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Archive of the AV Control Systems Category

Opticomm-EMCORE to demonstrate Video Wall driven by Eclipse HD at InfoComm

Alhambra, CA – Opticomm-EMCORE, a leading provider of high-definition video, audio and data transport solutions for Fiber, IP, CATx and Coax networks, will be using the InfoComm 2014 show in Las Vegas on June 18-20 as a platform to demonstrate the quality of the new Eclipse HD as it extends and switches 1080p or 1920×1200 multimedia feeds across a dedicated IP network, sent to a four-panel video wall as example of its capabilities. In addition, other high-quality products for pre- and post-production, live-feed, and Professional A/V will be on display at the booth stand, C7716.

Opticomm-EMCORE will construct a cost-efficient video/audio/data distribution system over an IP network to show design consultants, system integrators and home theater aficionados the painless switching and routing of the new Eclipse HD. This encoder/decoder system provides visually lossless transmission and processing of HDMI 1.3, 5.1 channel audio, RS-232 data and USB HID keyboard/mouse (KVM), over a dedicated Gigabit Ethernet network. A media player, Blu-ray or DVD player, laptop, camera or other HDMI source can send HD signals to the Eclipse HD encoder, which can then be sent to a Layer 2/3 Unmanaged Gigabit Ethernet Switch with IGMP 2.0 (if desired), which lastly can be received by one or more decoders to be connected to single or multiple displays. There are virtually limitless ways to configure a HD matrix by stacking IP switches.

In addition to the Eclipse HD, we will be showing the NV series as a part of the IP network exhibit, which utilizes JPEG 2000 encoding and decoding for lossless DVI, HDMI, and 3G HD-SDI distribution. Also we will also be highlighting, in our booth, the c-Linx series, Optiva and openGear fiber products. The c-Linx series are small, stand-alone box units utilizing HDBaseT technology to extend signals for extension up to 100 meters, over CATx. The Optiva and openGear fiber transmission platforms support multiple channels of signal conversion, extension, KVM- remote management, analog/digital audio, over a single fiber strand. The company will display the Optiva OTP-1DVI2A1UKM, which has been upgraded with a larger bit-rate of 6.25GB and now supports up to 4K resolution and KVM over a secure, lossless, multimode fiber up to 10 km and singlemode fiber up to 25 km.

Opticomm-EMCORE’s booth will display the newest and key products that we believe, will cater to consultants and integrators who build and design complex signal network systems and have need of high-quality signal management.

“We are excited to showcase our newest addition to the video-over-IP distribution category, Eclipse HD,” concludes Henok Tafese, Senior Director of Business Development.

Opticomm-EMCORE’s complete breadth of video-over-IP, fiber and CATx/HDBaseT products will be on display at InfoComm 2014, June 18-20, booth C7716 of the Las Vegas Convention. For more information, please visit www.opticomm.com, download the EVE/EVD-HD datasheet here, or call 626-293-3400.

 

Atlona(R) Appoints Thorsten Goecke as Director of Business Development for EMEA, Commercial

SAN JOSE, Calif. — April 15, 2014 — Atlona(R), a leading AV distribution solutions provider, today announced the appointment of Thorsten Goecke as director of business development for the company’s EMEA commercial division. In his new role, Goecke will work to extend Atlona’s partner network and brand awareness in the European AV installation market. more

Denon Professional’s DN-700R Selected by KCHO-FM

Northstate Public Radio Turns to SD/USB Audio Recorder to Provide Networked Recording, Archiving, and Playback Capabilities more

5 Seconds of Summer, One Mixing Console of Choice: HARMAN’s Soundcraft Vi4

SYDNEY, Australia – Australian pop rock band 5 Seconds of Summer is currently one of the hottest bands in the world. Since forming in December 2011 as college students posting YouTube videos of cover songs, the group has rocketed to worldwide fame—it has performed as the opening act for One Direction and will reprise that role on an upcoming tour, had its debut single “She Looks So Perfect” hit Number One in 39 countries and sold out headlining shows in Australia, the US and the UK in minutes. Over the last year the band and front of house engineer John Delf have toured the world with one console: the HARMAN Soundcraft Vi4.

“We’ve done more than 110 shows with One Direction, interspersed with 5 Seconds of Summer’s headlining shows and last year played in front of a combined audience of over one million people. Not bad for a band that at the time hadn’t even had a single out yet,” said Delf. “Most of the venues have been arenas from 10,000 to 20,000 capacity although we did a couple of shows that were 25,000 to 30,000, and a few 1,000 to 3,000-seat theaters. Through it all the Vi4 has been rock solid.”

Although 5 Seconds to Summer has been playing some of the world’s biggest venues and the Vi4 is capable of 96 inputs to mix, the band has a channel count of 32, making the Soundcraft Vi4’s compact size and ready access to all functions a big benefit. “I can get all my important channels on layer one, so I find it really easy to get access to everything I need without having to switch pages on the console,” Delf said.
What’s Delf’s biggest challenge in using the Vi4? “Trying to hear the mix over the screaming girls! For the first three songs of the set it’s almost impossible to hear the music because the fans are so excited to see the band that their screams are in the region of 115 to 120 dB, which is quite a lot louder than the usual 104-105 dB gig level. This also batters your ears and they take a little time to recover so it’s not until around song four that can you start to really get an idea as to what is going on.”

“I have all my main important channels on layer one of the desk, so all the drums, bass, guitars and vocals, then layer two is just for backing tracks and effects returns that usually look after themselves,” Delf said of his console configuration. “I use the VCAs a lot and have masters for all sections of the band and an all master for the whole band less vocals. It’s with this all VCA that I ride the dynamics of the band. I also have an effects VCA and a delay return VCA so I can control these levels and mutes without going on to layer two.”
Delf noted that one of the main reasons he chose the Vi4 for mixing 5 Seconds of Summer is the new Soundcraft Realtime Rack library of plug-ins developed with Universal Audio and compatible with all Soundcraft Vi Series digital consoles. “The fact that you can now use all the Universal Audio plug-ins in the live environment is so exciting,” he said. “I own Edge Recording Studios in Cheshire UK and we have a UAD2 card installed and the Universal Audio plug-ins sound amazing in the studio, so to be able to apply those to live sound is very cool.”
“Soundcraft also provided us with the touchscreen to control all these plug-ins and that makes it so much cooler to use and also looks pretty damn impressive,” Delf continued. “When I first started using them the effect was quite subtle but one day on tour one of my cables went missing and I thought I couldn’t use it for the show and that’s when I realized how much I missed it and how big a difference it really made. We found the cable in the end and it was all systems go. Not sure what I’d do without it now to be honest!”

Having used a Soundcraft Vi6 on a previous tour with the band Plan B, Delf chose the Vi4 primarily for its sound quality. “I just love the way it sounds and it was my first choice for 5 Seconds of Summer,” he said. “This band has a much smaller channel count than the Plan B tour so I was able to fit perfectly on the Vi4, so why not? It sounds amazing, has great pre’s, has built-in dbx compressors and Lexicon effects, plus the addition of the Realtime Rack UAD card. Why wouldn’t anyone choose one?”

So far, Delf is more than satisfied with the Vi4. “I have loved using the desk and all of its features,” he noted. “It’s so easy to get round and everything you need is there in front of you. We let our support act use the desk too and their engineer had never seen one before the tour and by show two he was all over it. It’s very easy to use, sounds amazing and is so quick to learn. I couldn’t ask for more. Bring on the Soundcraft Vi3000, that’s all I can say!”

For more information on John Delf’s recording studio, please visit www.theedgestudios.co.uk.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Great Sound Is In the Can At Pepsi Center With HARMAN’s BSS Audio, Crown and JBL Professional

DENVER, Colorado — Known to Denver denizens as “The Can,” the 20,000-plus capacity Pepsi Center is home of the NBA Denver Nuggets, NHL Colorado Avalanche and the National Lacrosse League Colorado Mammoth, and is also host to concerts and special events. The arena opened in 1999 and has been in continuous use since then – including its original sound system. When the Pepsi Center decided to upgrade to a massive new state-of-the-art scoreboard in 2013, management determined it would also be a good time to replace the venue’s audio system from top to bottom.
Colorado Springs, Colorado sound contractor LVW Electronics and Dallas, Texas system designer Wrightson, Johnson, Haddon & Williams, Inc. (WJHW) had installed the original system and were retained to perform the upgrade, using HARMAN BSS Audio, Crown, and JBL components.

LVW CEO Rusty Griffith pointed out, “The fact that both firms had a history with the venue made us the logical choice – we were under a tight timetable on this project and were given seven weeks to complete a job that would usually take over three months.” LVW was given the go-ahead in spring 2013 and Griffith and his crew had to be finished in time for the start of the Pepsi Center’s fall line-up. “We worked day and night all summer long.”

LVW and WJHW chose a JBL loudspeaker system comprised of six columns of 10 JBL VLA901-MF-16 line array loudspeakers, hung around the perimeter of the arena. The VLA901-MF-16 was chosen for its ability to provide high-volume sound reinforcement at throw distances beyond the reach of traditional loudspeaker designs. Each loudspeaker is equipped with dual 15-inch woofers, dual 8-inch cone midrange compression drivers and three 1.5-inch high-frequency compression drivers. In addition, four JBL ASB6128V dual 18-inch subwoofers are hung directly behind the each of the 10 main line arrays. The loudspeakers and subs are powered by 44 Crown I-Tech 4x3500HD amplifiers, plus 11 Crown CTs 2000 amps to drive additional loudspeakers at the back of the arena.

“JBL’s VLA line has been a strong choice for us in arenas for the past few years. The overall sound quality is excellent and they provide higher output and increased intelligibility,” explained Mark Graham, Associate for WJHW. “We paired the VLA loudspeakers with the 4-channel Crown amplifiers, which we chose based on previous successes and the overall strong reliability reputation of the I-Tech HD line.”

The system is networked using four BSS Audio Soundweb London BLU-806 signal processors and six BLU-326 I/O expanders, both Dante-enabled products. Control for the entire Pepsi Center audio system is provided by HARMAN’s HiQnet Audio Architect™ software, a common control platform for all devices from microphone to loudspeaker. “Using Audio Architect was a big deal,” Graham noted, “considering how new the software was at the time we did this installation. It paid off though – it’s a great way to control the system and its audio management capabilities are extensive. The venue’s ownership was very pleased when he saw we had the capability to put everything onto one software platform.”

“This installation turned out to be fantastic in terms of equal coverage to every area of the arena,” said Griffith. “The performance of the VLA loudspeakers and the subwoofers is so consistent that there’s very little seat-to-seat variation. The Pepsi Center project turned out to be one of the best examples of this I have heard.”

In addition to performance, one of the main benefits of choosing HARMAN according to Griffith was the support LVW and WJHW received from the company throughout the project. “We looked at various manufacturers’ solutions. I’ve always liked JBL and the HARMAN product line for its excellent sound quality and solid engineering and the support they provide – especially on this project, given the time crunch we were under – is second to none.”

In addition to its capability as a full stand-alone sound reinforcement system, the new system is designed so it can be used along with a tour sound system for concerts and other events. If a band or a convention comes to town and their rental system doesn’t have enough coverage, they can readily connect to the Pepsi Center system to supplement the audio.

For more information about LVW Electronics, please visit www.lvw.com.

