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BBC Commissions its Largest HARMAN Studer OnAir 3000 Desk Deployment

LONDON, United Kingdom — It is a little over three years since HARMAN’s Studer announced that it had won a major contract from the BBC to deliver in the region of 85 OnAir 3000 digital audio mixing consoles to its flagship locations at MediaCityUK, in the north of England, and the second phase of the rebuilding of the London HQ to create the new W1 Centre.

The latter is now home for all the BBC’s national radio networks, as well as a focus for the BBC’s national and international news operations, bringing the World Service and the domestic news service together in one venue for the first time.

The transformation of the London HQ includes the creation of 140 acoustic spaces for Radio & Music, News and World Service in the new 10-storey-high West One Phase 2. Three years on, and all facilities have been equipped with different Studer OnAir 3000 frames—with control surfaces ranging from 6-fader for simple self-operated broadcasts up to the largest 36-fader General Purpose studios—with many customised for specific needs.

The OnAir3000s—all modulo types, mounted into desks and using standard faders—have been supplied with a mix of SCore and SCore Live racks.

Nearly 30 of the OnAir 3000s have been installed at the new MediaCityUK broadcast centre in Manchester, for the Corporation’s domestic radio services, such as BBC 5 Live, where the first 40-fader desks were installed.

The new West One Phase 2 facility, which is home to over 5,000 personnel, offers splendid views over the London skyline, and equally impressive views of the vast open plan double-atrium newsroom, home to 450 staff alone, from the ground floor gallery.

In London, the OnAir 3000s have mainly been deployed in GP and self-op studios. A typical layout for a GP studio control room would include the OnAir 3000, VCS dira playout system, BNCS (Broadcast Network Control System) and Delec talkback, with outside sources locally integrated by the Studer console. Since the OnAir 3000 sits downstream from the Delec this can also provide back-up talkback in the event of failure. The facility also contains a Broadcast Bionics PhoneBox system for handling on-air telephone calls and IDS (Intelligent Display System) for displaying clocks and signal lights and controlling TVs and video monitors.

Many consoles are supplemented with RTW TM7 TFT meters configured with software to show electronically the standard BBC PPM ‘moving needle’ ballistics.

Adjacent to a number of studios are ten journalists’ kiosks known as Voice Points, using OnAir 3000 modules linked to the main studio control desk. Each is equipped with a Studer Editor Module — an extended three-fader module including a subset of monitoring and talkback functionality and buttons for the assignment. Each one has access to a Codec, ISDN, VCS dira! machine, etc.

John Sullivan was the BBC’s lead project manager on both Salford and New Broadcasting House. He explained that the original vision of the project team was to make everything identical, for ease of implementation and consistent workflow, but it was understood that there would need to be variation across different areas and operating divisions. Having an OnAir 3000 desk in every facility, albeit configured differently, does allow a studio manager or less technical operator to have familiarity wherever they are and make the desk work in seconds.

The audio integration of a total of 80 studios at West One Phase 2 and BBC North was carried out by IPE who bid successfully for the contract under an EU competitive tender process.

As for any large scale BBC project, the in-house team and user divisions wrote a stringent specification against which suppliers were to tender. For example, the number of clean feeds supported and extent of configurability were key, both of which were very BBC specific given the range of studios and workflows the consoles were required to support. There were other requirements, particular to the BBC, that had to be accommodated either ‘out of the box’ or by changes to the console software.

Other criteria included the requisite number of channels, the amount of processing power available, scalability and whether the same desk type could be used in different locations. Price was, of course, a consideration as the BBC must be able to demonstrate the best value for money for the licence payers.

Finally, in the self-op studios (such as World Service, where AKG C414 microphones are also deployed) the console needed to permit over-control from an adjacent studio, which the OnAir 3000 desks were able to simply achieve with MADI links between two DSP cores.

The project team learned a lot during the initial deployment in Salford. The teams knew that if they could make Radio Five Live’s big GP studios work, within the short time frame available, then the studios would be able to meet all the requirements for the West 1 workflows. In fact, the two 40-fader OnAir 3000 desks utilised in Salford are the largest available OnAir 3000 format.

