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Archive of the Audio Playback Category

Pro Audio Technology Appoints Aim High Audio Sales as Manufacturers Representative

Aim High Audio Sales will bring PRO’s line of cinema-quality audio products to the Southeastern U.S. region.

Huntington Beach, CA – October 31, 2013 – Pro Audio Technology (PRO), the leading supplier of loudspeakers and DSP-programmable amplifier systems, today announced the appointment of Aim High Audio Sales as a manufacturer representative. Aim High will bring PRO’s cinema-quality audio solutions to its dealer partners in the southeastern U.S. region, including Georgia, Tennessee, Alabama, Mississippi and North and South Carolina.

“Pro Audio Technology offers an extensive line of products that deliver incredible dynamics and unmatched SPL levels, all while keeping the dialogue intelligibility crisp and clear,” said Chris Gilray, president of Marietta, GA based Aim High Audio Sales. “In addition, its SoundTools setup and calibration software makes audio system programming and performance optimization simple for installations of all sizes.”

PRO’s multiple speaker series are voiced to a common performance standard, allowing installers to select models based on application, gaining greater flexibility when designing an audio system. A hallmark of PRO engineering technology, each system is field-configurable and employs the company’s proprietary PRO SoundTools software via its PMA amplifier product range. All crossover functions, high-resolution frequency response shaping, and time correction are achieved in DSP, eliminating restrictive passive filter networks from the signal path. In addition, the integrator is given a powerful suite of DSP controls to compensate for environmental influences, such as speaker placement behind viewing screens or stretch fabric walls, secondary boundary loading, and other factors.

“Our dealers appreciate our flexible sales model and intuitive programming tools, both of which are unique to PRO and contribute to more profitable installations,” said Pro Audio Technology founder Paul Hales. “We’re glad to have the knowledgeable team at Aim High Audio Sales bringing this message to dealers and we look forward to growing with them.”

PRO audio systems deliver the visceral sensations of today’s music and motion picture soundtracks to people who want to experience true cinematic or concert-level performances. For more information about Pro Audio Technology products, please visit www.proaudiotechnology.com

About Pro Audio Technology
Through thoughtful combination of consumer and professional engineering technologies, Pro Audio Technology designs and manufactures a complete range of high-power loudspeakers and DSP-programmable amplifiers for high-end residential installations. PRO products unite lively dynamics, high maximum output level, and rugged durability with the refined acoustic performance you’ve come to expect from contemporary home audio equipment. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology products are available globally through an elite group of high-end residential custom installers. Pro Audio Technology is the brand name of Professional Home Cinema, LLC.

Yamaha Steinberg Networkable Recording System Makes AES Debut: ‘NU’ Components Added

NEW YORK—A joint collaboration between Yamaha and Steinberg, NUAGE will make its AES 2013 debut in the Yamaha Commercial Audio Systems, Inc. booth #2623, at the Jacob Javits Convention Center in New York City. A hardware and software system that adds the power of the Dante audio network to world-class recording, post production, live to tape broadcast, and house of worship recording for re-broadcast, NUAGE is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements. The system is currently shipping, and more features have been added to those previously announced.

The first truly networkable recording system, NUAGE consists of hardware work surface components, sleek interface, comprehensive visual feedback, networkable audio interface units, and a software-based digital audio workstation. It offers advanced processing capabilities and superior sonic quality. The Yamaha control surface features a combination of fader and main control units allowing for various system configurations. At the core of NUAGE is Steinberg’s award winning Nuendo digital audio workstation software. Coupled with the power of Dante, this advanced production system provides mix engineers a truly synergistic studio solution. Dante audio networking provides unrestricted system design and expandability both in the studio and in situations where audio is to be shared with live mixing systems.

Yamaha has added two new components to NUAGE. The ADR Mode for the NUAGE Master allows the operator to quickly and easily enable the Nuendo 6 ADR Taker functionality on the Ncs500-CT to provide transport control for the Rehearse, Review and Record modes via the NUAGE Master Transport section. Insert Marker and Insert Cycle Marker buttons are conveniently assigned in the touch screen as well as marker information like Start/End points for cycle markers, Take No. (Number), Character Name, and Dialog. Cue Bus Control is editable from the touch sensitive encoders and the user can easily toggle the ADR functions to the user define buttons and back to the previous assigned functions. The “Marker” button in the numeric keypad section now toggles between “Marker ID” and “Take No.” for easy content location. User Assign Groups of 1-12 and 13-24 from the four banks can now be toggled to the User Define Keys.

The second new feature added is a Yamaha AD8HR mic preamp can now be controlled from the NUAGE Multi-Function Knobs when the “PRE” Button in pressed in the control section. HA Gain, HA Trim, HPF and 48V phantom power can be edited along with LC (Low Cut), HC (High Cut), and Digital Gain. The AD8HR connects to a PC or MAC via a serial connection and is configured in the NUAGE Workgroup Manager.

NUAGE modular architecture and network audio interface enable broad system flexibility. Two types of control surface units can be used individually or in combination, according to system needs. Three types of high-end audio interfaces are available, used individually or in combination for up to 128 channels. 16-channel analog, 16-channel digital, and 8-channel analog + 8-channel digital can be controlled at once with two encoders per channel, or all encoders can be mapped to one or two highlighted channels in the Channel Setting Mode. NUAGE I/O also features advanced JetPLL™ jitter reduction technology for extremely low jitter and superior AD/DA resolution.

NUAGE benefits lead to uncompromised product quality and include 32-bit/192 kHz support for superior sonic quality (Nuendo 6 supports sampling rates up to 384 kHz). Advanced audio interface DSP hardware offers “True Integrated Monitoring” for ultra-low-latency monitoring. The DSP surround processing capabilities provide all the essentials for state-of-the-art surround sound including speaker/level display adjustments and base management. The power of native system processing allows a large number of plug-ins to be used simultaneously across multiple channels/tracks. Nuendo Syncstation provides sample-accurate synchronization for audio and video.

A Dante Accelerator audio interface card can be installed in the computer running the Nuendo DAW to provide extra-low latency multi-channel audio data transfer capacity, advantageous when communicating with NUAGE I/O units. A secondary port can be used to provide redundant connections for failsafe reliability.

NUAGE provides intuitive operation and visual organization for enhanced efficiency. Any 24” monitor can be used with the system. The system incorporates the computer LCD displays for “Extensive Console View” channel strip extension, customizable Nuendo shortcuts that can be freely assigned to numerous User Assignable Keys, Touch Slider functionality for instant channel navigation, touch sensitive faders and encoders, Channel Name Display, and Channel Color Bar. A precision jog wheel supports accurate, error-free editing on the master section. Computers and monitors are not included in the system components.

The system’s space-saving keyboard/mouse editing capabilities as well as compact rack-mount dimensions round out the unique NUAGE system.

A basic NUAGE system has an MSRP of $18,000.

For more information on NUAGE, visit the Yamaha Commercial Audio Systems, Inc. booth #2623 at AES N.Y. or on the web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Red TX Captures Stephen Lawrence’s Tribute Concert

Broadcast audio specialists Red TX was at London’s O2 Arena on September 29th, 2013, to capture the broadcast audio for Unity – A Concert For Stephen Lawrence.

Artists including Rita Ora, Beverley Knight and Jessie J were joined by Emeli Sande, Ellie Goulding and Ed Sheeran for the concert, which was held to mark the 20th anniversary of Stephen’s death in southeast London.

Red TX was commissioned to handle the broadcast audio by Paul Dugdale, who was directing the project on behalf of ACME TV. Dugdale previously worked with Red TX during the summer when the company recorded The Rolling Stones in Hyde Park.
For the Unity concert, which was broadcast on BBC 2, Red TX used its main Red 1 outside broadcast vehicle, with engineers Tim Summerhayes and Ollie Nesham at the controls.

“We knew the event was going to be challenging due to a tight schedule and the shear amount of artists and tracks involved,” Paul Dugdale says. “As a director, it’s such a blessing having someone like Tim involved, not only because I know he’s great in those high pressure situations, but that you know the finished product will come out sounding amazing, too.”

Tim Summerhayes adds: “We recorded the concert as live because we had enough time to create snap shots during the sound check. We also had some time the following day to tidy up the audio before delivering it to The Farm where it was dubbed and made ready for broadcast on the evening of Tuesday October 1st. Although there were a large number of artists involved, it was a relatively straightforward project and we were all really pleased with the results.”

The concert was part of the SL20 Campaign, which is celebrating Stephen’s life with a series of awareness-raising events through the year. Funds from the show will go to The Stephen Lawrence Charitable Trust, which aims to create brighter futures for young people from disadvantaged backgrounds.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

Red TX Mixes the Audio for Morrissey’s New Film


Broadcast audio specialists Red TX played a pivotal role in the production of MORRISSEY 25: LIVE FROM HOLLYWOOD HIGH, recorded at Hollywood High, a legacy concert film that celebrates 25 years of this enigmatic performer’s solo career.

Filmed live at the Hollywood High School in Los Angeles in March 2013, this intimate gig provided the material for the first authorised Morrissey film to be released in nine years. Red TX worked closely with Nineteen Fifteen and Eagle Rock Productions, the producers for Eagle Rock Entertainment, to ensure a great soundtrack. As well as liaising closely with the US recording crew, the company was also responsible for mixing the concert – a task that took place back in the UK on board Red TX’s main Outside Broadcast vehicle, Red One, with director Tim Summerhayes at the controls.

Nineteen Fifteen producer Vicki Betihavas says: “I have worked with Tim and the Red TX team for many years and they are my first choice for all my music projects, in particular live shows. On this occasion we had entirely local support for the filming, with only the producer, director and DOP coming in from the UK. However, Red TX knew the audio crew in Los Angeles so I knew we were in safe hands as Tim and the US team coordinated what we needed. Tim also mixed the Theatrical, TV and DVD versions for us and the sound was great – as always.”

Tim Summerhayes adds: “I was really happy to be involved in this project. We arranged to have the concert recorded by Guy Charbonneau and his son Ian who run Le Mobile in Los Angeles. I’ve known Guy for years and was entirely confident that he would do a great job. The multitrack arrived back in the UK as a disc drive of .WAV files. I mixed it over a period of five days and it was a very straightforward task since the recording had been so well done. The band was excellent and, because it was a small venue, the sound was really honest.”

The film opens with tributes from fans who talk about their unwavering devotion to Morrissey. They also discuss the unique appeal of the unusual venue, which offered a striking contrast to the sold out arena concert at the Staples Center where Morrissey had played the previous night. Tickets for the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on his US Tour.

The project was completed in July in time for the film’s Global Theatrical release. Distributed by More 2 Screen (UK) and SpectiCast (North America) on behalf of Eagle Rock Entertainment, the film is still being shown in various territories and regions, particularly in the US where it is playing encore performances in many cities. The DVD/Blu-ray version will be released on October 21st 2013.

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About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

HARDPOP CLUB ELEVATES TO DANLEY SOUND LABS SUBWOOFERS AND LOUDSPEAKERS

JUÁREZ, MEXICO – SEPTEMBER 2013: The Hardpop Club in Ciudad Juárez, Mexico is both a source of immense local pride and a beacon to serious DJs and electronic musicians around the world. Indeed, the hard-partying citizens and electronic music fanatics of Ciudad Juárez regularly fill the Hardpop Club to its 500-person capacity, and international DJ and club publications consistently rank it within the top one hundred clubs globally. Over the past two years, the Hardpop Club has – with the help of North Carolina-based Clarity, Inc. – switched out its old sound system for a cutting-edge Danley Sound Labs system with abundant headroom, crystalline fidelity, and honest, chest-crushing bass. The improvement over even the best conventional club sound systems is obvious, and artists and fans alike are hailing the new sound at Hardpop Club. In addition, Danley’s new optional club aesthetic makes a bold visual statement that underscores the unique sonic characteristics of Tom Danley’s innovative designs.

As a border town that was especially hard hit by Mexico’s drug war, Ciudad Juárez is both a city and a rallying point, and the returning health of its vibrant cultural life is a metric of hope for its citizens. “The owner of Hardpop Club is in a city that is attempting to recover from its bad reputation,” said Bill Weir, vice president of technology at Clarity and the mastermind behind the club’s sound design. “He feels that he has to go above and beyond to attract A-list performers from around the world. He wanted a new sound system that would be unique and that would reinforce Hardpop Club’s position as a leader in the industry.” With its focus squarely on the music – most of the club’s patrons are electronic music fans first and club-goers only second – that meant taking the new sound system to the next level.

“Clubs are obligated to refresh their sound and look every so often and Hardpop Club was due for an upgrade,” explained Rich Mason, president of Clarity. “Electronic dance music is one of the most demanding forms of music on a sound system because its creators fully and deliberately exploit the entire frequency range – from 20Hz to 20kHz. Rather uniquely, Danley offers a lot of legitimacy in the low end, particularly the bottom octave. Beyond supplying a ton of bass, Danley subwoofers are truly musical. Because Danley full-range boxes are horns, we can keep energy off the walls, and their phase coherency is phenomenal. Hearing a loud Danley system is a unique experience because it is devoid of the distortions inherent to conventional subwoofer and loudspeaker designs.”

Four Danley SH-96HO full-range boxes paired with four Danley DBH-218 subwoofers comprise the main output of Hardpop Club’s new system. Because of their excellent pattern control, which extends octaves below conventional designs, Weir was able to toe the SH-96HOs in to keep energy off the walls and on the main floor, reducing the room’s decay time by 300ms. Four Danley SM-96 full-range boxes paired with four Danley TH-118 subwoofers fill in the sound from the back of the room. Weir was careful to use the DSP capabilities of the Powersoft K- and M-Series amplifiers to properly delay and phase all of the system components so that everything sums in phase in the middle of the room and so that no components are fighting. A pair of Danley SH-46s and a pair of Danley TH-212 subwoofers at the DJ booth inspire great performances. A Lake LM44 DSP provides modest overall system tuning.

“Working with Danley on this project was great,” said Mason. “We suggested a number of add-ons or options that would raise the Danley brand in the eyes of club owners, and they took us up on every one. The most conspicuous suggestion was a bold color contrast between the horn and the rest of the box. For Hardpop Club, the horns are red and the boxes are black. It doesn’t even look like a speaker!”

“High-SPL sound reinforcement systems are typically either forgiving and lack resolution; or they have the resolution but are merciless and unforgiving of material produced in a less than stellar fashion. The greatly reduced distortion in the mid-band Danley means that even with material that’s less than perfect there is a level of effortlessness that is always present. And since the large format horns are full range and have no convergence error, the sound in the venue is exceptionally warm, friendly and consistent,” says Weir.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

HARMAN Professional Enhances Architectural Media Systems With Release Of HiQnet™ Audio Architect™ Version 1.1

NORTHRIDGE, California – HARMAN Professional today announced the introduction of its HiQnet Audio Architect version 1.1 professional audio configuration and control platform, an upgrade that brings new functionality and features, including control of Audinate Dante™-enabled devices, enhanced functionality for BSS Audio and Crown products, better on-screen control interfaces and other improvements.

Audio Architect is the software element of HARMAN’s Architectural Media Systems, and is a single control platform for all devices in a HiQnet sound system, from microphone to speaker. HARMAN Architectural Media Systems combines the processing power of BSS Audio and Crown Audio’s category leading amplifier technology with the configuration and control capabilities of HiQnet Audio Architect. This solution provides audio professionals with the most complete, versatile platform available for small to large-scale AV system design, with the single point accountability of one-stop comprehensive support and logistics. Architectural Media Systems provides networked audio connectivity via the designer’s choice of AVB, HARMAN’s proprietary BLU Link bus, Cirrus CobraNet or Audinate Dante.

To facilitate system setup, Audio Architect 1.1 utilizes graphical, diagrammatic representations of the installed or live sound venue, and the components and loudspeakers in the system. Devices “understand” both their physical and logical placement – in racks, arrays and rooms – and the software “learns” how they are to be used in the real world, while offering extensive setup and configuration capabilities, now further enhanced with version 1.1.

Audio Architect 1.1 now supports the Audinate Dante-enabled BSS Audio Soundweb London BLU-806 signal processor and BLU-326 I/O expander devices. Version 1.1 also enables signal naming and signal following in the software’s BSS Soundweb London Route Audio Mode, giving users the ability to trace signals quickly and easily through the open architecture of a BSS Soundweb London device and between Soundweb London devices over the network.

“The release of Audio Architect 1.1 reflects HARMAN Professional’s continued commitment to offering universal networking solutions with multiple transport options – HARMAN’s own BLU link bus, Audinate Dante and CobraNet® are all configurable in Audio Architect today. In a future version, AVB support will also be added, rounding out Audio Architect’s readiness for any networking application,,” said Adam Holladay, Market Manager, HARMAN System Development and Integration Group.

Further incorporating London Architect functionality, Audio Architect version 1.1 offers Soundweb London devices both 96kHz support and adds a FIR Filter Processing Object. In addition, Soundweb London Parameter presets and Device presets and can be dragged directly into controls in the Custom Panel Designer.

Version 1.1 now provides support for the Crown DCi 8|600N model of the DriveCore Install Network Series networkable amplifiers, which have BLU link connectivity and point-to-point audio networking compatibility with the Soundweb London family. Version 1.1 also supports the Crown USBX accessory that enables Crown XTi, CDi and DSi Series amplifiers with a USB port to be operated via an Apple iPad or iPhone.

Audio Architect 1.1’s Full Screen Mode has been improved, enabling it to more effectively run as a control application. Full Screen Mode is designed for the day-to-day operator and makes essential control panels and options readily available for each user, application and project.

HARMAN Architectural Media Systems is engineered to provide the best user experience for the designer right through to the operator. The systems are built upon a foundation of over 40 years of combined networking expertise, and provide category-leading scalability via distributed DSP architecture and the most transport-agnostic, flexible approach to audio network design.

Version 1.1 provides a number of additional enhancements and capabilities; more details are available at http://archimedia.harman.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Marshall Jefferson Adds A Prism Sound Lyra To His Kit List

Chicago House legend Marshall Jefferson has invested in a Prism Sound Lyra audio interface so that he can access Prism Sound’s renowned audio quality while he is on the road.

Sometimes known as the father of House music, Marshall Jefferson has produced numerous influential artists as well as recording solo and collaborative material under various names including Virgo, Jungle Wonz, Truth and On The House. His iconic anthem Move Your Body was included on the soundtrack for the video game Grand Theft Auto: San Andreas and also appeared on the soundtrack to Michael Winterbottom’s film 24 Hour Party People.

“I already have a Prism Sound Orpheus FireWire Interface, which I love because it sounds so good,” Jefferson says. “Alongside my production work, I also DJ in various countries and when I heard about the new Lyra range I realised this was exactly what I needed for those occasions when I’m travelling. It’s very easy to use – literally plug and play – and it is so compact that it fits neatly into my laptop bag. With Lyra, I have all the Prism Sound audio quality that I’m used to in a very portable format.”

Prism Sound’s Lyra allows music recording professionals to access the power and sophistication of the Orpheus audio path and clock circuitry, but in a smaller package and at a much improved price point. There are currently two variants in the range – the Lyra 1, which has two analogue input channels (one for instrument/line and one for mic/line) and two DA output channels, and the Lyra 2, which has two AD input channels with switchable microphone, instrument or line input modes and four DA output channels. Both versions offer digital volume control, a low latency ‘console-quality’ digital mixer for foldback monitoring and optical SPDIF capability.

Jefferson has opted for a Lyra 2 and when he’s not travelling he uses it in conjunction with his Orpheus in his studio in Manchester. In recent months he has worked on project for Dave Lee, Lenny Fontana, House of Virus, Robert Owens, DJ Pierre, Donna Hidalgo and K-Klass.

“I’m doing a lot of mixing and mastering work at the moment and that’s keeping me busy,” he says. “All of my mastering projects go through my Prism Sound Orpheus and I’m constantly being asked what interface I’m using because people love the sound so much. Now I have the same sound quality when I’m on the road – and I can also use my Lyra 2 as a back-up in the studio if I want to master onto a different computer.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Award-Winning Homebuilders Use ELAN g! To Capitalize On Housing Market Recovery

Consumer confidence is high, new home sales surged 8.3 percent in May and new home prices have climbed month over month in 2013, so it’s clear the housing market is recovering. Builders need to find ways to stand out and capitalize on this market growth, and one way to do so is to offer things that others don’t even consider, like total home control. Award-winning builders Jim Blansfield of Danbury, Connecticut-based Blansfield Builders, Inc. and Josh Wynne of Sarasota, Florida-based Josh Wynne Construction have both partnered with local integrators and found huge success using the ELAN® g! Entertainment and Control System to help close new home sales.

“I’m a believer in ‘the new normal’ way of thinking,” Blansfield said, “and with the affordable and expandable control solutions made possible by ELAN g!, home control is the new normal! In the past two years, I’ve closed several new homes by demoing the g! system for prospective clients. I have a g! system in my own home, so I’m the first person to say how easy it is to use, and my clients are consistently impressed that I include technology in my designs and recommendations, because many other builders minimize the importance of home technologies.”

Since partnering with the Danbury integration firm Structured Home Solutions, Blansfield has built 13 homes that include ELAN g! systems of varying size and complexity. Whether the new buyers were looking for enhanced security, HVAC scheduling, lighting, irrigation and pool controls, or super simple whole-home audio and video systems, every client received a custom solution tailored to their specific needs. From a business perspective, Blansfield knows that his knowledge, appreciation and passion for technology place him in an entirely different category from other builders.

“Any builders who resist change and aren’t prepared to talk to clients about integrated home control solutions will hurt themselves in the long run,” he said. “I even push remodel clients to install the ELAN g! system because it adds so much value to the home, and brings it into the 21st century more so than new countertops or an updated bathroom could ever do.”

Josh Wynne has had similar success integrating advanced home technologies with the ELAN g! system, and has teamed up with Sarasota integrator SmartHouse Integration to offer his new clients the best that modern home technology has to offer. Wynne is building four new LEED Platinum certified homes in 2013, each featuring the ELAN g! system to control core subsystems such as AV, HVAC, security, lighting, window shades, irrigation, garage doors, pool controls and surveillance cameras.

According to Wynne, “I’ve strived to make a basic home automation package standard for every new home I build. When smartphones came on the market a lot more people started to see how easily these advanced systems could integrate into their homes and help them live more simply and comfortably, and I’ve used that culture movement to benefit my business. Most of my projects are relatively big budget, around the $1 million mark, but there’s absolutely no reason that a $250,000 home shouldn’t include a multi-room audio system, an integrated HVAC or lighting system that saves money and energy, or a security and surveillance system that can be accessed remotely from any smartphone or tablet.

Both builders agree that determining the buyers’ interests is key to selling advanced home control solutions, whether they love music and want multi-room audio or desire heightened peace of mind and would benefit from a mobile-accessible security and surveillance system. From there it’s a small leap to demo the entire ELAN g! system and highlight all the trappings that easy-to-use home control offers. Another thing they agree on is the need to use a reliable, qualified integrator to make the homeowner’s technological dreams a practical reality. That’s why they’ve each partnered with a top integration firm in their respective regions, and worked together to craft custom solutions that make every home the perfect living environment for the owners.

Integrator Finds The Sound Of Success With The Niles Cynema Soundfield In-Wall Soundbar

International custom electronics integrator Jim Beaumont of HomeTech Europe has installed hundreds, if not thousands of different products throughout his career, and he’s never seen anything quite as unique as the Niles Cynema Soundfield in-wall soundbar from Core Brands. As the first of its kind, the Cynema Soundfield naturally has some ‘wow’ factor to it, but according to Beaumont it’s the practical application of a high-quality soundbar that virtually disappears that’s making it fly off the shelves.

“When I heard about the Niles Cynema Soundfield I knew some of my clients would love it, but I didn’t think I’d sell 10 of them in the first month!” Beaumont said. “Niles recognized that homeowners want good sound to match their attractive wall-mounted TVs, but they also want it to be as unobtrusive as the TV itself. With TVs getting thinner and thinner, the TV manufacturers have run out of room for good speakers, and the only solution when your TV is an inch off the wall is to put the speakers into the wall itself.”

The Cynema Soundfield doesn't require cutting the wall studs and the grille can be painted any color to match any decor.

Beaumont says his clients and the designers he works with immediately see the value in a soundbar that can be painted over and literally disappear into the wall. For years, in-wall speakers have been the preferred solution of integrators and interior designers because they blend into the room, but they can be expensive and difficult to install in an existing room because of wiring and additional components such as amplifiers and AV receivers. The Cynema Soundfield solves this issue because it requires just two wires, one for audio signal and one for power, and it can be installed in less than an hour by a certified Niles installer, even if the TV is already hung on the wall.

“It’s easy to sell because it can be used in retrofits, new homes, board rooms and even retail locations like hotel lobbies, without anyone even knowing it’s there,” Beaumont continued. “Several of my clients were so excited when I showed it to them that they bought multiple units for multiple rooms. I think the market for this innovative premium sound solution could be huge, and I’m going to sell as many of them as I can.”

And it’s easy to complete the home theater experience with one of Niles’ small, powerful subwoofers and wireless kit, so the sub can go anywhere the homeowners want without running wires. The wireless kit hooks right up to the Cynema Soundfield’s amplifier, so there’s no separate amp or receiver necessary.

What makes the Cynema Soundfield so unique is its rail system; the only thing that gets cut into the wall is a thin metal rail that sits flush with the drywall, and then the three individual speakers and the amplifier simply lock into the rail. With such a fast installation time, models that match TVs of all sizes, plenty of power and fidelity (30W RMS per speaker, three speakers per soundbar) and the ability to paint the grill and make the speaker invisible, the Niles Cynema Soundfield is a hot item for electronics integrators and design-conscious homeowners everywhere.

The Cynema Soundfield includes inputs for optical audio, HDMI and analog audio, and can also be integrated into a multi-room audio system. It features autosense turn-on so that no separate remote is required, and it simply turns on whenever it receives an audio signal from either the TV or a connected multi-room audio system.

VISOM DIGITAL SUPPLIES STUDIO TECHNOLOGIES’ IFB PLUS SERIES TO MAJOR BRAZILIAN BROADCASTERS

Visom Digital, a production sales company with a studio division specializing in recording, mixing, post-production film with Foley, ADR, Dubbing, SFX and pre- mixes of stems capabilities, and a systems sales, integration and technical support division, has recently placed Studio Technologies’ IFB Plus Series Interruptible Foldback System with major Brazilian broadcasters to enhance communication flow for OB trucks. Consisting of the Model 2A Central Controller, the Model 22 and Model 24 Access Stations, as well as the Model 32A and Model 33A Talent Amplifiers, the IFB Plus Series brings talent cuing to the next level, allowing reporters and other on-air talent to receive program audio along with audio cues from production personnel.

“The Studio Technologies IFB Plus Series delivers ultra-reliable, high-quality performance to the director, producer or other production associate in need of crystal clear, easy-to-use IFB communication with on-air talent and camera operators,” says Paulo Campos, sales manager for Visom Digital. “The mission of Visom Digital is to work with our clients to understand their particular production needs and, from there, make informed choices of equipment that will best suit those needs. We have successfully placed the IFB Series with a number of major players in the Brazilian broadcast market with great results. With the Studio Technologies IFB unit, our clients have exactly the right tool to accomplish this all-important production communications link.”

The heart of the IFB Plus Series is the Model 2A Central Controller. This one rack-space unit offers a wide range of features particularly optimized for mobile applications. These include two independent IFB channels, an internal interrupt microphone and four program inputs. Two telephone interfaces allow direct connection to telephone lines or standard audio signals. The telephone interfaces can be used to receive and send IFB audio.

Mobile IFB applications present increased challenges as the number and variety of program sources, interrupt sources, and configuration possibilities quickly multiply. Program audio can come from many avenues including off-air receivers, 2-way radios, telephone lines, satellite receivers and cell phones, for example. Interrupt audio (talent cues) may be received with the program material connected via telephone lines or may need to come from the mobile unit itself. The ability to provide IFB audio to a number of destinations is also required. These include talent “beltpack” amplifiers, transmitters used with wireless receivers, and intercom systems. This is where the IFB Plus Series shines.

“IFB Plus delivers all the capabilities necessary to handle even the most complex field operations, taking the technical worry away from this aspect of production workflow,” states Campos. “Now that our clients have a successful experience with Studio Technologies equipment, we are planning to showcase other products that the company makes because their products, like the IFB Plus, work well and solve problems. It doesn’t get better than that.”

About Studio Technologies, Inc.
Studio Technologies, Inc. provides tailored, high-performance video, audio and fiber optic products for the professional audio and broadcast markets. The company was founded in 1978 with a commitment to design and manufacture dependable, individualized solutions for broadcast studio, stadium and corporate environments. Known for “designing for the way professionals work,” the company is recognized as an industry leader that has never wavered from its individualized design pledge. Product categories include fiber-optic transport, broadcast support, mobile broadcast, intercom and IFB, announcer consoles, loudspeaker monitor control systems and sound pressure level monitor systems. For more information, please visit the Studio Technologies website at www.studio-tech.com or call 847.676.9177.

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