For more information about Wrightson, Johnson, Haddon and Williams, please visit www.wjhw.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, HARMAN Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Historic Racing Track Turned Casino Wins with Twenty-Two Symetrix SymNet Edge DSPs

MIAMI, FLORIDA – APRIL 2014: Constructed in 1932, Hialeah Park is an architectural wonder in southern Florida that hosted some of the world’s finest horseracing until it shuttered its doors in the late 1990s under pressure from the shifting tides of modern gambling. Its resplendent Spanish décor impressed the many celebrities who graced its grandstands, including Winston Churchill, Frank Sinatra, Harry Truman, Will Rogers, John Kennedy, and Joey DiMaggio. Its iconic palm trees and archways served as the setting in numerous Hollywood films, including The Champ and The Godfather: Part II. Hialeah Park recently leveraged the weight of that history to launch Hialeah Park Racing & Casino, which pairs quarter horseracing with a casino built into the interior of the historic grandstand. A new, state-of-the-art sound system infuses the casino with full-fidelity music 24 hours a day, seven days a week using twenty-two SymNet Edge Dante networked audio DSPs modularly outfitted with twelve inputs and a whopping three-hundred outputs!

“The casino has nearly nine-hundred slots, twenty-three poker tables, and several restaurants and bars located across 150,000 square feet,” said Byard Hey, sales manager with NDR Systems, the Ft. Lauderdale integration firm that installed the new sound system. “They were very careful to restore all of the architectural motifs that make Hialeah Park such a regal place.” Kinsella-Marsh Group, Inc. (Miami Beach, Florida) designed the system around a different processing arrangement, but Hey pushed for Symetrix. “I’ve been using Symetrix for years, and the installations always go smoothly and the equipment always holds up,” he said. “Moreover, the new SymNet Edge met all of the design requirement and then some. It has a modular I/O that could easily accommodate the lopsided I/O count of this job. Importantly, the SymNet Edge is based on the future-oriented Dante network, whereas the specified processor was based on the now-fading CobraNet technology.”

Each SymNet Edge frame can be filled by up to four I/O cards. The available I/O cards cover the full range of possible I/O needs, but for Hialeah Park Casino, Hey simply installed three 4-Channel Analog Input Cards and seventy-five 4-Channel Analog Output Cards into twenty-two SymNet Edge frames. While each Edge frame has its own processing resources, the whole system acts as one integrated whole via the Dante network. Each speaker location includes a five-inch loudspeaker, an eight-inch loudspeaker, and a subwoofer. All the components are Tannoy with the SymNet Edge processing turning each location into a three-way system. Lab.gruppen amplifiers are used for power.

“Dante is great, especially for this type of installation,” said Hey. “It’s a communications protocol of the future, which will make any future requests easy to accommodate. It has a dual network topology, which makes it more robust, and it is so easy simply to wire it all with Cat5 jumpers! The SymNet Composer software is intuitive and allows me to see the entire system or dig down as necessary. The casino has been up 24/7 for several months now without a hiccup.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

HARMAN’s Martin Professional Lights Up the Stage for the Arnold Sports Festival 2014

COLUMBUS, Ohio — Having worked with the Arnold Sports Festival as its exclusive provider of lighting and staging systems for over 20 years, Live! Technologies, LLC. recently took the show to a new level with an array of lighting elements from HARMAN’s Martin Professional.

The Live! Technologies team, including Michael Farrell, Business Development and Marketing Executive, and Michael Hesmond, Lighting Programmer, deployed a rig of over 100 Martin lights including 12 Viper Performances, 12 Viper Profiles, six MAC III Performances, 36 MAC Auras, 22 MAC 101s, 12 RUSH MH3 Beams, four Atomic 3000 DMX strobes, 60 EC-10 video panels and one P3-200 Video Processor/Scaler.

The Arnold Sports Festival 2014 took place in Columbus, Ohio in early March, and featured over 800 exhibitors showcasing the latest sports equipment, apparel and nutritional products. The main stage was the center for non-stop entertainment and competitions, featuring premier body building athletes including Zydrunas Savicakas, Dimitar, Michael Burke and of course, Arnold Schwarzenegger.

“Everything worked out extremely well,” Farrell mentioned. “We started months in advance with the set design and did roughly 100 hours of pre-programming for the show. Other than that, the setup took two days and it was straightforward.”

For both Farrell and Hesmond, it was their first time using the P3-200 Controller, RUSH MH3 Beam lights and Viper Performances. “We used all the moving lights for our stage wash and video lighting, all the Auras for backlight and used the Viper fixtures for the front stage lighting,” Farrell stated. “The Viper is a great fixture to use. It’s nice and bright and has a great color temperature.”

“The video aspect was somewhat new to us, but the lighting system was very easy to use, which gave us great confidence that it would perform as we envisioned,” Farrell added. “The RUSH MH3 Beams are really awesome, they are super bright and punch right through everything. We were really impressed! The Vipers have great color temperature as well. We didn’t have to do much correction with the LED’s to get it perfect, it was a nice surprise!”

“The ultimate measure was seeing the audience’s response when the athletes came out and hit the stage,” Farrell explained. “They were rock stars up there with a bunch of raving fans screaming. The lighting rig really sold the power of these athletes and made it worth every dollar the audience paid for tickets. It will be tough to outdo ourselves next year!”

In addition to Martin, Live! Technologies deployed HARMAN’s JBL Professional VRX and PRX loudspeakers along with Crown’s amplifiers. “We appreciate working with Martin and all the HARMAN brands and look forward to next years show being brighter and even more successful than this years,” Farrell summed up. “This rig is so awesome it should be used for everything!”

Live! Technologies is a national supplier of entertainment and event technology that prides itself on planning, producing and staging live events that exceed client expectations. For more information on Live! Technologies, please visit: www.reallivepros.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

First Alliance Church Takes Massive Leap Forward with HARMAN’s Soundcraft Vi6 Console

(Left) Wayne Jeschke, Technical Associate, First Alliance Church; and (Right) Paul Nadeau-Bonilla, Technical Director of Environments, First Alliance Church.

CALGARY, Canada – The First Alliance Church in Calgary is home to a 75-year-old sanctuary that seats 1,700 people. The size of its congregation, combined with the various styles of music and dynamic worship services, prompted Technical Director of Environments Paul Nadeau-Bonilla to recently upgrade the Church’s audio system with HARMAN’s Soundcraft Vi6 digital console, installed by Sapphire Sound in Vancouver, B.C.

The Church hosts full orchestras, choirs and bands, on top of its annual Broadway-style Christmas musical. The Vi6 was chosen for its ability to accommodate and switch seamlessly between all types of productions with minimal setup times and clutter. With 96 inputs to 35 output channels, the Vi6 is capable of handling any large-sized venue with ease.

“Before buying the Vi6, we researched flagship models from many other brands,” said Nadeau-Bonilla. “From an ergonomic standpoint, the Vi6 is head and shoulders above all the other consoles. The intuitive layout and visual appearance drastically improves our workflow, and the onboard features are really easy to work with, unlike some of the confusing navigation on other digital consoles.”

The Soundcraft Vi6 pushes boundaries by empowering the user with features that improve ease of use, rather than the culmination of controls that get lost in endless menus. The beautiful ‘knobs-on-glass’ controls sit on top of the Vistonics™II channel strip interface, providing users with the most unadulterated monitoring and mixing experience. TheSoundcraftFaderGlow™ color-coded illumination for the faders is particularly eye-catching, and gives the user an additional level of status indication, significantly reducing operating errors.

“The details in the layout of the Vi6 are amazing,” according to Wayne Jeschke, Associate of Technical Arts. “Someone can run wireless microphones and orchestra at the same time, while the Cue Advance buttons and Snapshots are readily available and well within reach. We wanted something as user-friendly and analog-like as possible, and I believe the Vi6 hits the sweet spot. Even some of our non-technical engineers are able to work on it flawlessly.”

“We did not expect the sound to be this good,” Jeschke continued. “The difference in clarity from our older board is so great, that we get compliments from numerous untrained people all the time. The user-friendliness combined with a clean, natural sound makes the Vi6 an extraordinary console within its class. It blew us away.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

TC Takes QL On Demonstration Road Show

BUENA PARK, Caiif.—Yamaha Commercial Audio Systems, Inc. announces the first mid-west demonstrations of the new Yamaha QL Series Digital Consoles hosted by TC Furlong Inc. Events are free. The dates and locations are as follows:

Wednesday, 4/16, 4:30 pm – 7:00 pm
TC Furlong Inc. in Lake Forest, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-after-hours-tc-furlong-inc-tickets-11201286349?aff=yamaha

Tuesday, 4/22, 9:00 am -1:00 pm (with Yamaha district manager, Mike Eiseman)
Regus Offices in Rosemont, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-rosemont-il-tickets-11203922233?aff=yamaha

Tuesday, 4/22, 4:00 pm -7:30 pm (with Yamaha district manager, Mike Eiseman)
The Moody Church in Chicago, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-chicago-il-tickets-11204000467?aff=yamaha

The new Yamaha QL Series inherits CL console features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

-END-

Bexel and Riedel Communications Take Flight with Collaborative Offering

Bexel’s Falcon Sportscaster Unit to Feature New Riedel AVB Interface

Bexel Used Sales: NAB Booth #N1205
Riedel Communications: NAB Booth #C4937

(LAS VEGAS, NV) – Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, announced a new, collaborative offering with Riedel Communications at NAB 2014. Bexel’s Falcon Sportscaster Unit will now feature an AVB (audio-video bridge) interface, developed by Riedel. The optional AVB capability provides direct digital network connectivity to the announcer in the most advanced media network architecture available.

The Falcon is able to satisfy all of the demands of professional sportscasters and audio operators with its unique, interchangeable nature. The unit’s inherent flexibility can accommodate a variety of interface connectivity solutions to meet a customer’s specific needs, and now broadcasters will be able to utilize the state-of-the-art Riedel AVB interface, as the Falcon is not bound to a singular solution for connectivity.

“With Riedel, we are working with a partner company that is dynamic, resourceful and innovative,” said Andrew McHaddad, chief audio engineer, Bexel. “This collaboration is a perfect fit for everyone involved, but especially for our customers. We pride ourselves on being a leader in the sportscaster equipment market with our Falcon platform. Working with a technology-driven company like Riedel strengthens our offerings and improves users’ experiences.”

Riedel, a provider of pioneering real-time video, audio, data and communications networks, approached Bexel about partnering on an AVB interface for the Falcon.

“It has been very rewarding to work with Bexel on this new AVB application,” said Christian Diehl, product manager for Riedel Communications. “We are very interested in furthering the usage of AVB globally, and this single-cable option for the Falcon is a perfect application for it.”

The new Riedel AVB option allows a single CAT-5 cable to connect to an AVB network carrying all five audio signals: broadcast microphone, Talk-Back #1, Talk-Back #2, IFB left, IFB right and power. All audio signals exist on the network as data, with all AD/DA conversions occurring within the Falcon unit. Powered through the network connection, this version provides the highest density of capability in the smallest footprint available in the marketplace.

“Riedel is a leader in technological innovations, and our new AVB interface brings their exciting work into the sportscaster equipment market,” concluded McHaddad. “It has been a rewarding experience working with the team from Riedel, and we are already looking forward to further collaborations.”

To see the new Riedel AVB interface for Bexel’s Falcon Sportscaster Unit, visit the Bexel TSS Booth (Stand #N1205) or the Riedel Communications Booth (Stand #C4937) at NAB 2014, April 7-10, in Las Vegas.

About Riedel
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro-audio, event, sports, theater and security applications. The company also provides rental services for radio and intercom systems, event IT solutions as well as fiber-based and wireless audio & video transmission systems that can be easily scaled to events of any size anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia and the Americas. For more information, visit www.riedel.net.

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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