A virtual press conference from Sound & Video Contractor

Archive of the 3D Presentation Category

Christie Signs Patrick Artiaga to Lead New Business Initiatives

20-year veteran of audio / visual / cinema worlds brings a wealth of expertise

Christie®, a world leader in visual technology displays, today announced that Patrick Artiaga has joined Christie Digital Systems USA, Inc. in the new position of director, Business Development, Entertainment Solutions, reporting to Craig Sholder, vice president, Entertainment Solutions, Christie.

Based at Christie Digital Systems USA, Inc.’s headquarters in Cypress, California, Artiaga is joining Christie in a senior capacity, to drive several new product and business initiatives. “Christie’s culture of innovation, dedication to customer service and market leadership, convinced me to join this world leader in the cinema, Pro AV, visualization and simulation markets, and I look forward to contributing to the excellent team that makes up this visionary organization,” said Patrick Artiaga, director, Business Development, Christie.

“Patrick’s global expertise developing and managing comprehensive services and solutions for entertainment companies makes him ideally suited to lead several new developments consistent with Christie’s 80-year history of product innovation and customer excellence,” said Sholder. “His depth of experience working closely with exhibition, distribution, and postproduction will accelerate the introduction of new Christie solutions for these sectors.”

Artiaga joins Christie from ACS Enterprises, Inc. where for seven years as vice president, Sales and Marketing he led business units dedicated to engineering, consulting, and facilities maintenance for the motion picture industry. Prior to ACS Enterprises, Inc., Artiaga spent eight years with Dolby Laboratories, Inc., first as director of Film Marketing and later director, Automotive Marketing. He launched his career with Lucasfilm Ltd., in 1993 where he was manager, Customer Relations for four years.

Shipments of High-Value Christie Solaria One Projectors to Global Exhibitors Accelerate in 2013

Customers Provide Testimonials of Their Experience with the Christie Solaria One

Shipments of the Christie Solaria One projector, a DCI-compliant solution based on Texas Instruments’ (TI) (NASDAQ: TXN) S2K DLP Cinema® chipset, have accelerated since first units rolled off Christie’s manufacturing plant floors in November 2012. Small-screen theaters in China, Russia, India, Brazil and across Europe and North America are seizing the opportunity to purchase these complete, economical projectors.

“Smaller cinemas the world over are strong contributors to their local economies but they must make the switch to digital format. That said, their loss would also leave a cultural vacuum that is irreplaceable. It is something we simply cannot allow to happen. Our Solaria One projector, our global network of first-rate installation partners and our participation in industry programs to help them finance the change are just some of the ways we’re helping complete the conversion to digital cinema projection,” said Dr. Don Shaw, senior director, product management, Christie Entertainment Solutions.

Christie’s Solaria One has a lot to offer, including being the brightest DCI compliant projector in its class, able to project 8000 lumens in the DCI color space and 9000 for alternative content. And a variation, the Christie Solaria One+, projects 9000 for DCI content and 10,000 with alternative content. As well, it has a customized Xenon lamp, the CDXL-21S1, which ensures ultimate performance, efficiency, and reliability. The projector, which ships “3D ready,” complete with built-in IMB, is easily upgraded to play high frame rate (HFR) movies.

Here, in their own words, are some customers’ experiences. While they serve different regions and cater to varied cinematic tastes, they have all found that the Christie Solaria One is the cost-effective, reliable way for independent exhibitors to transition to digital.

### ###

Testimonials:

“We are very happy to partner with Christie in the roll out of their Solaria One series of projectors in India. This will enable us to take Hollywood content to the far corners of India and expand the market for Hollywood content in India exponentially. This new projector will push the envelope further in providing quality entertainment at affordable prices. The new offering has received a very positive response from the Indian Exhibition Industry, both in regards to quality and pricing.”

Mr. Sanjay Gaikwad, Founder and Managing Director – UFO MOVIEZ INDIA LIMITED.

UFO directly and through its subsidiary Scrabble Entertainment Limited has deployed digital cinema solutions in more than 4400 screens in India.

“When we heard about the new ‘all-in-one’ Christie Solaria One, we realized at once that this was what we needed. On offer was a reliable, all-round projection solution from a proven manufacturer, and it became apparent that it was the most economically attractive option in terms of cost and quality. We installed the Christie Solaria One in each of our three screens, including our 42-seat VIP screen, replacing the old film projector. The first audiences to experience the technology on 24 March 2012 went home impressed with the high picture quality. For us, this is a chance to offer a wider selection of films and give cinemagoers more choice, since studios are increasingly switching from film to digital.”

Alexandr Ryabkin, manager of the KinoFox cinema in Kamensk-Uralsky, Russia – the first three-screen cinema in this city of 170,000.

“Customers love the picture and sound improvements from film to digital and were relieved that we had made the switch to digital and will remain in business in their area, using Christie’s Solaria One.”

Rhonda Fitzsimmons, Fun Time Cinema, Kendig, Pennsylvania

The Fun Time has three locations in Pennsylvania ranging from four to six screens each. It specializes in youth and family movies at economy prices, and also offers private screenings and parties. The installation was done by Integrity Entertainment Systems, LLC.

“The main selling feature for us was that the Christie Solaria® One could project both alternative content from Blu-Ray players as well as digital cinema files, including our pre-show ads. Also, the integrated media block (IMB) came with the projector, as opposed to other vendors with their external servers. That was a great combination, and we like having the newest and the best. The Christie Solaria One suits a small theater like the Princess very well. Audiences really notice the difference in color saturation, clarity and sound.”

Carleigh Pope of Princess Cinema with Solaria One

John Tutt, Princess Cinema, Waterloo, Ontario

The Princess Cinema is a 180-seat theater specializing in documentaries, foreign-language films, avant-garde festival-type films and emerging Canadian cinema content. It is located on the second floor of an historic 19th century brewery building. Christie’s technicians assisted Princess staff in quickly setting up the unit and training them on it.

“The Christie Solaria One has worked out perfectly for me, and it was obtained at a much more favorable price than the estimates I was getting on the Internet. In addition to the superior visual and sound quality, the Solaria One freed up a great deal of space in the balcony.”

Barry Flood, Tryon Theatre, Tryon, North Carolina

The Tryon is a single-screen exhibitor in Tryon, North Carolina. It was built in 1932 and re-opened after a fire in 1938 with an added balcony. The feature film changes often, with runs of two or three days being the norm, and the theater is also used for presentations of a local film society. The Solaria install was done by Sonic Equipment Company.

Christie Positions Customers for Decades of Growth with Wide Range of Innovative Products, Services and Financing Options at CinemaCon

Christie®, a global visual technology company, will showcase a wide range of innovative cinema projection solutions, backed by its monitoring and support services, at Caesars Palace in Las Vegas, April 15 – 18. Christie is the world’s largest manufacturer, installer and servicer of DLP Cinema® projectors and once again has the show’s largest CinemaCon exhibit area to confirm its position as the “Exhibitor’s Choice” for attendees of this pre-eminent gathering of movie theater owners from around the world.

“Our customers view Christie and its business partners as the suppliers-of-choice for the technology infrastructure and ongoing service expertise needed to deliver exciting and immersive movie experiences,” said Kathryn Cress, vice president, Global and Corporate Marketing, Christie. “At the same time, Christie knows that its customers have an eye on the future, as does Christie, and the company is actively involved in securing this future by developing innovative solutions, such as laser projection, boothless projection systems and solutions for exhibitors who have yet to make the move to digital.”

Cress also noted that Christie’s offerings span the needs of independent exhibitors, which encompass drive-ins, film festivals and post-production in-house studios, as well as global cinema chains, to leverage cinema and alternative content across all sizes of cinema auditoriums, in 2K, 4K and in 3D, on standard and large-format, ‘premium’ screens.’

In addition to comprehensive solutions on display in Christie booth #2103A and in the Milano Room, Christie is a sponsor of the International Day activities, including its Awards Luncheon on April 15, which Jack Kline, president and chief operating officer, Christie Digital Systems USA, Inc. will address. As well, Craig Sholder, vice president, Entertainment Solutions, Christie will kick off the opening night dinner and reception, which Christie is also sponsoring.

The Seven Zones in Christie’s Booth Showcase Choices for Exhibitors
“Visitors to the Christie booth will have the opportunity to experience our entire digital cinema offering, whose scope encompasses financing the move to digital cinema, establishing an affordable and flexible upgrade path towards new formats and technologies, and turnkey service and support for their operations,” said Cress. “These seven zones will amply demonstrate Christie’s commitment to be a trusted, one-stop shop for all exhibitor needs.”

Zone 1 – Through the Christie innovation theater, Christie will demonstrate the projection technology required for the current state and long-term future of the industry. Proof points will include footage from James Cameron that delivers an immersive and detailed HFR experience. And see first-hand how Christie is projecting 3D movies at brightness levels of 14 foot-lamberts (ft-L).

The Christie Solaria One

Zone 2 – The Christie Solaria One and Solaria One+ will showcase their completeness and “brightest in small projection class” attributes. The Solaria One is perfect for screens up to 35 feet, projecting 8000 lumens in the DCI color space. For theaters with side masking or post production houses, Christie Solaria One+ offers a motorized lens mount, superior optical performance specifications enabling higher contrast, and is capable of attaining an additional 1000 lumens within the DCI color space.

The Christie Duo


Zone 3 – As an alternative to current “name brand” big-screen projection at a very economical price, the Christie Duo will be featured. A premium cinema experience for everyone is delivered by the Christie Duo, which achieves the world’s most brilliant, big-screen, 2D and 3D premium theater experiences. Our dual-projection solution is cost effective with low upfront costs and no ongoing revenue sharing to worry about. Yet one need not sacrifice brightness, sharpness and superior 3D images with this economical choice.

Zone 4 – Christie’s Superior Performance (SP) Xenolite® lamps feature 30 percent longer lamp life, to with their unsurpassed reliability. Christie’s Xenolite lamps have always delivered, reaching an extraordinary 99.999 percent increase in theatre uptime. The new SP Xenolite lamp provides the same unmatched brightness and reliability along with a 30 percent longer life than traditional Xenon lamps, which maximize an exhibitor’s investment in them.

Zone 5 – A mini Network Operations Center will highlight Christie’s state-of-the-art Network Operations Center (NOC), operated by Christie’s Managed Services group. Their NOC facilities worldwide safeguard our customers’ digital projectors and in-lobby displays to keep them running 24/7/365. The NOC features remote monitoring and reporting, phone support, preventive servicing, onsite emergency response and critical spares replenishment programs for digital cinema projection and digital signage displays.

Zone 6 – Christie is one of the few vendors offering custom Boothless Projection, which in turns frees up additional theater seating. Christie’s Managed Services team will showcase their customized boothless projection system as part of a complete customized solution. This turnkey boothless solution provides a special lift system that enables projectors to be positioned out of the way during normal operation and lowered for maintenance, freeing up space for seating that would normally have been taken up by the projection booths.

Zone 7 – Revenue opportunities from In-lobby digital signage, designed, built, deployed and supported by Christie Managed Services along with its partner network will be highlighted. Experience what a theater lobby could be with eye-catching digital signage such as digital box office, digital posters, digital menu boards and custom kiosks.

Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality. For more information visit http://www.higherframerates.com.

Christie Continues Setting the Bar Higher at National Association of Broadcasters Show 2013

Christie® is showcasing its newest offerings at the National Association of Broadcasters (NAB) show April 8-11 including the world premiere of 3-chip DLP® technology displaying 4K resolution at 60 Hz with the introduction of the new Christie D4K2560 and Christie D4K3560 projectors.

These new 4K resolution products are the first to include the new Christie TruLife® Electronics platform – a quantum leap in video-image processing and a breakthrough in high frame rate/high resolution video projection for the ultimate in hyper-realistic images.

The Christie D4K2560 is displaying full 4K resolution at 60 Hz and, along with the Christie D4K3560, the Christie D4K2560 provides precision image detail and video with smoother motion and transitions for a more vibrant and appealing visual experience. Featuring flexible 4K inputs, both projectors are ideal for applications requiring high brightness and 4K resolution with immaculate video and image quality.

Innovation Theatre provides Sneak-Peek at the Future of 3D Cinema
The spacious and inviting Christie booth also features the Entertainment Solutions Innovation Theatre presenting a groundbreaking comparison between 3 F.L. and 14 F.L. while emphasizing the benefits of higher brightness 3D.

Christie Broadcast Set Highlights Latest Trends
The Christie booth also features the ultramodern Christie broadcast set with a concave backdrop of 138 Christie® MicroTiles®. The 48 center tiles feature Christie Interactivity Kit and Christie Jumpstart while two portrait-mounted 55-inch Christie FHD551-X flat panels with damage-resistant, optically bonded Corning® Gorilla® Glass frame the sides of the fully integrated exhibit. All display technology is mounted using rp Visuals custom-mounted display solutions with two Christie Spyder X20 video processors managing the content.

Utilizing thin and lightweight Gorilla Glass, Christie is the only brand to offer a bonded solution that retains the LCD flat panel’s sleek, narrow-bezel design without increasing the image-to-image gap between panels.

Christie Business Products Zone
Located in the Business Products zone is the new Christie LW720 3LCD projector. Building on the successful Christie LW650, the Christie LW720 is a compact and affordable LCD projector with 7200 ANSI lumens and 2500:1 contrast ratio for high brightness and deep, rich blacks. The single-lamp LW720 has one of the largest lens shift ranges*, giving customers the ability to place the projector in a variety of locations in museums, houses of worship, large conference rooms and rental/staging applications.

Also at NAB for the first time is the Christie FHD551-W outdoor flat panel. Introduced earlier this year, the rugged 55-inch Christie FHD551-W with optically-bonded glass is a professional grade full HD (1920 x 1080 resolution) solution for a wide range of applications including outdoor sporting events and venues, architectural applications, entertainment parks, the hospitality and resort industry, transportation, and other outdoor environments not usually applicable with standard LCD panels.

Following on the heels of a successful launch late last year, Christie is pleased to showcase the Christie DHD775-E and Christie DHD550-G 1-chip DLP® projectors. Fast becoming go-to solutions for displays in board rooms, classrooms and meeting spaces in government facilities, both the E Series and G Series comes with native HD resolution models and easily connect to today’s computers either wired or via wireless connectivity option. The Christie DWU775-E features an optional dual processor warp module for blending and warping images, color matching and an optional stacking system – making it ideal for applications requiring geometric adjustments and/or multi-projector setups and rental and staging applications. For fixed applications, the Christie DHD550-G provides exceptional image quality boasting 5000 lumens from a single mercury-lamp design. With high brightness and better price/performance than other projectors in its class, the Christie G Series is an excellent choice for myriad display applications where value and image quality are deciding factors.

The Business Products Zone also includes two Christie Roadster HD20K-J 3-chip DLP® projectors demonstrating their ability to flawlessly blend and warp images.

Christie Products at Five Additional Locations
A 3-unit tall by 2-unit wide array of 72-inch WU cubes will be displayed at the Vizrt booth while the Quantel booth features a Christie CP4230 DLP Cinema® projector using a Christie Spyder X20.

At the Autodesk booth, two Christie Roadster HD14K-J 3-chip DLP® projectors and a Christie Spyder X20 will be displayed while, at the Alcorn McBride booth, 24 Christie MicroTiles will be showcased. Creator of the Pandoras Box media player, coolux Media Systems is featuring the Christie YK50 dual-arm projector yoke supporting the Christie LX700 projector, 12 Christie MicroTiles and four Christie HD10K-M 3-chip DLP® projectors.

Finally, The Ryerson School of Media will have dozens of students traveling the show floor in their phosphorescent orange shirts, encouraging visitors to stop at the Christie booth.

*Varies on lens

Markertek Expands Its Fiber Optic Facility

Markertek.comSAUGERTIES, NY – March 27, 2013Markertek, a global supplier of specialized products and solutions for broadcasting, pro-audio and pro-AV, today announced its expanded in-house fiber optic production facility to better serve its worldwide customer base. Markertek will be showcasing its fiber optic solutions April 8 – 11th at NAB 2013 booth # C5443 in Las Vegas. There will also be a live fiber optic cleaning demo in the booth.

Markertek’s new fiber optic lab manufactures the most specialized collection of highend fiber solutions & custom fiber services for Broadcast, Pro-Audio and Pro-AV. Our in-house shop is fully Lemo trained and ready to build your Hybrid SMPTE 311M compliant camera cables, SMPTE hybrid breakouts, 2 to12 channel tactical fiber snakes as well as custom length ST, SC, LC and MPO cables for studio, outside broadcast or fixed installation.

We also perform full diagnostic and repair services, regardless of manufacturer, with the broadcast industry’s fastest turnaround times. Add in our vast selection of fiber optic rack solutions, adapters, connectors, receivers, transmitters, reels, test gear and cleaners, and it’s no wonder why the industry has made Markertek the #1 Go-to Source for everything fiber.

Markertek VP of Engineering Chris Fisher stated, “It is our goal to be the #1 supplier of custom fiber optic solutions to the broadcasting industry. I believe this newly expanded in-house facility gives Markertek the technical edge to meet and exceed SMPTE 304M/311M standards for custom assemblies.”

To receive a free copy of the Markertek Fiber Edition Catalog visit www.markertek.com, email sales@markertek.com or call 800-522-2025. Customers can also contact their existing Markertek sales contacts for a quick quote or further details.

# # #

About Markertek
Markertek is a highly specialized broadcast and pro-audio supply house serving the technical side of the media industry with over 60,000 unique solutions at reasonable prices – supported with dependable advice from actual pro-audio and broadcast video professionals. The Markertek catalog has achieved cult-like status among digital media professionals as the ultimate design tool for creating the electronic infrastructure required to produce the majority of primetime television shows, feature films, commercials and chart-topping music hits, as well as all other areas in the audio and video industry.

Markertek is the #1 “Go-To” source in the industry for everything fiber optic including SMPTE Hybrid camera cables, 2-12 channel tactical fiber snakes, fiber rack mount solutions, fiber reels, fiber consumables and specialized tooling.

Visit www.markertek.com for more information.

Laser Projection Demonstration Lights Up G.I. Joe: Retaliation at AMC Theatres®’ Burbank 16, Using Christie Technology

Christie®, a global leader in cinema projection, is pleased to present Paramount Pictures’ highly anticipated G.I. JOE: RETALIATION on March 28 at AMC Theatres’ (AMC) Burbank 16’s ETX theatre. Christie is joining forces with AMC using laser projection technology to project the 3D movie at brightness levels of 14 foot lamberts (ft-L) – a “first” in the world of commercial cinema projection – on a 65-foot wide screen. This technology test will last for a two-week period and will be the first time that the average moviegoer will be able to enjoy compelling, immersive 3D images delivered at 2D light levels.

Paramount, Metro-Goldwyn-Mayer Pictures (MGM) and Skydance Productions, in association with Hasbro®, will release G.I. JOE: RETALIATION in digital 3D theaters across the U.S. and Canada beginning March 28.

“As a leader in innovation in the movie exhibition industry, AMC Theatres continues to push the envelope, looking for new ways to improve the movie-going experience for our guests,” said Dan Huerta, vice president, Digital Systems, AMC. “We are delighted to enlist a technology leader like Christie to provide a sneak peek at a major advance in movie-illumination levels that is on the horizon.”

Mark Christiansen, EVP of World Wide Operations for Paramount Pictures said, “We fully support the advancement of cutting edge technologies to further enhance the theatrical presentation for moviegoers. Laser projection provides incredible brightness, making each film look all the greater, but its impact on 3D is startling.”

Noted Dr. Don Shaw, senior director, Product Management, Christie Entertainment Solutions, “Audiences will be impressed with 3D shown at 14 foot-lamberts, which is much brighter than current technology produces on most screens. This test of our laser technology will demonstrate how spectacularly a moviemaker’s vision can be realized when shown at light levels normally only possible for 2D movies. Audiences who attend the AMC Burbank 16 during the laser demonstration will see a 50 percent increase in the typical contrast ratio for 3D on a crystal-clear 4K projector and we’re confident that the average moviegoer will relish this new level of immersive experience.”

Christie Laser-Projection Juggernaut Gaining Speed, Building on Previous Successes
Commenting on the laser projector test, Dr. Shaw said, “This is not the first time that Christie has employed laser technology to stretch the boundaries of digital cinema projection. Last year, Christie also showed select exhibitors in Asia how 72,000 Lumens could be achieved, in a demonstration of our prototype laser projector in Beijing.

“And at IBC 2012 Amsterdam this past September, I was pleased to preface the showing of Hugo 3D – the first CPG (Cameron Pace Group) certified movie – along with noted stereographers, Demetri Portelli and Corey Turner (‘Transformers: Dark of the Moon’), which was then projected using Christie’s laser-light projector prototype.”

Christie hosted its first laser projector demo for cinema industry luminaries including Douglas Trumbull, Gordon E. Sawyer Academy Award winner, at its High Frame Rate Summit held in its manufacturing and engineering headquarters in Kitchener, Ontario in April 2012.

NAB2013: Vizrt brings an IP workflow, 4k rendering, and an integrated workflow for video and graphics production and distribution

See us in Las Vegas, April 8th – 11th 2013. Booth SL3305

NAB is the world’s largest event covering the development, management and delivery of content across all mediums. At this year’s show, representatives from Vizrt’s worldwide offices will be on hand to demonstrate the company’s completely integrated graphics and video workflow. Vizrt technology enables operators to distribute and monetize content to mobile devices, web portals and any screen. Highlights within the Vizrt booth will be its recent advancements for media asset management (MAM), broadcast graphics, as well as online and mobile video delivery.

Two public shows, scheduled each the hour, will provide live, interactive demonstrations of the latest Vizrt products in action. One show will focus on new technology for weather reports, while the other will provide a broader overview of using live virtual set and immersive graphics technology.

Developing for the future

The powerful Viz Engine, Vizrt’s real-time 3D compositing system, now has IP-streaming capability. This allows broadcasters to stream multiple formats and resolutions simultaneously for efficiently creating online and mobile graphic and video content.

Broadcasters are beginning to look beyond HD to 4k. At NAB, Vizrt will preview the breakthrough 4k rendering capability of the Viz Engine.

Live encoding and high-speed video branding

Encode live video from high-resolution to any format at speeds faster than real-time for online and mobile devices with the Viz Media Engine. The multi-platform production workflow allows broadcasters to have high-quality video and custom graphics and branding for every device, all happening in a single step.

Automated transcoding of video content is also processed through the Viz Media Engine for video on demand (VOD) services. Graphics and branding are added to the video content during the transcoding process ensuring an efficient, high-quality presentation for the end user.

Newsroom workflow

Vizrt gives journalists the edge for getting a story on-air and online quickly and efficiently with a newsroom workflow that integrates easy-to-use templates with the journalists’ native newsroom computer system (NRCS). With Viz Content Pilot, journalists access these templates for creating graphics, editing maps with Viz World and selecting videos from Viz Media Engine to add to a playlist for on-air use and online multi-platform delivery.

Video integration and clip store

Adobe and Vizrt combine to create a package that gives the editor complete control of graphic and video content from within Adobe Premiere Pro CS6 for live and post-production requirements.

Video content can be reached from the Viz Media Engine through Adobe Premiere Pro CS6 giving editors access to content across the complete asset management solution from Vizrt or using the Viz Media Engine as a bridge to other asset management systems.

The latest version of the Viz Media Engine offers a comprehensive media management platform from ingest to playout for local clip and still stores up to full enterprise media asset management and archive systems. At NAB, Vizrt will show the Viz Media Engine as an integral component of the unique unified workflow solution offering the tools to present efficient multi-platform delivery with consistent branding across all media channels.

Complete online workflow

This year at NAB, Vizrt will present a highly integrated workflow for online. Journalists and publishers can produce video and text other content from the same solution and use video efficiently in the storytelling.

Monetize video content online with a premium workflow with DRM through a cross-platform implementation with the Viz Media Engine and Vizrt partner Vimond.

Social TV

With the Social TV solution, your audience becomes part of the story. Using interactivity and visualization tools, broadcasters tell the story quickly and compellingly with viewer interaction. Content is captured from Twitter, Facebook, Flickr, YouTube, Instagram as well as third party partners like never.no, TrendrrTV and Mass Relevance.

Weather and news maps

Viz Weather has become a sophisticated weather forecasting and reporting system with the ability to use any data set and a large range of data visualization tools. See the system in action during our Viz Virtual Studio public show.

Viz World is Vizrt’s premiere mapping solution. With integrations with DigitalGlobe, OpenStreetMaps and Waze, broadcasters now have access to the world with imagery, streets and traffic data.

Sports analysis

Vizrt’s award winning sports analysis system, Viz Libero is now fully integrated into the Vizrt graphics and video environment. At NAB 2013 we will show the new virtual SLoMo and Virtual Presenter.

About Vizrt:

Vizrt provides real-time 3D graphics and asset management tools for the broadcast industry – from award-winning animations & maps to online publishing tools. Vizrt’s products are used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, the BBC, BSkyB, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, Times Online, The Telegraph, and Welt Online. Furthermore, many world-class production houses and corporate institutions such as the Stock Exchanges in New York and London use Vizrt systems.

Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154. For further information please refer to www.vizrt.com

Martin Burkhalter / CEO / +41 22 365 75 01 / MBurkhalter@vizrt.com

Tomer Wald / CFO / +47 5351 8040 / TWald@vizrt.com

Håvard Myklebust / EVP Products & Marketing / +4791845602 / HMyklebust@vizrt.com

Laemmle Royal Theatre Goes Digital With Christie Projectors

Christie® is providing best-in-class digital projection to the newly-renovated Laemmle Royal Theatre in Santa Monica, bringing 21st century projection to guests and the first boothless cinema within Los Angeles. The conversion to digital was part of an upgrade made throughout the Laemmle chain.

“Being 100 percent digital made the renovation easier as we were able to carve out multiple auditoriums without having to allocate additional space for a projection booth,” said Greg Laemmle, president of the company. “We got back space in the old projection booth which has now been put to other uses. And we also avoided the cost of building new booth space. It’s great to have all the equipment, including our Library Management Server (LMS), as part of the box office. That way, staff can input movie files and set playlists while still being available to customers.”

In addition to digital projection, the newly-restored theater has stadium seating and three screens instead of one, which will allow it to expand its programming and offer more choices to its guests. Prior to the renovation, The Royal was one of the last ‘one screeners’ in the city.

With eight locations and 41 screens throughout Los Angeles, the independent Laemmle chain was started by Laemmle’s grandfather and great-uncle in 1938, and has highlighted the work of independent filmmakers. It also carries mainstream titles such as “Hitchcock” and “The Hobbit: An Unexpected Journey.” The Royal re-opened in late December, 2012 with LA’s exclusive engagement of “Amour.” With the conversion of The Royal, a traditional cinema built in the 1920s, the chain is now 100 percent digital.

“We have a long history of working with Christie. We had our share of hiccups during the conversion process, but the Christie team has been very responsive. We truly feel they’ve been our partners in getting the art house scene switched over to digital. They took the time to understand how our world is a little different from the world of major studio exhibitors, and were willing to adjust to come up with a better program,” said Laemmle.

Craig Sholder, vice president, Entertainment Solutions, Christie, said the firm is proud to be part of the renovation of The Royal, and the digital upgrade throughout the chain.

“It’s important to Christie to work with each customer to create the solution that works best with their unique needs. Independent cinemas are a vibrant part of the industry and it’s our pleasure to help them make the transition from film to digital.”

Christie integration partner Southern California Cinetech managed the conversion to digital throughout the chain. Cinetech installed Christie CP2210 and CP2220 projectors from the Christie Solaria® Series digital projectors, and orchestrated the Christie Virtual Print Fee (VPF) financing plan, with Christie’s Managed Services team providing monitoring and maintenance services.

The Christie Solaria Series meets both exhibition and post production studios’ demands for 2D and 3D presentations for feature film and alternative content. With more than 36,000 installations around the world, Christie’s knowledge and experience with digital projection is unmatched in the industry.

Fox Theatres in Pennsylvania Goes Digital with Christie Projectors

Christie® is helping the Fox Berkshire theatre, Reading, Pa., enter the modern age of digital cinema, following the complete upgrades of its eight screens exclusively with Christie Solaria® Series projectors. Formerly the Wyomissing 8, the facility recently celebrated its return to the Fox Theatres family after being under different management since 1996.

The movie house’s integrator and one of Christie’s preferred partners, Entertainment Supply & Technology (ES&T), selected Christie’s Managed Services team to install eight DCI-compliant Christie projectors, including two Christie CP2230s, one Christie CP2220, and five Christie CP2210s. As part of the agreement, Christie’s Managed Services team, in addition to projection, provided an integrated hardware package comprised of sound, networking and theatre management systems and will continue to provide onsite technical field services and 24/7 remote monitoring and telephone support through its Network Operations Center.

Donald Fox, President of Fox Theatres, has been pleased with the progress. “ES&T was instrumental in readying the facility for the conversion, and in the timely delivery and installation of all the equipment,” he said. “Working with Christie’s Managed Services team, they had Fox Berkshire up and running in time to show all the holiday blockbusters. Christie projectors wowed our audiences with the exceptional clarity, brilliant colors, and sharpness of the images. They were a hit right from the start.”

“Fox Theatres has a long history of entertaining the local community, ensuring that movie-goers get the best possible cinematic experience,” noted Sean James, vice president, Managed Services, Christie. “ES&T and Christie have always been strong supporters of independent chains like Fox Theatres, which are vital to the economic health of the communities they serve.”

Christie projectors will also feature strongly in the future of Fox Berkshire, according to ES&T, which said it looks forward to installing them at four new screens scheduled to go up in 2013. These include a large-format theater with a giant screen, which will be added to the complex during the second phase of renovations. Total revitalization plans include adding Dolby® Surround 7.1 in all the auditoriums, renovating the lobby, entrance, restrooms, concession stand, and signage, as well as installing new seating in existing rooms.

According to Bruce Schneiter, vice president of technical services, ES&T, the smooth installation of Christie projectors was a reflection of the experience and professionalism of ES&T. “We are a strong advocate of performing thorough field checks and site surveys at the client’s location prior to the delivery of the equipment, ensuring a perfect match of components, fast and efficient installation, and minimum downtime.

“ES&T is committed to helping exhibitors realize their vision of designing modern facilities that reflect the latest innovations in lobby and auditorium design, as well as digital entertainment,” Schneiter continued. “Our association with Christie has always been strong, built upon our mutual commitment to providing our customers with the highest quality products and technical support.”

Added Craig Sholder, vice president, Entertainment Solutions for Christie: “We are very pleased that Christie projectors were selected to bring the movie-viewing experience to the next level of entertainment for the people of Wyomissing, with cutting-edge technology that includes High Frame Rate (HFR) and 3D digital cinema capabilities. We look forward to continuing our excellent relationship with ES&T to help exhibitors across the country make the move to digital.”

BARTKRESA Design deploys WATCHOUT for projection mapping at Universal Studios Japan®

(c) BARTKRESA Design

Ethereal angels and operatic singing supported with projection mapping, lighting, special effects to wow audiences, transporting them to a winter wonderland!

The system uses none other than Dataton WATCHOUT™ multi-image display and presentation software to manage images in a complex and stunning production that combines performances from a 60-strong cast of actors and opera singers with lighting and special effects, on a building façade and stage measuring 250 ft wide and 70 ft tall.

“Christmas time is a family time, we’ve been brought in to create stunning visuals that immerse and transport viewers on a Christmas journey,” explains Bart Kresa, Projection Designer at BARTKRESA Design. “In the design process, we created the sketches, paintings, 3d designs and animations managed using WATCHOUT. We produced the whole thing working with the Universal Studios Japan Show Director on creative elements and the Universal Studios Japan Producer on technical requirements.”

Twelve playback and four production WATCHOUT servers managed the content which was displayed with 31projectors including the Christie Roadster S+20K and Christie Roadster HD18K1080 HD DLP® models supplied by Corporate Image Associates, Inc, Images areprojected onto a stage and the main building façade, creating a magnificentbackdrop for the show.

“WATCHOUT works in sync with the show using a time code that syncs lighting, sound, projection and smokemachines. We use masking, perspective control and have done some layering ofanimations such as snow over background animations.”

Fredrik Svahnberg, Marketing Director at Dataton says: “Once again, the skill, creativity and expertise of Bart Kresa is teamed with WATCHOUT to create a dramatic, celestial, show which I’m proud to see has wowed audiences at Universal Studios Japan from both Japan and abroad.”

The Gift of Angels II, The Song of an Angel 2012 commenced on 13 November 2012 and concluded on 7 January 2013.Universal Studios Japan® located in Osaka is one of the four Universal Studios theme parks in the world. As part of its Universal Wonder Christmas 2012 initiative, Universal Studios Japan put on a Christmas Spectacular, “The Song of an Angel 2012.” Internationally renowned projection design studio, BARTKRESA Design designed created the multimedia content, engineered and deployed allprojection mapping and equipment. The event included spectacular New Year celebrations on 31 December 2012 in front of thousands.

www.dataton.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication