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Archive of the Case Studies Category

Simonds Stadium Installs Australia’s First Ever HARMAN BSS Audio Soundweb London BLU-805 AVB System

GEELONG, Australia – Simonds Stadium has become one of the biggest and most successful multi-purpose venues in Australia’s Victoria Region. The Stadium’s third stage of renovation was recently completed with the addition of a new southern grandstand, increasing seating capacity to over 35,000. During the renovation Simonds Stadium was outfitted with a HARMAN BSS Audio Soundweb London BLU-805 AVB system, making it the first venue in Australia to benefit from the extensive audio-video bridging system. Australian-based Total Events Co. performed the installation.

The Soundweb London BLU-805 combines the proven and respected Soundweb London platform with the industry-supported AVB transport. The BLU-805 provides 64 incoming AVB channels and 64 outgoing AVB channels at 48kHz or 32 incoming AVB channels and 32 outgoing AVB channels at 96kHz. The stadium utilizes the HiQnet™ London Architect software for configuration, control and monitoring of the system. The audio is fed from the Soundweb London devices via BLU link to the HARMAN Crown CTS amplifiers in various rack rooms that drive the speaker system.

“The main audio feed is derived from the existing system control which is about 300 meters away from the new racks, so we used AVB to link from that system to the new zone,” explained Bill Busbridge, Managing Director of Total Events Co. “The BLU-805 picked up its feeds nicely. The BLU-805 also controls three function spaces and it certainly made our job a lot easier.”

Total Events Co. also designed, supplied, and installed the PA system for the new grandstand that includes JBL AWC129 and AWC82 all-weather loudspeakers. In addition, JBL Control 25AV speakers cover the walkways and JBL ceiling speakers cover the functions spaces.

“We installed fourteen JBL AWC129 speakers and sixteen JBL AWC82 speakers for the seating bowl and under balcony fills,” remarked Busbridge. “We chose them as they are robust, high powered and totally suitable for the application. They also fitted in well with the architect’s aesthetic requirements.”

Commenting on the simplicity the BSS Audio system offers, Busbridge said, “I’ve been back a couple of times to tweak the system and it is really simple to patch back in and make changes on the fly.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Red TX Captures Stephen Lawrence’s Tribute Concert

Broadcast audio specialists Red TX was at London’s O2 Arena on September 29th, 2013, to capture the broadcast audio for Unity – A Concert For Stephen Lawrence.

Artists including Rita Ora, Beverley Knight and Jessie J were joined by Emeli Sande, Ellie Goulding and Ed Sheeran for the concert, which was held to mark the 20th anniversary of Stephen’s death in southeast London.

Red TX was commissioned to handle the broadcast audio by Paul Dugdale, who was directing the project on behalf of ACME TV. Dugdale previously worked with Red TX during the summer when the company recorded The Rolling Stones in Hyde Park.
For the Unity concert, which was broadcast on BBC 2, Red TX used its main Red 1 outside broadcast vehicle, with engineers Tim Summerhayes and Ollie Nesham at the controls.

“We knew the event was going to be challenging due to a tight schedule and the shear amount of artists and tracks involved,” Paul Dugdale says. “As a director, it’s such a blessing having someone like Tim involved, not only because I know he’s great in those high pressure situations, but that you know the finished product will come out sounding amazing, too.”

Tim Summerhayes adds: “We recorded the concert as live because we had enough time to create snap shots during the sound check. We also had some time the following day to tidy up the audio before delivering it to The Farm where it was dubbed and made ready for broadcast on the evening of Tuesday October 1st. Although there were a large number of artists involved, it was a relatively straightforward project and we were all really pleased with the results.”

The concert was part of the SL20 Campaign, which is celebrating Stephen’s life with a series of awareness-raising events through the year. Funds from the show will go to The Stephen Lawrence Charitable Trust, which aims to create brighter futures for young people from disadvantaged backgrounds.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

LIVE ON THE GREEN CONCERT SERIES MEETS GROWING AUDIENCE NEEDS WITH PIXELFLEX LED VIDEO CURTAINS

Live On The Green, a free six-week concert series in downtown Nashville produced by independent radio station Lightning 100, recently held its fifth successful series of outdoor shows. During this year’s series, PixelFLEX LED video curtain panels took audience visuals to a new level by providing high-quality video and an up-close experience to everyone in the crowd with their lightweight, flexible and brightly illuminated screens.

