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Archive of the Audio Playback Category

ADX TRAX Audio Separation Software Now Available

New Software Provides Powerful Tool for Remixing or Creating New Compositions

LOS ANGELES (January 23, 2014) – Audionamix® announces the release of ADX TRAX™, unique audio separation software built on the company’s proprietary ADX® Technology. ADX TRAX separates full mixes into two audio files: a vocal track and its accompanying music track. This cloud-based technology allows musicians, mixers, audio engineering professionals and producers to achieve superior vocal isolation for a number of creative applications. The company is demonstrating ADX TRAX (booth #7523 in The Venue) at The NAMM Show in Anaheim, which runs January 23-26, and it is available to download at www.audionamix.com.

“ADX TRAX puts a piece of our innovative, melodic source separation technology into the hands of the professional music community,” says Rick Silva, VP of Production and Product Manager at Audionamix. “We’ve designed TRAX to be a user friendly tool for speeding up the labor-intensive task of creating vocal isolations and instrumental tracks. By utilizing the power of cloud computing, the process is now automated for quick, high-quality results.”

ADX TRAX features intuitive navigation and editing tools in an environment that is familiar to all DAW users. The software is unique in that it has the ability to perform separations on mono, as well as stereo recordings, and it is compatible with multiple file formats, bit depths and sample rates.

Specific to the software, ADX TRAX provides users with a vocal volume control feature. This is an extremely valuable option when lead vocal levels of a mixed music track need to be adjusted for various commercial applications.

Additional software features address reverb, and an A/B button provides the ability to refer to the current refined pitch guide, as well as return to the automatic separation and associated pitch guide.

ADX TRAX is client and cloud-based audio separation software designed for MAC OS (10.6 or later). It is intended for use with owned or licensed content, or content obtained from the public domain, and may not be used to violate any law, including copyright laws.

An annual, prepaid software license for ADX TRAX begins at $240. Audionamix is offering a 20% discount to anyone who purchases the software through February 28. There is also a free 7-day trial available for anyone who signs up by January 31. After that, it will be a free 3-day trial period.

As a special show offer, NAMM attendees can visit the Audionamix booth for a promo code to save an extra $120 on the Premium subscription package, which can be applied with the 20% discount through January 31, for a total savings of $168. To download ADX TRAX, and for more information on subscription plans, visit www.audionamix.com.

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About Audionamix
Founded in 2008, Audionamix is a global leader in audio source separation. Based on years of research, the company developed the revolutionary, patented ADX Technology and continues to pioneer audio solutions for the film, broadcast and music industries. Audionamix’s technical expertise in isolating and separating elements from a master recording empowers content owners, engineers, producers, and artists to create new arrangements, and unlock television and movie assets for expanded distribution. ADX TRAX is specialized software that utilizes the company’s technology to easily, quickly and effectively isolate vocal elements from its accompanying music track. Located in Los Angeles and Paris, the company’s technology and service offerings provide innovative solutions to a wide range of audio challenges. For more information, visit www.audionamix.com, or follow them on Facebook, Twitter, YouTube, Vimeo, and LinkedIn.

(Audionamix, ADX and ADX TRAX are trademarks of Audionamix.)

Media Contacts:
ignite strategic communications
Lisa Muldowney, lisa@ignite.bz / 760.212.4130 direct
Sally Christgau, sally@ignite.bz / 415.238.2254 direct

HARMAN’s JBL Professional Provides World-Class Performance and Added Flexibility with JBL VTX V20 and S25 Line Array Loudspeakers

ANAHEIM, California – Adding to its already-legendary VTX Series line arrays, HARMAN’s JBL Professional is introducing the VTX V20 dual 10-inch line array loudspeaker and VTX S25 cardioid-arrayable dual 15-inch subwoofer. Both products offer the same unmatched sonic clarity, high power density and precise coverage as their predecessors (the V25, S28 and G28) but in more compact form factors, providing rental sound companies, event sound designers and system integrators even more flexibility when building world-class live sound reinforcement systems.

“In its short history, the VTX Series has already proven to be the world’s highest-performing line array system, as evidenced by its rapid worldwide adoption and deployment on some of the world’s most successful tours and in some of the world’s most prestigious venues, not to mention numerous industry awards,” said Paul Bauman, Associate Director, Tour Sound, JBL Professional. “The new V20 and S25 deliver the same level of performance that is characteristic of the VTX Series while adding even more flexibility due to their compact form factors.”

The VTX V20 loudspeaker features a true 3-way system design with proprietary D2 Dual Diaphragm Dual Voice Coil compression driver and Differential Drive™ low frequency transducer technology along with patent-pending ultra-linear motor technology employed for midrange components. In keeping with the philosophy of the VTX Series, the VTX V20 has extremely high power density with each line array element featuring two 2261H 10-inch Differential Drive™ woofers, four 2164H 4-inch ultra-linear midrange transducers and three of the new small-format D2415K Dual Drivers.

VTX V20 features three D2415K transducers – a new small format version of the patented D2 Dual Diaphragm, Dual Voice Coil annular (ring radiator) compression driver that delivers a dramatic increase in pure high frequency extension and sound pressure levels with significantly lower distortion, reduced power compression and lower weight combined with increased power handling, linearity and dynamic headroom.

A new Radiation Boundary Integrator (RBI) waveguide based on the same proven design principles that have been so successfully employed for both the VTX V25 and VERTEC® VT4886 subcompact line array elements, provides stable 110-degree horizontal coverage for V20, combined with perfect line source array coupling from 0 – 12.5 degrees in the vertical plane. The VTX V20 features a highly integrated, modular design with unique cast-aluminum baffle and HF waveguide construction that allows the enclosure to achieve the same tightly-packed power density as the V25 along with the added benefits of light weight, improved structural rigidity and enhanced heat dissipation.

VTX V20′s new ASM Suspension System was specifically designed for ease of transport and handling, speed of installation and versatile re-configurability. Fully captive, ergonomic flip hingebars work in conjunction with a rotary cam angle stop mechanism (ASM) to select inter-enclosure angles quickly and efficiently while the array is being deployed. The dual mode ASM suspension system facilitates operation in either compression mode (using a rear pullback motor or hand hoist to set inter-enclosure angles) or traditional fixed angle suspension mode (using quick release pins to secure angles between enclosures). During de-installation, ASMs can quickly be reset to zero degrees to configure enclosures into travel position for convenient landing onto vertical transporters that are specifically designed to have truck pack friendly dimensions.

A completely new array frame and extension bar design complements the V20 suspension system, providing a high degree of flexibility for either compression or tension mode suspension as well as tilt adjustment capability for stacked configurations. An additional adapter accessory is under development that will allow V20 to be suspended under V25 enclosures for downfill applications.

The companion VTX S25 subwoofer uses a pair of the same 2000-Watt continuous, 15-inch Differential Drive transducers employed in the fullsize V25, ensuring the same sonic signature while allowing V20 and S25 arrays to be used for outfill, center cluster or delay system applications in conjunction with main left/right V25 arrays. The S25 is cardioid-arrayable, and can be suspended in the middle of V20 arrays to provide effective balcony/floor coverage and under-balcony penetration for theatrical sound design applications. Alternatively, S25 enclosures can be flown at the top of V20 arrays in either front-firing or cardioid mode to extend the low frequency length of the line array and provide improved low frequency pattern control and throw, similar to the manner in which S28 enclosures can be deployed at the top of V25 arrays. With its compact form factor, the S25 is also an ideal tool for drum monitoring and medium format front-of-house ”subwoofer/satellite” use with VTX F Series enclosures or VERTEC subcompact line arrays.

Bauman concludes, “NAMM is the public preview of V20 and S25 and we are excited to be featuring the system on the Grand Plaza main stage to serve all live acts in front of the Anaheim Convention Center. We’ll be conducting field testing throughout January and February with key development partners to further refine the V20 system in preparation for production availability in March 2014.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

Barix Audio Signage Solutions Give Screens a Voice

Multichannel audio streaming solution engages consumers on mobile devices in retail environments

ZURICH, SWITZERLAND, January 22, 2014Barix comes to ISE 2014 and the Digital Signage Expo (DSE) with a unique retail solution that enhances the shopping experience for consumers and adds value for retailers through mobile connectivity and synchronized promotional content.

The unique solution aims to give the screen a voice, engaging consumers at shopping windows and inside stores through visual content and associated audio streams. A free Barix smartphone app called Barix Audio Point, to be available in traditional App Stores, prompts consumers to scan a QR Code for stream access, which provides relevant and captivating audio content in synchronization with on-screen video. The combination brings higher awareness to promotions, store branding and other messaging through deeper engagement with shoppers – and addresses the retailer’s goal of increasing basket size.

At ISE 2014 (February 4-6, RAI Exhibition Centre, Amsterdam, Stand 8-E275) and DSE (February 12-13, Las Vegas Convention Center, Booth 1716) Barix will demonstrate a complete audio signage solution with screenFOOD, a dynamic in-store merchandising company whose content management system automates video delivery. The Barix solution can work with any Digital Signage player to achieve this multi-sensorial approach, with Barix encoding and streaming high-quality audio through access points near each screen. Those access points enable the Wi-Fi connection that delivers audio to mobile devices in perfect harmony with video playing out on screens.

The complete solution gives systems integrators and end users an all-in-one package that is quick to deploy, with ongoing reliability. Multichannel audio capacity additionally supports multiple streams, allowing retailers to provide audio signage content in several languages.

Barix CEO Ronni Guggenheim believes the bring-your-own-device trend in retail makes audio signage a natural step in advancing the customer journey, from redeeming special coupons delivered alongside mobile streams to receiving information about online shopping after stores have closed.

“The act of seeing and listening together raises the grade of perception, and through this solution retailers can give their customers a more complete experience that raises the potential to drive purchases,” said Guggenheim. “Barix excels at moving audio over IP networks with very minimal delay, and our audio signage solutions feature content management systems from screenFOOD and other suppliers to help retailers deliver an enjoyable in-store audio visual experience to consumers.”

screenFOOD CEO Pierre Farine believes that this concept advances communication at retail touchpoints to a new level, moving past solitary audio or visual to bring greater context to the shopping environment.

“Good sounding audio helps to focus customer attention and extend their journeys into the mobile universe while on premises,” said Farine. “Overall, this solution breathes new life into visual screen content. Barix also shares our philosophy of high-quality, reasonably priced technology and customer-centric solutions, and we see this as a unique opportunity to bring an innovative and exciting retail solution to market.”

Systems integrators can add more value by using the same network architecture to separately deliver Barix in-store radio solutions with dynamic ad insertion; and live paging and intercom. Retailers can deploy the latter at help points alongside display screens to expand customer service channels.

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

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Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

HARMAN’s Soundcraft Announces Availability of Vi Version 4.8 Software for Vi2, Vi4 and Vi6 Consoles

Now loaded with Vi 4.8 software, the Soundcraft Vi6 rolls off the production line in Potters Bar, UK. Pictured (left to right): Harry McGee, Tony Alexander, Dominic Harter, Tim Mahesan.

POTTERS BAR, United Kingdom – HARMAN’s Soundcraft today announces the launch of its Vi Version 4.8 software—a substantial new update for Soundcraft Vi1, Vi2, 4 and 6 consoles. Version 4.8 software contains a number of significant new features, with stage monitor applications in particular set to benefit most from the update.. Some of the new features may require the purchase of additional DSP cards for Vi1, Vi2, 4 and 6 consoles.

The most significant of the new features is the upgrade of the bussing system on Vi1, Vi2, 4 and 6 to allow all 32 of the console’s mix busses to work in stereo mode when required—without stealing any other busses–to allow use as in-ear mixes. In addition, a new source selection switch has been implemented that allows each individual aux or group bus send from channels to be sourced from four different points in the signal path—post-fade, post-EQ & Dynamics, pre-Dynamics but post-EQ, and pre-EQ & Dynamics (existing software only allows the first two of these points to be selected). Other features include stereo mode for Matrix busses (including up to eight stereo Matrices on the Vi1), post-fade insert points for automixer insertion on Vi2, 4 and 6, and coloured channel label backgrounds. A new enhanced Aux VCA system allows monitor engineers to selectively use VCA mixing within a monitor mix.

In order to benefit from the new audio features, Vi1, Vi2, 4 and 6 consoles must have at least three DSP cards fitted to the Local Rack. Consoles with only two DSP cards fitted will require the purchase of a third DSP card in order to benefit from the new audio features and in this case will need to choose using an ‘Expansion Mode’ switch between 96 inputs and the old bussing system, or 64 inputs with the new bussing system. In order to have both 96 inputs and the new audio features, a fourth DSP card will need to be purchased.

Vi1 consoles will not receive the ‘All Busses can be mono or stereo’ feature, pre-fade Aux send options or post-fade insert point features, due to DSP restrictions.
A new Contribution Pan function allows each of the Matrix contribution signals, selectable from a multitude of sources including channel direct outs, bus and master outs and direct I/O patches, to be positioned within the Matrix bus’s stereo field.

Also for Vi1 consoles, V4.8 software allows increased flexibility of the Local I/O configuration, so for example one of the line out modules may be exchanged for a third Mic/line input module, giving a total of 48 mic ins and 16 line outs on the back of the console.

For all Vi consoles, it is now possible to select a bus mix as the external key input source for the Gate/Ducker on input channels. This allows more flexibility particularly when using the ducker to control ambient mics for a recording or in-ear monitor mix.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

Barix Sharpens Retail Focus in 2014

Company to introduce new strategy, solutions at ISE and Digital Signage Expo

ZURICH, SWITZERLAND, January 15, 2013
Barix opens 2014 with a new executive management team and company strategy that will shift the company’s focus to core growth areas, with retail a key focus heading into two first-quarter trade shows.

The company will unveil a new booth design at the ISE 2014 and Digital Signage Expo shows simulating technology in retail environments, with three key demonstrations:
Audio Signage, a unique application that delivers multichannel audio streams to consumer devices in synchronization with visual displays
In-Store Radio and Ad Insertion, a long-time Barix expertise improved through new hardware and software, including a system-wide management platform
Paging and Intercom, addressing retail store communications for security and general needs in real-time

Barix retail solutions feature tried-and-true Barix IP audio technology at the core, leveraged to bring complete solutions that engage consumers, simplify communications and add value for systems integrators through simple installation, scalability and all-in one converged network solutions. All three demonstrations will showcase the core Barix benefit of reliably moving audio over IP networks.

“Particularly with our audio signage solution, we aim to bring the two siloes of video and audio communication into a single-contained, harmonized and managed platform in the retail shop,” said Ronni Guggenheim, CEO, Barix. “Overall, we view the retail market as an exciting opportunity to showcase how we can merge core Barix strengths and new enhancements to deliver complete, reliable and cost-effective solutions that engage audiences, enrich brands and generate revenue.”

Barix will move its ISE stand to the digital signage hall this year to more prominently display its new retail solutions to systems integrators and end users with interest in this market. Barix will exhibit at Stand 8-E275 at ISE 2014, which takes place February 4-6, RAI Exhibition Centre in Amsterdam. The company will then demonstrate these solutions the following week at Digital Signage Expo (Booth 1716), taking place February 12-13 at the Las Vegas Convention Center.

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

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Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

HISENSE DEBUTS SLIM WIFI AND BLUETOOTH® SOUND BARS AT CES

Las Vegas, NV – January 6, 2014 — Hisense, an innovation leader in flat screen TV performance and form factor efficiency, today introduced complementary Bluetooth® and WiFi sound bars at the 2014 Consumer Electronics Show (CES). The move provides consumers with a high performing, add-on audio solution for screens 39-inches and larger that is as good-looking as it is easy to install.

“As televisions have become slimmer, the need for dedicated audio systems has become more pronounced. This is a challenge that all manufacturers have faced and one that we are addressing comprehensively and elegantly with our sound bars that are debuting here at CES,” said Jonathan Frank, Vice President of Marketing, Hisense USA. “Hisense makes gorgeous UHD and SMART TVs for the home. It only makes sense to offer an audio equivalent – a truly elevated full sensory experience when playing detailed video games or watching high-impact movies and shows.”

The sound bars feature multiple drivers to accommodate full range audio and deep bass reproduction, and include analog, digital and HDMI-ARC connectivity options for easy hook-up. DTS TruSurround HD™ audio processing with up to eight presets delivers a superior audio experience for both movies and music across all three models.

The mid-level and entry-level models include optical and Bluetooth capability, perfect for the H7, H6, and the H5 series TVs. The high-end model comes with HDMI capability, and is Bluetooth equipped, DTS, DOLBY® Digital, and a wireless subwoofer for powerful, bass pounding sound. The slim metal design is carved out of high-end aerospace grade aluminum for a sleek lightweight look with excellent industrial design. The high-end sound bar works best with the H9, H8 and H7 models.

Look for the entire family of sound bars late 2014. Pricing to be announced later this year.

The Hisense sound bars will be on display at the Hisense booth 7243 during CES, January 7-10, 2014.

For more information please visit: www.hisense-usa.com. You can also find us on Facebook at www.facebook.com/HisenseUSA or follow us on Twitter and Instagram @Hisense_USA.

About Hisense USA Corporation
Established in 2001, Hisense USA Corporation is a wholly owned subsidiary of the Hisense Company Ltd., headquartered in Qingdao, China.

Hisense USA offers a broad range of technology driven consumer electronics products that are manufactured and distributed across North American, including televisions, refrigerators, air-conditioners, dehumidifiers, beverage coolers and freezers. Hisense USA sells into national retailers across North America, including Walmart, Sams.com, Costco, P.C. Richards, Canadian Tire and more. The Company has established R&D centers in Atlanta, Georgia and San Jose, California to enable localized product development and innovation.

Hisense Company Ltd. has production facilities in China, South Africa, Algeria, Egypt as well as Mexico and is one of the largest television manufacturers in the world with over 10 million televisions produced per year. The Company has sales offices in North America, Europe, Australia, South Africa, the Middle East and Asia while exporting products to over 130 countries and regions throughout the world.

William Kentridge’s Soundscapes Come Clean with PreSonus

tumblr_musesiMeAL1r064gzo4_1280 copyJohannesburg, South Africa – January 2014…  Acclaimed South African-born artist William Kentridge has a well-deserved reputation for the unusual. His work spans the audio and visual spectrum, from drawings and prints to operas and charcoal drawn animations. In his latest installation, “The Refusal of Time,” Kentridge fuses sculpture with digital video and complex, multi-layered soundscapes to create a multimedia work that is both powerful and compelling.

The viewer is immersed with five video screens covering three walls, running separate but interwoven program material accompanied by a multi-channel music and sound sculpture. There is a sculpture of a man holding a big megaphone, as well as a giant wooden, breathing elephant in the middle of the room, making reference to Charles Dickens’ Industrial Revolution. The soundtrack includes music composed by Philip Miller, as well as spoken word, including Kentridge’s own voice from the megaphone, and of course, the elephant’s breathing. The end result is a clearly unique and intricate audio/visual installation.

2-2013-06-10 309 copyThe man charged with the logistics of running this complex and unusual setup is engineer/sound designer Gavan Eckhart. With an installation requiring sophisticated mixing and matrixing and powerful signal processing, Eckhart chose the PreSonus AudioBox 1818VSL as the central audio hub.

A four-channel bed of music forms the sonic foundation, blending samples of African languages and chants atop Miller’s orchestral array of trumpet, trombone, tuba, grand piano, and various percussion. The quadraphonic surround mix is sent, via four of the AudioBox 1818VSL’s outputs, to four JBL Eon powered monitors.

On top of this mix is Kentridge’s spoken-word soundscape: the man with the megaphone. Here, Eckhart had to think of a creative way to achieve just the right metallic, low-fi sound. “The megaphones are a big component of the whole piece,” he says. “I came up with the idea to just grab some car speakers and mount them in tin cones on tripods and see if it worked. Fortunately, it did. That low-quality rattle and hum those cones produce is actually part of the beauty of the piece.” Four more outputs from the AudioBox 1818VSL feed the car speakers via a four-channel amplifier.

1-2013-06-10 325 copyThe installation includes a total of seven Mac minis: five running video playout, a sixth running the audio, and one more as master controller. With most of the installations residing in large warehouse spaces, it’s easy to imagine the potential for things to degenerate into a muddy-sounding cacophony. But Eckhart says the AudioBox 1818VSL is more than up to the task.

“The AudioBox 1818VSL gives me enough matrixing and discrete outputs to route all the individual signals,” he says. “But more than that, it has a nice, well-defined sound that really allows me to get a good separation between the beautiful musical backdrop and the spoken word with these distorted car speakers.”

The AudioBox 1818VSL’s onboard signal processing helps to further define and refine the mix, says Eckhart. “I find that the EQs are very useful for shaping the sound and achieving separation. If it’s a very bass-heavy room, I can just roll off a bit of lows or bring a bit of sparkle to the speakers instead of having to remix and re-export it. It lessens the processing demands on the computer and gives me a tremendous amount of control to create a clear and well-defined soundscape.”

Since its debut at the Dokumenta 13 festival in Kassel, Kentridge’s “The Refusal of Time” has been installed at numerous museums worldwide, including Rome, Paris, and Eindhoven, with new installations scheduled in Germany, Japan, Australia, and the United States.

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About PreSonus 

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

CTS Audio Shows Faith in HARMAN’s JBL Professional VTX Line Arrays at National Catholic Youth Conference

NORTHRIDGE, California – Continuing a series of high-profile events using HARMAN’s JBL VTX line arrays and Crown I-Tech HD amplifiers, CTS Audio provided a HARMAN Professional audio system for the National Catholic Youth Conference at Lucas Oil Stadium in Indianapolis.

Sponsored by the National Federation for Catholic Youth Ministry, the National Catholic Youth Conference featured a variety of spoken-word, live music and dramatic performances. Given the event’s diverse programming, CTS Audio—which has supplied the sound reinforcement for the bi-annual National Catholic Youth Conference for more than 15 years—needed an audio system that would accommodate this variety in a large stadium environment. Working with production company Declan Weir Productions, CTS Audio designed and deployed a HARMAN audio system featuring JBL Professional VTX line arrays powered by Crown I-Tech HD amplifiers.

The production was configured in the round, with the main PA system including a total of 90 JBL VTX V25 fullsize line array elements (in six columns of 15 each), with 24 S28 subwoofers flown in the center of the main PA loudspeakers in a cardioid setup. Eight VRX932 Constant Curvature loudspeakers provided additional fill. At each end of the stadium, 24 JBL VERTEC® VT4888 midsize line array elements served as delay loudspeakers. Crown I-Tech HD 12000 amplifiers powered the system.

According to Mike Taylor, Vice President of CTS Audio, the main challenges of the event included proper time-alignment of the loudspeakers. “We were faced with a complex task of achieving direct sound rather than reflections in such a large stadium,” said Mike Taylor, Vice President of CTS Audio. “And with the design, coming up with a subwoofer arrangement that was even across the room was also a challenge.”

In addition, CTS Audio configured and monitored the audio system with JBL HiQnet Performance Manager™.

“[JBL’s Associate Director, Tour Sound] Paul Bauman and [HARMAN Professional’s Application Engineer, Live Sound and Rental for North America] Raul Gonzalez helped us develop a solution utilizing Performance Manager,” Taylor noted. “This enabled us to model and program every loudspeaker in the system before even hanging a single box.”

Although CTS Audio has used VTX frequently since adding the loudspeakers to its inventory, this was the first time CTS supplied VTX for the National Catholic Youth Conference. “The event was a huge success,” Taylor said. “Two years ago we used VERTEC and this was an improvement on an already good-sounding system. VTX is a whole different animal—the enclosures and the high-frequency range are amazing.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

Symetrix SymNet Radius 12×8 Dante Networked Audio DSP Keeps Indiana Town Dancin’ in the Streets

GREENFIELD, INDIANA: Although the city of Greenfield, Indiana is now a suburb of Indianapolis, its history runs deep into the 1800s, when it was a railway stop and the birthplace of famed poet James Whitcomb Riley. The city celebrates that tradition for a long weekend every October with Riley Days, which ranks among the Hoosier State’s best-attended festivals. Because Greenfield also puts on a Christmas festival and numerous other smaller citywide events throughout the year, it recently decided to invest in a citywide sound reinforcement system. Local A/V integration firm Force Technologies designed and installed the system for future expansion and convenient control using the Symetrix SymNet Radius 12×8 Dante networked audio signal processor and ARC-WEB user control for mobile devices.

“Riley Days is a big deal,” said A.J. Fager, owner of Force Technology Solutions. “Greenfield closes down its main streets, and vendors from all around set up tents. The city officials wanted a permanent sound reinforcement system that would serve Riley Days, as well as the other events that the city hosts. The Symetrix SymNet Radius 12×8 was the perfect processor because it is powerful, cost-effective, and easily scalable via Dante. Moreover, we could give them customized control via SymVue real-time user control panel application running on any Windows compatible PC and simultaneously give them simple, intuitive control for technicians’ smartphones via Symetrix’ ARC-WEB technology.”

In its initial deployment, the system is comprised of eight zones, each of which are independently tuned and delayed to minimize echo effects. Weatherproof Community R.5HP 8 Ohm and R.5HPt 70-Volt loudspeakers mounted to poles and powered by Crown CDi-Series amplifiers now dot downtown Greenfield. “Those loudspeakers and amplifiers are capable of delivering high sound pressure, and the design became a case of ‘less is more,’” said Fager. “When we modeled the system, it was apparent that more loudspeakers would have complicated the delay scheme and ultimately resulted in more harm than good.” Inputs to the system include two music sources and two wireless microphone systems.

The Greenfield IT department manages the citywide sound reinforcement system. Fager designed a custom Windows-compatible, PC-based control interface using Symetrix SymVue software. The interface consists of a map of the city broken down by zone. Within each zone, technicians can control volume and other aspects of system performance. Because such adjustments are sometimes better made from the zone itself, Fager also gave them a Symetrix ARC-WEB interface. Technicians access the password protected ARC-WEB interface from their smartphones and can thus make adjustments from anywhere.

Already, the city officials are excited to expand the system with four more zones. Fager anticipated this, and that was part of the reason why he went with the Dante networked SymNet Radius 12×8. Because its full processing power is far from tapped, Fager can simply add a Symetrix SymNet xOut 12 and, via the magic of Dante, the system will have the required additional outputs at little expense.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Pearl-Cohn Entertainment Magnet High School Launches Next Generation of Producers with HARMAN’s JBL Professional M2 and LSR Studio Monitors, AKG Microphones and Lexicon Processors

NASHVILLE, Tennessee – The first of its kind in the US, Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee provides a unique opportunity to students interested in pursuing careers in the entertainment industry, offering concentrations in audio engineering, radio production, broadcasting and other media industries. Fulfilling a key initiative of the project, Pearl Cohn partnered with the Nashville Chapter of the Recording Academy® Producers and Engineers (P&E) Wing in late 2012, to build a fully functioning, world-class recording studio, creating the opportunity for students to learn music production skills in a professional, hands-on environment. The new studio is equipped with HARMAN Professional’s newest JBL studio monitors, AKG headphones and microphones, Lexicon effects and Crown amplifiers.

The transformation of Pearl Cohn into the Nation’s first Entertainment Magnet High School was the personal project of Nashville Mayor Karl Dean, and Music Makes Us, a music education advocacy group, working to create a world-class learning environment for entertainment arts in Nashville.

Renowned studio designer Steven Durr donated his time and energy to develop the plans and oversee construction of the fully equipped studio. In a remarkable effort, producer/engineers Jeff Balding, Chuck Ainlay, in addition to Ben Fowler, Julian King, Nick Palladino, Terry Palmer, Matt Schlachter, Jon Randall Stewart, Durr and notable members of the Nashville music community rolled up their sleeves as a valuable subcommittee to put the facility together.

“Music education is so important to The Recording Academy, so when we were approached with the idea of Pearl-Cohn’s studio, we were proud to help in the development, contacting key associates in the music world to construct the first-of-its-kind high school facility,” says Susan Stewart, South Regional Director, The Recording Academy. “The studio became a reality with the help of the generous manufacturers and the community, who bonded together to provide students the hands-on environment they deserve to excel in the music industry.”

According to Sam Lorber, Instructional Designer at Pearl-Cohn Entertainment Magnet High School, the institution was developed with the desire of engaging students with project-based lessons centered on the entertainment industry theme.

“It was the intention of the school from the start to provide professional-level education. Whether students are going to pursue an audio degree or a career immediately after graduating, they will have the problem-solving, communication and collaboration skills associated with a strong audio-based foundation,” Lorber stated. “With the P&E Wing and HARMAN, our vision of building the all-encompassing studio has far surpassed what we ever imagined was possible!”

The commissioning of the studio at Pearl-Cohn marks the first installation of the JBL M2 Master Reference Monitors powered by two Crown iTech 5000 HD power amplifiers. The M2, JBL’s flagship main monitor system leverages 7 patented technologies, JBL’s next generation transducers and its new Image Control Waveguide to deliver exceptional imaging, frequency response and high output to very broad space in the control room. .

The control room also includes a 5.1 JBL LSR6300 system, while edit rooms are equipped with JBL LSR4300 studio monitor systems. AKG microphones and headphones include K271MKII and K240MKII headphones, D12 VR drum microphone, C214s, a C414 matched stereo set and three C451B condensers. Lexicon’s PCM96 Parallel Stereo and Surround Sound Reverb/effect processor was installed. Pearl-Cohn also installed three complete Lexicon plug-in packages.

Pearl-Cohn provides nine audio classes, which have become the most popular courses since the program was established. The studio/audio program has become the centerpiece of a curriculum that includes a student-run record label and publishing company, plus classes in studio techniques for musicians and singers. Students select a pathway—
choosing between careers as producers, managers, engineers, marketing agents, and more—and enroll in classes beginning with a survey of the music industry and progressing into the specific areas of each student’s interest.

“With a student-run record label, a state of the art studio and the support of music industry veterans, the stage is set at Pearl-Cohn for emerging talent to make their mark in the music world. The future of the industry lies within these kids. We are proud to partner with The Recording Academy in support of this project,” stated Mark Ureda, Vice President, Strategy and Technology, HARMAN Professional.

“We want our students to realize their dreams and potential. They enter the program with ambitions and we want them to graduate with the skills that will provide a stepping stone for a successful career in the audio industry and success in life,” Lorber continued. “Having a partner like HARMAN enables us to create a student-centered studio that rivals university and professional facilities. The sound emanating from our studio is superb and we can’t thank our partners enough for helping Pearl-Cohn inspire its students in this top-of-the-line learning environment.”

For more information on the Pearl-Cohn Entertainment Magnet High School, please visit http://www.pearlcohnhs.mnps.org.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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