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Archive of the Audio Playback Category

DPA Microphones Helps Steve Browell Capture Unique Car Sounds

Recording audio for film and TV within the confines of a car is hard enough, but actually capturing the sheer range of sounds that comprise car noise is an entirely different level of challenge. This, however, is something of a specialty for freelance sound effects editor Steve Browell who uses a range of DPA microphones and a variety of techniques to achieve spectacular results.

Browell, whose recent projects have included recording sound effects for Scarlett Johansson’s latest film Under the Skin, directed by Jonathan Glazer, says: “What I love about the job is that it’s so varied. From enhancing the physical sounds on screen to bringing inanimate objects to life; from designing effects to add to the emotion of the story to recording original sounds for each film, there is always a new challenge.”

Browell’s work involves many different locations, from race-tracks to mansion houses, from anechoic chambers to scrap yards. With him go a matched pair of DPA’s d:dicate™ 4011C Compact Cardioid Recording Microphones and a selected pair of d:screet™ 4061 Omnidirectional Miniature Microphones, which were supplied by DPA’s UK distributor Sound Network. Browell also owns a pair of d:dicate 4021 Compact Cardioid Recording Microphones in an DPA X/Y setup that have been customised to fit into a Rycote windshield.

“I have always liked the sound DPA microphones capture,” he says. “When I started my career I was involved in a lot of music recording and I can remember the first time I used a pair of DPA d:dicate 4011s when they were still Brüel and Kjaer. I loved the amazingly detailed and natural sound they were able to capture; it was like hearing the sound from the live source again. From then on I have always wanted to own my own pair.”

Browell first started experimenting with car recordings when he was asked to capture car sounds for a film he was working on. “Cars are fascinating machines that create a symphony of sound,” he says. “Also I liked the physical challenge of where and how to place microphones on a moving vehicle and still get a decent sounding recording with as little vibration and wind buffeting as possible.”


He explains that much of the action in Under the Skin takes place in the interior of a Mercedes Sprinter van. “To get a really authentic sound and the right coverage I spent a day recording the van with a multi-mic setup covering different aspects of the interior, the engine and the exhaust.”

Browell has been able to hone his techniques, not to mention widen the library of different cars he has captured, with work on the Need for Speed computer game franchise. As he says, though, it’s a delicate balance between the shielding stopping wind noise and it starting to colour the source sound.

“I also had to find materials that would withstand the high temperatures and a few Rycote windshields got burnt in the process,” he explains. “The McLaren MP4 12c was particularly bad for this; on overrun you can get a flame of three foot out of the exhaust. It can also be a problem fixing the microphones onto the cars and not damaging the paint and bodywork, which is important when some of them are valued at over $1m. Each car’s shape is so different and I need to be extremely flexible with my methods to get the microphones into a sweet spot: out of the direct airflow around the car but also avoiding some of the high temperatures and trying to dampen some of the vibration.”

For the future he says he would definitely like to own more DPA microphones, but adds that remembering petrol helps, too…

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Digigram Releases RAVENNA / AES67-Enabled PCIe Sound Card

Company’s First in a Series of RAVENNA / AES67-Enabled Solutions Assures Ultra-Low Latency and High Performance in High-Density Audio Production and Automation Applications

MONTBONNOT, France — April 2, 2014 — Digigram today announced the release of the LX-IP RAVENNA PCIe sound card, the company’s first RAVENNA / AES67-enabled product. Featuring ultra-low latency down to one audio sample per IP packet, up to 256 RAVENNA I/O channels from multiple RAVENNA streams, and a full MADI interface, the new card is ideal for high-density audio production or automation applications in radio and TV broadcast studios. more

Nova Entertainment Deploys Matrox Avio KVM Extenders in Audio Production Studios

Zero-latency, zero-compression Avio 125 KVM extenders transmit dual-HD video and multiple USB 2.0 signals to production studios 120 meters from control room

Matrox® Graphics Inc. today announced that Nova Entertainment recently deployed Matrox Avio™ F125 KVM extenders to transmit high-resolution, multi-display desktops in their production studios with computing resources centralized in a separate area. Nova Entertainment operates commercial radio networks broadcasting in metropolitan and regional areas and was looking to provide their audio engineers with an uncompromised remote audio production workflow. By selecting Avio F125 solutions to extend dual-HD video and multiple USB 2.0 signals, their engineers can now produce high-quality promotional spots and commercials without latency or interruption.