The Live On The Green series has grown exponentially from year-to-year; this year, the series drew approximately 12,000 attendees per week to performances by 18 artists, including Michael Franti & Spearhead, Matt Nathanson, Local Natives, and Matt & Kim. For the last two weeks of shows, PixelFLEX provided 12 20mm panels to enhance the audience’s visibility of the stage and, more importantly, the performers.

“With the crowd size we experienced this year, it helped to alleviate the issue of people not being able to see the stage,” explained Chris Paxton, event producer for Live On The Green. “Additionally, the added sponsorship activation potential is a huge opportunity for us; being able to run video that our entire audience can see is something we will be able to deliver to our sponsors next year.”

The PixelFLEX panels were set up to the left of the stage to highlight live video streams while the artists were on stage and display a mix of sponsors in between artists. PixelFLEX handled all the set up and activation for the screens, as the Live On The Green production team needed the application to be turnkey within the small timeframe allotted.

“I was very impressed by the simplicity of set up, as well as PixelFLEX’s ability to successfully deliver an activation of this size and scope under a very limited timeframe,” remarked Paxton. “The team got it up and running on time and it went really well.”

With PixelFLEX LED curtains, videos and images can be sent to the screen using any computer with a DVI-D connection. PixelFLEX curtains are available from low resolution (100mm) to high resolution (6mm), allowing users to demonstrate simple effects or elaborate videos. The high caliber visual components of the curtains come with equally impressive customer service assistance and without the need for an extensive budget.

For more information on PixelFLEX and its growing line of lightweight LED video screens, visit www.LEDCurtain.com. Follow PixelFLEX at www.facebook.com/pixelflexusa or @ledcurtain.

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Funky Junk Helps Steve Honest Fulfil A Life Long Ambition

If you were a music professional who already owned a house, a car and even a two studio recording complex, what would be the next item topping your wish list?

For recordist Steve Honest, the owner of Rock of London Studios in Shoreditch, the answer was easy: a vintage Fairchild 670 compressor dating from the late 1950s. Finding one, though, was more difficult – and for that Honest needed the help of specialist audio equipment supplier Funky Junk.

“I’ve always wanted to have my own Fairchild,” Honest says. “When I was younger I was fortunate enough to do sessions at Konk Studios and they had them. One of the engineers put a 670 across the output of the desk as he was making me a cassette to take home and the difference it made to the sound was amazing. It was so wide, open, full, dense and controlled that it seemed as though the Fairchild 670 was using sleight of hand with my ears. From that day on I was hooked.”

Honest is not alone in this sentiment. For studio gear aficionados, the Fairchild 670 is the ultimate compressor. The undisputed king of Tube limiting, it has 20 vacuum tubes and weighs in at 30 kilos, making it both the heaviest and the most expensive compressor in the world. It is also as rare as a hen’s tooth.

“Fairchilds had been on my mind since the late 1980s, but I had other things to buy at the time,” Steve explains. “Then about three years ago I started putting the feelers out in earnest, but although a couple of units came up I wasn’t happy about the source they were coming from. For such a costly purchase I wanted to be sure that I could get proper after sales support if I needed it – and that’s where Funky Junk came in.”

In 2012, Honest learned that Funky Junk Paris was about to take delivery of a Fairchild 660 compressor – a mono version of the much loved 670 – so he snapped it up and put it to work straight away.

“I used it on everything – bass, kick drum, guitars, vocals horns – the lot,” he says. “After a couple of weeks I couldn’t hear what was so special about it anymore, so I stopped using it. Suddenly everything seemed flat and boring, with no tone, density or power, so I plugged it straight back in again. That’s what I mean about Fairchild sleight of hand.”

Although he was delighted with his Fairchild 660, Honest still wanted a 670 and so the search continued. Earlier this year he lost out on a unit in Germany, so he was really delighted when Adam Crowe at Funky Junk London called to say they had one.

“I bought it on the spot,” he says, “and it’s now in Rock of London where it is performing beautifully. With both compressors, Funky Junk had done all the checks and servicing pre delivery, so they were in good working order when they arrived.”

Owning vintage gear does bring its own set of issues, not least the problem of finding spare parts when things need replacing. But Honest says that when he buys from Funky Junk he also gets peace of mind because everything comes with a warranty, and Funky’s technicians are there to help if anything does go wrong.

