A virtual press conference from Sound & Video Contractor

Archive of the 3D Presentation Category

Dataton and Show Sage bring WATCHOUT to LDI 2012

Dataton and WATCHOUT™ Premium Partner for North America, Show Sage, return to LDI 2012

On booth 442, the latest features of WATCHOUT multi-image display and presentation software will be demonstrated. The new features include interactivity, video streaming, live presentation, 3D stereo display and multiple output display. Dataton and Show Sage will also sponsor the Projection Master Classes taking place during the show on 17 and 18 October.

Jim Testa, President of Show Sage explains: “LDI continues to be the meeting point for projection designers, creative designers and users of WATCHOUT and is a great location to share ideas and knowledge.”

WATCHOUT is a fully scalable system that’s software-based and does not require proprietary hardware. It orchestrates still images, animations, graphics, video, sound and live feeds into a single show across multiple display areas, either soft-edge blended or scattered.

Fredrik Svahnberg, Marketing Director at Dataton adds, “This year has been a tremendous success for the latest version of WATCHOUT. We’ve seen it deployed in several installations such as the Alexandria Center for Life Sciences, Minnesota State University Ballroom as well as a HBO and Shark Week events and Cold Play concerts, all backed up by the best technical support, through our trusted WATCHOUT Premium Partner, Show Sage.”

Key features of WATCHOUT are:

Video streaming and interactivity
WATCHOUT integrates video streaming and devices such as network cameras to allow video to be accessed over a standard network solution. It also offers the ability to interact with live components and assets of interactive media. Users can position, rotate and move all media objects in 3D and interactively. WATCHOUT integrates with various devices and external systems so users can connect sensors and control sources, such as iPads, to on-screen elements like images, video and live feeds.

Live presentation
A built-in text editor allows last minute changes, or additions, in presentation text without the need for graphics software such as Adobe Photoshop®.

The latest version also has a DMX recording function that lets you record a complete lighting show and play it back from a single cue in WATCHOUT. This new feature makes WATCHOUT even more attractive in live events and staging applications.

Stereo playback and management of multiple outputs

WATCHOUT offers 3D effects and stage preview to position and rotate all media objects, including motion paths and video fly-through. Seamless stereoscopic playback and support is offered for multi-head output cards so up to six displays can be driven off one display computer using a single cost-effective WATCHOUT license.

www.showsage.com
www.dataton.com

Christie Laser-Projection at IBC 2012

Vice President, Post Production for Paramount Pictures, Corey Turner, addresses attendees of the “IBC Big Screen” theater at RAI Amsterdam (Sept 10), noting that “I am extremely pleased that the technology for brighter cinema exhibition is advancing and Christie is to be applauded for their advancements and advantages in this initiative.”

Christie Laser-Projection at IBC 2012

Dr. Don Shaw, Senior Director, Product Management, Entertainment Solutions at Christie®, addresses attendees of the “IBC Big Screen” theater at RAI Amsterdam (Sept 10) at the world’s first laser-projected screening of a full-length movie – Hugo3D – and the public premiere of Christie’s first prototype laser

KanexPro Introduces Mini Audio Amplifier with Mic Mixer

KanexPro the leading A/V Connectivity solutions provider is proud to introduce the Mini Audio Amplifier is a quarter-rack width digital amplifier (Class D) with equalizer control and Mic mixer. It’s a simple yet powerful device delivering 2×20 Watts@4Ohm default output with built-in volume/ bass feature. It also supports dual mono-output with 2 stereo audio selectable inputs. The Microphone mixer includes independent volume control with balance switching. Supports balanced/ unbalanced signals.

This Mini Audio Amplifier is mainly used during lectures, house of worship centers and various musical events where mic mixing together with equalizing audio is critical.
Mini Class D audio amplifier

Features:

• Fast switching audio amplifier
• 2×20 Watt@4Ohm as the default amplifier output
• Bridge connection supported by switching the amplifier to be 1x40Watt@8Ohm
• Supports Dual-mono output
• Built-in Microphone mixer (separately controllable)
• Line audio output, with volume controllable.
• MIC input supports 48V phantom power
• MIC port with balanced switching suppress
• Supports balanced/ unbalanced signals
• Supports Ducking power technology
• Ultra low inrush current
• Two stereo audio inputs, switchable by button, remote or RS232.
• Volume/Bass/Treble controllable by buttons or RS232
• Optional control by IR remote
• Convection cooled, antistatic case design
• LED indicator, for power and operating status
• IR remote (optional) not included
• Internal Universal power adaptable (100-240 volt AC, 50/60Hz)

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively.

KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

WATCHOUT brings Renault Megane III to life

Omagica supplies Dataton WATCHOUT for car launches

Dataton WATCHOUT™ multi-image display and presentation software was provided by Dataton Premium Partner, Omagica to Bolivia-based projection specialists Vinilo Lab for use in Bogota and Medellin city launches of the new Renault Mégane III family car.

Talking about this exciting project, Eduardo Ortega, Media Director, Vinilo Lab explains, “Our client wanted the look and feel of an action-packed and high drama film. To create the drama, we put WATCHOUT version 5.2 through its paces and took full advantage of the new corner pinning feature which allowed us to manipulate the corners of the desired projected image around curved surfaces such as the cars’ wheels. Here an extra projection layer was added to make the motion effect even more realistic and fast-paced. As the car was suspended and lowered into the stage area during the show, the result was perfectly synchronised.”

The event was attended by a packed audience of brand management, television and media as well as regional Renault dealers.

Adela Kriland, owner of Omagica adds, “Omagica are a trusted partner of Dataton and have worked with them for many years on projects with partners such as Vinilo Lab who are roadtesting the new features WATCHOUT on projects as exciting as the Renault Megane launch. Our technical support staff were on hand to offer valuable local advice during the setup of this project.”

“Dataton is no stranger to vehicle launches,” says Fredrik Svahnberg, Marketing Director at Dataton. “Having a system that is reliable, easy to use and as robust as WATCHOUT is testament to its succcess. We look forward to seeing more installations as impressive as the Renault Megane launch using new and enhanced features of WATCHOUT in the future.”

A movie of the event can be found here: http://vimeo.com/42644640.

www.dataton.com

Aker Solutions uses projectiondesign for iPort simulation centre


Industry-leading oil and gas industry visualization benefits from 3D projection

Aker Solutions’ iPort in Stavanger, Norway, is an integrated operations centre for the offshore industry. It offers 3D simulators and other visualisation technology for drilling, topside, subsea and down-hole operations, with five main areas offering different simulator setups – each one using projectors from Norway’s projectiondesign.

Employing over 18,000 people worldwide, Aker Solutions is a leading global services company that provides engineering services, technologies, products and field-life solutions for the oil and gas industry.

“The iPort simulators show virtual images of real offshore constructions and environments,” explains Marita Mæland, Sales and Marketing Co-Ordinator for the iPort. “Each offshore installation is meticulously copied and re-created as a virtual asset in a simulated environment. We then use these ‘virtual versions’ of real installations for testing, design and staff training purposes, to optimise operational processes and procedures, and to fine-tune equipment performance and drilling sequences.”

“The beauty of the iPort simulators is that all this development work takes place ‘off the critical line’ – in other words, the work is done without affecting the day-to-day operation of the real-world installations.

“Having access to complex information in the form of 3D simulated images simplifies project planning and execution, clarifies communications and reduces risk and cost for our customers. “

The result of years of detailed programming by Aker Solutions’ software development teams in Norway, Russia and Ukraine, the simulators used at iPort offer a unique approach that satisfies the needs of a wide range of clients. The iPort centre continues to be upgraded and is one of several such centres operated by Aker Solutions globally, all of which use projectiondesign.

Anders Løkke, Director of International Marketing, projectiondesign, comments: “Aker Solutions has a long tradition of industrial innovation and we are delighted that our projection technology forms a part of the cutting-edge work they are doing in increasing operational efficiency in the oil and gas industries.

“Wherever they have been used, our 3D projection solutions offer industry-leading levels of accuracy and reliability, providing a rapid return on investment not only for the companies that operate these simulators, but for their own customers as well.”

Keep up to date on twitter: www.twitter.com/projectiondesi

World’s First Laser-Projected Screening of Full-Length Movie Debuts With Christie Laser Projector; 2D Light Levels Achieved for 3D at IBC 2012 “Big Screen” Event

Christie® will light up the “IBC Big Screen” theater at RAI Amsterdam on Monday, delivering unprecedented 2D light levels for 3D content and, in the process, addressing one of the cinema industry’s most pressing problems – the unsatisfactory showing of 3D content at low light levels, typically less than 3 foot lamberts (ft-L), when 14 ft-L is the standard for 2D films. The event will also be the public premiere of Christie’s first prototype laser projector.

“Christie firmly believes that the best 3D is the brightest 3D and we need to help exhibitors with solutions that can project compelling, immersive 3D experiences to their screens,” said Dr. Don Shaw, senior director, Product Management, Christie Entertainment Solutions. “Audiences deserve to see the brightest 3D with 14 ft-L on cinema screens. Our demonstration today will show just how truly spectacular a movie maker’s vision can be when shown at the highest light levels, making the shared experience more immersive, and, ultimately, driving more cinema ticket sales.”

Continuing, Dr. Shaw noted that “as well, some attendees leave 3D movies complaining of headaches, fatigue, and sore eyes. Just like reading a book in low light levels, low brightness on the movie screen is one of the reasons for these complaints. Delivering more lumens to the screen will help address these effects, as will the advent of ‘eye-easy’ high frame rate (HFR) movies.”

(Current, non-laser methods for delivering more light to screens include dual, Xenon-lamp based Christie DLP® projection systems, known as Christie Duo™, which are filling specific needs for 3D delivery in theatres across the globe, including, for example, at the Cinerama Dome in Hollywood and other ArcLight Cinemas.)

A Short, Expert Tutorial…And then the Movie
Dr. Shaw will address the low brightness problem in detail in a short address, and noted stereographers Demetri Portelli (“Hugo”) and Corey Turner (“Transformers: Dark of the Moon”) will introduce 3 ft-L clips from their films and speak to the challenges inherent in making a 3D movie, knowing full well that it will be shown to audiences at inferior light levels.

“For me, crafting 3D images as a stereographer has been both the most challenging and the most rewarding experience of my career as a cameraman. I have suffered alongside many 3D film makers whose work has been compromised due to the inevitable low-brightness theatrical presentation,” said Demetri Portelli. “So this showing of Hugo 3D at 14 ft-L is an important milestone in 3D cinema projection, as it will deliver spectacular details and show how light conveys additional information in 3D space. I’m really excited and optimistic about Christie finding solutions and setting new standards for exceptional movie exhibition.”

As VP, Post Production for Paramount, Corey Turner oversees all stereoscopic 3D productions, and recalls that “When Paramount released Michael Bay’s Transformers: Dark of the Moon, which I also worked on as stereographer, some of the prints were special digital masters, aimed at systems that could deliver almost twice the brightness of standard 3D projection. But even that ‘limited edition’ only targeted 6 ft-L; of course that being much better than the current standard for 3D at 4.5ft-L, but a far cry from 2D light levels. I’m extremely pleased that the technology for brighter cinema exhibition is advancing and Christie is to be applauded for their advancements and advantages in this initiative.”

Corey added that “Technologies like this will only help filmmakers fall even more in love with 3D. It will also finally give audiences a way to see all of the wonderful detail that the director and many members of their crew put into each and every shot. People will no longer cautiously question, ‘…is this really in 3D?’ because they will be able to see and detect all of the subtle depth cues intended for the presentation.”

Laser-projection Begins New Era With Full-Length Film Showing
Following the presentation by Dr. Shaw and Mr. Portelli and Mr. Turner, Martin Scorsese’s “Hugo 3D” – the first laser projection screening of a feature-length 3D movie at 2D brightness levels – will be shown, courtesy of Paramount Pictures International, Christie and XPAND 3D.

Commenting on the laser projector and that route specifically, Dr. Shaw said that “There’s half-a-dozen different ‘forks in the road’ decisions that have to be made when designing a laser-projection system and most manufacturers will take different paths.” He noted that Christie customers have come to expect the best in technology and service from the world’s largest supplier of DLP cinema projectors, operating for more than 80 years, and “…our final laser projector family, when announced, will continue this trend of innovative, high performance products that will address the specific needs of our customers in the cinema, pro AV and advanced visualization and simulation arenas.”

Christie Puts Virtual Print Fee Program “On The Fast Track” To Help Exhibitors Meet Industry-Wide Signing Deadline of September 30, 2012

Industry’s Most Flexible Turnkey Solution Makes North American Exhibitors’ Transition to Digital Cinema Easy and Affordable.

With exhibitors facing a looming industry deadline of September 30, 2012 to join a Virtual Print Fee (VPF) Program, Christie announced that it has put its VPF program for North American exhibitors “on the fast track,” to ensure exhibitors are quickly signed up and guaranteed reimbursements as they make their move to DCI Compliant digital cinema projection systems.

“Christie has initiated ‘Fast Track’ handling at all levels within the administrative process to insure that exhibitors can take advantage of the industry’s most simplified plan for making the move to DCI Compliant digital cinema,” said Craig Sholder, vice president of Christie’s Entertainment Solutions. “It’s important for exhibitors to sign up on or before September 30, 2012 but once onboard they will still have until October 31, 2013 to make the physical conversion. During that time, they’ll have complete flexibility in choosing the best financing option for their needs, thanks to Christie’s highly flexible VPF program. We offer the widest financing options available, from self-financing to working out terms with one of our financing partners.”

Sholder added: “The sooner one begins the conversion, the better, since VPF revenues will not be earned until one has converted at least 50 percent of one’s complex. Exhibitors have nothing to lose and everything to gain by signing up with the Christie VPF program.”

Christie’s VPF program has been endorsed by all major Hollywood studios, including the Walt Disney Company, Twentieth Century Fox, Universal Pictures, Paramount Pictures, Sony Pictures Entertainment and Warner Bros. The program has been recognized as giving exhibitors the greatest independence in planning a digital cinema conversion. As a result, more than 110 separate theater companies representing more than 1,500 screens across North America have enrolled in Christie’s VPF Program to date.

Landmark Cinemas Typifies Satisfied Christie VPF Customer
Landmark Cinemas Inc., which operates 33 theaters in Canada, is among the many exhibitors already subscribed to the Christie VPF. It selected Christie Solaria Series digital cinema projectors for all of its 100-plus screens throughout Western Canada and the Yukon. With the digital conversion completed, Landmark now shows 2D and 3D movies, live events and other alternative content.

“Christie has always been exceptionally committed to providing exhibitors with superior products and technical expertise,” said Neil Campbell, chief operating officer, Landmark Cinemas. “We selected their VPF program because it provided us the ultimate in flexibility. Their technicians worked with our installation company, King Cinema Services, to ensure every conversion took place without any disruption in service.”

As part of the VPF arrangements, Landmark worked with Christie in support of sourcing, integrating and testing hardware, enabling Christie to remotely monitor and manage Landmark’s digital cinema projection environments.

“We are ready to roll today with signing and installations,” said Sholder. “We can handle hundreds of projector orders simultaneously – absolutely no waiting or bottleneck. When the exhibitor is ready, we’re ready.”

Christie’s VPF program is backed by more than 80 years of experience in the cinema industry. It offers expert support and flexible options for all phases of the digital conversion process. Solutions include DCI Compliant digital cinema projection systems and Christie’s Network Operations Center (NOC) services, currently monitoring and supporting more than 110,000 devices in over 2,500 locations globally.

XPAND 3D and Christie® Digital Usher In a New Era of 3D Cinema With Laser Projection Screening of Hugo at IBC 2012

AMSTERDAM, The Netherlands – In a landmark event, XPAND 3D, the world leader in 3D for the cinema, home and beyond, today announced that an XPAND active 3D system will be used with a Christie’s first laser projector for the screening of Martin Scorsese’s Hugo 3D at the IBC show in Amsterdam on Monday, September 10.

This marks the first feature-length 3D film to be screened using laser projection technology and also the first public screening of a 3D movie shown at full 2D movie specification brightness (14 FL). The screening will be the final event of the IBC Big Screen showcase, which is dedicated to featuring the latest in cinema technology.

The system will include XPAND Infinity 3D glasses, which provide up to 38% transparency and a 3000:1 contrast ratio. The glasses’ lightweight ergonomic designs ensure long-wearing comfort, and their wide 3D viewing angle provides an optimal 3D image across the entire cinema. All new XPAND cinema systems and glasses fully support HFR (High Frame Rate) double and single flash at 96fps, 120fps, 144fps, 192fps, 240fps and even variable fps.

“XPAND firmly believes that laser projection technology represents the future of cinema projection and everyone who attends the IBC Big Screen Monday Night Movie will see why,” said Maria Costeira, CEO of XPAND 3D. “Moreover, the viewers will benefit from wearing our Infinity 3D glasses, which delivers the most immersive and dynamic 3D experience available in the world!”

“Advanced 3D glasses combined with the proper light levels and, in the months to come, high-frame rate content, will increase the enjoyment factor of millions of moviegoers around the world when viewing 3D projections, and we welcome XPAND’s participation in Monday’s groundbreaking event,” said Richard Nye, Cinema Sales Director, Christie EMEA.

The screening will take place at the 1,700-seat Amsterdam RAI Theatre at IBC and will begin at 6:30 PM.

For more information on XPAND 3D, please visit www.xpand.me

For more information on Christie Digital, please visit www.christiedigital.com

About XPAND 3D:
XPAND 3D is the global leader in 3D technologies for cinema, with systems used by over 5,000 3D cinemas in more than 50 countries. XPAND 3D is also the 3D solution of choice for home, business, post-production, education, military, medical and professional 3D applications. XPAND 3D designs, manufactures and OEMs a range of consumer electronics 3D solutions that are driving the 3D revolution. XPAND is committed to advancing the state-of-the art in technology to provide consumers, businesses, educators and medical professionals with the comprehensive advantages of stereoscopic 3D. XPAND provides glasses on a linear scale from the most advanced and feature-packed for sophisticated surgical, training and home theater to more ruggedized and affordable for cinema and mass market use. X6D Limited is a global company whose products and services are marketed under the XPAND brand name.

Ventuz taps into Chyron BlueNet™

The cooperation between Chyron and 3d realtime graphics specialist Ventuz Technology AG reaches a new level with the integration of Ventuz into the BlueNet workflow

The established Broadcast systems supplier Chyron and graphics specialist Ventuz, who entered into a strategic partnership in February of this year, today announced that the companies will use IBC 2012 in Amsterdam to showcase their first joint development success. “We are now ready to announce our integration of Ventuz within the CAMIO broadcast environment,” said Erik Beaumont, Product Manager of Ventuz. “This allows us to seamlessly and transparently operate Ventuz graphics systems within the existing Chyron BlueNet workflow.”

The implementation allows Ventuz to be controlled by the CAMIO and LUCI systems, and so function as part of an automated newsroom environment. Asset management, MOS integration, playout control using Chyron’s ISQ, and distribution functionalities are all covered by the proven and robust Chyron framework, while Ventuz offers unparalleled flexibility and capability as a real-time graphics system.

“This also gives Ventuz users access to Chyron’s hosted cloud-based graphics using the Axis World Graphics system for news and map images,” said Bill Hendler, CTO of Chyron.

“Through this integration, we are leveraging the best of both companies,” said Beaumont. “Ventuz adds advanced data visualization and interactive touch screen capabilities to the Chyron family of graphics solutions which is utilized by thousands of editors, operators, artists and producers all over the world.”

Ventuz and Chyron will showcase their integration at IBC 2012 in Amsterdam, September 7th through 11th, at the Chyron stand, 7.D11.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication