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Indonesian Exhibitor Cinemaxx Taps HARMAN’s JBL Loudspeakers and Crown Amplifiers for Cinema Audio Systems

JAKARTA, Indonesia – HARMAN Professional today announced that Indonesian cinema exhibitor Cinemaxx has partnered with HARMAN to equip more than 300 new screens with JBL Professional ScreenArray® loudspeakers, powered by Crown amplifiers, over the next 12 months. In the years ahead, Cinemaxx may outfit up to 1,000 screens throughout Indonesia with JBL and Crown.

Cinemaxx is a new cinema exhibitor that is planning 150 locations across 77 cities. The HARMAN systems at these theaters will feature JBL cinema systems, powered with Crown DCi amplifiers. In addition, up to 100 screens will feature Dolby® Atmos™ cinema audio technology.

“Our goal is to provide the best possible cinema experience to moviegoers in Indonesia,” said Brian Riady, CEO, Cinemaxx. “With HARMAN as our technology partner, we are confident that we will amaze moviegoers throughout Indonesia and keep them coming back to Cinemaxx theaters!”

“Cinemaxx is dedicated to providing its customers with the most cutting-edge and immersive cinema experience available, as evidenced by its commitment to outfit up to 1,000 screens with JBL and Crown,” said Thomas Marcher, Director of Sales, Asia & Pacific, HARMAN Professional.

About Cinemaxx
Cinemaxx is poised to be one of Indonesia’s largest and most preferred motion picture exhibitors with more than 1,000 screens and 150 locations planned across 77 cities. Combining state-of-the-art technology with first-class amenities, Cinemaxx will provide an unparalleled entertainment experience to moviegoers across the nation. MegaMaxx, the giant-screen format of Cinemaxx, is designed to take the Indonesian cinematic experience to the next level by providing moviegoers with an immersive audiovisual experience. Patrons can also experience the epitome of luxury at Cinemaxx Gold, Cinemaxx’s VIP offering, replete with lavish recliner chairs and gourmet F&B offerings served by attendants on call. Cinemaxx is affiliated with the Lippo Group, one of Indonesia’s largest private services providers. For more information, please visit www.cinemaxxtheater.com or send an email to marketing@cinemaxxtheater.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

DiGiCo Delivers the Ultimate Desks for Ultra Music Festival

Beachsound deploys SD5, SD8, SD9 and SD11 consoles for Miami’s huge EDM event

MIAMI — Audio at an EDM festival, how hard can it be? Triple the usual number of subs and have the DJ send left/right to the console, hand him a wireless mic and crank it up. Easy. Right? Wrong. EDM shows require a specific kind of flexibility and complete reliability as evidenced by Miami’s Beachsound, which relies exclusively on DiGiCo consoles for one of the EDM world’s biggest annual events, Ultra Music Festival.

“We are managing a lot of audio,” says Beachsound crew chief Neil Rosenstock who has headed up the company’s audio team at Ultra for five years. “If you are on a show with 96 inputs and you lose a channel, there are still 95 channels of audio to listen to. If you lose a channel on an EDM show, you just lost half of the PA. The productions look cool, but without the music they’re just blinking lights.”

Rock-solid reliability is a must and it is telling that Beachsound has DiGiCo SD5, SD8, SD9 and SD11 desks in its inventory, and during Ultra every console in the shop goes out on the gig.

“For Ultra 2014 we had an SD5 at the Main Stage feeding an SD11 as the production console,” Rosenstock reports. “We have been all-digital from the time the signal hits the SD-Rack for about four years now. Everything from the console to the amps is run AES and the connection from the SD-Rack to the SD5 is all fiber. We are taking S/PDIF outputs from the DJs to feed the PA along with an analog feed as a backup.”