“I’ve been dealing with Funky Junk for years because they are great people to work with,” he adds. “It doesn’t matter which branch you are talking to – London, Paris or Milan – it’s always a two-way conversation because they listen to what you want, remember what gear you are looking for and alert you if anything of interest comes along. I’d say more than 60% of the gear I use has come via Funky Junk – and that list includes some really lovely vintage pieces such as a 1960 Telefunken U47, a pair of Neumann KM84s, a racked pair of Neve 33135 channel strips and a really punchy Neve 33609 compressor. And, of course, there are Rock of London’s two consoles – a Neve 66 desk, which Funky Junk installed, and an SSL 4000E, which was lovingly restored by Bob Stewart who Funky Junk introduced me to.”

Since starting as a session musician in the mid-1970s, Steve Honest has held many roles within the music recording industry, including that of studio owner. He opened his first studio in Hoxton in 1981 and continues to be involved in studios because he enjoys watching songs take shape and come to life.

“As I have spent the last decade supporting the idea of self-release, I tend to offer my studio and services to artists that want to make their own records and release them themselves,” he explains. “My prices facilitate people who don’t have huge budgets, but who do know you can’t make a big sounding record on your laptop. I do some label work, but supporting the emerging self-releasing artist is what I am about.”

Most recently Honest has been working on two projects with guitar virtuoso Colin Pollock and recording Maddy Carthy, one of a number of artists who are currently keeping Rock of London busy.

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About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.
For more information please visit www.funky-junk.com

DPA Microphones Help Tindersticks’ String Section Combat Spill

UK indie rock band Tindersticks is marking its 21st anniversary with a 12-date European tour that starts in France later this month. Among the key items of equipment at each show will be two DPA d:vote™ 4099 Instrument Microphones, which are being used on the band’s cello and double bass.

Jamie Hickey, Tindersticks monitor engineer since 2008, says he used DPA d:vote 4099 Instrument Microphones over the summer when the band performed seven shows as a taster for the 21st anniversary tour. One of these performances involved a special set at the Blue Balls Festival in Lucern, Switzerland, where the six-piece band was joined by a 17-piece string section.

“The venue had a stock of DPA 4061 Miniature Microphones that it was happy for us to use on the string section, but due to their omni polar pattern I didn’t think they were the best option for a string section that was playing alongside a rock band,” he says. “The supercardioid d:vote 4099 Instrument Microphones were a much better way to go because they could combat the amount of spill from other instruments on stage.

Hickey hired 17 d:vote 4099 Instrument Microphones from Tech-Serv Audio in the UK. These were used to mic five 1st violins, five 2nd violins, four violas and three cellos.

“They performed absolutely brilliantly and I was so impressed that I am now using them to mic Tindersticks’ regular cello and double bass players,” Hickey says. “As far as I am concerned there is no better option for close miking strings. I love their ease of use – if time is limited, which it inevitably is, you can essentially point the mic at the F hole and voilà, it sounds great.”

Hickey adds that DPA’s instrument clips, which he describes as ‘a work of genius’, were also a bonus because they were so easy to attach to the instruments.

“String players are very wary of anyone going within six feet of their instrument – let alone attaching anything to it,” he says. “On this occasion I showed the players the mics we were using and invited them to inspect the clip. The quality and feel of the material used reassured them that there would be no damage to their instrument.”

Tindersticks’ 21st anniversary tour will feature five additional string players who will join the band when they play the London Barbican. For that concert Jamie Hickey will once again be hiring additional mics from Tech-Serv Audio.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

HARMAN’s Martin M6: More Than Just a Lighting Console

AARHUS, Denmark — HARMAN’s Martin Professional M6 is a state-of-the-art lighting console that functions as a highly advanced visual control surface. Designed to control everything from conventional and moving lights to the most advanced media server, the M6 has been designed for today’s demanding multimedia shows and tomorrow’s challenging environments.

Incorporating the latest available technologies with an industrial multi-core processor, solid-state drives and custom-designed high-brightness touch screens, the M6 is capable of delivering up to 64 DMX universes directly from the console’s network ports without using costly external processors.

With advanced features such as a LiveBlender™ T-Bar, FastDial™ rotary encoders, Paired Playback buttons and BriteTouch™ display, the M6 is Martin’s most advanced console design to date. It offers a total of 44 playbacks, including dual Main Go sections, 10 motorized faders and 12 additional faders, as well as 17 encoders for parameter access.

