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Archive of the Audio Playback Category

Atlona(R) Now Shipping HDMI(R) Extenders Featuring HDBaseT-Lite(TM) Technology

Extenders Send A/V, IR Control, and Power Over a Single Category Cable

SAN JOSE, Calif.  Jan. 22, 2013  Atlona(R) today announced that the company is now shipping its HDMI(R) extenders featuring HDBaseT-Lite(TM) technology. This extender family sends audio, video, and IR control over a single category cable. The low-cost AT-HDTX (transmitter) and AT-HDRX (receiver) are ideal for moderately-priced home theater installations, extending 1080p up to 230 feet. The AT-HD-IR extender series offers the same solid reliability of HDBaseT-Lite with the addition of IR control functions. Both pairs feature Power over Category Cable (PoCc) to eliminate a power supply for the receiver. more

DPA Makes An Impact At The GNC Awards In Beirut

A large selection of DPA microphones were deployed at the first Gibran National Committee Annual Awards Ceremony, which took place in Beirut to honour and promote distinguished Lebanese innovators.

More than 60 musicians, 40 choristers and two presenters took part in the event and every one of them was miked with a DPA microphone.

Sound engineer Roger Bou Farhat, head of Beirut-based rental company Loud N Clear, supplied all of the audio equipment for the Awards ceremony. He says: “I specified DPA microphones because they always deliver fantastic results. As this was a highly prestigious event, the audio had to be first class and I knew that DPA would be up to the challenge.”

DPA d:vote™ 4099 instrument microphones were used to mic the entire orchestra and also the Guy Manukian band, which performed at the ceremony. For the band’s piano, high hat and oriental percussion instruments Roger Bou Farhat used DPA 2011 Twin Diaphragm directional microphones, while for the choir he used 12 DPA 4011A cardioid microphones, which were chosen for their ability to deliver a natural, accurate sound with extremely low distortion. The microphone line-up was completed with two DPA 4098H supercardioid microphones located on the presenters’ podium. The presenters also wore DPA d:fine™ single ear headset microphones.

The Gibran National Committee Annual Awards aims to uphold the cultural values of the Lebanese philosopher, writer and poet Gibran Khalil Gibran. 12 recipients were honoured at the ceremony, which took place at the Casino du Liban in Beirut.

“The Awards ceremony was a huge success and the DPA microphones all performed flawlessly,” Roger Bou Farhat says. “As this is now an annual event I am confident that DPA microphones will be playing a big part in next year’s ceremony, too.”

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Bauder Audio Provides Support for Record-Breaking Camp Out for Hunger Benefit

BUENA PARK, Calif.—Bauder Audio Systems, Inc. (Philadelphia) and Indre Recording and Production (Havertown, PA) provided support, once again, for WMMR Radio’s Preston & Steve Show 2012 Camp Out for Hunger benefit. A complex, around-the-clock, five-day, live remote broadcast involving VIP guests, bands, outdoor stunts, and two dozen tractor trailers gathering food from thousands of generous people, The benefit collected a record-breaking 627,678 pounds of food and over $100K in monetary donations. Featured guests hailed from the worlds of sports, music, TV, and politics.

The event takes place in a large tent installed in the parking lot of the Metroplex Shopping Center in Plymouth Meeting. Bauder provided a new Yamaha CL5 digital console for use at FOH and for bands monitor mixes along with a Yamaha M7CL digital console with a Dugan-MY16 card for broadcast. The tent PA consisted of all NEXO loudspeakers powered by NXAMP 4×4’s and 4×1’s. PS15 R2s and RS18s were used for the main PA while PS10 R2s and PS8s were used for fold back and fills. The live bands were mixed down by Indre Recording’s broadcast truck outfitted with a Yamaha DM2000 and fed back to the M7CL.

“Whenever I’m working on a NEXO PA, I tend to simply pop the presets and go, as opposed to executing the normal laborious tuning process that other “out of the box” systems require,” states Chris “Sully” Sullivan, FOH Engineer. “It’s refreshing, and certainly saves money on labor calls.” Sully also used the new Yamaha CL5 digital console and said, “Even with no formal training on the CL5, within minutes I found my hands intuitively finding all of the knobs my brain was asking for….”

12 channels of stereo play back can be used for any given live band performance, helicopter landing, or other stunt taking place during a remote Preston and Steve Show. The core of the broadcast consists of five people talking about any number of topics on the radio. “In addition to the five primary mics, I can have anywhere from two hardwired guest mics to 10 wireless mics up and all running at one time,” states Rodney Byrd, Assistant Chief Engineer, Greater Philadelphia Radio Group. “With the introduction of the Dugan card for the Yamaha M7CL console, it has changed the dynamics of how I mix the show so much that it is now on my equipment rider. The sound quality that we experienced during the week of Camp Out for Hunger sounded like we were back in our own studio. I was able to walk out front and hear the PA without having to worry about whether all of the mics were up. It is like having an A1 that you don’t have to talk to; and it just works right out of the box.”

Indre Recording and Production of Philadelphia recently installed a Yamaha DM2000 digital console in their flagship remote truck. The remote recording package now offers 96 channels of audio from the stage via fiber optic snakes and MADI integration. “The DM2000 is doing double duty, serving as the main mixing console as well as a full Pro Tools control surface for the truck’s HDIII recorder,” states Michael Comstock, Owner and Head Engineer, Indre Recording.

For more information on Indre Recording and Production, visit www.indre.com.

For more information on the Camp Out for Hunger Benefit, visit
http://www.wmmr.com/events/campout-for-hunger/.

For more information on Bauder Audio Systems, visit www.bauderaudio.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

-END-

PHOTO #1 ID: L to R: “Sully”, Michael Comstock, Radio Hosts Steve and Preston, Rodney Byrd at the Yamaha M7CL-48 Digital Audio Console

PHOTO #2 ID: Indre Recording Remote Broadcast Truck that houses a Yamaha DM2000.

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

CORE Brands Names Nanci Bergman Director of Retail and Internet Sales

PETALUMA, Calif. — Jan. 16, 2013 — CORE Brands today announced that the group has named Nanci Bergman as its director of retail and Internet sales. Relying on more than 13 years of experience in retail and distribution, Bergman will be responsible for overseeing business development and spurring growth for the group’s 10 brands in the retail sector. more

All India Radio to Install NETIA’s Radio-Assist(TM) 8.1 Software Across National and Local Stations

Deployment for Leading Radio Broadcaster Will Support Provision of Multilingual Services Stretching Across India

CLARET, France — Jan. 15, 2013 — NETIA today announced that All India Radio (AIR), the national radio broadcaster of India and a division of Prasar Bharati group, is replacing its existing news and radio automation system with the Radio-Assist 8.1(TM) family of digital audio software programs. The installation of NETIA software at AIR’s national broadcast station and across 48 local stations comprises more than 1,000 workstations, and is being coordinated by Delhi-based systems integrator Progressive Infotech. more

Atlona(R) to Present Educational Session on HDMI(R) Standards at ISE 2013

SAN JOSE, Calif. — Jan. 15, 2013 — Atlona(R), a leading digital connectivity solutions provider, today announced that Bill Schripsema, the company’s commercial product manager, will deliver an educational session on HDMI(R) standards at Integrated Systems Europe (ISE) 2013. “HDMI Done Right  A Technical Deep-Dive” will take place on Jan. 29, from 3- 4:30 p.m. in room D204. more

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NUGEN Audio’s VisLM 1.6 Visual Loudness Metering Plug-in Now Available in Avid(R) AAX Format and 64-Bit OS X(R)

LEEDS, U.K. — Jan. 15, 2013 — NUGEN Audio, creator of intuitive tools for audio professionals, today announced the release of VisLM version 1.6, a significant update to the company’s visual loudness monitoring tool. For the first time, VisLM is now available in the Avid(R) AAX format. Additionally, VisLM is now available in a 64-bit OS X(R) version. more

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The Super Powers of DiGiCo’s SD7T Propel Batman Live Production

A superhero and cultural icon operating out of the fictional American Gotham City, Batman is assisted by various characters including his crime-fighting partner, Robin in his continuous war on crime. Armed with a keen intellect, detective skills, technology and physical prowess coupled with an indomitable will to fight an assortment of villains from Catwoman to the Riddler, Batman is proof you don’t need superpowers to be a superhero. Adopted for the stage, Batman LIVE is a spectacular live action adventure filled with stunts, acrobatic acts and illusions. The show’s North American circuit started in the fall of 2012, following a popular and acclaimed arena tour throughout the United Kingdom, Europe, and Latin America.

A DiGiCo SD7T at FOH was chosen by the show’s sound designer Simon Baker in conjunction with Clair Global, with a D5 local rack and DiGiCo stage racks connected via 500-feet of fiber optic cable. Two Apple Mac Pro’s with internal RME MADI cards run as hot, swappable redundant show playback machines, running QLab theatre control software enabling 48 channels of playback and flexible MIDI and Timecode programming.

The FOH system handles around 140 inputs overall: 24 channels of Sennheiser RF receivers, 2 x 48 channels of MADI playback, and 16 channels of external effects, as well as 22 zoned outputs to the FOH PA comprised of eight hangs of Clair Global i3 loudspeakers (56 boxes), 12 zones of Clair FF-2 boxes for front-fills built into the stage (26 boxes), two end-fire sub-arrays of Clair BT 218′s (12 boxes) and another 30 outputs for onstage and backstage monitoring in-ear monitors and press feeds. All effects are obtained within the console with the exception of an external Mac Mini running Apple’s MainStage 2 with a RME fireface interface for all vocal effects, and a TLA Audio valve compressor sitting across the vocal subgroups. [Pictured at right: Clair systems engineer Tim Peeling, FOH engineer James Meadwell, PA's Dane Barber and Kevin Leas.]

“The QLab machines send and receive MIDI signals back to the SD7 with pre-recorded Timecode to trigger all video cues, and some of the automation sequences,” says Clair systems engineer Tim Peeling. “We also pass MIDI triggers through the console exiting the stage rack to fire a hundred or so lighting cues. The comprehensive programming options available on the SD7T for this very snapshot-hungry theatre show are extensive. The powerful matrix, including the ability to delay matrix inputs, allows me to time-align the live mics separately to the track and sound FXs within the console. Sonically, the console is great as well, but where the SD7 really wins in this situation is the flexibility of the snapshot programming.”

“The SD7 is being used in a ‘control via MIDI’ mode with each of the snapshots assigned a MIDI value,” adds FOH engineer James Meadwell, who brings extensive experience mixing shows on London’s West End theatre district. “We then configured the desk’s NEXT and PREV buttons via the SD7 Macro page to send out MIDI commands to control the QLab’s Next and Previous functions. This created a loop with the desk triggering QLab, which in turn sent a trigger back to the SD7 recalling the snapshot needed. The music for the show has all been pre-recorded and we were able to get the SD7 snapshots to be recalled at exact musical points within the show. We programmed the QLab so the SD7 ‘reacted’ to the show’s sound cues, which makes mixing the show a very intuitive and enjoyable experience!

“We also used the SD7′s macro buttons extensively,” Meadwell continues. “We created a full set of transport controls for QLab, which meant that we could control both our main and backup machines simultaneously from the surface of the SD7. This was invaluable as it effectively did away with two computer keyboards and helped when cueing up to start from different points within the show. We assigned a whole page of macro buttons to trigger spot sound effects within the show. These were for moments that varied and therefore couldn’t be programmed into a set cue list structure. We assigned a MIDI note value to each macro button, which in turn, triggered a separate cue list of sound effects within QLab. An example of this in the show is where the Scarecrow walks around the stage on giant stilts. We follow his walk playing a sound effect with every step. Every performance is different, which gives the actor the freedom to do whatever he likes. Having the macro button as a sound effect button gives me total flexibility without having to jump around the show’s main cue list. We use the Alias feature heavily as a lot of the characters double up on inputs, so the ability to switch EQ settings between snapshots was great! Overall, I’d say the SD7T is by far the best digital desk for theatre I have ever used.”

DPA Microphones Appoints SeeSound As Its Distributor In Portugal

<img src="http://blog.svconline.com/briefingroom/wp-content/uploads/2013/01%2

KanexPro Releases HDBaseT Scaler for Presentation Systems

Introducing the next-generation in ultimate presentation scaling and switching, KanexPro announced today the HDSC12D scaler to its pro-line of high-resolution scalers.
This 12-input high resolution scaler boasts a twisted pair output based on HDBaseT® technology that will compensate for long runs up to 230 feet (70m) while switching and scaling up to 12-inputs. It includes an independent receiver, which extends the HDMI output. Fully HDCP and EDID compliant, this professional scaler can be used anywhere from lecture halls, conference rooms to health care facilities and control centers.

Features:
• Switch & Scale 12-inputs to 2-high-resolution displays
• 4 HDMI + 4 VGA Inputs with 3.5mm Audio
• 1 YPbPr + 1 Composite / S-Video Input with L/R Stereo Audio
• 1 Microphone Input
• 1 HDMI +1 VGA Output with L/R Stereo Audio (For non-HDCP encrypted content)
• 1 HDMI HDBaseT CAT6 STP receiver included
• Extender supports distance up to 230ft [70m]
• Supports scaling input up to 1080p
• 2 x 10 Watt Amplifier
• IR remote control included
• RS-232 & TCP/IP control with third party control systems
• Backed by KanexPro 3 -Year Parts & Labor Warranty

For more information, please visit: http://www.kanexpro.com/item/?id=HDSC12D

Ultimate in Presentation Switching Environments

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