With the BBC’s specialist project manager, Andy Laughton, providing the liaison between Studer and IPE, factory testing was carried out on site, along with acceptance testing and operational proving, in time for the MediaCityUK studios to go live in September 2011, while down in London World Service went live in January 2012.

Since then there have been other high profile transitions, most notably the major migration of the popular Radio 1, from Yalding House to the 8th floor at Broadcasting House. Here guest DJs are equipped with a full CDJ rig and turntables, while a Soundcraft Ghost has been provided for mixing visiting bands performing in the Radio 1 Live Lounge.

All Studer consoles were configured on site and issues concerning workflow resolved during the BBC’s operational proving phase.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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Milne Stadium Keeps it Contained with Community R-Series

Albuquerque, NM – December 2012….. For nearly 60 years Milne Stadium has been home to generations of Albuquerque’s local sporting events. Recently the 6500-seat arena received a wide-ranging makeover, including a new playing surface, new paint and stucco, and a new audio system featuring Community R-Series loudspeakers.

As Sound and Signal Systems’ William Hartley explains, the stadium’s previous sound system had been problematic for some time. “A few years ago they installed a new scoreboard behind the end zone, complete with a long-throw, single-point line array system. A lot of sound was reflecting off the concrete and glass press box. The problem is, the stadium is surrounded on three sides by the city and the freeway, but the side opposite the press box faces a residential area.”

One of two municipal stadiums serving the Albuquerque School District and surrounding community, the park is busy throughout most of the year. “Sometimes they’ve got two or even three events in a single day,” says Hartley. “So they were getting a lot of noise complaints. It got to the point where they had to turn the system down so low it could barely be heard in the park. It was a compromise that served no one.”

It eventually became a safety issue as well when stadium officials tried to evacuate fans during a lightning storm. “A lot of people couldn’t hear the announcement,” says Hartley. “That’s when the city approached us to find a solution.”

Hartley continues, “We decided to put the speakers on the press box, closer to the audience, and direct the sound down toward the seats and the field.” A pair of R.5-94Z loudspeakers and an R.5SUB subwoofer are mounted on either side of the press box, covering the main seating area and the field. A single R2 long-throw loudspeaker covers the smaller visitor side bleachers. “We took an R2 with a 50 by 20 coverage pattern and flipped it on its side to give us 20 degrees of horizontal coverage and 50 degrees of vertical. We angled it down the field so it’s hitting just the top of the bleachers and none of the houses behind it.” Another R.5SUB augments the R2′s coverage area.

“They’ve got a separate volume control for the R2,” adds Harley. “So they can turn it down if they’ve got a small crowd and don’t need coverage to those seats.” The system is powered by a Bose Power Match amplifier, with a Bose Control Space DSP unit handling system processing.

Hartley says the new sound system has virtually eliminated the neighbors’ noise complaints, while offering a dramatic improvement inside the stadium. “They just love it. They can play music and they can hear the announcements without bothering the neighbors. They’re able to run the system at 100 or 110 dB and you can’t hear it outside the stadium. It’s a really, really full sounding system.”

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

 

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Sting Tours With DPA’s d:facto™ Vocal Mic

DPA Microphones’ new hand-held d:facto™ Vocal Microphone delivered fantastic results for Sting, who used four of them on his recent Back to Bass tour throughout Europe and the Far East.

Sting’s front of house engineer Howard Page says: “The d:facto’s definition and clarity was a huge update on our Sting shows and worked just as well for the in-ear monitors that Sting listened to. It is an absolutely unique microphone that has an amazing transient response and just the right amount of proximity without the normal problems of on/off tonal differences.”

Page, senior director of engineering at Clair Brothers in the USA, was recommended the DPA d:facto Vocal Microphone by recording engineer Donal Hodgson, who had been using it with great success to record Sting in the studio.

“Donal knew that I had been looking for a later technology microphone for Sting on our live shows,” Page says. “If Donal was happy with it in the exacting environment of a recording studio, then I knew I certainly would be as well.”

Sting’s long working relationship with Howard Page meant that he was also happy to try the d:facto in a live environment. “Sting and I have a very good relationship and he trusts me on all things audio, so when I asked him to try the d:facto he was more than willing to go with it,” Page says.

Four DPA d:factos were ordered from DPA’s UK distributor Sound Network and these were delivered to Clair’s European office in plenty of time to be included in the equipment packages for the tour. Sting has ‘A’ and ‘B’ simultaneously touring systems, each containing two d:factos – one as the main microphone and one for back up.

“We did shows in France, Poland, Russia, Turkey, Lebanon, Korea, Hong Kong, Manila, Bangkok and Jakarta, so it was a huge amount of travelling,” Page says. “On this most recent leg of the tour I have been in some venues with real long reverb times and the d:facto just cuts through perfectly without losing the tight, natural (real!) full range tone I need for Sting’s voice.”

Page adds that even without Donal Hodgson’s recommendation, he would have been happy to try the DPA d:facto Vocal Microphone because he has previously had such good experiences with DPA technology.

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Iconyx Delivers for the Daily Planet

Overcoming a Towering Acoustical Challenge at  North Carolina’s Museum of Natural Science

Raleigh, NC, December 2012.… Already one of the largest facilities of its kind, Raleigh’s Museum of Natural Sciences recently completed work on an impressive new addition: the 80,000 square foot Nature Research Center (NRC). Featuring state-of-the-art labs, research opportunities, and numerous interactive exhibits, the crown jewel of the new NRC wing is surely the SECU Daily Planet, an intensely immersive, three-story multimedia space that engages visitors with a flurry of sight and sound, while offering a powerful message about the wonders of science in our daily lives.

Designed to facilitate both pre-recorded and live content, the Daily Planet’s massive, three-story visual display runs continually-projecting a variety of poetic and informational content to excite the senses. A small stage at ground level also allows for occasional live presentations. The entire Daily Planet exhibit resides in a massive, dome-shaped room with two balcony levels extending seven feet into its center. The three-level design allows visitors to choose from three unique vantage points as they take in any of up to 50 powerful presentations that run throughout the day.

With its unique ellipsoidal shape and vantage points from a main level and two balconies, delivering impactful and immersive audio consistently to all three levels presented numerous obstacles. Rising to the challenge were AV integrators Electrosonic, in partnership with Milford, CT-based SH Acoustics, who created a system centered around Renkus-Heinz’s Iconyx series steerable column arrays.

“Unlike similar spaces – for example, an Omnimax Theater – the Daily Planet needed to accommodate a variety of different formats, including lectures and live performances,” explained Steve Haas, Founder and President of SH Acoustics. “The room’s unique design and its numerous reflective elements created some unique challenges right from the beginning. We knew we couldn’t simply apply tons of sound-absorptive materials because deadening the room too much wouldn’t work well for lectures.”

As Haas observes, the Iconyx steerable beam technology would allow them to more effectively direct the output and avoid unwanted reflections, while at the same time addressing the unique acoustic requirements at all three levels.

The complete Renkus-Heinz loudspeaker complement includes eight Iconyx IC8-R-II steerable arrays for mains, augmented by ten SG61-2R powered two-way systems for surround, with three PN112SUB 12-inch powered subwoofers providing powerful low-end reinforcement.”We decided very early that we wanted to create three different audio experiences on each of the three levels,” explained Haas. “In addition, each level needed to be surround sound, and most importantly, needed to ensure minimal interaction between adjacent levels and the rest of the room. This is where the Iconyx system was a no-brainer.”

Haas elaborates, “The first and second levels each include left, center, and right, as well as four surrounds. On the third level the dome is much tighter, so we opted for just left and right with two surrounds. For low frequencies, we placed all three subwoofers on the second level. There simply wasn’t enough room for discreet subs on each level, so we configured each one as the point sources for the adjacent levels, and delayed the LF signal appropriately from the first level, second level and third level. It actually worked quite well.”

Once installed, Haas and his team were able to take full advantage of the Iconyx system’s beam steering capabilities to dial in the perfect output at the ground floor and both balconies.

“We needed to make sure that we had a very tight pattern-at least vertically-so that the experiences at each level did not interact with each other in any appreciable way.” Haas explains. “We were able to get the second and third levels sounding fantastic with little difficulty. The first level was a bit more challenging, but the Iconyx beam steering, combined, with the careful addition of diffusion materials, made all the difference.”

After the system was configured, Haas worked with the museum production staff to save a number of unique output presets that could be easily retrieved to accommodate different program types.

“There are several different modes including a presentation mode and a media mode,” says Haas. “We even gave the producers the opportunity to have a secondary beam from some of the upper arrays-like from the second level down to the first level-in case they wanted a spot effect or some other secondary sound source.”

In the end the results speak for themselves. The new NRC wing and Daily Planet exhibits are big hits with museum attendees and management alike. And for Haas, this is yet another seemingly impossible acoustic challenge conquered through a synergy of great technology, real-world know how and savvy partnerships.

Haas sums it up: “We like challenges, and we have a very long history of working successfully with Electrosonic on unique projects like this. We absolutely love coming up with unique solutions, and as a technology partner, Renkus-Heinz has always been there with fantastic tools. They’re just great to work with.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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ENTASYS Delivers Low Profile, Big Sound for Legendary San Francisco Theater

communityproSan Francisco, CA – December 2012….. The Lincoln Highway was the first automobile road across the United States, stretching from New York’s Times Square to San Francisco. Marking the road’s western end, high on a hill overlooking the Pacific and the Golden Gate Bridge, is the California Palace of the Legion of Honor. The building, a magnificent three-quarter-scale reproduction of Paris’ Palais de la Légion d’Honneur, is home to a wide and varied collection of ancient and European art spanning more than 6,000 years.

The Palace is also home to the Florence Gould Theater, an ornate 333-seat jewel box auditorium designed by museum architect George Applegarth. Opened in 1924 as the Little Theater, the venue hosts a regular calendar of concerts, lectures and theater performances.

The theater’s massive columns, rounded walls, and domed ceilings create a breathtaking environment, as well as some legendary challenging acoustics. “The room has no acoustic treatment whatsoever, and an abundance of hard surfaces,” offers Joe Orlando of Atwater, CA-based Commercial Media Systems. “It’s highly reverberant, and spoken word intelligibility is pretty much non-existent.” Commercial Media created the system design and assisted the Museum’s production department with the installation.

“The room works great if you’re onstage and you have a good, theatrical speaking voice,” observes John Anaya, Production Manager for the Fine Arts Museums of San Francisco. “But for amplified sound, the room has some very problematic reflections. In fact, we found that the best seats in the house for sound were in the very back of the theater, while the front rows had terrible sound.”

Over the years, a succession of audio systems has failed to make a significant impact on the problem, until CMS recommended an upgrade to four Community ENTASYS high-performance column line arrays. A pair of ENTASYS full-range columns are mounted on either side of the proscenium, powered by the museum’s existing Hafler amps.

“Due to the room’s architecture we had to mount the speakers much higher than what would have been the optimal height,” Orlando explains. “But the ENTASYS columns enabled us to angle the arrays and focus the sound downward to the seating area, and off the walls and domed ceiling. ENTASYS is really the only system that would have worked in that space.”

“Of course, we were not going to put anything in here that affected the aesthetics of the room,” adds Anaya. “The ENTASYS speakers blend into the space perfectly; they match the walls so well, we find we have to point out to people where the speakers are.”

Anaya sums it up: “It has been like night and day. The clarity in the room is phenomenal.”

Click here to view the video.

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment. Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems. Visit www.communitypro.com for more information.

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Singing Is Easier With A DPA d:facto™ Vocal Mic

After putting DPA Microphone’s new hand-held d:facto Vocal Microphone through its paces on her recent tour, Dutch singer and vocal coach Margot Giselle says she is delighted with the natural sound it gave to her voice.

“For the first time ever I was able to hear my voice as it really sounds because the microphone only amplified the sound – it didn’t change my voice in any way,” Margot Giselle says. “It was bright, clear and warm – and by allowing me to create all the vocal colours I wanted, the DPA d:facto microphone made singing really easy.”

During her recent tour of the Netherlands, Margot Giselle worked with sound engineer Roel van Zeelst, from Dutch rental company IDAK, which has a large stock of DPA microphones. In conjunction with DPA’s Dutch distributor Amptec, van Zeelst arranged for Giselle to test the new DPA d:facto Vocal Microphone as he felt it would be ideally suited to her voice and her singing style.

“I was performing with four musicians and singing a lot of acoustic material, and wanted a microphone that would allow me to recognize my own voice, even when it was amplified,” Giselle explains. “The d:facto did exactly what I wanted and sounded so much better than any microphone I had used in the past. I was really delighted with it. The clarity and naturalness of the sound meant that I could relax on stage and just enjoy the performance.”

Margot Giselle, who trained as a classical vocalist at the Conservatory of Utrecht in the Netherlands, has worked on many musical theatre productions including Phantom of the Opera, Les Miserables, Cabaret, Annie and Cats. She has also worked as a backing vocalist for artists such as Petra Berger and in 2011 she recorded and produced her first solo album Same Girl, which combines songs from various musicals with easy listening tracks and light pop covers. When she is not recording and performing, Margot Giselle offers vocal coaching from her private studio and at the Frank Sanders Musical Academy in Amsterdam

Margo Giselle is undertaking another tour for Spring 2013 and plans to include the DPA d:facto Vocal Microphone in her equipment list.

“The d:facto is a wonderful microphone that makes it easy for singers to sing their hearts out without straining their voices,” she says. “It also helps that Roel van Zeelst is a fantastic sound engineer who knows just how to make the microphone work for me in the best possible way.”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Atlona(R) Names Jeff Meyer Director of Business Development for the EMEA and Asia Pacific Regions

SAN JOSE, Calif. — Dec. 10, 2012 — Atlona(R), a leading digital connectivity solutions provider, today announced that it has appointed Jeff Meyer as the company’s director of business development for the EMEA and Asia Pacific regions. In his new role, Meyer is responsible for Atlona’s sales in these territories, and will be instrumental in shaping the company’s international business strategy. Prior to joining Atlona, Meyer’s company AV Consulting International (AVCI) worked in partnership with Global AV Network to manage Atlona’s international sales. more

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Russian Guitarist Roman Miroshnichenko Is Hooked On DPA Instrument Mic

When Russian guitarist Roman Miroshnichenko was booked to play a Jubilee concert with legendary guitarist Larry Coryell at the Moscow International House of Music, he knew he would need a first class microphone to truly capture the sound of this prestigious event.

DPA Microphone’s Russian distributor I.S.P.A arranged for Roman to test a DPA d:vote™ 4099G Instrument Microphone for Guitar, which proved to be exactly what he was looking for.

“I heard that Paco De Lucia’s sound engineer rated DPA microphones very highly so on that basis I decided I had to try them out,” Roman Miroshnichenko says. “I was in need of a really good microphone for my upcoming Jubilee concert with Larry Coryell so I spoke to Maxim Kupryakhin at I.S.P.A who arranged for me to try a d:vote 4099G clip mic. The concert was a great and important test-drive for the microphone and from the very first time I used it, I was hooked. The beauty of the DPA 4099G is that it is compact, has no feedback problems on stage, and has the same tonal quality as the more expensive studio microphones. This DPA microphone gives me incredible quality in an extremely compact package and that was why I decided to buy it.”

Widely considered to be Russia’s top guitarist, Roman Miroshnichenko holds a number of prestigious international music awards, including the US Annual Independent Music Award. His virtuoso performances in the contemporary instrumental jazz-fusion field have led him to collaborate, perform and record with world-renowned musicians such as Al Di Meola, Djivan Gasparyan, Frank Colon, Joao Donato, Marco Mendoza, Dominique Di Piazza, Saskia Laroo, Augusto Enriquez and Richie Cole. In 2002 Roman founded his own band, RMProject, which has been touring Russia, Europe and the USA on a regular basis.

“2013 will also see me recording a new album using my d:vote 4099G instrument microphone and I’m really excited about that,” Roman says. “Since buying my 4099G, I’ve used it in a number of different concert halls and also on radio, TV and in the studio. For many years I have been searching for the perfect microphone and now I’ve found it. DPA really does make great microphones!”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com
For more information about Roman Miroshnichenko please visit: http://romanmiroshnichenko.com/

Atlona Products on Display at ISE 2013

Integrated Systems Europe 2013
Atlona(R)
Stand 7-N200

Company Quote:
ISE provides us with a great opportunity to connect with our European customers and introduce them to some amazing new products. This year, visitors to our booth will witness a number of solutions to support them in multizone commercial and residential installations, including extenders, splitters, audio converters, and more that embrace the latest A/V technologies, such as HDBaseT, said Ilya Khayn, president and CEO, Atlona. In addition, we are excited to host our International Distributor Summit at the show, and look forward to sharing our latest incentive programs, upcoming products, and more with our valued distributors around the world. more

QSC Introduces the New AcousticPerformance™ Line of Loudspeakers


Costa Mesa, CA (December 5, 2012) – QSC Audio Products is proud to announce the launch of the AcousticPerformance™ line of professional, two-way, full-range loudspeakers, ideal for a variety of installed sound reinforcement applications which require higher SPL and a stylish enclosure. All models feature a 3-inch voice coil, high power-capacity compression driver combined with high-output woofers to deliver exceptional full bandwidth reproduction.

“In keeping with QSC’s loudspeaker design philosophy, all AcousticPerformance loudspeakers feature Directivity Matched Transition™ (DMT) which matches the compression driver to the natural coverage angle of the woofer in the cross-over region”, states Phil Sanchez, QSC Loudspeaker Product Manager. “When combined with their axisymmetric waveguides, AcousticPerformance loudspeakers deliver a flat power response with smooth and accurate sonic reproduction and remarkably consistent coverage both on and off-axis.”

AcousticPerformance models may be used in passive (full-range) mode to minimize amplifier channel count or bi-amp mode for greater control and performance. To further enhance performance, bi-amp and full-range tunings using QSC Intrinsic Correction techniques are available for Q-Sys™ and future QSC products.

All models feature M10 mounting points for deployment via eye-bolts as well as mount points for an optional yoke bracket. The AP-5122m multi-purpose enclosure features a 40-degree angle, making it ideal for floor monitor use, and a pole cup for deployment on a loudspeaker stand. The enclosure and terminal input cup on the AP-5122m have been designed to facilitate the cable runs for a clean appearance on stage.

Presenting a clean, unobtrusive look, AcousticPerformance grilles are unadorned, eliminating the need to cover-up logo treatments, which can be difficult to hide or remove. The grille is also lined with acoustically transparent backing, adding to the enclosure’s professional appearance.

AP-5102/5122/5152 models are available in black (RAL 9011) and white (RAL 9010) finishes. AP-5122m is available in black only. To minimize impact and disposal fees at the job site, all AcousticPerformance loudspeakers are packaged in environmentally friendly, recyclable cartons.

Key Features of the AcousticPerformance Line:

•DMT™ (Directivity Matched Transition) ensures smooth, coherent power response across the listening plane
•3” diaphragm compression delivers a clean and powerful high frequency response
•M10 fittings and yoke mount fittings offer flexible deployment options for a variety of applications
•Clean industrial design with unadorned grilles complement most decors and settings
•NL4 Speakon™ connector and covered barrier strip terminals*
•Bi-Amp / Passive Switchable
•Constructed from 15-ply Baltic birch plywood
•16-Gauge powder coated steel grilles
•Available in black (RAL 9011) and white (RAL 9010)*
•Complete EASE, CAD & BIM information available online
* Except for 5122m

For more information, visit the AcousticPerformance product page at http://qsc.com/products/speakers/ap/

About QSC Audio
QSC Audio Products, LLC is a leading manufacturer of power amplifiers, loudspeakers, digital signal processors, digital sound transport, and network audio for professional audio systems worldwide. qsc.com

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