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Archive of the Audio Playback Category

BTX ProBlox(R) Multiconnector System Now Included on BigFoot Mobile Systems Carts

HAWTHORNE, N.Y. — June 6, 2013 — BTX Technologies (BTX), a value-added distributor and manufacturer of interface, integration, and system products, today announced that the company’s ProBlox(R) all-in-one connector system is available on BigFoot Mobile Carts. Designed to bundle several signals through a single connector, ProBlox combines 16 coax and 26 audio/data/control contacts in a single multiconnector to bring BigFoot Mobile Carts even easier transport, safety, and flexibility.

Originally designed for the NFL(R), BigFoot Mobile Carts are a revolutionary new concept in the transportation and setup of systems such as audio/visual, production, computer, video conferencing, and more. By enabling portable turn-key solutions within a soft riding case design, users gain the ability to create multiuser workstations that can be effortlessly transported to areas that were unavailable to traditional road cases in the past. With the integration of BTX’s ProBlox system, users now gain faster set-up times and increased functional simplicity.

BTX’s ProBlox all-in-one connector system is field-terminatable and custom configurable for numerous connectivity combinations. The system can be used anywhere HDTV, video, VGA, analog/digital audio, control signals, or DC power need to be fed to a single location. Built of rugged and durable components, and offering true 75-ohm video contacts for an HD signal, the ProBlox system reduces the number of individual connectors, eliminating clutter and offering an even cleaner, professional, and finished look to BigFoot Mobile Carts combinations.

“The incorporation of BTX’s ProBlox all-in-one connector system onto our BigFoot Mobile Cart provides users with even greater levels of connection flexibility, installation speed, and system performance,” said Doug Solis, president of BigFoot Mobile Systems. “In addition to decreasing set-up times significantly, the system allows any number of connection combinations to create the ultimate mobile solution for our mobile cart customers. It is a very important new feature for our product which reinforces our objective to provide the simplest, most reliable, and best performing portable cart solution in the marketplace.”

BigFoot Mobile Systems develops custom utility carts for industrial applications in sectors such as sports, education, enterprise, and entertainment. The company’s “Classic” Series Mobile Cart, its flagship product, is designed to be the ultimate solution for mobile multimedia and communication technology applications. By combining flexibility, safety, and performance, users can build customized portable stations for one-time projects, frequent applications, or field installations. With a lightweight aluminum design and simple ProBlox connectivity, the BigFoot Mobile Cart also brings cost-effectiveness, versatility, and durability across audio, video, and computer-based market segments.

“The incorporation of ProBlox on BigFoot Mobile Carts brings a whole new level of convenience to users’ portable applications,” said Greg Schwartz, president of BTX Technologies. “Installers can now experience quicker set-ups and tear-downs while increasing transportable connectivity — making field solutions, conference rooms, auditoriums, and house of worship applications more flexible, cost effective, and easy to operate.”

More information is available at www.btx.com.

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About BTX Technologies, Inc.
BTX manufactures and distributes the industry’s finest interface and integration products for audio, video, security, digital signage, and many other applications. Providing its customers with value-added “Beyond Distribution” services, the company backs every product it sells with a rigorous in-house testing program and highly trained customer support team. The company has been certified as an InfoComm International(R) Sapphire Certified Audiovisual Solutions Provider(R) (CAVSP(R)) since 2007. In business since 1967, the company’s products are available online at www.btx.com, by calling 800-666-0996, and from a selection of international distributors listed on the company’s website.

PR Link: www.ingearpr.com/BTX/130606.zip
Photo Link: www.ingearpr.com/BTX/BigFoot_ProBlox.zip

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

ENDS

Red TX Helps Chime For Change Reach Out To The World

Broadcast audio specialists Red TX played a vital role in ensuring that last Saturday’s Sound of Change Live concert at London’s Twickenham Stadium was successfully broadcast to more than 150 countries around the world.

With both its Red I and Red II trucks on site, not to mention a crew of seven, Red TX was more than able to cope with the complexity of the live broadcast and the fast turnaround between acts performing on four different stages.

Billed as a feminist Live Aid, Sound of Change Live was a focal point for the Chime for Change campaign, which aims to improve education, health and justice for women around the world. The campaign was founded by Gucci’s designer Frida Giannini, Beyoncé and Salma Hayek and Saturday’s concert raised over £2.6 million to fund approximately 200 projects in 70 countries. It also provided a great day out for more than 50,000 people who flocked to Twickenham Stadium to watch Beyoncé, Rita Ora, Jessie J, Haim, Ellie Goulding, Jennifer Lopez and Florence and the Machine take to the stage to champion the cause. Even Jay-Z put in an appearance, performing Crazy in Love with his wife, Beyoncé.

The Red TX teams consisted of Tim Summerhayes, Ben Summerhayes and Matt Silverston on board Red I; Ian Dyckhoff, Huub Lelieveld and Rohan Igoe on board Red II and Christian Postna as back up between the two trucks.

Red TX was commissioned to handle the broadcast audio by Splinter Films. Splinter’s Emer Patten was Chime’s Broadcast Producer co-ordinating the mammoth production for global transmission.

She says: “As I’ve been working with Red TX for such a long time now, they really were the only choice for the job and I knew they wouldn’t let me down. We had our usual experience of a crazy busy schedule, coupled with a lot of fun and mutual respect. I love working with Tim and Ian, and it was great that we were able to bring in Huub for Red II, who took care of the C&D stages so fantastically for us.”

According to Red TX director Tim Summerhayes, Sound of Change Live was the biggest and most complex live broadcast event the company has handled for quite a while.

“It was a little nerve wracking knowing we were responsible for a live broadcast audio feed that was going out to over 150 countries, but we just got on with it and tried not to think about how many people were potentially listening to our output,” Summerhayes says. “We had three engineers on each truck, plus an additional sound man as a spare pair of hands. Mainly we were switching between trucks, from one performance area to another, but there were a couple of occasions where one team had to do back to back performances on the same stage and that meant we only had six minutes to turn everything around. It was complex, but thanks to a lot of careful preparation everything ran like clockwork and everyone was delighted with the end result.”

Red TX worked closely with Britannia Row, which was in charge of the live sound, and Visions, which has its own OB truck at the event. Sub mixes from each music mix truck were fed to Gary Moore on the Visions truck, who mixed in presentation audio. Gary also submixed the 24 audience mics and distributed this to himself and the two music mix trucks.

“Britannia Row and Visions are companies we know and trust as we have worked with them on many occasions in the past,” Summerhayes adds. “I was particularly impressed with Britannia Row and have no idea how they held it all together. Every detail was worked out in advance with military precision – even down to having all the vocal mics and radio packs individually labeled for each artist so that nothing was left to chance.”

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

Max Gilkes Upgrades His Mastering Facility with SADiE 6 and Prism Sound

Producer Max Gilkes has upgraded his Brighton-based mastering and post production facility 1 Sonic by installing SADiE 6 software for Mastering and a Prism Sound Orpheus FireWire audio interface.

Gilkes, who founded 1 Sonic eight years ago, says the support offered by Prism Sound was a key factor in his decision to invest in the company’s products.

“I was previously using Peak as a playlist editor and doing most other things on Pro Tools,” he explains. “But as it was time for an upgrade I decided to go with a company that I knew I could have a good working relationship with, and one that was also based in the UK.”

With a client list that includes Ninja Tune, Big Dada, Sony (France), Smart Move Productions, Mr. Bongo, Keep Up, Silverland and Mission, Gilkes is rarely out of the studio. His recent credits have included Fink, Dobie, Roots Manuva, The Skints, Deco Child, Raffertie, Eliza Carthy and Prince Fatty.

The facility itself is mainly used for mastering and mixing, but it also boasts a live room with 8 tie-lines that is large enough to record drums.

“The outboard in the studio is primarily for tracking, so there are some nice pre’s and compressors,” Gilkes says. “I also have a master section by Audient, PMC and Yamaha monitors, Pro-Tools, various classic guitar and bass amps and a range of microphones – not to mention an over-used tea pot!”

Moving from one software platform to another can be intimidating, but Gilkes says he has found the transition to SADiE 6 far less painful than he anticipated.

“It’s always hard work making the transition from one system that you are particularly well versed with to a whole new environment, but SADiE 6 is very intuitive and easy to use,” he says. “I’m really enjoying the facilities it provides. The editing facilities, in particular, are great and I like the PQ and DDP tools. However, the sound quality is the most outstanding feature and I am really impressed by that.”

Sound quality also played a part in Gilkes’ decision to buy a Prism Sound Orpheus FireWire audio interface.

“It was a no brainer, really,” he says. “The studio needed to make a significant step up in convertor quality and Orpheus delivered the transparency and clarity I was looking for, both as an A/D and a D/A converter. It has great sounding pre’s and I like the interface features for multi-tracking in Pro Tools.”

Gilkes is now using SADiE 6 and Orpheus on a variety of projects, including mastering an album for French artist Mayra Andrade on Sony (France), recording tracks for Congo Natty, completing a debut album for Chevron, recording drums for the next Grasscut (Ninja Tune) album, finishing backline tracking for a band called Bentcousin, which is releasing a three-track single through Team-Love NY and completing an album for a local brighton band called the Meow Meows.

And if that work schedule isn’t intensive enough, Gilkes is also producing and co-writing with the legendary Russell Stone of R&J Stone fame.

“The Russell Stone project is very interesting as all tracks are vocal/non-verbal and based on free improvisations.” He says. “The album, which is called HUMU, is very nearly finished and should be out in September.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

Barix and DMD2 Develop In-Store Audio Solution for Remodeled Victorinox Retail Stores

ZURICH, SWITZERLAND, June 5, 2013 — Leading corporate music provider DMD2 of Switzerland is bringing fresh energy to newly remodeled Victorinox retail stores on two continents using IP-based in-store media solutions from Barix. The Barix devices reliably play out a unique and exciting DMD2-programmed music mix that meets the retail giant’s new branding requirements.

DMD2, which also handles Barix device configuration, service monitoring and music licensing, chose Barix Exstreamer IP audio decoders for playout due to their high audio quality and reliability. DMD2 delivers the program as a single stream across seven stores in Europe and five in Hong Kong.

Habegger AG, a Swiss event and corporate architecture supplier, engaged with DMD2 to develop an in-store music concept that matched the new Victorinox store designs. The channel development phase gave birth to the “Victorinox music mix,” constantly updated with new releases as part of an eclectic music mix from the 70s to the early 2000s.

This was a new concept to the Victorinox stores as many used CD players, FM tuners or iPods to play music. DMD2 considered Barix an ideal partner to transition the stores to IP audio delivery, as many of the tools to support the new stream were well suited for Barix hardware. The music originates from datacenters in Bern, Switzerland and is delivered to Barix Exstreamer devices in each store as 64kb/s mp3 streams, with expectations to add AAC+ streams moving forward.

“We’ll eventually switch to AAC+ 48kbps encoding to increase stream stability for retail stores in the more remote areas,” said Alexander dal Farra, owner and president of DMD2. “The flexibility of Barix devices is a big benefit in this regard, as the Exstreamer offers both MP3 and AAC+ decoding functionality. This makes migration to AAC+ an easy task.”

With stores in such cities as Zurich, Dusseldorf, Hong Kong and Geneva, Victorinox now has a corporate audio solution that gives exceptional control to the brand management department.

