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Archive of the Audio Playback Category

Barix Centralizes In-Store Radio for Dutchman Hospitality Group

Transition to IP audio simplifies scheduling, playout of music for Ohio retail and hospitality campuses

ZURICH/MINNEAPOLIS, October 28, 2014 — The Dutchman Hospitality Group specializes in helping its guests slow down and enjoy the simpler things in life. Keeping with this philosophy, the company has turned to Barix to centralize its in-store radio programming on its core IT network, transitioning to the Barix Store&Play IP audio solution to simplify the scheduling and playout of content on three of its largest retail and hospitality campuses.

Based in Amish country in rural Walnut Creek, Ohio, Dutchman Hospitality Group sought a unified solution to deliver audio programming across multiple buildings to maintain a consistent and pleasant customer experience — a feat that proved impossible with separate CD players and the “everyone’s a DJ” approach. The company put its IT contractor, Mark Greenawalt of Makarios Networks, in charge of finding a cost-efficient solution that would offer better control of the overhead music in each building.

“When we made the business decision to have a single source of overhead music on each campus, the challenge of distributing the audio seemed to require pulling new wires between each building,” said Greenawalt. “I discovered Barix Store&Play while conducting research, and discovered that their solution converts audio to data packets for network distribution, before converting back to audio at the playout point. Once I realized we could use our existing infrastructure, it became clear that transitioning to Barix would save a lot of time, labor and money. The devices are inexpensive, and the ease of setup made the overall transition very affordable.”

Since discovering Barix, Greenawalt has since transitioned Dutchman Hospitality Group’s Walnut Creek and Sugar Creek campuses, which include multiple buildings spread across large areas, featuring a mix of retail stores, restaurants and inns. In the Ohio town of Berlin, the company is streaming music from the Berlin Farmstead Restaurant to the Carlisle Country Inn a quarter-mile down the road, taking advantage of Barix’s flexibility in networking audio across separate, distant properties.

The Barix Store&Play solution is configured to minimize use of network resources, downloading programs for playback on a scheduled basis. The network architecture includes a central Instreamer device on each campus to encode audio into files for streaming over the network; and Exstreamer devices at each remote building to receive and decode the files back to high-quality audio. With fiber-optic connections and a Gigabit Ethernet backbone already in place, Greenawalt had the Barix system online and streaming audio across all assigned locations within days. The IP-addressable Barix solution has operated flawlessly, producing outstanding audio quality with exceptional reliability.

“Being a musician, I have to say that I’m very impressed with the sound quality,” said Greenawalt. “But the ease of configuration and reliability is what really makes this special. The Barix receiving devices plug directly into our sound systems, instead of requiring investment in new amplifiers and loudspeakers. As one representative in a two-person IT department, having a low-maintenance solution is huge. It really is a set-and-forget system, with no wires to pull and no extra materials or components required.”

Looking ahead, Greenawalt expects that the Barix system will be used solely for the purpose of reliable background music distribution, but envisions opportunities to scale the network to additional locations on each campus as new services develop.

“The Barix IP audio solution strikes me as having an internet radio station for our own private campuses,” he said. “The sky is the limit in terms of where we can take it in the future. Considering its flexibility and ease of configuration, I’m not sure there is anything you can’t do with this system in terms of audio distribution if you are thinking creatively.”

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

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Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

Chartmakers Mastering Stocks Up On Prism Sound Kit

Henkka Niemisto photo credit Christoffer Relander (1024x683)

High profile Finnish mastering studio, Chartmakers Mastering, recently bought both a Prism Sound Dream AD-2 A/D converter and an MEA-2 EQ for its state-of-the-art facility in the Töölö district of the nation’s capital, Helsinki.

Established by Svante Forsbäck together with long-term associate Henkka Niemistö, the studio is celebrating its tenth birthday this year and is as dedicated to high-quality audio mastering services as ever.

“All music styles are more than welcome to use our services,” says Niemistö. “I usually work with pop, dance, hip-hop and electronic music and some metal and rock groups. My clients are mainly Finnish bands and include Husky Rescue, Pepe Deluxe, Sofi De La Torre, Machinae Supremacy and many more.”

Chartmakers currently runs three studios in Helsinki itself and a satellite about 20 minutes to the west in Espoo. Niemistö is a firm believer that the simplest mastering chain of very high-grade equipment delivers the best results. As such, he says that the AD-2 and the MEA-2 have both been on his mind for a long time.

“It was time to finally give them a go,” he says. “Svante and I have gone through pretty much everything on the mastering market, and Prism Sound was, for me, the last largely untested equipment to try.”

The kit was supplied by Finnish distributor Qualitron and Niemistö says that as soon as the converter and the EQ were connected he felt right at home with them.

“They are a joy to use. The converter continues to surprise me, almost every day,” he says. “The EQ has some strange way of adding a sort of ‘glue’ to the master sound — I can’t really explain it. They both definitely bring the game to the next level.”

Niemistö adds that he particularly likes the fact that the converter can drive two different sample rates to different AES/EBU outputs.
“The clock also sounds very nice,” he says. “Since I do a lot of bassy electronic music I love the fact that the EQ goes down to 19Hz and up to 27k.”

Niemistö is using his Prism Sound equipment on all of his current projects where it meshes well into his existing set-up.

“I personally use three Amphion Two18 speakers and two One18s in the back for full surround, and I have a Maselec MTC-2 mastering console,” he explains.

And there might well be more Prism Sound kit added into the Chartmasters slate in the near future.

Niemistö says: “We just got the Prism Sound compressor in to test, and we might have to get that one as well…”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Jason Phats Changes Direction with Prism Sound’s Orpheus

OLYMPUS DIGITAL CAMERA

Writer, producer, remixer and DJ Jason Phats has become the latest high-profile musician to purchase a Prism Sound Orpheus Firewire Recording Interface.

“The sound is extremely detailed and transparent. Clarity, depth, separation and stereo imaging is breath-taking – my jaw hit the floor when I first heard it,” he says. “I found myself kicking back in the sweet spot and going through my music collection. Suddenly everything made sense.”

Phats runs the Orpheus through a SSL Sigma summing mixer and likes the unit primarily for its ability to lever both Prism Sound quality conversion and mic preamps into a 1U box and then cram it full of features. These include line, microphone and instrument inputs, selectable RIAA Equalization for turntables, a built-in premium-quality monitoring mixer for each output providing for performer foldback and surround monitoring, and concurrent ADAT and switchable S/PDIF or AES3 digital I/O plus support for outboard MIDI devices.

Phats, who has sold over 5m records in a career spanning nearly quarter of a century. adds that the Orpheus has fundamentally altered the way he works.

“From the moment I started working with the Orpheus I could see myself getting closer to the sound I had been searching for,” he says. “I decided to stop releasing tracks and focus on a goal: a new sound, a new direction.”

Pursuing the new path took time but now, eight months later, Phats and his management are in the process of releasing his new material.

“With the Orpheus I could instantly identify where I was going wrong in my mixes and productions. Once I could understand the mixing process with such detail and depth I was able to achieve exactly what I wanted,” he says.

The first track from the new ‘Phats & Orpehus’ partnership was Jason Phats & Fenton Gee’s \ \ H I T E \ \ A T E R (White Water), which caused a real buzz in Ibiza over the summer. There is plenty more to come too.

“Every day is a joy in the studio with the Orpheus and I am very proud of the new material I have lined up for the future,” he says. “The huge leap in quality has led to some great collaboration.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Cignal Systems/Logic Systems to Host NEXO Speaker Tour

YCAS_NEXO Logo Panel

BUENA PARK—Cignal Systems/Logic Systems Sound and Lighting in Valley Park, MO will host a NEXO “Speaker Tour Stop” Open House this Wednesday, October 29, 2014 from 4:00 – 8:00 pm. Registration is not required. The event will take place at 255 Marshall Rd. Suite 160 in Valley Park, Missouri.

Products to be included in the demonstrations are NEXO STM Line Array (M46, M28, B112, S118B, NUAR Rack) and the new GEO M620/M6B Compact Loudspeaker Series.

Mike Eiseman, Steve Armstrong, Paul Furtkamp and others from Yamaha Commercial Audio Systems, Inc. will be on hand to answer questions.

For more information, contact 314-743-0100 or 888-968-4050; or visit
www.cignalsys.com or www.logicsound.com.

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Martin Audio Debuts PSX Powered Subwoofer

Martin Audio PSX web

Waterloo, ONT––The PSX is a companion self-powered subwoofer for the DD6, XD12 and XD15 full-range loudspeaker systems. Featuring a powerful 15”/4” voice coil, long-excursion driver in a very compact reflex-ported enclosure, it houses two channels of Class D amplification, one channel for itself and one channel to power an XD12, XD15, or up to three DD6’s.

The PSX’s Class D amplifier section produces a total peak output of 2400W, with 1400W allocated to the 15” subwoofer and 1000W to drive the associated full-range system. Its lightweight, switched-mode power supply auto-ranges to global mains voltages from 100 to 240V 50/60Hz, and Power Factor Correction smoothes out the mains current draw over the whole of the AC waveform. The operating range of the PSX is 48Hz to 150Hz, with a peak SPL capability of 136dB at one meter.

Onboard DSP performs delay, crossover and EQ functions, while the PSX plus full-range system can be controlled and monitored from a laptop or wireless tablet PC via intuitive VU-NET™ proprietary software. PC connection can be made directly via micro USB, or via Martin Audio’s proprietary U-NET™ network and Merlin loudspeaker and network management system.

An important feature of the PSX is its Internal memory, which allows factory ‘plug-and-play’ or user-generated DSP preset ‘snapshots’ of the PSX/full-range combination to be recalled by means of a preset selector button on the rear panel, instead of using computer control.

The PSX’s tour-grade plywood enclosure is coated in hard-wearing polyurethane and its Declon® backed steel grille is pre-curved to resist deformation in the field. Practical features include a pole-mount fitting in the top surface, bar handles and protective skids. When stacked, the skids on the base of the upper PSX enclosure align with recesses in the top of the enclosure below.

FEATURES AT A GLANCE
• Compact subwoofer power plant for XD12, XD15 and DD6
• Low distortion, high-excursion 15” (380mm)/4” (100mm) voice coil driver
• 136dB peak output capability
• Onboard DSP, networking and Class D amplification (1400W sub + 1000W full-range)
• Switched-mode power supply with Power Factor Correction and global mains operation
• Tour-grade plywood enclosure with integral pole mount fitting
• Wheelboard and rain cowl options

APPLICATIONS
• Portable live sound for 100-400 people
• Smaller-scale theatre productions
• Corporate AV events
• Meeting halls and HoW

For more about Martin Audio, please visit martin-audio.com

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Bexel Supports a New Season of the Best in Reality TV

From “Chopped” to “The Apprentice,” Company Provides Services for a Host of Non-Scripted Shows
Bexel
(BURBANK, Calif.) – As the Fall television season rolls out, a wide array of reality programming is being supported by Bexel, a leading worldwide provider of broadcast services and solutions. Bexel can be found behind the scenes on a veritable who’s who of non-scripted programming, including Chopped and The Apprentice, providing them with the equipment, state-of-art systems, and engineering support needed to meet the highest broadcast standards.

The span of Bexel’s services in reality television covers the entire gamut the genre has to offer. From competitions like American Idol, Dancing with the Stars, Hell’s Kitchen, RuPaul’s Drag Race, and Utopia; to the real world exploits of Beyond Scared Straight, Black Ink Crew, The Real Housewives of Beverly Hills, The Real Housewives of Orange County, Vanderpump Rules, Watch What Happens: Live, and White Girl Problems; to sports-based shows including The Big Break, Deadliest Catch: The Bait, and Hard Knocks, Bexel contributes expertise, support, and solutions to some of television’s most entertaining shows.

Bexel provides a variety of premier technology solutions to these shows, including complete ENG camera packages with wireless monitoring, full ENG audio packages with multi-track recording, Cat-5 monitoring for offstage production offices, fiber booth kits, flypack systems, director/DP monitoring solutions, and much more. The company’s services also incorporate on-site design and installation, overall project management of the technical production, customized communication systems, and frequency coordination and consultation.

Chopped, which will soon begin airing its 22nd season, has been working with Bexel from day one. The popular cooking competition works with a 12 ENG camera flypack from Bexel, utilizing 10 Panasonic AJ-HDX900s cameras and two Panasonic AK-HC1500G robotics systems. The show is provided with CopperHead and SMPTE fiber cable, as well as Bexel’s custom camera harness, to make the ENG cameras work as needed in a studio application.

“From season one, we’ve worked with the great team at Chopped to build a camera package specific to their needs,” says Ernesto de la Torre, business development manager for Bexel. “To be cost effective, they need a very versatile system. With their 12 cameras, they have the flexibility to do what they need in the fast-paced Chopped Kitchen, while still being able to go ENG, which they do for the contestant bio packages. We’re also able to support their Steadicam Operator, who uses a Teradek Bolt Pro system. It allows him to record onboard with the Bolt, and transmit his signal to the control room integrating it into the full production process.”

Bexel also provides hands-on engineering support, delivered in a way that is uniquely integrated with the production. Timothy Quinn, a system engineer for Bexel, serves as the Engineer in Charge on Chopped. In that role, Quinn oversees the technical engineering aspects of the entire production. “Tim is an integral part of the show, and he’s truly considered to be a member of the Chopped crew after all these years,” notes de la Torre. “We also provide a Video Operator who’s charged with making sure all the cameras are matched when the show is being produced, which helps manage time and budgets during the editing process. Bexel’s commitment to our clients is exemplified by Tim and the complete services and support we’re proud to provide for Chopped.”

“Bexel’s support has been invaluable on Chopped,” comments Notional’s Loe Fahie, Line Producer for Chopped. “As an equipment and services provider, they’ve been with us every step of the way. Even when we moved studios a few seasons ago, everything went seamlessly. The team at Bexel knows our production requirements and anticipates our technical needs, which helps keep our production on schedule. I love this team. Ernesto and Tim act as if our show is their show as well. Bexel is part of the Chopped family!”

Bexel has also enjoyed a longstanding relationship with The Apprentice franchise. The popular series, featuring Donald Trump, will soon begin airing its 14th season (The Celebrity Apprentice 7), and Bexel has been in “the boardroom” from the very beginning. Each season the company sends a team of engineers to execute and oversee the entire installation in The Apprentice’s Trump Tower studios. For the upcoming season, the production is utilizing 24 cameras from Bexel, including 18 Sony PDW-F800s cameras and 60 channels of wireless audio from Sennheiser and Lectrosonics.

“From the very start, versatility was key for this production,” notes Gregory Bragg, vice president of Global Sales for Bexel. “Their field crews are able to use the 18 ENG cameras to shoot the contestants in ‘reality situations’ and set up mini-fly packs with six to ten cameras to cover a ‘task delivery’ in the field. Then all of those cameras are able to come in when they shoot the boardroom material. They get tied into Bexel’s control room facilities and become part of the studio flypack as well. The Apprentice franchise is the reason we originally developed our custom harness system. The only cost effective solution for them was to allow the flexibility of an ENG camera into a flypack situation, and our harness has continued to serve us well on many other shows.”

Bexel has served as a resource to production companies from the initial days of reality television. “Since the dawn of the early MTV shows in the mid-1990′s, including Road Rules and many others, Bexel has been at the forefront of support for reality television,” concludes Bragg. “As the genre has evolved, so have the services and solutions that we offer. The depth of our reach into the reality market is really unmatched. Whether it’s a small two to three camera production, a 24 camera mega-show, the 90 robotics involved in Hell’s Kitchen, or the massive infrastructure of Utopia, Bexel covers the entire range.”

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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Media Contacts:
ignite strategic communications
818.980.3473
Christine Purse, chris@ignite.bz

Wohler Products at CCW 2014

CCW 2014
Nov. 12-13
Wohler Technologies Product Preview
Booth 701

Tachyon(R) Wormhole(TM) Media Retiming
The award-winning Tachyon(R) Wormhole(TM) file-based media retiming solution enables up to a plus or minus 10 percent runtime adjustment while preserving not only video and audio quality, but also closed caption integrity. Based on Cinnafilm’s popular Tachyon algorithms and the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) framework, Tachyon Wormhole saves time for content producers, allowing them to “fit and fill” — easily adjusting content to meet specific customers’ length requirements without compromising the integrity or quality of audio, video, and captioning/subtitling. In many cases, this approach allows users to replace a great deal of expensive specialized hardware with a single server at a fraction of the cost. At the same time, Tachyon Wormhole not only gives time back to broadcasters and content distributors, but also allows them to realize new revenue opportunities without materially altering the viewer’s experience of their media assets.

Photo Link: www.wallstcom.com/Wohler/Wohler-Tachyon-Wormhole.jpg
Photo Caption: Tachyon(R) Wormhole(TM) File-Based Media Retiming Solution

RadiantGrid Intelligent Media Transformation Platform(TM) Version 8.7
The award-winning version 8.7 of the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) offers broadcasters a variety of powerful tools that boost the efficiency of file-based workflows for multiplatform media delivery. The platform enables fully compliant OTT offerings for leading formats, including MPEG-DASH, HLS, and Microsoft Smooth Streaming, and aids broadcasters and other content producers in meeting the array of target bit rates, resolutions, and frame rates necessary for today’s content delivery ecosystem.

The media processing engine parallelizes complex audio loudness correction alongside the video at unprecedented speeds. Along with optimized video pipeline features such as anamorphic video handling, 2K/4K Ultra HD support, and bit depths of up to 16-bit YUV, the RadiantGrid platform has been enhanced with the RadiantGrid Detect and Correct(TM) video legalization option, which leverages Wohler’s unique RightHue(TM) algorithm to ensure comprehensive NTSC and PAL color compliance within the file-based domain.

Photo Link: www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

MPEG DVB-ASI and IPTV Monitors
Providing functionality critical for facilities migrating toward IP-oriented distribution networks, the award-winning MPEG Series monitors decode and provide convenient at-a-glance monitoring of program content from MPEG-2/4 ASI and Ethernet IP streams, as well as 3G/HD-SDI inputs. To meet broadcasters’ increasing need for stream-based monitoring, the MPEG video monitors identify, decode, and display in high resolution both MPEG-2 and MPEG-4 signals (input via BNC or Ethernet), while giving users the ability to browse the PAT, PMT, PID, EIT, and NIT data (both ATSC and DVB tables) for each selected stream. In addition to MPEG ASI and dual-input 3G/HD-SDI with loop-through, the MPEG monitors also accommodate audio with level meters, GPI, and tally. Convenient monitoring capabilities include Dolby Digital and Digital+ decoding, as well as the capacity to decode as many as 12 audio groups. In-picture level metering of up to 16 channels of audio is provided for both average and PPM (peak) levels with selectable meter scales.

Photo Link: www.wallstcom.com/Wohler/Wohler-MPEG-4290-VideoMonitor.jpg
Photo Caption: Wohler MPEG-4290 Video Monitor

AMP2-E16V Series Modular Audio/Video Processing Monitor
The AMP2-E16V monitor’s feature list continues to be the longest in the industry, yet the product is operated with one-touch simplicity. In addition to its top-quality audio system, it features simultaneous multiformat monitoring, quick program selection, instant stereo downmix, loudness monitoring, internal channel mixing including SDI re-embedding, and audio delays. The monitor also includes a wide variety of meter scales and ways to view meters, video, and Dolby or SMPTE 2020 metadata.

The AMP2-E16V offers Dolby Zoom, Dolby E line position, and CRC error monitoring, as well as automatic system configuration based upon signal inputs, 32 complete system configuration presets, a complete internal help system, and Ethernet software updates. Audio processor card options facilitate easy configuration for multiple SDI, AES I/O, analog I/O, and connection to external surround systems.

A new AVB Monitoring Option card allows AVB channels to be mixed, level-adjusted, and monitored alongside AES, SDI, analog, and other input types, and in the same fashion. Further enhancements include new processing modules and newly developed software that expand the feature set and capabilities to include loudness monitoring and extended audio interfacing.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP2-16V-Audio-VideoProcessingMonitor.jpg
Photo Caption: Wohler AMP2-E16V Audio/Video Processing Monitor

AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor
Wohler’s new AMP1-16M dual-input SDI audio monitor provides high-performance monitoring of embedded audio in two 3G/HD/SD-SDI streams at an attractive price point. The 1-RU system de-embeds and provides metering and monitoring of any or all of the 16 audio channels in the selected 3G/HD/SD-SDI stream. It assures intuitive operation and clear display of levels and other critical information using bright 2.4-inch LED-backlit LCD displays, enabling one-touch monitoring and summing of any selected channel pair(s) to built-in speakers, headphones, or XLR-balanced analog outputs.

The AMP1-16M monitor features a number of convenient capabilities including remote access for setup and storage of user-defined presets via Ethernet and USB connections, along with gain adjustment/trim on individual audio channels with the ability to assign channels as left, right, or center (both) to the internal audio system and the analog outputs. It offers both pass-through of each SDI input and a reclocked output of the selected monitored SDI stream.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP1-16M-Dual-3G-HD-SD-SDI-AudioMonitor.jpg
Photo Caption: Wohler AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor

RDM-173 Slide-Out Rackmount Video Monitor
Wohler will feature the company’s RDM-173 slide-out video monitor, a 1-RU rackmount system that provides robust monitoring tools and 17-inch HD IPS (1920 x 1080) display in a design that is ideal for space-constrained environments. An optimal solution for AV conferencing and both electronic newsgathering (ENG) and OB production, as well as for integration into electronic field production (EFP) flypacks, the RDM-173 supports all formats of 3G/HD/SD-SDI, HDMI, DVI, composite, Y/C, and component video. The high-resolution display provides superb imaging video quality with viewing angles of 160°H by 140°V and both picture-in-picture (PIP) and picture-by-picture (PBP) display modes. The unit provides a 16-channel level meter on-screen, as well as waveform and vectorscope display, tally, time code, format display, and area/title safe indicators. Front-panel controls simplify operation, and intuitive on-screen menus make configuration easy.

Photo Link: www.wallstcom.com/Wohler/Wohler-RDM-173-3GFrontView.jpg
Photo Caption: RDM-173-3G Front View

Company Quote:

“At CCW 2014 we’ll highlight products with innovative functionality that enables users to realize greater efficiency and — through both cost savings and new revenue-generating opportunities — a rapid return on their technology investment. In particular, we will demonstrate the capabilities of the award-winning Tachyon Wormhole file-based media retiming solution, including the ability to insert additional ad spots seamlessly and to reduce and expand content runtime for international distribution without the need for manual editing of media.”
– Craig Newbury, Vice President of Sales, Wohler

Company Overview:

Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

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Related Topics: Audio Playback, News, Tradeshows |

Yamaha Presentation Room Set for Parsons Audio Expo

logo-parsons-audio-reverse

BUENA PARK, Calif.—For the 28th straight year, Parsons Audio will hold its annual Audio Expo at the Dedham (MA) Holiday Inn on Thursday, November 6. Select audio manufacturers will hold demonstrations and presentations from 10 am – 7 pm with exhibits open from noon – 6:00 pm.

For 28 years, Yamaha Commercial Audio Systems, Inc. has supported the Parsons Audio Expo and this year, in its Presentation Room, the following products will be demonstrated: Yamaha NUAGE Advanced Production DAW system with David Lees and Chris Hinson; CL/QL Series Digital Audio Consoles, DXR Speaker Series, and Commercial Installation Solution (CIS) presentations and demonstrations by Yamaha Commercial Audio Systems regional district manager, Martin Dombey. Yamaha will also team up with members of the Audinate staff for Dante networking software presentations as the software pertains to Yamaha products.

Industry veterans Bob Clearmountain, Bob Ludwig, Frank Filipetti, Kevin Killen, and Jimmy Douglass, will be on hand throughout the Parsons Audio Expo for various mixing and mastering discussions, and the group will hold a mixing panel discussion as well. Details can be found on the Parsons Audio Expo site.

For more information and to register for the Parsons Audio Expo, visit www.expo.paudio.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Martin Audio OmniLine Solves Problems For St. Andrews Cathedral

Sydney, Australia––Wizard Projects, supported by the engineering team from Technical Audio Group (TAG) have installed a large 140-element Martin Audio OmniLine system in St Andrew’s Cathedral, Sydney. The system originally needed to be commissioned in time for the visit by the Duke and Duchess of Cambridge as part of their tour of Australia and New Zealand.

St. Andrew’s is the oldest cathedral in Australia and one of the city’s finest examples of Gothic Revival architecture; however such beautiful architecture comes at an acoustic cost with challenging reverberation times making clarity and evenness of coverage across the congregation a constant issue.

St. Andrews_5072

Having struggled with a sound system that failed to deliver clear speech intelligibility and effective live music reproduction, the church’s decision to install a new system reached emergency status with the Royal visit at hand.

Ross Cobb, Director of Music at St Andrew’s, and Canon Chris Allan were given the job of bidding for design, installation and commissioning of a state of the art system with absolutely no compromise in sound quality––to be fulfilled in just two weeks.

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The task was awarded to Wizard Projects, led by senior engineer Michael Sheldrick with an electro acoustic design team of Glenn Leembruggen and David Gilfillan; the final piece in the jigsaw was the proven Martin Audio OmniLine micro line array, supplied by the manufacturer’s Australian distributor, Technical Audio Group.

Cobb had heard OmniLine in similar church installations and was impressed with the system’s consistent coverage, fidelity and low-key aesthetics.

The team identified a number of key design challenges: the church’s long RT time, sub bass placement and beam steering. The unusual logistics of church services involves a 360 degree presentation from the pulpit, a center transept area where choirs and clergy require sound reinforcement and a church where the congregation could sit anywhere at any service and expect perfect sound. On top of that, priests would move through the nave on headset radio mics with open mics for question and answer sessions.

Wizard’s design solution was to deploy an unprecedented 140 OmniLine elements (distributed over 22 hangs) along with six Martin Audio AQ212 dual 12 inch sub bass. Not only was the quantity of elements enormous but so was the DSP control.

Having used OmniLine in other reverberant environments they recognized that a unique aspect of the system is that it can be mechanically arrayed and aimed when used in passive mode but can also be deployed in an MLA [Multicellular Loudspeaker Array] active configuration.

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In MLA mode, each element in the array is separately amplified and processed using FIR filters, based on custom software. This enables the system to not only be mechanically and electronically steered, but allows consistent frequency response throughout the listening area without the lobing associated with straight columns.

OmniLine is used in a combination of active arrays for the critical areas and passive hangs for spot fill, distributed across 60 channels of 200W-per-channel amps.

The main Western Nave arrays include two banks of 12 active OmniLines with a further two banks of 10 active arrays for the outer northwest pews, while the Eastern Nave has two banks of eight active elements with a further four positions of six active OmniLine for the center of the transept.

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The sub bass system is floor mounted in two banks of three AQ212 with separate amplification and processing for each cabinet, which enables the low frequency to be electronically steered. According to TAG technical director, Anthony Russo, “Because OmniLine has such an extended and usable frequency response to 75Hz, the spectral balance between arrays and subs is even and consistent—a feature not normally associated with a compact array and large bass system.”

TAG also recommended advanced DSP and enabled the church to control the system with iPads, using custom designed GUI screens for simple services, or interfacing with the mixer and digital stage box for full scale services.

Other ingenious design features enable the pulpit’s local OmniLine, mounted a mere 19.6” above, to be ramped down, panned and re-EQed to its opposite partner array via the use of an under-carpet pressure mat whenever a priest uses the pulpit with a live mic. OmniLine’s smooth response is such that only 6dB reduction was required to achieve the pass mark required for gain before feedback criteria.

As Glenn Leembruggen commented, “OmniLine amazes every time we use it; the CAD and filtering predictions are absolutely usable; it’s an amazing engineering feat; there is nothing I have ever worked with that comes close to this product.”

And Canon Chris Allen added, “This has not only been an extraordinary effort but the compliments from the congregation on the clarity of the system are never ending.”

For more about Martin Audio, please click to www.martin-audio.com.

About OmniLine®
OmniLine is a versatile, micro-line array designed for installation in a wide variety of architectural environments. Its modular approach and scalability extend its use from foreground applications to sound reinforcement in large acoustic spaces. Intelligent software enables an array to be configured to deliver sound precisely over any vertical angle to fit the venue profile without spilling onto surfaces where sound is not required. Additionally, elimination of high-frequency side-lobes gives OmniLine the advantage over currently available DSP steered columns, making it suitable for high quality music reproduction as well as speech in large, reverberant spaces. Each array is constructed by connecting multiple modules. Up to 32 modules can be connected where both high output and vertical focusing down to low/mid frequencies are required. Smaller number of modules (down to 4) can be used for shorter-throw applications, where vertical focusing of the low/mid frequencies is less important. This scalability means that OmniLine can be used in a variety of applications. Visually, an OmniLine array is slim and unobtrusive, with soft lines that minimize its visual presence in an architectural environment.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Registration for the 21st HPA Tech Retreat Now Open

The Bellwether Entertainment Technology Event Returns to Indian Wells
HPA Tech Retreat

(Los Angeles, CA) Today at the SMPTE Symposium, produced by the Hollywood Post Alliance (HPA(r), registration for the 2015 HPA Tech Retreat officially opened. For the 21st consecutive year, a veritable who’s who of engineering, technology, creativity and strategic business leaders will gather in the desert to discuss the trends and technologies of the future, while tackling head-on the issues of the present. The HPA Tech Retreat takes place at the Hyatt Regency Indian Wells, near Palm Springs, CA, from February 9th to the 13th, 2015.

The HPA’s preeminent event enjoys a global reach, bringing together the thought leaders and senior practitioners driving the rapidly advancing entertainment technology landscape. The HPA Tech Retreat has consistently proven to be a crucial gathering where technological developments in production, post production and broadcast are unveiled, discussed and debated. During the Tech Retreat, attendees from the media and entertainment industries are uniquely able to share time and ideas with academics from around the world, scientists, and experts in technology from various disciplines. The environment is one of discovery and exploration.

Mark Schubin, who has led the programming for the HPA Tech Retreat for many years, notes, “Each year, we receive submissions from all over the world – about six times more than we can possibly use – and, based on what I’ve seen so far, it’s going to be hard to choose. So many new technologies have been introduced at the Retreat over the years that it’s tough to count them all.”

Over the course of its history, the HPA Tech Retreat has seen a number of breakthrough products and processes previewed in advance of their actual debuts. Surround headphones, full-color full-motion holograms, Sony’s HDCAM SR, SR Memory, targeted-ad production and distribution systems, Panasonic’s Varicam and stereoscopic cameras, Dolby’s high-dynamic-range video monitors, Pencil-beam microphones, and OLED monitors to name just a few of the many “firsts” to be unveiled at the Tech Retreat.

Leon Silverman, President of HPA, notes, “The Tech Retreat is the place you go to see history before it’s made, and to move and shake with the movers and shakers across the technology community. The subjects are always topical, but the real value of this event is the ability to share ideas and challenges, to understand from those who really know and get inspired. While I take away so much from this event each year in program content, an equally important take away comes from mingling with this amazing group – the teachers who teach the teachers. If you have not been to the Tech Retreat, you owe it to yourself to make a pilgrimage to the desert. If you have been, you know exactly what I’m talking about.”

Breakfast roundtables are also a popular part of every HPA Tech Retreat. Schubin comments, “Participants begin hashing out the future of media at the lively breakfast roundtables. Among the topics already confirmed for the 2015 event are net neutrality, content security, workflow complications, and a review of the legislative and regulatory environment.”

The HPA Tech Retreat is a not to be missed opportunity for industry professionals. The five day, multifaceted event includes dynamic conference sessions, a curated Demo Room with leading-edge technologies, networking events, and parties. The session schedule and programming information will be announced soon.

Earlier this year, SMPTE and HPA became official partners, moving forward with plans for full organizational consolidation by May 2015. Today’s Symposium is the first jointly produced HPA/ SMPTE event, an auspicious time to open registration for the HPA Tech Retreat.

The event has a history of selling out, and timely registration for the 2015 HPA Tech Retreat is recommended. Registration at Early Bird rates is now available, REGISTER. For more information on the event and sponsorship opportunities, visit www.hpaonline.com, call the HPA office at (213) 614-0860, or email Eileen Kramer at ekramer@hpaonline.com.

# # #

About the HPA Tech Retreat
The HPA Tech Retreat(r) is an informal gathering, in the Palm Springs area, of the top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, post production, film, television, video, broadcast and related technology areas, for the exchange of information. The 2015 HPA Tech Retreat will take place February 9 to 13, in Indian Wells, California.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers(r) (SMPTE(r)), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at ww.hpaonline.com.

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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