“We’ve designed the M6 based on the mature and well-proven Martin M-Series software platform,” stated Brian Friborg, President, Martin US. “M6 provides users the ultimate control surface for fast programming and extensive playback control all from one console, ensuring ease of use and effective planning and deployment for outstanding performances!”

Martin M6 features:

• 2x Positionable BriteTouch™ widescreens (sunlight readable, multi-touch)
• 2x External DisplayPort touchscreens up to 1920×1080 per output
• 2x FastTouch™ 3.5” touchscreens
• 1x LiveBlender™ split T-Bar with 8x FastBlend™ RGB buttons
• 4x FastTrack™ linear encoders
• 12x FastDial™ rotary encoders
• 1x Dedicated dimmer wheel
• 10x Motorized playbacks with LCD displays and 4 customizable buttons
• 10x PlayPairs™ buttons with LCD displays
• 12x Sub Playback faders and 12x Sub Playback buttons
• 2x Main Go sections
• 12x F-Keys and 5x FastKeys™
• Low profile housing with adaptable module layout
• Show-ready boot up in under a minute
• Up to 64 DMX universes directly from the console network ports

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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First Baptist Church of Trussville Improves Student Engagement with Facility Redesign

Reaching and engaging with a young audience is critical to churches seeking to strengthen their ministry by building a future audience that will join their existing followers. For First Baptist Church of Trussville (Ala.), one of the oldest churches in Alabama – founded nearly 190 years ago – reaching a younger audience involved the introduction of an on-site student facility where children and adolescents can gather to pray, study or socialize. To assist with the development of the student facility, First Baptist presented Elite Multimedia, a professional sound, lighting, and video company based in Memphis (Tenn.), with the difficult task of creating a warm, fun and engaging environment while keeping the church’s tight budget in mind.

Commissioned to assist with the integration of new AVL (audio, video and lighting) equipment in First Baptist’s traditional and contemporary service spaces, Elite Multimedia was also tapped to design the new student facility located atop the church’s preschool facility. Knowing that they soon would be working on the student facility and that budget was a consideration, Elite’s team determined that utilizing the older, but serviceable equipment previously in use in the church’s other service spaces would help First Baptist meet its objectives.

“Prior to Elite Multimedia’s redesign, the student facility was just a loud room with bare walls,” said David Youngstrom, media technology associate at First Baptist Church. “Today, it looks and sounds tremendous. Elite did a fantastic job with taking the speakers and monitors we had in other parts of the church and incorporating them into the new space. It really is a crystal clear system now – it’s got the rich bass with nice highs and distinct tones.”

Having replaced the Renkus-Heinz powered speakers that were housed in First Baptist’s main auditorium, Elite Multimedia repurposed them to serve as the youth sound system. The speakers were supplemented with a new DSP, wiring infrastructure, power sequencing and a new rack, while the old analog soundboard was also relocated to the student facility. In addition, the video wall featured in the church’s lobby was moved to the youth space and reconfigured as part of a new video wall using a

Panasonic projector in the center and eight Planar displays – four on each side – to create one large image across the stage. Moving lights were also preserved and reused along with a new dimming system for theatrical and house lighting.

“It’s a pretty neat space,” Youngstrom continued. “The students now have a warmer and friendlier environment for their Sunday School activities. They also have a place where they can go to meet with friends and peers -where they can plug in their iPad, go over lessons or just play video games. It’s been an amazing transformation and it has had a real positive impact on student engagement with the church. When you get down to it, the room gives us a tool to bring students in to minister to them and that is what we were hoping to achieve. ”

For more information on Elite Multimedia and its notable integration projects, visit www.EliteMultimedia.com. Follow Elite Multimedia at www.facebook.com/elitemultimedia or @elitemultimedia.

Disney and Christie Sign Technology Supply, Support and Services Agreement for Digital Cinema

The Walt Disney Studios has entered into an agreement with Christie® to provide the latest digital cinema technologies and a variety of professional services for The Walt Disney Studios’ production, post-production, screening rooms and premieres. In addition, Christie’s Managed Services will provide Disney’s accomplished engineering team with round-the-clock support for Disney’s digital cinema facilities, supported by Christie’s Network Operations Center (NOC) and Christie’s on-site preventative maintenance services.

Jack Kline Christie President and COO


The two companies will share projection technology ideas and innovations to provide audiences with unparalleled movie-going experiences. Disney will have early access to emerging Christie technologies and provide input into product development, including laser projection, 4K projection, and Christie’s Integrated Media Block.

“Disney continues to push the limits of technology and innovation, and we at Christie are honored that we have this long-term opportunity to bring our considerable technology and service resources to bear to support Disney’s movie business,” said Jack Kline, president and COO, Christie Digital Systems USA Inc.

“Our agreement with Christie assures us of leading-edge projection technology and services for our Motion Pictures and our Studio Lot,” said Jeff Miller, President, Studio Operations, The Walt Disney Studios. “We’re also looking forward to working with Christie to refine and improve projection technologies.”

A combination of 2K and 4K Christie Solaria® Series DLP Cinema® projectors will be delivered to Disney in 2013, beginning with Disney’s worldwide headquarters in Burbank, California.

HARMAN’s Martin LEDs Enhance Customer Experience at Iconic BMW World

MUNICH, Germany — As one of Munich’s most popular attractions, BMW World is a unique and extremely important showcase for the premium automaker. Whether visiting BMW World as a tourist or there to pick up a brand new car, BMW World offers an extra-ordinary brand experience to customers. Today, BMW World features an eye-catching HARMAN Martin color illumination on the outside of the building – a dynamic lighting scheme that has now been extended indoors as a daylight solution.

As one of the world’s great luxury automakers, the atmosphere surrounding presentations of the various car models must be perfect, avoiding both shape and color distortion. Therefore, especially high demands are put on the lighting environment. An extremely even daylight illumination is required – a uniform level of light that must be guaranteed no matter the ambient conditions, time of day or time of year.

“The Martin LED fixtures required the ability to show shape and color in the correct way,” stated Florian Felsch, General Manager, Livebau Solutions. “With this LED solution, we have calibrated 5,600-Calvin- color temperature, which is perfect for product presentation. We’ve also lowered the maintenance cost by 90 percent and the return of investment is only 1.5 years on the lighting setup.”

Martin Professional LED-based Exterior 430 luminaires have been installed and produce optimal results, meeting the highest standards and requirements of luminosity and color rendering at BMW World.

For more, view a video of the BMW World illumination here.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries.

For more information please visit: http://www.martin.com.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Journey Holds Onto That Feeling with HARMAN’s JBL VTX Line Arrays

Photo Credit: Matt Becker

NORTHRIDGE, California – Legendary rock band Journey recently completed a series of concerts with HARMAN’s JBL VTX line arrays, powered by Crown I-Tech HD 12000 amplifiers. The VTX system was deployed for five performances, including two with Rascal Flatts (with a system provided by Sound Image) and other dates in Lake Tahoe, Aspen and San Francisco.

According to Jim Yakabuski, Journey’s front of house engineer, the band has few stipulations when it comes to its sound. “Journey is pretty hands-off for the most part,” Yakabuski said, “although they do ask me to keep the low end off the stage, so I try to keep the subwoofers from folding back onto the stage and keep the stage nice and clean.”

Journey’s latest tour started in June 2012, touring with Clair Global and their I5 loudspeaker system. This summer, Journey didn’t carry PA as there were many festivals and “one-off” shows, enabling Yakabuski to listen to the latest and greatest line array technology on the market. “I have to say that loudspeaker technology has really come a long way the past few years,” he said. “The VTX system was definitely one of the best we used this summer and we had five great shows with it. It wasn’t a problem at all keeping the low end off the stage with VTX.”

“The VTX system has a very nice clean and crisp high end,” Yakabuski added. “The whole midrange to high-end seemed really coherent and held together. There was also plenty of power, so we had no problems there.”
According to Yakabuski, a major advantage of VTX is how good it sounds right out of the box. “We used the JBL HiQnet Performance Manager™ software as well, which allowed us to take the low-end frequency response all the way down in the main V25 loudspeakers,” he said.

All in all, the five shows with the VTX system were a tremendous success. “[Clair System Engineer] David Quigley and I would like to thank [Plus 4 Marketing members] Keith Erickson and Jim Mathews, Alchemy Concert Systems [who provided the audio system in Aspen], as well as [Technical Support Lead, Tour Sound, JBL Professional] George Georgallis. They all put a lot of effort and time into making sure the system was set up properly. It makes it so much easier.”

Follow JBL Professional on Facebook at www.facebook.com/jblprofessional

Follow Crown Audio on Facebook at www.facebook.com/crownbyharman

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

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