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Archive of the AV Control Systems Category

HARMAN’s JBL Professional EON 206P Portable PA System Delivers World-Class Sound on the Move

NORTHRIDGE, California – Delivering a complete audio solution that puts legendary sound at the fingertips of anyone for audiences of all sizes, HARMAN’s JBL Professional is introducing the EON 206P Portable PA system, an all-in-one powered system that delivers professional performance and remarkable ease of use. The EON206P is ideal for a variety of applications, including: small band/solo acts, coffeehouses, clubs, schools, worship events, meetings/seminars, presentations, health clubs and more.

“With best-in-class performance, easy setup and portability, the EON 206P allows anyone to deliver their performance, presentation, class or message with legendary JBL sound technology,” said Andy Flint, Senior Manager, Portable PA Marketing, JBL Professional. “It’s also so easy to use and lightweight that anyone can operate the system, making it possible to enjoy great sound in any environment.”

The JBL EON 206P features a pair of 6.5 inch passive loudspeakers, each featuring a 6.5-inch woofer and a 1-inch neodymium black nylon dome tweeter, powered by a 160-watt power amp section (80-watts per channel). The EON 206P features a maximum SPL output of 113 dB, with a nominal coverage pattern of 100 x 80 degrees.

The EON 206P also features an integrated 6-channel mixer with: two balanced mic/line channels with XLR/quarter-inch combo jacks (CH1 and CH2); two stereo inputs (CH3 and CH4 is RCA and quarter-inch; CH5 and CH6 is a 1/8-inch mini jack). The mixer also features Stereo Monitor Out (quarter-inch left and right out) with volume control (for an external sub or stage monitors), master volume control, reverb on Channels 1 and 2, bass/treble control, and universal power (100-240V; 50/60 Hz).

Designed for easy portability, the entire EON 206P system weighs only 25 pounds, features a durable road-tough enclosure, convenient internal cable storage, and comes in a suitcase format for easy transport and storage. It also features a 36 mm pole socket for easy mounting.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

HARMAN’s Martin Professional Provides Energy Efficient Lighting Solution for Danish Power Plant

ROSKILDE, Denmark — In 2011, Danish waste management company KARA/NOVEREN set out to replace two furnaces with a state-of-the-art waste-to-energy incineration line. Three years later the incineration line, or more popularly referred to as The Energy Tower, stands tall on the skyline of the Danish City of Roskilde, ready for its opening today, September 2nd 2014 with HARMAN’s Martin Professional lighting fixtures.

Increasing demands to reduce Co2 emissions from fossil fuels calls for alternative energy production, and implementing a modern facility will allow KARA/NOVEREN to utilize the energy resources from residual waste that cannot otherwise be recycled. In line with KARA/NOVEREN’s vision was for The Energy Tower to become a new Danish landmark. Naturally they wanted an energy efficient lighting solution to go with it so 112 Martin Exterior 410 fixtures and 78 Tripix 1200 LED strips were installed, controlled by Martin’s M-PC software.

KARA/NOVEREN envisioned a structure with the ability to communicate and relay messages of sustainable energy to the public. Located only a few hundred meters from one of the major inroads to the Danish Capital of Copenhagen, it has a huge reach and potentially thousands of spectators on a daily basis.

The Energy Tower was designed by Dutch Architect and expert in sustainable design Erick Van Egeraat, who brought in Danish Lighting Architect Gunver Hansen to identify and implement the most optimal lighting solution. An extensive testing phase began to determine the best choice of fixtures. The requirements for these fixtures were very specific. First of all the lighting solution had to be able to reproduce the lighting concept created by Van Egeraat (described below). All fixtures should be individually controllable to give the building a dynamic expression. It was also crucial that the fixtures would be able to illuminate the relatively difficult projection surface, which was dark and very diverse. At the same time the lighting should be bright and powerful enough to be seen from a distance. Finally, of course there was also a desire for low power consumption.

Even before the construction process had started, various forms of testing were performed on surfaces that resembled the projection surface of The Energy Tower. Ultimately, Martin Professional’s Exterior range fixtures were chosen for the project due to their size, durability, and color reproduction capabilities.

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower and portray the combustion and energy making process. “At night the backlight perforated façade transforms the incinerator into a gently glowing beacon – a symbol of the plant’s energy production,” said Erick van Egeraat. “Several times an hour a spark of light will gradually grow into a burning flame that lights up the entire building. When the metaphorical fire ceases, the building falls back into a state of burning embers.”

Van Egeraat’s vision for the lighting was for it to be an aesthetic contribution to The Energy Tower as a new landmark, and that it should signal the processes that take place inside of the tower. The lighting scenario that is in place for the opening starts with a white flickering at the bottom that spreads to the whole tower. For a few minutes every hour the spark gradually grows into a blazing flame that encases the whole building. The array of warm colors resembling flames and glowing coals are meant to portray the combustion and energy making process.

“When I designed the tower I wanted the lighting design to complement the building and express what type of building it is and what it does,” said Van Egeraat. “The lighting solution has proven to have many more options than we originally anticipated, and therefore we are now working on additional lighting designs for special occasions such as the Danish Constitution Day, cultural and sporting events etc. Citizens of Roskilde and the surrounding areas will be in for a treat.”

According to Gunver Hansen this was one of the more challenging projects of her career. The structure itself consists of a framing grid built around the new chimney. An amber-colored aluminum plating is mounted onto the grid to form the exterior facade of the tower. The fixtures are mounted inside on the grid between the outer facade and the facade of the inner building, and the fixtures project onto the inner facade, which is visible at night through the laser-cut circular openings of the outer facade. Many factors had to be taken into consideration, e.g. the distance between the exterior facade and the interior projection surface varies across the entire structure. Therefore each individual fixture had to be placed carefully so the colors would mix correctly and the output would be even. Also, as the direct view into the LEDs in the fixtures had to be avoided, a number of the projectors had to be screened off with a specially designed grid.

The next challenge that presented itself was how to mount the fixtures. A lift was not an option as the fixtures had to be mounted between the inner surface and the new exterior facade. As the space was not accessible to any kind of machinery, a team of professional climbers from Danclimb was hired to mount the fixtures via rope access.

Today, on its opening day, the tower is already a well-known landmark and the object of admiration for passers-by. “We’ve already received an overwhelming public support for this project,” said Thorkil Jørgensen, CEO of KARA/NOVEREN. “People respond very well to the idea and the concept, and they really like what it adds to the area in terms of architecture and beautiful lighting. This is extremely valuable to us for branding purposes and to secure a future leading position in waste management. We see it as a great investment on several levels. We’re happy to combine an investment in modern waste management methods with an extraordinarily beautiful structure and landmark for the area.”

“We’re very pleased with the end result,” Lighting Architect, Gunver Hansen added. “The many creative possibilities for changing light color and light patterns on the Energy Tower’s facades work amazingly. I think we have succeeded in creating a shining Energy Tower, that is a fascinating and magical landmark on the dark Roskilde night sky.“

Even though not officially open till today, spectators have already had glimpses of the building in lit condition. For example during the famous Roskilde Festival, The Energy Tower shone orange to mirror the official color of the festival and its main stage. Part of the magic of KARA/NOVEREN’s new Energy Tower is its ability to alter its appearance with future lighting designs for special events, and that the lighting concept sends the message of waste-to-energy to spectators. It is an important message with global relevance.

The Energy Tower has been submitted for the Danish Lighting Award 2014.

Martin Professional Equipment
Exterior 410, 112 pcs.
Tripix 1200, 78 pcs.
Control system: Martin M-PC, RDM 5.5 splitter, Ether 2DMX

Facade Design:
(designed by) Erick van Egeraat
Facade Lighting:
Architectural Concept: (designed by) Erick van Egeraat
Lighting Project: Gunver Hansen Tegnestue
Fixtures, light control, programming, and installation: Martin Professional

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Yamaha Commercial Audio Donates Live System To Nashville HS

Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee offers students the opportunity to learn through the lens of the entertainment industry with pathways in audio engineering, broadcasting, record industry, marketing, and image consulting. It is the only entertainment magnet high school in the country. The vision of Pearl-Cohn is to equip its students to realize and achieve their potential while committed to educate the whole person.

Bryan Lenox of Lenox Productions facilitated the arrangement with Yamaha, who in turn, enlisted the services of J Sound Services (Nashville) to add a new Yamaha CL1 Digital Audio Console and Rio 3208-D input/out box to its 413-seat auditorium. Yamaha IS and DXR speakers, and TXn amplifiers were also installed. J Sound Services specified the system for its easy operation by student volunteers. Auditorium productions at Pearl-Cohn can be anything from assemblies with announcements and presentations that include video to full-on theatrical events.

J Sound Services has had a lot of experience installing Yamaha Installation Series Speakers, so they were the obvious choice for the installation. “Once we understood the scope of the project, we determined a Yamaha MTX5D processor and DCPS wall-mount controller would also be required,” states Jason Spence, owner, J Sound Services. The design approach was based on the fact that there is limited acoustic treatment in the school auditorium. “It was important to minimize the amount of energy on the walls, says Spence.

Time was spent using Yamaha’s YS3 Sound System Simulator and EASE acoustic modeling software to focus the mid-high and subwoofer-arrays. Deployed end-fire arrays both in L-R and Center allow pattern control on how wide the throw would be in the room and also provides a Cardiod pattern measuring 12db down on stage behind the arrays. “By deploying the subs this way we have significantly reduced the low-end energy on the stage and what would have reflected off the walls in a typical Omni pattern, Spence adds. The room can easily handle and extends below 40Hz without the low-end building up, leaving the room also very articulate and musical. The house is nice and big with lots of sub. The design is very unique and it clearly looks different. The staff and Bryan Lenox were quite impressed with the results of the end-firing arrays.”

Lenox assisted in the set up and adjustments of the CL1. “The system sounds really good. The school had a unique need for a system that can handle intimate speaking all the way to low-end thumping Hip Hop music. And, this system definitely delivers. The CL1 is a great sounding console and one that the students can learn on in order to prepare for the real world so they can jump into any situation with confidence.”

The new auditorium’s multi-purpose system is all Dante connected with the Yamaha CL1 taking control of presets for theatrical productions using the consoles Nuendo Live software. Pearl-Cohn ran cat5 cable to their multi-track room to record the events taking place in auditorium. A.Cisco switch is used to network and import multi-tracking in studio. An old projection booth above the auditorium now has the capability of adding a Nuendo recording suite with infrastructure and cables already in place.

“Our students needed professional-class live production facilities in order to complete our vision to equip our students with real-world skills that will transfer to the marketplace or college when they graduate, states Sam Lorber, Instructional Designer at Pearl-Cohn. Thanks to Yamaha’s generous donation, these students will now be able to walk into any venue: club, church, college auditorium, or arena with a skill set advantage no other school can provide.” The principal commented on how she loves that she can touch one button and it just works.

J Sound Services also installed a Vivitek High-Definition 6K lumen projector with remote HDMI interface. To update the theatrical lighting system, JSS enlisted the consulting services of Chris Lisle Lighting Design and installed Elektralite LED PAR fixtures, Watson raceway and ElektraHazer, an Altman spotlight, and Chauvet Datastream; all of which integrated with the existing ETC dimmers. As part of the lighting system update the existing Fresnels and Lekos were reconditioned and focused.

J Sound Services also installed four Yamaha C115VA and two C112VA Club Series Speakers using a MTX3 processor and the same DCPS wall-mounted controller as in the auditorium. Spence said the system installed could be operated in the same manner, with a touch of a button, making it extremely simple and consistent for staff and students to operate the systems in either location.

For more information on Pearl-Cohn Entertainment Magnet High School, visit www.pearlcohnhs.mnps.org.

For more information on J Sound Services, visit www.jss.net.

For more information on Yamaha Commercial Audio products visit, www.yamahaca.com.

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Lyon Video Installs Calrec Apollo Audio Console in Newest Mobile Production Truck

Mobile Unit’s First National Event Was Primetime Emmy(R) Awards Red Carpet Preshow more

Simple. Robust. Intelligent: Kramer Launches RC-43T Control Panel

Audio, video and computer signal processing specialists, Kramer Electronics introduces the RC-43T, a 6−button auxiliary control panel that works as a remote control panel for master room controllers such as the Kramer SL−1 in classrooms, meeting rooms, boardrooms or auditoriums.

The RC-43T uses proprietary KNET™ protocol to power and communicate over a single cable and between Kramer products. Easy to use front panel buttons are touch−sensitive and give press confirmation using LED lights. The slimline unit measures 6.9cm x 1.6cm x 11.4cm (2.72″ x 0.63″ x 4.5″ W, D, H – US) and matches 1-gang US wall plates. Rugged and robust, the RC-43T is made for extensive use and brings significant return on investment.

Speaking about the new innovation, Ezra Ozer, Vice President, Marketing at Kramer Electronics said: “Created with the end user in mind, the RC-43T is simple to use, reliable, functional and intelligent. It forms part of Kramer’s comprehensive range of media and wall controllers. All products are expertly designed to be future-proof, manufactured at our factory in Jerusalem and marketed globally.”

The RC-43T will make its official international debut at InfoComm India 2014 at Booth D1, Mumbai Exhibition Center from 17-19 September 2014.

Some useful links:
Website: www.kramerelectronics.com
Twitter: KramerElec
Facebook: kramerelectronics
Linkedin: https://www.linkedin.com/company/895692

Rascal Flatts Goes Out On Rewind Tour With HARMAN’s JBL VTX Line Arrays and Crown Amps

NASHVILLE, Tennessee — Rascal Flatts keeps riding high – the band’s last eight albums have hit number one on the country music charts and the group continues to pack arenas in support of their new chart-topping album Rewind. Never a band to go short on production, Rascal Flatts along with supporting artists Sheryl Crow and Gloriana and live sound company Sound Image are going all-out this summer and fall with a tour sound system featuring HARMAN JBL’s flagship VTX Series line array loudspeakers and Crown I-Tech HD amplifiers.

For the Rewind shows, Escondido, California-based Sound Image is bringing out a stadium-shaking system that includes 60 JBL VTX V25 line array loudspeakers and 32 S28 subwoofers as the main system, complemented by six JBL VERTEC® VT4889 fullsize line array loudspeakers and two VERTEC VT4880 arrayable subwoofers used as sidefills. The loudspeakers are driven by no fewer than 72 of Crown’s flagship I-Tech 12000HD amplifiers.

Thirty VTX V25 loudspeakers and 16 S28 subs are flown on either side of the stage with three VT4889 loudspeakers flown on either side and aimed towards the stage as monitors, and two VT4880 subs are placed on the ground of the stage floor, aimed towards the performers.

“Everybody likes the new rigging system used on the VTX arrays,” said Sound Image Systems Tech Jeremy Overall. “Everything goes together pretty easily, which is a huge advantage when you have to set up literally 100 loudspeakers night after night.” VTX’s patented S.A.F.E. suspension system is streamlined for speed and efficiency with improved, integrated hardware for faster setup and greater security. Overall and his crew are also using the new JBL VTX Vertical Transporters, rolling frames that facilitate the transport of VTX line arrays for tour sound applications. “It actually makes moving all these arrays pretty easy.”

Sound Image was one of the first tour sound providers to add the JBL VTX Series to its inventory. “We got the second VTX rig and have been carrying it for about a year and a half,” Overall said. “It’s a significant improvement from anything else we’ve used with a lot more bottom end and good punch. The new D2 dual compression driver and waveguide really smooth out the high end – there’s no harshness to be heard.” Overall points out that with VTX in place, the system requires “just a little EQ but not nearly to the extremes we’d gotten accustomed to in order to make a system sound balanced.”

The Rascal Flatts rig is set up and tuned using JBL HiQnet Performance Manager™ software. “It’s so user-friendly – everything we need is right there. For example when we need to associate speakers to their amplifiers everything is built-in on a single tab. When we need to configure delay and processing, we just tell the program what speakers we’re setting up and all the control panels come right up.” Overall is also a big fan of the I-Tech HD Series amps, noting that Sound Image has had dozens of the amps working reliably on the road for two years. “I’m not the first person to say this but the amps work really well with the VTX arrays,” thanks to their built-in presets that enable the VTX models to be perfectly optimized for frequency response, crossover points and slopes and other sonic attributes.

“With a production like this you need to pull out all the stops in every respect including the live sound,” said Overall. “The JBL VTX and Crown system is more than a match for what’s happening on stage. The sound is incredibly detailed, punchy and ‘fast’-sounding from the deep low end to the smooth highs. I’m very happy.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Advanced Audio Video Technologies Retrofit Sound System at The Pentecostal Church of DeQuincy with HARMAN’s JBL and Crown

DEQUINCY, Louisiana – The Pentecostal Church in DeQuincy, Louisiana required an upgrade to its sound system, and with a change from a center cluster long overdue, Pastor Wayne Neyland turned to Sulphur, Louisiana systems integrator Advanced Audio Video Technologies (www.advancedav.biz) and HARMAN’s JBL VERTEC® line arrays and Crown amplifiers to bring the sanctuary’s sound up to date.

Not that the church rushed to make up for lost time, they contacted Advanced after asking around and getting a referral from another church in town. “Although the sanctuary only seats 700, the church wanted the best, and we were determined to provide it, so I took my time with the design to make sure we got it exactly right,” said Advanced owner Ethan Miller. The pastor and church personnel demoed several different models from various manufacturers and Miller had many conversations with Brad Ricks at HARMAN about recommended speaker selection and placement.

“As soon as the pastor heard the JBL VERTEC VT4886 subcompact line array loudspeaker he said, ‘that’s the speaker,’” noted Miller. Advanced went with 16 VT4886 subcompact line array elements, eight per side flown from the left and right of the pulpit to cover the floor and balcony of the sanctuary. In addition, two JBL PRX418S and two JBL ASB6125 subwoofers were installed and will be moved under the platform on either side during a planned remodelling project. Four Crown I-Tech 9000HD series amplifiers drive the speakers. Completing the system are a Soundcraft Vi1 digital console and Compact Stagebox.

“Even though I know the loudspeakers and amps are designed to work together, I have to say that this was an easy project,” Miller stated. “We worked closely with Ricks and HARMAN from the very beginning in engineering the system, and the extra time we took up front paid big dividends. The Crown amplifiers are very easy to use and the fact that they’re optimized to work with JBL VERTEC line arrays really saved on system setup and tuning.”

In fact, during one point in the process, one of the amplifiers indicated that one of the loudspeakers had a different impedance than it was supposed to have. It turned out that one of the loudspeakers wasn’t connected properly. “The Crown’s built-in monitoring enabled us to figure out the problem and correct it immediately,” Miller said.

In some cases, however, there’s nothing like a person’s experience and ears: “When we first set up the system the loudspeakers were dead-on in covering the seating area, but there was a bit more sound coming off the walls than we liked. All we had to do was turn the loudspeakers in a few degrees and the sound went from good to superb.”

“The VERTECs work beautifully in this space – far from being overkill, the clarity and headroom are outstanding and the system can handle anything without the slightest hint of strain. The overall sound is nothing less than amazing.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Southwestern Assembly of God U Installs Yamaha NUAGE DAW System

BUENA PARK, Calif.—Located in Waxahachie, TX, Southwestern Assemblies of God University (SAGU) began as a regional bible school and later, added a junior college program. The university has experienced phenomenal enrollment increases from 596 students in 1991 to approximately 2,200 today. In 2013, the academic divisions of the university realigned into three colleges: the College of Bible & Church Ministries, the College of Business and Education, and the College of Music and Communication Arts. All colleges maintain Bible-based curriculum to fulfill the mission of SAGU. Since 2000, SAGU has added 24 new academic programs, bringing the total to more than 60 programs.

Recently, SAGU added a 48-Fader Yamaha NUAGE Advanced Production DAW System, purchased through Audio DAWG of Irving, Texas. The system is installed in a dedicated studio for commercial production that is available for rental and an academic learning lab for Digital Media Arts students. Internships are being offered for students in the program, but they will also have to complete at least one major audio project using the studio, with staff engineer assistance.

“I started using Nuendo 2.0 in 2003 as an upgrade from Cubase SX which I was strictly using for MIDI programming, states John Cookman, Chief Engineer and Director of Media Services and Production. My DAW at the time was a PARIS system that had been discontinued, and I needed a DAW that could keep up with where I was leaving off. Wow! Nuendo really did that and more.”

Cookman purchased NUAGE primarily because he had grown tired of recording/editing/mixing with a mouse and keyboard. “I always sensed that my creativity was being stifled due to the inefficient ways of keyboard and mouse work flow, Cookman says. I had originally planned to purchase a Euphonix system because of its acclaimed integration with Nuendo, but once I demoed the NUAGE at NAB 2013, I decided it was much more practical to buy a console that was specifically made for the Nuendo platform and would also be supported by Nuendo’s parent company, Yamaha. From the first minute I sat down with the NUAGE, I have felt at home.”

The Digital Media Arts BA degree is the path for all of SAGU media students, and the department is moving toward an audio recording degree path. They do offer an audio recording class that is mandatory for all DMA students. Each student will be doing at least one project on the NUAGE. SAGU averages roughly 20 students in the audio recording class per semester.

Technically, SAGU is not a house of worship but they do have daily chapel services. “My department has started up a live and on-demand outlet to view and listen to services (www.SAGU.tv chapel channel), notes Cookman. This is a multi-camera and multi channel audio mix for broadcast TV using our DMA students as student workers. We also do sports broadcasting as well.”

Two main facilities are used for broadcasting, the largest auditorium seats approximately 2,300. During the school year the auditorium is occupied mostly by students. The other auditorium is a new performing arts theater seating 625. “Our NUAGE system is directly integrated to this room so that we can use it as a sound stage to record from,” adds Cookman.

Cookman appreciates the NUAGE state-of-the-art approach adding in the elements of the analog workflow to a digital non-linear workflow. “Now I am able to access the best of both worlds concerning work flow. Yamaha has done an outstanding job at connecting the user to efficient workflow systems. The way they have integrated NUAGE with the DAW (especially Nuendo) has empowered the engineer with hands-on tools that are unprecedented in our industry.”

Specific features that were attractive in SAGU’s decision process were the motorized faders, one-touch navigation to any parameter, and the ability to edit each parameter microscopically with professional grade encoders. “Faders and buttons impact our work environment everyday. Being able to reach over and instantly access channel data makes workflow so efficient. Now, I don’t have to spend time scrolling with my mouse and keyboard keeping me from really getting into that creative zone. The NUAGE is a “Must Have” for every DAW.”

John Cookman has been in the industry for 30 years, and 18 of those were spent in the non-linear DAW world. “Since I started working with NUAGE, I finally feel like I am tapping into the top layer of my potential as a engineer and producer. In May, we released a Christian music project for an outside artist (I was hired to produce and record/edit/mix). Within 45 days, we charted at #10 on the Billboard Hot Christian charts and the next week, we topped out at #8. The artist was the only independent artist in the top 100 at that time. I attribute a lot of that to the flexibility the NUAGE brought us to use more of our creative brain rather than engineering brain.”

Cookman says he is budgeting for a smaller NUAGE setup for broadcast remix in SAGU’s master control room currently using Nuendo.

For more information on SAGU, visit www.sagu.edu.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on NUAGE, visit www.yamahaca.com.

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PICTURED: John Cookman

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Florida Baptist Church Converts (A/D) with Symetrix

OCALA, FLORIDA – AUGUST 2014: The sound system at Trinity Baptist Church in Ocala, Florida is quite sophisticated for a sanctuary that seats approximately 800 congregants. It delivers left-center-right imaging to nearly every seat from multiple loudspeaker positions, including six time-delayed left-center-right zones that cover the areas farthest from the pulpit. This system was installed by Pro Sound & Video in 2004 and although the loudspeakers and amplifiers have held up well, the original DSP processing system that performed the complex routing and filtering did not. Florida-based Pro Sound & Video, Inc. replaced the original processing system with two Symetrix Radius 12×8 Dante™ network audio DSPs and augmented their sixteen combined outputs with two SymNet xOut 12 audio output expansion boxes. All of the units network seamlessly via Dante and replace all of the old analog processing, with plenty of processing power to spare for improvements.

“The system at Trinity Baptist is really nice with almost every seat getting a left-center-right experience,” said Michael Frazee, project manager with Pro Sound & Video. “However, the old processing system was based on a system of five digital processors that were cross wired with analog and AES patches to share various signals between the processors. This worked well for a long time, but one of the main processors went bad, and since the original components are out of production, it became clear that a new system would be required. To say the least, the Symetrix new generation of open architecture, Dante networking processors would afford us a considerable amount of signal handling flexibility to handle the complex processing tasks required for the multi-zone LCR system.”

The required processing includes equalization, distribution, and crossovers for the various speaker zones, which are comprised of the main house system, distributed LCR systems, stage monitors, and additional recording and general distribution mixes. Two Radius 12×8 DSP and two xOut 12 audio output expansion units form one integrated processing network via Dante with 24 inputs and 40 outputs. Programming the system, despite its complexity, was straightforward using Symetrix’ Composer software. “Circumstances in this case necessitated my involvement at the programming level. The Composer software was very predictable, but when I ran into a few snags, I contacted the tech staff at Symetrix, and they were very helpful in resolving programming issues.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

HARD HIT BY SANDY, LONG BEACH HIGH SCHOOL REBUILDS ATHLETIC FIELD USING ASHLY AUDIO

LIDO BEACH, NEW YORK – AUGUST 2014: Long Beach High School is situated on a barrier island on the southern side of New York’s Long Island, where it received a terrific pounding from Hurricane Sandy in late October 2012. For more than a year afterward, student athletes had to pass the trashed and unusable athletic field as other rebuilding efforts took precedence. The job would be large. In addition to rebuilding the field itself, the school had to replace the field’s fatally damaged sound reinforcement system. Installed by Advance Sound of Farmingdale, New York, the new system centers on an Ashly ne24.24M modular processor and two Ashly ne8250 eight-channel amplifiers. Advance Sound installed a similar system at Long Beach Middle School prior to Hurricane Sandy, and that system weathered the fateful storm and remains functional to this day.

“Long Beach High School was very hard hit by Sandy,” said Thomas DePace, chief operations officer at Advance Sound. “The wind, the sand, and the water turned what was once a grassy field into a swampland. The goal of this rebuilding effort was to prevent such loss to a future storm. We’ve had great success with the robustness of Ashly gear, so that was easy to specify. In addition, the school wanted to move to a more distributed system to avoid noise conflicts with neighbors that had been a source of some tension with the old end zone-fired system. We needed a lot of amplifier channels, and Ashly’s two-rack space, eight-channel ne8250 filled that need perfectly.”

Inputs to the system include a CD player, an iPod input, and a handful of wired and wireless microphones, all of which feed an Ashly ne24.24M modular processor outfitted with eight analog inputs and twelve analog outputs. Two Ashly ne8250 amplifiers deliver sixteen 250W channels to drive six bi-amped One Systems 212CIM loudspeakers and a collection of indoor loudspeakers for the press booth. The 212CIMs are weatherproof, and Advance Sound was allowed to install each speaker on its own dedicated sound pole. Thus, coverage was not constrained by the locations of existing structures, and the SPL at the adjacent residences is significantly lower than with the previous system.

“With an eight-fader Ashly RD-8C remote control, the new system is also very easy and intuitive for the non-technical staff to operate,” said DePace. “That’s important because we’re an hour away from the school, and troubleshooting on game day is not something we want to be engaged in. With the RD-8C, all they have to do is turn the fader up for the input they’d like to hear. That’s as easy and repeatable as it gets!”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. 

www.ashly.com

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