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Lyon Video Installs Calrec Apollo Audio Console in Newest Mobile Production Truck

Mobile Unit’s First National Event Was Primetime Emmy(R) Awards Red Carpet Preshow more

Digigram to Feature New MADI Option on LX-IP RAVENNA PCIe(R) Sound Card at IBC2014

Optical MADI Interface Facilitates and Accelerates Studios’ Shift From Synchronous Audio Toward More Flexible, Less Costly IP Audio

MONTBONNOT, France — Aug. 26, 2014 – At IBC2014, Digigram will highlight a new optical Multichannel Audio Digital Interface (MADI) option for the company’s LX-IP RAVENNA PCI Express(R) (PCIe(R)) sound card. With the MADI option on its LX-IP dual-port RAVENNA/AES67 sound card, Digigram provides connectivity that helps to ease the industry’s migration from synchronous audio (MADI) to IP audio (RAVENNA/AES67) in the studio environment.

“The industry’s move from costly proprietary equipment and standards toward commercial off-the-shelf, IT-based systems running common media-oriented IT protocols is not just inevitable, but well underway,” said Pascal Malgouyard, head of product marketing at Digigram. “While IP audio has revolutionized connections between the studio and other locations, it has not yet taken hold within the studio. However, the RAVENNA technology and new AES67 standard address key audio-over-IP (AoIP) interoperability issues, thus opening the door to IP audio in the studio environment. By adding an AES10 MADI option to our LX-IP RAVENNA sound card, we make it easy for users to accelerate their own transition from legacy synchronous digital audio to IP audio and, in turn, begin taking advantage of its many uses and cost benefits.”

The new MADI option facilitates a seamless shift to IP audio by supporting use of the LX-IP RAVENNA sound card in a synchronous audio environment to connect up to 64/64 I/O MADI channels from/to the host PC and from/to RAVENNA/AES67 AoIP equipment. Because the Digigram sound card includes an embedded routing matrix, users can make a direct connection — with no latency — between RAVENNA/AES67 streams and MADI channels, whether for monitoring purposes, redundancy, or simply creating a bridge between the MADI and IP audio realms.

Users realize the card’s valuable dual interface capabilities without any change to the familiar application used to manage the card. Control of the Digigram card is straightforward, thanks to its full compatibility with the industry-standard EMBER+ protocol.

The new Digigram card will be shipping by the end of 2014. In the meantime, it will be available for demonstrations on the Digigram IBC2014 stand (8.C51).

More information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

# # #

About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

All trademarks appearing herein are the property of their respective owners.

Please Visit Digigram at IBC2014, Stand 8.C51

Photo Link: www.wallstcom.com/Digigram/Digigram-LX-IP_Ravenna.jpg
Photo Caption: LX-IP RAVENNA PCIe(R) Sound Card

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DPA Helps Ivan Rutherford Bring Broadway to Hong Kong

Internationally acclaimed artist Ivan Rutherford turned to DPA’s d:facto™ Vocal Microphone to help him give a truly emotional performance during a recent one-off show in Hong Kong.

The actor and singer, who has performed the role of Jean Valjean in Les Miserables over 2,000 times on Broadway, was looking for a microphone that could deliver exceptional sound quality and clarity through a large venue sound system. He also wanted a hand held microphone so that he could move freely on stage while he sang a series of Broadway hits dating from the 1930s to the present day. DPA’s d:facto Vocal Microphone fitted the bill perfectly. Rutherford used the microphone in a wireless configuration with a Sennheiser Wireless System, which made movement possible and allowed him to deliver a vocal performance that was memorable for the audience.

“I had never used a DPA microphone before and I was very pleased with the experience,” Rutherford says. “I was impressed with the intensity of the sound and the mobility it allowed onstage, which gave me great freedom to make unobstructed connections with my audience. I also enjoyed the feel and weight of the microphone in my hand, and found that it helped give me the necessary confidence for a one man performance. I would very much enjoy working with a DPA mic again.”

