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Archive of the AV Control Systems Category

Pexip(R) Announces Video Soft Clients for Infinity Scalable Meeting Platform

Virtual Meetings More Accessible Than Ever With Desktop Clients and Support for all Major Browsers

OSLO, Norway — June 17, 2014 — Pexip(R), a global disrupter in scalable, distributed videoconferencing technology, today announced its plans to introduce an all-new suite of Pexip Infinity videoconferencing clients, expanding users’ options of simply joining Pexip meetings. The Pexip Infinity clients will be available as installable client software for Windows(R), OS X(R), and Linux(R), in addition to supporting all major browsers including Internet Explorer(R), Safari(R), Chrome(TM), Firefox(R), and Opera(TM). more

ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

Extron Introduces Two Certification Programs for Pro Series Control Systems

Extron Electronics is pleased to introduce ECS – Extron Control Specialist and ECP – Extron Control Professional. ECS is designed to prepare individuals to successfully deploy and maintain customized AV control systems that are built using Extron Pro Series control products and Extron Global Configurator Plus software. ECP is geared toward advanced users or those with a programming background who wish to take full advantage of the features within Global Configurator Professional software. Both certifications feature instructor-led, hands-on training and will prepare individuals to manage customized Pro Series configurable control systems. more

St. Cloud State University UTVS Puts Real World Broadcasting Into Student Experience with Autoscript E.P.I.C. Prompting

University Television Station (UTVS), the student-run TV station on the campus of St. Cloud State University, is using three Autoscript E.P.I.C. prompters for their busy production slate. UTVS delivers a variety of programming to the campus and the larger St. Cloud, Minnesota, community.

UTVS serves locally produced programming to 33,000 households on Charter Channel 21, also streamed live 24/7 on utvs.com. Founded in 1978, the station is staffed by the SCSU Mass Communications students: TV production majors work behind the scenes, and broadcasting majors appear in front of the camera and work as producers.

About 100 students actively produce news for UTVS. This semester features two half-hour evening newscasts, a weekly half-hour Spanish-language newscast, and a half-hour week-in-review news program on Friday.

As part of a full lineup of programming, UTVS produces sports and entertainment shows. "Back to the Movies" is a weekly movie review series; "Monday Night Live" is a weekly one-hour music show simulcast on campus radio station KVSC 88.1FM; and "Trivia Weekend" is a popular annual 50-hour trivia marathon staged in conjunction with KVSC. The upper level TV production class produces the new "Husky Faceoff" weekly sports show; and the weekly sports round up, "Husky Magazine," has been on the air since the 1980s. The St. Cloud State Sports Network will begin broadcasting round the clock in the fall with live coverage of a wide array of college sports, a new slate of sports shows, and replays of classic games.

Since UTVS is training the broadcasters of tomorrow, the university is keen to ensure that students' experience on-air and in production replicate real-world working environments. "We give our students a taste of what it's like in the professional world," says Derrick Silvestri, TV studio manager at UTVS. "Our main objective is to have them use the equipment they'll encounter in the newsroom, so when they graduate they will be more than prepared to work in a professional environment."

Twelve edit suites, which feature Apple Final Cut Pro, Avid Media Composer and, starting in the fall, Adobe Premiere, are dedicated to UTVS; media control takes care of media management and sports replays while the master control center handles commercial insertions and broadcast playback. Production equipment includes nine Grass Valley LDX studio cameras, Chyron Mosaics, Wheatstone and Grass Valley production switchers and RTS intercoms.

In the summer of 2013, UTVS acquired a trio of Autoscript E.P.I.C. 17-inch prompters, which they operate with three LDX cameras mounted on Vinten pedestals and heads.

"We were one of the first to have the E.P.I.C. systems," says Silvestri, who purchased the units from systems integrator Alpha Video in Edina, Minnesota. "Before, we used a wide variety of systems, including the EZNews all-in-one script writing and prompting system. But our slate demanded a more professional-style system with automated workflows and MOS control. We got AP's ENPS for scripting, but it didn't offer prompting. That's where Autoscript stepped in. Their products are a top choice in the professional world, and with E.P.I.C. we could use ENPS for writing and Autoscript's WinPlus Ultra software for prompting. E.P.I.C. gives us a seamless workflow that works perfectly every day."

In that workflow news writers prepare scripts with ENPS, E.P.I.C. ingests the text and a MOS-activated rundown is sent to +WinPlus Ultra for prompting.

Students have various control options for E.P.I.C. prompting. "We have two hand controllers in two control rooms. This way producers can keep pace - two wireless hand controllers for two studios for producers or reporter stand ups, and two foot pedals, one for talent on the sports set and one for talent on the news set," Silvestri explains.

"About five years ago, with the advent of one-person journalism, we had alumni tell us that talent needed to be able to prompt themselves," he notes. "So we transitioned from having a crew position prompter to having the news and sports anchors prompt themselves. That's most likely what they will encounter when they graduate and move to a small-market station equipped with hand-and-foot controllers.

"E.P.I.C.'s foot pedals are particularly awesome. We've had a lot, and these are by far the best."

Silvestri also gives kudos to E.P.I.C.'s 20-percent savings in power consumption and its class-leading High Bright LED prompting screens. "The talent loves the fact that we can do colors now for different slugs and cues," he adds. The Clock Plus E feature for time of day and Tally Plus feature for live cameras also come in handy, he reports.

An additional attraction of E.P.I.C. is its streamlined good looks with no extra mounting bracket required. "It's a very clean unit," says Silvestri. "It works well and it looks really good. We do studio tours and want to impress the people we show around. This unit is designed to impress."

Although he reports that the E.P.I.C. systems "worked perfectly out of the box," Silvestri gives kudos to Autoscript's customer support. "When I've called with general questions they call me back instantly," he says. "Autoscript really stands behind this product."

Three E.P.I.C.s are meeting the current needs of UTVS but Silvestri envisions expansion possibilities. "Right now we roll the cameras between the two studios, but if we invest in separate cameras for the news and sports studios, I can see us adding two more E.P.I.C.s."

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Symetrix Partners with Attero Tech & Stewart Audio to Speed Dante Design

SEATTLE, WASHINGTON – JUNE 2014: In a significant development for users of Audinate’s Dante audio networking technology, Symetrix has announced that the latest version of its popular SymNet Composer software will support native configuration of select Dante-enabled Attero Tech and Stewart Audio products.

Settings affecting I/O levels, routing, and more may be defined with SymNet Composer 2.0, which gives customers the ability to consolidate design on a single software platform where previously multiple platforms were required.

“As of this release, integrators will no longer need Audinate’s Dante Controller as well as separate software packages for each manufacturer’s products,” comments Trent Wagner, senior product manager at Symetrix. “Supported Attero Tech and Stewart Audio Dante-enabled products can now be configured and managed right along side to SymNet hardware. Integrators who have used Composer before will have no learning curve.”

Stewart Audio has long pursued a focus on making networked A/V affordable and practical, and its current range includes innovative Dante end-points. “Our customers desire solutions that are both compatible and complete in their implementations. The collaboration between Stewart Audio, Symetrix and Attero Tech represents a major step in that direction,” says Stewart Audio’s Chief Marketing Officer, Brian McCormick.

He continues, “By collaborating with Symetrix, we are creating outcomes that align with our customer’s expectations. By carefully analyzing and responding to the challenges consultants and integrators face daily, presenting them with the results they are looking for is what this partnership is really all about.”

Mike Sims, director of marketing and sales at Attero Tech – which produces a trio of Dante interfaces – welcomes the partnership as ‘the next logical step’ in the interoperability of Dante networked audio systems. “Our goal has been to make deployment of these systems as seamless as possible, while allowing consultants and integrators to choose best-of-class products from a variety of manufacturers. This is the future of interoperability,” he declares.

The initial response from the integrator community is also encouraging. Chuck Mitchell, owner of California-based Technology of the Arts, recently undertook a Dante-centric installation involving Symetrix and Attero Tech products. “Dante is rapidly becoming a default choice for all manner of projects in the installed environment,” he says. “The Dante-centric partnership between Symetrix, Attero Tech and Stewart Audio is to be warmly welcomed as it helps to bring every installer’s dream of blanket interoperability that much closer to realization.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

www.symetrix.cowww.atterotech.comwww.stewartaudio.com

BE SURE TO STOP BY OUR BOOTHS AT INFOCOMM FOR A DEMONSTRATION
ATTERO TECH BOOTH #C9945
STEWART AUDIO BOOTH #C9947
SYMETRIX BOOTH #C9416

HARMAN’s Studer Celebrates 1,000-Plus Enrollment at StuderBroadcastAcademy.com

POTTERS BAR, United Kingdom – A mere 10 months since its launch, HARMAN’s Studer is proud to announce that StuderBroadcastAcademy.com, the online version of its Studer Broadcast Academy training course, has amassed more than 1,000 participants across 90 countries.

A total of 170 engineers have completed the entire course and are now factory-certified. Of these 170 engineers, over 85% have opted to be listed on the Studer website in a searchable engineer database (used by companies and productions looking to employ Studer Vista engineers).

StuderBroadcastAcademy.com is an interactive online course for engineers to learn how to operate Studer’s Vista Series digital mixing consoles. The course consists of a series of modules, which participants must pass 100 percent to officially certify as a Studer Vista Operator. The course is structured in an interactive format and students can download the Virtual Vista software that gives them a graphic, active representation of a Vista console. Virtual Vista can also be used for offline console configuration and online remote control of Vista mixing consoles. Video segments, system and technical diagrams, a dictionary of terms and other resources round out the program.

“We launched StuderBroadcastAcademy.com in partnership with CRAS (Conservatory of Recording Arts and Sciences) in August 2013 and the program’s popularity has exceeded our high expectations,” said Katy Templeman-Holmes, Associate Director, Recording & Broadcast, HARMAN Professional. “But we’re not stopping now. Later this year, we will introduce a new SBA module that will dig deeper into our Snapshots features!”

For more information, please visit StuderBroadcastAcademy.com

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

HARMAN’s Martin Professional M6 Lighting Console Brings Joy To Changlong International Circus Festival

ZHUHAI, China – Located in the southern Guangdong province and bordering Macau, Zhuhai is a premier tourist hotspot in China. Recently, it is also the host to the Changlong International Circus Festival, of which the committee selected the HARMAN’s Martin M6 Console to control and calibrate the lighting systems on and around the stage. Local Martin distributor Guangzhou Dan-Pro Stage Equipment Co., Ltd recommended the console from a world-renowned brand not only to match the popularity of the venue, but also to provide a compelling experience to such a joyous event.

The Martin M6 console offers the most advanced visualization of lighting control, accommodating a wide product range from traditional fixtures to moving lights and even the most advanced media servers with ease. The setup for the festival features two M6 consoles of the 64 channel version, as well as eight Ether2DMX8™ DMX routers.

“The M6 console is extremely popular amongst integrators, especially for live applications,” said Yuri Zhang, Vice GM of Guangzhou Dan-Pro Stage Equipment Co., Ltd. “During shows that span multiple days, it is imperative for the lighting systems to be controlled by a console that can consistently keep up with the pace without failure. To this end, the body of the console consists of a lightweight aluminum shell, which also allows for a compact design and fast setup times.”

The show features 10 consecutive days of clown acts, circus and aerial acrobatics, animal performances and magic acts, pushing top groups around the world to exciting levels of brilliance. Since there are no two acts alike, all participants had different requirements for synchronizing the lighting effects with their performance. Powered by an industrial multi-core processor and solid-state drives, the M6 console is well equipped to endure such a long and arduous event.

“The M6 console is one of the most reliable lighting consoles to date,” according to Zhang. “It pushes innovative boundaries in terms of flexibility and modularity, as it works with nearly all forms of lighting equipment. By adding a custom touchscreen display to improve ergonomics and workflow, we boost user confidence, so that they may focus on the show.”

The Circus Festival organizers, Changlong Group’s board members, and technical staff were all satisfied with the performance of the Martin M6 console, and praised it for its design and effectiveness. The operators found the controls to be “ambitiously effective” and thus, the M6 will continue its mission to accommodate regular programs for the Changlong International Circus.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

ALTINEX ANNOUNCES AVAILABILITY OF MUSE® HDMI®+POWER+IR TRANSMITTER / RECEIVER

**** Photo: Altinex MU400-111 transmitter and the MU500-112 receiver ****

Brea, CA – InfoComm Booth C5116… Altinex, a leading manufacturer of Signal Management Solutions®, is pleased to announce the forthcoming availability of its Muse HDMI+Power+IR Transmitter and Receiver. This new technology dramatically changes the way integrators approach AV systems. With the ability to power a display with up to 150 watts of power and carry HDMI, RS-232, and IR control signals up to 300 feet (90 m) over a single, low voltage, unshielded CAT-6 cable, Muse enables AV Integrators to eliminate the worry of electrical outlet placement—providing AV installers full control over their projects. more

Bexel Takes Univision from Burbank to Brazil for 2014 FIFA World Cup

Company Delivers Complete Broadcast Backbone for Network’s Extensive Coverage from Rio de Janeiro

BURBANK, Calif. - Bexel, a unit of the Vitec Group's Services Division and a leading worldwide provider of broadcast services and solutions, is furnishing a complete production environment for Univision's broadcast of the 2014 FIFA World Cup Brazil(tm). Faced with the largest remote production the network has ever undertaken, Univision turned to Bexel to design the system being used in Rio de Janeiro, Brazil. To ensure that everything will work seamlessly for the month-long summer event, a senior team of engineers, IT experts, and senior executives travelled from Univision's Miami, Fla., headquarters to Burbank, Calif., to collaborate closely on the process with the team from Bexel.

Bexel began having weekly meetings in November of last year with Univision to review floor plans and technical requirements. Intensive workflow meetings were also held with Univision's production, media management and editing teams, so that Bexel could glean from the different stakeholders what their specific needs were. "Univision had an initial concept of what would be needed for this project," noted Johnny Pastor, director of Technical Services for Bexel. "We then provided our expertise and worked with their teams to help the system evolve and get even stronger. We were with them step by step, ready and willing to accommodate any last minute changes along the way."

From the beginning of the project, it was determined that Bexel would build out the studio at their headquarters in Burbank, break it down, crate it using their proprietary inventory and shipping system, transport it to Brazil via boat, and finally rebuild it on-site in Rio de Janeiro. The window of timing for the project was incredibly tight. Once the cases were removed from the ship, they had to clear Brazilian customs. Then there was just two weeks to reassemble the system, followed by two weeks of rehearsal time before live programming begins.

Collaboratively, a plan was developed for Univision to deploy 18 people from Miami to Burbank in the weeks leading up to the ship date. "The plan of testing the system in Burbank together, before it was shipped, allowed for a lot of preconfiguring," explained Pastor. "It let Univision actually simulate a live-production scenario, using one control room, the editing systems, and the EVS. This was not only cost effective, but it will save Univision a great deal of time in Rio. And time was a critical factor in this project.

"Univision's Enterprise IT Group was also with us in Burbank, setting up connectivity back to Miami. They were able to send files back and forth, confirming the system was operational. All they had to do in Brazil was re-establish the communication and the workflows, and the collaborative environment began again."

Bexel sent approximately 15 engineers to Brazil to reassemble the Univision system. Six members of the Bexel technical team are staying on for the entire run of the World Cup to provide 24/7 coverage and support. The Bexel-designed system consists of two large control rooms with Grass Valley 4 M/E Kayenne switchers and Calrec audio consoles. The file-based workflow consists of 11 Avid editing systems, four EVS XT3s for playback and instant replay, and a robust graphics system including augmented reality. Bexel is also providing Sony HDC-2500 cameras complete with a camera stabilization system and jib for their studio at the IBC.

Univision, which holds the Spanish-language broadcast rights for the event in the U.S. market, plans extensive coverage from Rio de Janeiro in addition to the actual World Cup matches. Univision Sports built a set from which they'll broadcast pre- and post-game coverage, and Univision Entertainment will be broadcasting its morning show, Despierta América, from Copacabana Beach as well as a show for Televisa Deportes from the rooftop of the Atlantico Sul Hotel. In addition, Univision will use two of their flypack systems to shadow Team Mexico and Team USA. The Bexel setup will serve as the hub supporting all of these activities. From the remote setups, everything will come back through the Bexel backbone and then go out to Miami via a fiber uplink and satellite. From there it will be broadcast from Univision master control.

"We wanted to design a production environment for Univision that will have the flexibility to deliver everything they need, yet still have easily recognizable equipment, so their staff can walk in and know exactly what to do and how to use the systems," concluded Pastor. "We relied on our many years of live broadcast experience for large events to deliver the systems necessary for this project. We have really enjoyed working with the team from Univision, and it was an honor to have them out here working with us on site."

In addition to Bexel's work with Univision, Vitec brands supporting various other 2014 FIFA World Cup Brazil broadcasts, include Anton/Bauer batteries and chargers, artemis camera stabilization systems and operators, Autoscript teleprompters, Litepanel's LED lights, Sachtler V18 and V20 fluid heads, Vinten Osprey pedestals, Vinten Vector 75 and 750 pan-and-tilt heads, and a Vinten Radamec remote pan and tilt head.

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