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Renowned Audio Engineer Dave Natale Finds the Right Reverb With HARMAN’s Lexicon PCM Native Reverb Plug-In Bundle

SALT LAKE CITY, Utah – As one of the top audio engineers in the business, Dave Natale has been the front-of-house engineer for a who’s who of artists, including Yes, Olivia Newton-John, Tina Turner, Joe Cocker, Lionel Richie and many more. He currently mixes shows for The Rolling Stones, but when he’s not on the road you can find him at Right Coast Recording, which he established in 1990. One of the factors that’s made it one of the oldest and well-equipped recording studios in central Pennsylvania is Natale’s commitment to making sure that nothing goes into Right Coast unless it sounds right. The most recent component to pass Natale’s rigorous test is HARMAN’s Lexicon PCM Native Reverb Plug-In Bundle, which he recently selected as his reverb software.

“I’ve relied on Lexicon since my days in the early 1980s working for Clair Brothers Audio on a Yes, Tour” said Natale. “We must have been one of the first sound companies to use the Lexicon 224, Lexicon’s first digital reverb that became an industry classic. I memorized the manual.”

Since then, Natale has gone from the 224 to other equally revered Lexicon hardware offerings, such as the 200, 480L and the PCM80, 81, 90 and 91, which he still uses today on tour with The Rolling Stones with Clair Global.

Natale is impressed with Lexicon’s move from hardware to software-based reverb processing. “To my ears, because of the quality and consistency of their algorithms and the sounds they’ve delivered, they’ve made the leap with complete success,” he said.

Natale’s appreciation of the Lexicon components is based on his in-depth understanding of the complexity of reverb. “I think what impresses me the most about Lexicon is the fact that reverb is the hardest thing to model and get to sound right,” he said. “There are too many parameters. When you think about how complex real-life reverb is, with all its variables and decay characteristics, you start to realize how hard it is to make really great-sounding reverb units.”

Needless to say Natale had high expectations when he decided he needed to hear the Lexicon PCM Native Reverb Plug-In Bundle. He said that while there’s nothing like the sound of Lexicon hardware processors, it’s hard to beat the convenience of software plug-ins. “Now that I’ve had a chance to work with the PCM Native Reverb Plug-In Bundle I can tell you that it’s equally impressive and I’m hearing the same quality as I’m used to from the hardware,” he said. “We have been using a 224 and a PCM 70 at Right Coast and I’ve worked with many other Lexicon processors, and the Plug-In Bundle absolutely meets the level of quality I’m looking for.”

Bobby Gentilo, engineer at Right Coast Recording and manager of the studio’s day-to-day operations also considers Lexicon an essential sonic tool. “I trust Lexicon,” he said. “The reverb we’ve always relied on in the hardware has translated nicely to the software in recent years. We work with a variety of artists including some with very critical ears who aren’t shy about telling you what they do and do not like. Lexicon reverbs always pass the test with our clients.”

“Dave is not only one of the most talented audio engineers out there today, he is also one of the great people in our industry,” stated Jason Kunz, Market Manager, Portable PA and Recording & Broadcast for HARMAN Signal Processing. “ It’s a great feeling to knowing that whether he is out on the road with some of the biggest names in music or in his own studio, Lexicon is an integral part of his work.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Audio DAWg to Host Yamaha NUAGE Open House

BUENA PARK, Calif.—Yamaha Commercial Audio Systems and Audio DAWg is pleased to host a product showcase of the Yamaha NUAGE – Advanced Production System on Tuesday, June 3 at Audio DAWg, 400 E. Royal Lane, Ste. #300, Irving, Texas.

NUAGE is a highly refined, scalable hardware/software production environment for recording, video post-production, ADR, music production and mixing. NUAGE features many unique and exciting features such as an integrated ADR system, efficient content management, advanced media access system, and much more.

A joint collaboration between Yamaha and Steinberg, NUAGE is a hardware and software system that adds the power of Dante audio networking, and is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

Join Audio DAWg’s Spunky Brunone, the NUAGE Team, and special guests for an open house to be held from 3:00 pm – 6:00 pm with Q&A and product showcase. A NUAGE overview will be held from 7:00 pm – 9:00 pm.

Please RSVP as seating is limited. Telephone (972) 759-1131.

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Free PreSonus SL Room Control Unlocks the Full Power of StudioLive AI-series Loudspeakers

Baton Rouge, Louisiana, May 2014… PreSonus® is now shipping free SL Room Control, a powerful and easy-to-use system-control and performance-monitoring software for StudioLive™ AI Active Integration™ loudspeakers. The software runs under Mac OS X 10.7 and later, Windows 7 or 8, and iOS 7 and later for Apple iPad 2 or later.

Tightly integrated with StudioLive AI-series speakers, SL Room Control gives you the equivalent control of a rack-mount loudspeaker-management system and more, and it works wirelessly or over a wired (Ethernet) local area network, so you can use it from anywhere that you can access the network.

SL Room Control provides access to a suite of advanced editing controls for customizing each StudioLive AI-series speaker on the network to compensate for room anomalies, create delay systems, eliminate feedback, and more. These features include a 500 ms alignment delay (in 0.1 ms increments); 8-band parametric EQ; 8 notch filters (0.72 of 1 half-step) for surgical frequency removal; input-level control to limit the maximum output of the speaker; mute; and solo.

The software also lets you remotely select any of four DSP contours that customize the loudspeaker for normal operation, playing low-bitrate MP3s, floor-monitor operation, or extended low-frequency boost for the StudioLive 18sAI subwoofer. This lets you to optimize each speaker for its application without needing access to the back panel. You can also remote control the 100 Hz highpass filter on each full-range model and the polarity reverse on the 18sAI subwoofer.

With SL Room Control, you can edit, save, recall, and share speaker-setup parameters, as well as set custom labels and comments for each speaker. Save complete snapshots of every speaker setting and copy-and-paste speaker settings quickly and easily between loudspeakers.

You can also group speakers in order to manage specific parts of the system, then save all settings for the entire system in a single preset. Create settings for each individual speaker, for groups of speakers, and for the entire system in your venue.

The software enables you to remotely monitor key performance indicators in real time for each StudioLive AI speaker on the network, including spotting thermal problems, driver over-excursion, and signal levels that are too hot for the converters so you can correct them before disaster strikes.

StudioLive AI loudspeakers are ready to network out of the box, so you need only add a Mac, PC, or iPad (or a combination of those); a wireless router; and SL Room Control. A Network Wizard makes setting up SL Room Control easy.

SL Room Control for Mac OS X and Windows is free to registered StudioLive AI-series loudspeaker owners and can be downloaded from the customer’s online My PreSonus account.  SL Room Control for iPad is a free download from the Apple App Store.

For more information, please visit www.presonus.com/products/SL-Room-Control.

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

DPA Miniature Microphones Chosen For The Bodyguard

The hit stage musical of The Bodyguard, currently playing at the Adelphi Theatre in London, is relying on DPA’s d:screet™ 4060 Omnidirectional Miniature Microphones to provide amplification for all members of the cast who have spoken lines.

Written by Alexander Dinelaris and based on the 1992 film starring Whitney Houston and Kevin Costner, the stage version of The Bodyguard features Beverley Knight in the role of Rachel Marron, with former X Factor winner Alexandra Burke taking over from June 2nd 2014.

DPA microphones have long been popular with the sound teams working on theatre productions, particularly those in the West End and on Broadway. The rugged nature of the company’s miniature microphones, combined with their ability to deliver great quality audio even when hidden in wigs and costumes, have made them enduring favourites.

Ania Klimowicz, Deputy Head of Sound for The Bodyguard, says DPA’s d:screet 4060s were chosen because sound designer Richard Brooker and director Thea Sharrock didn’t want any microphones to be visible to the audience. The microphones were supplied by Autograph.

“We use paint, tape and make-up on the mics to make them look as invisible in the actors’ hair or wig as possible,” Klimowicz explains. “We mainly use ‘mic clips’ and occasionally elastic to fix the mics to the performer’s head. Male actors with shaved heads are probably our biggest challenge – in those cases we abandon the usual centre top of forehead fitting and fit the mic over the ear.”

There are 32 actors involved in this current production of The Bodyguard, with 22 performing in each show. There is also a 10-piece band, a three person sound crew and a backstage cast of 45. When it comes to sound, the show is operated by one person who live mixes the band and vocals, as well as firing the sound effects.

“Three members of the cast are ‘double mic-ed’ meaning they wear a main and backup DPA d:screet 4060 head microphone,” Klimowicz says. “Some of the girls wear a headset, a head-mic and use a handheld microphone at various points during the show. Generally the sound for the spoken parts of the show is reinforced but remains naturalistic. This contrasts with numbers such as Queen of the Night or So Emotional, which are set during concerts and therefore need to feel big and more rock ‘n’ roll.”

Klimowicz adds that most of the show jumps in dynamics, except for a couple of numbers such as Run to You which is mixed more like a musical theatre number.

“We use the head-mics here as the song moves as part of the story and a hand-held would somewhat break with the audiences’ suspension of disbelief,” she explains.

Although sweat and make-up can be an issue for some stage productions, Klimowicz says they are not really a problem on The Bodyguard. None the less, the entire sound system including all the microphones are carefully checked before each performance to make sure everything works.

“The DPA d:screet 4060 microphones sound great and are also very reliable. We rarely have an issue with them,” she says. “Given the amount of wear and tear they face on a daily basis, they are incredibly rugged. They are also very small, which makes them much easier to hide in hair and wigs.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Prism Sound Assists With Gavin Harrison’s Drum Masterclass

Internationally acclaimed drummer Gavin Harrison who has worked with a wide range of artists including Iggy Pop, Sam Brown and King Crimson, recently held a drum workshop at Ananda Studios in Cambridge, during which he revealed the secrets of creating a great drum take.

Hailed as a unique and inspiring event by those who attended, the workshop focused on the demands of being a session player and how to deliver a great performance, even when under pressure.

After starting the session with some basic coordination exercises, Harrison, explained the drum part in a specific song and described the techniques he would employ to deliver and capture the sound. Afterward, those taking part were given the opportunity to play the drum part on his kit and have it recorded in Logic by Ananda Studio’s engineer Neil Cowlan so that they could review their performance with Harrison.

“The opportunity to play along with Gavin and then have him critique my performance was great,” said drummer Russ Tarly, one of the 24 people who attended. “This is the first time I’ve come across such a hands-on event and it worked really well. I knew I wanted to do it because it was so specialized. I’d love to see more events like this because I’m sure there are plenty of other drummers who would enjoy going through this experience.”

To ensure the highest possible audio quality throughout the recording chain, Ananda’s Neil Cowlan deployed two recently acquired Prism Sound Atlas audio interfaces, which were used to track 9 microphones from the drum kit into Logic.

As the latest addition to Prism Sound’s professional USB interface family, Atlas is aimed squarely at multitrack recording applications. Atlas benefits from Prism Sound’s 27 year history in digital audio processing and interface design and incorporates the company’s latest award-winning CleverClox dual hybrid clocking technology as well as eight of the company’s acclaimed microphone preamplifiers as standard. The Prism sound mic preamps are based on the very successful Orpheus preamps, but are upgraded with 20dB pads now available for all inputs. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems and can also run with Apple and Windows native applications over USB. Other expansion cards are slated for future expansion of computer interface options.

For Gavin Harrison’s workshop, Prism Sound also loaned Ananda Studios a Lyra audio interface for additional monitoring. The microphones used for this project included a Shure SM91 and AKG D12VR for the kick drum; a Shure SM57 (top) and a Beta 57 (bottom) on the snare, an AKG C451 on rack toms and a Shure SM57 on floor toms.

Cowlan says: “The Prism Sound Atlas interfaces performed flawlessly, both during the Gavin Harrison workshop and at a private seven hour session that took place the day before. They are truly amazing AD converters and mic-pre’s that sound fantastic. It is no surprise that Prism Sound units are found in some of the finest recording studios in the world and the fact that we can now offer them, too, gives people another great reason for coming to record here.”

Located in the Cambridgeshire village of Littlington, Ananda Studios is a purpose built facility housed in the old Neve factory. Originally designed by Andy Munro, the studio was once used for R&D purposes and to demonstrate Neve consoles. Today, it is popular with a variety of artists who appreciate the combination of tranquil surroundings, great room acoustics and an extensive equipment list.

“The live room is a fully acoustically designed space that sounds wonderful for anything you can imagine recording. Drums, string quartets, guitars, vocals, percussion – it all sounds great,” Neil Cowlan says. “We also have a large range of microphones, pre-amps, EQ’s and other equipment to cater for almost any project, along with a huge collection of guitar and bass amplifiers including Marshall, Fender, PRS, Orange and Matamp.”

Following on from the success of the drum workshop, Cowlan plans to host similar events at the studio and will be announcing these very soon.

Prism Sound’s sales director Graham Boswell, who attended the workshop with Bernhard Nocker from the company’s sales and marketing team, adds: “We were delighted to be able to support this event by loaning the studio equipment and look forward to working with Neil again in the future.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Sound Works Pro Tapped for Philfest, Chooses NEXO and Yamaha

BUENA PARK, Calif.—Philfest is an annual collaboration between A&O Productions and Students for Ecological and Environmental Development (SEED) at Northwestern University in Evanston, Illinois. The event features bluegrass and folk music as part of an effort to promote environmental awareness and also raises money for the Rocky Mountain Institute, a non-profit aimed at the sustainable use of resources. The day is held in honor of Phil Semmer, a former SEED member, who passed away while studying abroad.

Held this year in early May at Northwestern on the Norris Center’s East Lawn, Sound Works Productions, Inc. of Frankfort, Ill. was once again tapped to provide audio production. This year, the sound company provided five NEXO GEO S12’s flown, two RS18’s Ray Subs per side ground stacked with two NEXO PS10s speakers used for front fills, all driven with their NEXO NX4x4 amp rack. A Yamaha M7CL was used at front of house with an LS9 at monitors. The Deadly Gentleman from Boston headlined, followed by Sunnyside Up, and Todd Kessler.

“The GEOS12 system sounds amazing, is easy to setup and fly from a mobile SL100 stage, and gets the coverage we need for the Norris Center East Lawn,” states Sam Boren, Vice President of Business Development, Sound Works Productions, Inc.

For more information on Sound Works Productions, Inc. visit www.soundworkspro.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Biamp Systems Acquires Dev-Audio

Renowned audio solutions manufacturer adds microphone technologies company as it continues developing innovative products enhancing the robustness of its DSP offering

BEAVERTON, Oregon — May 15, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today has announced the acquisition of Dev-Audio, a developer of advanced microphone processing technologies and the award-winning Microcone product. Microcone and its associated software application, Microcone Recorder, are conferencing products that actively track and enhance voice quality, adaptively reduce background noise, and record directly to any computer. more

DPA helps Joel Compass Perfect His Microphone Technique

Emerging UK artist Joel Compass has become the latest in a long line of singers to join the DPA Microphones’ fan club.

Compass, a 21 year old from South London who is rapidly making a name for himself as an up and coming R&B star, was switched on to DPA’s award-winning d:facto™ Vocal Microphone by his tour manager Mark Portlock and his engineer Liam Halpin.

“DPA microphones are renowned for their audio quality and very low noise floor, so I initially considered the d:facto Vocal Microphone for another artist I am working with who has a particularly quiet voice,” Portlock says. “However, once Liam and I demo-ed it we realised it would also work really well for Joel’s voice, which has a great dynamic range. We introduced him to the microphone and he absolutely loved it. He is now using d:facto for all his live vocal performances.”

Liam Halpin adds that DPA’s d:facto Vocal Microphone has made his life as an engineer much easier because he can use it with any professional wireless microphone system.

“DPA’s UK distributor Sound Network supplied us with an adapter that gives us seamless integration with all of the professional wireless systems we usually encounter,” Halpin says. “I am a big fan of Shure’s wireless system but that doesn’t preclude me from using other brands of microphone. There is a correct microphone for every situation and in Joel’s case, when it comes to live vocals, it’s the DPA d:facto. With this microphone all I need is an adapter, a capsule and a grill and I can walk into any venue and use any wireless system – I don’t have to take in my own. That saves us having to rent in a wireless system and allows us to use the right microphone for the artist and the performance space.”

Joel Compass has been making waves in the UK after getting an early buzz from media outlets such as MTV and Digital Spy. As well as performing his own material, Compass also writes for other artists and is making a name for himself as a producer – indeed his ballad, Run, was written with Rihanna in mind. His latest single Forgive Me is currently climbing the UK Top 50 and he has been making high profile appearances at the MTV Brand New awards, at London’s Red Bull Studios and live support shows with Rudimental and US star J Cole. He is also working on projects with established artists and his own debut album Science. A busy summer including live shows at Glastonbury and Wireless and secret garden festivals awaits.

Mark Portlock and Liam Halpin believe that introducing Compass to the d:facto has had a number of hidden benefits, not least helping him redefine his microphone technique.

“DPA’s d:facto Vocal Microphone seems to work best when artists use In Ear Monitors, because that’s when they can really hear the difference it makes to their voice,” Halpin says. “With Joel, we started out using wedges but this was a real pain because he would sing right off the mic, often with his hands covering parts of the grill. Eventually, when we switched to d:facto, we persuaded him to move to IEMs, which he now has in both ear. The change this made to his mic technique was dramatic. Suddenly he could hear his own voice properly and he got right on the microphone because he was enjoying the improved sound so much. It’s made a huge difference to his performance and to the consistency of his sound – in fact I would go so far as to say that this microphone has done more than anything else to get his live performance to where it is now.”

DPA’s d;facto Vocal Microphone now features on the equipment rider for every gig that Joel Compass does and as a result Portlock and Halpin’s favoured rental company, Encore, has invested in its own stock. The microphone is also proving popular with the studio and broadcast engineers the team have encountered during the filming of some of Joel Compass’ gigs.

“It’s really funny how their faces light up when you tell them your artist is using a DPA microphone,” Halpin laughs. “Studio and broadcast engineers are usually pretty disdainful about live mics but with this one they are more than happy. They know all about the audio quality of DPA so the d:facto gives us credibility.”

Portlock adds that the d:facto Vocal Microphone also gives Joel Compass credibility, especially among other artists who recognise that it is a significant investment. He gives DPA’s UK distributor Sound Network much of the credit for making it possible to move Compass onto a d:facto – and for supporting the team while they made the switch.

“The d:facto is not cheap and there is no way we would have committed a developing artist to such an expensive microphone if we hadn’t had fantastic distributor support,” he says. “The fact that Sound Network was able to lend us the d:facto Vocal Microphone in various forms so that we could try them all out – with cable bodies, adapters, different coloured grills etc – made a huge amount of difference. It gave us the confidence to go with the microphone and it also inspired our rental company to buy stock of its own so we now have access to mics that we can rent through them.”

To see Joel Compass in action at Transmitter Live using DPA’s d:facto Vocal Microphone, please follow this link: https://www.youtube.com/watch?v=F7stBS5lYtI

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

NUGEN Audio’s Visualizer Refreshed With New Interface, AAX 64 Bit and VST3 Support

Popular Audio Analysis Toolset Offers Comprehensive and Integrated Capabilities in a Single Plug-In for Recording, Mixing, and Mastering

LEEDS, U.K. — May 8, 2014 – NUGEN Audio, creator of intuitive tools for audio professionals, has released a significant update of its Visualizer audio analysis suite. Designed for high-end music production professionals, Visualizer now supports the Avid(R) AAX 64-bit format for both PC and Mac(R), as well as the VST3 standard for digital audio plug-ins.

Visualizer provides comprehensive audio analysis for recording, mixing, and mastering in a single plug-in, offering a standardized reference set of professional tools designed to help audio engineers work faster, avoid mistakes, repeat past successes, and understand the success of others. With the latest upgrade, Visualizer is now among the first in the industry to be compatible with Avid Pro Tools(R) 11, the latest version of Avid’s popular digital audio workstation.

With Visualizer, engineers are able to access many different views within a single intelligent window system, which lets them select the view combinations they need. Visualizer automatically resizes and aligns windows to maximize legibility and referencing information across screens. For recording, Visualizer offers tools for calibration, setting levels, signal path checking, noise minimization, and many other audio tasks. At the mixing desk, engineers can use Visualizer for tasks such as low-end control, masking, hidden frequencies, and stereo placement, among many others. For mastering, Visualizer supports a wide range of views such as stereo spread, phase relationships, and EQ distribution.

“When we first launched Visualizer in 2005, it quickly gained the attention of producers and helped NUGEN Audio build its brand in the audio production industry. Today, Visualizer is an indispensable analysis tool for quality audio production in music studios around the world,” said Jon Schorah, creative director, NUGEN Audio. “The new update is the latest example of how we’re continually adapting our products to meet our customers’ evolving requirements; for instance, 64-bit AAX compatibility provides future-proofing for our many customers who rely on Avid’s editing software.”

More information about Visualizer and NUGEN Audio’s complete set of professional audio tools is available at www.nugenaudio.com.

# # #

About NUGEN Audio
NUGEN Audio’s award-winning tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in music production, broadcast, and post-production. For audio professionals, NUGEN Audio’s mix and mastering products offer market-leading fidelity and unrestricted creativity in every situation, providing an easy, direct, and natural way to work with sound. NUGEN Audio tools have become critical for some of the biggest names in the industry including Michael Brauer (Coldplay, The Rolling Stones), Robbie Bronnimann (Chicane, Paul Van Dyk), and Mr. Mig (Beyonce, Akon). For more information, visit www.nugenaudio.com.

All trademarks mentioned herein are acknowledged as property of their respective owners.

Photo Link: www.wallstcom.com/NUGEN/NUGENAudio-VisualizerScreenShot.jpg
Photo Caption: Screen shot of NUGEN Audio’s Visualizer audio analysis suite.

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HARMAN’s JBL Professional Enters Paging Horn Market with CSS-H15 and CSS-H30 Models

NORTHRIDGE, California– HARMAN’s JBL Professional has launched its new CSS-H15 (15-Watt) and CSS-H30 (30-Watt) paging horns—the first products from JBL specifically designed for the commercial sound paging horn market. The new JBL CSS-H paging horns are ideal for public address systems, announcement/paging, intercom, security, alarm and industrial applications.

“Many of our systems integration customers utilize paging horns in their projects, and now they will have access to these top-quality, high-intelligibility, cost-competitive paging horns from JBL at their disposal,” said Rick Kamlet, Senior Manager, Commercial Sound, JBL Professional. “The JBL CSS-H paging horns provide excellent voice range clarity for a variety of environments.”

Constructed of sturdy ABS with corrosion‐resistant all-stainless-steel mounting bracket and hardware, both models include a built‐in UL registered multi‐tap transformer (15‐Watt for the H15, 30‐Watt for the H30) for use with 70V and 100V distributed speaker lines, with a screwdriver adjustable tap switch, and a bypass position for direct 8-ohm operation.

The CSS-H paging horns further expand JBL Professional’s lineup of cost-effective CSS Commercial Solutions Speakers, adding to the collection that already includes CSS-8000 Series ceiling speakers, CSS-1S/T surface-mount speaker, and the JBL Commercial-branded CSM mixers, CSR remotes, CSPM paging microphones, CSA amplifier, the new CSMA mixer-amplifiers, and other products that are all designed for the needs of a wide range of commercial applications.

The JBL CSS-H paging horns are also highly weather-resistant (IP-65 rated) for outdoor applications. Both models pass JBL’s 100-hour continuous full-power test to ensure long-term reliability.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

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