex’s WDM optical multiplexer to create what massAV Director of Operations Aaron Raymond calls the ultimate production snake. “We build a lot of very high end video systems, and when you start adding multiple lines of HD video along with audio, data, lighting and control for an event, it really has to be fiber,” he said, adding, “We’d been limited in our use of fiber until now because it meant having to set up an optical transmitter and receiver on every single channel, and that got expensive.”

Now, with FiberPlex’s WDM-8 active wave division multiplexer, massAV can multiplex eight discrete signals at 3 Gb/s each for transporting video, audio, lighting and control feeds onto one fiber pair.

The FiberPlex WDM multiplexer comes in 16-channel and 8-channel models and are on a cost parity with copper and copper’s associated installation and handling expenses. As the cost of copper cabling continues to rise, companies like massAV are going the fiber optic route to transport large volumes of content. Optical fiber has ten times the transference rate of copper at the high end and can transmit data error-free over greater distances by a 400:1 ratio.

“The FiberPlex multiplexer makes it so that we can run eight channels on the same fiber pair as opposed to dealing with the different types and sizes of copper cabling as well as the need to re-clock signals every couple hundred feet for longer runs,” explained Raymond.

As a result, massAV is able to replace 2,000 pounds of copper cabling with a 25-pound spool of fiber optics for large events, a savings that is realized by its corporate and other live event customers in reduced labor, setup time and transportation costs to truck in and set up copper cabling at events.

Multiplexing media and control signals onto one, 1/4-inch optical cable is also ideal for events that require running cables down hallways, across doorways or through public areas where bulky copper cabling is not practical, said Raymond.

massAV recently tried out the new multiplexer for a 1,500-person event with a main stage, two control areas, and 26 video projectors in the air – all tied together via the ultimate production snake consisting of little more than a spool of fiber optic cabling and a pair of WDM multiplexers. The setup involved multiple lines of data, video, audio, lighting control, intercom communications, and serial communications between equipment.

FiberPlex’s eight-channel WDM-8 and sixteen-channel WDM-16 multiplexers use interchangeable SFP/SFP+ modules for interfacing to a variety of gear and environments, including converting between media formats SD-SDI, HD-SDI, 3G-SDI, and 6G-SDI and for HDMI/DVI, 10/100/1G Ethernet and MADI, as well as full duplex and BiDi optical. massAV’s new multiplexer provides the flexibility now and into the immediate future as new media requirements change, noted Raymond.

FiberPlex recently took to the road to conduct a 25-city demo tour of its active wave division multiplexers as the ultimate production snake (check with a local FiberPlex representative for details). FiberPlex makes fiber optic products and systems for government agencies as well as for houses of worship, corporate facilities, broadcast applications, and K-12 and higher education.

Cirque du Soleil Relaunches Varekai as an Arena Show using BlackTrax

Streaming realtime tracking data keeps the lights on the performers

The Cirque du Soleil’s Varekai, which has been touring the world since 2002, returned to Montreal, Quebec in December 2013 for its re-launch as Arena Shows. The production team proposed to lighting designer, Nol van Genuchten the deployment of the BlackTrax realtime tracking solution from CAST BlackTrax Ltd for moving light tracking of performers.

Improving production efficiency

“As lighting designer for the very first edition of Varekai, it’s great to be working on it again as it evolves. With the new arena tour, Varekai is hosted at a different location each week and presents its own lighting challenges allowing me to adapt the lighting to ‘the arena’ of each new environment,” said van Genuchten.

“We introduced BlackTrax as an operational efficiency and cost saving tool as well as a way of calibrating lighting highlights to track performers on the stage area. BlackTrax works by accurately tracking people and objects using a proprietary infra-red sensor and a LED beacon that is attached to a performer giving positional information for X, Y, and Z coordinates.

“Using BlackTrax we placed a tracker and beacon and designated certain fixtures to track certain performers throughout the show. At each venue of the Arena tour, BlackTrax quickly calibrates moving lights making sure that the performer and high-res light beam control is used, and that the beam of light is kept at minimal width,” added van Genuchten.

BlackTrax enhances creativity

As well as significant recurring cost savings, BlackTrax became interesting as it gave van Genuchten and Varekai more creative control with lighting.

“With BlackTrax, I had a lot more freedom to create and place highlights on performers within the imagery and doing so in a way that I couldn’t have done with a traditional follow spot.”

“The BlackTrax software interface is very well developed and the physical practicality of creating trackable LEDs and beacons worked well. What’s more, BlackTrax is supported by a very good technical team at CAST that were there to assist us with any queries we had.”

“BlackTrax is a very powerful tool for the future,” concluded van Genuchten.

Gil Densham, President and CEO of CAST Group Group said: “Did you know that in English “Varekai” means “wherever”, which also describes the renown of Cirque du Soleil for its highly creative, hugely artistic entertainment and clever leveraging of technology to consistently deliver magical results! BlackTrax is the solution that makes possible seamless, spontaneous creativity + artistry + technology – its job was to simplify. Nol and the creative team of magicians + artists used hot-wired technology to help spin a thrilling, vibrant and colorful yarn. And, we are pleased that BlackTrax played its part by streaming the critical, precise, target coordinates to lighting technology in realtime so the planned creative effects augmented the artistry.”

www.blacktrax.ca

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

July 2014
M T W T F S S
« Jun    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication