We have launched our new site! The Wire backend has moved to www.svconline.com. Your can log on now with your e xisting credentials. For your reference, posting instructions have been sent to your email. Note: postings made to the old backend will be redirected through Thursday Feb 19th. Please make the switch to www.svconline.com as soon as possible.


If you have questions please email thewire@svconline.com.


Looking forward to seeing you on the new site!

A virtual press conference from Sound & Video Contractor

Archive of the Case Studies Category

3G Productions Teams With Martin Audio MLA At Calibash Festival

Calibash StageCalibash Los Angeles, held recently at the Staples Center, was billed as “the leading urban Latin music festival in the world.”

The SRO concert featured a diverse group of acts including headliner Cuban American rapper Pitbull of “Don’t Stop The Party” fame along with Carlos Vives, Tego Calderon, reggaeton artists Wisin and J Alvarez, Don Omar, Becky G, Maluma, 3BallMTY, ChocQuibTown, Plan B, Farruko and Gente de Zona.

3G Productions of Las Vegas and Los Angeles provided a Martin Audio MLA system for the festivities which included 16 MLA and 2 MLD (downfill) a side for the main hangs; 16 MLA Compacts for side hangs; 8 MLA Compacts for the 270º hang and 28 MLX subs in double stacks––24 across the stage and a pair on each side pointed 90º to the audience. The mixing consoles for FOH included two pairs of Yamaha PM5D’s for the festival and an AVID Venue Profile for headliner Pitbull.
January 24, 2015

“We also used Martin Audio DD12s for the front fills,” points out 3G Systems Engineer Manny Perez. “They were awesome; really smooth, clear and responsive, like the whole system.

“In fact, the whole show went really well and all of the band’s FOH engineers were happy, even ecstatic at some points. It was kind of like playtime for them; they didn’t know what else they could do for their mix, which was a real change of pace.

“They ended up just hanging out, listening to each other’s mix, watching what the other guys were doing. They all really enjoyed the MLA system. They’d all heard about it but many hadn’t mixed on a big PA like that before.”
January 24, 2015

Asked about particular challenges for the event, Manny responds, “Not that much really. It was a regular end stage set up but they sold seating that went all the way around so we ended up using the house PA to supplement the area behind the stage. We’ve been in Staples Center many times, and it gets easier every time we go in there. It was very fluid in terms of the load-in and setup, even when they snapped in the stage before we could set up the subs.”

Concluding, Manny adds, “The MLA rig was great, we had plenty of headroom and there were smiles all round the room. At the level the engineers had it, which was close to 105 or 106dB, they were wondering what else they could do, because instead of struggling at that point, it was perfect. They also loved the sub bass being so powerful and smooth.”
Calibash FOH

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Golf Channel’s News Show Golf Central Stays in Swing with Lectrosonics

Stef_Butler_Golf_LectrosonicsMedium

Los Angeles, CA (January 28, 2015) — As part of the Comcast Programming Group, Golf Channel is the gold standard when it comes to the sport of golf. Shot on location throughout California, including Beverly Hills, Pebble Beach, and San Diego, Golf Channel operates in partnership with the PGA Tour and showcases the biggest and the best of everything related to the sport for the television news show, Golf Central. Capturing the magic of this sport must be done efficiently and without distracting the competitors. That’s precisely why, when it comes to location sound recording, Digital Hybrid Wireless® technology from Lectrosonics plays a central role in the show’s production.

Los Angeles-based Stef Butler serves as the show’s camera operator and high-definition engineer and selects and specifies equipment. With a background that encompasses working on the production teams for the TV shows Wheel of Fortune and The Biography Series on A&E, as well as contract work for NASA/JPL, Butler knows what it takes to capture the activity without holding up production. And he relies on an arsenal of Lectrosonics UM400 beltpack transmitters, SRb5P slot mount ENG receivers, and IFBR1a beltpack IFB receivers.

“For my work with the Golf Channel, I’m using eight UM400s, four SRb5P receivers, plus four of the IFBR1a beltpack IFB receivers,” says Butler. “Much of my work for the Golf Channel show, Golf Central is news related, so it’s fast paced. The Lectrosonics SRb receivers are an essential part of my kit in such an environment. It really makes a tremendous difference having the receivers mounted in the slot inside the camera’s body, as it increases both ease of use and efficiency.”
A matter of vital concern to someone in Butler’s field is the equipment’s ease of use. “The very nature of news gathering is demanding,” says Butler. “Having a wireless system that is intuitive is a tremendous help. I constantly encounter situations where the RF frequencies need to be changed in order to avoid RF interference and optimize sound quality. Lectrosonics equipment makes it very easy to scan for open frequencies and then lock them down with a single button press.”

Sound quality is, of course, central to Butler’s work and, here too, he was very complimentary of Lectrosonics’ Digital Hybrid Wireless® technology. “Lectrosonics’ Digital Hybrid Wireless technology sounds terrific and makes for a strong signal with very low power consumption,” adds Butler. “I experience great range with this equipment and the sound never exhibits any of the sonic artifacts that are common with wireless systems using a compandor.”

Knowing your equipment is reliable is one thing. Equally important is the knowledge that if something happens, the equipment manufacturer offers knowledgeable and responsive support services. In this regard, Butler offered the following, “Lectrosonics is very supportive of its customers. They understand the nature of our business and recognize that, when answers are needed, they’re frequently needed ASAP.”

Before turning his focus to preparation for an upcoming shoot, Butler offered these closing thoughts, “I honestly can’t think of a better wireless system than Lectrosonics. My Lectrosonics gear delivers excellent sound quality, bulletproof reliability, along with great tech support and customer service. I wouldn’t trust my business to any other manufacturer.”

For additional information on the services of Stef Butler, contact him at steffinbutler@gmail.com.

About Lectrosonics
Well respected within the film, broadcast, and theatre technical communities since 1971, Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company’s dedication to quality, customer service, and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico. Visit the company online at www.lectrosonics.com.

Martin Audio MLA’s Excellent First Night Out With The Tenors

Tenors_1 web

Raleigh, NC––Kevin Sucher, FOH engineer for the popular Canadian operatic pop foursome The Tenors, recently had a very successful first experience mixing with Martin Audio’s MLA Compact loudspeaker system.

For two concerts at Raleigh’s Memorial Auditorium, Sucher was able to use a loudspeaker system provided by RMB Audio that consisted of 12 Martin Audio MLA Compact enclosures and 6 DSX subwoofers per side with 4 MLA Mini cabinets for lip fill, all networked via U-NET. Avid Profile consoles were provided for FOH and Monitor.

Asked about mixing with an MLA Compact system, Kevin responds, “It was my first time and it turned out to be a very pleasurable experience. For this tour, we didn’t carry any production with us, including backline, which presents its own challenges when you’re using different equipment from city to city.

“There can be a lot iffy pairings, but when you have the correct rig paired with the right desk some magical things can happen and this was one of those very pleasantly surprising situations. Bottom line, the MLA system blew me away. It was really exceptional. We do many of these shows all around the world and I’ve mixed on a lot of different systems, but this was one of those rare occasions when the responsiveness and the ability to make a small change in the dynamics was amazing. 3dB really felt like 3dB!

“And the frequency response was fantastic, like 800Hz was truly 800Hz. There weren’t any of these situations where you’re trying to borrow or cut frequencies from areas you don’t want to cut, but you have to because your ears are telling you what you’re hearing isn’t correct. Every frequency was exactly where it was supposed to be.”

Kevin feels that mixing The Tenors is particularly challenging because of the complex dynamics presented by having 20 to 30 string players on stage along with a large 30-member choir and a five-piece band. Their music is highly detailed which demands the kind of precise dynamic control provided by MLA Compact.

“I started out as a recording engineer and then became a FOH engineer many years ago so I approach live mixing in a very ‘studio’ kind of way,” Kevin explains. “Staying true to their music and recordings as closely as possible is very important, and when you have a lot of live microphones onstage it’s difficult to keep the dynamics contained.

“Adding to the challenge is the fact that The Tenors’ repertoire ranges from classical crossover all the way through different types of pop music that changes from night to night. As such, the speaker system needs to be very responsive and my approach to mixing them is as if they are a large pop act so I need adequate bottom end, much more than some venues they’re booked into. That wasn’t a problem with the MLA system.”

