A virtual press conference from Sound & Video Contractor

Archive of the 3D Presentation Category

Christie and Display Development Partner at CEDIA Expo 2013

Christie® and Display Development are partnering at CEDIA Expo 2013, taking place September 26-28 in Denver. The show’s theme: “Evolving Technologies in the Integrated Home” will highlight the executable tools and the right type of focused resources to help users adapt and evolve their business and own the network and the home.

Christie M Series Projector


Among the systems at Display Development’s booth # 3812 are various projection displays, as well as high definition flat panel solutions that can be installed both in-ceiling, in-wall, and out-of-doors, even in harsh environments.

Featured solutions include the Christie M Series 3-chip DLP® projectors and the Christie FHD551-W outdoor flat panel, a weather-resistant display with optically-bonded glass that allows for countless signage possibilities both indoors and outdoors. The Christie FHD551-X 55-inch high definition flat panel with ultra-narrow bezels for a near-seamless display and the optional Corning® Gorilla® Glass will also be a highlight.

Combining unparalleled image quality with a low cost of ownership, the versatile Christie M Series of 3-chip DLP® projectors delivers exceptional results in numerous applications. Available with WXGA, SX+, HD and WUXGA (1920 x 1200) resolution while providing up to 10,000:1 contrast ratio, the industry-leading and dependable Christie M Series also feature Christie Twist, which enables edge-blending and warping.

Rugged and versatile, the 55-inch Christie WeatherAll FHD551-W, a professional grade full HD (1920 x 1080 resolution) solution, is designed to perform in a wide range of applications including outdoor sporting venues, outdoor live events, theme parks, wayfinding, resorts, transportation, and other outdoor environments not typically applicable with standard LCD panels.

Ideal for a variety of large-format, tiled display wall applications, the Christie® FHD551-X is a professional grade LCD flat panel with full HD resolution, an ultra-narrow bezel and an energy-efficient LED backlight.

The partnership also includes the Christie CP4230 DLP® Digital Cinema® projector. Fully DCI compliant, the Christie CP4200 platform is the only 4K DLP® solution able to provide the world’s most brilliant 3D images, the highest level of content security, and the easiest adaptability, operation and maintenance.

“Display Development is recognized for its striking and architecturally elegant solutions to residential display systems that exceed the expectations of even the most discerning clients,” said Bryan Boehme, senior sales manager, Christie. “Christie is pleased to provide its award-winning digital projectors and flat-panels to help expand Display Development’s offering with a new series of superior visual displays that combine the company’s technical and design expertise with the power and performance of Christie digital solutions.”

Christie technology will also be at the Stewart Filmscreen booth with a Christie D4K2560 on display while the show’s Digital Cinema demonstration area features the Christie CP4230.

IBC2013: Vizrt to display new graphics workflow, non-conform video workflow, live sports interactivity, social tv integration, 4k rendering and IP streaming

At the International Broadcasting Convention (IBC), Vizrt will display tools to increase graphics and video productivity, dramatically enhance live sports broadcasts, and streamline production workflows in its booth (Hall 7, Stand A10). IBC2013 will be held from September 12-17 in the RAI convention center in Amsterdam.

Among the highlights will be new technology that allows designers to run Viz Artist with a remote connection to a powerful cloud computer. A press conference on September 13 at 8am in the RAI’s news conference room will present full details of this development and other top news from Vizrt.

Rendering power

Viz Engine, Vizrt’s real-time 3D compositing system, has increased its rendering capability beyond HD to 4k. Vizrt will display the breakthrough 4k rendering capability of the Viz Engine at the IBC show.

Viz Engine has been enhanced further with IP-streaming capability. This allows broadcasters to stream multiple formats and resolutions simultaneously, speeding the creation of online and mobile graphic and video content.

Non-conform video workflow

Merge graphics and video into a single workflow with Viz Engine and Viz Media Engine. Journalists search, edit and place graphics and video together in their native newsroom control system. Viz Engine then renders video and graphics together at the moment they are triggered to air. This non-conform workflow allows the journalist to change graphic content up until the moment the video and graphics are played on air. It also allows the graphic and video content to be played in a variety of formats in real-time from the Viz Engine for multiplatform distribution. Viewers on mobile devices, online, and on-air have the best possible viewing experience without the delay caused by transcoding.

Enhanced editing workflow

Viz Media Engine includes an extension panel to Adobe Premiere Pro CC that enables Premiere Pro users on both Mac and Windows to search and access media held within Viz Media Engine without leaving the Premiere Pro interface.

Control room automation

Vizrt will display the integration between Mosart automation and Viz Engine. When combined with the Vizrt end-to-end graphics and video workflow, the Mosart automation system provides a complete package for the entire newsroom workflow from the news editorial process to live on-air production. With the Viz Engine real-time compositing capabilities added to the Mosart automation system, an operator can drive complex transitions and studio effects from a single interface.

Redefining live sports graphics

With Viz Arena, broadcasters can superimpose animated 3D graphics, text, video, logos, images and animation over the live coverage of a sports event. The graphics remain in place, regardless of camera movement. The 3D graphics appear to be part of the live coverage.

Viz Libero, Vizrt’s 3D virtual sports enhancement and analysis system, will be presented at IBC. Version 5.5 offers Virtual SloMo, Virtual Presenter, and integration with the Grass Valley K2 Summit media server and K2 Dyno replay system. Viz Libero uses the existing camera feeds to create 3D flights and virtual perspectives. It features interactive telestration and annotation tools along with an intuitive user interface.

Social TV integration

Vizrt’s Social TV solution will be demoed at IBC with several new integrations and enhanced developments with some of the leading social media companies including partners never.no, MassRelevance, Applicaster and Promotheus. The Vizrt Social TV solution allows broadcasters to monitor, filter, approve, and harvest user generated content —such as tweets, Facebook posts, RSS, and Instagram photos. Build playlists or carousels of selected social content to display within live Vizrt graphics and send to air.

Complete online workflow

New at IBC Vizrt will display the Vizrt Online Suite integrated with Viz Media Engine. This integration gives journalists the ability to search all assets contained within Viz Media Engine from the Vizrt Online Suite CMS. MOS rundowns can also now be viewed within the Vizrt Online suite CMS.

A cross-platform implementation between the Viz Media Engine and Vimond’s over-the-top TV toolset will enable broadcasters to control their video content across multiple platforms and monetize their content online.

About Vizrt:

Vizrt provides real-time 3D graphics and asset management tools for the broadcast industry – from award-winning animations & maps to online publishing tools. Vizrt’s products are used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, the BBC, BSkyB, Al Jazeera, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, Times Online, The Telegraph, and Welt Online. Furthermore, many world-class production houses and corporate institutions such as the Stock Exchanges in New York and London use Vizrt systems.

Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154. For further information please refer to www.vizrt.com

Seattle Cinerama Selects Christie for World’s First Permanent Cinema Laser Projection Installation

Purchase follows on heels of US FDA approval of variance for Christie, allowing the sale of laser projectors for use in cinema; notably the first and only such variance approved for a manufacturer of DCI-compliant cinema projectors

Christie®, a global leader in digital cinema projection, is pleased to announce that it has been chosen to supply and install the world’s first commercial digital laser projection solution at the Seattle Cinerama Theatre, located at 2100 4th Avenue in Seattle, WA. The purchase order is for a 4K Christie digital laser projector, with scalable light output up to 60,000 lumens.

“When hi-tech visionary Paul G. Allen bought the theater in 1999, he gave Cinerama full rein to innovate in order to provide our community with a cutting-edge movie going experience,” said Cinerama Theatre Manager Greg Wood. “Selecting a laser projection solution – with its ability to render 2D and 3D movies with stunning clarity and brilliant, accurate color rendition – is in keeping with this tradition.

“We were excited by demonstrations of the technology earlier this year by Christie and we are looking forward to welcoming this reliable and brilliant laser projector installation to our space.”

Christie recently received the first US FDA approval of variance allowing the sale of laser projectors for use in a cinema, which is the first and only such variance to date approved for a manufacturer of DCI-compliant cinema projectors.

Said Jack Kline, president & COO, Christie Digital Systems USA, Inc., “Cinerama has a long history of innovation and our latest projector will empower the theater to take the audience experience to the next level. A laser projector is a significant investment for any cinema and the fact that the Seattle Cinerama has chosen Christie to help this venue continue in its capacity as one of the world’s premiere movie theaters is a great vote of confidence.”

Site scoping and technical evaluations will begin in August, with an anticipated switch over from conventional digital projection to the latest Christie digital cinema laser projector planned for early next year.

Noted Dr. Don Shaw, senior director, Product Management, Christie Entertainment Solutions, “Cinerama’s huge screen requires the best and brightest in digital cinema projection technology, so it can demonstrate how spectacularly a moviemaker’s vision can be realized when shown at high contrast ratios and intense light levels. This in turn will yield an entirely new and naturally immersive experience for the average moviegoer and aficionados alike. We know that Christie laser projection will deliver beyond everyone’s already-high expectations.”

Christie Laser-Projection Timetable Continues Apace
Christie has a history of innovation without equal in the cinema technology world. For example, most recently and for two full weeks beginning March 28, 2013, Christie joined forces with AMC and Paramount Pictures to project G.I. JOE: RETALIATION in the ‘first’ commercial exhibition of a 3D movie at brightness levels of 14 foot lamberts (ft-L) using laser projection. It was the first ever opportunity for the general public to enjoy compelling, immersive 3D images delivered at 2D light levels.

As well, in 2012 Christie showed select exhibitors in Asia how 72,000 lumens could be achieved, in a demonstration of its prototype laser projector in Beijing. That screening followed the September showing at IBC 2012 in Amsterdam of Hugo 3D – the first CPG (Cameron Pace Group) certified movie –introduced by Dr. Shaw, along with noted stereographers, Demetri Portelli and Corey Turner (‘Transformers: Dark of the Moon’). The movie was then projected using Christie’s 4K laser projector prototype.

Christie hosted its first laser projector demo for cinema industry luminaries including Douglas Trumbull, Gordon E. Sawyer Academy Award winner, at its High Frame Rate Summit held in its manufacturing and engineering headquarters in Kitchener, Ontario in April 2012.

Christie intends to introduce a wide range of laser projectors building on core technologies and architectures, to power applications for the digital cinema, pro AV, visualization and simulation markets, throughout 2013 and beyond.

About Seattle Cinerama
When Paul G. Allen heard in the mid-1990s that Seattle’s historic Cinerama Theatre might close down to become a rock-climbing club, dinner theater, or even a parking lot, he signed a “Save the Cinerama” petition—and later took it a step further by purchasing the old movie-house himself. Seattle’s Cinerama Theatre was one of many opened in the 1950s and 1960s for Cinerama films, technological marvels of their day which were shown on a curved screen utilizing a three-projector system.

In 1998, Vulcan kicked off a major, multi-million dollar renovation of the theatre, refurbishing the interior and exterior, installing state-of-the-art sound and projector systems, and ensuring maximum accessibility for mobility- and sensory-impaired patrons. A grand re-opening celebration took place on April 22, 1999 to welcome the theatre back into commission. Since then, it has regularly been voted one of Seattle’s “best places to watch a movie” and plays host to various film festivals and blockbuster film premieres each year. See www.cinerama.com for current show times.

IMT Joins AT&T Partner Exchange as Platinum Solution Provider

Integrated Media Technologies to Provide Customized AT&T Solutions

 

 

 

Integrated Media Technologies, Inc. (IMT) has joined the AT&T* Partner Exchange (sm) reseller program as a Platinum Solution Provider and is now authorized to resell services from one of the leading worldwide providers of IP-based communications to businesses. Bundling AT&T solutions with IMT’s solutions will provide innovative, customized choices for customers.

“We can help our clients further now by providing the network piece between facilities and data centers,” commented IMT’s Chandos Mahon, VP Sales of the company’s new Interactive Video Learning division.  “We can resell AT&T cloud services in particular, which will further help IMT provide optimum backup and archiving for our customers, which is ideal for the media and entertainment industry.”

 

 

 

 

 

“We welcome IMT to the AT&T Partner Exchange. Our collaboration will enable IMT experts to bundle our innovative services with their in-depth knowledge to deliver tailor-made solutions to businesses,” said Randall Porter, Vice President, Sales and Business Development, Emerging Business Markets, AT&T Business Solutions.

IMT will initially resell the following solutions with additional solutions to be added this year:

AT&T Synaptic Compute as a Service (sm) – offers on-demand virtual machines and associated networking resources in a self-service, pay-as-you-go model.

AT&T Synaptic Storage as a Service (sm)- provides highly-secure, virtualized storage that adaptively scales to any size your customers need, and is accessible from virtually any device, nearly anywhere.

AT&T Synaptic Platform as a Service (sm) – a complete development environment that allows users to build custom applications and bring them online quickly and efficiently.

AT&T Virtual Private Network Service – provides the foundation that connects the main office, data centers, branch offices, and remote and mobile workers to each other, and to the applications they need to be productive.

AT&T Managed Internet Service
– high-speed dedicated Internet access, with the features businesses need to connect with customers, partners, and employees.

AT&T Multiprotocol Label Switching (MPLS) Private Network Transport – - businesses can couple their AT&T Managed Internet Service with a point-to-point, network-based connection for increased security and availability.

AT&T IP Flexible Reach – a managed Voice over IP communication solution that supports inbound and outbound calling on your data network, providing local, long distance, and international calling for U.S. sites.

*AT&T products and services are provided or offered by subsidiaries and affiliates of AT&T Inc. under the AT&T brand and not by AT&T Inc.

ABOUT INTEGRATED MEDIA TECHNOLOGIES
Integrated Media Technologies Inc. (IMT) is a digital media and technology company with offices in Los Angeles, San Jose, Dallas, and NYC.  In 2011, Inc. Magazine ranked IMT as the 25th fastest growing private company in the Technology Services industry.  IMT serves the broadcast, telecommunications, media & entertainment, IT, institutional, commercial real estate and hospitality sectors with a broad range of solutions designed to drive new value and efficiencies from technology.

Learn more at: http://www.imtglobalinc.com tel: 877.761.9770

Christie Raises the Standard for Digital Display Solutions at InfoComm 2013

The Technology Leader Provides the Needed Answers in Today’s Marketplace

The Christie® booth will be in the InfoComm 2013 spotlight June 12-14 at the Orange County Convention Center in Orlando, Florida. Christie will impress visitors with exciting, technologically-advanced and user-friendly visual solutions for the Pro AV, large venue, architectural, corporate, broadcast, control room and digital signage markets and demonstrate how businesses, government entities and academia can maximize their visual technology assets, while satisfying customers.

Projection Mapping Takes a new Turn

Christie Brio

With the engaging interactive Christie Design Studio display, designers and engineers will see how what they imagine can become reality. The display features four Christie G Series 1-chip DLP® projectors in a projection mapping application featuring a prototype Audi R8. The Design Studio is supported by 37 Christie® MicroTiles® to create a gorgeous and changeable backdrop. A second projection mapping installation, a mini-pyramid, demonstrates how a small installation can create big impact. The mini-pyramid projection mapping solution features Christie’s E-series projection.

Christie Brio Meeting Room Solution lets Participants Share More Than Ever

As announced earlier, Christie Brio makes its global debut at InfoComm. Christie Brio sets new standards in meeting room presentation and collaboration, making it easier than ever to pool resources with colleagues anywhere without dongles, software or drivers to slow things down. Information including presentations, audio, digital whiteboard, and videoconferencing – added to any display attached to a Christie Brio node – are shared with all displays in the same meeting.

Christie Asserts its Control in Projector Market

Christie is also unveiling the Christie InControl™ app at InfoComm 2013. Christie InControl is aimed at rental and staging customers using Christie 3-chip DLP® M Series and J Series projectors in various applications including trade shows, live events and projection mapping. Fixed installation applications such as classrooms and boardrooms, houses of worship, government facilities and museums will also enjoy the convenience of managing the projector wirelessly.

The main interface includes projector on/off, fade to black and shutter on/off, test pattern and main and secondary input selection, projector orientation, and OSD on/off for complete command of lens settings and imagery.

Christie Continues to set the Standard in Multi-touch Interactive and Flat-panel Displays

Christie is also introducing the next generation of the Christie JumpStart content management solution, as well as the Christie FHD551-X flat panel with bonded Corning® Gorilla® Glass (the Christie FHD551-XG) , and a new multi-touch video wall solution to be displayed in the LCD Panel Gallery. The turnkey Christie multi-touch video wall solution – an industry first – comprising a 4-unit wide by 1-unit high row of the portrait-mounted Christie FHD551-XG , Christie Interactivity Kit, Christie JumpStart and the mounting system for a wall-mounted or freestanding display. The new Christie JumpStart boasts six outputs and the ability to drive content at 15 megapixels. With a 3.6 GHz processor, 16 GB memory and 64-bit server JumpStart’s more powerful workstation offers even faster performance.

Featured at the booth and already a big hit in the market is the Christie WeatherAll FHD551-W 55 inch outdoor LCD flat panel with optically bonded glass – the clear answer for high traffic areas such as outdoor sporting events and other open-air applications. Fully weatherproof, the Christie WeatherAll FHD551-W resists impacts and scratches; providing an industry-rated IP56/NEMA 4 outdoor display solution that can be deployed in virtually any environment, weather or season with complete peace of mind.

72-inch Christie Entero HB Video Wall Cube makes its Mark

Christie expands its line of Christie® Entero™ HB video wall offerings and strengthens its dominance in the industry with the introduction of the Christie Entero HB 72-inch WUXGA (1920 x 1200) display wall cube and rear projection light engine. The bigger and better control room addition to the projection cube lineup sets new standards in power, performance and image brightness with up to 1100 lumens capability.

Built upon the proven Christie Entero HB platform – the first and only LED control room display to offer Wi-Fi capability for remote adjustments and diagnosis through any wireless device – it features proprietary third generation ArraySync™ for superior automatic color and brightness management. Designed for 24/7 environments, it represents the best price/performance on the market, with superior and intuitive modular design, easy upgradability, and flexible operation for the demands of power and utilities, government, security and surveillance, and public and emergency services.

Driving the content will be the Christie Phoenix™, which lets all users easily access and control audio-visual data securely from anywhere, at any time via standard IP networking technology. With Christie Phoenix, the same information, presented in the same format simultaneously is made available to all users regardless of their location.

Christie Projection Technology Leads the Market

The Christie E Series of 1-chip DLP® projectors are another show highlight. Working in conjunction with the Christie Spyder video processor, several Christie E Series projectors will be displaying rich, engaging content that shows Christie is at the forefront of technology. The booth also features the Christie D4K3560 featuring 35,000 center lumens, native 4K (4096 x 2160) resolution for ultra-realistic images. The Christie D4K3560 delivers smoother video at 60Hz with unique Christie TruLife™ electronics – a quantum leap in video-image processing featuring high frame rate and high-resolution video projection.

This projector’s 3-chip DLP® performance and durability make it ideal for large applications such as amusement parks, auditoriums, casinos, classrooms, museums, planetariums, theaters and virtual design centers.

On the main level of the Christie booth is the LCD gallery featuring the Christie LW720, Christie LWU501i and the Christie LW41 while the second floor is showcasing the Christie Spyder X20 managing and controlling content displayed by several Christie E Series and Christie G Series projectors.

Also among the booth offerings are the award-winning Christie Nitro Solutions; the integrated moving yokes and digital projector systems that enable bright, high-quality video and lighting effects to be projected onto virtually any surface. For InfoComm 2013, two Christie YK100 single-arm yokes will be supporting the Christie WU14K-M projectors.

Managing the content throughout the Christie booth is the Christie Spyder X20, a versatile hardware-based video processor combined with the flexibility of a universal routing switcher.

Christie and The Sextant Group Help North Carolina State University Build Research Library of the Future

Large-Scale Display Visualization and Content Create Collaborative Technology Incubator

CYPRESS, Calif. – (June 3, 2013) – Christie® and The Sextant Group are helping redefine the components of a research library at North Carolina State University’s James B. Hunt Jr. Library in Raleigh, North Carolina. Achieving the school’s goal of securing a competitive advantage by equipping students with collaborative research tools for solving problems in today’s tech-driven society, the library sets a new standard in combining technological innovation, student engagement and striking architecture using Christie® MicroTiles®, Christie projectors, and Christie Spyder X20 video processors.

NCSU Hunt Library - Immersion Theater

According to Maurice York, Head of Information Technology, NCSU Libraries, North Carolina State University, the space was carefully designed as a purpose-built environment where students and faculty can interact with top-of-the-line digital technology to further their research and education.

York said, “Our goal was to, figuratively, ‘blow the walls off’ the library. This meant large-scale display visualization and content to create a truly collaborative technology incubator. In addition, the new central facility had to utilize open technologies, continuously repurposed, that could work for molecular dynamics one day and gaming that same day or next day.”

Christie Central to the Solution and Success of Project

With AVI-SPL as integrator, design engineer The Sextant Group, project consultant, selected Christie to fit the extensive needs of the project, starting with Christie MicroTiles – the versatile digital building blocks that are configurable into any design or shape in any indoor environment. With each MicroTile measuring approximately 12-inches tall by 16 inches wide by 10 inches deep, they met the tight space required while achieving that ‘wow’ factor the University was looking for.

“The school wanted the highest resolution and highest color depth displays, but space was at a premium and the technology needed to be versatile enough to fit into various rooms and be used for various purposes,” said design engineer Scott Frey.

NCSU Hunt Library - Game Lab

Once the Christie MicroTiles were chosen, the project evolved into Christie projection systems and Christie Spyder X20 video processors as crucial solutions to achieving an engaging digital library. The projectors are now helping immerse students and faculty in creative and interactive environments that can be reconfigured and repurposed at any time. The Christie Spyder X20 processors ensure the full potential of the Christie projectors and MicroTiles walls are realized, with their ability to blend, window, mix, and scale any source format and then route the signal to any destination device or combination of display devices quickly and easily.

“Advanced digital display media make learning more accessible – even fun – to students and act as a catalyst for ideas, creativity, and problem solving,” said Kathryn Cress, vice president, global & corporate marketing, Christie. “At the Hunt Library, every pixel is dedicated to the students, with Christie playing a central role in bringing to fruition the groundbreaking concepts. We are proud to be part of this incredible project that takes a unique and creative approach to collaborative and engaging education.”

Christie visual display solutions in the Hunt Library:

- The iPearl Immersion Theater is used to showcase student exhibits, faculty theories and work, and to publicize speaking events to students and faculty on a 16-unit wide by 7-unit tall Christie MicroTiles installation lining a curved wall at the main pathway entrance.
- The Game Lab includes a 16-unit wide by 5-unit high MicroTiles display. Designed as a place for play, it also serves as a vital resource for advancement in the study of games and design experimentation on a large, high-resolution scale. A Christie Spyder X20 video processor gives users complete control over the displayed content.
- The Art Wall is a 15-unit wide by 8-unit tall MicroTiles wall located above the “ASK US” service point. Used to display photography and artwork of faculty and students, the Art Wall also features a welcome screen for visitors.
- Outside the Teaching and Visualization Lab is a 9-unit wide by 10-unit tall MicroTiles array configured in columns and separated by a wall. Used to display artistic video pieces and animation, the wall also displays what takes place inside the lab, which features 10 Christie Mirage WU7K-M 3-chip DLP® stereoscopic projectors as part of a 270-degree immersive environment with seamless, blended images. A Christie Spyder X20 video processor controls the content.
- Inside the Creativity Studio, two Christie Mirage WU7K–M 3D projectors and four Christie DHD800 projectors have been installed and are displaying impeccably clear visual presentations by both students and faculty.
- A 4-unit wide by 4-unit tall MicroTiles array acting as a Creative Sandbox for a variety of uses.
- A 400-person Lecture Hall is fitted with two Christie Mirage WU12K-M 3D projectors – lighting up one of the largest campus screens. Christie Twist™, a solution that enables full image warping and advanced edge-blending, ensures perfect pixel alignment onto the curved projected surface. A Christie HD7K-J projector was installed in a separate, 100-person meeting room.

Christie Is Central to Library’s Success

The completed James B. Hunt Jr. Library has been a unanimous success at NC State, with faculty, students, and visitors in awe of the stunning visuals and technology. The university has achieved its goal of creating an iconic space where students and faculty from all disciplines can collaborate on new ideas, experiment with technology on a large scale, engage through course work and research, and showcase their work in a big way.

“I have worked with Christie for a very long time and for every major project I turn to them for the reliable and quality performance I know I can count on,” said Frey.

“Christie has been central to the success of the Hunt library, helping us to redefine a space and create a true visual environment, rather than just simply fill up a screen,” concluded York.

DATATON AND ENGINEERING SOLUTIONS POWER ‘MOON SPA’ AT LUXURY ROME HOTEL

© Trilussa Hotel, image courtesy of Engineering Solutions.

WATCHOUT generates multiple images for ground-breaking ambient project

Covering over 100 square metres inside Rome’s luxurious Trilussa Palace Hotel, the new Moon Spa is a private wellness area unlike any other. Using Dataton WATCHOUT™ Andrea de Martino, CEO of Engineering Solutions, has created what he calls “a space that can be transformed according to customers’ requirements with lighting, multimedia and environmental control solutions.”

Key to the provision of this private, multimedia dream-world are a series of edge-blended LED projectors that offer three video backdrops on opposing walls. At the touch of a button, Moon Spa customers may choose from a pre-programmed library that includes Caribbean beaches, aerial views of tropical rain-forests, the slopes of an active volcano and stunning shots of Planet Earth as viewed from space.

Plunge pools, Turkish baths, Finnish saunas and a variety of showers are offered alongside loungers, with the whole space having a choice of automated lighting and audio environments which can be synchronised with the video.
“The ability of WATCHOUT multi-image display and presentation software to seamlessly edge-blend multiple images and synchronise their playback with audio, DMX and DALI lighting-control data was key to its deployment at the Moon Spa,” comments Claudio Ceroni of MecTech, which supplied the Dataton systems to Engineering Solutions.

“The result is a unique deployment of this technology in a space that will surely act as the template for many similar installations in the future.”
Fredrik Svahnberg, Marketing Director, Dataton, adds: “The Trilussa Palace Hotel installation is the first time WATCHOUT has ben used in a spa that we know of. Looking at the images it is not hard to see why the customer was so keen to use our technology. Once again, we find a brand-new application for WATCHOUT!”

www.dataton.com

HDFX-250-TR ; Two (2) fiber Detachable HDMI Extender

New optical HDMI extender, HDFX-250-TR is designed compact enough to be fitted into various installation environments with two (2) LC fibers connection. The transmitter and receiver set, HDFX-250-TR enables to transmit WUXGA (1920×1200) or 1080p at 60Hz signal up to 300m (985feet) over two (2) LC multi-mode fibers, avoiding any tricks like scaling or data compression for lessening a burden of data transmission.

Between the transmitter and the receiver, pure fiber connection by two (2) LC fibers connector gives clean, secure and easy installation with no electrical hazard and a perfect electrical isolation. The HDFX-250-TR can be operated by USB power without external DC power adapter by plugging the supplied USB to DC plug cables to each module.

It passes CEC, EDID & HDCP (High Definition Contents Protection) for better installation flexibility and compatibility.



HDFX-200 is 1-Fiber HDMI Extender which supports:

- Extends WUXGA (1920×1200) at 60Hz (1.65Gbps/ch) or 1080p at 60Hz (36bit, 2.25Gbps/ch)

- Transmits HDMI data up to 300m (985feet) over two (2) LC multi-mode fiber

- Supports HDMI1.3 up to 36-bit color depth

- Operated by USB power or DC power supplier

- Complies with CEC, EDID & HDCP1.2

- Certifies FCC and CE standards for EMI/RFI emission

- Has HDMI receptacle and provides intermediate cable for flexible installation

-Includes two (2) +5V, 1A DC power adapters / two (2) USB to DC plug cables for the transmitter and receiver

OPTICIS HQ
#16FL Kins Tower. 8, Seongnam-daero, 331beon-gil, Bundang-gu, Seongnam-si, Gyeonggi-do, 463-844 Korea Tel: +82 31 719-8033 | Fax: +82 31 719-8032 | tosales@opticis.com

- Secure the electrical isolation

HDFX-200-TR ; One (1) fiber HDMI Extender

New optical HDMI extender, HDFX-200-TR has one (1) LC fiber connection and is designed compact enough to be fitted into various installation environments. The HDFX-200 with the same mechanical dimension for each of transmitter and receiver enables to transmit the uncompressed HDMI up to WUXGA (1920×1200) at 60Hz refresh ratio or 1080p at 60Hz, avoiding any tricks like scaling or data compression for lessening a burden of data transmission.

ThBetween its transmitter and receiver, pure fiber connection by one (1) LC fiber connector gives clean, secure and easy installation with no electrical hazard and a perfect electrical isolation. The maximum extension is 300m (985feet) over a multi-mode fiber.

HDFX-200 has HDMI receptacle and provides intermediate cable to be connected to various types of HDMI connectors. It passes CEC, EDID & HDCP for better installation flexibility.



HDFX-200 is 1-Fiber HDMI Extender which supports:

- Extends WUXGA (1920×1200) at 60Hz (1.65Gbps/ch) or 1080p at 60Hz (36bit, 2.25Gbps/ch)

- Transmits HDMI data up to 300m (985feet) over one (1) LC multi-mode fiber

- Supports HDMI1.3 up to 36-bit color depth

- Complies with CEC, EDID & HDCP1.2

- Certifies FCC and CE standards for EMI/RFI emission

- Has HDMI receptacle and provides intermediate cable for flexible installation

OPTICIS HQ
#16FL Kins Tower. 8, Seongnam-daero, 331beon-gil, Bundang-gu, Seongnam-si, Gyeonggi-do, 463-844 Korea Tel: +82 31 719-8033 | Fax: +82 31 719-8032 | tosales@opticis.com

- Secure the electrical isolation

KRAFTWERK – THE CATALOGUE 1 2 3 4 5 6 7 8 uses Dataton WATCHOUT as part of Australian tour

(c) Kraftwerk

The dynamic interactive and 3D features of Dataton WATCHOUT™ multi-image display and presentation software will continue to be used by German electro pop pioneers, Kraftwerk, in their hotly anticipated tours and concerts’ programme throughout 2013.

Kraftwerk will perform THE CATALOGUE 1 2 3 4 5 6 7 8 at the Sydney Opera House starting on 24 May. The band will perform one studio album in full at each concert, combining it with stunning visual backdrops, including interactive 3D projections, sound and animation.

Dataton WATCHOUT is distributed in Australia and New Zealand by WATCHOUT Premium Partner Interactive Controls Pty Ltd.

Fredrik Svahnberg, Marketing Director at Dataton says: “For each of the eight shows, WATCHOUT manages projected 3D content on a large stage backdrop creating a powerful abstract presence in front of audiences wearing polarized 3D glasses. To create the lighting effects on the four illuminated controller desks, a Pixel-gate LED video controller uses an additional DVI output from the main screen with the WATCHOUT “Tier” feature. The main timeline in WATCHOUT is chasing timecode from Kraftwerk synthesizers (MTC converted into SMPTE). The Kraftwerk synthesizers are also used for live visual interaction controlled via MIDI commands.”

ENDS

Images: © Kraftwerk

www.dataton.com
www.interactivecontrols.com.au

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