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Archive of the Audio Playback Category

ASHLY GETS THE MESSAGE AND MUSIC TO STUDENTS IN THE ROCHESTER HIGH SCHOOL CAFETERIA

ROCHESTER, NEW YORK – MARCH 2013: The principal at John Marshall High School in Rochester, New York had a simple request. He just wanted to be able to speak over the commotion of excited students that always seemed to overwhelm the school’s cafeteria at lunchtime. A sound reinforcement system with a simple microphone was the solution. But since a sound reinforcement system would also be capable of playing music – and perhaps because music might soothe the raw spirit of rambunctious youth – he also wanted the ability to play music over the system. Rochester’s AAA Sound stepped in to install a cost-effective, high-performance system centered on an Ashly Pema 4125 integrated processor/amplifier combo and an Ashly RD-8C remote fader user interface.

“The principle told our technician that the kids were simply too loud at lunchtime,” said Rich Petty, AAA Sound president. “It was a really straightforward request for a really straightforward sound reinforcement system. The ability to play music at lunchtime was a bonus.”

Inputs to the system include a pair of Mipro handheld wireless microphones, a wired microphone, a tuner, and a Tascam combination CD player and iPod dock. The inputs feed the Ashly Pema 4125, which has eight DSP inputs and outputs with full processing and matrixing capabilities, as well as four integrated amplifier channels rated at 125W each. Each amplifier channel drives a single Community MVP-12 loudspeaker, and the four loudspeakers are distributed around the room. An Ashly RD-8C provides nine software-assignable faders, one of which is separated in the style of a master fader. The system at John Marshall High School uses the simplest possible configuration: each of the eight faders controls an input volume and the master fader controls the output volume.

“The Ashly Pema is a cost-effective solution for a situation like this,” said Petty. “The pricing is very favorable and very competitive. Our company specs jobs with a number of different processors, and the feedback that I get from my techs is that Ashly processing is the easiest to work with. It doesn’t take a lot of training to become familiar with the operation… literally five minutes in the shop with a tech that’s not familiar with Ashly is all it takes for him to feel comfortable enough to go out and install it. Every now and then they run up against something that takes a minute; they either figure it out or a quick call to Ashly’s service department clears up the matter.”

“For a school cafeteria,” proclaimed Petty, “John Marshall High School has a really nice sound system.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

TANGLES TAMED AT OKLAHOMA CHURCH WITH SYMETRIX JUPITER 12 AND JUPITER 8 APP BASED TURN-KEY DSP

OKLAHOMA CITY, OKLAHOMA – MARCH 2013: Since its founding during the hard dustbowl years, Oklahoma City’s Southwest Church of Christ has grown steadily in membership. A series of buildings and sanctuaries of ever-growing capacity trace a path from the church’s first meeting, which took place in a member’s living room, to its modern 700-plus-seat sanctuary. Although only a decade old, Southwest Church of Christ’s latest building quickly amassed an ad hoc collection of sound reinforcement equipment that strained the capacity of the technician’s booth and often flummoxed the volunteer technicians who attempted to use it. Hoping to maintain its functionality while greatly simplifying the user interface, the church contacted Robert Rogers, senior design consultant with Audio Video Designs (AVD) of nearby Moore, Oklahoma. AVD used a cost-effective Symetrix Jupiter 12 app based turn-key DSP to replace all of the analog clutter. The church was so pleased with the improvement that they asked AVD to integrate their three fellowship halls, and AVD obliged using a Symetrix Jupiter 8 running the Sound Reinforcement #6 app configured to do room combining.

“The audio booth was cluttered with consoles, switches, and dials, with a few computers and screens thrown in for good measure,” explained Jeff Brocaw, design consultant with AVD. “They just kept adding on as new needs presented themselves. Not only was the sanctuary system controlled from the booth, so too were the more modest systems in the three fellowship halls.” Because the input sources and loudspeakers were all still in fine shape, AVD was able to leave them in place. However, new Crown and ElectroVoice four-channel amplifiers now power the system.

“Of course, money was a huge factor, and the Symetrix Jupiter 12 DSP was the logical choice,” said Brocaw. “We could eliminate all that clutter with the processing power in that single rack space unit, and they wouldn’t have to spend $20K on a digital console.” The twelve inputs of the Jupiter 12 collect outputs from all of the stage microphones, as well as from video playback devices and a pair of ambient microphones for use in recording. The Jupiter 12’s four outputs send signal to the main sanctuary system, the three fellowship halls, and a computer-based recorder, as well as hallways and other areas of the building. One of the outputs is currently unused and awaits future expansion.

Partly because there are a lot of open microphones on stage, Brocaw used the “Gating Automixer” app with the Jupiter 12. The gates effectively eliminate feedback problems that the church was having with the old system. For Sunday service, the system operator makes adjustments from a computer running the Symetrix Jupiter software. “Now it takes very little effort to run a service,” said Fred Lowery, with the church. “When needed, we mix from within the app. For the simpler Wednesday service, the pastor can make any necessary adjustments from a Symetrix ARC-2e wall panel remote. He doesn’t even have to turn on the computer! The church fell in love with the simplicity of the new Jupiter-based system.”

In fact, they were so pleased that they requested a similar transformation of the ad hoc room combining system that they had constructed. With eight inputs, eight outputs, and an app easily-made to perform room-combining (Sound Reinforcement #6) the Symetrix Jupiter 8 was the obvious cost-effective solution. “As with the Jupiter 12, the Jupiter 8’s interface is sufficiently simple that church staff and volunteers can use it reliably,” said Brocaw. “That simplicity, together with processing power and affordability, made the Jupiter 8 the right choice.”

The Symetrix Jupiter 8 takes its inputs from each of the fellowship halls, and sends outputs back to each of the fellowship halls. Additionally, three hard disc recorders stand ready to capture events that take place in the fellowship halls. Users execute room combining by opening the matrix from within the Jupiter software application. Any input can be sent to any output, and by incorporating input from and outputs to the main sanctuary system, all four rooms can be combined in any desired configuration.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ITV Chooses DK-Technologies Waveform and Audio Monitoring For Three New Facilities

After successfully implementing Multichannel Waveform and Audio Monitoring systems from DK-Technologies into its new ITV Meridian facility, ITV has now rolled out the same solution to its News broadcast facilities in Leeds and Manchester.

All three facilities are now equipped with five DK Waveform Monitoring systems comprising a PTO760 with HDSDI input core, a PTO760-I/P-8A analogue audio input module and a PTO760M-O/P-8A analogue output module. Each system is augmented with a matching secondary passive display unit. ITV News Leeds and Manchester facilities have an additional PTO710 Waveform Monitor, which is being used for its studio vision control position.

ITV Meridian was the first of the regional News operations to install DK-Technologies equipment, specifying the system as part of its 2011 move into a totally new facility.

Gerard Jennings, ITV News and Regions’ Engineering Manager, says: “With the ITV Meridian move, we took the opportunity to replace most of the core broadcast infrastructure with new HD compliant equipment.”

The decision to use DK-Technologies equipment was taken after the project’s technical team looked at systems from various manufacturers to compare features and cost. They eventually chose the PT0760M system because it offered flexible waveform and audio monitoring for the HD environment.

“The multiple inputs, video and audio, removed the requirement for external monitoring switchers, while the flexible configuration features allowed us to create specific presets for each of the user groups,” Jennings explains. “ITV Meridian’s operational staff were also consulted on the configuration features to make the units operator-friendly. An additional benefit to the News division is that they can be fully controlled and monitored over the ITV WAN to enhance nationwide out of hours support. Although these features are implemented in other makes of waveform monitor/rasteriser, the Java interface in the DK-Technologies range produces the best remote response. The DK display is one of the best we’ve seen for clarity and most importantly viewing angle which is critical in the raked upstands of control desks and is an area where some other makes of monitor have been found wanting. The displays are also cheap to service as we can change the backlight ourselves at a modest cost.”

