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Archive of the Audio Playback Category

Monster Middle East Gives Imerge Its Backing

Monster Middle East (MME) has re-affirmed its commitment to the Imerge brand by significantly increasing its stock of the company’s premium quality media servers.

As the exclusive Imerge distributor in the Middle East, MME sees huge potential for the brand, particularly among third party installers, integrators and consultants whose customers demand top of the range products in their homes and businesses.

With the Middle East’s annual sales of luxury goods now exceeding AED 30 billion (USD 8.2 billion) – and with the luxury goods market in the region recording a growth rate of 10 to 15 per cent from 2011 to 2012 (Fondazione Altagamma ‘Luxury Goods Worldwide Market Study’), Imerge is ideally placed to appeal to Middle East consumers who expect a premium product.

Jehangir Khan, Regional Director MME, says: “Imerge is a high end product built to professional standards and is therefore well suited to meet the tastes and expectations of Middle East customers. The brand already has an impressive track record in the region, with many systems installed in prestigious residential and commercial properties. The fact that these products offer a centralized database and support all major control systems makes them ideal for installations where there is a requirement for multi-room media access.”

Imerge entertainment servers make it simple for users to store their content and replay it, wherever and whenever they want it, with maximum fidelity and minimum fuss.

All Imerge systems are powered by XIVA, its own leading edge technology, and can be controlled by most of the leading automation systems (such as AMX, Crestron and Savant) from Imerge’s dedicated Apple (iPhone, Pad or Pod) control application, or by browsing from another tablet or personal computer.

Imerge systems have the ability to play different media in multiple locations simultaneously without connection slowing down or stopping at the critical moment.

In 2010, Imerge became part of the Prism Sound Group, which is investing in the development of new products. Sold via a worldwide network of custom installation specialists and distributors, Imerge products are widely regarded as being the most innovative in the sector, while its standard of service is without equal.

In recent months Monster Middle East has supplied Imerge products to a number of system integrators and custom installers in the region, for various prestigious hotel projects and large commercial installations.

Daya Shankar Singh, Technical Manager at Atlas Telecommunications, says: “We chose Imerge audio servers because, as an overall audio solution, they give us every feature we could possibly need. We are continually impressed with how seamlessly the S4000 integrates into any of our projects, large or small, from the ease of importing media to the extensive compatibility of the downloadable control system modules. The S4000 is simple to use and integrates well with the other system components that we employ in the majority of our projects. Most importantly, it is very reliable – we just install and forget because we never have to worry about it not working.”

For more information about Imerge in the Middle East, please contact Monster Middle East, NC7, Jebel Ali Free Zone, Dubai, United Arab Emirates. Tel: +971-4-883 04 05. Fax: +971-4-883 04 06. Email: support@monsterme.com

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Imerge
Part of what is popularly known as the “Cambridge Phenomenon”, Imerge is well-qualified to be the leader in its field. A spin-off from Cambridge-based technology consultancy “Scientific Generics”, it developed the world’s first hard drive-based audio server, the SoundServer, back in 1990s. In 2007 Imerge launched a multi-terabyte, 1080p-capable music/movies multi-room server hailed for setting new standards in usability as it also integrated multi-room entertainment, as well as delivering the very highest standards of audio and video performance. In 2008, Imerge changed the rules by introducing the world’s most advanced media server, the MS1, and its associated enterprise grade storage solution, the XiVASafe. Redefining the way we interact with our media, Imerge has continually innovating releasing MS1-HD and most recently the MS1-3D, incorporating 2D and 3D Blu-ray support, and the revolutionary new and unique XiVA music store and user interface in over 12 languages and many more market firsts. The current range in includes two brand new products introduced in 2012, the multi-zone S4000 audio server product and a miniature HD video player unit (Mini Client) for the MS1-3D video server.

For more information please visit www.imerge.co.uk or www.xiva.com

DPA Ensures That ‘Sugar Man’ Is Heard Loud and Clear

US singer-songwriter Sixto Rodriguez, the subject of the Oscar Award-winning documentary Searching For Sugar Man, has switched to a DPA d:facto™ Vocal Microphone to ensure that his audiences hear every nuance of his complex voice.

Producer and Front of House engineer Russ Miller, who has been working with Rodriguez since he started his current tour in November 2012, says the DPA d:facto vocal microphone has proved ‘absolutely invaluable’.

“It is an incredible microphone that is perfect for Rodriguez’ voice,” Miller says. “It has worked brilliantly at every venue we have visited, including Glastonbury, and frankly I couldn’t have got through this tour without it.”

Now 71 years old, Sixto Rodriguez has been called ‘the greatest 1970′s music icon that never was’. The Mexican-American folk singer was hailed as the new Bob Dylan when he was first discovered in Detroit, Michigan, in the late 1960s. But after his first two albums, Cold Fact and Coming to Reality, were commercial flops he was dropped by his record label and disappeared. Although he was actually making a living as a manual labourer, there were rumours that Rodriguez had dramatically killed himself on stage. What he didn’t realise, however, was that a bootleg copy of Cold Fact had made its way to South Africa where it had become a huge success and had won him thousands of fans who saw his music as the unofficial soundtrack to youth protests against apartheid.

In the 1990s, determined South African fans managed to track him down and this led to a revival of his musical career. Further recognition came with the release of the Searching for Sugar Man documentary, which won an Academy Award in 2012.

For Russ Miller, capturing Rodriguez’ voice is a challenge because he sings very quietly.

“As a singer-songwriter in the tradition of artists like Bob Dylan and Joan Baez, it is really important that audiences can hear every word of every lyric Rodriguez sings,” Russ Miller explains. “However, when he’s accompanied by a powerful, up tempo band, it can be difficult to keep his vocal loud and clear. This isn’t a unique problem, but it was one I wanted to solve before we tackled some of the bigger venues on his tour, so I started casting around for a better microphone for him.”

After a conversation with live sound engineer Rik Dowding, who recently invested in DPA d:facto Vocal Microphones for The xx, Miller approached DPA’s UK distributor Sound Network, through Tour Supply Ltd, and asked if he could demo one.

“I’d also heard really great things about this microphone from Richard Nowell at RNSS who has been using them with various Jazz artists, so I thought it might work for Rodrigues,” Miller says. “The issue was actually demoing it because Rodrigues isn’t the sort of artist who will go into a studio and do an A/B comparison test. In fact, he doesn’t really do rehearsals – he just arrives at a gig and it’s ‘go’ time – there’s no real sound check or set list and he could start with any song. The first time we got to try out the d:facto was at La Zenith in Paris in front of a live audience of 7,500.”

Once Rodriguez began using the DPA d:facto Vocal Microphone, Russ Miller certainly noticed a difference.

“It was amazing,” he says. “The microphone is incredibly detailed in the upper mids, and as a result I was able to attenuate cymbal spill with just a low pass filter because his voice cut through really well, without having to add any air. I was also impressed with how well the microphone took EQ-ing. It was obvious to me that this was the right mic for Rodriguez so we immediately specified it for the rest of his live shows.”

Since his appearance at Glastonbury, Rodriguez has performed in various European cities including Copenhagen and Stockholm, and at another festival in the UK.

“We’ve used the DPA d:facto Vocal Microphone throughout and it hasn’t let us down,” Russ Miller adds. “I’m so relieved that we have finally found the right microphone for his voice as it has improved the sound of his concerts, as well as making my job as a live sound engineer much easier!”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Parsons Audio Expo 2013 To Take Place in November

BUENA PARK, Calif.—Parsons Audio (Wellesley Hills, Mass) will hold its 23rd annual EXPO on Thursday, November 14th from 10:00 a.m. – 7:00 p.m. at the Dedham Holiday Inn in Dedham, Mass.

Parsons Audio, a leader in offering professional audio products in the New England area, will begin the day at 10:00 am on Professional Development Workshops taught by industry leaders and focusing on industry trends. At 12:00 noon, the manufacturer exhibit floor opens with product representation from all top professional audio manufacturers represented by Parsons Audio.

This year, the Parsons Audio Expo will include the Yamaha Commercial Audio Systems Rolling Showroom with the new NUAGE system. Yamaha staff will be on hand for presentations and demonstrations. NUAGE, a joint collaboration between Yamaha and Steinberg, is a hardware and software system that adds the power of the Dante audio network to world-class recording, post production, live to tape broadcast, and house of worship recording for re-broadcast, NUAGE is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

“We enjoy keeping our customers and potential customers up to date on what is new in the professional audio market,” states Roger Talkov, General Manager, Parsons Audio. The Professional Development seminars are extremely useful In providing the latest industry trends.”

For more information visit www.paudio.com/expo or email roger@paudio.com.

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Stampede University Incorporates Web Trainings For DemoPad Control Solution

AMHERST, NEW YORK, August 27, 2013 — Following the successful market launch of DemoPad, the customizable software-based control solution, Stampede Presentation Products, Inc. today announced the launch of a web-based product training course, now available to integrators via Stampede University.

“Since its introduction at Infocomm 2013, DemoPad sales have been increasingly strong, and the need for a comprehensive and flexible online training solution is truly the next logical step forward in ensuring the success of the DemoPad control solution,” Stampede President & COO Kevin Kelly said today. “As a strategic distributor of DemoPad, we’re very excited present this newly developed training program to our integrator partners. The implementation of this course further underscores our commitment to providing value-added, solutions-oriented benefits, such as in-depth training programs, to our partners.”

The newly developed eight-hour course, developed and instructed by industry expert Jonathan Brawn of Brawn Consulting, will introduce the DemoPad software and system design process. Enrollment in the course is $300, and open to all worldwide resellers. Upon successful completion, enrollees receive a certification certificate designating their eligibility to purchase an annual license.

According to Jonathan, “Brawn Consulting is proud to partner withDemoPad in the development of this training program,which is truly one of the best manufacturer trainings we have been able to produce thus far. Rarely does a manufacturer collaborate with us in such an extensive way to create a product that is an amazing resource for the systems integrators who will sell DemoPad into the market.  Manufacturer support like this is truly key to a product’s long-term success.”

By focusing on software that allows installers to create their own custom GUIs for their company or for each client, DemoPad reduces the costs traditionally associated with custom control systems. With simple tools to create these GUIs for iOS and Android devices, DemoPad installers can easily, quickly and affordably implement impressive touch screen interfaces that offer integrated control of audiovisual equipment, lighting, HVAC, CCTV, gate automation, window blinds and access control.

About Stampede

Known for its value-added distribution, Amherst, New York-based Stampede is the leading distributor of presentation equipment including LCD/DLP projectors and flat panel displays. Stampede provides a complete range of brand name presentation equipment to a variety of audio/video, computer, and home theater resellers and integrators in the United States, Canada and Latin America. These resellers rely on Stampede for value-added services in distribution, marketing and solution- based sales. Stampede annually produces the “Big Book of AV,” a 1,000-page catalog and companion website (www.BigBookofAV.com) providing hundreds of sales, installation and spec tips for Stampede’s dealers in addition to product details on more than 5,000 SKUs. For more information on Stampede, log onto www.stampedeglobal.com.

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ACIR Professional Buys Building, Expands Space

Mays Landing, N.J.—Summer continues to be busy for the staff at ACIR Professional with shows in Cape May, the Count Basie Theatre, Ocean Grove, New York City, along with support of audio and backline for Atlantic City and surrounding areas, all as the company’s installation business continues to grow.

Perhaps the biggest news for ACIR this is summer is that they recently purchased a building in Mays Landing, New Jersey, a stones-throw away from the old location in Egg Harbor Township. Realizing their dream of expansion and growth, the company outgrew their lease space and made the move to purchase a building with additional room to grow.

In a joint statement, the three owners Ed DiBona, John Grasso, and Tom Young said, “Our new space enables us to further our customer service and support as we continue to purchase the gear needed to fulfill our clients’ requirements.”

ACIR’s new address is 1421 Cantillon Boulevard, Mays Landing, NJ 08330. The company phone number remains the same: (609) 677-5500).

For more information, visit www.ACIRpro.com.

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PHOTO CREDIT: Digital Warmth

Danish Rockers D-A-D Get Down and Dirty With DPA

Rune Slot, live sound engineer for Danish rock band D-A-D, has turned to DPA Microphones to deliver the loud, punchy sound for which the band is famous.

“I experimented with a number of different condenser microphones before settling for DPA,” Rune Slot says. “They are fantastic – awesome – and it’s really great to have high end microphones supplying the inputs to the desk.”

Slot has been on tour with D-A-D for most of this year, taking in countries such as China and the US as well as plenty of places in Europe.

He says: “D-A-D is incredibly loud so for this tour I wanted to use high end microphones that could really capture the band’s noise and energy. The DPA microphones we have chosen are great and do the job perfectly.”

Originally known as Disneyland After Dark, D-A-D formed in the early 1980s and, apart from one change when Laust Sonne replaced former drummer Peter Lundholm Jensen, it has retained its original line-up. Its international breakthrough came in 1989 when it signed to Warner Bros in the USA. At that point the band was forced to change its name to D-A-D to avoid an impending lawsuit from the Walt Disney Company.

To mic Laust Sonne’s snare drum, Slot is using a combination of a DPA d:dicate™ 2011C Twin Diaphragm Cardioid microphones and DPA d:vote™ 4099 Instrument Microphones, with the former positioned above the snare and the latter below it. d:vote 4099 Instrument Microphones are also used to mike the toms, high hat and cymbals, with reinforcement provided by a DPA d:dicate 4011 Compact Cardioid Microphone positioned underneath the cymbals.

“It’s not jazz – it’s very Rock and Roll,” Slot says. “I’ve also used DPA 2011C microphones to pick up Jacob Binzer’s lead guitar. He has two cabinets that give a great combination of clean and dirty sound so I’ve positioned 2011C mics about 12cm from each of the speakers where they work brilliantly.”

Vocals are another area where DPA has come up trumps. Lead singer Jesper Binzer is using a Wisycom wireless system and Slot has equipped this with a DPA d:facto™ Vocal Microphone capsule.

“The mic helps me to stay in control without having to go primal,” Jesper Binzer says, while Slot adds: “It is a really great sounding capsule that truly grasps all the spit and energy of Jesper’s performance. Even when he sings from the side, it grabs the sound and pulls it into the mix.”


Slot adds that with a loud band like D-A-D, lead vocals need to be clearly heard in the mix and initially he thought this might not be feasible with a condenser microphone capsule.

“I didn’t need to worry because the DPA d:facto Vocal Microphone capsule is of such good quality that it is more than capable of giving me the sound I want,” he says. “I was really surprised when I tried it for the first time because, usually with condenser microphones, you get feedback issues, especially in the high frequency range. However with the d:facto this just wasn’t a problem. It does what it is supposed to do and there is very little of bleed from the rest of the band, even though the band plays insanely loud.”

Slot is also using d:facto Vocal Microphones for backing vocals, with Jacob Binzer, Stig Pedersen and Laust Sonne all singing into wired versions of the d:facto.

“These microphones are really good at isolating the vocals and they are also happy to take plenty of punishment,” he adds. “The guys do like to ‘eat’ their mics, but the d:facto Vocal Microphones cope with that brilliantly and still deliver a very punchy sound.”

See the interview with Rune Slot and clips from a D-A-D concert at www.dpamicrophones.com/livedad

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

VARIA Packs a Punch at De Grote Post

Oostende, Belgium – August 2013… The Oostende Post Office, the only public building designed by famed Ghent architect Gaston Eysselinck, has been recognized as one of the finest architectural creations of Belgium’s postwar period. In 1981 the modernist style building was granted status as a protected monument. When the Post Office moved out in 1999, B-Architects, under the direction of Dirk Engelen, undertook the massive challenge of creating multiple modern theaters and performance spaces inside, while respecting the venue’s design ethos. The result is De Grote Post, a multi-purpose performing arts center unlike any other.

The main hall seats 431, and is designed for music, dance or traditional theatre performances. Acoustical designer Paul Mees of Daidalos Peutz worked with B-Architects to create the venue’s distinctive triangular acoustic panels, accented by neon tubes. The result is an eye-catching décor from any seat.

Designed by Marc Lambert of Gent-based theatre design group TTAS, the audio systems for De Grote Post boast the first European installation of the new VARIA modular point source line array from Renkus-Heinz. Four VARIA VA101 cabinets are hung per side, each array consisting of two VA101-7 7.5-degree cabinets, one VA101-15 15-degree box, and one VA101-22 22.5-degree box. A center cluster of two 22.5-degree cabinets augments coverage, along with a third cabinet ground stacked atop two VA15S subwoofers. Four TRX61 loudspeakers provide front fill for the first few rows.

As Steven Kemland, Sales and Project Manager of Foundation for Audiovisual Commerce and Engineering (FACE) explains, VARIA was ideal for the venue’s challenging spaces. “Most of the systems we looked into would have required many more cabinets to provide even coverage across the entire seating area,” he says. “The VARIA’s variable coverage patterns enabled us to configure a system with fewer boxes than a traditional line array. It’s very compact and yet it sounds like a much larger system.” Sam Serruys, technical director of De Grote Post adds, “The results we have achieved with a system using 10 inch drivers is truly remarkable.”

The smaller theatre is a more compact room, with the floor on hydraulic lifts, enabling it to be split into four separate areas, enabling artists to configure the venue to suit a wide range of performances and creations. The room is outfitted with a ground stacked system with left and right stacks of two VA15S subs, topped by 22.5 degree and 7 degree cabinets. In addition, TTAS also specified mobile setups that could be mixed and matched to meet a wide range of program needs, from the smaller impromptu performance spaces to the larger outdoor courtyard. Here, FACE’s recommendation of the Renkus-Heinz CF-101 point source line array system fit the bill perfectly. FACE also provided Avid SC48 digital consoles for the stages, as well as Behringer X32 mixers for the mobile setups. Microphones are a traditional mix of Shure, Audio Technica and Sennheiser, with additional system components by Radial, Omnicase, DPA, XTA, Powersoft, and ASL Intercom.

Kemland also gives the nod to FACE project engineers Stijn Vermeiren and Jeroen Willems, who completed the entire project from order to sound check, in less than four weeks’ time. De Grote Post director Stefan Tanghe says: “Oostende has long needed a performance space for smaller performances and exhibitions, as well as providing gallery space. Along with the large Het Kursaal theatre nearby, our city can now offer national and international artists the state of the art facilities they expect to find.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Iconyx Welcomes You to Las Vegas

Las Vegas, NV – August, 2013… Despite the recent real estate woes, Las Vegas remains one of the fastest growing cities in America. And as the city has grown, so has its airport. Along with the recent opening of its new 1.9 million square foot Terminal 3, McCarran International Airport has also revamped and renovated the original Terminal 1, including an updated sound system featuring dozens of Renkus-Heinz Iconyx digitally steerable array loudspeakers.

“Terminal 1 was not designed with a dedicated paging system,” explains Edouard Charland, Vice President of Lenexa, KS-based Coffeen Fricke & Associates, Inc. (CFA). ”The airport was using the fire alarm systems for paging, and most of the terminal-wide announcements were originating from a paging office that was using the telephone system to originate those announcements. This approach produced low levels of speech intelligibility and offered very little flexibility for zoning and directing announcements.”

Based on their involvement in the Terminal 3 project, CFA was called in to offer suggestions for the ailing audio issues at Terminal 1.. One of the most challenging areas was the expansive baggage claim area. As Charland explains, in addition to the typical acoustical issues inherent in large spaces, there was something uniquely Vegas.

“All around the carousel area there are numerous large screens playing video advertisements for local casinos and night clubs. The audio systems for those screens are fairly loud. They’re running pretty much non-stop 24/7, and they’re only overridden for emergency announcements.”

The baggage claim area is covered by 32 Iconyx IC16-R-II steered arrays, mounted on opposite sides of each carousel’s pillar to provide 360 degrees of coverage. As CFA’s Sr. Vice President Robert Ledo points out, the arrangement provided an unprecedented degree of control. ”Typically, an airport will be zoned so that all of baggage claim is a single zone, or possibly a couple of zones. But this arrangement also enables them to address each individual carousel – this was an airport directive.”

“The Iconyx system actually enabled us to provide better intelligibility than something like an overhead distribution scheme,” Ledo adds. ”It can concentrate the energy right at the people, and cut through the background noise.”

Another area where the Iconyx steered beam technology really shined was in the lengthy ticketing lobby, where the building’s unique architecture presented its own set of challenges. ”The ticketing lobby’s design looks like an airplane wing,” says Charland. ”So the horizontal coverage pattern varies as you go further down toward the narrower taper of the wing. Using the Iconyx provided us a way to cover the entire space not only horizontally but also to change the front and back coverage distance as the dimensions change.”

Twenty-two IC16-R-II columns are mounted about every 50 feet along the second floor walkway overlooking the main ticketing lobby. Custom brackets and fittings include metal wedges on the top of each cabinet to prevent their being mistaken for cup holders. ”The beams are steered downward, each one a bit differently depending on the dimensions of the coverage area,” says Ledo. ”It also provides a bit of a buffer zone right below the speakers in the ticketing counters themselves. You don’t want to bombard the ticketing counter itself with sound because agents are trying to talk to passengers. So being able to steer and direct the sound to where it needs to be helps provide that buffer.”

In both the ticketing lobby and baggage claim, the entire system is linked via RHAON networking, allowing for complex DSP programming to custom-steer each array independently using multiple beams. TheRHAON software and on-board contact closures are also used to monitor each array for proper operation.

Charland concludes, ”the Iconyx systems enabled us to create customized coverage patterns to fit each space, and afforded us a degree of control and monitoring over the systems that a facility like McCarran International Airport demands.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Pro Audio Technology Subwoofer Offers Big Impact from Compact Design

Professional-grade components, visceral bass performance, and a surprisingly compact enclosure make the LFC-10sm the perfect choice for space-conscience home cinema installations.

Huntington Beach, CA – August 6, 2013 – Pro Audio Technology (PRO), the leader in loudspeakers and DSP-programmable amplifier systems for residential properties, today announced the LFC-10sm subwoofer, a compact, high-output low-frequency performer ideal for size-constrained home theater installations or larger systems featuring multi-subwoofer configurations.
Designed to deliver the same signature cinema-quality sound for which PRO is known from an enclosure measuring only 14 x 26 x 12 inches, the LFC-10sm can easily be located within cabinetry, or even placed discretely in-room, making PRO’s trademark high-impact yet musical bass performance accessible to media-room and multi-purpose room installations.
PRO equipped the LFC-10sm with a sophisticated 10-inch woofer featuring a highly rigid glass-fiber reinforced diaphragm driven by a massive magnet, and an over-sized surround for extra-long linear excursion. The subwoofer’s over-sized, front-firing free-flow port also enhances the LFC-10sm’s low-frequency extension and output, while giving integrators much more freedom in terms of cabinet or room placement.
“Owing to its exceptional components and meticulous engineering, the LFC-10sm delivers output levels and muscular yet musical bass that belies its modest size,” said Paul Hales, Pro Audio Technology founder. “It provides all of the visceral slam that customers and integrators expect from PRO subwoofers in a housing that can easily be integrated into virtually any room.”
Additional installation flexibility is provided by PRO’s PMA digital processor / amplifier, which delivers either 450 or 1000 watts of power depending on the installation needs, and provides a fully DSP optimized signal to the sub. The PMA power source also allows for in- room performance calibration via a powerful suite of controls, including parametric EQ and delay.
With its cinema-quality bass reproduction, maximum output levels greater than 110dB, and new lower price point for this level of bass performance, the LFC-10sm is expected to be a very popular solution for a broad range of applications. The LFC-10sm is available now. For more information, please visit: www.proaudiotechnology.com.

Pro Audio Technology custom designs and manufactures DSP-driven loudspeakers and amplifiers with preeminent consumer and professional-grade audio engineering technology to produce sonically accurate, inherently robust audio systems. Pro Audio Technology loudspeakers are built with the amplifier as a critical part of the signal path, resulting in performance optimized systems that deliver a dynamic, true-to-life listening experience. The sound system of choice for discerning music and home theater enthusiasts, Pro Audio Technology is available globally through an elite group of high-end residential custom installers.

 

Linear Unveils CD and MP3 Music Source for DMC Intercom Systems

Carlsbad, CA – August 6, 2013 – Linear, a leader in residential and commercial access control, security and health and wellness solutions, announces the DMCMP3, a new accessory for the DMC1 and DMC3-4 Music/Communication intercom systems. The digital MP3 and CD player integrates with new or existing DMC1/3-4 master units, transforming them into whole-house music and audio sources making it easy to share podcasts, music or even digital audio books throughout the home.

To achieve whole-home audio, Linear leverages a range of intercom and door speakers as well as audio-enabled patio and standard room stations to provide up to 15 rooms with AM/FM radio, and playback from CDs or MP3/phone devices via the 3.5mm audio input jack. Because it has its own power source, the DMCMP3 can also charge MP3 players and phones from the power- only USB-A port.

For convenient management, the DMCMP3 offers a five-button interface with a source select button and CD controls including: play/pause, fast-forward, rewind and track forward/reverse, with mode and option selection displayed on the DMC master unit. The DMCMP3’s curved edges and minimalist appearance give it a modern feel that’s complements any room décor. Faceplate colors include almond, white and black

“The DMCMP3 is an ideal accessory for people who want to upgrade their existing intercom and security system to include audio playback from CDs and digital music players,” said Duane Paulson, senior vice president of market and product development. “Whole-home audio is in great demand and the DMC system offers one of the easiest and most affordable ways for dealers meet their customer’s entertainment needs.”

For more information about Linear LLC, please visit www.linearcorp.com or call 1-800-421-1587. Linear can also be found on Facebook, Twitter and LinkedIn.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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