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Sound Devices Announces Expanded List of Approved Media

Comprehensive Testing Process Determines if Media Meets Requirements for Mission-Critical Production Applications

REEDSBURG, WI, NOVEMBER 18, 2014Sound Devices, specialists in audio and video products, announces an expanded Approved Media List designed to identify media fully compatible with and meeting the high-quality standards of the Sound Devices and Video Devices mission-critical production recorders. Since a recording is only as good as the medium in which it is stored, identifying and using approved media ensures that the company’s products will operate with the utmost reliability in the field. Approved Media. more

CAD Expands Studio Line With MH210 Headphones

MH210 web
Solon OH––CAD Audio is expanding its comprehensive studio headphone line with the new, precision-built MH210’s.

Featuring a closed-back, circumaural design, the MH210’s are equipped with high output 40mm neodymium drivers for a powerful sound and an extended frequency response with exceptional detail, clarity and articulation.

Available in black (MH210) and white (MH210W), the MH210’s feature ultra-soft leather earpads outfitted with high density memory foam to ensure hours of fatigue free listening comfort and effective isolation from external noise.

Based on its sophisticated performance and wealth of practical features, the MH210’s are an ideal choice for project and studio recording, DJs and general-purpose playback for anyone who appreciates sonic accuracy, musicality and comfort.

Specifications
Frequency Response: 15Hz – 22kHz
Sensitivity: 100dB
Driver: 40mm Neodymium
Impedance: 38ohm
Power Handling: 1000mW

For more information about CAD Audio, please call 800.762.9266 or visit cadaudio.com

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InfoComm Announces University Days in Cardiff & London

InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide announces two InfoComm University™ Days to 18th November at the Thistle Cardiff City Center and 20 November onboard the HMS Belfast, London.

Cardiff and London University Days are supported by Canon Europe. The London University Day is supported by Audio-Technica.

Chris Lavelle, Regional Director, UK & Ireland at InfoComm International said: “We’ve got an amazing line up of expert speakers who will present informative and topical issues. Interested parties are encouraged to sign up as early as possible.”

Each day will be a full day of education covering topics including networked microphones to the behavior of light in projection, LED video wall displays, cloud computing, big data and a look at InfoComm’s new AV Systems Performance Verification Guide. Each event will be followed by a networking reception to reflect on the day.

Certified Technology Specialist holders can earn CTS® renewal points. Each event is free to InfoComm members and includes lunch.

There will be prize giveaways for delegates including a compact digital camera from Canon at both events and pair of Audio-Technica headphones at the London University Day.

Viewing the full schedule is highly recommended. Please visit:

Cardiff – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40438.htm
London – http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40532.htm

NUGEN Audio Donates VisLM Licenses to 41 NaSTA Student Stations

Loudness Metering Plug-Ins Help Prepare Members of U.K.’s Student Television Association for Demands of Professional Audio Editing

LEEDS, U.K. — Nov. 13, 2014 — NUGEN Audio today announced that it has supplied licenses of VisLM, the company’s industry-leading loudness metering plug-in, to 41 student television stations throughout the U.K. All members of the National Student Television Association (NaSTA), the student stations will use the plug-ins to help them comply with the European Broadcasting Union’s EBUR128 loudness recommendations, and also as a training tool for students to gain loudness monitoring experience in preparation for professional careers.

“People usually think of television as a visual medium, but they are more likely to notice flawed audio. Therefore, it’s critical that broadcast sound be flawless, not only to meet regulations but also to provide the best possible experience for viewers,” said Mitchell Perry, NaSTA marketing officer. “With its generous sponsorship, NUGEN Audio is giving our student members an opportunity that is simply not available in most of the U.K.’s television production courses: a chance to learn about loudness management and how to edit sound according to industry standards. After working with VisLM, students will be able to add another valuable skill to their CVs and increase their employability.”

