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Archive of the Audio Playback Category

Prism Sound Assists With Gavin Harrison’s Drum Masterclass

Internationally acclaimed drummer Gavin Harrison who has worked with a wide range of artists including Iggy Pop, Sam Brown and King Crimson, recently held a drum workshop at Ananda Studios in Cambridge, during which he revealed the secrets of creating a great drum take.

Hailed as a unique and inspiring event by those who attended, the workshop focused on the demands of being a session player and how to deliver a great performance, even when under pressure.

After starting the session with some basic coordination exercises, Harrison, explained the drum part in a specific song and described the techniques he would employ to deliver and capture the sound. Afterward, those taking part were given the opportunity to play the drum part on his kit and have it recorded in Logic by Ananda Studio’s engineer Neil Cowlan so that they could review their performance with Harrison.

“The opportunity to play along with Gavin and then have him critique my performance was great,” said drummer Russ Tarly, one of the 24 people who attended. “This is the first time I’ve come across such a hands-on event and it worked really well. I knew I wanted to do it because it was so specialized. I’d love to see more events like this because I’m sure there are plenty of other drummers who would enjoy going through this experience.”

To ensure the highest possible audio quality throughout the recording chain, Ananda’s Neil Cowlan deployed two recently acquired Prism Sound Atlas audio interfaces, which were used to track 9 microphones from the drum kit into Logic.

As the latest addition to Prism Sound’s professional USB interface family, Atlas is aimed squarely at multitrack recording applications. Atlas benefits from Prism Sound’s 27 year history in digital audio processing and interface design and incorporates the company’s latest award-winning CleverClox dual hybrid clocking technology as well as eight of the company’s acclaimed microphone preamplifiers as standard. The Prism sound mic preamps are based on the very successful Orpheus preamps, but are upgraded with 20dB pads now available for all inputs. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems and can also run with Apple and Windows native applications over USB. Other expansion cards are slated for future expansion of computer interface options.

For Gavin Harrison’s workshop, Prism Sound also loaned Ananda Studios a Lyra audio interface for additional monitoring. The microphones used for this project included a Shure SM91 and AKG D12VR for the kick drum; a Shure SM57 (top) and a Beta 57 (bottom) on the snare, an AKG C451 on rack toms and a Shure SM57 on floor toms.

Cowlan says: “The Prism Sound Atlas interfaces performed flawlessly, both during the Gavin Harrison workshop and at a private seven hour session that took place the day before. They are truly amazing AD converters and mic-pre’s that sound fantastic. It is no surprise that Prism Sound units are found in some of the finest recording studios in the world and the fact that we can now offer them, too, gives people another great reason for coming to record here.”

Located in the Cambridgeshire village of Littlington, Ananda Studios is a purpose built facility housed in the old Neve factory. Originally designed by Andy Munro, the studio was once used for R&D purposes and to demonstrate Neve consoles. Today, it is popular with a variety of artists who appreciate the combination of tranquil surroundings, great room acoustics and an extensive equipment list.

“The live room is a fully acoustically designed space that sounds wonderful for anything you can imagine recording. Drums, string quartets, guitars, vocals, percussion – it all sounds great,” Neil Cowlan says. “We also have a large range of microphones, pre-amps, EQ’s and other equipment to cater for almost any project, along with a huge collection of guitar and bass amplifiers including Marshall, Fender, PRS, Orange and Matamp.”

Following on from the success of the drum workshop, Cowlan plans to host similar events at the studio and will be announcing these very soon.

Prism Sound’s sales director Graham Boswell, who attended the workshop with Bernhard Nocker from the company’s sales and marketing team, adds: “We were delighted to be able to support this event by loaning the studio equipment and look forward to working with Neil again in the future.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Sound Works Pro Tapped for Philfest, Chooses NEXO and Yamaha

BUENA PARK, Calif.—Philfest is an annual collaboration between A&O Productions and Students for Ecological and Environmental Development (SEED) at Northwestern University in Evanston, Illinois. The event features bluegrass and folk music as part of an effort to promote environmental awareness and also raises money for the Rocky Mountain Institute, a non-profit aimed at the sustainable use of resources. The day is held in honor of Phil Semmer, a former SEED member, who passed away while studying abroad.

Held this year in early May at Northwestern on the Norris Center’s East Lawn, Sound Works Productions, Inc. of Frankfort, Ill. was once again tapped to provide audio production. This year, the sound company provided five NEXO GEO S12’s flown, two RS18’s Ray Subs per side ground stacked with two NEXO PS10s speakers used for front fills, all driven with their NEXO NX4x4 amp rack. A Yamaha M7CL was used at front of house with an LS9 at monitors. The Deadly Gentleman from Boston headlined, followed by Sunnyside Up, and Todd Kessler.

“The GEOS12 system sounds amazing, is easy to setup and fly from a mobile SL100 stage, and gets the coverage we need for the Norris Center East Lawn,” states Sam Boren, Vice President of Business Development, Sound Works Productions, Inc.

For more information on Sound Works Productions, Inc. visit www.soundworkspro.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Biamp Systems Acquires Dev-Audio

Renowned audio solutions manufacturer adds microphone technologies company as it continues developing innovative products enhancing the robustness of its DSP offering

BEAVERTON, Oregon — May 15, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today has announced the acquisition of Dev-Audio, a developer of advanced microphone processing technologies and the award-winning Microcone product. Microcone and its associated software application, Microcone Recorder, are conferencing products that actively track and enhance voice quality, adaptively reduce background noise, and record directly to any computer. more

DPA helps Joel Compass Perfect His Microphone Technique

Emerging UK artist Joel Compass has become the latest in a long line of singers to join the DPA Microphones’ fan club.

Compass, a 21 year old from South London who is rapidly making a name for himself as an up and coming R&B star, was switched on to DPA’s award-winning d:facto™ Vocal Microphone by his tour manager Mark Portlock and his engineer Liam Halpin.

“DPA microphones are renowned for their audio quality and very low noise floor, so I initially considered the d:facto Vocal Microphone for another artist I am working with who has a particularly quiet voice,” Portlock says. “However, once Liam and I demo-ed it we realised it would also work really well for Joel’s voice, which has a great dynamic range. We introduced him to the microphone and he absolutely loved it. He is now using d:facto for all his live vocal performances.”

Liam Halpin adds that DPA’s d:facto Vocal Microphone has made his life as an engineer much easier because he can use it with any professional wireless microphone system.

“DPA’s UK distributor Sound Network supplied us with an adapter that gives us seamless integration with all of the professional wireless systems we usually encounter,” Halpin says. “I am a big fan of Shure’s wireless system but that doesn’t preclude me from using other brands of microphone. There is a correct microphone for every situation and in Joel’s case, when it comes to live vocals, it’s the DPA d:facto. With this microphone all I need is an adapter, a capsule and a grill and I can walk into any venue and use any wireless system – I don’t have to take in my own. That saves us having to rent in a wireless system and allows us to use the right microphone for the artist and the performance space.”

Joel Compass has been making waves in the UK after getting an early buzz from media outlets such as MTV and Digital Spy. As well as performing his own material, Compass also writes for other artists and is making a name for himself as a producer – indeed his ballad, Run, was written with Rihanna in mind. His latest single Forgive Me is currently climbing the UK Top 50 and he has been making high profile appearances at the MTV Brand New awards, at London’s Red Bull Studios and live support shows with Rudimental and US star J Cole. He is also working on projects with established artists and his own debut album Science. A busy summer including live shows at Glastonbury and Wireless and secret garden festivals awaits.

Mark Portlock and Liam Halpin believe that introducing Compass to the d:facto has had a number of hidden benefits, not least helping him redefine his microphone technique.

“DPA’s d:facto Vocal Microphone seems to work best when artists use In Ear Monitors, because that’s when they can really hear the difference it makes to their voice,” Halpin says. “With Joel, we started out using wedges but this was a real pain because he would sing right off the mic, often with his hands covering parts of the grill. Eventually, when we switched to d:facto, we persuaded him to move to IEMs, which he now has in both ear. The change this made to his mic technique was dramatic. Suddenly he could hear his own voice properly and he got right on the microphone because he was enjoying the improved sound so much. It’s made a huge difference to his performance and to the consistency of his sound – in fact I would go so far as to say that this microphone has done more than anything else to get his live performance to where it is now.”

DPA’s d;facto Vocal Microphone now features on the equipment rider for every gig that Joel Compass does and as a result Portlock and Halpin’s favoured rental company, Encore, has invested in its own stock. The microphone is also proving popular with the studio and broadcast engineers the team have encountered during the filming of some of Joel Compass’ gigs.

“It’s really funny how their faces light up when you tell them your artist is using a DPA microphone,” Halpin laughs. “Studio and broadcast engineers are usually pretty disdainful about live mics but with this one they are more than happy. They know all about the audio quality of DPA so the d:facto gives us credibility.”

Portlock adds that the d:facto Vocal Microphone also gives Joel Compass credibility, especially among other artists who recognise that it is a significant investment. He gives DPA’s UK distributor Sound Network much of the credit for making it possible to move Compass onto a d:facto – and for supporting the team while they made the switch.

“The d:facto is not cheap and there is no way we would have committed a developing artist to such an expensive microphone if we hadn’t had fantastic distributor support,” he says. “The fact that Sound Network was able to lend us the d:facto Vocal Microphone in various forms so that we could try them all out – with cable bodies, adapters, different coloured grills etc – made a huge amount of difference. It gave us the confidence to go with the microphone and it also inspired our rental company to buy stock of its own so we now have access to mics that we can rent through them.”

To see Joel Compass in action at Transmitter Live using DPA’s d:facto Vocal Microphone, please follow this link: https://www.youtube.com/watch?v=F7stBS5lYtI

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

NUGEN Audio’s Visualizer Refreshed With New Interface, AAX 64 Bit and VST3 Support

Popular Audio Analysis Toolset Offers Comprehensive and Integrated Capabilities in a Single Plug-In for Recording, Mixing, and Mastering

LEEDS, U.K. — May 8, 2014 – NUGEN Audio, creator of intuitive tools for audio professionals, has released a significant update of its Visualizer audio analysis suite. Designed for high-end music production professionals, Visualizer now supports the Avid(R) AAX 64-bit format for both PC and Mac(R), as well as the VST3 standard for digital audio plug-ins.

Visualizer provides comprehensive audio analysis for recording, mixing, and mastering in a single plug-in, offering a standardized reference set of professional tools designed to help audio engineers work faster, avoid mistakes, repeat past successes, and understand the success of others. With the latest upgrade, Visualizer is now among the first in the industry to be compatible with Avid Pro Tools(R) 11, the latest version of Avid’s popular digital audio workstation.

With Visualizer, engineers are able to access many different views within a single intelligent window system, which lets them select the view combinations they need. Visualizer automatically resizes and aligns windows to maximize legibility and referencing information across screens. For recording, Visualizer offers tools for calibration, setting levels, signal path checking, noise minimization, and many other audio tasks. At the mixing desk, engineers can use Visualizer for tasks such as low-end control, masking, hidden frequencies, and stereo placement, among many others. For mastering, Visualizer supports a wide range of views such as stereo spread, phase relationships, and EQ distribution.

“When we first launched Visualizer in 2005, it quickly gained the attention of producers and helped NUGEN Audio build its brand in the audio production industry. Today, Visualizer is an indispensable analysis tool for quality audio production in music studios around the world,” said Jon Schorah, creative director, NUGEN Audio. “The new update is the latest example of how we’re continually adapting our products to meet our customers’ evolving requirements; for instance, 64-bit AAX compatibility provides future-proofing for our many customers who rely on Avid’s editing software.”

More information about Visualizer and NUGEN Audio’s complete set of professional audio tools is available at www.nugenaudio.com.

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About NUGEN Audio
NUGEN Audio’s award-winning tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in music production, broadcast, and post-production. For audio professionals, NUGEN Audio’s mix and mastering products offer market-leading fidelity and unrestricted creativity in every situation, providing an easy, direct, and natural way to work with sound. NUGEN Audio tools have become critical for some of the biggest names in the industry including Michael Brauer (Coldplay, The Rolling Stones), Robbie Bronnimann (Chicane, Paul Van Dyk), and Mr. Mig (Beyonce, Akon). For more information, visit www.nugenaudio.com.

All trademarks mentioned herein are acknowledged as property of their respective owners.

Photo Link: www.wallstcom.com/NUGEN/NUGENAudio-VisualizerScreenShot.jpg
Photo Caption: Screen shot of NUGEN Audio’s Visualizer audio analysis suite.

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HARMAN’s JBL Professional Enters Paging Horn Market with CSS-H15 and CSS-H30 Models

NORTHRIDGE, California– HARMAN’s JBL Professional has launched its new CSS-H15 (15-Watt) and CSS-H30 (30-Watt) paging horns—the first products from JBL specifically designed for the commercial sound paging horn market. The new JBL CSS-H paging horns are ideal for public address systems, announcement/paging, intercom, security, alarm and industrial applications.

“Many of our systems integration customers utilize paging horns in their projects, and now they will have access to these top-quality, high-intelligibility, cost-competitive paging horns from JBL at their disposal,” said Rick Kamlet, Senior Manager, Commercial Sound, JBL Professional. “The JBL CSS-H paging horns provide excellent voice range clarity for a variety of environments.”

Constructed of sturdy ABS with corrosion‐resistant all-stainless-steel mounting bracket and hardware, both models include a built‐in UL registered multi‐tap transformer (15‐Watt for the H15, 30‐Watt for the H30) for use with 70V and 100V distributed speaker lines, with a screwdriver adjustable tap switch, and a bypass position for direct 8-ohm operation.

The CSS-H paging horns further expand JBL Professional’s lineup of cost-effective CSS Commercial Solutions Speakers, adding to the collection that already includes CSS-8000 Series ceiling speakers, CSS-1S/T surface-mount speaker, and the JBL Commercial-branded CSM mixers, CSR remotes, CSPM paging microphones, CSA amplifier, the new CSMA mixer-amplifiers, and other products that are all designed for the needs of a wide range of commercial applications.

The JBL CSS-H paging horns are also highly weather-resistant (IP-65 rated) for outdoor applications. Both models pass JBL’s 100-hour continuous full-power test to ensure long-term reliability.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s Soundcraft Releases Si Expression/Performer/Compact Software Updates with BSS Soundweb London Control and Other New Features

POTTERS BAR, United Kingdom – HARMAN’s Soundcraft today announced that its new Si Expression/Si Performer V1.6 software and Si Compact V3.1 software is available for download. These new software updates offer several new features and improvements to Soundcraft Si Series consoles, including BSS Soundweb London preamp control, external clocking via option cards, selectable input solo modes, Select follow solo, pre-dynamics global bus send, knob bubble pin, and momentary on.

With the V1.6/V3.1 software update, Si Expression, Si Performer, and Si Compact have powerful new features specifically geared to improve performance for networked audio and monitoring applications. All console software updates can be accessed from the appropriate product page on the Soundcraft website (www.soundcraft.com).

In addition, updated user guides for the Si Dante Card, V1.6/V3.1 software update, and Mini Stagebox 32 are now available from the Soundcraft website.

Additionally, supporting How-To videos on the V1.6/V3.1 features are now available on the Soundcraft YouTube channel (www.youtube.com/user/soundcraftuk).

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s JBL Professional to Host VTX Listening Experience, Highlighting V20 and F Series Loudspeakers

NORTHRIDGE, California – HARMAN’s JBL Professional is hosting a VTX Listening Experience at its Northridge, California headquarters on May 6 and 7, providing a unique opportunity to audition and work hands-on with the new JBL VTX V20 line array loudspeaker and its companion VTX S25 subwoofer, F Series multi-purpose loudspeakers, and Crown I-Tech HD amplifiers.

Morning and afternoon sessions will cover the following topics: JBL VTX V20 Technical Overview; V20 Hands-On Suspension Demonstration; Indoor Listening (small format VTX V20/S25 system versus VTX V25); VTX F Series listening session; JBL HiQnet Performance Manager™ overview; and Outdoor Listening (large format V20 system with VTX S25, S28 and G28 subwoofer options).
“Since launching the V20 at the Winter NAMM and Prolight + Sound shows earlier this year, we have received overwhelming response from the audio community,” said Paul Bauman, Associate Director, Tour Sound, JBL Professional. “The VTX Listening Experience is a great opportunity for people to hear VTX V20 and F Series for themselves and to have a tour of JBL Professional’s product design facilities.”

For more details and to register for the VTX Listening Experience, please contact Becki Barabas at becki.barabas@harman.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Tech Works Brings IC Live to the Party

Las Vegas, NV – May 2014…Tech Works, a leading Las Vegas-based sound and production company, just took delivery of new Renkus-Heinz IC Live digitally steerable loudspeakers, and in fact, has already deployed them successfully on several shows.

“We strive to provide our clients with the very best audio experience, and the IC Live is a fantastic sounding system,” states Tom Bourke, general manager of Tech Works. “It provides a tremendous amount of output from a very compact footprint, while the digital steering allows us to focus audio on the audience and not all over the room.”

The Tech Works IC Live package is comprised of ICL-R full-range modules and IC215S dual-15-inch bandpass subwoofers that can be combined into six different configurations.

“The scalability and flexibility of the system is fantastic, and allows us to configure a rig for a wide variety of events, from small to large,” Bourke notes. “Our clients love the sound, and they also love the look and profile of the slim columns.”

In addition to IC Live, Tech Works also recently took delivery of several Renkus-Heinz RH62 portable point-source loudspeakers, which utilize the same driver compliment as the IC Live Series, making them ideal front fill and/or delay loudspeakers to supplement IC Live main systems.

“With a width of only 8 inches (the same as the ICL-R modules), we can tuck these boxes into places a more traditional cabinet would not fit yet still get impressive output and superb audio quality,” adds Bourke.

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

HPUMC Installs Yamaha NUAGE DAW, CL Digital Console

BUENA PARK, Calif.—Highland Park (Texas) United Methodist Church (HPUMC) recently installed a Yamaha NUAGE Digital Audio Workstation for recording and post work along with a Yamaha CL5 Digital Audio Console for front of house mixing in the sanctuary. Audio DAWg of Irving, Texas installed the NUAGE system, while Mike Mason of Clair Systems – Dallas, installed the CL5. The 900-seat contemporary worship space where the NUAGE and CL5 systems are housed has three services on the weekend with an average of 2,200 attending. The congregation consists of 5,000 who regularly attend five different contemporary and traditional service locations.

AUDIO DAWg began offering DAW systems solutions about seven years ago focusing on turn-key audio recording packages for studios, post, broadcast, houses of worship, and educational facilities. “The NUAGE installation began as a request from Bruce O’Leary, Director of Production at HPUMC,” states owner, Spunky Brunone. “The church installed Dante networking throughout the sanctuary and recording studio, so NUAGE was a perfect solution for them.”

O’Leary first heard about NUAGE via social media and contacted Audio DAWg for a demo at the company’s office. “I wanted a solution that allowed me to mix live and track at the same time while writing automation, and would have enough ‘virtual horsepower’ for generous use of third party plug-ins,” states O’Leary.

“I was super impressed with the workflow the console portion of NUAGE facilitates and the integration of Nuendo’s channel strip (with the basics that I need already inserted on each channel…4-band fully parametric EQ, gate, comp, saturation, etc. And, the fact that it ‘looked’ similar to a live console and had Dante integration, made our decision very easy. No other manufacturer has an option that fit our needs more perfectly!” O’Leary made the jump to the Yamaha NUAGE from ProTools having heard its praises sung by people in Nashville.

The church NUAGE system is a 16-channel unit (8a/8d), with a Yamaha Dante soundcard. “I’m loving what I’m seeing so far, notes O’Leary. The edit functions are all within easy reach in the center of the workspace; very well thought out for real-world work. The surface just feels killer too…again…no one else has anything close to this!”

HPUMC is planning on using NUAGE for their audio for video mix as well as for post-production projects. They have four channels of Rascall Audio V2 mic pre-amps and two channels of Classic API 312DI in a Radial Workhorse rack, with an additional eight channels of Audient that will come into the DAW via the eight channels of AES on the Nio8a8d. “In addition to the great plug-ins Nuendo has out of the box, adds O’Leary, we’ll be using plug-ins from Waves and Universal Audio via an UAD2 Octo PCIe card installed by Audio DAWg.”

As for the Yamaha CL5 digital audio console, it is located at the FOH location in the sanctuary. HPUMC converted the entire room to Dante networking (also running 16 channels of Shure ULXd wireless mics also on Dante) and will soon integrate a LiveMix personal monitoring system using the Dante network for both live and studio use. The church uses four Yamaha Rio1608-D input/output racks along with two Ri8-Ds and one Ro8-D.

“The CL console has more inputs than our previous console with great onboard effects, says O’Leary. The Premium Rack is a really great feature. I have so many options right inside the console I do not have to purchase third party products. The integration with CL Editor and the CL StageMix make it the complete package. Again, I looked at a lot of manufacturers, but kept coming back to the Yamaha CL5 because of its flexibility, feature set, proven durability, and value.”

Church amplifiers are fed from BSS London Blue with Dante cards, for a L/R hang of Clair Brothers i208 line array boxes and five of their dual 18 boxes (two on the floor and three hung center in cardiod pattern), as well as front fills/under balcony areas.

For more information on Highland Park United Methodist Church, visit www.hpumc.org.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on Clair Bros., visit www.clairsystems.com.

For more information on the Yamaha CL Digital Audio Console Series, visit www.yamahaca.com.

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PHOTO ID: L to R Spunky Brunone from Audio DAWG and HPUMC’s Bruce O’Leary

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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