At ITV Meridian, which has become the template for subsequent installations, ITV was keen to standardise monitoring stations so five physically identical sets of DK equipment were installed, each appropriately configured for the different applications required. Two of them are situated in the Traffic area, one is in CAR and the remaining two are in the craft edit suites. Each system is mounted in custom built control room furniture, designed by Lund Halsey to take a 3ru rackmount waveform monitor arrangement. Valuable rack space was saved because ITV Meridian did not have to accommodate any additional monitoring switching.

The success of this set up led ITV News to roll out similar systems to Leeds and Manchester and these are now up and running.

“The DK units do away with need for additional monitoring switchers because they perform that function for us,” Jennings says. “They also control independent loudspeaker and headphone monitoring for each position.”

The equipment choices that ITV News made for its new Meridian premises will not only enable the broadcaster to move seamlessly to HD, but have also formed the basis for the way other ITV News facilities have now been equipped.

“We have rolled out ITV Meridian’s core equipment choices to other regional News sites as we have refurbished them,” Jennings says. “ITV Meridian’s new complex has been a good proving ground.”

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Atlona(R) Now Shipping HDMI(R) Extenders Featuring HDBaseT(TM) Technology and RS-232 Control

Extenders Send AV, IR, RS-232 Control, and PoCc at Resolutions up to 4Kx2K

SAN JOSE, Calif. — March 11, 2013 — Atlona(R) today announced that the company is now shipping its latest HDMI(R) extenders featuring HDBaseT(TM) technology. Specifically engineered for maximum HDBaseT performance, the extenders provide reliable signal transmission to a distance of up to 328 feet (100 meters). Both the AT-HDTX-RSNET transmitter and AT-HDRX-RSNET receiver also provide bidirectional control with Ethernet, RS-232, and IR remote control for compatibility with third-party control systems. By using Power over Category cable (PoCc), AV, IR, RS-232, and power can be sent over a single category cable, eliminating the need for receiver power supplies. more

HARMAN’s Studer to Showcase Range of Digital Audio Consoles at CABSAT 2013

DUBAI, United Arab Emirates — At CABSAT 2013, HARMAN’s Studer will be exhibiting with partner GSL Professional, showing a range of its world-class digital audio consoles for broadcast environments. CABSAT will be held March 12-14 at the Dubai World Trade Center in the United Arab Emirates.

Studer will show several products at CABSAT, including: the Vista 9 42-fader console, the Vista 5M2 22-fader console, the Vista 1 32-fader console, as well as its OnAir 2500 and OnAir 1500 consoles. Studer will also showcase its VISTA FX engine, which enables Vista users to add up to 24 channels of Lexicon effects to their console.

“Studer has enjoyed tremendous success in recent years in the Middle East and Africa broadcast markets, with Studer consoles being installed in some of the largest and most prestigious television and radio broadcast facilities in these regions,” said Bruno Hochstrasser, General Manager, Studer. “We invite everyone at CABSAT to see our market-leading consoles for themselves!”

Studer’s range of products can be seen at the GSL Professional stand, Number 414 in Hall 4.

CABSAT is the Middle East and Africa’s largest broadcast, digital media and satellite expo. For more information on Studer products, please visit www.studer.ch

For more information on GSL Professional, please visit www.gslprofessional.com

HARMAN (www.HARMAN.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

SYMETRIX ARC-WEB USER CONTROL INTERFACE AND JUPITER APP-BASED TURN-KEY DSP CLINCHES THE TITLE FOR SAM’S SPORTS GRILL

NASHVILLE, TENNESSEE: Sam’s Sports Grill opened in 2000, and Nashvillians have voted it the Best Sports Bar in the city for ten years in a row. Clearly, Sam Sanchez and his team know how to deliver a great sports bar experience. Food created from scratch (with gluten-free options!), dozens of beers on tap, and a whopping 70-inch flat screen TV with all the major sports packages, make Sam’s Sports Grill a winner. However, like any establishment, Sam’s Sports Grill had room for improvement. Recently, Sam chose Darrin Fabish, account manager at Nashville’s Audio Electronics, Inc. (AEI), to overhaul the existing sound system at the Hillsboro Village location. The overhaul resulted in replacing all the speakers and adding a Symetrix Jupiter 8 App Based Turn-Key DSP. The Symetrix Jupiter 8 DSP delivers multi-zone content with user control achieved through Symetrix’ forward-thinking ARC-WEB interface for smartphones and other Internet-connected devices.

Sam’s Sports Grill’s Hillsboro Village location (there are three others in Hendersonville and Murfreesboro, TN and Florence, AL) is just a short walk from the AEI offices. “I meet some friends there for lunch regularly,” said Darrin. “As sometimes happens, I was talking to them about upgrading another client’s sound system when Sam overheard me. Although the bar has a great visual setup with plenty of high-definition screens, the audio system lacked zoned audio. Although they could have different games on at the bar and on the patio, the whole place had to listen to one or the other – or music.”

After determining that AEI could give Sam’s Sports Grill a fresh start, Darrin suggested replacing components of the old system. “Eight-ohm speakers were wired for 70-volt and vice versa,” he said. “Residential and commercial components were mixed. This system really needed attention.” Darrin retained the original inputs to the system, two DirecTV receivers, a jukebox, and a music source, and added a microphone input for use on bar trivia night. In addition, a pair of TOA amplifiers and the existing equipment rack were repurposed in the new system.

With eight mic- or line-level inputs and eight outputs, a Symetrix Jupiter 8 DSP forms the core of the new system and leaves a few inputs and outputs for the bar to grow into. “The Jupiter 8 has all of the necessary processing facilities, including easy zone management,” said Darrin. “And given everything that it can do, it’s very competitively priced.” Three zones now comprise the system so that the patio, bar, and seating areas can all have different input sources and volumes. When music is selected, the background music source plays unless a customer plays the jukebox, in which case the background music is muted until the jukebox song is finished. A Bose FreeSpace 3 combined subwoofer/full-range system provides output for each of the zones, and Bose DS-100 surface mounted speakers in the patio lure customers from the sidewalk outside.

“Symetrix’ ARC-WEB technology was a huge selling point at Sam’s,” said Darrin. “Both the owner and the manager are running ARC-WEB from their phones. There’s really something to the fact that these guys can just walk over to a zone and adjust the input and volume right then and there. No more adjusting the volume and then walking over to see if it’s loud enough (or too loud). They seem to really like it. I’m starting to pitch this Symetrix-based solution at other locations. A lot of the owners are young and hip, and they love the ARC-WEB technology.” For those rare occasions when the owner or manager isn’t around, staff can still make necessary adjustments from a hardwired Symetrix ARC-2e wall panel remote.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

Pro Audio Technology Appoints Two New Manufacturer Reps

Excellent margins, modular designs and a full line of cinema caliber audio products fuel Pro Audio Technology’s rapid growth.

Huntington Beach, CA – February 26, 2013 – Pro Audio Technology (PRO), the leader in professional-grade loudspeakers and DSP-programmable amplifier systems for residential properties, today announced the appointment of two new manufacturer’s representatives. Growing demand for discrete but powerful audio systems has made Pro Audio Technology (PRO) an appealing brand for dealers. To meet demand, PRO has announced the appointment of Lucas Sales and On Line Marketing as its exclusive representatives in two key territories.

“With no less than 23 large metropolitan areas covered between them, adding sales consultants in these territories is critical for continued growth,” said Larry Reagan, vice president of sales for Pro Audio technology. “With Lucas Sales based in Texas and On Line Marketing centered in Ohio, and each serving the surrounding states, PRO is poised to see strong growth and enhanced dealer support in these regions.“

Common to both firm’s line card is a major video projection and viewing screen line. In each case, the addition of Pro Audio Technology will help the firms solidify their offerings of complete reference A/V packages for high-performance theater and media room installations.

Mark Taylor, principal of On Line Marketing said, “We are excited about the addition of PRO products and the unique benefits they offer. PRO’s technology story perfectly complements the performance-based selling concept we promote to dealers, and will help our accounts attain higher sales and deliver a better audio experience.”

