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Media Group International Appoints New Managing Director For Dubai Office

John Aslett, former Director of Avid Emerging Markets, has joined leading media systems integrator Media Group International as Managing Director of its International operation based in Dubai.

A highly skilled broadcast and technology sales professional with 18 years’ management and board level experience in the Middle East, John is ideally placed to help MGI maximize its recent corporate expansion and drive new business outside of Qatar.

Paul Hennessy, CEO of MGI, says: “John’s strong technical background in broadcast and IT, combined with his regional knowledge and extensive sales experience, makes him a valuable asset for MGI and we are delighted that he is now heading up our Dubai operation.”

As a British Standards Institute ISO 9001 Quality Approved company, MGI is focusing on delivering excellence by introducing a service and support portal that will allow customers to track assets and improve service response times. MGI is also opening a pre-build facility which will give customers the opportunity to experience and comment on their systems in order to enhance workflow. This will be backed by pre-deployment training at MGI’s new Training Academy in Dubai Studio City, where customers can become familiar with new equipment prior to installation.

Hennessy adds that John Aslett’s appointment consolidates MGI’s presence in Dubai. Throughout his career he has worked for some of the best known companies in the broadcast market, including Grass Valley Group, where he rose to the position of Regional Manager for the Middle East and Eastern Europe, Orbit Communications, where he held various roles culminating in Senior Vice President Business Development and Special Projects, and Avid Technology where he spent eight years helping the company develop its business in the Middle East, Africa, Russia and the Indian sub-continent. Under his direction new offices were opened in key territories and substantial sales growth was achieved.

Commenting on his move to MGI, John Aslett says: “I am thrilled to be joining the company at such an exciting point in its development. Business is building fast and there are numerous opportunities in the pipeline. MGI has always put service and support at the heart of its corporate philosophy and I share that vision. I am confident that by focusing on quality and customer service, we can ensure that MGI’s Dubai operation goes from strength to strength.”

Media Group International has over 35 years’ experience of systems integration in the Gulf region and represents many worldwide manufacturers. These include Avid Technology, Quantel, SeaChange, Leitch, Vinten Broadcast Ltd, Telestream, Vizrt and EVS Broadcasting. It also serves TV channels and networks, movie studios and network operators in the region, providing telecommunications, broadcasting, integrated systems and state-of-the-art security.

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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.

GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.

The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.

In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International

Media Group International (MGI) is a proven media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International is ISO 9001:2008 certified, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.

Media Group International recently launched their new website to give customers a better experience online.

www.mgi.tv

Himmelstalundshallen Is Largest Arena In Sweden to Install HARMAN’s Crown DRIVECORE™ Install (DCi) Series Network Amplifiers

NORRKÖPING, Sweden — Himmelstalundshallen is an indoor arena in Norrköping, Sweden that is home to the HC Vita Hasten ice hockey team. The 4,480-seat facility also hosts concerts and other sporting events. The oval-shaped arena opened in 1977 and even then its audio system would hardly be mistaken for state of the art—making it overdue for an upgrade by Sound contractor Micab (www.micab.se) under the direction of installation specialist Mikael Bergvall. The arena is the largest in Sweden to install HARMAN’s Crown DCi Series Network amplifiers.

“In addition to providing clear, intelligible audio we needed to achieve a system that provided equal coverage at every seating area,” said Bergvall. Working with Christer Lidberg and Jan Hedlund at Swedish HARMAN distributor Septon Electronics (www.septon.se), a system was designed based around eight Crown DCi 4|600N and eight DCi 4|300N networkable power amplifiers. The amplifiers are linked together using BSS Audio Soundweb London BLU-101 and BLU-160 devices with BLU-Link. Twenty JBL AM5215 loudspeakers complete the installation.

Bergvall pointed out that the Crown DCi Network amplifiers offer a number of advantages not available from conventional amps. Having both Ethernet and BLU link connectivity enables them to be easily networked over long distances and “using BLU-link to network the audio system is extremely cost effective.” Thanks to their use of energy-efficient DriveCore™ Technology, the Crown DCi Network amplifiers also use less power and take up less space. “All of these factors are major assets in performance, ease of installation and savings on long-term operating cost.”

The DCi Network amplifiers offer networked monitoring and control via HARMAN HiQnet™ Audio Architect system software, and digital audio connectivity using the HARMAN’s proprietary BLU link as well as analog inputs. In addition to the main system, a Crown ComTech DriveCore CT8150 amplifier is used to power the speakers in the spectator’s entrance.

The JBL AM5215 loudspeakers are hung equally spaced around the perimeter of the arena and aimed into the seats, a configuration that directs the output of the loudspeakers to the seating areas while minimizing reflected sound from the walls and ceiling along with any gaps or overlaps in coverage. The 2-way AM5215 employs a 15-inch woofer and a waveguide that can be rotated horizontally or vertically to facilitate installation in a wider variety of applications.

“The system really came together well and more than met the arena manager’s expectations,” said Bergvall. He noted that the support from HARMAN and Septon was “critical” in ensuring that the system’s components all worked together seamlessly and delivered optimum performance. “The quality of the sound in the Himmelstadlundshallen has been completely transformed. Everyone in every seat now enjoys clear, full range reproduction for game announcements, music and audio.” The memory of the previous sound system is now just a fading echo.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Inter-American Development Bank Shares Culture with L-ACOUSTICS

Pershing Technologies specifies KIVA/KILO system at IDB’s Enrique V. Iglesias Conference Center Auditorium

WASHINGTON, D.C. — Headquartered in the heart of the nation’s capitol, Inter-American Development Bank (IDB) is committed to reducing poverty and inequality in Latin America and Caribbean countries by providing much needed loans, grants, technical assistance and research. In 2005, when the organization first opened the IDB Conference Center at 1330 New York Avenue NW in Washington, D.C., its 500-seat Enrique V. Iglesias Auditorium was slated to host films, seminars, lectures, and town hall meetings, so the original PA system was primarily designed to accommodate spoken word and cinema playback.

In 2012, however, the decision was made to better utilize the facility for the presentation of concerts and other cultural events featuring live entertainment by Central and South American artists, musicians, and dancers. more

DiGiCo Takes the Ice for 2014 NHL Winter Classic, Stadium Series and Heritage Classic

Ron Reaves chooses SD10 to mix live musical entertainment in outdoor stadiums for broadcast on NBC networks

NEW YORK, NY — This year, for the first time, the National Hockey League (NHL) programmed four regular season games into outdoor venues in Los Angeles, New York and Chicago, scheduling the 2014 NHL Stadium Series between the previously established NHL Winter Classic and NHL Heritage Classic series of outdoor games. Tasked with mixing the live musical entertainment at the games in all three NHL series for broadcast on the NBC networks, Ron Reaves called on production provider Clair Nashville to supply a DiGiCo SD10 digital audio mixing console with two SD-Racks. more

HARMAN’s BSS Audio, Crown and JBL Professional Provide Acoustic Atmospherics at The Island In Pigeon Forge Entertainment and Retail Center

PIGEON FORGE, Tennessee – The Island at Pigeon Forge is a brand-new entertainment and retail center located in Tennessee’s Smoky Mountains. It’s on an actual island in the Little Pigeon River and offers a wide variety of rides, shopping, restaurants and attractions, with a 132-room hotel to be completed in spring 2014. Providing the audio solution was sound contractor Clair Brothers Audio who installed a system featuring HARMAN’s JBL Professional loudspeakers and Crown amplifiers, all tied together via BSS Audio signal processing components.

Clair Brothers installed the distributed audio system at The Island at Pigeon Forge, which encompasses more than 22 acres. Dustin Goen, Clair Brothers system designer and project manager specified 128 JBL Control 28T-60 loudspeakers for use throughout the facility, indoors and outdoors in the buildings and mounted on light poles. The loudspeakers are powered by a total of 12 Crown CTs Series CTs 2000-LITE, CTs 1000-LITE and CTS 600-LITE amplifiers. Signal processing and distribution is provided by three BSS Audio BLU-800 processors, a BLU-320 I/O expander, a BLU-100 12 x 8 signal processor and three BLU-8v2 wall controllers. The amplifiers are connected to the BSS Audio components via CobraNet, using PIP Programmable Input Processor modules that are installed in the amps.

The Crown amplifiers and BSS Audio components are housed in four distributed audio equipment rooms, all tied together with fiber cable. The tech staff can monitor and control all the amplifiers using a customized page in the HARMAN HiQnet London Architect™ system control and configuration software. Each of the equipment rooms has remote inputs and paging, enabling staffers to distribute inputs across the park or page specific areas.

“Although it covers a large area, we were able to test the entire system in the shop before we brought it to the site and configure and tune everything onsite in two days,” said Goen. “We chose the JBL Control 28T-60 loudspeakers with WeatherMax grilles because of their combination of sound quality, power handling and durability, which is obviously of prime importance in an outdoor installation where they’re also going to be used day in and day out.”

Goen continued, “The BSS Audio BLU devices are my go-to digital signal and networking processors because they offer tremendous flexibility and total reliability. These qualities, along with their ability to connect all the amplifiers on the same network using a single software package made them the obvious choice.”

“We have been pleased with the results from Dustin and his team’s hard work on this project. Everything has been working well thus far, and sound quality we now have throughout the property is excellent,” added Beau Berni, Director of Operations, Pigeon Forge Entertainment and Retail Center.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN Professional Releases JBL HiQnet Performance Manager™ Version 1.7, Adding Support for JBL VTX F Series Loudspeakers

FRANKFURT, Germany – HARMAN Professional today introduced the latest iteration of its comprehensive software for live sound system configuration and control, JBL HiQnet Performance Manager™ version 1.7. New to version 1.7 is support for JBL’s VTX F Series loudspeakers, new circuiting functionality, plus a host of other new capabilities.

JBL HiQnet Performance Manager is a true workflow-based user experience for designing, deploying and controlling any configuration of HiQnet live performance system that offers touring and live sound professionals reduced design time, simplified networking, and an automated interface configuration.

Version 1.7 features new circuiting functionality that allows for automatic mirroring of delay, bandpass gain, circuit level attenuation, and limiter reduction. It also affords the ability for center stacks to mirror their circuit configuration. With the new functionality, circuits for ground stacks on-end are built in an onstage to offstage fashion and HARMAN’s Crown VRACK amplifier channels are now automatically associated with sub bandpasses by using channel 1 of all three amps before associating with channel 2. The functionality also separates the circuits of cardioid subs so non-consecutive circuiting and more economical triplets can be created.

Additionally, online matching now has the option of preserving physical devices addresses and making the virtual device in Performance Manager receive the HiQnet address from the networked device. The update also features substantial changes to ground stack templates: it is now possible to select any number of column or row stacks, while selecting an odd number of ground stacks on-end will create a center stack that circuits inside-to-out within itself.

When in “Amplify Mode” users now have the capability to make associations directly by dragging speaker bandpasses to amplifier channels or vice versa. Version 1.7 also features a new ‘auto’ VRACK wiring mode option within the Array Configuration dialog. This allows Performance Manager to automatically decide the most economical use of VRACKs and can be used instead of the advanced tab for complex scenarios.

“Today’s introduction features improvements that are a direct result of input from our users,” commented Paul Bauman, Associate Director, Tour Sound, JBL Professional. “Version 1.7 further enhances Performance Manager’s ability to simplify complex system configurations and guide professionals and even those with less experience to optimize the performance of JBL tour sound products.”

For more information on JBL HiQnet Performance Manager™ version 1.7, please visit: hiqnet.harmanpro.com/general/performance_manager

Performance Manager is available for purchase via license key on the HiQnet website: hiqnet.harmanpro.com

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Visual Unity Renews Contract with TV Nova

Leading OTT platform and multiscreen solution provider, Visual Unity Global is announcing today the contract renewal of streaming services for TV Nova. TV Nova is the biggest commercial television broadcaster in the Czech Republic, and will continue to use delivery solutions from the leading multiscreen solutions provider Visual Unity, to power VOYO, its live online streaming and Video on Demand service.

Two years ago TV Nova chose Visual Unity to launch their subscription-only service called VOYO. After a comprehensive and lengthy technical evaluation, TV Nova decided to extend their contract for OTT and CDN services until 2016.

Tomas Petru Visual Unity Global’s CEO, says: “We are delighted to continue delivering our award-winning OTT platform for TV Nova, as it further demonstrates our ability to maintain long-term relationships with our clients. Maintaining happy clients and high customer satisfaction is core to our business values.“

“The VOYO video portal offers its subscribers more than 2,000 titles ranging from the latest blockbusters to the Czech classics, including TV Nova’s own productions and series before they are premiered on TV. I am happy about the continued co-operation with Visual Unity, which as a respected expert in its field will continue providing the streaming services to more than 30,000 VOYO users,” says Petr Horák, Head of Diversification.

Gabriel Dusil, Chief Marketing and Corporate Strategy Officer, adds, “We are proud that our OTT platform, vuMedia™ sits at the heart of TV Nova’s VOYO, a leading provider of video on demand in the Czech Republic. By extending the VOYO contract we continue to demonstrate our service excellence in delivering large OTT installations, such as VOYO which includes over 10,000 premium content assets.”

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About Visual Unity Global
Visual Unity Global is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content over the internet. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.
Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMedia™ platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMedia™ is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.
Visual Unity is based in Prague, London, Munich, Nairobi and Los Angeles.
For further information, please visit www.visualunity.com, info@visualunity.com

Tightrope Elevates Instant Replay Capabilities for Georgia Tech Sports

Versatile slo-mo instant replay system instrumental in diversifying content for broadcast and in-venue productions

ST. PAUL, MINNESOTA, March 12, 2014 – The Georgia Tech Yellow Jackets athletic department comprises 17 sports teams competing in the Atlantic Coast Conference (ACC), with a dedicated legion of fans inside and outside the student/alumni community. The university rewarded its men’s and women’s basketball fans with upgraded game production capabilities prior to last season, delivering a vastly improved live sports experience for fans in the arena and watching the ESPN3 broadcasts.

The production upgrades, first centralized in the Hank McGamish Pavilion’s new control room, have since been extended to other venues on campus via fiber connectivity. The result brings the benefits of a modern digital control room, including slo-mo instant replay courtesy of Tightrope Media Systems, to football and volleyball games – with baseball and other sports soon to follow.

Tightrope’s ZEPLAY slo-mo instant replay system was installed alongside a complement of new cameras, switching and signal processing gear designed to simplify technical operations and improve the fan experience. Georgia Tech Director of Video Operations Andy Blanton believes that they have achieved both with the new control room and remote fiber connections, noting ZEPLAY’s significance in both situations.

“The experience of sitting in the venue is very different from the experience of being at home,” said Blanton. “We’re contracted to provide exclusive and balanced content for the ESPN3 broadcasts while using the same equipment and cast of characters for the in-venue productions. We don’t want to show replays of a visiting team player lighting up the court with dunks and three-pointers to fans in the arena. ZEPLAY gives us the flexibility to highlight exciting Yellow Jackets play for the home fans and cover up some of that action to broadcast audiences.”

From an operational perspective, ZEPLAY has delivered an easy and intuitive platform for control room operators to quickly execute replays, tag content and build tailored highlight packages based on targeted audiences. The built-in multiviewer also helps the ZEPLAY operator understand which angles are best suited for the broadcast and the in-venue production.

Perhaps most important to Blanton is the ability to quickly – and natively – archive and export clips, as the team is tasked with sharing content with multiple sources almost immediately following games. Similarly, much of that archived content is seamlessly imported back into the workflow to show recent highlights in subsequent games.

“We have a system in place to send footage straight from ZEPLAY to the conference office, which they distribute to the opponent we played that night,” said Blanton. “We share that same content, including a melt of highlights, with a multitude of recipients including media, our partners and our coach’s show. We simply hit the archive button and export those clips to the different recipients, with no transcoding required. ZEPLAY natively delivers content to three different editing systems in our case: Adobe Premiere, Final Cut Pro and Avid. It’s an enormous time-saver for our staff.”

Blanton adds that he’s been able to train operators to use ZEPLAY “within minutes,” including tagging plays with the right information to further accelerate the post-game archive-and-export process. That simple tagging capability also helps his operators keep track which players are hot, as well other developing trends of a game to create home and visitor highlight packages.

Further down the road, Blanton plans to integrate a Tightrope Carousel digital signage solution into the overall workflow to deliver content to display screens Hank McGamish Pavilion. He cites the cost and flexibility of Tightrope solutions as an overall attraction.

“We expect to incorporate Carousel into future marketing efforts, but the price point and feature sets of both products made the purchases an easy decision,” said Blanton. “We initially had another instant replay system in mind. Our consultant, Anthony James Partners, suggested that with just a little more money we could get a far more robust system in ZEPLAY that performs just as well as the high-end, expensive instant replay solutions. That recommendation, along with positive reviews, really swayed our decision to go with Tightrope.”

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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HARMAN’s JBL Professional to Host Manufacturer’s Forum Seminar on VTX Line Arrays at Prolight + Sound 2014d

FRANKFURT, Germany – At Prolight + Sound 2014, HARMAN’s JBL Professional is hosting a Manufacturer’s Forum seminar on its revolutionary VTX line array system. The seminar will be hosted by Paul Bauman, Associate Director, Tour Sound, JBL Professional, and will take place on Friday, March 14 at 11:00 AM at the Cosmopolitan Lounge in Hall 9.T

At the seminar, aspects of the JBL Professional VTX system will be presented, including transducer technology, system design details, amplification/processing and simulation/control software. New additions to the VTX product family will also be featured, including the VTX F Series and VTX V20/S25.

“Our VTX product lineup continues to grow and as our customer base expands accordingly, Prolight + Sound offers a prime opportunity to make even more potential customers aware of VTX’s sonic superiority, easy rigging and unmatched power,” Bauman said.

All Prolight & Sound attendees are welcome to join the seminar. For more information on JBL Professional VTX line arrays, please visit www.jblpro.com

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Martin Audio OmniLine Upgrade At Most Holy Rosary Church

Brown Sound Equipment Company recently installed a Martin Audio OmniLine array in Syracuse’s historic Most Holy Rosary Church to upgrade the sound system and meet current standards for articulation and clarity.

Part of Most Holy Rosary Parish founded in 1913, the church dates back to the site’s original groundbreaking in 1927 through over 60 years of growth and expansion resulting in today’s remarkable construction that is central to the Catholic community in Syracuse.

Asked about the installation, Brown Sound President Jim Messinger begins by acknowledging that, “Having been in this business for over 45 years, it’s most satisfying when a customer repeats with you as in this installation at Most Holy Rosary Church; and that the technologies we now have at our disposal really do make a tremendous difference in outcomes.

“The Martin Audio OmniLine replaces a huge custom central cluster point source system we designed in 1991. The reverb time was the same then as it is now, approaching 4 seconds. These clusters with large long throw horns were the only ‘tools’ we had at the time to minimize splashing sound all over the place and still throw the energy 135’ to the last pew. Unfortunately, the cluster was large, ugly, black, and a visual distraction in front of that beautiful artwork above the altar. It also was a major challenge to install given the height, 53 feet to the peak of the Church. Everything had to be installed with a system of winches above the dome.”

Messinger recalls the OmniLine solution came down to “a matter of timing. I’d played with the idea of column type line arrays, but the church didn’t want the system to visually intrude on the altar and worship area. After a Martin Audio sales rep recommended OmniLIne, we did a demo at the church with a single module and it sounded very good; even in a big empty space.”

The installation is built around a 16-enclosure OmniLine array so compact, it is barely visible in the dome above the altar. A Mackie DL1608 iPad-controlled mixer replaces a “cumbersome” analog console for the music ministry microphones.

Messinger reports that Martin Audio’s array guide software made “assembly of the modules in this array extremely easy. The mechanics of the assembly are also well thought out and engineered. The coverage also allowed us to eliminate all of the original sidefill delay speakers.”

Summing up, Jim adds, “The bottom line is always comes down to ‘how does it sound?’ I attended a service when the pews were approximately 65% filled. Even after 45 years of listening to results, I was honestly impressed at how good, how articulate, and how natural the Martin Audio OmniLine sounded in this space. I’ve been in the business a long time and frankly I wasn’t expecting to be this impressed.

“The Director of Music mentioned that his choir members are very impressed with the system, they hear everything a lot better because there’s been so much of an improvement in articulation and clarity.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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