VisLM is an intuitive, standard-compliant tool for measuring, comparing, and contrasting loudness during production, broadcast, post-production, and quality assurance, on the fly or after the fact, for entire sections of audio. With detailed, objective loudness measurement, history, and logging facilities, VisLM supports ITU, ATSC, EBU, and Game Audio standards to ensure loudness compliance for titles to be distributed virtually anywhere in the world.

NaSTA distributed the VisLM licenses to student stations throughout its network in Scotland, England, and Wales. VisLM is in use daily by on-campus television stations to create and edit programs ranging from major events and sports matches to coverage of student elections.

“For more than 40 years, NaSTA has played a lead role in supporting, promoting, and representing student television in the U.K.,” said Jon Schorah, founder and creative director, NUGEN Audio. “It is our pleasure to assist NaSTA in this effort, and it’s gratifying to know that our technology is helping these future television professionals develop the skills they need to be successful.”

Information about VisLM and other NUGEN Audio products is available at www.nugenaudio.com.

# # #

About NaSTA
The National Student Television Association (NaSTA) is the representative body for student television in the U.K. since 1973. NaSTA exists to draw new and existing student television stations together, to form a network of like-minded individuals who all aim to be involved with the media industry, and to help build connections not only in the student community, but with industry professionals. In addition, workshops and conferences are created to help NaSTA members progress into the media industry.

About NUGEN Audio
NUGEN Audio’s award-winning tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in music production, broadcast, and post-production. For audio professionals, NUGEN Audio’s mix and mastering products offer market-leading fidelity and unrestricted creativity in every situation, providing an easy, direct, and natural way to work with sound. NUGEN Audio tools have become critical for some of the biggest names in the industry including Michael Brauer (Coldplay, The Rolling Stones), Robbie Bronnimann (Chicane, Paul Van Dyk), and Mr. Mig (Beyonce, Akon). For more information, visit www.nugenaudio.com.

All trademarks appearing herein are the property of their respective owners.

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Empire PRO To Host QSC, Shure, and Yamaha Commercial Audio Training Day

empire_logo-transparent

LOS ANGELES—On Thursday, December 4th, QSC, Shure, and Yamaha Commercial Audio Systems, Inc., will present a powerful day of live-sound training at Empire PRO, 5675 Mansfield Way, Bell, CA. A professional production of the training will also be streamed live at http://www.mldistrict.com/empirepro, courtesy of DataVideo. Empire PRO is a leading national Pro Audio, Video & Lighting distribution partner.

The training, appropriately titled “Modern Technology For Today’s Production” will cover line arrays, digital consoles, monitors, amps, wireless and digital microphones, and in-ear monitors along with how they optimally work together for applications from small to mid-size production. Presenters will focus on system design, networking, Dante and RF landscape, coordination, and antenna setup as well as best practices, special tools, and tips.

“Our goal is to provide the Pro AV community with support and resources that empower them to grow their business, states Edmond Khanian, VP Sales at Empire PRO. We are more than a great place to get the products you need, when you need them, and at the prices you expect; we are a partner whose top priority is the success of our dealers’ business. We are proud and grateful to have strong relationships with industry leaders like QSC, Shure, and Yamaha Commercial Audio, who share and support our vision.”

Empire PRO continues to prove its commitment to be the most supportive Pro Audio, Video and Lighting wholesale distribution partner for AV Professionals through training and educational opportunities like this.

Presentation Schedule

• 9:40-10am: Introduction
• 10-11:15am: Shure – RF (spectrum update/incentive auction)
• 11:15-12:30pm Shure – RF coordination using Shure gear (highlighting BLX, QLXD, ULXD, AXT600 and WWB6) and how to choose the right antenna
• 12:30-1:30pm QSC – Line Array (specification and deployment) / Amp Technology
• 1:30-2:30pm LUNCH
• 2:30-3:30pm QSC – Touchmix (for production)
• 3:30-4:45pm Yamaha – CL Consoles (who, what, where, when, why and how)
• 4:45-6pm Yamaha – QL Consoles (who, what, where, when, why and how)

Don’t miss this opportunity to develop your Pro Audio knowledge. Space is limited, so RSVP now at http://www.empirepro.com/qsc-yamaha-shuretraining.php, or tune into the live streaming at http://www.mldistrict.com/empirepro. For information on how to become an Empire PRO dealer, call Omer Saar at 213.748.5200 x 112 or via email at omer@empirepro.com.

