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Archive of the AV Control Systems Category

Movie Tavern 8 Theater in Covington, LA, Powered by Christie Vive Audio and Solaria Series Projectors

Christie®, the global leader in visual displays and audio technologies, is proud to announce that Southern Theatres has completed its second “all Christie” entertainment complex, at the new Southern Theatres Movie Tavern 8 in Covington, Louisiana. The eight-screen cinema eatery is powered exclusively by Christie Solaria® Series projectors and Christie Vive Audio™ cinema systems, comprised of Christie’s innovative line array wall and ceiling surround speakers, purposely crafted and built for the cinema environment. Christie’s Professional Services team provided complete design, integration and installation services and will continue to provide 24/7 remote monitoring and ongoing technical support through Christie’s Network Operations Center (NOC).

Southern Theatres - Movie Tavern 8

The new complex includes a Movie Tavern Xtreme (MT-X), an enhanced entertainment auditorium featuring a large 3-story silver screen, 2D and RealD 3D capability, and the Dolby Atmos audio format. This includes Christie 4K DLP Cinema® projection, the Dolby® Atmos™ audio format, and Christie Vive Audio immersive cinema system, which unlocks the full potential of leading DCI digital-cinema audio formats. The set-ups feature the LA5S, LA3C and LA3S for wall and ceiling surrounds, the LA3 for screen channels, and the S215 subwoofer.

“We’re excited to continue to bring the latest developments in cinema projection and audio technology to our patrons at the Movie Tavern 8 in Covington, LA. The exclusive use of Christie digital projection was never in doubt, but we’ve also chosen to equip every auditorium with Christie Vive Audio because we believe its revolutionary speaker design provides the benefit of improved sound coverage to every seat in the house,” said Danny DiGiacomo, Director of Marketing, Southern Theatres.

“In our Movie Tavern Xtreme auditorium (MT-X) , the Christie Vive speakers unlock the full potential of Dolby Atmos sound technology playback and, combined with Christie’s 4K digital projection, allows us to deliver the ultimate movie viewing, listening, and dining experience for our guests,” noted DiGiacomo.

The remaining seven auditoriums are configured for the Dolby 7.1 audio format and will feature the LA1 and LA3 configuration for screen channels and the LS3S for wall surrounds. Complementing the impeccable immersive surround sound provided by Christie Vive Audio, the auditoriums will also be equipped with Christie CP2215, CP2220, and CP2230 DLP Cinema® projectors, members of Christie’s Solaria Series, which offer crisp, bright pictures on every screen.

“Within a year of launch, Christie Vive Audio has established a reputation for superior performance to meet the demands of today’s motion picture content, setting a new standard in immersive cinema sound,” said Patrick Artiaga, director, business development, Audio Solutions, Christie. “We’re pleased that Southern Theatres has again selected the complete Christie family of digital projection and cinema sound solutions to fill every auditorium with the most lifelike, realistic movie-viewing experience available today.”

Christie’s Global Professional Services team was involved exclusively from the beginning of the project to the end, providing unparalleled professional consultation, integration, installation, and design services for all eight of the auditoriums.

“Christie is truly a ‘one-stop-shop’ for all cinema needs. We created the layout, designed the technology floor plan, and installed and integrated all of the products in the auditoriums for Movie Tavern 8,” said Sean James, vice president, Global Professional Services, Christie. “We will also continue to maintain the systems to ensure everything is running smoothly through ongoing technical support and 24/7 remote monitoring from our Network Operations Center.”

Added DiGiacomo, “An ‘all Christie’ cinema complex is best serviced by an ‘all Christie’ service and installation team. We knew we could trust Christie in every aspect of this project to deliver the ‘complete Christie experience,’ from superior projection to superior sound to superior installation and ongoing technical support.”

For more information on Christie’s new audio initiatives, visit www.viveaudio.com.

Clearwing Holds Top Manufacturers, One Event Showcase

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. is one of many manufacturers that will be on hand at Clearwing’s Vendor Showcase on Tuesday, August 26, 2014 between 10:00 am – 4:00 pm. Mike Eiseman, District Manager, will be on hand bringing along the new Yamaha QL5 Digital Audio Console as well as a CL1 digital console, Rio3224-D input/output box, and DXR12 speakers. He will also demonstrate the Yamaha StageMix application and Nuendo Live v1.1.

Manufacturers include Robe, Clay Paky, Shure, Rane and others.

The event is free of charge and will be held at Clearwing, 11101 West Mitchell Street, Milwaukee. For more information, telephone 414-258-6333.

RSVP: http://clearwing.com/html_email/cw_event_vendor_MKE_2014/vendor_MKE_2014_landing.html

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Christie Donates Technology and Services to USC School of Cinematic Arts

Christie®, a global leader in advanced cinema technologies and visual display solutions, continued its technology partnership recently with the University of Southern California’s School of Cinematic Arts (USC SCA) by launching a state-of-the-art cinema experience at USC’s showcase theater, the Eileen Norris Theatre. Christie, through a generous donation of equipment and installation services, will be the sole provider of all cinematic and audio equipment within the Eileen Norris Theatre, and will be working together with USC SCA in enhancing visual technologies, specifically cinematic ones.

USC Eileen Norris Theatre


The Eileen Norris Cinema Theatre is a 341-seat motion picture theater set within the campus of USC and adjacent to the Cinematic Arts Complex. It is home to some of the School of Cinematic Arts’ largest classes and is the primary theater often used for large guest movie premieres and screenings of major Hollywood and International films at USC.

The Norris Theatre has undergone a total renovation of its projection and audio equipment, and with the help of Christie’s Professional Services team, will now showcase movies with the most immersive projection and audio system available. Highlighting the theater will be the Christie Solaria Series DLP® CP4230 4K projector. This 4K series projector is prepared for the next generation of digital cinema, giving audiences the best visual experience possible. The theater is now also outfitted with a complete Christie Vive Audio system, utilizing over 40 different speakers, sub-woofers, and amps. The Vive S218 and S215 subwoofer, LA3 and LAC3 line array speakers, as well as the LA45 and LA4C speakers are all installed and complement the theater’s Dolby Atmos® installation.

Christie Vive is specially configured to meet Dolby Atmos® sound technology requirements. Filmmakers use Dolby Atmos to place and move sounds anywhere in the movie theater, including overhead, to make film audiences feel as if they are inside the movie and not merely watching. Altogether, Christie has delivered to USC a solution to drive a captivating and unique experience that will give theatrical viewers a unique and truly immersive movie experience.

Commenting on the Eileen Norris Theatre installation, Eric Furie, Senior Technologist, USC CSA, said, “Christie and our staff are to be congratulated on their support, input, and hard work in making the Norris Theatre into such an extraordinary space. The theater and the content displayed in it have never looked or sounded better; it’s truly impressive!”

Christie’s CEO Jack Kline had a vision to partner with the prestigious cinema school, located in Los Angeles, near Christie’s headquarters, and cultivate a relationship through generous giving. Always wanting to give back, Mr. Kline believes that USC is the perfect educational environment in which to do that. The students in the School of Cinematic Arts are using cutting-edge technology in the creation of current content, film and visual experiences, and Christie’s equipment will be the foundation for that.

“Christie’s innovative culture, manifested through the cinema services, audio and visual technologies donated to USC, will complement the already vast knowledge and experience of the USC School of Cinematic Arts’ educators,” said Christie CEO Jack Kline. “Combined, the tools and expertise will inspire and equip future film makers to recreate humanity’s stories in the most lifelike and engaging ways possible.”

“The USC School of Cinematic Arts is one of the top-ranked film schools in the world so it’s only fitting they have selected Dolby Atmos for the Eileen Norris Theatre,” said Doug Darrow, Senior Vice President, Dolby Laboratories. “Now the entire USC community including student and Hollywood filmmakers, many of which have embraced Dolby Atmos, will benefit from the premium quality Dolby delivers.”

Christie has been working with USC SCA in a philanthropic effort to provide not only current cinematic projection equipment, but also cutting-edge technological visual solutions for the school’s recently constructed Interactive Media Building. Through the working relationship with the university, Christie plans to further its donation efforts and become the primary technology provider for the school.

The Refuge Selects LynTec Relay Panels for New North Carolina Campus

RPCRs Bring Remote Power Sequencing to House of Worship’s Light and Audio Applications

LENEXA, Kan. — July 29, 2014 — LynTec, a leading manufacturer of customized electrical power control solutions for professional audio, video, and lighting systems, today announced that the company’s award-winning RPCR relay panels have been selected for The Refuge’s new campus in Kannapolis, North Carolina. Featuring remote control capabilities, LynTec’s RPCR-48 and RPCR-24 provide remote sequencing capabilities to the house of worship’s light and audio systems, without the need to redesign the church’s current system.

The Refuge’s new Kannapolis campus features state-of-the-art sound and light systems that turn sermons, concerts, and other church events into immersive audience experiences. To add simple remote sequencing and control, easy status updates via the Web, and the ability to power down equipment completely, integrator WAVE turned to LynTec’s award-winning RPCR-48 and RPCR-24 relay panels. Featuring a built-in Web server to bring remote electrical control to any large assembly space, the RPCRs add easy branch circuit control and monitoring to any existing breaker panel regardless of brand, make, or model.

“The Refuge was looking for a power management solution that could add the ability to sequentially power down the facility’s surround audio system, HD video components, and concert lighting in order to protect equipment from potential damage and increase the longevity of their systems’ use,” said Justin Hames, director of engineering/modeling, WAVE. “By integrating LynTec’s RPCR relay panels, the client can now turn systems on and off without any risk to equipment performance, while adding the capability to monitor the status of panels easily from the Web. The result is both intelligent power protection and advanced monitoring capabilities from any Web-enabled device.”

LynTec’s RPCR panels add easy on/off control to any existing circuit breaker panel installation and are compatible with popular control systems such as ETC(R), Creston(R), and AMX(R). In addition, the units offer the ability to control relays directly via TCP/IP, DMX, RS-232, or contact closure control systems. Featuring brownout protection, RPCRs will automatically shut down selected circuits during under-voltage situations and power-up as programmed when voltage regains stability. The units also provide emergency power-on for egress lighting and shutdown capabilities for amplifiers with contact closure inputs from fire alarms. Thanks to the RPCRs’ built-in Web server and browser-based interface, users can simply set up, troubleshoot, control, and monitor relay status remotely. Further, the system keeps users aware of any potential emergencies by sending alert notifications via text or email to warn of voltage anomalies.

“The ability to power down equipment sequentially provides both fail-safe protection against potential damage and the ability to bring greater energy-efficiency to large A/V/L installations through the elimination of phantom power,” said Mark Bishop, president of LynTec. “Designed specifically for houses of worship, schools, performing arts centers, auditoriums, and other large assembly spaces, our award-winning panels allow The Refuge staff to control power remotely from any smartphone, computer, or tablet device to add another level of protection to their investments. We are extremely pleased to participate in such an innovative project; it provides the perfect example for demonstrating the flexible potential of today’s power management technology.”

More information on LynTec’s RPCR panels and full line of products is available at www.LynTec.com.

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About LynTec
LynTec is a leading manufacturer of remotely operated AC power control systems for the professional sound, lighting, and video industries. The company offers both electrical protection and circuit switching capabilities within the same enclosure — saving space, lowering installation costs, and building trusted relationships with system designers. LynTec’s continuous growth in electrical and expanded lighting control, energy monitoring, built-in power conditioning, and mobile applications positions the company as a leading resource for the A/V and lighting industries and an integral partner for sustainable energy practices. More information is available at www.LynTec.com.

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Montreal Jazz Festival Front Loaded With Yamaha Consoles

Guy Vincent

BUENA PARK, Calif.—From June 26-July 5 at venues across Montreal, the annual Montreal Jazz Festival featured a boat load of musical guests from Earth, Wind & Fire, B.B. King, Tony Bennett, and Diana Krall, to Aretha Franklin, Diana Ross, Terence Blanchard, and Nikki Yanofsky to name a few.

Solotech of Montreal provided the majority of the audio production for the 30 stages and stacked them with Yamaha digital audio consoles. Yamaha Commercial Audio Systems pitched in for five of the stages: Scene TD, the main outdoor stage, was outfitted with two Yamaha CL5 digital consoles and three Rio-3224D input/output boxes. Two CL5s and two Rio-3224Ds were in position at Theatre Maisonneuve, Lounge Heineken used a QL5 and one Rio-3224D, and Club Soda and Savoy both had new Yamaha QL5 digital audio consoles. The Savoy also used a Rio-3224D.

Front of House engineer, Guy Vincent, has been mixing sound for over 30 years and says he has worked with a lot of digital boards but his favorite is the Yamaha CL5. “The feature I like the most Is the Premium Rack. It is amazing how warm the sound is by activating any of the plug-ins. I also like the custom faders.” Vincent used a CL5 at the Maisonneuve Theater during the Festival mixing Terence Blanchard and others. He is currently on tour with Florence K using a CL5.

Front of house engineer, Richie Forte, used his own personal Yamaha LS9-32 console at the Metropolis during the Festival for artist Nikki Yanofsky. “According to my dear friends at Yamaha, my LS9 was one of the very first in eastern Canada, a fact I’m very proud of,” states Forte. “I’ve taken this little workhouse and pushed it beyond its limits. With the use of a fiber optic snake capable of transporting 32X8 of the LS9′s 32X16 i/o, plus one channel of bi-directional high speed EtherSound transport built in, I am able to use the two MY card slots on the LS9 to connect to my two Yamaha SB168-ES stage boxes for a total on stage analog i/o of 64X24.”

Richie Forte

Forte said that his current console as well as the two Yamaha digital consoles he previously owned, have preformed flawlessly and reliably. “It’s this ease of use, size, weight, flexibility, and “bang for buck” price point that has kept me a loyal Yamaha user and owner since 1997.” He’s now in Europe and using a Yamaha CL5 and says he’s “truly blown away by the sound of the console” and equally happy that its flexibility and workflow has been greatly refined and fulfills everything on his wish list. “I’m looking forward to upgrading to a QL5, my fourth Yamaha console very soon!”

Stephane Grimm

Stephane Grimm, who mixed The Jordan Officer Trio and Betty Bonifassi Chants on a new Yamaha QL console at both Club Soda and Club Savoy, said he’s really into the new QL and has used a Yamaha CL a number of times. “I was really impressed by the QL, and having the touch screen makes it totally easy to use, Grimm says. The four user layers is a wonderful feature especially now that you are able to color identify the faders, making it impossible to miss the channel you’re looking for. I also like the fact that it is fully compatible with the CL series, without even having to convert the file. WOW!” Grimm also said the new plug-ins is a great feature. “The 2-band Dynamic EQ, works very well especially on vocals and other instruments that change tones.”

For more information on Yamaha digital consoles, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

NUAGE Road Tour and Nuendo Masterclass at RSPE Audio Solutions

BUENA PARK, Calif.—A Yamaha NUAGE Demo and Nuendo Masterclass will be held by top Yamaha Commercial Audio Systems and Steinberg engineers and hosted by RSPE Audio Solutions on Tuesday, August 5, 2014 from 7:00 PM to 9:00 PM at 4130 Cahuenga Blvd. #210, Universal City, CA. The event is free of charge.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with a Nuendo masterclass presented by Steinberg’s Greg Ondo discussing the latest news, tips and tricks in Nuendo. Plus get hands on with Yamaha’s Nuage, the dedicated, scalable, DAW control surface/recording mixer for Nuendo.

Spots are limited so registration is required at: https://www.eventbrite.com/register?orderid=321450975521&client_token=a2951db3596148c782f325bc5a917688&eid=11858933389

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RTI Now Shipping Next-Generation RK1+ In-Wall Keypad

Completely Customizable and Easy on the Budget, 2-, 4-, or 8-Button Keypad Offers Intuitive Control

SHAKOPEE, Minn. — July 24, 2014 — Remote Technologies Incorporated (RTI) has announced that the company is now shipping its next-generation RK1+ in-wall keypad, available in 2-, 4-, and 8-button models. The new RK1+ offers the same rock-solid control as its predecessor, while offering upgraded installation flexibility and even greater value. Each unit now includes multiple faceplate and button colors in addition to a custom-engraved button set option for a completely customizable, intuitive control experience at an affordable price.

Designed to match the décor of any room, the RK1+ offers white, black, and light almond faceplate and keycap kits, while the button backlight can be configured to 16 different colors on each button. For a high-end look and even more intuitive control experience, the unit also ships with a certificate for one set of custom engraved button keycaps using RTI’s Laser Shark(R) service. This allows installers to create customized button keycaps featuring graphics and text for a control experience specific to each individual installation.

Simple to install, the RK1+ fits in a single-gang electrical box and is compatible with any standard Decora(R) type wall plate. Offering direct control of electronics via an integrated IR output, the device can also be used with RTI control processors and accessories for even more powerful capabilities, including two-way control, as it provides visual feedback via the configurable backlight color. Programming the unit is quick and easy with RTI’s award-winning Integration Designer(R) software.

“With multiple colors and custom engraving options included with every unit, the RK1+ allows dealers to offer their clients intuitive, basic control that is affordable enough to include in every room,” said Pete Baker, vice president of sales and marketing for RTI. “Of course, if more advanced control features are required — whether it’s RS-232, IP, relay, or sensing — the keypad’s capabilities can easily be expanded when incorporated into an RTI control system.”

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About Remote Technologies Incorporated (RTI)
Remote Technologies Incorporated (RTI) is a leading control systems manufacturer offering innovative, sophisticated, and user-friendly devices for professionally installed electronic systems. The company’s wide array of award-winning handheld and in-wall universal controllers, central processors, audio distribution systems, and accessories are marketed exclusively through a worldwide network of professional integrators. For complete control and monitoring over electronic systems from virtually anywhere in the world, the power of RTI is available on iPhone(R), iPod touch(R), iPad(R), and Android(TM) devices through the company’s RTiPanel application, just as the award-winning RTI Virtual Panel program offers access and control via any PC running Microsoft(R) Windows(R). All RTI solutions are programmed through the company’s world-renowned Integration Designer(R) software, easily allowing dealers to provide a completely customizable user interface for intuitive command over the entire electronics system.

Founded in 1992 with a committed focus on the custom installation market, RTI offers a number of award-winning support and incentive programs to its dealers, including educational opportunities through the Advanced Control University (ACU), and the popular Control Bucks and Dealer Accommodation programs. In addition, through RTI’s Integration Partner Program, the company has reached out to manufacturers across the industry to ensure that RTI products integrate seamlessly with a wide variety of components and systems.

Additional information on RTI and its innovative control solutions is available at www.rticorp.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

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Over 1,400 of HARMAN’s Martin Professional Lighting Fixtures Provide Vehicle Lighting Across the 2014 North American International Auto Show

DETROIT, Michigan — The North American International Auto Show (NAIAS), better known as the Detroit Auto Show, is one of the largest automotive shows in North America and annually features many national and worldwide introductions from the world’s most renowned auto manufacturers. Perennially held at Detroit’s Cobo Center, the 2014 NAIAS showcased the industry’s latest innovations to more than 800,000 attendees over the course of nine days. As a critical component of the show’s experience, over 1,400 of HARMAN’s Martin Professional lighting fixtures were deployed by a number of leading production partners and lighting-provider Christie Lites across the entire show, including booths for Chrysler, Nissan, Infiniti, Ford, Lincoln, Acura, Volvo, and more.

Chrysler
Chris Wojcieszyn of Lighthaus Design teamed with Bruce Spillman, Onsite Lighting Designer, who oversaw the execution and focus for Chrysler’s 2014 NAIAS booth, to develop an elaborate lighting design for the booth which also featured Fiat, Dodge, Jeep, Ram, and SRT. Wojcieszyn used 270 of Martin’s MAC 2000 XB Wash lights with super wide lenses to create an even white wash across the booth’s exterior, which consisted of large flat white walls on three sides. Spillman and Wojcieszyn also deployed 81 of Martin’s Viper Wash DX luminaires on all the featured vehicles on revolving platforms across the booth. “The new internal barn-door setting and shuttering system on the DX washes are really easy to work with,” commented Wojcieszyn. “It allows you to manipulate and shape the light exactly how you need it without compromising the power and amount of light you are getting.”

Acura
Chris Wojcieszyn was also the Principal Lighting Designer for the 2014 Acura booth, which featured 138 of Martin’s MAC Aura Wash lights. The booth featured two suspended rings that twist throughout the entire space, one made of silver and the other wood to represent man and machine. “At a previous show we used the Viper DXs to wash over the rings but it proved to be a bit too strong, which is really a credit to the design of the fixtures,” explained Wojcieszyn. “I switched to the MAC Auras for the Detroit show and I was able to mix the color effectively and really get the warmth I was looking for out of the rings.”

Nissan
Principal lighting design for the Nissan booth was developed by Chris Medvitz of Lightswitch and included 52 Martin Viper Wash DX fixtures to light the key vehicles for press events and reveals. Additionally, Medvitz used 90 Martin MAC 2000 Wash XBs to light the booth’s signature architectural feature or ‘halo’. “As an elliptical cantilevered sculptural element dominating the booth, the ‘halo’ was animated with light to enhance and extend the audience experience of the audio/visual content from a giant curved LED video screen also featured on the booth,” explained Medvitz. “The MAC 2000 fixtures were configured with buxom lenses as the throw was only a few feet away, but the bright light paired with the Martin color mixing system bathed the ‘halo’ in a vibrant and robust ‘Nissan Red’ when not animated.”

Infiniti
Medvitz also served as the principal lighting designer behind the 2014 Infiniti booth where he deployed 10 Martin Viper Wash DXs and 84 of Martin’s MAC Aura fixtures to provide light for VIP lounges, highlight corporate logos, add color and movement to the press event, and even light a DJ featured on the booth. Additionally, Medvitz used 24 MAC Auras on a circular truss to light the new Infiniti Q50 Eau Rogue concept car. “The Auras created an extremely smooth and soft wash for the concept vehicle that allowed us to fine tune color and color temperature to make the red paint on the vehicle appear the way our clients wanted both on camera and in person,” commented Medvitz.

Commenting on his choice of the Viper Wash DXs for the Nissan and Infiniti booths, Medvitz said, “I’m a big fan of the Viper DX! They have great output but don’t have the excessive weight or size of other wash fixtures. The beam shaping feature on the DX allowed us to more precisely light the vehicles for camera–the ability to shape the light on the cars and control spill proved to be an invaluable asset.”

Ford and Lincoln
Lighting Designer Jonny Milmer of Imagination used 166 Martin Professional MAC Aura, 12 MAC 700 Wash and four MAC III fixtures for lighting of the feature vehicles on both the Ford and Lincoln booths. For Ford, Milmer used the MAC Aura to light both the featured vehicles and the key interactive display due to its light weight, speed and light versatility. “We needed a fitting that could match the daylight lamp from the Static Daylight Pars while creating full color sequences to help tell the design and production story,” explained Milmer.

For the Lincoln booth, Milmer chose the MAC Auras to light the feature vehicle on the center revolve stage due to its clarity and the consistent color temperature it produces. “Our clients take the car colors very seriously and the color of the lighting is a crucial part of getting the color of the car right for the designers,” commented Milmer. “For us, the Martin MAC Aura is the only fitting that allows us the consistency of color that enables us to match the colors we need perfectly every time without creating colored reflections.”

Milmer also used Martin’s MAC III for gobo projection to create interesting animation and morphing effects across the booths. Additionally, Martin’s MAC 700 Wash lights were deployed to help light the Mustang display area that consisted of a large interactive presentation. “We simply used the MAC 700s to provide a bit more punch and drama in this area of the booth,” stated Milmer. “These fixtures are very compact for their output and they were able to fit comfortably on our custom truss.”

Volvo
Developed by Robert Cangemi, Principal Lighting Designer of Cangemi Design, the lighting design for Volvo’s 2014 NAIAS booth featured 72 of Martin Professional’s MAC Auras, 16 MAC III Performances, and 12 MAC Vipers. As a crucial element of the design, Cangemi relied on Martin’s MAC Aura to match the color temperatures of the daylight Par fixtures used on the cars and ensure the feature vehicles sparkled. “In my opinion the Auras are the single best LED moving light released in a long time,” stated Cangemi. “I always use them in color calibration mode which renders an amazing clean cool open white. Also, I can match other daylight products with a fraction of the weight and power while the zoom range and color mixing is incredible.”

Commenting on the reliability of Martin’s lighting fixtures, Cangemi said, “Booth maintenance was a breeze as the fixture worked and continued to work despite the harsh environment of a trade show that required continuous lighting for upwards of 14 hours a day. Whether in the same static position, running a slow moving effect continuously, the Martin fixtures did not let us down.”

Mercedes and Porsche
Additionally, Martin’s MAC Viper Profile, MAC Viper Wash DX and MAC 2000 Wash XB fixtures were deployed on the Mercedes booth for feature car lighting. The Porsche booth also featured Martin’s MAC 2000 Wash luminaires.

Production Companies:
SEIBO (www.seibollc.com) – Honda, Acura, Nissan, Infiniti, Chrysler
Creative Technology (www.ctus.com) – Kia, Jaguar, Land Rover
2XD (www.2xdproductions.com) – Volvo, Mercedes, Porsche
Imagination (www.imagination.com) Ford, Lincoln

Vendor:
Christie Lites (www.christielites.com)

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s JBL Professional and Crown Uncork Extraordinary Sound at BottleRock Napa Valley

NAPA, California — Billing itself as the Ultimate Celebration, the 3-day BottleRock Napa Valley Festival offered the best in music, wine, beer and gourmet food, accompanied by stellar sound courtesy of HARMAN Professional audio systems featuring JBL’s VTX Series line array loudspeakers and Crown I-Tech HD Series amplifiers. The festival, which took place on three stages at the Napa Valley Expo, hosted an unusually diverse lineup including Outkast, Eric Church, The Cure, Weezer, Heart, The Fray, Barenaked Ladies, Thee Oh Sees, and more than 70 other acts.

Camarillo, California-based full-service event production company Delicate Productions provided sound, light and video for the event. It was the second year Delicate got the exclusive to handle all the A/V and lighting setup for all three stages—and the first year the company used JBL VTX line arrays.

BottleRock is held right in the actual heart of the city of Napa, which meant the stages were 200 feet from houses in every direction. On top of that, the sound system was not allowed to exceed an SPL of 105dB C-weighted, so Delicate needed loudspeakers that could meet these requirements yet deliver the high-impact, full-range sound that the artists and concertgoers expect at an outdoor festival.

Delicate Productions’ President Jason Alt and his crew had previously heard a VTX demo at JBL’s Northridge, California headquarters, liked what they heard and thought the VTX Series would be well suited for the requirements of the festival. “We had never used the VTX loudspeakers before, but we had complete confidence after hearing them for ourselves at Northridge,” Alt said.

For each of the three BottleRock stages, Delicate hung nine JBL VTX V20 line array elements and six S28 subwoofers on each side of the stage, along with 12 F12 loudspeakers for out fill and six F15 loudspeakers for down fill.

Amplification was provided by two Crown I-Tech 12000 HD VRacks for the subwoofers, three I-Tech 4×3500 HD VRacks for monitor mixes, out fills and stage subs, and two I-Tech 4×3500 HD VRacks to power the V20 loudspeakers. The amps were linked to the VTX loudspeakers via JBL’s HiQnet Performance Manager™ system setup, calibration and control software.

“The VTX line arrays, subwoofers and loudspeakers proved to be exactly what was needed for the application,” Alt noted. “The VTX’s acoustic energy was focused in the right direction, with the correct directivity being delivered forward to the audience and with very little spill to the surrounding neighborhood.”

Alt was equally impressed by the VTX’s sound quality, particularly the accuracy and resolution of the D2 dual-diaphragm high-frequency compression driver and the smoothness of the transition from the midrange to the upper-midrange and highs. “The V20 is really impressive and the fidelity is second to none, including any of the highest-end boxes that are out there,” he said. “The way the V20 pairs with the subwoofer, it’s all elegantly designed.”

Alt noted that he was “really blown away” by the entire HARMAN package for the way the synergy between the VTX loudspeakers, I-Tech HD Series amps and HiQnet Performance Manager software enabled the crew to set up the entire system faster and more accurately and optimize the performance of the loudspeakers and amps to a greater degree than in previous events. “Looking at the way JBL, Crown and Performance Manager tied together, it’s apparent that HARMAN has thought out the process very well.”

For more information on Delicate Productions, please visit www.delicate.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

HARMAN Professional Provides Refreshing Sound For Kopparberg Urban Forest Festival

LONDON, United Kingdom – Taking place in Dalston, a northeastern district of London, the Kopparberg Urban Forest Festival will run for a full month from 2nd July until 3rd August, featuring a complete sound reinforcement system comprising HARMAN’s AKG microphones, Crown amplifiers, JBL loudspeakers and Soundcraft mixing consoles all provided in partnership with HARMAN Professional’s UK and Ireland distributor Sound Technology Ltd. Sponsored by the UK’s premium cider brand Kopparberg and promoted by MAMA & Company, the Kopparberg Urban Forest Festival mixes Scandinavian and London cultures to provide audiences with a vibrant array of events.

Ranging from night clubs to street art, the Kopparberg Urban Forest Festival is a unique social gathering where the local food and cider is as refreshing as the summer music that is being played through JBL VTX line arrays. The main PA features eight JBL VTX V20 loudspeakers, four S25 subwoofers, complemented by two VTX F15s plus VTX F12, VTX F18S and STX812M stage monitors. The system is powered with two Crown VRack 4×3500 HD systems and an I-Tech 5000 HD amplifier.

With a huge lineup of musicians, DJs and MCs, MAMA & Company is also relying on AKG for world-class microphones, including a range of AKG models including the D12VR, C1000S, D40, D5, DSR700 V2 and DHT700 D7 microphones. FOH and monitors are being mixed through a Soundcraft Si Performer 2 digital console, which is also controllable via the Soundcraft ViSi Remote app, enabling iPad control of the console via a single wireless network.

Working closely with London-based charity and venue The Bootstrap Company, Kopparberg will help facilitate their work to support local creatives and social microenterprises and represent the best that East London has to offer. As part of this support Kopparberg will be paying for two interns from the Bootstrap Company to learn about event management during the five-week run of the Kopparberg Urban Forest. When the Urban Forest closes its doors, Kopparberg will also be gifting its trees and greenery to The Bootstrap Company for distribution amongst its projects.

“The Kopparberg Urban Forest Festival is a dynamic event featuring a wide variety of performers and styles,” said Joe Roberts of MAMA & Company. “Therefore, we need an equally dynamic audio system to accommodate the range of talent onstage, and we found the most comprehensive and high-performance audio components through HARMAN and Sound Technology.”

“This event will showcase HARMAN’s ability to provide world-class components across the audio signal chain, from AKG microphones and Soundcraft consoles to JBL loudspeakers and Crown amplifiers,” said Ed Jackson, Application Engineer, Tour Sound, EMEA, HARMAN Professional. “It is also exciting to be working with the charity Bootstrap and to be part of helping provide the production for a charitable event!”

The event features over 50 artists including: We Were Evergreen, Lucy Rose, Little Dragon, Gaz Coombes and New Young Pony Club.

For more information on the Kopparberg Urban Forest Festival, please visit www.kopparbergurbanforest.com

For more information on MAMA & Company, please visit www.mamaco.com & www.mamacolive.com

For more information on Bootstrap Company, please visit www.bootstrapcompany.co.uk

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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