Rutherford’s show, entitled A Taste of Broadway, took place at the Academic Community Hall in Hong Kong. Mr. Clarence Chang, from Jazz World Live Series that organized the concert, says: “The only instrument on stage was a grand piano, which was also miked with DPA – a matched pair of d:dicate™ 4011A Cardiod Microphones in A-B configuration to capture the main piano signal and d:vote™ 4099 Instrument Microphones in a stereo piano kit configuration to provide additional percussive effect from the hammers. This proved to be a very successful formula because the piano sounded fantastic – really crisp and lively, yet with all the body and warmth one would expect from a top of the range instrument.”

Ken Kimura, DPA’s General Manager for the APAC region, and Ricky Wan, from DPA’s Hong Kong distributor Digital Media Technology, were on hand to ensure the optimal microphone set up.

“The d:facto Vocal Microphone in a wireless configuration was a perfect match for Ivan Rutherford as it enabled him to move freely, while capturing every nuance of his voice,” Kimura says. “When you have a two hour show that only consists of a singer and grand piano, you really need that artist to be super talented and to have a great voice. Ivan Rutherford had both of these attributes in abundance and gave a fantastic performance.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Southwestern Assembly of God U Installs Yamaha NUAGE DAW System

BUENA PARK, Calif.—Located in Waxahachie, TX, Southwestern Assemblies of God University (SAGU) began as a regional bible school and later, added a junior college program. The university has experienced phenomenal enrollment increases from 596 students in 1991 to approximately 2,200 today. In 2013, the academic divisions of the university realigned into three colleges: the College of Bible & Church Ministries, the College of Business and Education, and the College of Music and Communication Arts. All colleges maintain Bible-based curriculum to fulfill the mission of SAGU. Since 2000, SAGU has added 24 new academic programs, bringing the total to more than 60 programs.

Recently, SAGU added a 48-Fader Yamaha NUAGE Advanced Production DAW System, purchased through Audio DAWG of Irving, Texas. The system is installed in a dedicated studio for commercial production that is available for rental and an academic learning lab for Digital Media Arts students. Internships are being offered for students in the program, but they will also have to complete at least one major audio project using the studio, with staff engineer assistance.

“I started using Nuendo 2.0 in 2003 as an upgrade from Cubase SX which I was strictly using for MIDI programming, states John Cookman, Chief Engineer and Director of Media Services and Production. My DAW at the time was a PARIS system that had been discontinued, and I needed a DAW that could keep up with where I was leaving off. Wow! Nuendo really did that and more.”

Cookman purchased NUAGE primarily because he had grown tired of recording/editing/mixing with a mouse and keyboard. “I always sensed that my creativity was being stifled due to the inefficient ways of keyboard and mouse work flow, Cookman says. I had originally planned to purchase a Euphonix system because of its acclaimed integration with Nuendo, but once I demoed the NUAGE at NAB 2013, I decided it was much more practical to buy a console that was specifically made for the Nuendo platform and would also be supported by Nuendo’s parent company, Yamaha. From the first minute I sat down with the NUAGE, I have felt at home.”

The Digital Media Arts BA degree is the path for all of SAGU media students, and the department is moving toward an audio recording degree path. They do offer an audio recording class that is mandatory for all DMA students. Each student will be doing at least one project on the NUAGE. SAGU averages roughly 20 students in the audio recording class per semester.

Technically, SAGU is not a house of worship but they do have daily chapel services. “My department has started up a live and on-demand outlet to view and listen to services (www.SAGU.tv chapel channel), notes Cookman. This is a multi-camera and multi channel audio mix for broadcast TV using our DMA students as student workers. We also do sports broadcasting as well.”

Two main facilities are used for broadcasting, the largest auditorium seats approximately 2,300. During the school year the auditorium is occupied mostly by students. The other auditorium is a new performing arts theater seating 625. “Our NUAGE system is directly integrated to this room so that we can use it as a sound stage to record from,” adds Cookman.