“It’s no longer an ‘everybody is a DJ’ approach within the different store locations,” said dal Farra. “This streamlined process has also brought a fair amount of convenience to the store staff as there is no more music editorial work, licensing or normalizing of tracks.”

Dal Farra added that the new solution also provides Victorinox headquarters with the option to introduce real-time advertisements using ad injection software — a potential revenue generator that would quickly monetize the new in-store audio network.

About Barix AG (www.barix.com)
Barix AG, headquartered in Zurich Switzerland, specializes in research and development of state of the art IP based communication and control technology. Barix products are stand-alone and able to remotely connect worldwide over standard networks / Internet offering new and improved solutions to the professional audio distribution, communication and automation industry. Barix products provide solutions in audio over IP (audio distribution and monitoring, communication, security) and automation (remote controlling, monitoring and maintenance).
# # #
Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

Radio Sibenik Adds HARMAN Studer OnAir 2500 Console

SIBENIK, Croatia — A new HARMAN Studer OnAir 2500 has been commissioned by the independent broadcaster Radio Sibenik in Croatia.

Radio Sibenik has a long history of using both Studer and Soundcraft equipment since being set up in 1968 as a local radio station for the city of Sibenik. The latest Studer acquisition was specified by the station’s Director of Production, Ante Baric.

Mr. Baric confirmed that the Studer on-air console will form the heart of a new studio, built for broadcast continuity — and designed to feature DJ only, or DJ and announcer, news presenter or guests.

During the acquisition process, he said, the station considered the requirements of their programming and matched this to the available options on the market offering the necessary features. Other considerations included how the desk would be serviced, and whether the cost would be appropriate to the broadcaster’s budget. Studer ticked all the boxes.

Radio Sibenik’s programming is based on news and specialist sports, politics and culture — with lots of pop and easy listening music. They were therefore clear about the features required. “We needed a sufficient number of inputs and outputs (the more the better), endurance and reliability and flexibility of equipment,” said Mr. Baric.

Utilising the same technology platform as the OnAir 3000, Studer’s OnAir 2500 digital all-in-one console provides a new benchmark in ease-of-use for radio broadcast. The control surface, I/O breakout, DSP Core and power supply are all integrated within a single compact chassis, although this had not been one of the pre-requisites for the radio station.

The order was duly placed with Studer dealer, AVC Zagreb, who provided the OnAir 2500 configured with six microphone inputs, three stereo line inputs, two line mono inputs, four stereo AES inputs and a FireWire input. Outputs include a stereo AES PGM output, stereo line output for recording, stereo line output for internet streaming and a further stereo line output for connection with another studio. In addition there is a talkback/monitoring module.

The console takes feeds from microphones, PC with digital multi-channel sound card or FireWire output, CD player, two telephone hybrids and FM tuner for control.

Although the new OnAir 2500 will operate in stand-alone mode the station is considering adding a Studer CMS Lite on-air telephone system for call management at a later stage.

“For now though,” concludes Ante Baric, “I am extremely satisfied with the new console.”

About Radio Sibenik

Radio Sibenik was established in 1968 as a local radio station for the city of Sibenik, with an MW transmitter. In 1972 it began broadcasting on the FM band. In 1985 the station moved into a new building with separate broadcast and production studio — among the equipment purchased were six Studer B67 tape recorders, two Revox PR99 and two Studer 727 CD players. In 1993, they acquired a new Soundcraft SAC 200 mixing console. Since 1996 Radio Sibenik has been equipped with three FM transmitters, broadening its listening base across the Sibenik-Knin County and beyond. In 2011 they relocated again into a new building in preparation for digital broadcasting and operating without any analogue devices such as turntables and tape recorders.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

DPA’s d:facto™ II Vocal Microphone Wins New Fans In Belgium

Belgian sound engineer Joris Verniest, from betterliVe.be, has been introducing DPA Microphones’ new d:facto II Vocal Microphone to some of the country’s top bands after being blown away by the natural sound quality it delivers on the live stage.