PRO’s multiple speaker series are voiced to a common performance standard and provide solutions that address a broad range of installation needs. By applying a single design philosophy across the entire range of products, installers are free to select models based on application, gaining greater flexibility when designing an audio system.

Sam Lucas, principal of The Charles Lucas Sales Company said, “Pro Audio Technology compliments our high end custom installation products for home theater. They offer great dynamics, high SPL and most important clear vocal intelligibility. We are delighted to offer the very best in home theater systems.”

A hallmark of PRO engineering technology, each system is field-configurable and employs the company’s proprietary Digital Signal Processing (DSP) via its PMA amplifier product range. All crossover functions, high-resolution frequency response shaping, and time correction are achieved in DSP, eliminating restrictive passive filter networks from the signal path. In addition, the integrator is given a powerful suite of DSP controls to compensate for environmental influences, such as speaker placement behind viewing screens or stretch fabric walls, secondary boundary loading, and other factors. Different than a typical room correction system, the PMAs don’t change the frequency response of speakers to accommodate sitting positions, which can fundamentally alter the sound, but rather adjust output to compensate for room conditions, which lets the speakers perform as the designer intended.

Information on PRO’s new manufacturer’s representatives and their respective regions is below.

Charles Lucas Sales Company
Territory: Texas, Louisiana, Arkansas, Oklahoma

On Line Marketing
Territory: Michigan, Ohio, West Virginia, Western Pennsylvania, Indiana, Kentucky

For more information about Pro Audio Technology products, please visit www.proaudiotechnology.com.

About Pro Audio Technology
Through thoughtful combination of consumer and professional engineering technologies, Pro Audio Technology designs and manufactures a complete range of high-power loudspeakers and DSP-programmable amplifiers for high-end residential installations. PRO products unite lively dynamics, high maximum output level, and rugged durability with the refined acoustic performance you’ve come to expect from contemporary home audio equipment. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology products are available globally through an elite group of high-end residential custom installers. Pro Audio Technology is the brand name of Professional Home Cinema, LLC.

NEW COLUMBIA HIGH SCHOOL STAYS ON BUDGET WITH PERFORMANCE DRIVEN ASHLY AMPS AND DSP

COLUMBIA, MISSOURI – FEBRUARY 2013: The population of Columbia, Missouri grew by over twenty-percent between 2000 and 2010 and is on pace to continue that growth in the current decade. Responding to the obvious need for increased classroom space in a school system designed for a smaller citizenry, the Columbia School District secured funds to build a fourth high school, which will relieve crowding in the existing high schools and middle schools. Muriel Williams Battle High School will open in fall 2013, but already many of its facilities are nearly completed, including band and music rooms that will help jumpstart new musical traditions for the fledgling school. An Ashly ne1600pe amplifier with onboard Protea DSP in each of those rooms will facilitate playback of instructional audio, including stereo recordings of the students themselves.

Lonnie Theer & Associates (Omaha, Nebraska) designed the modest band and music room audio playback systems with an eye toward performance, reliability, and transparent user control, all while meeting the school district’s budget. Each system is an exact duplicate of the other so that faculty and staff need only learn one system to learn them both. “Including only the necessary controls within a robust design make these twin systems just the right speed for the new high school,” said Paul Jonas, director of installations at Theatrical Media Services (Omaha, Nebraska), who installed the system.

A 16-channel Yamaha MG166C mixer provides an intuitive user interface in each room. A handful of microphones, a CD player, and a solid-state recorder form a manageable and flexible input set that’s useful for benchmarking students’ performances against both professional performances and against the students’ earlier performances. One Ashly ne1600pe amplifier with onboard DSP resides in each room, providing equalization, limiting protection, and power for Renkus-Heinz CFX121 full-range loudspeakers. A pair of CFX121s in each room deliver full stereo playback.

“The ease and simplicity of the Ashly ne Series with optional onboard DSP is a real benefit in a job like this,” said Jonas. “Having Ashly’s flexible Protea™ software inside the amp lets us install the system with less wiring and with less time spent wiring. Moreover, there’s a cost savings to having the DSP housed within the amplifier. A separate unit would add significantly to the expense. Ashly’s reputation for building reliable equipment also factors into the benefits.”

The school district will take possession of the new building in the summer, on schedule and on budget.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

OPTOCORE TECHNOLOGY SUPPORTS AUDIO FOR THE 2013 U.S. PRESIDENTIAL INAUGURATION

Maryland Sound International Utilizes Optocore Network Rings for Signal Distribution and Monitoring

WASHINGTON D.C., FEBRUARY 19, 2013 – When audio integrator Maryland Sound International (MSI) was once again tasked with supplying the main audio system for President Barack Obama’s second presidential inauguration on January 21, 2013, the company employed two Optocore Networks. MSI, a longtime user of Optocore technology, a leading choice for powering professional audio, video and data transmission networks in a variety of markets, including broadcast, post production and AV, chose the networks for their multiple levels of redundancy and reputation of superior reliability. This marks the third presidential inauguration in a row for which MSI has chosen Optocore equipment for the critical audio distribution.

With the ceremony taking place on the grounds of the Capitol in Washington, D.C. in January, MSI was faced with unpredictable winter conditions as well as a long transmission path back to MSI’s Front-of-House position, nearly 2,000 feet from the last speaker tower. MSI and audio designer Patrick Baltzell needed a way to distribute audio signals with as few conversions as possible in order to ensure the approximately 1,000,000 attendees of the ceremony heard every word.

MSI chose Optocore Network technology in order to drive the signal chain directly from the Yamaha PM5D FOH mixing console using Optocore YG2 Yamaha cards that were connected with redundant fiber cabling to the locations of the loudspeaker processors and amplifiers. This provided MSI with lossless digital transmission, which is critical in order to properly transport the audio with crisp sound and clarity over such a long distance transmission path without any glitches.

“The Optocore Networks we put in place for this year’s ceremony certainly made access to all of the amplifiers, signal processors and overall signal distribution far easier and more reliable than in the past,” says Brian Bednar, system technician, MSI. “This time around, everything was more streamlined and faster to set up and tear down at the end of the event.”

The main Optocore Network consisted of one YG2 card in the Yamaha PM5D FOH mixing console connected to an Optocore DD32 networked AES/EBU device on stage right and another DD32 on stage left. Each DD32 was connected to an Optocore X6P-8/8 analog converter and a Dolby DLP loudspeaker processor via AES. The X6P converters gave MSI the ability to feed all the devices that were not AES and/or not driven through the Dolby processor units.

The second Optocore Network consisted of one YG2 card in the PM5D connected to an Optocore DD32R-FX networked AES/EBU device at delay zone 1 (700 feet away) and another DD32R-FX at delay zone 2 (1500 feet away). Each DD32R-FX was connected to an Optocore X6P-16IN analog converter and a Dolby processor via AES. Both networks featured redundant fiber connections.

The DD32R-FX proved to be a helpful add-on for this year’s sound system, with its built-in network wide Ethernet switch. The Optocore Network allowed MSI an easy access to the Dolby DLP loudspeaker processors and amplifiers located off the main site. With a broad part of the sound system offsite, it was then easy to maintain control and monitoring of all the devices on the network to see if they were functioning to MSI’s specifications.

“It is my role to help the FOH engineer tune the system, so having access to all parts of the system at all times in order to make changes without my needing to leave the FOH position is invaluable,” says Art Isaacs, project manager, MSI. “The X6P-16IN converters gave us the functionality to run measurement microphones from multiple city blocks away back to the FOH position. Using the Optocore system proved itself to us in many ways. The sound system was extremely quiet due to the all-AES based drive system. Ethernet access to all of the online devices proved extremely helpful and provided great flexibility. I can only hope that in 2017 that we can continue to work with Optocore systems and further enhance the sound system.”

The relationship between Optocore and MSI goes back for almost a decade. “Optocore has been part of MSI’s rental inventory since 2004,” says Tine Helmle, director, Optocore. “We are proud to provide MSI with the solutions it needed to ensure the audio was heard loud and clear during such an important and historic U.S. event as the presidential inauguration. We look forward to working with them well into the future.”

About Optocore
Based in Munich, Germany, Optocore is the world market leading provider of scalable, high-bandwidth, low-latency fiber-optic networks for the transmission of audio, video and data. For 19 years, Optocore has been continuously innovating and setting new standards with regards to digital network technology. Optocore builds and develops synchronous optical fiber and CAT5 based network solutions for broadcast professionals, fixed installations and live event applications. Utilizing leading-edge technology and high-quality components Optocore guarantees durability and therefore long-term market and customer satisfaction. Due to the open system architecture, Optocore’s platform offers other manufacturers the option to transfer conventional standard audio, video and data formats used in the pro audio industry, via a fiber and CAT5 network. Technical expertise, QoS and an extensive support structure are guaranteed to all customers, together with the highest level of quality controls. For more information, visit www.optocore.com.

ASHLY AMPS SERVE UP RARE AND WELL DONE AT PERRY’S STEAKHOUSE AND GRILLE

TEXAS – FEBRUARY 2013: Perry’s Steakhouse and Grille truly is rare and well done. From its humble beginnings as a butcher shop more than thirty years ago, Perry’s has grown to become one of the premier steakhouses in Texas. Today with nine locations, each uniquely customized to the neighboring community, Perry’s Steakhouse is located in greater Houston, Austin, Dallas, and San Antonio.

One of the premier A/V integration firms in Central Texas, Intelligent Lighting Services, has designed and installed state-of-the-art sound systems in the most recent Perry’s Steakhouse locations. Intelligent Lighting Services’ Eric Bernstein recommended Ashly’s ne8250pe eight-channel Network Amp with integrated Protea™ signal processor for the Katy, Dallas and San Antonio restaurants.

“I was already looking to make some changes after the first installation at Austin because the big-name DSP we installed there seemed to time-out every other day,” explained Bernstein. “I’d had previous good experiences with Ashly gear and knew that it was reliable. Since I already knew we’d be using Tannoy CMS801 ceiling-mounted loudspeakers, I had my tech wire up an Ashly ne8250 amplifier and another from the manufacturer we had used at the first location. I did a blind comparison in controlled conditions and came away convinced that their clientele would hear no perceptible difference, at least with those loudspeakers. So there it was: an affordable, great-sounding amplifier with optional on-board DSP that I knew was flexible and reliable. And to top it off, Ashly is a nice, contractor-friendly manufacturer. We went forward in the next three locations – Dallas, San Antonio, and Katy, Texas – with the Ashly ne8250pe at the heart of the design.”

Because ambient live music is an integral part of the Perry’s experience, all three locations feature an Allen & Heath console adjoining a modest stage. Its output joins a handful of cable TV channels, a Muzak player, and a wireless microphone at the input to the Ashly Protea DSP environment. Because each of the Perry’s Steakhouse locations is unique, the Dallas location uses four Ashly ne8250pe eight-channel amplifiers, whereas San Antonio and Katy use three. The Ashly Protea DSP Matrix Mixer is used as a room combiner in the private dining rooms, allowing the restaurant to host any size dinner meeting or event. Other common zones include the bar area, lobby, hallways, restrooms, entry, patio plus four or five private dining rooms. Because the Ashly ne8250pe includes separate processing on each output, Bernstein was able to perfectly signal align all of the zones for maximum impact and coherence.

User control is simple. At the Dallas and Katy locations, each zone features a Ashly WR-5 programmable wall-mounted remote. Its simple push buttons allow selection of different input sources and overall volume. The San Antonio location adds a URC KP-4000 wired controller behind the bar for more in-depth control, along with a URC MX-5000 wireless remote that allows the manager to make changes on the fly from any location.

Perry’s Steakhouse and Grille is currently considering new location sites. Because the owner has fallen in love with the sound of the newest restaurants and the way his team is able to so easily control them, Bernstein’s Ashly-based design will serve as the blueprint for all future Perry’s Steakhouse and Grille locations moving forward.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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