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Archive of the Audio Playback Category

Marshall Jefferson Adds A Prism Sound Lyra To His Kit List

Chicago House legend Marshall Jefferson has invested in a Prism Sound Lyra audio interface so that he can access Prism Sound’s renowned audio quality while he is on the road.

Sometimes known as the father of House music, Marshall Jefferson has produced numerous influential artists as well as recording solo and collaborative material under various names including Virgo, Jungle Wonz, Truth and On The House. His iconic anthem Move Your Body was included on the soundtrack for the video game Grand Theft Auto: San Andreas and also appeared on the soundtrack to Michael Winterbottom’s film 24 Hour Party People.

“I already have a Prism Sound Orpheus FireWire Interface, which I love because it sounds so good,” Jefferson says. “Alongside my production work, I also DJ in various countries and when I heard about the new Lyra range I realised this was exactly what I needed for those occasions when I’m travelling. It’s very easy to use – literally plug and play – and it is so compact that it fits neatly into my laptop bag. With Lyra, I have all the Prism Sound audio quality that I’m used to in a very portable format.”

Prism Sound’s Lyra allows music recording professionals to access the power and sophistication of the Orpheus audio path and clock circuitry, but in a smaller package and at a much improved price point. There are currently two variants in the range – the Lyra 1, which has two analogue input channels (one for instrument/line and one for mic/line) and two DA output channels, and the Lyra 2, which has two AD input channels with switchable microphone, instrument or line input modes and four DA output channels. Both versions offer digital volume control, a low latency ‘console-quality’ digital mixer for foldback monitoring and optical SPDIF capability.

Jefferson has opted for a Lyra 2 and when he’s not travelling he uses it in conjunction with his Orpheus in his studio in Manchester. In recent months he has worked on project for Dave Lee, Lenny Fontana, House of Virus, Robert Owens, DJ Pierre, Donna Hidalgo and K-Klass.

“I’m doing a lot of mixing and mastering work at the moment and that’s keeping me busy,” he says. “All of my mastering projects go through my Prism Sound Orpheus and I’m constantly being asked what interface I’m using because people love the sound so much. Now I have the same sound quality when I’m on the road – and I can also use my Lyra 2 as a back-up in the studio if I want to master onto a different computer.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Award-Winning Homebuilders Use ELAN g! To Capitalize On Housing Market Recovery

Consumer confidence is high, new home sales surged 8.3 percent in May and new home prices have climbed month over month in 2013, so it’s clear the housing market is recovering. Builders need to find ways to stand out and capitalize on this market growth, and one way to do so is to offer things that others don’t even consider, like total home control. Award-winning builders Jim Blansfield of Danbury, Connecticut-based Blansfield Builders, Inc. and Josh Wynne of Sarasota, Florida-based Josh Wynne Construction have both partnered with local integrators and found huge success using the ELAN® g! Entertainment and Control System to help close new home sales.

“I’m a believer in ‘the new normal’ way of thinking,” Blansfield said, “and with the affordable and expandable control solutions made possible by ELAN g!, home control is the new normal! In the past two years, I’ve closed several new homes by demoing the g! system for prospective clients. I have a g! system in my own home, so I’m the first person to say how easy it is to use, and my clients are consistently impressed that I include technology in my designs and recommendations, because many other builders minimize the importance of home technologies.”

Since partnering with the Danbury integration firm Structured Home Solutions, Blansfield has built 13 homes that include ELAN g! systems of varying size and complexity. Whether the new buyers were looking for enhanced security, HVAC scheduling, lighting, irrigation and pool controls, or super simple whole-home audio and video systems, every client received a custom solution tailored to their specific needs. From a business perspective, Blansfield knows that his knowledge, appreciation and passion for technology place him in an entirely different category from other builders.

“Any builders who resist change and aren’t prepared to talk to clients about integrated home control solutions will hurt themselves in the long run,” he said. “I even push remodel clients to install the ELAN g! system because it adds so much value to the home, and brings it into the 21st century more so than new countertops or an updated bathroom could ever do.”

Josh Wynne has had similar success integrating advanced home technologies with the ELAN g! system, and has teamed up with Sarasota integrator SmartHouse Integration to offer his new clients the best that modern home technology has to offer. Wynne is building four new LEED Platinum certified homes in 2013, each featuring the ELAN g! system to control core subsystems such as AV, HVAC, security, lighting, window shades, irrigation, garage doors, pool controls and surveillance cameras.

According to Wynne, “I’ve strived to make a basic home automation package standard for every new home I build. When smartphones came on the market a lot more people started to see how easily these advanced systems could integrate into their homes and help them live more simply and comfortably, and I’ve used that culture movement to benefit my business. Most of my projects are relatively big budget, around the $1 million mark, but there’s absolutely no reason that a $250,000 home shouldn’t include a multi-room audio system, an integrated HVAC or lighting system that saves money and energy, or a security and surveillance system that can be accessed remotely from any smartphone or tablet.

Both builders agree that determining the buyers’ interests is key to selling advanced home control solutions, whether they love music and want multi-room audio or desire heightened peace of mind and would benefit from a mobile-accessible security and surveillance system. From there it’s a small leap to demo the entire ELAN g! system and highlight all the trappings that easy-to-use home control offers. Another thing they agree on is the need to use a reliable, qualified integrator to make the homeowner’s technological dreams a practical reality. That’s why they’ve each partnered with a top integration firm in their respective regions, and worked together to craft custom solutions that make every home the perfect living environment for the owners.

Integrator Finds The Sound Of Success With The Niles Cynema Soundfield In-Wall Soundbar

International custom electronics integrator Jim Beaumont of HomeTech Europe has installed hundreds, if not thousands of different products throughout his career, and he’s never seen anything quite as unique as the Niles Cynema Soundfield in-wall soundbar from Core Brands. As the first of its kind, the Cynema Soundfield naturally has some ‘wow’ factor to it, but according to Beaumont it’s the practical application of a high-quality soundbar that virtually disappears that’s making it fly off the shelves.

“When I heard about the Niles Cynema Soundfield I knew some of my clients would love it, but I didn’t think I’d sell 10 of them in the first month!” Beaumont said. “Niles recognized that homeowners want good sound to match their attractive wall-mounted TVs, but they also want it to be as unobtrusive as the TV itself. With TVs getting thinner and thinner, the TV manufacturers have run out of room for good speakers, and the only solution when your TV is an inch off the wall is to put the speakers into the wall itself.”

The Cynema Soundfield doesn't require cutting the wall studs and the grille can be painted any color to match any decor.

Beaumont says his clients and the designers he works with immediately see the value in a soundbar that can be painted over and literally disappear into the wall. For years, in-wall speakers have been the preferred solution of integrators and interior designers because they blend into the room, but they can be expensive and difficult to install in an existing room because of wiring and additional components such as amplifiers and AV receivers. The Cynema Soundfield solves this issue because it requires just two wires, one for audio signal and one for power, and it can be installed in less than an hour by a certified Niles installer, even if the TV is already hung on the wall.

“It’s easy to sell because it can be used in retrofits, new homes, board rooms and even retail locations like hotel lobbies, without anyone even knowing it’s there,” Beaumont continued. “Several of my clients were so excited when I showed it to them that they bought multiple units for multiple rooms. I think the market for this innovative premium sound solution could be huge, and I’m going to sell as many of them as I can.”

And it’s easy to complete the home theater experience with one of Niles’ small, powerful subwoofers and wireless kit, so the sub can go anywhere the homeowners want without running wires. The wireless kit hooks right up to the Cynema Soundfield’s amplifier, so there’s no separate amp or receiver necessary.

What makes the Cynema Soundfield so unique is its rail system; the only thing that gets cut into the wall is a thin metal rail that sits flush with the drywall, and then the three individual speakers and the amplifier simply lock into the rail. With such a fast installation time, models that match TVs of all sizes, plenty of power and fidelity (30W RMS per speaker, three speakers per soundbar) and the ability to paint the grill and make the speaker invisible, the Niles Cynema Soundfield is a hot item for electronics integrators and design-conscious homeowners everywhere.

The Cynema Soundfield includes inputs for optical audio, HDMI and analog audio, and can also be integrated into a multi-room audio system. It features autosense turn-on so that no separate remote is required, and it simply turns on whenever it receives an audio signal from either the TV or a connected multi-room audio system.

VISOM DIGITAL SUPPLIES STUDIO TECHNOLOGIES’ IFB PLUS SERIES TO MAJOR BRAZILIAN BROADCASTERS

Visom Digital, a production sales company with a studio division specializing in recording, mixing, post-production film with Foley, ADR, Dubbing, SFX and pre- mixes of stems capabilities, and a systems sales, integration and technical support division, has recently placed Studio Technologies’ IFB Plus Series Interruptible Foldback System with major Brazilian broadcasters to enhance communication flow for OB trucks. Consisting of the Model 2A Central Controller, the Model 22 and Model 24 Access Stations, as well as the Model 32A and Model 33A Talent Amplifiers, the IFB Plus Series brings talent cuing to the next level, allowing reporters and other on-air talent to receive program audio along with audio cues from production personnel.

“The Studio Technologies IFB Plus Series delivers ultra-reliable, high-quality performance to the director, producer or other production associate in need of crystal clear, easy-to-use IFB communication with on-air talent and camera operators,” says Paulo Campos, sales manager for Visom Digital. “The mission of Visom Digital is to work with our clients to understand their particular production needs and, from there, make informed choices of equipment that will best suit those needs. We have successfully placed the IFB Series with a number of major players in the Brazilian broadcast market with great results. With the Studio Technologies IFB unit, our clients have exactly the right tool to accomplish this all-important production communications link.”

The heart of the IFB Plus Series is the Model 2A Central Controller. This one rack-space unit offers a wide range of features particularly optimized for mobile applications. These include two independent IFB channels, an internal interrupt microphone and four program inputs. Two telephone interfaces allow direct connection to telephone lines or standard audio signals. The telephone interfaces can be used to receive and send IFB audio.

Mobile IFB applications present increased challenges as the number and variety of program sources, interrupt sources, and configuration possibilities quickly multiply. Program audio can come from many avenues including off-air receivers, 2-way radios, telephone lines, satellite receivers and cell phones, for example. Interrupt audio (talent cues) may be received with the program material connected via telephone lines or may need to come from the mobile unit itself. The ability to provide IFB audio to a number of destinations is also required. These include talent “beltpack” amplifiers, transmitters used with wireless receivers, and intercom systems. This is where the IFB Plus Series shines.

“IFB Plus delivers all the capabilities necessary to handle even the most complex field operations, taking the technical worry away from this aspect of production workflow,” states Campos. “Now that our clients have a successful experience with Studio Technologies equipment, we are planning to showcase other products that the company makes because their products, like the IFB Plus, work well and solve problems. It doesn’t get better than that.”

About Studio Technologies, Inc.
Studio Technologies, Inc. provides tailored, high-performance video, audio and fiber optic products for the professional audio and broadcast markets. The company was founded in 1978 with a commitment to design and manufacture dependable, individualized solutions for broadcast studio, stadium and corporate environments. Known for “designing for the way professionals work,” the company is recognized as an industry leader that has never wavered from its individualized design pledge. Product categories include fiber-optic transport, broadcast support, mobile broadcast, intercom and IFB, announcer consoles, loudspeaker monitor control systems and sound pressure level monitor systems. For more information, please visit the Studio Technologies website at www.studio-tech.com or call 847.676.9177.

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Monster Middle East Gives Imerge Its Backing

Monster Middle East (MME) has re-affirmed its commitment to the Imerge brand by significantly increasing its stock of the company’s premium quality media servers.

As the exclusive Imerge distributor in the Middle East, MME sees huge potential for the brand, particularly among third party installers, integrators and consultants whose customers demand top of the range products in their homes and businesses.

With the Middle East’s annual sales of luxury goods now exceeding AED 30 billion (USD 8.2 billion) – and with the luxury goods market in the region recording a growth rate of 10 to 15 per cent from 2011 to 2012 (Fondazione Altagamma ‘Luxury Goods Worldwide Market Study’), Imerge is ideally placed to appeal to Middle East consumers who expect a premium product.

Jehangir Khan, Regional Director MME, says: “Imerge is a high end product built to professional standards and is therefore well suited to meet the tastes and expectations of Middle East customers. The brand already has an impressive track record in the region, with many systems installed in prestigious residential and commercial properties. The fact that these products offer a centralized database and support all major control systems makes them ideal for installations where there is a requirement for multi-room media access.”

Imerge entertainment servers make it simple for users to store their content and replay it, wherever and whenever they want it, with maximum fidelity and minimum fuss.

All Imerge systems are powered by XIVA, its own leading edge technology, and can be controlled by most of the leading automation systems (such as AMX, Crestron and Savant) from Imerge’s dedicated Apple (iPhone, Pad or Pod) control application, or by browsing from another tablet or personal computer.

Imerge systems have the ability to play different media in multiple locations simultaneously without connection slowing down or stopping at the critical moment.

In 2010, Imerge became part of the Prism Sound Group, which is investing in the development of new products. Sold via a worldwide network of custom installation specialists and distributors, Imerge products are widely regarded as being the most innovative in the sector, while its standard of service is without equal.

In recent months Monster Middle East has supplied Imerge products to a number of system integrators and custom installers in the region, for various prestigious hotel projects and large commercial installations.

Daya Shankar Singh, Technical Manager at Atlas Telecommunications, says: “We chose Imerge audio servers because, as an overall audio solution, they give us every feature we could possibly need. We are continually impressed with how seamlessly the S4000 integrates into any of our projects, large or small, from the ease of importing media to the extensive compatibility of the downloadable control system modules. The S4000 is simple to use and integrates well with the other system components that we employ in the majority of our projects. Most importantly, it is very reliable – we just install and forget because we never have to worry about it not working.”

For more information about Imerge in the Middle East, please contact Monster Middle East, NC7, Jebel Ali Free Zone, Dubai, United Arab Emirates. Tel: +971-4-883 04 05. Fax: +971-4-883 04 06. Email: support@monsterme.com

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Imerge
Part of what is popularly known as the “Cambridge Phenomenon”, Imerge is well-qualified to be the leader in its field. A spin-off from Cambridge-based technology consultancy “Scientific Generics”, it developed the world’s first hard drive-based audio server, the SoundServer, back in 1990s. In 2007 Imerge launched a multi-terabyte, 1080p-capable music/movies multi-room server hailed for setting new standards in usability as it also integrated multi-room entertainment, as well as delivering the very highest standards of audio and video performance. In 2008, Imerge changed the rules by introducing the world’s most advanced media server, the MS1, and its associated enterprise grade storage solution, the XiVASafe. Redefining the way we interact with our media, Imerge has continually innovating releasing MS1-HD and most recently the MS1-3D, incorporating 2D and 3D Blu-ray support, and the revolutionary new and unique XiVA music store and user interface in over 12 languages and many more market firsts. The current range in includes two brand new products introduced in 2012, the multi-zone S4000 audio server product and a miniature HD video player unit (Mini Client) for the MS1-3D video server.

For more information please visit www.imerge.co.uk or www.xiva.com

DPA Ensures That ‘Sugar Man’ Is Heard Loud and Clear

US singer-songwriter Sixto Rodriguez, the subject of the Oscar Award-winning documentary Searching For Sugar Man, has switched to a DPA d:facto™ Vocal Microphone to ensure that his audiences hear every nuance of his complex voice.

Producer and Front of House engineer Russ Miller, who has been working with Rodriguez since he started his current tour in November 2012, says the DPA d:facto vocal microphone has proved ‘absolutely invaluable’.

“It is an incredible microphone that is perfect for Rodriguez’ voice,” Miller says. “It has worked brilliantly at every venue we have visited, including Glastonbury, and frankly I couldn’t have got through this tour without it.”

Now 71 years old, Sixto Rodriguez has been called ‘the greatest 1970′s music icon that never was’. The Mexican-American folk singer was hailed as the new Bob Dylan when he was first discovered in Detroit, Michigan, in the late 1960s. But after his first two albums, Cold Fact and Coming to Reality, were commercial flops he was dropped by his record label and disappeared. Although he was actually making a living as a manual labourer, there were rumours that Rodriguez had dramatically killed himself on stage. What he didn’t realise, however, was that a bootleg copy of Cold Fact had made its way to South Africa where it had become a huge success and had won him thousands of fans who saw his music as the unofficial soundtrack to youth protests against apartheid.

In the 1990s, determined South African fans managed to track him down and this led to a revival of his musical career. Further recognition came with the release of the Searching for Sugar Man documentary, which won an Academy Award in 2012.

For Russ Miller, capturing Rodriguez’ voice is a challenge because he sings very quietly.

“As a singer-songwriter in the tradition of artists like Bob Dylan and Joan Baez, it is really important that audiences can hear every word of every lyric Rodriguez sings,” Russ Miller explains. “However, when he’s accompanied by a powerful, up tempo band, it can be difficult to keep his vocal loud and clear. This isn’t a unique problem, but it was one I wanted to solve before we tackled some of the bigger venues on his tour, so I started casting around for a better microphone for him.”

After a conversation with live sound engineer Rik Dowding, who recently invested in DPA d:facto Vocal Microphones for The xx, Miller approached DPA’s UK distributor Sound Network, through Tour Supply Ltd, and asked if he could demo one.

“I’d also heard really great things about this microphone from Richard Nowell at RNSS who has been using them with various Jazz artists, so I thought it might work for Rodrigues,” Miller says. “The issue was actually demoing it because Rodrigues isn’t the sort of artist who will go into a studio and do an A/B comparison test. In fact, he doesn’t really do rehearsals – he just arrives at a gig and it’s ‘go’ time – there’s no real sound check or set list and he could start with any song. The first time we got to try out the d:facto was at La Zenith in Paris in front of a live audience of 7,500.”

Once Rodriguez began using the DPA d:facto Vocal Microphone, Russ Miller certainly noticed a difference.

“It was amazing,” he says. “The microphone is incredibly detailed in the upper mids, and as a result I was able to attenuate cymbal spill with just a low pass filter because his voice cut through really well, without having to add any air. I was also impressed with how well the microphone took EQ-ing. It was obvious to me that this was the right mic for Rodriguez so we immediately specified it for the rest of his live shows.”

Since his appearance at Glastonbury, Rodriguez has performed in various European cities including Copenhagen and Stockholm, and at another festival in the UK.

“We’ve used the DPA d:facto Vocal Microphone throughout and it hasn’t let us down,” Russ Miller adds. “I’m so relieved that we have finally found the right microphone for his voice as it has improved the sound of his concerts, as well as making my job as a live sound engineer much easier!”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Parsons Audio Expo 2013 To Take Place in November

BUENA PARK, Calif.—Parsons Audio (Wellesley Hills, Mass) will hold its 23rd annual EXPO on Thursday, November 14th from 10:00 a.m. – 7:00 p.m. at the Dedham Holiday Inn in Dedham, Mass.

Parsons Audio, a leader in offering professional audio products in the New England area, will begin the day at 10:00 am on Professional Development Workshops taught by industry leaders and focusing on industry trends. At 12:00 noon, the manufacturer exhibit floor opens with product representation from all top professional audio manufacturers represented by Parsons Audio.

This year, the Parsons Audio Expo will include the Yamaha Commercial Audio Systems Rolling Showroom with the new NUAGE system. Yamaha staff will be on hand for presentations and demonstrations. NUAGE, a joint collaboration between Yamaha and Steinberg, is a hardware and software system that adds the power of the Dante audio network to world-class recording, post production, live to tape broadcast, and house of worship recording for re-broadcast, NUAGE is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

“We enjoy keeping our customers and potential customers up to date on what is new in the professional audio market,” states Roger Talkov, General Manager, Parsons Audio. The Professional Development seminars are extremely useful In providing the latest industry trends.”

For more information visit www.paudio.com/expo or email roger@paudio.com.

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Stampede University Incorporates Web Trainings For DemoPad Control Solution

AMHERST, NEW YORK, August 27, 2013 — Following the successful market launch of DemoPad, the customizable software-based control solution, Stampede Presentation Products, Inc. today announced the launch of a web-based product training course, now available to integrators via Stampede University.

“Since its introduction at Infocomm 2013, DemoPad sales have been increasingly strong, and the need for a comprehensive and flexible online training solution is truly the next logical step forward in ensuring the success of the DemoPad control solution,” Stampede President & COO Kevin Kelly said today. “As a strategic distributor of DemoPad, we’re very excited present this newly developed training program to our integrator partners. The implementation of this course further underscores our commitment to providing value-added, solutions-oriented benefits, such as in-depth training programs, to our partners.”

The newly developed eight-hour course, developed and instructed by industry expert Jonathan Brawn of Brawn Consulting, will introduce the DemoPad software and system design process. Enrollment in the course is $300, and open to all worldwide resellers. Upon successful completion, enrollees receive a certification certificate designating their eligibility to purchase an annual license.

According to Jonathan, “Brawn Consulting is proud to partner withDemoPad in the development of this training program,which is truly one of the best manufacturer trainings we have been able to produce thus far. Rarely does a manufacturer collaborate with us in such an extensive way to create a product that is an amazing resource for the systems integrators who will sell DemoPad into the market.  Manufacturer support like this is truly key to a product’s long-term success.”

By focusing on software that allows installers to create their own custom GUIs for their company or for each client, DemoPad reduces the costs traditionally associated with custom control systems. With simple tools to create these GUIs for iOS and Android devices, DemoPad installers can easily, quickly and affordably implement impressive touch screen interfaces that offer integrated control of audiovisual equipment, lighting, HVAC, CCTV, gate automation, window blinds and access control.

About Stampede

Known for its value-added distribution, Amherst, New York-based Stampede is the leading distributor of presentation equipment including LCD/DLP projectors and flat panel displays. Stampede provides a complete range of brand name presentation equipment to a variety of audio/video, computer, and home theater resellers and integrators in the United States, Canada and Latin America. These resellers rely on Stampede for value-added services in distribution, marketing and solution- based sales. Stampede annually produces the “Big Book of AV,” a 1,000-page catalog and companion website (www.BigBookofAV.com) providing hundreds of sales, installation and spec tips for Stampede’s dealers in addition to product details on more than 5,000 SKUs. For more information on Stampede, log onto www.stampedeglobal.com.

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ACIR Professional Buys Building, Expands Space

Mays Landing, N.J.—Summer continues to be busy for the staff at ACIR Professional with shows in Cape May, the Count Basie Theatre, Ocean Grove, New York City, along with support of audio and backline for Atlantic City and surrounding areas, all as the company’s installation business continues to grow.

Perhaps the biggest news for ACIR this is summer is that they recently purchased a building in Mays Landing, New Jersey, a stones-throw away from the old location in Egg Harbor Township. Realizing their dream of expansion and growth, the company outgrew their lease space and made the move to purchase a building with additional room to grow.

In a joint statement, the three owners Ed DiBona, John Grasso, and Tom Young said, “Our new space enables us to further our customer service and support as we continue to purchase the gear needed to fulfill our clients’ requirements.”

ACIR’s new address is 1421 Cantillon Boulevard, Mays Landing, NJ 08330. The company phone number remains the same: (609) 677-5500).

For more information, visit www.ACIRpro.com.

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PHOTO CREDIT: Digital Warmth

Danish Rockers D-A-D Get Down and Dirty With DPA

Rune Slot, live sound engineer for Danish rock band D-A-D, has turned to DPA Microphones to deliver the loud, punchy sound for which the band is famous.

“I experimented with a number of different condenser microphones before settling for DPA,” Rune Slot says. “They are fantastic – awesome – and it’s really great to have high end microphones supplying the inputs to the desk.”

Slot has been on tour with D-A-D for most of this year, taking in countries such as China and the US as well as plenty of places in Europe.

He says: “D-A-D is incredibly loud so for this tour I wanted to use high end microphones that could really capture the band’s noise and energy. The DPA microphones we have chosen are great and do the job perfectly.”

Originally known as Disneyland After Dark, D-A-D formed in the early 1980s and, apart from one change when Laust Sonne replaced former drummer Peter Lundholm Jensen, it has retained its original line-up. Its international breakthrough came in 1989 when it signed to Warner Bros in the USA. At that point the band was forced to change its name to D-A-D to avoid an impending lawsuit from the Walt Disney Company.

To mic Laust Sonne’s snare drum, Slot is using a combination of a DPA d:dicate™ 2011C Twin Diaphragm Cardioid microphones and DPA d:vote™ 4099 Instrument Microphones, with the former positioned above the snare and the latter below it. d:vote 4099 Instrument Microphones are also used to mike the toms, high hat and cymbals, with reinforcement provided by a DPA d:dicate 4011 Compact Cardioid Microphone positioned underneath the cymbals.

“It’s not jazz – it’s very Rock and Roll,” Slot says. “I’ve also used DPA 2011C microphones to pick up Jacob Binzer’s lead guitar. He has two cabinets that give a great combination of clean and dirty sound so I’ve positioned 2011C mics about 12cm from each of the speakers where they work brilliantly.”

Vocals are another area where DPA has come up trumps. Lead singer Jesper Binzer is using a Wisycom wireless system and Slot has equipped this with a DPA d:facto™ Vocal Microphone capsule.

“The mic helps me to stay in control without having to go primal,” Jesper Binzer says, while Slot adds: “It is a really great sounding capsule that truly grasps all the spit and energy of Jesper’s performance. Even when he sings from the side, it grabs the sound and pulls it into the mix.”


Slot adds that with a loud band like D-A-D, lead vocals need to be clearly heard in the mix and initially he thought this might not be feasible with a condenser microphone capsule.

“I didn’t need to worry because the DPA d:facto Vocal Microphone capsule is of such good quality that it is more than capable of giving me the sound I want,” he says. “I was really surprised when I tried it for the first time because, usually with condenser microphones, you get feedback issues, especially in the high frequency range. However with the d:facto this just wasn’t a problem. It does what it is supposed to do and there is very little of bleed from the rest of the band, even though the band plays insanely loud.”

Slot is also using d:facto Vocal Microphones for backing vocals, with Jacob Binzer, Stig Pedersen and Laust Sonne all singing into wired versions of the d:facto.

“These microphones are really good at isolating the vocals and they are also happy to take plenty of punishment,” he adds. “The guys do like to ‘eat’ their mics, but the d:facto Vocal Microphones cope with that brilliantly and still deliver a very punchy sound.”

See the interview with Rune Slot and clips from a D-A-D concert at www.dpamicrophones.com/livedad

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

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