Cookman appreciates the NUAGE state-of-the-art approach adding in the elements of the analog workflow to a digital non-linear workflow. “Now I am able to access the best of both worlds concerning work flow. Yamaha has done an outstanding job at connecting the user to efficient workflow systems. The way they have integrated NUAGE with the DAW (especially Nuendo) has empowered the engineer with hands-on tools that are unprecedented in our industry.”

Specific features that were attractive in SAGU’s decision process were the motorized faders, one-touch navigation to any parameter, and the ability to edit each parameter microscopically with professional grade encoders. “Faders and buttons impact our work environment everyday. Being able to reach over and instantly access channel data makes workflow so efficient. Now, I don’t have to spend time scrolling with my mouse and keyboard keeping me from really getting into that creative zone. The NUAGE is a “Must Have” for every DAW.”

John Cookman has been in the industry for 30 years, and 18 of those were spent in the non-linear DAW world. “Since I started working with NUAGE, I finally feel like I am tapping into the top layer of my potential as a engineer and producer. In May, we released a Christian music project for an outside artist (I was hired to produce and record/edit/mix). Within 45 days, we charted at #10 on the Billboard Hot Christian charts and the next week, we topped out at #8. The artist was the only independent artist in the top 100 at that time. I attribute a lot of that to the flexibility the NUAGE brought us to use more of our creative brain rather than engineering brain.”

Cookman says he is budgeting for a smaller NUAGE setup for broadcast remix in SAGU’s master control room currently using Nuendo.

For more information on SAGU, visit www.sagu.edu.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on NUAGE, visit www.yamahaca.com.

-END-

PICTURED: John Cookman

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Digigram to Introduce New Low-Latency, High-Density LX-MADI PCIe Sound Card at IBC2014

LX-MADI PCIe Sound Card Offers 64/64 MADI I/O, Latency Down to 3 ms, and High Stability in Audio Production and Broadcast Automation Applications

MONTBONNOT, France — Aug. 19, 2014 – Digigram today announced that it will showcase the new LX-MADI PCI Express(R) (PCIe(R)) sound card, the latest addition to company’s unparalleled range of sound cards engineered for broadcast applications, at IBC2014. Digigram designed this card to provide radio and television broadcasters with low-latency performance and reliable multichannel synchronous audio PC connectivity in high-density audio production and automation applications.

“With the new LX-MADI PCIe card, users can establish a high permanence-of-service bridge between the PC-based content management world of digital audio workstations and automation systems and the legacy synchronous audio world based on AES10 standard Multichannel Audio Digital Interface (MADI),” said Pascal Malgouyard, head of product marketing at Digigram. “This approach simplifies the systems required to support key broadcast processes while ensuring the continued quality and reliability of audio signals.”

Equipped with an optical MADI interface, Digigram’s new LX-MADI PCIe sound card supports a 64/64 I/O channel count with low roundtrip latency down to 3 milliseconds. An embedded 64×64 matrix gives users routing and direct monitoring capabilities, along with record and play functions. Because the LX-MADI PCIe sound card is a hardware solution, it offers high stability regardless of the computational load presented by other applications running on the host system, such as editing, processing, ingest, and playout.

The new Digigram LX-MADI PCIe sound card will be shipping by the end of 2014. In the meantime, it will be available for demonstrations on the Digigram IBC2014 stand (8.C51).

Further information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

# # #

About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

All trademarks appearing herein are the property of their respective owners.

Please Visit Digigram at IBC2014, Stand 8.C51

Photo Link: www.wallstcom.com/Digigram/Digigram-LX_MADI.jpg
Photo Caption: LX-MADI PCIe(R) Sound Card

