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Archive of the AV Control Systems Category

SYMETRIX SYMNET RADIUS REVITALIZES THE AUDIO AT THE HISTORIC SUFFOLK THEATER

RIVERHEAD, NEW YORK – NOVEMBER 2013: The Suffolk Theater in historic downtown Riverhead, New York opened its doors for the first time in 1933, and the public faithfully filled its resplendent art-deco interior night after night. Movies put the theater in the black for decades, but proliferating strip malls, the rise of the multiplex, and America’s seedy love affair with the living room couch decimated the Suffolk’s crowds and led to its final performance in 1987. The story is hardly unique to The Suffolk, and twenty years passed before area residents realized what they lost in the bargain. In the past decade, the tides turned, and, under new ownership, The Suffolk Theater responded with the sound of renovation. It recently reopened to tremendous fanfare, and beneath its carefully-restored Depression-era art-deco façade breathes a 21st Century audio/video/lighting system that includes a 36-input/20-output Symetrix SymNet Radius 12×8 Dante networked DSP system.

Award-winning theatre and A/V designer Stuart Allyn of A.D.R. Studios (Irvington, New York) designed and commissioned the new theatrical/audio/video systems at The Suffolk Theater, and Theatrical Services and Supplies (Hauppauge, New York) installed it. “Of course, a lot of thought goes into every aspect of a system like this,” said Allyn. “I went with the SymNet Radius 12×8 because it’s a cost-effective processor that is totally flexible, both in terms of its processing power and its input/output count.” The Suffolk Theater needed a large number of inputs and outputs because the entire system throughout the building is fed from the central FOH position. A wide number of areas (bars, offices, restrooms, backstage, etc.) are all capable of receiving the main show audio (and video in some cases) plus each area, at the touch of a button, can optionally receive a local source such as cable TV or a Blu-ray player. Each area when viewing the stage feed must be time aligned to the stage, and when viewing local sources that timing needs to be synced to the video. Each “zone” required speaker processing for each mode of operation. By having all the system processing centralized and separate, sound mixers using the digital mixing system are free to use whatever systems, EQs etc. they desire to use in the console, while the main speaker and system processing remains in place. The Symetrix system handled all that very easily. To the twelve inputs and eight outputs of the system’s single Radius 12×8, Allyn added two Symetrix SymNet xIn 12 expansion boxes and one Symetrix SymNet xOut 12. Like all products in the Symetrix SymNet Radius and Edge family, the expansion boxes connect to the processor via the robust, low-latency Dante network protocol.

“We’ve used a lot of Symetrix products in the past, and we’ve never had issues,” said Allyn. “Symetrix equipment sounds good and works well at commissioning and over the long haul. In addition, I like using SymNet Composer to build customized processing. I can see the entire system on one screen, and that overview is important to me. Then I can drill down as needed.” The system includes comprehensive Crestron control, but that didn’t stop Allyn from making cost-effective use of Symetrix’ inexpensive ARC-2e wall panel remotes. Eight ARC-2e’s placed at strategic locations in ancillary rooms and spaces allow users to select from presets and to change input sources and volumes. Indeed, several of the Symetrix ARC-2e’s send command strings to the SymNet Radius 12×8 system and to the system’s Crestron video switcher!

Although the super low latency Dante network plays no larger role in the system, the scalability of the Symetrix SymNet system via Dante was a critical factor in its selection. “We designed the system with foresight of possible future expansion in mind,” said Allyn. “There’s a lot of extra wiring in place that will allow them to expand the stage and the dressing room areas. If needed, we can simply add another Symetrix SymNet Radius 12×8 to the system via Dante to accommodate even more inputs, outputs, and processing. It is a beautiful venue that should provide great entertainment to Long Island for many years to come.”

ABOUT SYMETRIX
Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Sapphire Technology Appoints Stampede To Drive Sales Of Its Pro Av Products Throughout North America

Reinforcing their positions as leading providers of digital signage solutions for all vertical markets, Stampede Presentation Products, Inc. and SAPPHIRE Technology today announced the appointment of Stampede to serve as the North American distributor of SAPPHIRE Technology professional digital signage products.

According to Stampede President & COO Kevin Kelly, “Comprised of proven, feature-rich solutions, the SAPPHIRE range of Pro AV products provides audio/video professionals a selection of versatile building blocks for the deployment of state-of-the-art digital signage systems. From Player PCs and AV Signal Distribution Solutions to Advanced Splitters, the ever expanding SAPPHIRE Pro AV product line offers our dealers a new range of solutions to present to their customers.”