Nova Entertainment Deploys Matrox Avio KVM Extenders in Audio Production Studios

Housed in a master control room, Avio F125 transmitters attach locally to Apple® Mac Pro® workstations running Avid® Pro Tools® software. OM3 multi-mode fiber-optic cables connect Avio F125 transmitters to Avio F125 receiver units stationed in different audio production studios up to 120 meters away. At the operator location, each Avio receiver unit connects two 1920×1080 Samsung® monitors and high-speed USB 2.0 peripherals including a keyboard, mouse, CD/DVD burner, and external hard disc drive (HDD). According to Luke McKew, Technology Manager at Nova Entertainment, the new workspace allows users to productively record, edit, and mix the latest audio projects.

“Working off a higher-resolution setup makes it easier for the audio engineers to see small changes within the editing software, while the ability to quickly burn a CD or plug in an external HDD without having to walk back to the control room greatly improves workflow and efficiency,” said McKew. “We highly recommend Avio to other stations that are looking to upgrade or install KVM solutions for their own audio production facilities as it is a truly worthwhile investment.”

To read the complete story and view pictures, visit Nova Entertainment Fine Tunes Audio Production Workflow.

Matrox Avio KVM extenders will be demonstrated live at NAB Show (Las Vegas, April 7-10, booth SL5019) and InfoComm (Las Vegas, June 18-20, booth 2247).

About Matrox Graphics Inc.
Matrox Graphics is a leading manufacturer of graphics solutions for professional markets. In-house design expertise, top-to-bottom manufacturing, and dedicated customer support make our solutions the premier choice in industries that require stable, high-reliability products. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada, with representation and offices in the Americas, Europe, and Asia. For more information, visit www.matrox.com/graphics.

New Zealand’s Māori Television Upgrades Its Broadcast Facility with HARMAN’s Studer Vista 5 M3 and OnAir Consoles

NEWMARKET, New Zealand – Māori Television provides a range of local and international programming for New Zealand’s audiences across the country and online. Founded in 2004, the station is dedicated to the revitalization and normalization of the Māori language and culture through high-quality, readily accessible programming in both Māori and English. Reflecting its commitment to quality, Māori Television recently upgraded its studios with the addition of HARMAN’s Studer Vista 5 M3 and OnAir 2500 digital consoles.

HARMAN Professional New Zealand distributor Jands Ltd. installed the 32-fader Vista 5 M3 and 12-fader OnAir 2500 consoles in Māori Television studios. The studio needed to replace its aging analogue mixing desks and make the move to digital. They wanted consoles that were flexible and easy to use. “Our studios are used for a variety of shows, including live news and current affairs programs, talk shows, sports programming and more,” said Kane Dickie, sound team leader. “One of the most challenging requirements is doing the sound for a live music show that requires mixing multiple hosts talking at once plus a live band.”

Māori Television wanted to avoid having to patch the consoles into external effects devices, and chose the Studer consoles because they had enough built-in effects to handle all the processing for all the shows that are produced at Māori Television. Ease of use was equally important – “we wanted consoles that were intuitive to use, so that most of the people in our studio would be able to operate them.” In addition, the consoles had to be able to link together so they could share sources between Māori Televisions two broadcast studios. The Vista 5 M3 offers access of up to 240 channels, ensuring the station would have all the inputs it needs. Along with the Vista 5 M3 and On Air 2500, Māori Television purchased three Studer Compact Stagebox expansion units, a 32-in/16-out and two 16-in/16-out models.

Before Māori TV purchased them, Jands set up the complete system on their premises to allow Kane and his team to try them out. The Māori TV staff took to the consoles immediately, giving high marks to the consoles’ easy, fast and responsive operation, accessible control layouts, convenient Vistonics™ and Touch’n’Action color touch screens, and variety of useful built-in effects. “

Now that the Vista 5 M3 and On Air 2500 are up and running at Māori Television, Kane confirms their initial positive experience with the consoles at Jands. “The transition from analogue to digital consoles went smoothly. In addition to doing everything we need them to and then some, we’ve noticed that the Studer consoles’ preamps have made all of our mics sound much cleaner. In addition, all of the old analogue buzz we could never get rid of in the past has disappeared.”