-END-

About Empire PRO:
Empire PRO is among the largest distributors of Professional Audio, Video and Lighting equipment nationwide and highly regarded worldwide. We take pride in providing our clients with a reliable, supportive and efficient source of optimal full-system solutions by distributing leading audio, video and lighting brands, stocking deep inventory in-house, and being centrally located in the heart of Los Angeles for prompt delivery.

Our goal is to provide you with the most valuable support services and full-system-solutions to help you close deals and provide your clients with an experience that exceeds their expectations. Our Sales Executives are experts in helping you define and design optimal system-solutions for your clients. Our service is personal & professional and we offer full technical and sales support to insure satisfaction.

Martin Audio MLA At First FREQ’ender Dance Festival In Singapore

01112014_Freq_Colossal132_Setup

EXPO AV-INSYNC (EAI) were chosen to provide full technical production for the first ever FREQ’ender dance festival in Singapore, and the company wasted no time in specifying its Martin Audio MLA system for the two day event.

The event was held at Infinite Studios and promoted by Limited Edition Concepts (Singapore), with 4,500 people attending over the weekend.

The festival was split into two distinct days: the first (in conjunction with Halloween) was named Freq’show, which made way on Day 2 for Mekanika, produced by international Trance Festival brand, Godskitchen

EAI managing director, Gerard Rodrigues, confirms that his company had recommended the MLA system. “The end result was that everyone, including the promoters, really felt the music and were amazed at the audio quality. They were really blown away.

“The MLX subs also became a talking point for many of the AV industry professionals who attended the gig as well.”

EAI kept the same rig in place for both days, with hangs of eight elements per side (plus a single MLD Downfill). The 12 MLX subs were ground-stacked in configurations of 2 + 4 + 4 + 2.

01112014_Freq_Colossal274_Setup

In addition the company supplied eight W8LM Mini line arrays and four WS218X subs as a potent DJ monitor system.

Limited Edition Concepts’ director and co-founder, Godwin Pereira was certainly impressed. “With EXPO AV’s experience, it was easy to get the best out of the MLA system, and the sound behaved superbly in the 18,000 square foot sound stage. It was warm and non-intrusive, producing little in the way of ‘noise’; instead, it delivered purity, clarity and a whole lot of thump!”

In addition to what Rodrigues describes as “the awesome sound”, he says the audience was also treated to lighting and projection mapping during the festival.

31102014_Freq_Colossal100_Setup

The event featured global acts covering electro, trance, house, techno and many other genres, including Hot Chip, 2ManyDJs, GlowInthedark and Marco V, along with over 20 live performers and dancers from Taiwan, Singapore and Malaysia.

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Emmy Award-Winning Studio Works Mouseless, Keyboardless with Yamaha NUAGE

Jereco Studios and Yamaha NUAGE

BUENA PARK, Calif.—Jereco Studios is located in Bozeman, Montana, a small town located outside of Yellowstone National Park, and home to a unique, dense film and music community. The four-time Emmy® award-winning, commercial sound recording studio offers sync-to-film ADR and voice-over recordings with remote link up via ISDN or SourceConnect. Jereco is equipped for 5.1 and 7.1 Digital Surround Sound, Dolby E, DTS, and many other formats. In addition, the studio provides a full line of quality live sound reinforcement services and equipment rental packages.

Jeremiah Slovarp, producer/engineer and President of Jereco Studios, has been working up until now on a Yamaha 02R96v2. In early 2013, he began searching for a new, modern work surface. “Yamaha Commercial Audio Systems had posted its first NUAGE photos and articles on their web site, and I knew this system was what I was looking for,” states Slovarp. I admit, I miss the old console, but am moving ahead with the new Yamaha NUAGE. The 02R96 still works after almost 14 years, which is a real testament to Yamaha’s design and build quality.”

“In the fall of 2013, the Club Cubase newsletter announced NUAGE would be on display with technical and sales team members from Yamaha present at Poll Sound in Salt Lake, Utah, Slovarp says. It was too late for me to book a flight, so I drove the seven hours from Bozeman to Salt Lake the night before so I could be the first one at Poll Sound the following morning. I was met on demo day by the Poll Sound staff and Yamaha’s Chris Hinson and Randy Weitzel. Because I was early that morning, I had the console to myself for a good two hours while Chris and the Poll Sound staff took turns showing me around and answering questions.”

JeremiahMixingNuage

Before he left Montana, Slovarp packed up a few projects to use as workflow samples on the demo NUAGE at Poll Sound. “I think this was a great experiment and gave me the opportunity to work on the console with my own work and workflow preferences. I was particularly impressed that Chris was taking notes on my hiccups and recommendations, and passed those notes on to the NUAGE development team, some of which have shown up in the latest software updates. The integration of my existing workflow into a new platform that felt so much like my natural workspace in Nuendo really was seamless. The deep integration and control of the DAW on the console is truly complete and unique.”

Slovarp has been using Nuendo 2 since 2002, keeping up with every revision and update. He said the most important thing he appreciates about NUAGE is that it has enabled him to put down the keyboard and mouse. “I feel like I can get back to mixing, pushing faders, turning knobs, and just working on a creative console. After an eight or ten hour day, my hands would be in pain from all the manual movements I had to make being dependent on mouse editing and clicking. With the advent of all the cool and amazing new digital DAW based mixing tools and equipment, I think the industry, in general, has regressed from the art of mixing and working with consoles and large format hardware. But with NUAGE, I appreciate the deliberate move Yamaha has made to enable engineers to get back to mixing and editing as an art form.”

For more information on Jereco Studios, visit www.jerecostudios.com.

For more information on Yamaha NUAGE, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

OneRepublic FOH Engineer Solves Live Recording Challenge With Sonnet Fusion F3 RAID Storage System

System’s High Capacity and Its Rugged and Vibration-Proof Design Enable Recording of 112 Tracks at 96kHz for Future Re-use and Virtual Sound Checks

IRVINE, Calif. — Nov. 11, 2014 – Sonnet Technologies today announced that its rugged and portable Fusion(TM) F3 two-drive RAID storage system is enabling a live recording workflow for OneRepublic’s current “Native” tour. With the ability to store up to 6TB of content on dual shock-isolated hard drives, the Fusion F3 reliably captures more than 100 tracks of audio from the band’s nightly performances, recorded at 96kHz resolution.

OneRepublic is beginning the third European leg of its “Native” tour, which began almost two years ago and so far has visited close to 200 venues in Europe and North America. Like any high-profile touring musical act, OneRepublic needs the ability to make a high-fidelity recording of each performance — both to create an archive for future recordings and live releases, and to enable the band to perform virtual sound checks. However, the OneRepublic sound crew was challenged to find a high-capacity storage solution that could stand up to the rigors of touring, as well as the extensive vibration created by OneRepublic’s characteristic low-end-heavy sound.

“Until we discovered the Fusion F3, we had tried several other external storage solutions. As soon as the bass sounds began to crank up, other units would just freeze. It was very frustrating to produce a great show and not be able to record it because the hard drive couldn’t keep up,” said Zito, the renowned front-of-house (FOH) engineer for OneRepublic and owner/operator of Zito Production Services. “Whether it’s rack-mounted or simply sitting on top of a hollow touring case, which can amplify the vibration, Sonnet Technologies’ Fusion F3 is able to handle the very large track count at 96k and the extreme bass energy without missing a beat. The Fusion F3 is an invaluable asset to our operation.”

To produce each OneRepublic performance, Zito uses the state-of-the-art DiGiCo SD7 audio mixing consoles, which together provide the necessary inputs and outputs to support the required 112 channels at 96k. For live recording, two DiGiGrid MGB MADI interfaces convert the MADI output to a network signal for input to a MacBook Pro(R) running Cubase recording software. A Thunderbolt(TM) chassis receives the recorded output via a Thunderbolt connection from the computer and converts it through a Thunderbolt-to-eSATA adapter, which in turn connects to one of the four interface options on the Fusion F3. Configured in RAID 0 mode, the storage system is able to sustain transfer rates of up to 200 MB/s, and its 6TB of memory means that Zito is able to record two to three nights of performances before having to transfer the content to secondary drives.

Each of the Fusion F3′s drives is mounted on its own multi-axis shock/vibration isolation sled to virtually eliminate vibration-related problems such as missed seek operations and cross-coupled vibration. Coupled with the system’s rugged aluminum and steel outer case construction, this configuration protects the drives and ensures reliable operation.

For a virtual sound check, the DiGiGrid MGB console receives recorded content back from the Fusion F3 via MADI. A relatively new concept, the virtual sound check is a powerful capability for large touring productions that change venues almost daily. By playing back the recording of the previous night’s performance, Zito can work with the band to fine-tune the mixing console settings for the next show and produce the ideal sound for each venue. The approach saves time and increases accuracy because the performance recording is the best source material available short of the actual performance.

“Virtual sound checks were unfathomable 10 years ago, but they are becoming more and more in demand by artists as a way to make sure that FOH is translating the performance correctly to the audience,” Zito said. “Of course, it’s imperative to have a reliable recording system to accomplish this; we would not be able to do it without the Fusion F3.”

“As FOH engineer for one of the top touring bands in the music industry, Zito is also one of the most dedicated. His commitment to ensuring that OneRepublic’s music is presented to the audience as the band intends it, by using only best-of-breed tools, is evident in the quality of each show,” said Greg LaPorte, vice president of sales and marketing at Sonnet Technologies. “The OneRepublic tour is exactly the type of application for which we designed the Fusion F3, and we are glad the system meets the band’s requirements for durability, reliability, recording capacity, and quality.”

More information on Sonnet and its products is available at www.sonnettech.com.

# # #

About Sonnet Technologies
Sonnet Technologies Inc. is a leading provider of Thunderbolt(TM) 2-to-PCIe(R) card expansion systems, pro media readers, RAID storage systems, and storage, network, and other interface cards for pro users in the audio, video, and broadcast industries. Sonnet’s Thunderbolt expansion products enable the use of pro audio I/O and DSP cards, pro video capture and transcoding cards, network and storage interface cards, and other high-performance PCIe cards with Thunderbolt technology-enabled computers. For nearly 30 years Sonnet has pioneered and brought to market innovative and award-winning products that enhance the performance and connectivity of Mac(R), Windows(R), and other industry-standard computers. More information is available at www.sonnettech.com.

All trademarks appearing herein are the property of their respective owners.

Image Link: www.wallstcom.com/sonnet/sonnet-dual_fusion_F3_rack-mount.jpg
Image Caption: Sonnet Dual Fusion(TM) F3 Rack-Mount

Image Link: www.wallstcom.com/sonnet/sonnet-onerepublic_foh_zito.jpg
Image Caption: Zito, Front-of-House Engineer for OneRepublic

Image Link: www.wallstcom.com/sonnet/sonnet-fusion_f3_onerepublic_tour.jpg
Image Caption: Sonnet Fusion(TM) F3 Used for OneRepublic Tour

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RMB Audio Eliminates Reflections With MLA Compact

NC State Fair 2014_3

Raleigh, NC––Tasked with providing audio for 11 concerts in a row at Dorton Arena featuring artists ranging from Vanilla Ice to comedy artist James Gregory, country stalwart Trace Adkins, Gospel luminary Tamela Mann and Christian Rock’s Newsboys, RMB Audio already faced a daunting assignment at this year’s NC State Fair.

Factor in the arena’s demanding acoustic environment, and the task became even more challenging. As RMB’s Systems Engineer Roger Dennis drily points out, “It’s got everything you want; concrete, glass, steel, and hard wooden seats. Plus the arena’s an oval, so it’s reflections galore.”

Fortunately, the RMB Audio team came equipped with a Martin Audio MLA Compact system to better control the sound in the hall and eliminate reflections. “The MLA Compact system allowed us to stop the coverage just before it hits the glass in the rear and on the sides of the room,” Roger specifies. “The system’s output control is really precise. It made our job a lot easier while improving the sound quality for all of the acts and the audience.”

NC State Fair 2014_1

The actual system consisted of a main hang with 12 MLA Compact enclosures per side, a side hang with 8 MLA Compacts per side, and 6 Martin Audio W8LMD (downfill) as lip fill. Ample low end was provided by 12 DSX subs ground-stacked in two rows of 6 standing on end with the two outer enclosures slightly angled out.

Asked about the MLA Compact’s other attributes, Roger points out the enclosure’s lighter weight and wider dispersion, but the main advantage is still its output control capability.

“It used to be when you had someone speaking into a microphone in the arena, the reflections would kill all speech intelligibility. With MLA, that’s not a problem. When we first brought it into Dorton three years ago it was quite a shock. Now that we’ve switched to MLA’s for outfill to kill the reflections coming off the glass, the clarity for spoken word has continued to improve dramatically.

“Everyone was pleased with the system, adds Dennis, “especially Newsboys FOH Engineer John O’Neal who was very impressed with what we could do with the rig because he’s been in Dorton before with an older system. One of his last comments to me during this show was ‘everything from 300Hz and above is completely clear. We could hear everything.’ John and I walked the entire venue during the soundcheck as did several engineers who put their head right next to the glass, and they said it sounded exactly the same as it did down at the mix position.

“That’s one of the key things the MLA does that other systems don’t. It optimizes for the audience, not the room. The quality of the coverage is consistent from the front of the stage all the way to the back of the arena.”

NC State Fair 2014_4

Summing up, Roger adds, “We’re going to UNC Memorial Hall on the campus of University of North Carolina, a 1600 seat proscenium theater with a really prominent balcony face that is a problem in terms of generating reflections back onto the stage. The MLA Compact allows us to steer around that balcony; we can just slice that section out of the vertical coverage. We’ve been able to make it so accurate that you can literally stand up out of a seat and you’re out of the coverage. It’s really amazing.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

NUGEN Audio Releases Version 2 of Visualizer Audio Analysis Suite

Powerful New User Interface and Support for Pro Tools HDX Highlight Latest Release of Industry-Leading Audio Analysis Toolset for Audio Professionals

LEEDS, U.K. — Nov. 4, 2014 — NUGEN Audio today announced the launch of version 2 of Visualizer, the company’s industry-leading audio analysis suite and real-time comparison toolset designed for high-end audio professionals. Ideal for music mixing and mastering as well as audio post-production, Visualizer provides comprehensive audio analysis for recording, mixing, and mastering in a single tool — now available as a plug-in or a stand-alone version. The standardized reference set of professional tools is designed to help audio engineers work faster, avoid mistakes, repeat past successes, and leverage the success of others. With version 2, Visualizer features numerous user interface enhancements in response to customer input, and is now available in a version supporting Avid Pro Tools HDX as well as a stand-alone configuration. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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