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Rob Mailman Finds Supernatural Success in DiGiCo’s SD5

Rob Mailman and his DiGiCo SD5 set up at Las Vegas' House of Blues Mandalay Bay for a Santana concert (photo credit: Linda Evans)

Veteran analog stalwart makes the jump to digital during Santana’s Las Vegas residency at House of Blues Mandalay Bay

LAS VEGAS, NV — Remember the old sound guy adage about knowing what all the knobs and buttons do? As the industry increasingly moves in a digital direction depending more on touch screens than faders and on menus and layers instead of every function being at one’s fingertips, mix engineers like Rob Mailman — who need to move fast and are accustomed to the dedicated control of analog — are searching for digital consoles that offer ease-of-navigation as well as outstanding sound quality. And like Mailman, who has now officially made the move to a DiGiCo SD5, those engineers are increasingly turning to DiGiCo citing the “analog-ness” of the SD interface. more

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DiGiCo’s SD5 Wins at Super Bowl XLVIII

Twin FOH and monitor consoles deployed for Halftime Entertainment Extravaganza featuring Bruno Mars and Red Hot Chili Peppers

ATK Audiotek's DiGiCo SD5 console used to mix FOH for Super Bowl XLVIII's halftime performance by Bruno Mars and Red Hot Chili Peppers (photo: Dave Rat)

EAST RUTHERFORD, New Jersey — For the 82,529 fans that braved forecasts of cold, snowy weather predicted for Super Bowl XLVIII on February 2, Bruno Mars and the Red Hot Chili Peppers delivered an enthusiastic show that was long on great musicianship and killer showmanship. And making sure that show also sounded great were a pair of DiGiCo SD5 digital audio consoles used for both front-of-house and monitor mixes. more

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Funky Junk Takes On UK Distribution For Pearl Microphones

Funky Junk, Europe’s leading supplier of new and refurbished professional recording equipment and services, has added Pearl Microphones to its distribution roster.

“Having used and loved Pearl Microphones for more than 20 years, I was delighted when the opportunity arose to represent the brand in the UK,” says Funky Junk’s founder Mark Thompson. “These microphones have an exceptional pedigree and history. They deliver great results, particularly on acoustics instruments, and they are built to last. It’s no surprise to me that vintage Pearl Microphones are as much in demand as new ones.”

Pearl’s Chairman, Sven Olof Andersson, says: “We are extremely happy to be working with Mark Thompson and his crew of dedicated professionals in the UK. Pearl goes a long way back in Britain and we will now continue to grow there with an exciting line-up of products and new developments.”

Founded in 1941, Pearl is renowned for its award-winning rectangular membrane technology, which is used for natural and transparent recording all over the world. All Pearl microphones are crafted in Sweden.

Today Pearl is owned by Bernt Malmqvist and a group of private investors who have brought a new business savvy to the company and a renewed passion for the use of Pearl microphone technology.

-ends-

About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.

For more information please visit www.proaudioeurope.com

Washington Family Ranch Extends Campus Reach with Barix IP Paging

Outreach ministry informs guests and staff with clarity and consistency across multiple zones

ZURICH, SWITZERLAND, February 26, 2014 — The Washington Family Ranch in rural central Oregon had a problem last summer: With 400 youth guests per week, the Young Life-owned ministry camp’s expensive, network-based paging system was failing. Receivers were transmitting live pages in a staggered manner, creating unintelligible messages — along with guest confusion and complaints.

Based on the suggestion of audio engineer/integrator Alan Stricklin, Washington Family Ranch installed a multipoint Barix IP Paging system this off-season. The system is fully tested and ready for the upcoming 13-week season, and delivering punch and clarity at all playout points thanks to low latency and exceptional audio quality.

“Our previous system was billed as Hi-Fi, but it was very hard to understand the messages with the various amps and receivers responding at different times,” said Andrew Pratt, guest services manager at Washington Family Ranch. “This past year we just turned the amps off, which left us exposed on the liability side. We were limited in how to alert our guests if something were to happen.”

Enter Barix courtesy of Stricklin, who also uses Barix solutions at Minnesota Public Radio. The complete solution gives Pratt and his staff a compact, easy-to-use master paging station in the main office that connects over the network to playout points in high-traffic locations. Pages are streamed live to Barix IP audio decoders at these locations, which prepare and deliver the messages over loudspeakers.

The result is clear messages for guests and staff in four dormitories, the main activity center, campus store, snack bar, dining hall, kitchen and main reception building. Pratt notes this is especially important in the event of a dangerous weather or a security situation, given the camp’s rural location.

“The intelligibility is exceptional and all our speakers are firing at the same time,” said Pratt. “We’re confident that wherever guests are standing that they will clearly hear the announcements, instead of trying to translate the messages.”

In addition to quality, Pratt cites low cost and simplicity as major benefits of the Barix IP Paging solution.

“This operates like a set it and forget it system, and I’m excited that it requires minimal management,” said Pratt. “We believe it will be the kind of system where we train people to use it at the beginning of the summer, and that’s it. The low cost of the system makes it seem as though we will absolutely get our money’s worth.”