RMB Audio’s Cooper Cannady guided Kevin through the MLA Compact system’s capabilities, including its ability to avoid directing the energy to certain areas in the venue: “Cooper is very knowledgeable about MLA and he quickly educated me how to use ‘hard avoid’ to duck the ceiling response around the 7dB to 8dB range so we could eliminate unwanted reflections we didn’t want in the performance, which made a noticeable difference. The flexibility to change the direction of the energy is like having extra amenities in a very sexy car. These are really well thought out additions.

“That kind of flexibility also allowed us to control feedback in situations where The Tenors performed in the audience 30 to 40 feet in front of the main hangs, which can be tricky depending on the microphones you’re using.”

Because the Memorial Auditorium is almost as wide as it is long without a true balcony and a second level of seats that begins high up far behind FOH position, the MLA system had to be rigged much closer to the ceiling to provide proper coverage. That said, MLA’s control proved to be “a big help in terms of what was a challenging space in terms of getting real boxy-sounding.

“At this point, I could not at this point think of a better rig than the MLA system for that situation,” Kevin concludes. “I would be eager to hear it again in a more typical space.

“In terms of the sound for all of our shows, it was probably the highlight of the tour. A lot of people walked by after the concert and gave us thumbs up. I’d be very eager to use it again.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Danny Rose wins DIGI Award 2015 for ‘Play Me!’ at Vivid Sydney 2014

dab copy

digi

International recognition of interactive 3D projection mapping first!

Paris, France – Play Me! an interactive 3D projection mapping spectacular created by French multimedia artists, Danny Rose for Vivid Sydney, an 18 day festival of music, light and ideas, has won the Judges Choice Award for Play Me! at the DIGI Awards 2015 in New York City.

The DIGI Awards recognises the service providers who have gone the extra mile to ensure success for their clients, thereby furthering the digital signage industry as a whole. The Judges Choice Award winner impressed the team of experienced judges for its innovative use of technology and mass audience engagement, in a way that went beyond normal ‘digital signage’,” said David Keene, Executive Editor at NewBay Media’s Digital Signage Magazine, and Chairman of the Judges Committee for the DIGI Awards.

Play Me! at Vivid Sydney 2014

Vivid Sydney is an 18-day festival of light, music and ideas – the largest of its kind in the Southern Hemisphere, attracting a record 1.43 million attendees in 2014.

Now in its seventh year, Vivid Sydney is and owned and managed by Destination New South Wales (NSW), the State Government’s tourism and major events agency.

Destination NSW Chief Executive Officer Sandra Chipchase said: “Congratulations to the creative team at Danny Rose on winning this distinguished international award for their compelling Play Me! experience.

“Each year the world’s finest artists are invited to showcase their talents, ideas and creativity at Vivid Sydney. Play Me! delighted many of the record 1.43 million visitors to Vivid Sydney last year and it was one of the most popular exhibits of the festival. We look forward to working with Danny Rose again on future projects,” Ms Chipchase said.

Play Me! from Danny Rose incorporated visual and interactive elements through a series of massive ‘musical sculptures. Each ‘sculpture’ represents a family of musical instruments, which the audience ‘played’ in real-time just using hands and body. The audience member is able to change colour, light shape and sound in front of festival-goers.

High definition projectors provided by video experts, TDC – Technical Direction Company were used to project content onto the façade of Customs House, Sydney.

Play Me! is made possible using powerful 3D real-time software and rendering engine that manages interactivity and high-quality interactive graphics.

A Microsoft® Kinect motion capture system intercepts the body’s movements. Danny Rose has custom created special software that allows for the audience to interact with Play Me! just using a combination of hand and body movements.

“We’re delighted to receive this recognition for our work in creating Play Me! at Vivid Sydney 2014” said Sergio Carrubba, director and designer of Danny Rose, the design team for this project.

Vivid Sydney will be held from 22 May to 8 June 2015. For more information visit www.vividsydney.com.

More information about the awards: http://www.avnetwork.com/digital-signage/0003/2015-digi-award-winners-announced/94324 :)

Video: http://www.dannyrose.fr/Play-Me.html

Some useful links:
Twitter, Facebook & Instagram: dannyroseparis
Linkedin: https://www.linkedin.com/company/danny-rose
Pintrest: http://www.pinterest.com/dannyrose0282/
Vimeo: http://vimeo.com/96812326
Web: www.dannyrose.fr

About Danny Rose

Danny Rose is a multidisciplinary art and design team that specializes in developing unique video and projection content for an unrivalled scope of super-sized audiovisual shows and multimedia immersive experiences, ranging from events, opera, theater, light festivals and more. Danny Rose is led by Sergio Carrubba, creative director and projection designer and Paola Ciucci, art director and projection designer. These are joined by Cédric Péri, 3D designer and motion designer and Lucia Frigola, graphic artist and motion designer along with Emanuele De Raymondi and Marco Messina, composers, music artists and sound designers. The company has over 25 years combined experience in creating compelling and engaging content for audiences across the globe.

To find out more, contact Danny Rose at www.dannyrose.fr

Real-world innovation at the heart of Kramer’s ISE 2015 presence

pressinviteimage

Solutions focus, brand new products, exhibitor hospitality and extensive education line up

At this year’s Integrated Systems Europe 2015 event, Kramer Electronics will exhibit over thirteen real-world solutions and technologies. They will also provide training, education and networking opportunities and make several product introductions on stand 1.F20.

1 Aviv_Ron_Kramer

To demonstrate working solutions in real-life settings, each with a presenter, is the best way to communicate the value – both business and technical – of our extensive product range in numerous vertical markets,” said Aviv Ron, Vice President Business Development and Strategy at Kramer Electronics.

We expect that our stand will outperform everything we have done at previous shows and will position us ahead of the competition in our ability to bring solutions of unparalleled value, innovation, functionality, scale and performance. Visitors to the Kramer stand will be able to see the products in action, test them out, ask questions and plan for future project investments.

Kramer at ISE 2015 VIA 2

Set to draw crowds from many disciplines in the AV and IT worlds, highlights include solutions-based demonstration areas such as Corporate, Education, Banking and Trading, Live Events and Healthcare.

In addition, there will be dedicated areas for Collaboration, Control and Streaming as well as Kramer’s industry-leading portfolio of “Installer Solutions”, including cables, connectivity and surprising Audio innovations.

Showing for the first time in Europe will be the multi-award winning VIA Collage™ and VIA Connect Pro™ true collaboration solutions. On a dedicated booth area, visitors will be able to see first hand how multiple participants can manage and share video, documents or files securely in real time using PC, Mac or mobile devices.

Kramer at ISE 2015 VIA 1

Award winning innovation
Like at previous shows, Kramer will take up the opportunity of the biggest industry tradeshow in Europe to launch new products in many product categories. This will include new scalers, range extenders, various audio products and much more.

inavation

Adding to its tradeshow presence, Kramer is shortlisted for three categories in the InAVation Technology Awards 2015. The VIA Collage is shortlisted in the Collaboration category, K-Touch is shortlisted for Control category and VS-D matrix switcher family is shortlisted in the Video Processing and Distribution category.


Education and training

Reaffirming its commitment to spreading the knowledge about AV technology and solutions, Kramer is set to double its training efforts with ongoing presentations about the benefits of collaboration, which will run at the Kramer stand during all three days of ISE 2015.

Set to be an ISE show highlight, Kramer will host a panel on Future solutions for productive and effective collaboration in the Unified Communications Theatre, on Wednesday, 11 February, Hall 9.A140 between 16:00 – 17:00.

Meanwhile, the company will present at three InfoComm University™ training sessions:

InfoComm Lab: Succeeding with EDID, a hands-on-lab showing how to design HDMI installation correctly presented by Ohad Oman, Product Manager on Tuesday, 10 February at 14:30-16:30 in Room D403.

Streaming AV – A Wave of Opportunities will explore technologies, benefits, implementations and applications. The session will be presented by Erez Dafnai, Product Manager on Tuesday, 10 February between 14:30 to 15:30 in Room D204.

Collaboration in the BYOD Era will be presented by Neta Lempert, VP Digital Business Development on Thursday, 12 February between 14:30 and 15:30 in Room D203.

Commenting on the company’s training offering at ISE 2015, Aviv Ron said: “This year, we are putting an even greater focus on education and training to support our technological innovations in the rapidly changing AV and IT world. For the first time, we are introducing Kramer’s Training On Demand™ that will offer all classes in all popular languages, according to visitors’ demand. ISE is the perfect place for us to do that and it shows the global nature of our presence and support. Training, or rather industry education, is key to our customers’ ability to adopt new technologies and to leverage them when implementing excellent end-users’ solutions.”

For information about all of Kramer Electronics, Sierra Video, Minicom Digital Signage and Kramer Powered by Calibre products please visit www.KramerAV.com.

Some useful links:
Official ISE hashtag: ‪#kramersolutions‬‬‬‬
Twitter: https://twitter.com/kramerelec
Facebook: https://www.facebook.com/kramerelectronics
Pinterest: https://www.pinterest.com/kramerelec/
Instagram: http://instagram.com/kramerelectronicsus
LinkedIn: https://www.linkedin.com/company/895692

About Kramer Electronics:

Since 1981, Kramer Electronics has been a leading player and pioneer in the Pro AV industry. With 26 global offices, supporting and distributing its products in over 100 countries across 6 continents, Kramer offers an extensive and innovative Pro AV solutions portfolio for Corporate, Education, Houses of Worship, Government, Live Events, Health Care, and more.

For over three decades, Kramer has built its reputation on strong personal relationships with its customers and providing the highest level of service and support in the industry.

Kramer has won numerous awards, including the 2013 Pioneer of AV Award at InfoComm in honor of its Founder, President & Chairman, Dr. Joseph Kramer. Kramer’s award winning analog and IP-driven solutions for collaboration, streaming and control are at the forefront of an ever-evolving Pro AV industry. Kramer’s consistent sales growth and expansion into new markets is a testament to the company’s commitment to R&D and reliance on customer feedback.

For more information, visit us at: www.KramerAV.com

Iowa HS Gym Gets Overhaul From J Sound Services With Yamaha CIS

Central HS Yamaha Speakers

Central High School in, Davenport, IA recently received a new audio system, installed by J Sound Services, Inc. (JSS) in Nashville for their Marshall Gymnasium. The 19,500 sq. ft. gym, seating approximately 2,200 in its bleacher area, needed to improve speech articulation and coverage while providing a permanently installed and easy to operate system. To accomplish this, JSS chose Yamaha Commercial Installation Solutions (CIS) products to satisfy the needs of the high school.

“A major complaint to be remedied was that attendees could not understand what was being said during functions in the gymnasium,” states Jason Spence, owner, J Sound Services.

The new system includes 16 Yamaha VXS8 speakers, one Yamaha MTX3 processor, one Yamaha XMV4280 4-channel amplifier, one Yamaha DCP1V-4S wall mount control panel, two Shure BLX4R/SM58 wireless microphones, and
Lowell racks and power.

Spence said that the Yamaha MTX3 processor is managing all of the audio systems’ I/O. It acts as the systems mixer, providing input channel routing and processing such as gain, high-pass filters, EQ, compression, and automatic gain control, as well as output channel/speaker processing for delay, EQ, and limiting. Two channels of wireless microphones and a stereo input from the schools media player feed four of the 8 mic/line inputs of the MTX3. “We are utilizing YDIF digital audio out of the MTX3 to feed the input of the XMV4280 amplifier, Spence says. By doing so, we’ve streamlined our signal path to the amplifier and kept the audio digital, as opposed to using the processor or amplifiers analog I/O.”

“Installing a system that is simple to operate is always an important feature when designing a system that will be operated by non-technical staff, students, and/or volunteers, adds Spence. We provided that simplicity with a Yamaha DCP1V-4S wall mount control panel, so with a touch of a button, the system is on and ready to use. By selecting the appropriate microphone on the wall controller, the microphone’s level is controlled with the volume knob on the wall controller.” MTX processors have three wall mount control panel configurations that provide simple, remote operation of the system, and may also be controlled via free apps available for Android and Apple devices and a WAP.

“Yamaha VXS and VXC speakers have become like our Swiss Army knife of speakers; they are a great sounding, competitively priced speaker, and appropriate for numerous applications, Spence notes. We have installed them with great success in Houses of Worship, golf courses, Universities, High Schools, and currently spec’d to be installed in nightclubs and restaurants this year. It was an obvious choice for Marshall Gymnasium once I determined a distributed system was the right approach for their situation.”

Yamaha’s CIS line of speakers, processors, and amplifiers allowed JSS to design and install a system that solved their client’s sound. “The system exceeded their expectations with an audio system that is simple, reliable, efficient, and flexible for any future additions they may have.”

“The new Yamaha speakers have provided us with the opportunity to hold just about any athletic type of program we want, states Brian Ehlinger, Athletic Director. Before the install, we would hold college signings, awards banquets, and season kickoff nights in the Marshall Gym and no one could understand what was being said. It got to the point where we moved those events to our auditorium instead of our historic gym. Now, with our new system, we can again bring our athletic functions back to the gym. This system allows us a level of intelligibility for speech that is phenomenal. We have already held a function in Marshall with our new system, and our stakeholders are very impressed.

For more information on J Sound Services, Inc. visit www.jss.net.

For more information on Yamaha CIS products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Audinate Announces 5th Annual Dante AV Networking World at ISE 2015

For the fifth consecutive year, Dante’s AV Networking World series of informative presentations and hands-on workshops will be held Monday, 9 February 2015 at the Amsterdam Holiday Inn near the RAI Convention Center.

The free all-day event will feature presentations, training workshops and interactive panel discussions led by industry design consultants, AV installation contractors and IT networking experts. The event will also feature a major interoperability networking demonstration of Dante-enabled products and systems, several of which are debuting at ISE from the industry’s leading audio manufacturers. 25 leading audio equipment manufacturers are co-sponsoring this year’s conference including Ashly Audio, AtteroTech, audio-technica, Bosch, Bose, BSS, Crest Audio, Delec, Focusrite/RedNet, Harman Professional, Lab.gruppen, Lake, Nexo, NTP, Peavey Commercial Audio, Powersoft, PreSonus, Shure, Stewart Audio, Soundcraft, StageTec, Studio Technologies, Symetrix, Tendzone and Yamaha. Media sponsors include AV Magazine and rAVe Europe.

Presentations cover a variety of topics, including:
• A market research report on the state of audio networking
• A case study featuring the Singapore Sports Hub
• Networking 101- Understanding Networking Basics
• Common issues with how AV equipment is controlled
• A detailed look at Dante in the School of Audio Engineering (SAE)
• How Sydney Trains implemented a networked Digital PA
• Milano Congress – A look at Dante in Europe’s largest convention center
• A glimpse into the future of Dante and AV networking

In addition, a hands-on Dante workshop will bring together teams of participants to demonstrate how quickly and creatively a Dante network can be designed. The event will include raffles, giveaways and surprises throughout the day, as well as a sponsored lunch for all attendees and a hosted networking mixer at the end of the day.

Seating is limited, so register now to reserve your seat for this premiere event at ISE.
To register, click here http://bit.ly/avnw-ise1Dante AV networking World

AVNW_Globe_logo5

About Audinate
Audinate revolutionizes AV systems to enable our customers to thrive in a networked world. Audinate’s Dante media networking technology has been adopted by the leading OEM manufacturers and has become the standard and dominant networking technology in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd. All other trademarks are the property of their respective owners.

Primacoustic brings a little Broadway to the business of local government

RDEKLocal governments are taxed with providing services and being accountable to their electorate and one of the fundamental challenges to address is ensuring the electorate’s voice is being heard. The Regional District of East Kootenay, British Columbia has an even greater challenge in that it services several districts and rural areas. The decision was made to create an impressive new meeting space for the use of committees and the public.

