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Archive of the AV Control Systems Category

Yamaha NUAGE Less Of A “Grind” For Audio Post Facility

Grind_Music and Sound NUAGE

BUENA PARK, Calif.—Grind Music and Sound is a professional audio post-production facility located in Los Angeles, California. Their specialty is sound design & mixing for adventure sports and documentary films and television. With two studios, one mix/sound design room and one composition/editorial room, the Company recently installed a Yamaha NUAGE Advanced Production DAW System purchased through Hollywood Sound Systems. Co-owners Michelle Garuik, who works mainly in the mix room, sound designing and mixing, and Sangtar Heer who writes in the composition/editorial room, use the NUAGE Room for his albums’ mix.

“We were researching DAW controllers and mixing consoles for the studio and first became aware of NUAGE through the Internet and magazine advertisements a year ago, which led us to the Yamaha Commercial Audio web site, states Garuik. Our first physical contact and demo with NUAGE was at AES in LA. Besides watching the public demonstrations at the Yamaha booth, we were given a private demo by Yamaha’s Marcel Mauceri.” The duo were introduced to John Conard from Hollywood Sound Systems, and the next week given an intensive demo with Hollywood Sounds audio tech, Brett Grossman, and Yamaha’s District Manager David Lees.

“NUAGE’s deep integration with Nuendo was an immediate draw for us, says Garuik. It is much more than faders, pan-pots and the usual four to five things you find on most controllers. Anything you need to do in Nuendo, you can access on NUAGE. Also, the fact that it is a Yamaha Commercial Audio product was another plus for us. Having mixed on Yamaha consoles in the past, we were already familiar with the build quality and support.”

The co-owners had been looking at consoles and DAW controllers for some time and nothing really fit all their needs until NUAGE. “The tactile surfaces give us so many solutions for our different ways of working, Garuik says. After mixing in the box for years, it is great to have instant access to deep features in Nuendo with just a touch of a button. It’s also nice to have different ways to perform tasks enabling us to work faster and more intuitively. The mixing integration with Nuendo is fantastic in speeding up our workflow. With project deadlines having faster and faster turnarounds, NUAGE lets us meet the demands of our partners and makes mixing even more fun.”

Garuik said the ability to store different setups for their individual project needs is a huge plus. Mixing a 5.1 television documentary has a very different setup than mixing a music album, and the ability to switch quickly and seamlessly between those setups was paramount in their decision. The pair has been using Nuendo daily since its inception, first introduced to it at AES in 2000 where their journey began with version 1.0, and using Cubase since the early 90’s.

With Garuik specializing in mixing action/adventure sports projects, some of Grind Music and Sound clients include: Red Bull, FOX Sports, CBS Sports, NBC Sports and Specialized Bicycles. “Our first television mix on NUAGE was for FOX Sports Training Day “Team Alpha Male” episode, and it went amazingly well.
Grind set up the system with assistance from Hollywood Sound’s Grossman on a Friday, spent Saturday programming quick keys and setting up their system preferences, and on Monday, mixed the 22-minute episode.

“The mix went very smoothly, and having access to 16 faders at once, really sped up mixing for me. The master unit rocker wheel was a dream to edit with; cleaning up edits was faster with less clicking. I was also very impressed with the monitoring integration of NUAGE and the I/O Nio500-A16 unit. The sound was impressively clear.”

In the first two weeks Grind has had their system, they have mixed two shows for FOX Sports, two National Parks educational videos, and a Specialized Bicycle promo. They are also mid-mix on an upcoming documentary for HBO.

“At the end of the day, I feel extremely comfortable on NUAGE, like I had been working on it for years.”

Heer is currently editing and mixing a live DVD concert video on NUAGE of his 2014 Punjabi Virsa North American tour.

For more information on Grind Music and Sound, visit www.grindinc.com.

For more information on Yamaha NUAGE, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Clear-Com Ships New LQ Series

Clear-Com® announced today that it is now shipping the LQ series, a new family of connectivity devices for linking intercom and audio systems over LAN, WAN or IP networks. Based on Clear-Com’s patented I.V.-Core technology, LQ (formerly known as LINQ) provides the industry with the next step in intercom/audio linking technology.

New product family underlines Clear-Com’s continuing leadership in linking technology for connecting audio and communications systems over IP networks

As part of building a communications link, LQ utilizes the low latency audio CODEC OPUS, which features a range of different settings to provide high quality audio on the network bandwidth available. This means that the LQ Series can be used for intercom conversation, networked music performances and for audio signals that need to betransported between different facilities. The compact LQ throw-down devices enable connections of 2-wire partyline with call signaling and 4-wire audio over LAN, WAN or Internet IP infrastructures. The LQ Series has a 2-wire (LQ-2W2) or 4-wire (LQ-4W2) option. The LQ-2W2 is both Clear-Com and RTS TW compatible. A maximum of six LQ IP interfaces can be linked together in any 2- or 4-wire combination.1_LQ

Stephen Sandford, Product Manager, Clear-Com, said, “Since its introduction at IBC 2014 the LQ series has generated a great deal of interest from users that want to expand their remote communications quickly and easily. Clear-Com’s long-standing development of IP-based solutions gives our users the advantage of tried and trusted technology in this important area.”

Revolabs to Facilitate Distribution of Yamaha YVC-1000 UC Microphone and Speaker System in North America and Europe

SUDBURY, Mass. — Dec. 4, 2014 — Revolabs(R) today announced that the Yamaha YVC-1000 unified communications (UC) microphone and speaker system will be available through all of its certified sales channels in North America and Europe beginning January 2015. The UC solution is Yamaha’s first since the company’s acquisition of Revolabs earlier this year. more

Gotham ‘Conquers’ HBO Mini-Series With Yamaha QL/Rio Assist

Paul_Padilla Larry Provost Yamaha QL5

BUENA PARK, Calif.—HBO’s miniseries Show Me A Hero from The Wire co-creator David Simon, is based on a non-fiction book by Lisa Belkin. The six-hour mini stars Oscar Isaac as Nick Wasicsko, the youngest big-city mayor in the nation, who finds himself thrust into the center of a racial controversy when a federal court orders him to build a small number of low-income housing units in the white neighborhoods of his town, Yonkers, New York during 1988-1992. His attempt to do so tears the city apart, paralyzes the municipal government and, ultimately, destroys his political future.

Gotham Sound and Communications in New York City was brought in to augment the audio production using a new Yamaha QL5 Series Digital Console and Rio1608-D input/output box. “We recreated many meetings in the City Council Chamber, during which there were large heckling crowds hurling insults at the Mayor and Council, states Frank Stettner, production sound mixer for the show. The Mayor and Council all had microphones in front of them that we wanted to make practical to cover their scripted dialog.”

The heckling crowd consists of five different scripted hecklers plus a yelling crowd. “My normal setup is an 8-channel Cooper CS 208 D mixer with its direct outs feeding an 8-input Dante device, but it would not provide me with enough inputs, says Stettner. The show’s workflow requires me to mix mono all audio sources in real time to Track 1 on a pair of Sound Devices 970 64-track digital recorders for syncing to picture for the Dailies. I record all stems used in that mix to isolated tracks for use in post-production.”

Stettner said the big council scenes got beyond both his number of inputs and his number of fingers. With 15 total speaking parts, it became necessary to expand the system so he contacted Peter Schneider at Gotham Sound who suggested the Yamaha QL and Rio as the best way to meet the scene’s needs. “It seamlessly integrated with my existing Dante based gear,” notes Stettner.

Paul Padilla, the on-location consultant from Gotham Sound, put together and installed the QL and set up the computer network that tied all parts together. “Using the Rio with the QL gave us a lot of flexibility, Padilla said. It allowed us to route audio to and from a remote room without the need to run additional cable. Interfacing the Yamaha QL with another Dante base rig made for a very pleasurable experience.”

Once Stettner rolled his cart into the room where the QL was setup after finishing some smaller scenes elsewhere in the building, the team connected the network, time code, word clock, and assigned the direct outs to the 970 inputs quickly via Dante; ready long before the lighting and camera setup was completed.

“Specifically, the workflow consists of the Yamaha Rio connected to the 12 practical, historically accurate, Shure SM57s. This was then brought via Cat5 to Gotham’s network hub, which connected my system and computer to the QL, Stettner continues. The mics were routed to the QL inputs and the 970 Iso tracks via Dante. Larry Provost, my colleague, then used the Yamaha QL to make a mono sub mix of the fixed mics following the script. I took this sub mix into my Cooper and added it to the mono Dailies mix along with the five radio mic sources I had on the scene’s protesters plus a boom mic for the crowd.”

“Augmenting the show’s main audio package with the Yamaha QL mixer has worked out rather nicely and seamlessly integrates, thanks to Dante,” notes Peter Schneider, Gotham Sound and Communications.

Stettner said the flexibility of using the Yamaha QL and Rio made what would have been a long, stressful and time-consuming cable mess in the old analog days, into a fast efficient setup. “Gotham and Yamaha make the good work we do even more possible.”

Show Me a Hero will air on HBO during 2015.

For more information on Gotham Sound and Communications, visit www.gothamsound.com.

For more information on the Yamaha QL and Rio, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Riedel Gear Supports Live Productions From Red Bull eSports Studio for Streaming to Millions

WUPPERTAL, Germany — Dec. 2, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that its MediorNet real-time network, RockNet audio system, and Artist digital matrix intercom system are being used in the Red Bull eSports studio at Red Bull Media House’s North American Headquarters in Santa Monica, California. The Riedel gear is enabling the production of events, as well as the live streams watched by millions of fans.

“Riedel products have continually provided Red Bull Media House with the flexibility, performance, and audio and video quality we require for the production of premium sports events and live broadcasts, and they have proved to be a perfect fit for Red Bull eSports studio,” said Scott Gillies, director of production & technology, at Red Bull Media House North America. “The robust functionality of both the MediorNet and Artist systems actually simplifies production while enabling us to put on a sophisticated and exciting show for the millions of fans tuning in from all around the world.”

For example, one eSports broadcast format that’s produced out of the Red Bull eSports studio pits two video gaming teams of five players against one another. As they play, MediorNet Modular frames take in a total of 20 HDMI POV video signals from the gaming consoles, convert them into HD-SDI, and carry them to the control room. The POV cameras focus on the faces and hands of all 10 players, with additional HD-SDI cameras positioned on the game commentators. These inputs are combined with the primary gameplay feeds to produce a complete eSports broadcast. An additional MediorNet Compact Frame is used for complementary shots from other parts of the competition.

Additionally, each player in this example wears a headset that provides game audio and a link to other team members. The Artist system supports these communications, as well as the intercom and on-air audio signals of the commentators. Because the Artist system works with 48-kHz digital audio, it is also being used to create a downmix of game audio for each team, as well as for the audio mixing console. Combining individual game audio with the team communications, the Artist creates 10 individual mixes for each of the 10 players. A single four-core fiber cable, equipped with OpticalCON QUAD connectors, handles all signals.

Within the control room, the MediorNet system acts as a pre-switcher, dynamically feeding eight signals to the video switcher, and also provides feeds to the edit bay, two SSD recording units, and to a monitor wall comprising two displays with 16-window split views. The MediorNet also serves as an audio de-embedder, in turn feeding audio to the audio mixing desk. The resulting audio and video mix is sent to two encoders for streaming via the Internet.

“Once again, Red Bull turned to Riedel to help further their innovation in the field of eSports, and we’re proud to continue to play a role in this space,” said Sascha Kneider, head of technical services, North America, for Riedel. “This installation is a textbook example of a system that integrates the three main product lines from Riedel. By using MediorNet as the backbone for video, RockNet for audio, and Artist intercom for communications, we can create a lot of synergies. The benefits of this approach are obvious: the customer does not have to buy three different systems that may or may not work well together, every signal is available at every node in the system, and changes are just a matter of a mouse click.”

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

Photo Links:
www.wallstcom.com/Riedel/Riedel-eSportsStudio.jpg
www.wallstcom.com/Riedel/Riedel-eSportsStudioTeamPlay.jpg
Photo Caption: Red Bull eSports Studio
Photo Credits: Red Bull Media House

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Long Island’s Vavoom and Breakdown Go Digital With HARMAN’s Soundcraft Si Expression 1

Scraft_VavoomLONG ISLAND, New York – Looking for a compact audio console with value, Steve Jaworowski recently acquired a HARMAN’s Soundcraft Si Expression 1 digital console for his classic rock band Vavoom and Tom Petty tribute band Breakdown, both of which play in nightclubs and pubs throughout Long Island. As his first Soundcraft console, Jaworowski is extremely pleased that his new setup not only fits the budget, but also exceeds expectations.

Throughout their history, Vavoom and Breakdown relied on analog consoles. Upgrading to the Si Expression 1 console allowed the band members to transport less outboard equipment from venue to venue.

“Compared to my previous consoles, where the quality varied greatly, the Soundcraft console is awesome,” said Jaworowski. “At first I was a little nervous about the motorized faders, but everything worked out perfectly, and I like all the features that come with this board. For example, I really like the Soundcraft FaderGlowTM lighting when mixing in the dark. Choosing the Si Expression 1 was not a hard decision, because there weren’t too many boards in this price range with all the features that I want.”

As an experienced engineer/musician, Jaworowski also likes to use the Soundcraft ViSi Remote 2.1 iPad app to set up sound within the audience for sound checks, eliminating the need for transitioning on and off the stage. The full band mix consists of one house and two monitor mixes, which Jaworowski is now able to control from the same console.

“It’s great that I can do everything from the Si Expression 1,” said Jaworowski. “The board is convenient, but also powerful. The four FX processors are nice, individual channel EQ is good, plus I can find everything on the board quickly, so the learning curve wasn’t too bad. Not only does the band like it, but people from every venue now prefer it if we manage our own sound.”

For more information about Vavoom, please visit http://www.vavoomrocks.net/

For more information about Breakdown, please visit http://breakdowntribute.com/

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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Event Enterprises Supplements NEXO M28 Arsenal, Adds Yamaha QL5 and DSRs

Event Grant Cambridge NEXO

BUENA PARK, Calif.—Event Enterprises is a full-service production company focusing on meeting their customers needs with utmost professionalism and the highest quality of service. With offices in Cincinnati, OH and Bellevue, KY, the company maintains a vast inventory of industry-standard, current event production equipment, coupled with an extensive dealer network and affiliations. The company recently took delivery of 12 NEXO STM M28 speakers to augment their existing NEXO box count, which has grown to 80.

“We were looking to increase our PA inventory to accommodate the demand of multiple festivals/stages/jobs happening simultaneously and were looking to dive into something with a little hotter output and farther throw than the NEXO GEO S12, states Grant Cambridge, Managing Director, Event Enterprises. The M28s could provide us with that need and seemed to make logistical sense for most of our applications. Financially, they also allowed us to make a comfortable initial investment into the STM franchise with the ability to “add on” and grow the rig with the additions of any B112s or M46s in the future. Our maiden voyage with the new boxes was a country show with headliners Dustin Lynch and Frankie Ballard, and out of the box, both front of house guest engineers enjoyed their day with them.”

Event upped their Yamaha DSR speaker inventory to 24, utilizing the DSRs for a variety of applications. “While the DSRs do see a lot of smaller “speaker on stick” gigs as well as corporate applications, we use them just as frequently for wedges as mains, Cambridge says. We do so many 5k, 10k, half/full marathon events where we line up the streets at the start and finish lines that the DSRs work perfectly for. We recently did a half marathon event earlier this month based around Veterans Day, and on a very cold Saturday morning we deployed DSRs down the start/finish line for 400 ft., and in 18 degree temperatures, they worked flawlessly for five hours in the elements.”

Cambridge said the Yamaha QL5 digital audio console was purchased primarily for the company’s rental inventory and in-house engineers to utilize in the field. “We have all taken a liking to Yamaha digital desks at our company and thought this was a nice “next step” for us, having gotten a lot of miles out of LS9s and M7s, notes Cambridge. Because of our familiarity with the Yamaha OS and internal workings within their digital desks and the direct functionality with the Dante network, we thought this would be a wise investment moving forward. The QL was put to use the minute it arrived, both by our own guys’ use well as fulfilling rider requests.”

For more information on Event Enterprises, visit www.evententerprises.com.

For more information on NEXO STM, Yamaha QL and DSR, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Biamp Systems’ UC Product Manager to Present in Next Video Conference at GV Expo

Session will explore how to increase collaboration through implementation of effective huddle rooms more

NEW HOPE BAPTIST CHURCH BELIEVES IN ASHLY

New_Hope_Baptist_InteriorGRAND RAPIDS, MICHIGAN – NOVEMBER 2014: Founded in 1934 by a small collection of the faithful who opened up their living rooms every Sunday in the bustling Michigan town of Grand Rapids, New Hope Baptist Church has grown to a congregation of over 800 active members. To better accommodate its members, the church recently underwent a comprehensive renovation of its 750-seat sanctuary and associated overflow and ancillary use rooms. A new sound system centered on Ashly Audio processing, amplification, and user control is a centerpiece of the project and gives New Hope congregants exceptional intelligibility for spoken word, along with musical transcendence for the New Hope band and praise choir. Critically, the Ashly gear came in at a price point that allowed the church to meet its needs reliably, without breaking the project’s budget. Pro Audio Inc., of nearby Grandville, Michigan designed and installed the system for New Hope Baptist Church.

“The performance of Ashly gear is top-notch and yet its cost is very reasonable,” said Ken Reinecke, owner of Pro Audio Inc. “That’s a rare combination. In terms of sound quality, Ashly’s processing and amplification is transparent. What goes in is what comes out, plus whatever dynamics or equalization I’ve dialed in. And the gear can run at 96kHz for super critical situations. Programming Ashly’s Protea DSP platform is straightforward. I just drag and drop whatever processing I need, and drag appropriate inputs to appropriate outputs. Linking groups is also handy. Ashly gear is also tremendously reliable – it basically never breaks or fails.” Because space at New Hope Baptist Church was at a premium, it also helped that Reinecke could fit all of the system’s processing and amplification in just six rack spaces.

A new Soundcraft Si Performer 3 console serves as the user interface in the sanctuary itself. From there, an Ashly ne8800 8×8 Network DSP Protea™ Processor handles all of the loudspeaker settings for the sanctuary’s new JBL VRX928LA eight-inch, two-way line array system with JBL 915S subs. The stereo line array is powered by a single Ashly nXe 3.04 network four-channel amplifier rated at 3,000W per channel, providing ample power to the main sanctuary system. Additionally, output from the console feeds an Ashly Pema 8250 combination 8×8 Matrix Protea processor and eight-channel 250-Watt amplifier. The Pema 8250 takes additional inputs, such as wall jacks for microphones or music players that are located in the narthex and other out rooms. The versatile eight-channel Pema 8250 handles all of the audio routing, signal processing, and amplification for New Hope Baptist’s two nurseries, its nursing room, the bathrooms, and the narthex.

Four Ashly WR-5 programmable wall-mounted remote controls located strategically around the out rooms provide customized, intuitive control of those inputs, as well as of the sound from the sanctuary. “The nice thing about that arrangement is that folks can make changes in all those rooms without bothering the sound tech,” said Reinecke. “While the main system is controlled entirely from the Soundcraft console, the church staff can use the mic inputs and the Ashly WR-5 remote controls to play music or have a standalone PA for meetings and small events in those out rooms.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Evolutionary Yamaha PM10 Launched Today

Yamaha RIVAGE PM10

Buena Park, Calif.—In a worldwide announcement made at Inter BEE today, Yamaha Corporation Japan has launched the RIVAGE PM10 Digital Mixing Console, an enormous, evolutionary step for Yamaha PM Series Digital Live Sound Consoles. More than ten years have passed since the Yamaha PM1D and PM5D defined the direction for the digital console market. The new flagship RIVAGE PM10 significantly increases the quality and versatility necessary in a live sound environment, and inherits features from the renowned PM Series Consoles. Evolved features and performance define yet another milestone for Yamaha sound reinforcement consoles. The PM10 system is comprised of the CS-R10 control surface, DSP-R10 DSP engine, RPio622 I/O rack, three types of RY cards, and two types of HY cards provide the flexibility to configure and ideally match the scale and functional requirements of any application.

“Our new flagship RIVAGE PM10 system is the result of more than 40 years of PM Series history and reinforces our passion to provide industry-leading commercial audio products,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “RIVAGE PM10 will ignite the market for a new era of extraordinary sound, operation, and reliability. Needless to say, RIVAGE PM10 would not be possible without the dedication of the Yamaha Japan R&D team as well as feedback from our customers.”

Under the fundamental philosophy of Yamaha live sound consoles, Hybrid Microphone Preamplifiers have been newly-developed, as has the analog section both in terms of components and overall design, achieving an extraordinarily pure, natural sound. Impeccable models of the Rupert Neve Designs (RND) transformer circuitry and acclaimed SILK processing have been created utilizing Yamaha’s VCM (Virtual Circuitry Modeling) technology. The SILK processing feature even includes selectable “RED” and “BLUE” characteristics, and a continuously variable “TEXTURE” knob that facilitate sonic shaping right at the input stage, adding musical sparkle or power as required. Josh Thomas, general manager of Rupert Neve Designs, had this to say about the collaboration: “We have done a number of listening sessions to compare our hardware to the transformer and Silk Texture emulations that Dr. K of Yamaha Japan and the development team achieved. Rupert and I are both very impressed by how closely the emulations get to the original analog designs. We hope that you all enjoy the rich Rupert Neve sound.”

The channel EQ and dynamics have been significantly upgraded with three newly developed algorithms plus the classic Yamaha “Legacy” algorithm. The new “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. An “Aggressive” algorithm has been designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control while retaining the fundamental character of the source. Two Dynamics stages are provided, each functioning as a gate, compressor, ducker, or de-esser as required. Two compressor types are included: “Legacy Comp” features standard Yamaha digital console compressor characteristics, and “Comp260,” a VCM model of a popular analog comp/limiter from the mid-70s.

A total of 45 plug-ins are available for creative processing, with substantially increased processing power. New and noteworthy are plug-ins created in collaboration with Rupert Neve Designs, TC Electronic, and Eventide.Collaboration with Rupert Neve Designs has resulted in the “Rupert EQ 773,” “Rupert Comp 754,” “Rupert EQ 810,” and “Rupert Comp 830,” all VCM models of Neve designed outboard devices from the 70s and 80s. All four models deliver the gloriously musical vintage outboard sound still favored by many discerning engineers. The alliance with TC Electronic has resulted in the inclusion of two new reverb plug-ins: the “VSS4HD” room simulation reverb that offers a multitude of reflection settings with musical-sounding reverb processing capabilities, and the “NON LIN2” plug-in that can function as an envelope-filtered gate reverb without requiring a trigger.

“I wish to congratulate Yamaha with raising the bar for live console design significantly,” states Thomas Lund, CTO of TC Electronic. By directly integrating the world’s finest EQ, dynamics and reverbs, this mixing system is truly outstanding. Therefore, a big congratulations to the users also.”

Cooperation with Eventide has produced the “H3000-LIVE” harmonizer, an accurate reproduction of the H3000 Ultra Harmonizer algorithm with an interface streamlined for live sound use. “The marriage of classic Eventide effects with the state-of-the-art Yamaha RIVAGE PM10 mixing system is a match made in heaven,” adds Ray Maxwell, Eventide vice president of sales and marketing.

Console operation has been given the utmost attention with the Yamaha-familiar Selected Channel section implemented in full, allowing all parameters of the selected channel to be directly and intuitively controlled. There are also two large LCD touch screens that provide logical continuity with the faders, offering the same operability as the highly regarded Centralogic™ interface in 12-channel groups. In addition to this dual interface hybrid operation style, horseshoe-ring encoder position indicators, refined panel layout, and several other details contribute to significantly improved overall operability.

New features extend the usefulness of the scene memory: “Isolate” enables the engineer to specify entire channel modules including EQ and dynamics libraries, etc., that will be protected from recall operations without altering the Recall Safe settings; significant for situations where scene memory is heavily used. The Overlay Filter can be “overlaid” on a current mix to apply temporary offsets to fader and mix/matrix send levels independently from Scene Recall – valuable in situations that require sudden changes and the ability to easily revert to the original settings.

The CS-R10 control surface and DSP-R10 DSP engine are connected via a dedicated CAT5e ring “Console Network.” The DSP engine connects to the RPio622 I/O racks via the newly developed TWINLANe ring network using multi-mode optical fiber. The fact that both networks use simple ring connections facilitates redundancy and the highest possible reliability. TWINLANe is an original Yamaha protocol that can handle up to 400 96kHz audio channels over distances of up to 300 meters with low latency and redundancy for high reliability. Up to two DSP-R10 DSP engines and eight RPio622 I/O racks can be connected in a single ring.

Connection to a computer for multi-track recording, connectivity to the NUAGE Advanced Production System, Yamaha CL and QL Series Consoles, as well as other external equipment is possible via a Dante network. Dante, designed for simple setup with an extremely wide range of professional audio devices, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

RIVAGE PM10 has an expected delivery during 2015.

For more, expanded information on RIVAGE PM10, please visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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