Lorin White was the house mix engineer on the festival’s primary stage this year and his role is a little different at Ultra than on the typical rock gig. “About two-thirds of the acts travel with their own engineer, but that term in EDM can mean a lot of things,” he says. “Some of them are more like a producer. They’ll show up and check out the PA, and during the show may actually be onstage with their client while I mix. Some will stand with me and supervise, and some are hands-on with the faders. For that last group of guys it is crucial that the console offers the ability to have every control they need during the set immediately at hand and not buried in another layer. The DiGiCo desks give us that ability.”

Ultra is one of the biggest EDM events in the world, drawing some 200,000 attendees to Bayfront Park in downtown Miami every spring. In addition to the SD5 and SD11 at the Main Stage this year, Beachsound provided an SD9 on the Radio Stage and an SD8 for one act on the Live Stage.

In addition to ease-of-use and overall sound quality, Beachsound turns to DiGiCo for some very specific needs for Ultra. In particular, the onboard dynamic process as well as the ease of integration with the Waves plug-in architecture.

“DJs have EQ and that can be a challenge,” says Rosenstock. “The DiGiCo EQ and compression allow us to keep an overall consistency in the sound despite every DJ providing us with very different EQ. The onboard dynamics processing is crucial in managing overall volume no matter how hard the act is pushing the inputs. Ultra is shoehorned into a relatively small area for a music festival and we have to keep it down to 106 dB A-weighted, which can be a challenge.”

“What we are doing is really managing the outer edges of the sonic spectrum,” adds White. He points to DiGiCo’s easy integration of multi-band compression plug-ins as a must-have for these gigs. “Some of the DJs have been known to overdrive the inputs and there is the ever-present low-end whose impact has to be maximized without taking us past our SPL limit. But there are also these high-frequency filter sweeps that many DJs incorporate as an effect. Those can get very harsh and brittle sounding through a big PA without some treatment. The ability to access excellent multi-band compression–be it via the onboard dynamics or plug-ins–means we can treat each part of the spectrum separately. We never have to sacrifice in one area to get another part of it right.”

And Beachsound is spreading the DiGiCo gospel to other parts of the EDM world. “Last year, we had an act come in whose engineer was not familiar with DiGiCo and because of an issue with his console he had to use our SD5,” White recalls. “Initially, he was not happy about it, but he seemed to soften up during the actual show. This year, he was back and told me he has been touring with an SD11 ever since last year’s Ultra.”

Beachsound owner Andre Serafini sums it up by adding, “As a rental house we stock several console brands to meet rider requirements. But when the decision is ours, the choice is always DiGiCo. We wouldn’t do a gig like Ultra with anything else.”

About DiGiCo
DiGiCo is a UK-based manufacturer of some of the world’s most popular, successful and groundbreaking digital mixing consoles for the live, theatre, broadcast and post production industries and is exclusively distributed in the U.S. by Group One Ltd. of Farmingdale, New York. For more information, go to: www.DiGiCo.biz

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Phoenix Union High School District Brightens Its Classrooms with Casio’s Lampfree™ Projectors

 

Phoenix Union High School District Brightens Its Classrooms with Casio’s Lampfree™ Projectors

Today, educators are tasked with choosing viable technologies to integrate into the classroom that are not only engaging, but also portable, easy-to-use and, most importantly, cost-effective. With limited budgets, choosing the best technology with the lowest total cost of ownership is paramount.

As part of an overall engagement initiative, the Phoenix Union High School district in Arizona wanted to replace existing and inefficient classroom projectors with a bulb-less, green solution; to do so, the Phoenix Union High School district sought out ImmediaEdu – a company specializing in integrated AV systems and interactive classrooms to improve student achievement and teacher effectiveness – to help find high-quality, low maintenance projectors for ongoing classroom use. With the help of ImmediaEdu, located in Phoenix, AZ, the Phoenix Union High School district installed 1,480 of Casio’s Signature XJ-M250 projectors across all of its campuses, which accounts for 16 schools with more than 27,000 students and nearly 3,000 employees.

ImmediaEdu recommended Casio’s Signature XJ-M250 projectors because they are LampFreeTM and they run on Casio’s state-of-the-art LASER & LED Hybrid Light Source. This means that expensive lamps – which typically cost almost as much as the original projector over the course of one year – do not need to be replaced every few months. With the projectors having an estimated lifespan of 20,000 hours, Phoenix Union schools can run the projectors as often as necessary.

“Only a few manufacturers offered lamp-free LED projectors when we started the Phoenix Union project, but Casio offered the most powerful LampFreeTM light engine for the price range,” said Alexis Cruz-Christensen, Vice President, educational partnerships at ImmediaEdu. “Additionally, with a large zoom range, Casio’s LampFreeTM projectors allowed us to replace a variety of existing projectors with different throw ranges without having to move existing ceiling mounts – making the transition easier for all parties involved.”

“Casio was pleased to have worked with ImmediaEdu on this project,” said Matt Mustachio, general manager of Casio’s Business Projector Division. “We understand that budgets are limited, so it’s very rewarding when working with educators to help them get the best solution based hardware offered today.  Casio has been providing LampFreeTM solutions for educators for several years and will continue to grow our lineup in the education sector, offering solutions is much more satisfying than simply offering product.”

Casio’s Signature XJ-M250 LampFreeTM projectors are DLP™ 3D ready and can display 3D content from a 3D capable computer. Educators can engage students on an entirely new level by bringing challenging lessons and lectures to life with vivid and exciting images that jump off the screen. Educators can also convert and view their own 2D material with the optional 2D-3D conversion software, which will help produce imaginative and relevant visuals and lesson materials. Additionally, the Intelligent Brightness Control features an ECO function which conserves power while illuminating sharp imagery, automatically adjusting the brightness to suit the environmental lighting conditions of any lecture hall and classroom.

Casio’s warranty program offers three years parts and labor coverage and several of the models offer a warranty on the LASER & LED Hybrid Light Source for up to five years or 10,000 hours With Casio’s Extra Value Warranty Program, educators can use the projector for approximately 1,000 hours per school year, which equals 10 years of total operation.

“Overall, Casio’s XJ-M250 projectors operate cooler, use significantly less power than traditional bulb projectors and are bright enough to be used in a fully lit room with the window shades open,” said Don Fournier, Division Manager of Information Technology for Phoenix Union. “With a five year warranty on the light source, the projectors are essentially maintenance-free.”

For additional information on Casio’s portfolio of LampFree projectors, please visit www.CasioLampFree.com.

 

About Casio America, Inc.

Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com.

About Casio LampFreeTM Projectors

Casio’s portfolio of LampFree® projectors combines a laser, a fluorescent element and an LED light to deliver a mercury-free hybrid light source that lasts up to 20,000 hours while sustaining a high brightness and keeping maintenance costs to a minimum.  Casio has four series of LampFreeTM projectors – Slim, Signature, Pro and Short Throw – that are available for home, business, education and commercial applications. For additional information on Casio’s projector series and LampFreeTM technology, please visit: www.CasioLampFree.com.

About ImmediaEdu

ImmediaEdu is a trusted partner to the K-12 Community having worked with more than 200 schools in 60 districts across Arizona in just the last 2 years. Our unique approach of infusing Innovative Classroom Technologies with Integrated Professional Services helps synchronize the efforts of Parents, Students, Teachers and Administrators and drive student achievement.

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REC4BOX OB Factory Shakes Canadian Mobile TV Production Industry with HARMAN’s Studer Vista 1 Mixing Console

MONTREAL, Canada – Balancing the creative demands of production teams with the realities of tight budgets and production timelines, REC4BOX OB Factory specializes in manufacturing fully customized OB trucks. By designing and creating the first OB truck in its region that houses a HARMAN’s Studer Vista 1 mixing console, REC4BOX was able to set new industry standards in terms of versatility, deployment speeds and broadcasting capabilities.

Currently, REC4BOX operates on a contract basis, renting out or selling fully operational OB trucks to networks in Canada and the US. Each system undergoes rigorous testing to ensure that networks are able to start production within an hour of receiving the trailer, with only two onboard technicians. The Vista 1 console is perfect for this application, as it contains all mobile broadcasting tools, eliminating the need for additional racks of gear.

“For sound and television applications, we instantly think of Soundcraft and Studer,” said Jonathan Fortin, engineer at REC4BOX. “For this truck, we needed analog inputs right behind the board, so we went with Studer. We tend to be early adopters of technology, opting for the best solution for our trucks considering the tight budget and schedule.”

The Vista 1 console comes standard with 32 mic/line inputs and 32 analog line outputs as well as broadcast monitoring, talkback, red light control and eight GPIOs. For this particular truck, the REC4BOX team added a stage box with 64 additional inputs, and integrated the console with a complete 5.1 surround sound kit. The truck itself requires 12 analog inputs to operate, while 48 to 64 inputs are activated during a TV show.

Studer consoles provide an advanced, intuitive control surface making them easy to learn and fast to operate. The Vista 1 is unique in its powerful yet compact footprint. Thanks to the Vistonics™ user interface, the Vista 1 is as easy to use as any full size console, thereby decreasing deployment and setup time for mobile broadcasting units.

“The Vista 1 is perfect for our needs, so we ordered another one for the next truck that we’re building,” said Fortin. “It does everything we need and much more, and it has great integration with products from other brands. We love its user-friendly design, making workflow on the Vista 1 a lot easier than on the Yamaha consoles that we have tried. Overall, we are very happy and so are our customers.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

AATNY Chooses Martin Audio For Skylark Lounge

Set 30 stories above New York City’s Garment Center, The Skylark is an elegant cocktail lounge with expansive views of the Hudson River, Empire State Building and Midtown Manhattan.

Billed as an “all-season destination,” Skylark combines a high-style multi-level indoor space with an outdoor roof terrace and offers an extensive bar menu with small plates such as tapas.

Because dancing is also a priority at Skylark, Advanced Audio Technology of New York was brought in to install audio for the lounge.

AATNY’s Jason Ojeda explains that “there is no specifically designed dance floor, which is typical of many lounges. That required an evenly balanced audio system throughout the venue so that no matter where you are, there is complete coverage with no high or low frequency drop offs.”

Consequently, Ojeda and his team designed a system consisting of 14 Martin Audio AQ28’s in a stereo configuration deployed left and right down the lengths of the entire venue. The system also includes eight 2 x15 sub-bass enclosures, BSS signal processing, Tactical Audio amplification and a custom-made DJ booth by AATNY.

Asked about the reaction to the Martin Audio system, Ojeda says, “The client is thrilled with the sound quality. It’s extremely clear and defined with a lot of punch and presence.

“We’ve used Martin Audio AQ28s for many years in at least 15 to 20 venues and they’ve excelled in terms of robust build quality, client satisfaction and audio performance that’s second to none.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

L-ACOUSTICS’ KARA Works the Las Vegas Strip with MGM Resorts

Touring rig covers events at more than a dozen properties for the hotel/casino chain

LAS VEGAS — MGM Resorts International techs see it all. Sound system requests can be for a single lavaliere microphone setup for a business meeting in the morning, a DJ-fueled and bikini-filled pool party at lunch, a prize fight weigh-in with a mariachi band in a ballroom in the afternoon, and then a headline act in an arena in the evening. When the biggest chain of mega resorts in the Entertainment Capital of the World needed a new system that was both versatile and stellar sounding, it turned to L-ACOUSTICS and a system based on the compact KARA line of loudspeakers. more

CI-BUSS Brings Clear Sound to Dixie Regional Medical Center

St. George, UT – April 2014… Consistently voted one of the top 100 hospitals in the US, Intermountain Dixie Regional Medical Center is one of the largest and most progressive health care facilities in the Southern Utah and Nevada region. Its sprawling campus is home to a number of state-of-the-art, high tech laboratory and surgical facilities, staffed by some of the best professionals in the business.

Recently, the hospital installed new CI-BUSS communications systems from Yorba Linda, CA-based Tech Works in several of their Cardiac Catheterization lab facilities. Randy Turek of Dixie’s Cardiology Department explains the challenges of communicating within a sterile facility.

“The doctors inside the clean rooms need to be able to communicate with staff outside the glass, and for quite some time, that communication was via a hanging microphone,” says Turek. “The sound quality was terrible. The rooms themselves are a very boomy, reflective environment, with flat walls, vinyl floors, and plenty of glass, so intelligibility is poor to begin with. Communication basically consisted of a lot of yelling back and forth.”

The CI-BUSS system provided the doctors with the flexibility of using lightweight headsets, desktop or ceiling mounted microphones, with powerful digital signal processing and automatic level control for clean, intelligible, hands-free communication.

“We had tried a number of different solutions, and when we looked around at other facilities to see what they were using, we realized that everyone was having the same issues,” Turek observes. “Everyone was putting together systems with different components from different manufacturers, and the results were never quite as good as they could be. The CI-BUSS system was the first we found that was specifically designed for this purpose. We were able to configure the entire system and choose the components we needed for each application.”

With the CI-BUSS system in place, doctors are now able to communicate to staff in normal conversational tones. That has its own advantages, says Turek. “We found that after we switched to the CI-BUSS, the satisfaction levels in our patient care environment went up. Patients were happy we were no longer yelling back and forth.”

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Tech Works is a US-based manufacturer of high-quality, highly specialized communications systems for the healthcare, security, corrections, and education industries. Based in Yorba Linda, California, Tech Works was founded in 1984 with the goal of creating powerful communications solutions for the most demanding environments. Our products are designed to meet the unique challenges of our customers, in applications where clear communication can be critical.

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Up-And-Coming Swedish Producer/Musician Erik Birkelöf Finds Sweet Sounds In HARMAN’s Lexicon LXP Native Reverb Plug-In Bundle

SALT LAKE CITY, Utah — When you think of world musical centers, places that come to mind are New York, Nashville, London, Detroit, Sweden and…Sweden? From ABBA in the 1970s to Max Martin and his unstoppable string of hits today, the home of Spotify is enjoying a growing influence in pop music. 19-year old Erik Birkelöf is part of the Swedish musical movement – he’s already been playing and recording for more than half his life and is constantly honing his craft, with his most recent acquisition being a Lexicon LXP Native Reverb Plug-In Bundle.

Birkelöf began playing classical guitar about 10 years ago and progressed to playing drums and other instruments. He soon bought his first computer audio interface in order to record himself – “and then I was trapped! I found that I loved recording music as much as playing it.” In addition to his own music he likes to record other musicians. “I’ve done projects from blues to funk to electro to death metal,” he notes. “I like to record all the different styles of music, because each requires different mixing techniques.”

In his pursuit of musical knowledge Birkelöf had heard Lexicon mentioned time and again. “I can’t tell you how many people told me I needed to try a Lexicon reverb, or that they had been using something else and made the switch to Lexicon because it sounded so much better. I didn’t think a reverb plug-in could make that much of a difference – but when I finally got the chance to hear the LXP Native Reverb it was the greatest reverb I’ve ever heard.”

“I’ve used the LXP Native Reverb on some classical guitar tracks, drums, and vocals. On guitar it gives a bigger and more colored sound that really fits well with what I’m trying to create. It also does a great job filling in the gaps with vocals and drums while staying transparent,” added Birkelöf.

For Birkelöf the various effects that the LXP Native Reverb offers has opened up a lot of new possibilities. “I like the Plate as my standard when mixing a track, but now that I have more options I’m using Hall, Chamber, and Room as well. They sit in the mix much nicer then my other reverbs and make the track sound much more put together.”

Sweden is known for its support of music and the arts and Erik Birkelöf’s dream is to attend a school for music production to further his mission to help other young up-and-coming musicians. Currently he manages an initiative that gives four artists a year, under the age of 16, the opportunity to have their music recorded for free. “Obviously it would be great to work with big names, but I know how difficult it is to break into the music industry and I enjoy providing this opportunity to the next generation of musicians. My ultimate dream is to build my own studio and continue to help young artists.”

“Erik is a talented and ambitious young man who is not only working hard to make his dreams a reality, but he is taking the time to help others along the way. We are confident Erik will find Lexicon to be an invaluable tool as his career continues to develop and we look forward to hearing about his future success,” stated Jason Kunz, Market Manager, Portable PA and Recording & Broadcast for HARMAN Signal Processing.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Great Sound Is In the Can At Pepsi Center With HARMAN’s BSS Audio, Crown and JBL Professional

DENVER, Colorado — Known to Denver denizens as “The Can,” the 20,000-plus capacity Pepsi Center is home of the NBA Denver Nuggets, NHL Colorado Avalanche and the National Lacrosse League Colorado Mammoth, and is also host to concerts and special events. The arena opened in 1999 and has been in continuous use since then – including its original sound system. When the Pepsi Center decided to upgrade to a massive new state-of-the-art scoreboard in 2013, management determined it would also be a good time to replace the venue’s audio system from top to bottom.
Colorado Springs, Colorado sound contractor LVW Electronics and Dallas, Texas system designer Wrightson, Johnson, Haddon & Williams, Inc. (WJHW) had installed the original system and were retained to perform the upgrade, using HARMAN BSS Audio, Crown, and JBL components.

LVW CEO Rusty Griffith pointed out, “The fact that both firms had a history with the venue made us the logical choice – we were under a tight timetable on this project and were given seven weeks to complete a job that would usually take over three months.” LVW was given the go-ahead in spring 2013 and Griffith and his crew had to be finished in time for the start of the Pepsi Center’s fall line-up. “We worked day and night all summer long.”

LVW and WJHW chose a JBL loudspeaker system comprised of six columns of 10 JBL VLA901-MF-16 line array loudspeakers, hung around the perimeter of the arena. The VLA901-MF-16 was chosen for its ability to provide high-volume sound reinforcement at throw distances beyond the reach of traditional loudspeaker designs. Each loudspeaker is equipped with dual 15-inch woofers, dual 8-inch cone midrange compression drivers and three 1.5-inch high-frequency compression drivers. In addition, four JBL ASB6128V dual 18-inch subwoofers are hung directly behind the each of the 10 main line arrays. The loudspeakers and subs are powered by 44 Crown I-Tech 4x3500HD amplifiers, plus 11 Crown CTs 2000 amps to drive additional loudspeakers at the back of the arena.

“JBL’s VLA line has been a strong choice for us in arenas for the past few years. The overall sound quality is excellent and they provide higher output and increased intelligibility,” explained Mark Graham, Associate for WJHW. “We paired the VLA loudspeakers with the 4-channel Crown amplifiers, which we chose based on previous successes and the overall strong reliability reputation of the I-Tech HD line.”

The system is networked using four BSS Audio Soundweb London BLU-806 signal processors and six BLU-326 I/O expanders, both Dante-enabled products. Control for the entire Pepsi Center audio system is provided by HARMAN’s HiQnet Audio Architect™ software, a common control platform for all devices from microphone to loudspeaker. “Using Audio Architect was a big deal,” Graham noted, “considering how new the software was at the time we did this installation. It paid off though – it’s a great way to control the system and its audio management capabilities are extensive. The venue’s ownership was very pleased when he saw we had the capability to put everything onto one software platform.”

“This installation turned out to be fantastic in terms of equal coverage to every area of the arena,” said Griffith. “The performance of the VLA loudspeakers and the subwoofers is so consistent that there’s very little seat-to-seat variation. The Pepsi Center project turned out to be one of the best examples of this I have heard.”

In addition to performance, one of the main benefits of choosing HARMAN according to Griffith was the support LVW and WJHW received from the company throughout the project. “We looked at various manufacturers’ solutions. I’ve always liked JBL and the HARMAN product line for its excellent sound quality and solid engineering and the support they provide – especially on this project, given the time crunch we were under – is second to none.”

In addition to its capability as a full stand-alone sound reinforcement system, the new system is designed so it can be used along with a tour sound system for concerts and other events. If a band or a convention comes to town and their rental system doesn’t have enough coverage, they can readily connect to the Pepsi Center system to supplement the audio.

For more information about LVW Electronics, please visit www.lvw.com.

For more information about Wrightson, Johnson, Haddon and Williams, please visit www.wjhw.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, HARMAN Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s Martin Professional Lights Up the Stage for the Arnold Sports Festival 2014

COLUMBUS, Ohio — Having worked with the Arnold Sports Festival as its exclusive provider of lighting and staging systems for over 20 years, Live! Technologies, LLC. recently took the show to a new level with an array of lighting elements from HARMAN’s Martin Professional.

The Live! Technologies team, including Michael Farrell, Business Development and Marketing Executive, and Michael Hesmond, Lighting Programmer, deployed a rig of over 100 Martin lights including 12 Viper Performances, 12 Viper Profiles, six MAC III Performances, 36 MAC Auras, 22 MAC 101s, 12 RUSH MH3 Beams, four Atomic 3000 DMX strobes, 60 EC-10 video panels and one P3-200 Video Processor/Scaler.

The Arnold Sports Festival 2014 took place in Columbus, Ohio in early March, and featured over 800 exhibitors showcasing the latest sports equipment, apparel and nutritional products. The main stage was the center for non-stop entertainment and competitions, featuring premier body building athletes including Zydrunas Savicakas, Dimitar, Michael Burke and of course, Arnold Schwarzenegger.

“Everything worked out extremely well,” Farrell mentioned. “We started months in advance with the set design and did roughly 100 hours of pre-programming for the show. Other than that, the setup took two days and it was straightforward.”

For both Farrell and Hesmond, it was their first time using the P3-200 Controller, RUSH MH3 Beam lights and Viper Performances. “We used all the moving lights for our stage wash and video lighting, all the Auras for backlight and used the Viper fixtures for the front stage lighting,” Farrell stated. “The Viper is a great fixture to use. It’s nice and bright and has a great color temperature.”

“The video aspect was somewhat new to us, but the lighting system was very easy to use, which gave us great confidence that it would perform as we envisioned,” Farrell added. “The RUSH MH3 Beams are really awesome, they are super bright and punch right through everything. We were really impressed! The Vipers have great color temperature as well. We didn’t have to do much correction with the LED’s to get it perfect, it was a nice surprise!”

“The ultimate measure was seeing the audience’s response when the athletes came out and hit the stage,” Farrell explained. “They were rock stars up there with a bunch of raving fans screaming. The lighting rig really sold the power of these athletes and made it worth every dollar the audience paid for tickets. It will be tough to outdo ourselves next year!”

In addition to Martin, Live! Technologies deployed HARMAN’s JBL Professional VRX and PRX loudspeakers along with Crown’s amplifiers. “We appreciate working with Martin and all the HARMAN brands and look forward to next years show being brighter and even more successful than this years,” Farrell summed up. “This rig is so awesome it should be used for everything!”

Live! Technologies is a national supplier of entertainment and event technology that prides itself on planning, producing and staging live events that exceed client expectations. For more information on Live! Technologies, please visit: www.reallivepros.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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