The result of this initiative is the RDEK’s new boardroom, an impressive 60 X 90 foot space featuring 17 foot ceilings with a separate gallery area. Local company Rocky Mountain Media won the RFP bid for the AV installation. Owner John Siega was able to secure the contract because his proposal allowed for the integration of the existing audio equipment from the old boardroom, as specified in the RFP. New video equipment had to integrate with an older audio system. Siega explains: “As an overview I installed a retractable main screen, ceiling mounted and vibration isolated projector, two 52″ TV monitors, a distributed sound system for the entire room. The system was divided into two basic control zones (the main boardroom and a gallery area) with two sub zones for the main boardroom area using both ceiling and front loaded JBL speaker systems. The project also included installation of a conference phone system integrated into the sound system. Another key was the integration of lighting and window blind controls all controlled from a Crestron DMPS 3000 controller and operated via a Crestron wireless touch pad.”

IMG_0599 (2)Making use of existing equipment presented a particular challenge for Siega as most of the audio equipment from the old boardroom was not up to standard for the size and functionality of the new space. “The acoustic treatment of the room was key to allowing this to happen. The boardroom consists of 32 mics and 2 zones of speakers that must accommodate phone conference calls, so reducing room echo was a top priority and a must if the room was to meet its functional needs.”Siega’s acoustic treatment plan included product from Primacoustic’s Broadway line of professional grade acoustic panels. “I placed the panels throughout the room to help reduce echo in the large open spaces above the board room floor. The room is mostly hard surfaces, mainly wallboard, glass but with lightly carpeted flooring. The panels were installed to mimic the window layout by using both stock beige fabric wrapped 12X48 and 24X48 panels. They are fixed to the walls with Primacoustic impalers which makes for efficient and easy installation.”

“The most pleasing aspect was that I was able to control the room echo to allow proper function of the room using outdated audio equipment while integrating the acoustic panel install into the lines of the room so it looks like it was part of the original design. The end result is a fully integrated A/V and acoustic treatment job that allows the room to meet all its needs without upgrading the audio system to a digital mix/minus type system. We were able to meet the demands of the RFP to reuse as much of the old audio equipment as possible. The room simply would not be able to function as need be without the acoustic treatment.”

 

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies |

Martin Audio MLA Takes the Stage At KROQ Christmas Show

Photo: Stephen Carr Photography

Photo: Stephen Carr Photography

KROQ’S 25th Annual Almost Acoustic Christmas show settled in at the recently remodeled L.A. Forum this year after leaving its main home at the Gibson Amphitheater, torn down in September of 2013, and briefly occupying the Shrine Auditorium last year.

According to Meegan Holmes, Executive Account and Project Manager at Delicate Productions who has done the show for 17 years, the newly upgraded Forum turned out to be “an awesome experience. The remodel included acoustic treatments that made for a tight dead space. That was already an amazing step in the right direction for any audio vendor,” Meegan added, “because the treatment practically eliminated the cavernous sound of your average sports arena.”

Featuring an eclectic lineup including No Doubt, Smashing Pumpkins, Imagine Dragons, Weezer, Tears for Fears, Modest Mouse, System of A Down, Bush and Incubus among others, Delicate took advantage of the improved acoustics in the Forum with a Martin Audio MLA loudspeaker system.

Photo: Stephen Carr Photography

Photo: Stephen Carr Photography

The actual setup included 14 Martin Audio MLA with 2 MLD (downfill) cabinets a side as the main hangs; 16 MLA Compact per side for side hangs; 9 MLX ground-stacked subs per side, and 6 W8LM cabinets for front fill.

Two identical FOH setups each included an Avid Profile 48-channel console and a DigiCo SD11 console, while the two identical Monitor setups employed an Avid Profile 48 channel console with 10 Martin Audio LE700 monitor wedges (stage) and 2 LE700’s (cue) along with a Martin Audio WS218X drum sub cabinet.

Tears for Fears - Stephen Carr Photography

Tears for Fears – Stephen Carr Photography

Evaluating the show, Meegan concluded, “Since we moved to an arena, KROQ wanted to create a different concert experience for their fans from years past. There was a thrust on the stage that led out to a 16′ by 16′ deck in the middle of the floor, so we used the DSP in the system to steer the energy of the MLA mains away from the thrust, making the engineers’ work less stressful when their artists walked downstage.

“Everyone remarked on the quality of sound, particularly the subs, that we provided at FOH. We received compliments from our competitors that attended the show as well.”

For more about Martin Audio, please click to www.martin-audio.com

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Renewed Vision Drives Interactive Media Exhibit at John C. Maxwell Leadership Center

Velocity Productions integrates interactive video wall, custom iOS app with ProVideoPlayer2 software to maximize playback quality and flexibility

ATLANTA, January 5, 2015 — The John C. Maxwell Leadership Center at 12Stone Church in Atlanta honors the life and impact of John’s global and generational leadership as an internationally recognized leadership speaker, author and pastor. In celebration of his continuing legacy, visitors today enjoy interactive audio-visual presentations of John’s life and achievements across an immersive video wall controllable from several user stations. The engaging video and graphical content is driven exclusively by Renewed Vision’s ProVideoPlayer 2 (PVP2) software, bringing exceptional reliability and quality to a cost-efficient playback infrastructure.

Maxwell Center PVP2 w-iPad Station

RV PVP2 Maxwell Center

Velocity Productions, an Atlanta-based production and systems integration company, was tasked with building out the video wall on a curved wall, using a custom mounting system to cleanly integrate multiple 46-inch Barco monitors in a four-wide, three-tall configuration. The challenging integration project influenced the Velocity Productions team to evaluate technologies on the playback side that would not only deliver reliability and quality, but also bring balance to equipment and labor costs; and maintain operational simplicity moving forward.

“We primarily selected PVP2 for its low cost and ease of use, ensuring long-term value and a quick return on investment,” said Brian Morrison, director of AV integration, Velocity Productions. “It’s affordable, and straightforward operationally. The layouts are appealing, and the playlists are easy to create and manage. Simply put, we wanted something that works well on a daily basis and provides the quality of other high-end playback systems on the market — without the expense. That said, PVP2 is enabling the center to achieve some very interesting applications.”

The PVP2 software resides on a Mac Pro at the core of the operation, delivering two display port signals to a DVI adapter to transport signals to the video wall. With the video wall arranged in a 4×3 configuration, Velocity Productions programmed the PVP2 software to split the wall into two, 2×3 sections, sending each a 1920×1080 image. The video monitors then break up the video signal across all monitors in each 2×3 section. Next to the video wall, visitors can trigger content using a Savant Systems six-button controller to drive the first level of interactivity.

Velocity Productions also developed a custom Savant Systems iOS app to control the video wall content. PVP2 integrates with a Savant Systems controller via the DMX over Artnet protocol to add a second interactive element to the experience for the staff. This allows staff to scroll through and recall any of eight educational videos produced exclusively for the John C. Maxwell Center from an iPad, iPhone or Apple laptop. The eight videos otherwise rotate across the video wall on a continuous basis, all built around John’s leadership reputation with each video dedicated to a specific time in his life.

“PVP2 really gave us the flexibility to align the layouts and content to the screens, which was not easy given the unusual video wall format,” said Morrison. “The software provides a level of adjustability without complexity. While there is a feature that allows us to add layers for a richer output, we’re outputting a simple setup of layers where we’re matching outputs to signals coming and out. But, we could make every single screen unique, and that ability to adjust moving forward is pertinent to its long-term value.

“Beyond that, the interoperability between PVP2 and Savant Systems was key in really taking the experience to a higher level,” added Morrison. “From an integration perspective, it was easy as bridging the two systems together over the network. Visitors to the center benefit the most, using our custom iOS app to watch and listen to presentations across several personal stations. In the future, we anticipate adding 4K content to the video wall, which PVP2 natively supports. We see many interesting opportunities with this installation moving forward.”

About Renewed Vision
Founded in 2000, Renewed Vision’s mission is to offer reliable, purpose-built production software that enables organizations—spanning from churches to corporations—to create dynamic media experiences that enhance worship services, meetings and other special events. For more information on our product lines, including ProPresenter, ProVideoPlayer and ProVideoServer, please visit our website at www.renewedvision.com.

# # #

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

March 2015
M T W T F S S
« Feb    
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication