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Atlona(R) Announces 10-Year Anniversary Celebration With Launch of Industry-Leading 10-Year Product Warranty

Atlona(R) Announces 10-Year Anniversary Celebration With Launch of Industry-Leading 10-Year Product Warranty

SAN JOSE, Calif. — July 10, 2013 — Atlona(R), a leading digital connectivity solutions provider, today announced the company is marking its 10-year anniversary by introducing its new Atlona Advantage 10-year limited warranty for all electronics and hardware products. Designed to support the AV industry’s demand for long-term product reliability and performance in residential and commercial systems, the new warranty program demonstrates Atlona’s focus and commitment to providing industry-leading levels of support to its customers and partners worldwide. more

RG Jones And Martin Audio Maintain Winning Formula For Glastonbury

After a one-year break, it was business as usual back at the Worthy Farm site for this year’s Glastonbury Festival. RG Jones once again turned to the tried and true Martin Audio W8 Longbow system, which again dominated the Pyramid Stage.

With visiting artists and sound engineers so complimentary about the sound system two years ago, specialist sound company RG Jones had no hesitation in fielding a similar PA rig, knowing that this would meet all compliances and propagation tests set by the acoustics consultants and organizer Michael Eavis while satisfying the vast crowds of around 150,000 who converge on the site for the four day extravaganza.

The Longbow hangs are now a familiar sight, book-ending either side of the iconic Pyramid, having fulfilled similar duties for the previous four festivals.

Once again dual inner and outer PA hangs comprised of 14 W8L Longbow elements per side, with two W8LD Downfills at the base provided the full range dynamic––making 64 boxes in total. However, this year RG Jones changed the subwoofer design from the Martin Audio WS318X (3 x 18in) subs fielded in 2011 back to 54 of the WS218X (2 x 18in) enclosures used previously––still maintaining an electronically curved, cardioid broadside array configuration.

With the subs delayed incrementally from the center outwards, the overall wavefront was tuned to fill the Pyramid Stage area, and ensure that spillage beyond the site perimeter was minimized.

According to RG Jones’ project manager Ben Milton, a Glastonbury stalwart who was taking on the role of project manager for the first time, “We have tried various configurations of the bass array and this solution––with two enclosures front facing and one reversed––works particularly well; the rejection from the stage is great and it enables us to bend, shape and steer the sound.”

In addition, two clusters of four W8LC Compact Line Arrays, situated at each end of the crash barrier, provided nearfield infills, and four delay masts each comprising a further 16 x W8LC’s were positioned 330 ft. back from the downstage center, split into an arc.

“This solution worked great,” said Milton. “The organizers wanted to leave nothing to chance when it came to maintaining levels and this was virtually a carbon copy of the 2011 system. We had plenty of opportunity to walk the field and conduct measurements to ensure the accuracy of the system,” he said.

One advantage was the additional zoning that could be applied for tighter control. “All the tops were on individual circuits so we could turn them down very discreetly if necessary and sculpt the system. When the sun goes down the air temperature changes and we back off the top boxes; and as it cools we can bring them back up again.”

This is the domain of seasoned PA system technician Mark Edwards, who has extensive experience with all Martin Audio’s premier systems. He was an essential member of RG Jones’ specialist team, which included Steve Carr and Damian Dyer at FOH (with the experienced Simon Honywill occupying more of a ‘floating’ role this year). Down at the stage logistical duties were shared by Ben Milton (who also mixed monitors for some acts) and Mark Isbister. Supporting the system throughout was Martin Audio’s R&D director, Jason Baird.

Summing up, Glastonbury veteran, Simon Honywill, could not have been more positive, “This year’s Festival was the most professional, slick, and calm, enjoyable experience I can remember at an event of this stature.

“The Rolling Stones sounded absolutely incredible, with all the requisite punch and fidelity you could have wished for. Coverage was superb––the Stones FOH team was extremely happy, and the punters were testament to that. As a neutral platform for all the acts, it would be very difficult to criticize the sound, and I was proud to be associated with such a brilliantly well delivered system.”

Ben Milton added, “We now have bands and their technicians fully confident in the system and happy to use our racks, stacks and control. It makes for a great British synergy: a British production company using a British PA system at the greatest of British festivals.”

