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Archive of the AV Control Systems Category

In Time for Holiday Services, Church Gives Congregation the Gift of Enhanced Sound with Yamaha CL5

BUENA PARK, Calif.—This year’s holiday services at Ebenezer United Methodist Church in Stafford, Virginia will be enhanced significantly with the addition of a new Yamaha CL5 digital console. The 500-seat traditional and contemporary style-worship sanctuary purchased the new console along with two Yamaha RIO input/output racks from Sound Productions in Irving, Texas.

“Our decision to replace our existing analog console, was based on three major factors,” states James Mills, Director of Technology. “It had to be a digital console since we have a tight turn-around of 15 minutes between services, and attempting to use an analog board to get accurate sound levels at each service would be very difficult. The console had to physically fit in a tight space. And, as a church, we wanted to spend our money as wisely as possible, so looking at the long-term picture, it made sense to go with the CL5 knowing there would be plenty of room for growth.”

Mills said church staff and volunteers actually had to completely remove their old sound/video booth and rebuild it to fit the new console. Then he and Dave Bryant, the Director of Contemporary Music re-installed the booth’s contents including the new CL5. “I love the ease of setup and punch and clarity the CL5 brings to our sanctuary,” notes Bryant. “Since the band changes almost every week, it’s nice having such a fast, easy way to make changes to the setup, EQ and DCAs. This certainly has set us up for the future, and I’m really excited about that.”

“The console has a lot of nice features that make it friendlier to our volunteer-operator environment, including channel labeling and plenty of room for custom banks,” adds Mills. While he never had direct experience with Dante before the CL5, Mills was familiar with what it could provide in terms of audio networking and features like being able to tap into the network for multi-track recording. “Dante gave us the assurance that this was the console that would take us well into the future.”

Ebenezer UMC’s sanctuary has an average attendance on a weekend of about 1,200 across five services. There are two traditional services, one with a four to six person vocal group and the other with a 30-voice choir. The other three services are contemporary in style with multiple musicians and vocalists.

“The Yamaha CL5 sounds great!” Mills said. “With no other audio changes to our system, the difference in sound from our old analog console to the CL5 is huge. From the pastors to the choir and band, the new console has brought to us a new standard of clarity and natural sound we had not heard in our sanctuary before. The choice of the CL5 has given us the confidence that no matter what happens next, we have a console that will be able to handle it.”

For more information on Ebenezer United Methodist Church, visit www.ebenezerumc.org.

For more information on Sound Productions, Inc. visit www.soundpro.com.

For more information in the new Yamaha CL5 Digital Audio Console, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Dataton to usher in a new era of innovation at ISE 2013

New headquarters, 40th-anniversary celebrations and much, much more!

Dataton, the world-renowned manufacturer and developer of presentation and show-control products, ushers in a new era of innovation and creativity at the 2013 edition of Integrated Systems Europe. The company’s latest products, marketed as additions to the WATCHOUT suite of multi-display production and presentation software, will be showcased on Dataton’s biggest ISE stand so far.

While the exact nature of the products to be showcased at ISE remains a closely guarded secret until the show opens its doors on January 29, Fredrik Svahnberg, Dataton’s marketing director, comments: “We have continued to update WATCHOUT this year with new features such as 3D stereoscopic playback, live video streaming, interactivity, and multiple languages. What we are going to show at ISE marks the start of a major move forward.”

On the first day of ISE 2013, Dataton will host a booth party at 17:00 on stand 7-K175 to celebrate its 40th year in business and the Swedish-based company is promising plenty of Scandinavian hospitality.

Maintaining its support for education programmes in the pro-AV space, Dataton will also present an InfoComm University™ session in ISE’s Education Zone. Titled ‘Multi-Image Projection Techniques’, the session will be delivered by Svahnberg and will be held at 10:00am on Wednesday, 30 January. Like all InfoComm University content, thesession will be vendor-neutral and free of sales pitches.

Finally, ISE 2013 will be the first major AV tradeshow that Dataton has planned from its new corporate headquarters at Mjärdevi Science Park in Linköping, Sweden. Construction of the purpose-built HQ, designed by award-winning architect Petra Gipp, commenced in the summer of 2012.

Dataton will exhibit on Stand 7-K175 at Integrated Systems Europe at the Amsterdam RAI from 29-31 January 2013.

www.dataton.com

Grammer Engineer ‘Spellbound’ by NEXO GEO S12

BUENA PARK, Calif.—Known for his vibrant pop/rock/soul mix and free-flowing vocal delivery, Andy Grammer is an acclaimed singer, songwriter, and musician who reached the Top 10 at Adult Pop Radio with his first two singles, “Keep Your Head Up” and “Fine By Me”.

Nearing the close of his 2012 tour, Grammer recently performed at North Central Illinois College in its 825-seat Wentz Concert Hall. Sound Works Productions (Frankfort, Ill.) provided a NEXO GEO S12 system, ground stacked on the stage with the sound company’s custom carts. The house rig consisted of ten GEO S1210s, four RS18 Ray Subs, four PS10s and three 4×4 NXAMPs. For monitors, the company provided three RS18s for sidefills/drum subs, two 4×4 NXAMPs, and a Yamaha M7CL digital console.

“Anytime I’m remotely close to Chicago and need production elements, I want Sound Works there with the GEO S12,” states Kevin Flasza, Grammer’s front of house engineer. “Andy puts on a very dynamic show, and the NEXO rig remains transparent through our entire set and easily allows me to reproduce the delicate details I need to highlight at times. What more can I ask for? The GEO S12 reigns supreme when it comes to that size format.”

For more information the Sound Works Productions, visit www.soundworkspro.com.

For more information the NEXO and Yamaha products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LECTROSONICS DEPLOYED AT WOMEN’S HOSPITAL

**** Photo: Women’s Hospital ****

Baton Rouge, LA – December 2012… Specializing in the care of women and infants, Women’s Hospital is the premiere facility of its kind in the greater Baton Rouge area. With the recent completion of a new conference facility, the hospital now has state-of-the-art capability for handling presentations, training sessions, and related business. Audio and video provisions are crucial to a facility of this nature and, to ensure trouble-free sound, an ASPEN Series Digital Audio Processor from Rio Rancho, NM-based Lectrosonics was incorporated into the conference center’s AV equipment arsenal. more

New Christie TVC-700 Video Wall Processor Controls Complex Data Simultaneously From Multiple Sources

Addressing today’s most challenging control room environments that demand cutting-edge performance and lower costs of ownership, Christie® has introduced the new Christie TVC-700 display wall processor, a powerful manager of the most complex information sources. At the heart of Christie’s control room solutions, the Christie TVC-700 is PC-based and easy-to-use, purpose-built for the rigors of 24/7 control room environments. Using the PCIe bus architecture and state-of-the-art GPU technology, it provides ample graphics and processing power to support multiple inputs and outputs. With simultaneous support for hardware accelerated 3D applications and ultra-high resolution outputs, it can handle 3D content such as CAD/CAM modeling and data visualization.

Christie TVC-700 Video Wall Processor

The Christie TVC-700 joins the company’s family of controllers and video processors that features a full range of solutions to match any control room application. Whether the source is analog or digital, direct connected or over the network, RGB or video, like all Christie video processors, it can manage hundreds of sources simultaneously and display them in high resolution anywhere, at any size, and in any number of windows across the video wall, with content that can be controlled either at the wall or over a networked remote client. It comes bundled with exclusive Christie MASTERSuite™ software, with WallManager™ and MediaManager™ programs to help make tiled video wall displays respond as a single, ultra-high-resolution Windows desktop.

“The world is becoming increasingly complex, with information that can come from any source, at any time, and from any place, making the need for the highest grade control room solutions more critical than ever before,” noted John Stark, Christie’s Director of Collaborative Visual Solutions. “Christie brings a solid foundation of expertise, with proven solutions for a 24/7 world. The Christie TVC-700 expands our family of trusted, reliable solutions for every environment and every budget.”

Christie display wall processors can be found in applications ranging from the Ontario Ministry of Transportation (MTO) COMPASS control room, to the NASDAQ’s MarketSite in New York City, to the Massachusetts Bay Transportation Authority.

FSR’s New CORE Product Line Addresses Floor Space Challenge

COOL OVERHEAD RACK ENCLOSURES OFFER SOLUTIONS FOR CLASSROOMS, BOARDROOMS AND MEETING ROOMS

Woodland Park, NJ – FSR, manufacturer of audio and video switching, control products, and connectivity boxes, is debuting its new CORE family of products to help solve the challenges of today’s classrooms, boardrooms and meeting rooms where floor space has reached an all-time premium.

With FSR’s Cool Overhead Rack Enclosures (CORE), which consists of the Ceiling Box family of above ceiling rack enclosures, and the brand new Top Shelf wall mounted rack enclosure, the company can offer viable options to facilities which can no longer afford to devote floor space to equipment racks or credenzas.

“Let’s face it, many facilities today just don’t have the same amount of floor space any longer to devote to large equipment racks,” says Jan Sandri, president, FSR. “With our new CORE family of products, FSR has the solution. We are thrilled to be able to introduce these powerful options to the industry, which includes the Ceiling Box family and Top Shelf wall-mounted rack enclosure, that target today’s challenges of space constraints.”

The Ceiling Box family is installed in a standard 2’ x 2’ or 2’ x 4’ drop ceilings and provides from 2 ½ rack to 4 full rack spaces for equipment mounting. Optionally, the Ceiling Box family can be equipped with a projector pole mount adapter so that the projector can mount directly to the ceiling box and cables can disappear through the pole.

The newest member of the CORE family is the Top Shelf wall mounted rack. Top Shelf mounts to a wall just below the ceiling in installations without a drop ceiling or where space above the drop ceiling is limited. The Top Shelf provides four rack units of mounting space and the plastic cover allows RF and WiFi signals to pass unobstructed between the equipment and the room.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

FSR complies with the American Recovery and Reinvestment Act of 2009 and is a woman owned business. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information visit www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

Judy Bayley Theater at UNLV Installs All-Yamaha ES System

BUENA PARK, Calif.—Home to many of the University of Nevada Las Vegas performing arts groups, the 550-seat Judy Bayley Theater opened in 1972 and features a raked auditorium, a fully-rigged, proscenium stage, and a thrust-apron that can be used as an orchestra pit.

A new audio system was recently recommended by audio expert Mary McFadden, designed and installed by PRG, and includes a Yamaha M7CL-48ES digital audio console, IS series speakers, DME24 (Digital Mixing Engine), and XP amplifiers. McFadden is quite familiar with the venue and has taught in the theater as faculty adjunct for sound design. Last year, she had students put a delay line in the theater, a very successful project. “Brackley Frayer, the department chairman, called me in January to ask me to consult on a new system, as funding had been obtained to update both the sound and lighting system,” states McFadden.

“There is no sound design degree at the school, but there is a concentration in sound design available within the general theater BA,” says McFadden. “Since there is no full-time faculty that teaches sound, my feeling was, the new system needed to be easy to operate and have a digital signal path to familiarize students with digital audio networking and concepts. The Yamaha M7CL-48ES package fit these requirements.”

“PRG worked as a subcontractor to American Southwest Electric to bid on the project, and we won the bid with ASE,” states PRG Audio Designer, Eric Hebard. The bid’s Scope of Work included more than pro audio and lighting; ASE handled the general and electrical construction portions, and PRG handled all the audio system engineering and installation. “The design included the rigging of the speakers based on locations that Mary had specified: the small shrouds for the portable Yamaha SB168’s stage boxes, the rack with power and thermal dissipation to properly house the equipment, how to reasonably network the SB168’s, power and network locations to stay within budgets, and in keeping with modular capabilities,” says Hebard.

“The Yamaha DME is a key part of the system, McFadden says; ‘it is very cost effective, and has all the DSP required for the system – EQ, crossovers, delays, etc. It also has a delay matrix component, and surround sound capability. I used the delay matrix to teach and design with last year, and this year I am using it for ‘God Lives in Glass’, a benefit for both Family Promise and the Nevada Conservatory Theatre, the professional Equity arm of the theater school. The DME is a great teaching tool, and gets students to think about signal processing and design in the digital realm.” The school plans to buy an ES card for the DME to make the DME part of the ES network – right now it’s analog in and out. By using the GUI for the DME, students can become familiar with system design concepts.”

“I am very pleased with the new Yamaha sound system,” states Brackley Frayer, Chair and Executive Director, Department of Theater and the Nevada Conservatory Theater. “When the designers and engineers played their demo tapes through the new system, I sat back and enjoyed the result. This is the best sound I have heard in the Judy Bayley Theater since I arrived 17 years ago.”

For more information on PRG, visit www.prg.com.

For more information on Yamaha Commercial Audio products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SYMETRIX SOLUS 8 AND JUPITER 4 DELIVER THE MESSAGE AT SOUTHEAST ASIA BIBLE SEMINARY

MALANG, INDONESIA – DECEMBER 2012: The Southeast Asia Bible Seminary (SEABS) instructs students from around Indonesia and other nearby countries from its campus in Malang, East Java. It offers several degrees, including a Bachelor of Divinity, multiple masters degrees, and a Doctor of Ministry. To match the needs of an expanding student body, SEABS has added new buildings and infrastructure to its facilities. Most recently, the school added a 1,600-seat auditorium and a 150-seat recital hall, both of which required high-impact sound reinforcement. A/V integration firm PT Gracia Auvindo of Jakarta designed and installed those systems using the Symetrix Solus 8 open-architecture processor and the Symetrix Jupiter 4 fixed-architecture processor, both of which offered cost-effective performance perfectly tailored to the needs of the school.

“The school officials asked for a very clear and intelligible sound reinforcement system,” said T.S. Phan, engineer with PT Gracia Auvindo. “They wanted excellent dispersion and coverage for all of the seats in both venues.” The auditorium will be used for very large services (an existing sanctuary hosts SEABS’ regular services) and for other large events, such as graduation ceremonies. In contrast, the new recital hall will be used for small services, seminars, and overflow from the auditorium.

A new Midas mixing console serves as the input and control hub in the auditorium. On-stage microphones, piano, and band instruments provide the bulk of the input material. The console sends signal directly to a Coda Audio house PA via CAMCO amplifiers. However, console output is also distributed to the basement, the first floor public areas, and the second floor by way of the Symetrix Solus 8 processor. For the distributed system, QSC amplifiers provide power to Ecler ceiling-mounted loudspeakers. The Symetrix Solus 8 also provides output for Coda Audio side-fill, out-fill, front-fill, and backfill loudspeakers.

“The Symetrix Solus 8 was a cost-effective choice,” said Phan. “It not only gave us the high-fidelity sound asked for by the client, but also gave us open-architecture flexibility to design exactly what was needed. For example, I could insert two channels of feedback fighters on the stage side-fills, where it was needed, without wasting that resource on the other outputs, where it wasn’t needed.”

The recital hall is considerably simpler. Input sources such as stage microphones and a few band instruments feed a small Midas mixer, which in turn feeds a Symetrix Jupiter 4 fixed-architecture processor. From there, CAMCO amplifiers power a Coda Audio loudspeaker system consisting of stereo full-range boxes paired with stereo subwoofers. Phan used a “Sound Reinforcement” app to configure the Symetrix Jupiter 4 with appropriate input/output structure and processing blocks. “The Symetrix Jupiter 4 is a very simple, cost-effective DSP for this type of application,” said Phan. “I just chose an appropriate app using the Symetrix App Finder on the Symetrix webpage, loaded it up on the unit, and made a few parameter adjustments, and it was ready to go!”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ASHLY’S PEMA™ HOLDS UP IN COURT

WAPAKONETA, OHIO: Construction of the Auglaize County Courthouse was completed over a century ago in 1894. Occupying a full city block in downtown Wapakoneta, Ohio, the building stands true to its original design. Ornate and dignified sandstone frames the two-story structure, which is capped by a clock tower and a recently renovated statue of Lady Justice. In order to bring its capabilities in line with 21st Century expectations while still retaining the charm and repose of its 19th Century origins, the county renovated the Auglaize County Courthouse to the tune of $30 million. Among the myriad renovations was an overhaul of the audio/visual systems installed in its three courtrooms. With limited space, a strict budget, and future-proof expectations, local integration firm RG Sound & Communications centered each courtroom’s new system on an Ashly Pema 8125.70 integrated processor and amplifier.

“One of the first things that the county officials pointed out was how long the courthouse had been serving the community,” said Shawn Snider, project manager at RG Sound & Communications. “They expected these renovations to serve on a similar timescale. That meant that we needed to design and install an audio/video system that would be sufficiently flexible to meet their unanticipated needs many years into the future. For that reason, and because they had a tight budget and limited (19th Century) closet space, we felt that the Ashly Pema, which offers eight channels of fully-featured matrix processing and eight amplifier channels in a two-rack space chassis, was the perfect choice.”

With only slight variations, the installed A/V system in each of the three courtrooms is more or less identical. Eight court-supplied microphones feed a court-supplied (and government-inspected and certified) recorder. Its mixed output feeds the first input on the Ashly Pema, and a redundant summed line feeds the unit’s second input. The remaining six inputs receive signal from an NTI audio/video matrix mixer, which is in turn fed by audio/video outputs at the lawyers’ tables and at other strategic locations throughout the courtroom. Computer control of the NTI matrix resides with the judge, who can patch any video input to any video output (including individual retractable flat screen monitors for each juror). Audio can be played in the courtroom if the judge so chooses. Because more than one video input can be selected at one time, the system accommodates multiple audio sources using the Ashly Pema’s inputs three through eight. The Ashly Pema’s eight amplifier channels power a distributed in-ceiling collection of Community DS8-series loudspeakers.

“Because no audio technician would be on hand during proceedings, we used the powerful DSP capabilities of the Ashly Pema to provide consistent, intelligible audio from the microphones and from the A/V output,” Snider said. “By using the Ashly Pema over a separate DSP/amplifier solution, we were able to help the county stay on budget. Moreover, both the NTI A/V matrix and the Ashly Pema reside comfortably on the network, making it easy for us to make changes for them remotely. The fact that we can lock out the front panel of the unit ensures that no unqualified technicians will attempt to make changes to the system.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Houston’s HS for the Performing and Visual Arts Installs Yamaha AFC System

HOUSTON, Texas—The High School for the Performing and Visual Arts (HSPVA) of the Houston Independent School District evolved in 1971 from a realization that gifted young artists need highly specialized and rigorous training in the arts to be prepared for the intense competition they will meet in colleges, conservatories, and the professional arts world. The creation of HSPVA represented the first attempt by any public high school in the nation to correlate an academic program with concentrated training in the arts.

Recently, the HSPVA completed the installation of a Yamaha AFC3 (Active Field Control) System for the 400-seat Denney Theater. The system, provided by Sound Productions of Irving, Texas and installed by Covenant Communications of Houston, is the first AFC3 installation, using the new AFC-FIR card released at InfoComm 2012, in the world. The HSPVA AFC3 installation includes 20 speakers with four mics all out in the main auditorium.

The project’s architect, Abe Sustatia of Sustatia Architects, contacted Covenant. “We were asked to design and install a new sound system for the Denney Theater and the black box theater,” states Shawn Mullins at Covenant. “While working with both Abe and the school to determine the best route for the sound system, they asked about options to help the acoustic environment in theater. They have multiple choral and musical groups, and since the theater was so acoustically dead, the school had to move musical performances to other venues that became costly and troublesome.”

“This is my fourth year as the Technical Director at HSPVA,” states Marc Duncan. “To say that we have had sound reinforcement issues would be an understatement of exponential proportions. After three years attempting to repair/replace or reinvent our acoustic orchestra shell and its implementation, we thought we had finally found what we believed was the best ‘sound’ we would ever achieve… until now.”

“We designed two systems, the reinforcement system, that is centered around a Yamaha LS9-32 digital console and digital snake and then the enhancement system,” Mullins continues. “We were familiar with two systems being used to enhance room acoustics, Yamaha and Meyer. We looked at both processes and felt that Yamaha suited the venue better. We contacted Yamaha Commercial Audio Systems and began the process of getting design assistance. As the project matured, we contacted Jeff Humphries of Sound Productions to make arrangements for the equipment. Sound Productions has been a great partner for us for over the past 12 years. The original design incorporated the previous generation of AFC equipment, so we were really excited when we were informed that we would be getting the new Yamaha AFC3 for this project.”

Active Field Control is a reverberation enhancement system that adjusts and enhances the acoustic characteristics of a facility while preserving the natural characteristics. This is achieved by creating feedback loops of microphones and speakers located in the reverberant field of the room to “recycle” the reverberant energy, thus extending the RT time. Yamaha AFC is used to create varying RT settings to suit different performance applications within the same facility. The system can be used to add spaciousness to under balcony or stage areas so all audience members and performers can enjoy the same sense of connection to the music and a greater shared experience. AFC systems can also be used to add early reflections or as crowd enhancements systems.

The new AFC3 processor supports transfer of FIR calculations of AFC processing to dedicated hardware. The new AFC-FIR processor card can be mounted in the AFC3 processor, and in addition to handling the processor-intensive FIR calculations, the card also provides four AES inputs for system microphone channels.

“As a performing arts school that averages 30 different events in our Denney Theater a year, half of them being from the Music Department, it is easy to understand how much this system has benefitted us,” says Duncan. “The look of shock and awe when our music department chairs heard the system for the first time was an overwhelming relief that we could finally provide a space to support the magic that takes place in our school every day.”

Duncan said the first event held for the Music Department using the new AFC System was a fundraiser where they had a 40-person choir, Symphonic Band & Wind Ensemble, Jazz Band, Young Performers Pop Concert, and a full Orchestra, all performing in the same space throughout the night. This event takes place throughout the whole building in all of the school’s performing spaces and averages 2,000 guests a year. “Everyone raved about how great the sound was and how shocked they were that this was the same building they had been coming to for years, but had never heard ‘this’ before. Looking back, I wonder how we ever did the event at all without the Yamaha AFC system. When we want a dead space we turn it off, and when we want more, the question now is, ‘how much more?’

As the main operator of the system Duncan said he can’t get over how quick and easy the AFC System is to operate. “We can switch between five different room environments, taking about four seconds to load each setting, and we have a 10 db range of control depending on how live we want it to sound. We can access it from the booth or from backstage, all from a simple panel no bigger than a DVD case. The Denney Theater is not just a performance space; it is also used as a classroom. Now, when we have master classes or guest artists in the space during the day, changing the acoustics of the room to customize it is fast, efficient, and a breeze. The system sounds outstanding; it’s remarkable!”

For more information on the Houston High School for the Performing and Visual Arts, visit www.hspva.org.

For more information on the Yamaha AFC System, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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