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Empire PRO To Host QSC, Shure, and Yamaha Commercial Audio Training Day

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LOS ANGELES—On Thursday, December 4th, QSC, Shure, and Yamaha Commercial Audio Systems, Inc., will present a powerful day of live-sound training at Empire PRO, 5675 Mansfield Way, Bell, CA. A professional production of the training will also be streamed live at http://www.mldistrict.com/empirepro, courtesy of DataVideo. Empire PRO is a leading national Pro Audio, Video & Lighting distribution partner.

The training, appropriately titled “Modern Technology For Today’s Production” will cover line arrays, digital consoles, monitors, amps, wireless and digital microphones, and in-ear monitors along with how they optimally work together for applications from small to mid-size production. Presenters will focus on system design, networking, Dante and RF landscape, coordination, and antenna setup as well as best practices, special tools, and tips.

“Our goal is to provide the Pro AV community with support and resources that empower them to grow their business, states Edmond Khanian, VP Sales at Empire PRO. We are more than a great place to get the products you need, when you need them, and at the prices you expect; we are a partner whose top priority is the success of our dealers’ business. We are proud and grateful to have strong relationships with industry leaders like QSC, Shure, and Yamaha Commercial Audio, who share and support our vision.”

Empire PRO continues to prove its commitment to be the most supportive Pro Audio, Video and Lighting wholesale distribution partner for AV Professionals through training and educational opportunities like this.

Presentation Schedule

• 9:40-10am: Introduction
• 10-11:15am: Shure – RF (spectrum update/incentive auction)
• 11:15-12:30pm Shure – RF coordination using Shure gear (highlighting BLX, QLXD, ULXD, AXT600 and WWB6) and how to choose the right antenna
• 12:30-1:30pm QSC – Line Array (specification and deployment) / Amp Technology
• 1:30-2:30pm LUNCH
• 2:30-3:30pm QSC – Touchmix (for production)
• 3:30-4:45pm Yamaha – CL Consoles (who, what, where, when, why and how)
• 4:45-6pm Yamaha – QL Consoles (who, what, where, when, why and how)

Don’t miss this opportunity to develop your Pro Audio knowledge. Space is limited, so RSVP now at http://www.empirepro.com/qsc-yamaha-shuretraining.php, or tune into the live streaming at http://www.mldistrict.com/empirepro. For information on how to become an Empire PRO dealer, call Omer Saar at 213.748.5200 x 112 or via email at omer@empirepro.com.

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About Empire PRO:
Empire PRO is among the largest distributors of Professional Audio, Video and Lighting equipment nationwide and highly regarded worldwide. We take pride in providing our clients with a reliable, supportive and efficient source of optimal full-system solutions by distributing leading audio, video and lighting brands, stocking deep inventory in-house, and being centrally located in the heart of Los Angeles for prompt delivery.

Our goal is to provide you with the most valuable support services and full-system-solutions to help you close deals and provide your clients with an experience that exceeds their expectations. Our Sales Executives are experts in helping you define and design optimal system-solutions for your clients. Our service is personal & professional and we offer full technical and sales support to insure satisfaction.

4K UHD HDMI Switcher with Audio Extraction is Newest Addition to Digital A/V Line of Products

MONTREAL, QUEBEC — MuxLab Inc. is pleased to introduce the newest member if its Digital AV line of products. The HDMI 4×1 Switcher with Audio Extraction allows four HDMI sources to be distributed to one HDMI display. The switcher supports up to 4K (3840 x 2160), 8-bit color and HD audio.

The Switcher was designed to meet the high demand of installs for various commercial and residential AV systems. The extracted audio is available on an S/PDIF Toslink, Coaxial and 3.5mm Stereo Jack. The push button selects between the HDMI inputs, and the unit also features IR Remote Control.

“The new HDMI 4×1 Switcher with Audio Extraction is ideal for various residential and boardroom applications” said Marc Bohbot, MuxLab’s Director of R&D. “With its multiple Audio output formats, it can be used with a variety of audio equipment.”

MuxLab offers its customers a wide-ranging product line-up and strives to maintain its reputation in both high quality and affordability in the Digital and Pro A/V markets.

The Switcher joins the MuxLab Pro Digital family of products which also includes HDBase-T extenders, 4K HDMI splitters, multi-media & HDMI matrix switches, HDMI over IP distribution solutions, and more.

About MuxLab

MuxLab is a leading Canadian manufacturer of A/V, CCTV, and Broadcast equipment including matrices, splitters, switchers, & extenders with a full range of HDBaseT solutions for both residential and commercial environments. At the forefront of innovation, MuxLab continuously releases new products to keep up with the changing and evolving markets.

Join MuxLab on Facebook: https://www.facebook.com/MuxLab
Follow MuxLab on Twitter: @muxlabinc

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For more information;
www.muxlab.com
press@muxlab.com

Visit product page

MuxLab HDMI 4X1 Switcher with Audio Extraction, UHD-4K

MuxLab HDMI 4X1 Switcher with Audio Extraction, UHD-4K

Pixcom Installs Matrox Avio KVM Extenders to Facilitate Workstation Centralization Outside of Production Studios

Matrox fiber-optic KVM extenders provide real-time control while eliminating system background noise and heat in video editing studios

Matrox® Graphics Inc. today announced production company Groupe Pixcom Inc. has successfully installed Matrox Avio F120 fiber-optic KVM extenders, which have been running flawlessly since day one. Pixcom has eliminated system background noise and heat in their video editing studios by centralizing systems in a separate machine room with Avio transmitter/receiver pairs, letting video editors maintain real-time control over high-resolution dual-display desktops and peripherals.

Matrox Avio at Pixcom Studio

Moving into new offices, Pixcom required new fiber-optic KVM extenders to securely centralize high-performance workstations up to 100 meters from their video editing studios. Pixcom chose Avio over competitors for its comprehensive feature set, including zero-latency 10Gbps transmission over a single fiber-optic cable. Ease of integration, supported distance (10 km or 6.2 mi), 4K-readiness, and a compact, rack-mountable design also factored into Pixcom’s decision.

“By meeting all of our extension needs in a single box connected by a single fiber-optic cable, Avio let us reduce clutter in the workspace and cut down on the wiring required,” said Dominic Gagné, a member of Pixcom’s technical services team. “Avio is a robust technology we can rely on… to the point where we can even forget it’s there!”

To read the complete story, visit Pixcom Centralizes Video Editing Workstations with Matrox Avio KVM Extenders.

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

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Emmy Award-Winning Studio Works Mouseless, Keyboardless with Yamaha NUAGE

Jereco Studios and Yamaha NUAGE

BUENA PARK, Calif.—Jereco Studios is located in Bozeman, Montana, a small town located outside of Yellowstone National Park, and home to a unique, dense film and music community. The four-time Emmy® award-winning, commercial sound recording studio offers sync-to-film ADR and voice-over recordings with remote link up via ISDN or SourceConnect. Jereco is equipped for 5.1 and 7.1 Digital Surround Sound, Dolby E, DTS, and many other formats. In addition, the studio provides a full line of quality live sound reinforcement services and equipment rental packages.

Jeremiah Slovarp, producer/engineer and President of Jereco Studios, has been working up until now on a Yamaha 02R96v2. In early 2013, he began searching for a new, modern work surface. “Yamaha Commercial Audio Systems had posted its first NUAGE photos and articles on their web site, and I knew this system was what I was looking for,” states Slovarp. I admit, I miss the old console, but am moving ahead with the new Yamaha NUAGE. The 02R96 still works after almost 14 years, which is a real testament to Yamaha’s design and build quality.”

“In the fall of 2013, the Club Cubase newsletter announced NUAGE would be on display with technical and sales team members from Yamaha present at Poll Sound in Salt Lake, Utah, Slovarp says. It was too late for me to book a flight, so I drove the seven hours from Bozeman to Salt Lake the night before so I could be the first one at Poll Sound the following morning. I was met on demo day by the Poll Sound staff and Yamaha’s Chris Hinson and Randy Weitzel. Because I was early that morning, I had the console to myself for a good two hours while Chris and the Poll Sound staff took turns showing me around and answering questions.”

JeremiahMixingNuage

Before he left Montana, Slovarp packed up a few projects to use as workflow samples on the demo NUAGE at Poll Sound. “I think this was a great experiment and gave me the opportunity to work on the console with my own work and workflow preferences. I was particularly impressed that Chris was taking notes on my hiccups and recommendations, and passed those notes on to the NUAGE development team, some of which have shown up in the latest software updates. The integration of my existing workflow into a new platform that felt so much like my natural workspace in Nuendo really was seamless. The deep integration and control of the DAW on the console is truly complete and unique.”

Slovarp has been using Nuendo 2 since 2002, keeping up with every revision and update. He said the most important thing he appreciates about NUAGE is that it has enabled him to put down the keyboard and mouse. “I feel like I can get back to mixing, pushing faders, turning knobs, and just working on a creative console. After an eight or ten hour day, my hands would be in pain from all the manual movements I had to make being dependent on mouse editing and clicking. With the advent of all the cool and amazing new digital DAW based mixing tools and equipment, I think the industry, in general, has regressed from the art of mixing and working with consoles and large format hardware. But with NUAGE, I appreciate the deliberate move Yamaha has made to enable engineers to get back to mixing and editing as an art form.”

For more information on Jereco Studios, visit www.jerecostudios.com.

For more information on Yamaha NUAGE, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

TNDV Simplifies Fiber Transport With MultiDyne(R) SMPTE-HUT Universal Camera Transceiver

By Dramatically Extending HD Camera Transmission Distances, MultiDyne’s SMPTE-HUT Brings Increased Flexibility, Ease of Use, and Time Savings to TNDV’s Mobile Sports and Entertainment Productions more

Revolabs Shipping Award-Winning FLX UC 500 Conference Phone

The UC Device That Puts the Speaker in Speakerphone Now Available Worldwide

SUDBURY, Mass. — Nov. 5, 2014 — Revolabs(R) today announced that the company is shipping its FLX UC 500 USB conference phone, the award-winning solution that brings high-fidelity sound to everyday computer-based unified communications. Featuring dual speaker elements, four microphones, and integrated echo cancellation, the sleekly designed device sets a new audio standard for unified communication applications in settings such as desktop workspaces and conference rooms. more

NUGEN Audio Releases Version 2 of Visualizer Audio Analysis Suite

Powerful New User Interface and Support for Pro Tools HDX Highlight Latest Release of Industry-Leading Audio Analysis Toolset for Audio Professionals

LEEDS, U.K. — Nov. 4, 2014 — NUGEN Audio today announced the launch of version 2 of Visualizer, the company’s industry-leading audio analysis suite and real-time comparison toolset designed for high-end audio professionals. Ideal for music mixing and mastering as well as audio post-production, Visualizer provides comprehensive audio analysis for recording, mixing, and mastering in a single tool — now available as a plug-in or a stand-alone version. The standardized reference set of professional tools is designed to help audio engineers work faster, avoid mistakes, repeat past successes, and leverage the success of others. With version 2, Visualizer features numerous user interface enhancements in response to customer input, and is now available in a version supporting Avid Pro Tools HDX as well as a stand-alone configuration. more

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Archimedia Releases Next-Generation of Its Master Player and Changes Product Name to Archimedia Atlas

DELRAY BEACH, Fla. — Nov. 4, 2014 — Archimedia Technology, a company whose technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure, today announced that the Archimedia Master Player is now called Archimedia Atlas. The name change reflects the solution’s rapid evolution from a reference player and tool kit for master files to a full-featured player that supports all kinds of video, audio, and caption/subtitle formats — not just masters — with professional scaling tools to handle everything from the smallest Web video to UHD, 4K, and beyond. Atlas represents the newest version of the player, with new features that were not found in the last release. more

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Biamp Systems’ Tesira(R) and Audia(R) Provide Superior Audio Distribution to New Long Beach Courthouse

DSP audio solutions deliver crystal-clear sound across more than 30 courtroom spaces

BEAVERTON, Oregon — Nov. 3, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, has announced that its Tesira(R) digital signal processor (DSP)-based media system and Audia(R) digital audio platform are driving a distributed audio solution for the Governor George Deukmejian Courthouse in Long Beach, California. The recently completed 531,000-square-foot structure replaces the previous outdated courthouse. Among the features in the $347 million state-of-the-art facility is a flawless AV delivery system. more

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Margarita Mix of Santa Monica Adds Fourth Fairlight EVO System

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

Sound Mixer Paul Hurtubise at the Fairlight EVO Audio Production System, Margarita Mix, Santa Monica, CA.

SANTA MONICA, CA (Nov 3, 2014) — Margarita Mix of Santa Monica, a FotoKem company specializing in audio post services for commercials and advertising media, has installed a fourth Fairlight EVO integrated audio production system for their award-winning team of sound designers, mixers and composers. With the upgrade, the facility’s accomplished sound mixers Paul Hurtubise, Jimmy Hite, Nathan Dubin and Jeff Levy are now working on identical audio post platforms in their HD mixing suites.

“The facility was already working extensively on Fairlight, and after careful evaluation and testing, I made the transition,” says Hurtubise, who joined Margarita Mix in late 2012 with over 20 years of experience in commercial audio post.

Having used a number of platforms over the course of his career, Hurtubise notes, “I simply think Fairlight sounds better. It’s less fatiguing on the ears, and I seem to hear things more clearly and definitively.

“The EVO workstation is also very ergonomic and easy to operate,” he adds. “I feel like I’m on a system that’s been developed for humans to work on. EVO’s jogger fits my hand, and its keyboard fits my fingers. I’m running sessions more efficiently because I’m not as focused on all the clicking.”

Hurtubise also points out that the graphic displays are less fatiguing. “It’s much easier for me to be on the Fairlight all day. I noticed immediately that I wasn’t as physically tired at the end of the day. The displays are comfortable to work on, too.”

According to the talented mixing team at Margarita Mix, there are plenty of features to like about the system. They like that the picture has a home in the system, versus floating around the screen. “The picture’s right there when I want it—I love the Pyxis,” Hurtubise says of the dual-channel HD video recorder that is integrated into EVO as standard. “I also like the streaming Pyxis video frames along the bottom of the timeline display, and being able to see the picture frames before and after the playhead. This way, I can see how many frames I have until my next edit.”

When the mixers need to face the voiceover booth with a script in front of them rather than face the EVO surface, they’ve created a macro that puts “Record” on different sides of the controller so that it’s ergonomically easier for them. Fairlight’s one-button record function also helps in VO sessions when the talent starts to speak. “We don’t want to interrupt them; if we press our ‘Record’ macro button, the disk recorder immediately stops one take and goes right into another one in the span of a 1/10th of a second,” Hurtubise explains.

Custom fader sets are another admired attribute of the system. “I’ve never been on a system where I can so easily lay out faders to my liking,” says Hurtubise. “Sometimes I’m knee deep into a session and I really wish I had my beeps next to my mic, right next to my music stem, right next to my sound effects stem, next to the dialog stem next to my headphone send—then I can mute and level them very easily. I can create that quickly with Fairlight.”

There are several features on the Fairlight that the Margarita Mix team hasn’t had available on previous DAWs. “For example, I like the way Fairlight solos tracks: I can solo a set of tracks, un-solo them by holding control and pressing one button, and then re-solo that same set by pressing one button,” Hurtubise reports. “I like being able to memorize zooms. Say I have 128 tracks with 70 music stems and 40 sound effects stems. I can zoom to the music tracks and store it in U1; I can go to the sound effects tracks and store that in U2. If I hear something in the music I just press U1, and instantly I’m looking at the music stems. It is super easy.”

All four Fairlight operators at Margarita Mix use similar console control templates for uniformity. Nathan Dubin has been at Margarita Mix for over a decade recording VO, mixing for television, ADR recording for film and commercial mixing for TV and radio that has earned several industry accolades. Working with clients such as Nissan, Activision, Disney, AT&T, Kaiser Permanente, and UPS, Jimmy Hite has over 30 years of experience in sound mixing for the commercial and advertising industries, and has won numerous awards throughout his career. Paul Hurtubise focuses on commercial mixing as well as ADR and commentary recording. His recent credits include spots for Google, eHarmony, Old Navy, Hyundai, and Toyota, among others. Jeff Levy has been part of the team for 20-plus years, also earning multiple awards for mixing and sound design.

About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications. To learn more about Fairlight please visit www.fairlight.com.au

FairlightUS Inc. is the exclusive North American distributor for Fairlight products. For more information visit: www.fairlightus.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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