The only thing Glastonbury lacked, reflected Honywill, was [sound engineer] Steve Watson, who sadly died the weekend before. “He is sadly missed, and the industry won’t be the same without him,” he said in tribute.

For more about Martin Audio, please click to www.martin-audio.com

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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Related Topics: Audio Playback, Line Array, Loudspeakers |

EVERY PICTURE TELLS A STORY: DATATON’S PICKUP HELPS SUPERMARKET CHAIN WIN OVER FAMILIES

© Maj Maj Måne Photography by Peter Sporremark

An innovative storytelling experience from a Swedish entertainment company is being rolled out across supermarkets with the goal of keeping children amused while shopping. And it’s already succeeding in this aim, thanks in no small part to PICKUP™ audio-guide technology from Dataton.

Storytrail® is the brainchild of Anna Lantz, CEO of children’s media production company Maj Maj Måne.

“We have worked with and for children for many years, and always emphasized storytelling as an important part of learning,” Lantz explains. “We wanted to find a way to make everyday life with children as smooth as possible, pinpointing the stress factors many families have in their lives – for example, going grocery shopping.”

“We developed Storytrail as a concept that would keep children occupied, entertained and amused in a retail environment, in a way that would keep them with their parents but also relieve much of the parents’ stress.”

In September 2012, the Storytrail idea was taken up by Sweden’s ICA Kvantum supermarket chain. The roll-out has so far involved over 30 stores, with more to come.”

“Families collect the equipment for Storytrail – a pair of headphones and a Dataton PICKUP unit – when they enter the store,” says Lantz. “Throughout the store there are nine ‘Storypoints’ – signs that contain Dataton MICROTAGS to act as the trigger for a new audio chapter in the Storytrail for kids to listen to. To make it easy for the children to find the Storypoints, we designed additional signs around the store and little footprints on the ground, underlining the idea that the kids are following a trail.”

A closer look at the Dataton PICKUP audio guide

For ICA Kvantum, Maj Maj Måne created a story using characters already used by the retail chain in its marketing. New stories involving these characters are recorded every other week, so that children always have a new Storytrail to look forward to when they go shopping.

“Research from Sweden’s Linnaeus University suggests that more than half of children are quieter when using Storytrail in a shopping environment, that parents’ stress levels are reduced by over 20%, and that 85% of parents would choose to shop at a location with Storytrail installed, over one without.”

Lars Sandlund, Chief Operating Officer, Dataton

“Storytrail is a fantastic example of how our PICKUP audio-guide technology can bring tangible and immediate business benefits to our customers,” comments Lars Sandlund, Chief Operations Officer of Dataton. ”

“Affordable, easy to install and above all very simple to use, PICKUP is finding new applications every day.”

www.dataton.com

Atlona(R) Now Shipping New Family of HDBaseT(TM) Extenders

Devices Bring the Simplicity of RS-232, IR Control, and PoCc to High-Resolution Applications

SAN JOSE, Calif. — June 27, 2013 — Atlona(R), a leading digital connectivity solutions provider, today announced that the company is now shipping its new family of HDBaseT(TM) solutions. Designed to provide the ultimate in HD connectivity to both residential and commercial applications over a common connector cable, the HDBaseT extender family offers higher resolutions at longer distances, Power over Category cable (PoCc), and multiple control options. A variety of form factors and connectors are available to meet the exact needs of any installation. more

BlueBOLT(R) Delivers Intuitive Power and Energy Management to Consumer Households

Award-Winning Cloud-Based Power and Energy Management Platform to be a Highlight of CE Week 2013

PETALUMA, Calif. — June 24, 2013 — BlueBOLT(R) today announced that the company will be showcasing its cloud-based power and energy management platform at CE Week 2013. Designed to facilitate the control of household power and energy usage, the company’s hardware and software technology provides an intuitive plug-and-play Web interface where users can control AC outlets to easily schedule, monitor, and manage their energy consumption. The solution will be on display for the duration of CE Week, with live demonstrations taking place directly from BlueBOLT’s booth 14. more

Revolabs Executive HD(TM) MaxSecure Wins Big at InfoComm 2013

AES-256 Encrypted Wireless Microphone System Receives SCN/InfoComm Installation Product and Commercial Integrator BEST Awards