According to Adrian Thompson, SAPPHIRE Technology Vice President of Marketing, the appointment of Stampede comes at a time of rapid growth and expansion for the ten-year-old Hong Kong-based company best known for its cutting edge graphics products. “SAPPHIRE stands at the forefront of technology and is dedicated to the development of highly reliable, products for digital signage systems in retail, hospitality, corporate, house of worship, and other environments,” Thompson said today. “With its network of more than 11,000 dealers spanning virtually every important vertical market, Stampede is uniquely positioned to help drive sales of our solutions not only throughout the United States and Canada but in Central and South America as well.”

SAPPHIRE offers a comprehensive line of high-quality, cost-effective IT/AV products that work seamlessly with one another and complement other product lines. SAPPHIRE solutions include sleek and powerful Player PCs that provide systems integrators with the flexibility to load their software of choice, as well as industry-leading HDMI over CATx or Fiber Extenders for uncompressed AV signal distribution & control at distances of up to 3,280 feet (1km).

Photo caption: SAPPHIRE EDGE VS8 player PCs are built on the latest APU technology from AMD, delivering fantastic performance and stunning graphics in an ultra-small format that can be quickly mounted to a wall.

Thunder Audio Relies on HARMAN’s JBL Professional VTX Line Arrays and Crown I-Tech HD Amplifiers for Massive Austin City Limits Music Festival

AUSTIN, Texas – Music festival specialist Thunder Audio added another notch to its list of notable music events in October when the Livonia, Michigan-based company made its debut at the renowned Austin City Limits Music Festival. The event, which for the first time took take place over two weekends (October 4-6 and October 11-13), saw Thunder Audio set up a huge HARMAN JBL VTX line array system, powered by Crown I-Tech HD amplifiers.

“We know what sound needs to be like for large outdoor music festivals,” assures Thunder Audio Vice President Paul Owen, who spent 23 years mixing monitors for heavy-metal legend Metallica. “We’ve done numerous major ones including the Orion Music + More Festival, the Detroit Electronic Music Festival and Faster Horses, and you need a powerful system with excellent low-frequency response and clarity that’s also incredibly reliable for long periods of time under sometimes pretty challenging conditions. And it can get pretty hot in Austin! But I have to say, VTX has proven itself to be just that system on previous occasions and it proved itself again at the ACL Music Festival.”

The system consisted of 36 VTX V25 fullsize line array elements flown 18 per side flanking the main stage, with an additional eight V25 cabinets per side for the outside hang. A total of 48 VTX S28 subwoofers were configured as two hangs of 12 each on either side of the stage, with 24 ground-stacked S28 subs across the front of the stage. Four JBL VERTEC® VT4888 midsize line array elements were used for front fill along with a pair of V25 loudspeakers as left-right outside fills. The JBL loudspeakers were controlled using a pair of dbx 4800 system controllers. The entire system was powered by 86 Crown I-Tech HD amplifiers networked and controlled with JBL HiQnet Performance Manager™ system setup software, which enables Thunder Audio to configure and tune an audio system in less time and with better results.

Owen said that in addition to challenging work, large music festivals are also excellent opportunities to viscerally compare the performance and sound of different PA systems in the field. “You can see how different systems handle throw distances, tightness and accuracy of pattern coverage, vertical and horizontal dispersion, and sonic accuracy,” he explained. “The VTX system was at the top of all of those characteristics.”

In particular, Owen said, the VTX’s throw was exceptional and just what was needed in the huge, 351-acre Zilker Park venue for the ACL Music Festival. “The reaction of guest engineers to the VTX has been just spectacular,” he added.

Greg Snyder, Project Manager for Thunder Audio at the ACL Music Festival, noted the performance of the S28 subwoofers was impressive. “The punch from the subs, especially during Muse’s headline set, was monstrous,” he said. “The people there that night got a real treat.”

Celebrating its 34th year in business in 2013, having grown from its beginnings as a regional sound company in 1979 to its current status as a premier international live production and systems integration company, Thunder Audio has provided sound for Steely Dan, Metallica, The White Stripes, Linkin Park, Dolly Parton, Diana Ross, John Legend, Travis Tritt and many other artists along with more than 60 corporate clients. The company acquired its first VTX system last year and company executives were astonished by the system, and particularly by the quality of the new JBL D2 Dual Driver included in the V25. “There’s no disputing the sound quality and the sheer amount of horsepower the V25 has,” said Owen, who also noted how the VTX components’ lighter weight makes them a more versatile option for the variety of projects Thunder Audio handles.

“A number of artists experienced VTX for the first time at the ACL Music Festival this year and all of them were suitably impressed,” Owen recounted. “I’m certain there will be more converts in the future.”

For more information on Thunder Audio, please visit www.thunderaudioinc.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

SYMETRIX SYMNET RADIUS 12X8 DANTE NETWORKED AUDIO DSP DELIVERS PRESENT AND FUTURE AUDIO EXPANSION FOR WISCONSIN HIGH SCHOOL

JACKSON, WISCONSIN: Kettle Moraine Lutheran High School serves over four hundred students from in and around Jackson, Wisconsin, a town 45-minutes northwest of Milwaukee. In the last decade, the school has expanded its facilities, and the crowning jewel of that expansion is the 750-seat Performing Arts Center. The center includes facilities for the school’s choirs, bands, and theatrical productions, as well as a state-of-the-art venue for Kettle Moraine Lutheran High School and other area schools and artistic organizations. Because funds were limited, the school asked Professional Audio Designs of Wauwatosa, Wisconsin to build a cost-effective sound reinforcement system that could start with simple coverage for Sunday services and have the ability to scale up to handle full theatrical productions as the funds became available. To accommodate that challenging request, Professional Audio Designs built the system around the Symetrix SymNet Radius 12×8 Dante Network Audio DSP.

“At the outset, the money allocated to the sound reinforcement system was generous, but the building itself ran way over budget,” explained Kim Leonard, president of Professional Audio Designs. “They came back to us and asked us to pare down the sound reinforcement system initially, while at the same time laying the foundation for the more expansive system that they will eventually have. That future vision includes a full-sized mixing console, dozens of mics and inputs, and a full stage monitoring system. But for now, they have a modest four microphones and a line-level input. We’re using the SymNet Radius 12×8 to auto-mix them.”

With the core system now in place, Fulcrum Acoustics loudspeakers powered by QSC amplifiers provide high-impact, high-fidelity coverage of the auditorium’s seating area. Three Symetrix Radius 12x8s provide the modest processing needed for basic sound reinforcement and will go on to provide the more advanced processing necessary. A Symetrix ARC-2e wall panel remote control gives users simple and intuitive control of volume for all four microphones, volume control for the line level input, and an overall master volume control.

When they get the funds, the school can simply plug in the digital mixer, the assisted listening system (ALS is installed now), the online streaming system, and a back stage monitoring system. Additional Symetrix ARC-2e units in the control room, in the house, and on a future portable backstage paging rack complete the system. Importantly, the simple quick-mix system that is already in place is selectable from the main ARC-2e so that the school and church can hold simple events and services without requiring an audio technician on hand.

“The whole system is networked via Dante,” said Leonard. “We built a primary network and a secondary network for backup. We’re glad Symetrix is leading the charge with fully-integrated Dante technology. It’s extremely cost-effective and robust and the fidelity is excellent. In addition, we always use Symetrix with Fulcrum loudspeakers because the FIR filters required by Fulcrum are fully supported within the SymNet software.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

SYMETRIX SYMNET EDGE AND RADIUS DSPs HANDLE PERFORMING ARTS CENTERS IN HOUSTON’S KATY SCHOOL DISTRICT

HOUSTON, TEXAS: The rapidly growing Katy Independent School District serves over 65,000 students in the greater Houston area. To meet their growing audio and visual media demands, school officials recently earmarked funds to update the performing arts center A/V systems in four of its seven high schools. Broadcast Works of Tyler, Texas was contracted to do the installation and used SymNet Edge and Radius AEC open architecture Dante network audio DSPs.

“The old A/V systems were 1990s vintage and entirely analog,” explained Aaron Comer, project manager with Broadcast Works. “The system designer, Erich Friend of Teqniqal Systems assessed their existing systems and determined that they could transform the performing arts centers from outdated to cutting-edge by revamping only the front end and control systems. The existing QSC amplifiers and Renkus-Heinz loudspeakers were basically in excellent shape.”

Although the original design called for another DSP manufacturer, Comer and his team lobbied hard for SymNet Edge and Radius DSP. “We had worked with this other manufacturer’s products in the past, and it was always a challenge,” he said. “In contrast, we’ve done a lot of Symetrix jobs, and they always go well. Ryan Curtright, Symetrix’ senior technical sales engineer, worked with us to put a nice package together centered on SymNet solutions. Based on our past experience, we knew it would work well and reliably… and would save the district some money.” The new systems make use of the Dante network’s stability and flexibility to send signal long distances without copper and provide digital patch bays that allow users (including first-year students) to select among each stage’s 70+ inputs for allocation to a 48-channel Avid SC48 console.

Stage inputs include a multitude of wired input plates together with a portable rack feeding a SymNet Edge and SymNet xIn12 expander. Rather than home running all of the stage inputs back to the sound booth, as in the old design, the new system uses a stage-located SymNet Radius AEC to collect them for transfer to the sound booth via Dante. That same Radius AEC, together with a SymNet xOut12 expander, receives the final house mix from the sound booth (again via Dante) for output to the stage-located amp rack. The portable SymNet Edge rack pairs up with a sixteen-count wireless microphone system or an additional twelve-count hardwired microphone collection and can connect to the system via any one of four Dante ports located around the stage.

Each sound booth contains three SymNet Radius AEC units with additional input cards, three SymNet xIn12s, and three SymNet xOut12s. Broadcast Works designed a custom computer interface using Symetrix’ SymVue software that allows users to connect any input source to any channel on the Avid SC48 console. In turn, the console outputs thirty-two channels that feed back into the SymNet system for transfer to the amp rack via Dante. “The students love it,” said Comer. “We trained a group of freshmen who had zero experience with a system like this. Within a couple of hours, they were completely comfortable and playing with the whole thing. Despite its complexity from our perspective, SymVue makes it simple from their perspective. They get it.”

For less elaborate events, Broadcast Works gave each school an iPad outfitted with Crestron control that would allow them to turn the system on with a minimal number of commonly-used microphones and input sources. The iPad gives them control over which commonly-used inputs are active, their individual volumes, and the overall volume.

The new systems’ easy learning curve made it possible for the theater and music departments in all four schools to start production on fall programs without delay. A few of the highlights include The Wizard of Oz, a Masquerade Serenade concert, and a play called The Cherry Orchard.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Israel’s Channel 10 Commits To HARMAN Studer Vista 9 Amidst Major Relocation

(Left to Right) In Channel 10’s news studio: Ignas Galuškinas, Studer training supervisor, Yaron Heizler, head of sound for JCS Studios (which hosts Channel 10), and Meir Kilim.

JERUSALEM, Israel – Channel 10, the third-largest TV studio in Israel, recently acquired a HARMAN Studer Vista 9 digital console from Kilim Electronics, Studer’s Israeli distributor. This upgrade in broadcasting equipment was justified by the studio’s relocation from Tel Aviv to Jerusalem, due to government regulation.

As the producers and technicians of Channel 10 were eager to convert from its old analog format to digital, they weighed many factors in choosing the best brand for their new sound setup. On both technical and financial levels, Studer came out on top, presenting its flagship Vista 9 console as the ideal solution for the new studio.

Besides its reliability and affordable price range, Studer offers unique advantages that include the reassurance of back-up, as well as technical support from the 63 year old broadcast specialists, led by MD Meir Kilim. Yaron Heizler, head of sound for JCS Studios (host of Channel 10) oversaw the integration of the Vista 9.

“Another asset which convinced the studio’s technicians was VistaMix,” said Kilim. “They were immediately impressed by this function, and it worked wonders in terms of increasing the clarity of our broadcasts.”

VistaMix was designed to clean up the mix of unscripted broadcasts such as multi-participant talk shows. Since programs of this nature inherently suffer from both microphone spill and background noise, VistaMix intelligently increases the mic gain on the active speaker almost instantly, while reducing that of the inactive ones. This solves the problem and creates a balanced mix.

“We also favored the Vistonics™ interface over any other UI we have tried in the past, since it is so quick and easy to operate,” Kilim added. “It is also very easy to understand, which is critical due to our high technician swap rates. Most of them have only operated analogue consoles until now.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

HARMAN’s dbx Keeps Youth Organizations on Top at Tabernacle of Praise

SALT LAKE CITY, Utah – James Lacey III is a volunteer audio engineer for Tabernacle of Praise, a nondenominational Fort Worth, Texas ministry. Known as “Fort Worth’s Church”, Tabernacle of Praise (TOP) supports two youth ministries, KIDZ on TOP for first to sixth graders and TOP AGENTS (Army of God Equipping New Teens with Salvation) for seventh through twelfth graders. In support of these youth programs HARMAN’s dbx recently donated three 1066 Compressor/Limiter/Gates for use in their youth facility’s “The Bridge” audio system.

Lacey has been an audio enthusiast since he was young, and now takes great pride and enjoyment in passing along his skills and enthusiasm to a new generation of budding sound engineers. “A big reason I got into audio is from being a performing artist and asking the front of house engineers about what they were doing at the console and how it affected the way things sounded.” Eventually Lacey learned enough to become a sound engineer and has been volunteering at TOP for the past five years. “With KIDZ on TOP and TOP AGENTS, the ministries’ youth are now doing the same thing I did when I first became curious about live sound – they’re intrigued by what a mixing console and all the lights flashing on the outboard gear rack! It’s a great feeling to know that positive impacts on the youth can happen even through the use of audio equipment!”

With the addition of the dbx 1066 to the ministry’s audio system, which already had a dbx 266XL Compressor/Gate in place, they now have more of an opportunity than ever to learn about the essential elements of dynamics processing and hear how they relate to worship sound. The 266XL and 1066 units are applied as inserts to eight vocal and instrument subgroups on the mixing console, and used for gating on vocals, drums and percussion. The 266XL is primarily used on the lead vocal channels while the 1066s handle the other vocal and instrument subgroups.

Lacey has extensive experience with dbx, noting that most of the venues where he performed earlier in his career used analog mixing consoles with dbx dual compressor/limiters of some type, especially on vocals – and in the ones that didn’t, “it was really a challenge to run sound. I wanted to make sure that I got our new 1066s in place as soon as possible so our youth could hear what it’s like to achieve the best mix possible, a really balanced mix with clarity and dynamics where all the vocals and instruments sit perfectly in place.”

Every FOH engineer has their favorite features about any particular piece of gear and the dbx 1066 is no exception. For Lacey the Over Easy control “is a dream” for transparently smoothing out fluctuating vocal and instrumental levels. Sometimes he’ll use it on vocals like an instant “custom” overall setting so he can just concentrate on the rest of the mix. “Over Easy is a great feature that, to me, you can apply on just about everything. In fact it makes getting a good sound so easy it’s almost like cheating! That’s because good sound doesn’t ‘fight fair,’ especially in a live setting and sometimes you just have to bare-knuckle it and have tools that can get the job done quickly and effectively.”

For other applications Lacey notes that the 1066’s flexibility is in order, and that there are always cases where some hard knee compression or manual adjustments have to be made to tame and balance the mix. “In some cases, the live mix seems to have a mind of its own and changes its personality at a moment’s notice. With the 266XL and 1066s in place, you can deal with these sonic surprises much more easily, and achieve a great mix under any circumstances.”

The dbx 1066 Compressor/Limiter/Gate combines classic dbx dynamic response with a host of versatile features like selectable Over Easy or hard-knee compression, frequency-dependent gain control, PeakStopPlus speaker protection and many additional functions, making it the ideal dynamics processor for live, studio and broadcast use.

“James is a role model to audio professionals everywhere for the wonderful work he is doing with these youth organizations. We are proud to be able to support him and his work in teaching a new generation about how exciting professional audio can be,” stated Noel Larson, Market Manager, Portable PA, Tour and Recording, HARMAN Signal Processing.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Amerisports Bar’s Live Entertainment Relies on HARMAN Professional Solution with AKG Wireless In-Ear Monitoring System and Mics

VIENNA, Austria – With live entertainment every weekend ranging from legendary classic rock to top 40 covers by local bands, Ameristar Casino’s Amerisports Bar located in Council Bluffs, Iowa, recently added HARMAN’s AKG IVM4500 IEM in-ear-monitors to improve sound for every act in its uniquely shaped room. With a full HARMAN support system, including a Soundcraft digital console, Crown amplifiers and JBL Professional loudspeakers, FOH engineer Dan Allen ensures that casino patrons will enjoy their time eating, drinking and dancing in the bar.

With the multiple sets of AKG IVM4500 IEM’s and its room simulation program, Allen says the performing artists have become more comfortable in the large room, which is octagonally shaped at the stage and dance floor end. The remaining area of the room – approximately 150 feet long – is rectangular and contains an island bar about 100 feet back. The room’s technical staff had struggled with acoustical issues for years before the HARMAN audio overhaul and a sound-dampening renovation. With the internal processing selections of IVM4500 including 8 compression, 8 EQ and 8 room simulations settings, moving onstage acts to the AKG in-ear monitoring system has yielded positive results.

“AKG thought of everything when it developed the IVM4500’s,” stated Allen. “The in-ears are easy to set up and have very low signal latency. Even artists who have no previous experience with in-ear monitors are easily adjusting to them, allowing for their best performances every week.”

Within the casino, wireless communication signals are very dense, as security and other departments utilize numerous free frequency channels. Allen’s AKG WMS470 wireless mic systems are always clear and have never dropped signal during a performance.

The Amerisports Bar’s audio reinforcement system also includes an AKG Rhythm Pack with a D112 kick drum mic, C430 condensers for overheads and D40’s for toms. A Soundcraft Si Expression 3 digital console and JBL STX800 series loudspeakers powered by Crown XTI amplifiers round out the concert sound system.

“I’ve really grown fond of the Soundcraft Expression,” Allen continued. “The user levels, recall and scene setups work well and can be easily used by our IT personnel if I’m not there. It’s easy to train those engineers on the Expression who are used to analog boards. And, the JBL speakers are very honest, leaving the entire system quite transparent, especially in the atypical-shaped room. I have been a JBL fan for life and every time I see that orange sticker, I know we’ll have great sound.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

HARMAN Professional Offers Scalable, High-Performance Audio and Lighting Systems for The World’s Most Prestigious Stadiums and Arenas

NORTHRIDGE, California – Whether it’s a match-winning goal in Brazil, a walk-off homerun in New York City, a touchdown in Denver, a slam dunk in Los Angeles or a gold medal race in China, the sonic atmosphere of any stadium or arena are vital to the sports viewing experience. HARMAN Professional’s top-of-the-line microphones, amplifiers, loudspeakers, mixing consoles and lighting solutions have been installed in the most prestigious venues across the globe and entertain millions of fans each year.

“HARMAN has been on the field and in the stands for decades as the latest awe-inspiring stadiums have taken shape year after year,” states Scott Robbins, Executive Vide President of Sales, HARMAN Professional. “We offer full-scale solutions with products from our various brands, including AKG, BSS Audio, Crown, JBL, Soundcraft and Martin Lighting, to enhance the customer experience while ensuring installation capabilities are efficient and can exceed the expectations of system integrators, designers and stadium owners. We understand the importance of sound, video, and lighting during a sporting event and work to help bring an acoustically and visually stunning experience for every game on the schedule!”

HARMAN is uniquely positioned to provide complete audio and lighting systems that deliver world-class results and ease-of-use across the signal chain, from microphones to loudspeakers and everywhere in between. High-quality design and reliable performance ensure that all venues, with capacities ranging from a few thousand to 100,000, are covered. HARMAN Professional brands manufacture a broad range of products that can scale up to match the size and needs of any venue, from the high school to the professional and Olympics level.

Noteworthy venues across the globe that rely on HARMAN Professional’s sound reinforcement technology include: Yankee Stadium, STAPLES Center, Georgia Dome, Sports Authority Field at Mile High, MetLife Stadium, Arcadia University Sports Field, BBVA Compass Stadium, Lucas Oil Stadium, Hong Kong Stadium, PGE Arena, the Water Cube, Sydney Football Stadium, Simonds Stadium and Manchester United Stadium, and many more.

In addition, HARMAN Professional provides a wealth of web-based resources for customers, including free software, white papers, application guides, and online training on audio topics and system design. These resources are used by professional consultants and integrators and are accessible to anyone interested in becoming more knowledgeable about audio and lighting technology and applications.

For more information on HARMAN Professional’s offerings for stadiums and other sports venues, please visit www.harmanpro.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Yamaha Training Sessions Set for Pittsburgh and Beltsville, MD

BUENA PARK, Calif.—Yamaha Commercial Audio Training Seminars (YCATS) will hold training sessions in Pittsburgh, PA November 5, 6, and 7 and in Beltsville, MD on November 12, 13, and 14.

Pittsburgh and Beltsville sessions will include M7CL for Beginners, M7CL for Experience Engineers, CL Series Operational Training, and Digital Audio Networks for Engineers.

For more information, course description, seminar location, and registration visit: http://yamahacommercialaudiosystems.com/training.php?catID=11001.

-END-

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