DPA’s Belgian distributor Amptec gave Verniest the first DPA d:facto II Vocal Microphone in the country to demo and since then he has been using it for a wide variety of gigs and with many different artists.

“It doesn’t matter what situation I put it in – whether it is a small club, a big outside stage such as the Pukkelpop festival, with wedges or in-ear – I have consistently got great results,” Verniest explains. “The vocals are incredibly clear through my mix and there is very little crosstalk from the drums or guitar amps. I even recorded some gigs in multitrack to compare the d:facto with other microphones and there was a huge difference in terms of crosstalk, with the d:facto coming out much better.”

Joris Verniest’s recently used the DPA d:facto II Vocal Microphone at a concert for Belgian Indie Rock band Het Zesde Metaal at the Ancienne Belgique in Brussels. The band was playing with a string quartet and acoustic piano, both of which were also miked with DPA – d:vote™ 4099 Instrument Microphones for the string quartet and a stereo pair of DPA 4021 Compact Cardioid microphones for the piano.

“In general I use the d:facto II Vocal Microphone with DPA’s wired handle, but I do like the concept of the adapter system that makes it compatible with most commonly used wireless systems,” Verniest says. “I’ve always been a big fan of DPA’s sound quality and have quite a collection of DPA mics. That’s why I was so interested to try the new d:facto Vocal Microphone.”

Among the bands that Verniest has introduced to the DPA d:facto Vocal Microphone are Customs, The Bony King of Nowhere, Renée and Sherman.

“All of these artists have really noticed a difference and have been very happy with the clarity d:facto delivers to their vocals,” he adds. “Sherman, for example, wanted his vocals to be very loud and clear and the d:facto helped me achieve that without sounding hollow or being on the edge of feedback.”

Verniest adds that although some singers take a little while to get used to the d:facto Vocal Microphone, they soon realise that what they are hearing through the wedges or in-ear is far superior in terms of sound quality.

“I’ve even had house technicians and monitor engineers commenting on the great sound,” he says. “And when you even get members of the audience telling you they appreciated the quality of the vocals, you know you are on to a good thing!”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

iZotope Presents 10 Tips from an RX Pro with Mike Thornton

Learn how to “RX it” like a pro with audio guru and Sound On Sound columnist Mike Thornton

Mike Thornton is a sound designer, audio producer and a Pro Tools specialist who works in radio, TV sound & digital media. He is also Deputy Editor of Pro Tools Expert and a Sound on Sound columnist. Chances are he’s encountered a noisy situation like the one you’re facing, and he’s ready to show us how to fix the problem with RX 2.

Please check out these comprehensive, free video tutorials and share the following link in your social media, e-newsletters, on your blogs and websites:

http://www.izotope.com/products/audio/rx/protips.asp (videos available in English and German!)

This series features real-world examples of audio rescue, including:

  • Reducing hiss caused by a bad microphone cable
  • Repairing clipping in a poorly recorded interview
  • Reducing hum from a one-time-only recording
  • Removing camera sounds from wedding vows
  • Eliminating feedback from a bad PA system
  • Tackling mobile phone interference and buzz
  • Removing mobile phone text alert sounds
  • Cleaning up recordings from a drama performance
  • Reducing noise from a trade show floor
  • Removing clicks and crackles from old recordings

For more information about RX 2, please visit http://www.izotope.com/products/audio/rx/

Atlona(R) to Host Atlona Academy Webinar on Conference Room AV Installations on May 29

SAN JOSE, Calif. — May 20, 2013 — Atlona(R) today announced that the company will be hosting an Atlona Academy webinar titled “Digital Conference Room” on May 29 from 11 a.m. – 12 p.m. PDT. The one-hour session will explore how to make conference room installations more successful using Atlona products. more

DPA Microphones Goes On Tour With Priscilla

An Italian touring production of The Adventures of Priscilla, Queen of the Desert – The Musical has arrived at the Politeama Rossetti theatre in Trieste, where audiences are enjoying great sound thanks to the extensive use of DPA Microphone’s 4066 Omnidirectional Headset Microphones and 4060 Omnidirectional Miniature Microphones.

DPA’s Italian distributor M. Casale Bauer has supplied the production with a total of 34 DPA Headset Microphones, which are being used for every member of the cast (plus a few spares). The show’s sound engineer Cristiano Grassini says the microphones are performing flawlessly every night and are proving very popular with cast members because they are so light and comfortable.

“The original Australian production of the musical specified DPA Headset Microphones and, having previously experienced the quality of these microphones on other productions, I was more than happy to use them for the Italian tour,” Grassini says. “Their quality is absolutely phenomenal. They sound great, they are very resistant to high sound pressure levels and obviously, because they are so small and discrete on the actor’s faces, they are good for the audience because they don’t detract from the performance.”

The Adventures of Priscilla, Queen of the Desert – The Musical tells the story of two drag queens and a transsexual woman who travel through Australia on a tour bus called Priscilla. Along the way they encounter many different people and have a variety of hilarious adventures. The musical first opened in 2006 in Sydney, Australia, before travelling to New Zealand, the United Kingdom, Canada and New York’s Broadway. Since beginning its run in Italy last December it has been to Milan and Rome and has notched up more than 250 performances.

“It is an amazing musical – full of colour and drama, and very funny,” Grassini adds. “However, it does involve a lot of costume changes and this is another reason why the DPA Headset Microphones are so useful. More than 500 costumes are used in this production and having a microphone that is comfortable for the actors to wear and very quick to remove does make it much easier to deal with the quick costume changes.”

Grassini has been a fan of DPA Headset Microphones for many years and has used them in numerous theatre productions in the past. “They always sound good and are just so easy to use,” he says. “In many situations they are simply ideal and, for me, the only microphone choice.”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

HARMAN’s dbx Offers Mail-In Rebates With Purchase of DriveRack PA+ and DriveRack PX Speaker Management Systems, 266xs and 166xs Compressors Through June 30, 2013

SALT LAKE CITY, Utah – HARMAN’s dbx today announced it is offering a mail-in rebate program for its DriveRack PA+ Complete Loudspeaker Management System, DriveRack PX Powered Speaker Optimizer, 266xs and 166xs Compressor/Limiter/Gate. Customers who purchase these products from a participating dbx dealer can receive a $100 mail in rebate from dbx on the DriveRack PA+ and DriveRack PX, $75 mail in rebate on the 266xs and $50 on the 166xs. The program is effective May 1, through June 30, 2013. Please see www.dbxpro.com for redemption details.

“The DriveRack PA+, DriveRack PX, 266xs and 166xs are four of our most popular products for their ability to significantly improve the performance of a live sound rig or studio recording, and our mail-in rebate program gives customers the opportunity to purchase these products at unbeatable values,” said Noel Larson, Market Manager, Portable PA, Tour, Recording at HARMAN Signal Processing.

The best selling dbx DriveRack PA+ enables a loudspeaker system to be quickly and accurately optimized for any venue with features like Auto EQ™, Auto Level™, stereo feedback elimination, classic dbx input compression, built-in preset tunings for JBL loudspeakers and Crown amplifiers and more. The DriveRack PX Powered Speaker Optimizer is the first processor specifically tailored for powered speakers and offers Auto EQ, Advanced Feedback Suppression (AFS™), dbx’s patented Subharmonic Synthesizer™ and many additional features.

The #1 selling dbx266xs and dbx166xs gives users more dynamic control over their live sound and studio recordings to create a more polished, professional sound. Adding compression to the audio chain evens out levels, adds sustain to guitars, gives added presence and provides additional benefits, while limiting and gating provide additional dynamic control and noise reduction.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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