SUDBURY, Mass. — June 20, 2013 — Revolabs Inc. today announced that at InfoComm 2013, its Executive HD MaxSecure wireless microphone system was recognized as the SCN Installation Most Innovative Audio/Videoconferencing Product as well as Commercial Integrator’s BEST Audio Conferencing Solution. Both awards were presented during InfoComm 2013 in Orlando, Fla. more

Atlona(R) President and CEO Ilya Khayn Receives 2013 Young AV Professionals Award

SAN JOSE, Calif. — June 20, 2013 — Atlona(R) today announced that the company’s President and CEO, Ilya Khayn, has been recognized with a 2013 InfoComm Young AV Professional Award. Created to acknowledge current InfoComm members less than 35 years of age who have achieved outstanding success in the AV industry, the award recognizes Khayn’s professional success and industry achievements in the areas of innovation, technology, and engineering.

Born in Russia, Khayn founded Atlona in 2003 with his brother, Michael Khain. Two years after moving to the U.S., he has steered the company to steady growth by keeping it focused on catering to constantly changing industry requirements, providing the best possible service, and offering optimal support to customers. With a background in mechanical engineering and a steadfast capacity to drive innovation, Khayn has helped make Atlona a leading provider of innovative connectivity solutions to the AV and IT markets — providing award-winning products for a diverse range of residential and commercial AV and IT applications.

“It is an honor for me to be recognized for such a distinguished award,” said Khayn. “Throughout my career, I have always maintained a strong passion for the AV industry and have strived to create leading-edge professional AV equipment and accessories that satisfy a wide range of residential and commercial applications. From the moment my brother and I first set foot in Silicon Valley, we knew that success would be the result of listening to our customers, and we continue to follow that very same credo within Atlona’s activities today.”

More information about Atlona solutions is available at www.atlona.com.

# # #

About Atlona(R)
Atlona(R) is a leading provider of innovative, reliable AV and IT connectivity solutions. Since 2003, the company has been designing and engineering award-winning products for a diverse range of residential and commercial AV and IT markets, including education, business, government, entertainment, and healthcare.

Atlona’s products and services enable system designers, integrators, consultants, and installers to simplify installation, minimize maintenance, and maximize the versatility of premier automated control solutions. Atlona’s vision is simple: deliver customer-driven products designed and developed with the features, performance, and reliability that industry leaders demand; and deliver the best value in the industry.

More information about Atlona is available at www.atlona.com.

© 2013 Atlona Inc. All rights reserved. Atlona and the Atlona logo are registered trademarks of Atlona Inc. in the U.S. and other countries. All other names and marks are trademarks of their respective holders.

Product prices and availability are subject to change without notice.

Actual products may vary from images shown.

PR Link: www.ingearpr.com/Atlona/130620.zip
Photo Link: www.ingearpr.com/Atlona/Ilya_Award.zip

ENDS

Yamaha CL5 Struts Its Stuff with Charbonneau on The Offspring Live Recording

BUENA PARK, Calif.— The Offspring is an American punk rock band from Orange County, California, formed in 1984. Recently, the band asked engineer Ian Charbonneau to record and mix an upcoming web release. The recording took place in Warsaw, Poland at the Orange Warsaw Festival held at Narodowy Stadium. Charbonneau has worked with the band for the past five years, recording and mixing live TV, Webcast or Radio broadcast they may do Internationally. His last name may sound familiar, as he is the son of LeMobile Remote Recording Studio owner, and mix engineer, Guy Charbonneau. The younger Charbonneau also works on LeMobile’s Le-Fly-Pak system that utilizes a Yamaha DM2000 digital audio console for live broadcast mixing.

“Doing live projects on the road is always a lot of fun and can be very challenging, not necessarily knowing which console and set up I will have to work with. It is always different. A big part of the challenge comes from the very little prepping time and often without any sound check, you just got to nail it”, states the younger Charbonneau. “In the last few years, I’ve expended my own business in consulting, recording and mixing for artists, managements and labels when doing live TV, webcast or broadcast appearances around the globe. It gives both artists and production teams great assurance that someone is looking out for them. As most know, when doing live projects, there’s only one chance of getting things right. I was excited when I found out for this particular project, I would have the opportunity to use the new Yamaha CL5 digital audio console.”

The Poland set up consisted of two consoles, the CL5 used as the main console and a Yamaha DM2000 for backup purposes, all recorded via Nuendo Live. “I chose to try out the new CL5 even though I’m very familiar with the DM2000. I was quite pleased with how easy it was to get around this console,” says Charbonneau. “Very simple and logical layout, I find some digital console today seem to have lost their logic with too many places to do the same things, busy layouts or too many menus and layers like trying to please everyone. It is often too easy to get lost or make mistakes. The CL5 seemed to have been very well thought out.

As for sound, Charbonneau said he was also happy with what he heard. “It was really responsive; I learned over the years working with our DM2000 and other digital consoles that you often have to exaggerate a little when EQing and compressing. The CL5 seemed more natural. I was also impressed on the integration of Nuendo Live; it worked flawlessly. The Dante networking and Rio rack did great. I would be curious to try a CL5 with Le Mobile’s Fly-Pak. Great job on the new console, Yamaha!”

For more information on Ian Charbonneau, visit http://www.ian-c.com.

For more information on LeMobile Remote Recording Studio and Le-Fly-Pak, visit http://www.lemobile.com.

For more information on the Yamaha CL digital console series, visit http://www.yamahaca.com.

-END-

PHOTO ID: Photo 1: L to R: Ian Charbonneau and PogoArt engineer Wojtek Igielski

Photo 2: Narodowy Stadium

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DPA Microphones Bring Exceptional Clarity To Suede’s Guitars

Indie-rock stalwarts Suede, which released its sixth album Bloodsports in March 2013, recently recorded a live acoustic session for Absolute Radio at the world-famous Abbey Road studios in London.

The equipment line-up for this important gig incorporated three DPA d:vote™ 4099 Instrument Microphones, which were chosen for their clarity and exceptional audio quality.

Suede’s Neil Codling, who plays keyboards and rhythm guitar, was instrumental in the choice of microphones, specifying them for his own Martin D28 guitar and also for Richard Oakes’ Gibson J200 lead guitar and Matt Osman’s Dean acoustic bass. DPA’s UK distributor Sound Network was happy to supply the microphones.

“In an ideal world, a microphone should almost disappear, allowing the sound source to reach the listener’s ear unimpeded, dissolving the artifice of a recording,” Neil Codling says. “Like the best condenser mics, the DPA d:vote 4099 Clip Microphones capture what is happening in the room with clarity and life, putting you there, in the path of the shifting air. The wonder is that, wherever you place them, d:vote 4099 microphones give you a sound you can build a mix around, or incorporate into a mix without fuss. It’s as if they have one enormous sweet spot.”

Codling was introduced to DPA Microphones by Front of House sound engineer Jamie Orchard-Lisle, who is closely involved with the chamber orchestra Penguin Café, of which Codling is also a member.

“When I have downtime from Suede, I play in Penguin Cafe, which has a different acoustic flavour: violins, viola, cello, double bass, ukuleles, Venezuelan cuatros,” Codling says. “Whatever you point the DPA d:vote 4099 at, they seem to capture the essence of the instrument, its subtle timbres and the full breadth of its dynamic range. You get warmth without boom, intimacy without overpowering mids, clarity without brittleness. You just point them at the sound source and they sound great.”

Getting the opportunity to use DPA d:vote 4099 Instrument Microphones for the Abbey Road session was something Neil Codling jumped at – and he also enjoyed being able to acquaint other members of Suede to DPA’s high-end audio quality.

“When you introduce someone to DPA microphones for the first time, there’s always an exchange of looks on first hearing that says ‘wow, this sounds special!’” he says. “Even when you first set them up, it’s as if you’ve reached that point where you say ‘don’t touch a thing: that’s perfect.’ It’s a happy knack, and you just have to hit ‘record’ and enjoy it.”
-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Atlona(R) to Ship HDVS Extender/Scaler Family With HDMI(R) Plus VGA and Audio

SAN JOSE, Calif. — June 11, 2013 — Atlona(R) today announced that the company will soon be shipping its HDVS extender/scaler family of products. Designed to facilitate the analog to digital transition in schools and corporate settings, the products support HDMI(R) computers, Blu-ray(TM) players, and document cameras, in addition to the numerous VGA computers still in use today. The HDVS transmitter and receiver family will be available in both box and wall-plate form factors. more

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Related Topics: Audio Playback, Corporate AV, News |

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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