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Atlona(R) to Host Atlona Academy Webinar on Conference Room AV Installations on May 29

SAN JOSE, Calif. — May 20, 2013 — Atlona(R) today announced that the company will be hosting an Atlona Academy webinar titled “Digital Conference Room” on May 29 from 11 a.m. – 12 p.m. PDT. The one-hour session will explore how to make conference room installations more successful using Atlona products. more

DPA Microphones Goes On Tour With Priscilla

An Italian touring production of The Adventures of Priscilla, Queen of the Desert – The Musical has arrived at the Politeama Rossetti theatre in Trieste, where audiences are enjoying great sound thanks to the extensive use of DPA Microphone’s 4066 Omnidirectional Headset Microphones and 4060 Omnidirectional Miniature Microphones.

DPA’s Italian distributor M. Casale Bauer has supplied the production with a total of 34 DPA Headset Microphones, which are being used for every member of the cast (plus a few spares). The show’s sound engineer Cristiano Grassini says the microphones are performing flawlessly every night and are proving very popular with cast members because they are so light and comfortable.

“The original Australian production of the musical specified DPA Headset Microphones and, having previously experienced the quality of these microphones on other productions, I was more than happy to use them for the Italian tour,” Grassini says. “Their quality is absolutely phenomenal. They sound great, they are very resistant to high sound pressure levels and obviously, because they are so small and discrete on the actor’s faces, they are good for the audience because they don’t detract from the performance.”

The Adventures of Priscilla, Queen of the Desert – The Musical tells the story of two drag queens and a transsexual woman who travel through Australia on a tour bus called Priscilla. Along the way they encounter many different people and have a variety of hilarious adventures. The musical first opened in 2006 in Sydney, Australia, before travelling to New Zealand, the United Kingdom, Canada and New York’s Broadway. Since beginning its run in Italy last December it has been to Milan and Rome and has notched up more than 250 performances.

“It is an amazing musical – full of colour and drama, and very funny,” Grassini adds. “However, it does involve a lot of costume changes and this is another reason why the DPA Headset Microphones are so useful. More than 500 costumes are used in this production and having a microphone that is comfortable for the actors to wear and very quick to remove does make it much easier to deal with the quick costume changes.”

Grassini has been a fan of DPA Headset Microphones for many years and has used them in numerous theatre productions in the past. “They always sound good and are just so easy to use,” he says. “In many situations they are simply ideal and, for me, the only microphone choice.”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

HARMAN’s dbx Offers Mail-In Rebates With Purchase of DriveRack PA+ and DriveRack PX Speaker Management Systems, 266xs and 166xs Compressors Through June 30, 2013

SALT LAKE CITY, Utah – HARMAN’s dbx today announced it is offering a mail-in rebate program for its DriveRack PA+ Complete Loudspeaker Management System, DriveRack PX Powered Speaker Optimizer, 266xs and 166xs Compressor/Limiter/Gate. Customers who purchase these products from a participating dbx dealer can receive a $100 mail in rebate from dbx on the DriveRack PA+ and DriveRack PX, $75 mail in rebate on the 266xs and $50 on the 166xs. The program is effective May 1, through June 30, 2013. Please see www.dbxpro.com for redemption details.

“The DriveRack PA+, DriveRack PX, 266xs and 166xs are four of our most popular products for their ability to significantly improve the performance of a live sound rig or studio recording, and our mail-in rebate program gives customers the opportunity to purchase these products at unbeatable values,” said Noel Larson, Market Manager, Portable PA, Tour, Recording at HARMAN Signal Processing.

The best selling dbx DriveRack PA+ enables a loudspeaker system to be quickly and accurately optimized for any venue with features like Auto EQ™, Auto Level™, stereo feedback elimination, classic dbx input compression, built-in preset tunings for JBL loudspeakers and Crown amplifiers and more. The DriveRack PX Powered Speaker Optimizer is the first processor specifically tailored for powered speakers and offers Auto EQ, Advanced Feedback Suppression (AFS™), dbx’s patented Subharmonic Synthesizer™ and many additional features.

The #1 selling dbx266xs and dbx166xs gives users more dynamic control over their live sound and studio recordings to create a more polished, professional sound. Adding compression to the audio chain evens out levels, adds sustain to guitars, gives added presence and provides additional benefits, while limiting and gating provide additional dynamic control and noise reduction.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

DPA Microphones Helps UEFA Deliver the Roar of the Crowd

As every football fan knows, the roar of the crowd at a major game is just as important as the action on the pitch when it comes to truly experiencing the excitement of the event. With this in mind, Outside Broadcast specialist United chose DPA Microphones’ 5100 Mobile Surround Microphone to capture the ambience of the Amsterdam Arena when SL Benfica played Chelsea in the 2013 UEFA Europa League Final.

Huub Lelieveld, Senior Sound Supervisor for United Outside Broadcast and Studios, says: “UEFA was adamant that the broadcast quality had to be top class as this was a huge 35 camera production that was going out to broadcasters all over the world. We wanted to make sure the audio quality would be as high as possible and that we captured the ambience of the stadium in phase coherent surround so that it sounded huge in surround, but also still sounded great in stereo and even mono.”

Widely regarded as a surround ambience adder, DPA’s 5100 Mobile Surround Microphone was perfect for the task because its compact size and ease of use comes at no sacrifice to stunning sound quality. Ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications, especially for HDTV production, these microphones require no external signal processing and are versatile enough to be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip.

Lelieveld, in conjunction with his colleague Mischa Kortleve, tested the DPA 5100 microphone during one of the UEFA preliminary rounds in the Amsterdam Arena to ensure they were the right choice for the important Cup Final event on May 15th. The microphone was supplied by DPA’s Dutch distributor Amptec.

“We recorded all our microphones to multitrack and decided, after extensive listening tests, that the 5100 was perfect for the Cup Final,” he says. “The DPA 5100 was rigged in the catwalk of the stadium where it was able to capture the whole arena in surround. We complemented this system with four DPA 4006A Omni Microphones, which were hung from the catwalk in each of the four corners of the stadium, and we also used two DPA 4017B Shotgun Microphones positioned on our two Steadicams as these were smaller and lighter than the microphones we usually use.”

Based in Hilversum, Holland, United is part of the huge Euro Media Group that has production and post-production facilities in Belgium, France, England, Germany, Italy and Switzerland. United operates nine state of the art Outside Broadcast vehicles and mobile control rooms and provides broadcast facilities to capture major sporting events and live music concerts all over Europe.

“We were really delighted with the performance of all of our DPA microphones, but in particular the 5100 Mobile Surround Microphone, which sounded fantastic,” Lelieveld says. “It was incredibly easy to rig and protect from bad weather and was significantly less expensive than other microphone systems. Thanks to the DPA 5100 Mobile Surround Microphone, we achieved a rich, smooth and fully enveloping sound that was great in its coherence, channel separation and localization accuracy.”

For the UEFA Europa League Final, United provided the live broadcast feed to Infostrada Sports, which distributed it around the world. And for anyone who didn’t see the game, the final score was 2-1 to Chelsea.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Memphis Zoo Uses Digigram’s PYKO to Simplify and Manage Networked Playout of Music Across Events and Exhibits

GRENOBLE, France — May 15, 2013 — Digigram today announced that the Memphis Zoo in Memphis, Tenn., is using PYKO-in and PYKO-out IP audio terminals to create a special ambiance surrounding events and exhibits located across the 70-acre park. Supplied and supported by Digigram’s U.S. distributor, Point Source Audio, the PYKO-in and PYKO-out products are enabling simple, seamless streaming of background music to multiple sites within the zoo. more

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Atlona Products on Display at InfoComm 2013

InfoComm 2013
Atlona(R)
Booth 1749
more

Atlona(R) Partners With AVProAlliance.com

Companies Announce Distribution Agreement and Joint Training Session

SAN JOSE, Calif. — May 13, 2013 — Atlona(R), a leading digital connectivity solutions provider, today announced the appointment of AVProAlliance.com, an expert service group led by experienced AV professionals, as a national distributor for its full line of connectivity products including the company’s latest HDBaseT(TM) matrix switchers and extenders. AVProAlliance.com will also support Atlona as it targets the residential custom integrator markets and video collaboration businesses. In addition, two companies will copresent a session with Quantum Data during the AVPro Advanced Fundamentals in Audio and Video training tour. more

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White Mark Designs A New Audio Facility For Extreme Music

Studio and design consultancy White Mark Ltd has completed a major project for Extreme Music to design and install an entire audio complex at the company’s new headquarters in London. The complex includes a large mastering studio, a mixing studio that can also be used for tracklaying and three self-contained audio editing suites.

Extreme Music, the production music arm of Sony ATV, was obliged to move premises to accommodate its rapid business growth.

The company’s Senior Vice President, Dan Pounder, says: “We have been growing at a rapid rate and needed more space to accommodate staff and to provide more audio facilities. Fortunately we were able to take over offices vacated by another Sony company and the move gave us the opportunity to re-design the space so that it exactly suited our workflow. The open plan design is now split between work stations for marketing and administrative staff and the audio suites. Thanks to the exceptionally high standards employed by both White Mark and BNP Paribas, which handled the design of the non-technical space, we now have a working environment that exceeds our expectations and has the wow factor we were looking for.”

The audio complex flows along one side of the building and consists of a large mastering room with natural daylight that is equipped with a Pro Tools system, PMC monitors and a range of audiophile processing equipment from Analaogue Tube, Avalon, Manley, Weiss and T.C. Electronics. There is also a secondary multipurpose room equipped with Universal Audio, Sonnox and T.C. Electronics processing with PMC monitors capable of mixing, tracklaying and mastering duties. The two rooms can work in tandem for larger tracklaying projects, with the mastering room doubling up as a live space. The complex also houses three self-contained edit suites of varying sizes, all of which are linked to a common DDP audio server in a separate machine room so that work can easily be transferred between any of the five audio rooms.

Extreme Music’s Chief Mastering Engineer Nick Cooke says: “We chose White Mark for this project because we had worked with them in the past and knew they could deliver the results we wanted. As our new premises are located in a mixed tenancy building, we had to ensure that all of the studios and edit suites were really well isolated to avoid causing noise nuisance to our neighbours. White Mark was able to completely isolate all of the rooms and ensure that the completed facilities sounded great and were acoustically accurate.”

White Mark’s previous involvement with Extreme Music involved upgrading the mastering studio in its old premises to improve the sound of the room and create more space. That project, which was completed in just four weeks in order to minimise downtime, involved the use of White Mark’s Fast Studio construction method that allows producers, composers and studio owners to build high performance facilities in far less time and at far less cost than would normally be anticipated. This unique system uses properly constructed and individually specified acoustic modules that are assembled off-site, making them very quick and easy to install. Fast Studio panels are ideal for rooms using free-standing monitors and in which there is no need for full isolation.

White Mark’s managing director David Bell says: “Although Extreme Music’s new facility required a more traditional approach to studio building to achieve adequate isolation, we were able to incorporate the company’s existing Fast Studio panels into our design for the acoustic treatment of the edit rooms.”

Established in 1997, Extreme Music is renowned for the quality of its production music and is committed to delivering an unrivalled roster of talent. Among its stable of Award-winning producers and composers are Timbaland, Hans Zimmer, Quincy Jones, Snoop Lion, Vince Clarke, Xzibit and Steve Jablonsky.

“All of our mastering is handled in-house and because we are committed to excellence, we need audio facilities that reflect this philosophy,” Nick Cooke adds. “White Mark has achieved remarkable results with our studios and we are delighted with them. Being able to feed work between all five rooms has significantly improved our workflow and increased flexibility. The additional space has also made it possible for composers to come in and be truly involved in the mixing and mastering process.”

Dan Pounder adds that the move has not only given Extreme Music the extra space it needed, but also helped integrate the audio side of the business. “The layout works really well,” he says. “Everyone enjoys working here and the look and feel of the new premises also creates a very good impression for visitors because they can literally see our workflow in action.”