JOEL HAMILTON RECORDS & MIXES “PUSS N BOOTS” DEBUT USING ATC SCM25A’s

BROOKLYN, NEW YORK – AUGUST 2014: Puss n Boots is a three-piece, all-female, alt-country band led by singer-songwriter Norah Jones and backed by accomplished vocalists Sasha Dobson and Catherine Popper. All three women learned new instruments for five years before recording their debut album with engineer/musician/producer Joel Hamilton (Tom Waits, Black Keys, Sparklehorse, Elvis Costello) at Studio G Brooklyn. Titled No Fools, No Fun, the album was recently released on Blue Note Records. As co-owner of Studio G Brooklyn with Tony Maimone, Hamilton installed ATC SCM25A three-way reference monitors and ATC SCM0.1-15 subwoofers in Studio A, a change that happily coincided with his first Grammy nomination (Pretty Lights, A Color Map of the Sun), a Latin Grammy nomination (Bomba Estereo, Elegancia Tropical), and a Latin Grammy win (Gaby Moreno, Postales). The ATCs were purchased from Audio Power Tools in New York.

“The ATCs have changed the way I work and improved the quality of my work,” said Hamilton. “I’m lucky to have a nicely tuned control room with an SSL and plenty of vintage outboard gear, and with the ATCs, I’m suddenly able to make decisions that are smaller – and yet more critical – than I have ever been able to make before. I have the ability to resolve a finer shade of the colors I’m hurling at the end-listener, and it’s been a revelation. It’s not a small thing, and that’s why I’m reaching for dramatic words like that. It’s tectonic. The entire continent has shifted.”

The glorious harmonies delivered by Jones, Dobson and Popper are a huge part of Puss n Boots’ magic. They form the emotional foreground. “The balance of those harmonies is crucial,” said Hamilton. “You’ve got these three gorgeous women with gorgeous voices, and they’re all coming at you like gangbusters because they can all project. We recorded everything live to analog tape, including the vocals. That gives a particular nuance to how the instruments sit against the vocals. You can feel the beat push and pull so beautifully. I needed to make sure that all of that nuance would come shining through for the listener. Striking the right midrange balance of those harmonies is critical, and I had to make sure all of that beauty would be immediately apparent to, say, my mom!”

While Norah Jones’ existing albums might safely be described as “polished” and most classic country albums might safely be described as “rough,” Hamilton had to walk the line between those extremes. “The balance is deliberately raw, which is perhaps unexpected by traditional Norah Jones standards, but it also has to be informed,” he said. “We were shooting for a tiny bulls eye, but we also had to make sure that everything felt unfettered and natural; just on the edge of scratchy so that it felt rough but didn’t actually hurt people. With the ATCs, I could find that line and make adjustments with confidence. I could tell where I was overcooking it on purpose. I could dial in just the right amount of ‘road house.’”

With the introduction of the ATCs, gone too is the need to translate for the client how a mix will sound outside of the studio. “After spending a lot of time in front of other monitors, I could tell when certain things would sound bad in the studio but fine outside of the studio,” Hamilton said. “The challenge beyond that, however, was convincing the client that those bad things would be fine later on, which is just one more thing to heap onto the already-skittish nature of an attended mix session. And so clients would ask, ‘why don’t you just get monitors that sound like it will sound like?’ It seems so simple, but of course it’s not.”

Hamilton used to switch between a number of monitors and loudspeakers all day long, but now he just hangs out on the ATCs. Depending on the task at hand, he can turn the ATC subwoofer on or not. “With the sub on and the volume cracked, the ATCs rock and serve as ‘mains,’” he said. “When I’m listening closely and resolving small moves, the ATCs are my nearfields. Either way, I now have complete confidence in what I’m hearing and doing. When a mix sounds good on the ATCs, I know it will sound good everywhere else. With Puss n Boots, we were able to make solid decisions that stuck. We totally avoided the hell of endless revisions!”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

K2 Becomes NYC’s Newest Flying Superhero

See Factor deploys brand new L-ACOUSTICS system at acoustically challenging Javits Center for worldwide premiere of X-Men: Days of Future Past

NEW YORK CITY — For the launch of the summer blockbuster film X-Men: Days of Future Past, 20th Century Fox staged its worldwide premiere at the Jacob K. Javits Convention Center on midtown Manhattan’s west side.

The debut of the $200-million-plus film, attended by Hugh Jackman, Jennifer Lawrence, Patrick Stewart, Halle Berry and other stars, was a huge event filling a hall inside the cavernous Javits Center and illuminating a 75-foot-wide screen hung on the hall’s north wall. The showing also had to be able to reproduce the film’s bombastic 5.1 surround soundtrack, but the Javits is no cinema; the same huge floor-to-ceiling glass wall that offers spectacular views of the Hudson River and New Jersey can also create uncontrollable aural reflections that would turn the hall into an acoustical nightmare.

Event producer Samantha Sackler Productions tapped NYC-based See Factor Industry, its longtime collaborator on east coast events and movie premieres, who called upon the sonic equivalent of a superhero: L-ACOUSTICS’ K2, a lightweight, high-powered, full-range line source array system that made its official debut earlier this year. For the X-Men premiere, the AV specialist deployed 24 K2, 12 SB28 subs and 16 coaxial 115XT HiQ wedges, all powered and processed by L-ACOUSTICS’ LA8 amplified controllers. See Factor also provided all lighting, rigging and management services for the event. more

Biamp Systems Selected for University of Oregon’s Hatfield-Dowlin Football Complex

AudiaFLEX and Nexia(R) CS provide digital signal processing for technologically advanced collegiate sports facility more

Nexidia Releases Dialogue Search v1.6 With New-Third Party Integrations

ATLANTA — Aug. 12, 2014 – Nexidia, a leading developer of dialogue and audio analysis products and technologies, today announced version 1.6 of Nexidia Dialogue Search, the company’s solution that searches for any spoken word or phrase across massive media libraries in seconds. With Dialogue Search v1.6, Nexidia has expanded its third-party integrations for the Dalet Galaxy and Squarebox Systems CatDV media asset management (MAM) systems, making them even more valuable and flexible for media operations of any size. In addition, Vizrt and IPV have now integrated dialog search capabilities into their respective MAM applications using the Dialogue Search API.

“We designed Dialogue Search to be an indispensable tool for any media-centric organization needing to find any clip among thousands — or even hundreds of thousands — of hours of media. We do this independent of, but in conjunction with, any existing metadata,” said Drew Lanham, senior vice president and general manager of Nexidia’s Media and Entertainment division. “At the same time, several new technology partnerships mean users can benefit from Dialogue Search in a broader array of tools to make media immediately accessible without the time and expense of logging or transcription.”

Dialogue Search quickly indexes all of the audio in a media library and then utilizes Nexidia’s patented phonetic search technology to find clips based on what is spoken on the audio tracks.

With v1.6, Dialogue Search has expanded its integrations with several of the industry’s MAM and metadata management systems. In addition to the expanded integrations with Dalet Galaxy and Squarebox Systems CatDV, MAM solutions IPV Curator and Vizrt Viz One have now incorporated the Dialogue Search API — enabling Dialogue Search capabilities to create a unified search experience. The API enables all of the user features of Dialogue Search to be integrated in the third-party application without disrupting the existing user experience or workflows.

Nexidia will demonstrate Dialogue Search v1.6 at the IBC2014 in stand 3.A54 and in the IPV Stand, 8.A33. The product will be available in September.

More information about Dialogue Search and other Nexidia products is available at www.nexidia.tv.

# # #

About Nexidia
Nexidia is the audio and video search company with patented technologies and breakthrough applications that make it quick and easy for customers to gain new insight, boost their competitive advantage, and monetize large volumes of audio and video assets from entertainment, sports, news, education, corporate, government, financial, house of worship, and non-profit organizations. More information is available at www.nexidia.tv.

All trademarks appearing herein are the property of their respective owners.

Visit Nexidia at IBC2014, Stand 3.A54

Photo Link: www.wallstcom.com/Nexidia/Nexidia-DialogueSearch-Player-DaletIntegration.jpg
Photo Caption: Nexidia Dialogue Search Integrated Into Dalet

Photo Link: www.wallstcom.com/Nexidia/Nexidia-DialogueSearch-SearchResults.jpg
Photo Caption: Nexidia Dialogue Search – Search Results

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Related Topics: Audio Playback, News, Product Updates |

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