In Māori it’s called “Kia Tika” – being professional and maintaining high standards. It’s one of Māori Television’s core values, and the Studer Vista 5 M3 and On Air 2500 reflect the station’s commitment to “Kia Tika.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Jünger Audio Shows The D*AP4 VAP Voice Processor At NAB 2014

At NAB 2014 (Booth C2134), dynamics processing specialist Jünger Audio will be showing its recently introduced D*AP4 VAP Voice Processor – a unique unit that is designed to make life easier for engineers working in radio stations, TV production voice-over studios and feature film ADR facilities.

What makes this processor so special is the inclusion of Jünger Audio’s proprietary Spectral Signature™ dynamic EQ – a totally new creative tool that offers automatic and dynamic EQ control to balance spectral differences. By analyzing incoming audio and comparing its spectrum with individually predetermined voice ‘fingerprints’, this clever unit can automatically apply dynamic EQ corrections to give a consistent sound.

For people working in TV voice over and feature film ADR, this facility is a Godsend. Imagine, for example, that you have booked an expensive and well-known actress to voice the cute little rabbit in your new children’s TV series. Over the course of the recording sessions you notice that her voice sounds different at different times of the day – maybe because she is tired, or has developed a sore throat, or has had a heavy night and smoked a lot of cigarettes. If you want your rabbit to sound exactly the same every time, how do you overcome this?

Jünger Audio’s D*AP4 VAP Voice Processor is the answer. On day one you record the actress’ best rabbit voice, and then measure it using Spectral Signature. The voice’s tonal characteristics are analyzed and recorded as a curve on a graph, which is used as a template for all future recordings. The next time your actress does her rabbit voice, the unit compares the new recording to the saved version and automatically adjusts the frequency until both voices match. Voilà! A perfect rabbit voice every time, thus saving a fortune in repeated ADR and voice over sessions, not to mention a lot of frustration on all sides.

Jünger Audio’s D*AP4 VAP Voice Processor is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. By using exactly the same spectral sound management principles, the unit measures specific voice recordings and then uses these sound fingerprints as a reference. The Spectral Signature algorithm matches all subsequent live recordings to these fingerprints, thus creating a dedicated ‘station sound’.

“The D*AP4 VAP draws on our extensive experience with previous Voice Processing devices such as our popular VO2, but adds new tools and algorithms to create an easier and more efficient approach to voice processing with no compromise in sound quality,” says Peter Pörs, CEO of Jünger Audio. “We have also included processing such as HP/LP filtering, versatile dynamics section, full parametric EQ and de-essing, and made the unit really easy to use – even for non-technical radio staff such as producers and journalists.”

Jünger Audio has also provided a dedicated voice leveler combined with an auto-mixer circuit to help mixed voice programs into loudness-based broadcasting on the fly. Using the optional SDI I/O card automated voice over for SDI embedded audio becomes an attractive feature of the D*AP4 VAP.

Available as either an insert into a mixing desk or as a stand-alone unit, D*AP4 VAP offers interfaces that allow integration in existing environments via an AES insert. The unit can also be used with an optional analogue board that adds two high quality mic-preamps.

For more information about Jünger Audio’s D*AP4 VAP, please visit NAB booth C2134 or visit the company’s website at www.jungeraudio.com

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

DK-Technologies Shows its New DK T7 Audio Meter at NAB 2014

Danish manufacturer DK-Technologies is using the NAB 2014 platform to highlight its new DK T7 Audio and Loudness meter, which will be on show for the first time in the USA (Booth N1201, in conjunction with Ward-Beck).

Launched to enormous critical acclaim at IBC 2013, the ‘everything included’ DK T7 is now shipping with the first units already installed into two Calrec consoles destined for Al Jazeera London.

Designed as a cost-effective, one-box solution for broadcast and post production engineers, the DK T7 incorporates as standard every Audio and Loudness meter function currently offered by the award winning DK Meter range. These functions include Bargraphs, Moving Coil Emulation, DK-technologies’ proprietary StarFish™ and JellyFish™ display technology, FFT spectrum analysis and, of course, industry compliant Loudness and Logging.

The new DK T7 also includes 3G SDI Picture Preview, as well as the ability to read and log against SMPTE time-code – a feature that has only recently been added to the DK Meter range. At just 20 x 135 x 180 mm (depth, height and width), its compact design also allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

“The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O,” says Uffe Kjems Hansen, Product Marketing Director at DK-Technologies. “The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output. At just €3,495 and USD 6,390 MSRP, there is simply nothing else on the market in this price range that gives users access to so much functionality.”
At NAB 2014, DK-Technologies will show a new Theatrical Mixing 7.1 Surround display feature for the DK T7, which will have particular relevance to engineers working on big motion picture productions. Also on show is a new pause/resume function for Loudness Logging that will save engineers time when they are adjusting Loudness to hit targets on larger time spans.

“Essentially, this function allows engineers to work step-wise through the entire audio clip, rather than having to go back and measure loudness from the top for every tweak,” Kjems Hansen adds. “The DK T7 was already the most comprehensive audio meter on the market but with these new features it can deliver functionality that no other audio meter can offer.”

DK-Technologies will also be using the NAB 2014 platform to launch its new Matrix PC application, which allows complete audio routing, preset handling, backup and overall management of an audio meter from the end user’s computer. Designed to work with all DK meters including the new DK T7, the Matrix PC application gives users a much better graphical overview of their meters – and significantly easier setup and handling.

Also on show for the first time will be the new DK T7 Stereo – an entry level version of the DK T& meter that is designed for engineers working in stereo.

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About DK-Technologies
DK-Technologies develops and produces a wide range of audio meters, video sync and test signal generators and video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Junger Audio Helps Polish Broadcasters Get To Grips With Audio Loudness

The issues surrounding audio loudness control were highlighted recently as a training seminar and workshop organised by Polish broadcaster TVP.

Dynamics processing specialist, Jünger Audio, in conjunction with its local distributor, Profi Audio, helped TVP organise and deliver the content for the seminar, which took place at TVP’s headquarters in Warsaw. 60 delegates attended the day-long session, including many from TVP, Polish Radio and private Polish television stations. As well as seminars, there was also lively debate between the delegates and panellists.

“Loudness is obviously a topic that Polish broadcasters are very interested in and we were thrilled by the response to the seminar,” said Jünger Audio’s International Sales Manager Christoph Harm who chaired the event.

Speakers at the seminar included Barbara Turowska, Director of the Department of Monitoring KRRiTV (Poland’s National Broadcasting Countil), who explained the impact on Polish broadcasters of EBU R128-based Loudness regulations that were introduced in 2011. Turowska also stated that KRRiTV is keeping a close eye on the loudness situation in order to satisfy local viewers who complain if commercials are louder than programme material. She added that more restrictive loudness regulations are due to be implemented later in 2014 to combat this issue.

Also on the podium was Peter Pörs, CEO of Jünger Audio, who defined audio loudness and discussed applicable standards including EBU R128, and all versions of ITU 1770. Pörs also highlighted the practical solutions broadcasters can take to control, measure and record audio loudness so that they are prepared for any future legislation that might be introduced.

The seminar ended with a presentation by Christoph Harm who introduced specific Jünger Audio products that are relevant to this topic, including the Voice Processor D*AP4 VAP edition, a unique unit that includes Spectral Signature™ dynamic EQ. He also highlighted the D*AP 8 MAP Monitoring Processor – the only loudness processor that can act as a successor to the Dolby® DP570 tool, which was discontinued in 2013.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

White Mark Completes Its First Dolby® Atmos™ Theatre In The UK

Acoustic consultancy White Mark Ltd has designed and installed a Dolby® Atmos™ screening theatre for technology solutions and servicing company the EIKON Group.

The 12-seater theatre, which now forms the centrepiece of EIKON’s 3,000 square foot London post production facility, is the first of its kind that White Mark has built in the UK.

David Bell, White Mark’s Managing Director, says: “The Dolby® Atmos™ Premier film mixing theatre that we built for Cinelab in Moscow was our first experience of designing a facility for this new format. Since then we have seen a significant increase in interest, not only from companies like EIKON that deliver services to the cinema industry, but also from companies that deal with cinema advertising.”

Bell adds that, in terms of cinema sound, Dolby® Atmos™ is the most exciting development to have come along in years.

“The fact that it is a cinema-only format and can’t be replicated in the home makes it very important for the film industry – one that could give it a whole new lease of life,” he says. “You only have to look at the recent Oscar success of Gravity to see how well 3D Atmos sound can complement 3D pictures, and how much cinema audiences appreciate this enhanced experience. EIKON’s screening facility may be the first Atmos theatre we have built in the UK but it certainly won’t be the last as we are already working on designs for six more.”

Located in London’s Poland Street, EIKON specialises in creating foreign versions of feature films for major studios and independent distributors. The company also handles VFX for foreign localisation, soundtrack replacement, censor editing, subtitling and Digital Cinema Package mastering.

Equipped with an Alcons Audio professional sound system, EIKON’s new theatre was completed at the beginning of this year and is already being used as a client screening room and quality control facility for grading and mastering.

Laurence Claydon, EIKON’s Director of Technology, says: “Our screening theatre supports the latest cinema picture and sound formats and was built with optimum viewing quality in mind. As the first ground-up, purpose-built Atmos facility in the UK, we were able to adhere perfectly to the specification set down by Dolby and create the best possible listening and viewing environment for our customers.”

Claydon, who also runs the internationally acclaimed technology consultancy Cinefilm, has worked with White Mark on a number of projects in the past. These include the design and build of two preview theatres at NBC Universal’s international headquarters in London.
“White Mark consistently achieves excellent acoustic isolation on all their builds and I have never been disappointed with any of their facilities,” he says. “Internally, their studios always have incredibly tight bass, and just the right balance of absorption and diffusion for a perfect listening environment. You really can hear every detail.”

Claydon adds that client reaction to EIKON’s screening theatre has been very positive.

“We recently completed mastering work on foreign versions of Robocop, and our client, Sony Pictures, was incredibly happy with the result,” he says. “There is definitely something special about our White Mark room. Another customer commented that, having seen and heard a recent feature film over 50 times in various venues, he’d not heard or seen it better than in here.”

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About White Mark:

Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last fifteen years it has designed and supervised the construction of over 500 production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Germano Studios in New York, Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 140 audio studios and many broadcast and video editing facilities for more than 60 companies in Soho alone. The list of clients includes Grand Central, Hackenbacker, Envy, De Lane Lea, Scramble, Lipsync, Molinare, DeLuxe, 750mph, NBC/Universal, Wave, Unit and Boom. Advertising agency clients include worldwide facilities for Hogarth International and AMV/BBDO on four continents. www.whitemark.com

HARMAN’s Soundcraft to Host “Mixing with Professionals” Sessions at Prolight & Sound 2014

FRANKFURT, Germany – HARMAN’s Soundcraft is hosting its popular “Mixing with Professionals” (MwP) training sessions at Prolight & Sound 2014 in Frankfurt. The sessions will offer formal training and demonstrations on Soundcraft’s Si Expression range and the groundbreaking new Vi3000 digital live sound console.

“We trained around 2,000 engineers over the past year on the Expression range as well as Vi and know the Vi3000 especially will draw lots of interest at the show,” said Keith Watson, Marketing Director, Soundcraft Studer & AKG, HARMAN Professional. “The MwP sessions offer a great opportunity to get hands-on experience with industry experienced engineers on hand to help and provide tips of the trade, everyone is welcome to join a session.”

The ‘all-in-one-box’ Soundcraft Vi3000 digital live sound console offers a host of state-of-the-art features, a new industrial design, 96 channels to mix, and onboard Dante. The Vi3000 uses the new internal Soundcraft® SpiderCore DSP based on sister company Studer’s Vista 1 engine, with Soundcraft’s Vi Version 4.8 operating software offering the new ‘3D’ Vistonics™ user interface, while adding a fourth 24-channel fader layer to improve access to the console’s 96 input channels. The surface operation and layout is similar to other Vi Series consoles, providing a familiar feel while offering expanded functionality. The Vi3000 also features upgraded microphone preamps and 40-bit Floating Point DSP processing for superlative sound quality.

The MwP sessions will be held on all four days of the show (March 12-15) in both German and English languages at the Harman booth F32 in Hall 8. More details are available at www.soundcraft.com/mwp/events.aspx.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

Belkin Unveils Secure Web Camera Adapter

Only Solution Available that Enables the Secure Use of Web Cameras in Computing Environments where Classified or Sensitive Information is Exchanged

PLAYA VISTA, CA – Belkin, a trusted leader of technology solutions for office, classroom, IT infrastructure, and mobile environments, today unveiled the Belkin Secure Web Camera Adapter, the only solution available that enables the use of standard USB web cameras in computing environments where classified or sensitive information is presented. The new Secure Web Camera Adapter includes a host of security features, including anti-tampering mechanism in the outside packaging, one-time programmable (OTP) protected firmware, and complete isolation of the USB circuit from the computer.

Using web cameras in a secure environment may cause a security breach if not properly protected. Intruders can exploit computers that are non-secure as a result of web cameras that can view and eavesdrop on conversations, without users being aware that the camera is on and active. 

To avoid these potential breaches, Luis Artiz, director of product management, Business Division, Belkin International, said that the Belkin Secure Web Camera Adapter is the only product of its kind in the market, enabling the use of web cameras in environments where security or confidentiality are critical. “Belkin’s Secure Web Camera Adapter is the perfect security solution for environments where computers are present and video calls are used to exchange confidential information,” said Artiz. “It is well-suited for boardrooms, offices, defense, the military, and other areas where sensitive conversations take place.”

The Belkin Secure Web Camera Adapter is designed to connect and disconnect a web camera and other USB audio devices at the press of a button. Unlike other adapters, the Belkin web camera adapter makes it very clear to the user when the web camera is active and provides warning before deactivating through a lighting and flashing system. If desired, the user is then able to extend the web camera’s activation period through a simple push of a button.

The Belkin Secure Web Camera Adapter is easy and  intuitive to operate, and should be used whenever web  cameras are used in boardrooms, offices, and other  areas where sensitive conversations take place.

Key features of the Secure Web Camera Adapter include:

  • Automatic Timer Mechanism – The timer functionality combined with intuitive LED lights indicate when the camera is active and when the user must press a button to extend the video call if desired; a disconnect button allows the user to immediately disconnect the camera when necessary.
  • Easy Integration and Operation – the adapter operates with two simple buttons, with clear visual indicators of operation and approaching cut-off; it is easily connected with a standard USB port, including the supplied cable.
  • Advanced Security Features – the isolated independent microcontroller cannot be hacked, reprogrammed or tampered with, and all firmware is stored on a non-programmable ROM.
  • Anti-Tamper Protection – Secure and rugged housing, an active anti-tamper mechanism, non-programmable firmware, and tamper-evident packaging and label ensure that the adapter remains secure in transit at all times.
  • Increased Reliability – the adapter’s simple hardened design, and low self-discharge anti-tamper battery, provide years of reliable usage.
  • Interoperability and Operating System Independent – supports all USB web cameras, requiring only the web camera driver software on the connected computer, and all Windows, iOS, LInux ad Chrome operating systems that support the web camera software.

Belkin delivers the necessary components for workstation security, as well as every essential accessory and peripheral device to provide a complete, efficient, productive workstation that meets the demands of government use. For more information visit: Belkin Government. 

Tweet this: @BelkinBusiness Secure Web Camera Adapter Enables Secure Use of Webcams where Classified or Sensitive Information is Exchanged

About Belkin Business

Belkin Business, a division of Belkin International, offers technology solutions for office, classroom, IT infrastructure, and mobile environments. A proven technology leader for more than 30 years, organizations worldwide trust Belkin for its unwavering commitment to product quality, and expertise in creating solutions designed to address customer requirements in business, government and education. With a global supply chain and broad provider network, Belkin commands a purchasing power that delivers greater value and unparalleled execution advantages to customers. The company’s line of commercial products are available through Belkin’s global network of distributors and resellers. Headquartered in Playa Vista, California, the company is represented in more than 25 countries and can be found on the Web at http://www.belkin.com/us/business/enterprise.

Tags: government security, cyber security, cyber attack, cyber threat, peripheral security, web camera security, webcam security, audio security, network security

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