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About White Mark:

Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last fifteen years it has designed and supervised the construction of over 500 production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Germano Studios in New York, Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 140 audio studios and many broadcast and video editing facilities for more than 60 companies in Soho alone. The list of clients includes Grand Central, Hackenbacker, Envy, De Lane Lea, Scramble, Lipsync, Molinare, DeLuxe, 750mph, NBC/Universal, Wave, Unit and Boom. Advertising agency clients include worldwide facilities for Hogarth International and AMV/BBDO on four continents.www.whitemark.com

Revolabs at InfoComm 2013

Revolabs
InfoComm 2013
Booth 2181

Company Quote:
We are extremely excited about this years InfoComm show and the opportunity to showcase the complete line of Revolabs conferencing solutions. This year InfoComm will provide the perfect forum for the introduction of significant next-generation product innovations, which will further extend our rapidly expanding product lines and demonstrate that Revolabs truly is a premier provider of wireless audio solutions for unified communications, enterprise collaboration, and professional audio applications addressing the needs of professionals in a wide range of markets. — JP Carney, CEO at Revolabs

NEW From Revolabs at InfoComm 2013:

Revolabs will make several important product announcements at InfoComm 2013, including the premier of its next-generation, flagship wireless microphone system designed to improve audio quality and simplify large audio communication deployments. This new solution boasts a number of enhancements, including:

– A new distributed architecture that simplifies installations
– New local and remote cloud-based management and monitoring options
– Higher channel density options
– Elegantly redesigned microphones

All of this and more will be unveiled as Revolabs once again raises the bar on wireless microphone systems.

Revolabs Products on Display at InfoComm 2013:

Revolabs HD(TM) Wireless Microphone Systems
At InfoComm 2013, Revolabs will highlight its popular line of HD wireless microphone systems, including the Revolabs Executive HD(TM) MaxSecure for applications requiring high levels of security; the Single/Dual Channel for video conferencing; the rackmount Venue; the Executive HD for executive boardrooms and large conference rooms; and the versatile Revolabs Hybrid HD(TM) for installations requiring a powered audio solution. Revolabs will also demonstrate its enhanced Windows(R)-based HD Control Panel, which allows users to monitor and control networked HD wireless microphone systems from a single PC software program with an intuitive graphical user interface.

Revolabs FLX(TM) Wireless Conference Phone
Ideal for conference rooms, executive offices, and small office/home office (SoHo) environments, the Revolabs FLX(TM) wireless conference phone is offered either with an analog telephone interface or with a VoIP interface. The FLX VoIP is the first and only wireless conference phone designed for VoIP networks. The FLX VoIP integrates directly with most IP telephone switches following the SIP standard, enabling new features only available through digital switch environments, such as voicemail alerts and do not disturb. The unit can also serve as the audio interface for virtually any major brand of video conferencing equipment, making it ideal for unified communications in any environment.

RESOURCES:
Revolabs FLX(TM) VoIP Field Verified Compatible Switches

Revolabs V3 Microphones With Field-Replaceable Batteries
With Revolabs V3 microphones featuring field replaceable batteries, users can easily purchase batteries as an accessory from their dealer/distributor. To swap batteries, they simply open the microphone, put in the new battery, and charge it. Old batteries can be sent to Revolabs for disposal as part of the companys free recycling program. The V3 microphones allow users to keep spare batteries fully charged and ready for use by purchasing a new battery charging adaptor, which allows batteries to be charged without placing the whole microphone in the charger.

Revolabs Partner Solutions for Videoconferencing at InfoComm 2013
The Revolabs HD(TM) line of wireless microphone systems and Revolabs FLX(TM) wireless conference phone integrate seamlessly with almost any major brand of video conferencing solution, including Polycom(R), Cisco(R), LifeSize(R), Vidyo(TM), Radvision(R), and Avaya(TM). As a member of the Cisco Developer Network, the Revolabs FLX has successfully completed interoperability testing with Cisco Unified Communications Manager, version 8.6, while the HD Single/Dual Channel wireless microphone system version 2.6 has successfully completed interoperability testing with the Cisco C40/60/90 and MXP Codecs, all versions.

(Sidebar)
Revolabs Partner News
As Revolabs continues to demonstrate its next-generation FLX platform, the company also recently revealed that Cisco(R) selected Revolabs to develop its latest IP conference phone, which made its debut at the Enterprise Connect show earlier this year. Ciscos new IP Conference Phone 8831 is the first product on the market to use the FLX platform. Revolabs award-winning FLX digital signal processing platform provides Ciscos IP Conference Phone 8831 with advanced audio technology, superior echo cancellation and acoustics, as well as Revolabs unparalleled wireless microphone technology for unmatched audio clarity and flexibility.

About Revolabs
Revolabs Inc. is the premier provider of wireless audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to hear every word, the companys wireless conferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio systems with products such as the new Revolabs FLX(TM) wireless conference phone, which provides superior performance for video and audio conference calls, public address systems, and more. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Mass., and can be reached at +1-800-326-1088 or www.revolabs.com.

Image Link: www.ingearpr.com/Revolabs/Exec_HD_8.zip
Image Caption: Revolabs Executive HD(TM)
Image Link: www.ingearpr.com/Revolabs/HD_Dual.zip
Image Caption: Revolabs HD(TM) Single/Dual Channel
Image Link: www.ingearpr.com/Revolabs/HD_Venue.zip
Image Caption: Revolabs HD Venue(TM)
Image Link: www.ingearpr.com/Revolabs/Hybrid.zip
Image Caption: Revolabs Hybrid HD(TM) Microphones and XLR Adapter
Image Link: www.ingearpr.com/Revolabs/FLX_VoIP.zip
Image Caption: Revolabs FLX(TM) VoIP

PR Link: www.ingearpr.com/Revolabs/InfoComm13.zip

DANLEY’S NEW OS80 TAKES THE LEAD AS A FULLY-WEATHERIZED OUTDOOR LOUDSPEAKER WITH PATENTED SYNERGY HORN TECHNOLOGY

GAINESVILLE, GEORGIA – MAY 2013: Danley Sound Labs brings its revolutionary Synergy Horn technology to the great outdoors with the Danley OS80. Like its Synergy Horn siblings, the OS80 delivers tremendous output, both in terms of sound pressure level and transparency, as well as precise pattern control. Unlike its Synergy Horn siblings, however, the OS80 is housed in an enclosure that is utterly impervious to weather, making it the ideal loudspeaker for outdoor installations at sports venues, arenas, athletic fields and complexes, theme and recreational parks, public gatherings, race tracks, community centers, cruise ships, hockey rinks, water parks, swimming areas, and more.

“The Danley OS80 brings high fidelity to outdoor loudspeakers,” asserted Mike Hedden, president of Danley Sound Labs. “Until now, installing a fully-weatherized loudspeaker meant significant compromises in fidelity and impact. But like all Danley products, the OS80 doesn’t play by those rules. The OS80 not only delivers the kind of clarity and power that characterizes our flagship SH-50 loudspeaker, but it can do it in a driving rain or after a winter spent buried under snow. In addition, the OS80’s precise pattern control created by the large horn makes it possible for outdoor sound reinforcement systems to deliver superior Synergy Horn fidelity to every seat.”

The Danley OS80’s coverage pattern is 80 deg conical with an operating frequency range that spans 113 Hz to 18 kHz (+/- 3 dB). It has 101 dB SPL sensitivity and a maximum output that rates 127 dB SPL continuous and 133 dB SPL program. A single high performance 12-inch driver and a single 1.4-inch driver energize the Synergy Horn and are hidden away inside a thermal molded poly-composite exterior measuring 32.25 inches high by 26-inches wide by 14.5 inches deep. Total weight is 51 pounds, and a U bracket is included as are other flexible mounting options which allow the Danley OS80 to make itself at home in any circumstance.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SEE US AT INFOCOMM BOOTH #143 – COME TO HEAR THE OS80 IN DEMO ROOM W203B

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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