The complete Barix IP Paging solution installed at Washington Family Ranch includes an Annuncicom PS1 master paging station, and Barix Exstreamer 205 IP audio decoders at playout points — the latter of which include built-in amplifiers to reduce costs and infrastructure. Looking forward, Pratt expects to take advantage of Barix scalability by adding more playout points via additional Exstreamers, and exploring multicast delivery — a Barix specialty — to minimize network bandwidth.

Barix: We Move Audio (www.barix.com)
Barix supplies simple and reliable solutions and components to systems integrators and end users worldwide. We move high-quality audio across IP networks, adding value to customer solutions for more than a decade with hundreds of thousands of devices installed worldwide. Background music distribution with dynamic advertising insertion for retail shops, bars and hotels; public address solutions for schools and public spaces; and intercom and entry systems for facility surveillance, protection and security are among the many applications of Barix solutions. Barix also supports OEM projects for a number of Global 500 listed companies serving many industries worldwide.

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Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Phone: +41 43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN – (866) 815-0866

http://www.barix.com

http://www.ip-audio.info

Delicate and Martin Audio MLA Team Up For Maroon Five

Las Vegas, NV––For the second year in a row, Delicate Productions supported Maroon Five with a Martin Audio MLA system for two celebratory New Year’s Eve shows at the Mandalay Bay Event Center.

The Event Center, a modern 12,000-seat venue, “is fortunately one of the better sounding casino rooms,” according to Jim Ebdon, FOH Engineer for Maroon Five.

“In these venues it’s all about the coverage,” Jim explains, “and what’s great about the MLA system is that it covers so well. It’s a smaller box and very versatile. We work with Delicate a lot and I trust them, so I leave it up to (President of Delicate Productions) Jason Alt and FOH Tech Makoto Araki to set up.

“They do a great job shooting the room, making the analysis and figuring out how many boxes they’re going to need and how the side hangs should be configured depending on the amount of tickets we’ve sold. Maroon Five usually sell out these shows, so the hangs tend to go right round the sides of the stage in a 270 configuration. And with MLA, we’re able to control the sound well to avoid reflections.”

The setup for these shows consisted of 11 Martin Audio MLA, one MLD (downfill) and 12 MLA Compact enclosures per side with 12 MLX subwoofers, plus 6 W8LMD and four WT2s for side fills. In addition to Alt and Araki, the Delicate crew included Craig Robinson (Monitor Tech) and Russ Cunningham (Stage Tech).

Asked how the system sounded, Ebdon said, “MLA is a very flat system, it doesn’t color the sound in any way, which is great. And I find it to be very accurate as well; the high frequencies are smooth and extremely easy to listen to. Going down the frequency range, there’s a very seamless transition into the subwoofer. With many systems, you hear the main flown PA and then the sub, it sounds like two separate sound sources. Not with MLA. It’s a real full-range sound system.

“We travel a lot and I’m lucky enough to plug into all kinds of sound systems these days. When it comes to MLA, I don’t even need to get into what kind of drivers or amps Martin Audio uses because it sounds good, and that’s all that matters.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Stagesound Event Technology Deploys HARMAN’s AKG Microphones For Pollmann 125th Anniversary Celebration

VIENNA, Austria – Austria-based company Pollmann recently invited over 800 guests to celebrate its 125th year anniversary at an event in the Sports Hall in Waidhofen a.d. Thaya in Austria. The company is well-known around the globe for its development and production of electro-mechanical components for the automotive industry. The anniversary celebrated the company’s rich and successful history in illustrious fashion that required an elaborate sound system capable of withstanding a rigorous evening full of grand presentations. Austrian rental company, Stagesound Event Technology, developed a sound system consisting of HARMAN’s AKG microphones to ensure high-quality sound for all speeches and commendations given during the celebration.

Faced with numerous acoustical challenges in the 200 x 270-foot space, which was not structurally or acoustically designed for a large PA system, Stagesound used two AKG GN30 gooseneck microphones with CK31 high-performance condenser microphone capsules for each speaker. Stagesound system engineer Markus Kouba and audio engineer Andreas Mühlmann wanted to make the system as user-friendly as possible.

”Although the majority of speakers were professional presenters, the event also featured several untrained speakers,” commented Kouba. “For these inexperienced speakers we wanted to make the system as easy to use as possible while still providing a clear sound to the audience. The AKG microphones more than met that requirement.”

In addition, Stagesound developed a system for the live band that included two C414 B-ULS condenser microphones on drum overheads and several D112 microphones for the kick drum and bass amplifiers. Stagesound also deployed four C518 M miniature clamp-on microphones on the toms and snares for the drums.

“The AKG microphones impressed with clear sound and simple handling,” stated Kouba. “We are very satisfied with the performance, and with AKG in general for all of our events around Austria. It is important as a rental company to have equipment that will withstand the unique technical riders for each event, as well as the transportation and wear and tear during each project.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

GatorVision Enhances University of Florida In-Venue Sports Production with Tightrope ZEPLAY

Slo-mo instant replay system offers school a robust feature set, reliable performance and affordable price point for upgraded control room

ST. PAUL, MINNESOTA, February 24, 2014GatorVision is the University of Florida athletic department’s broadcast and production initiative, handling live and on-demand event streaming and in-venue, game day coverage as part of its operation. The recently-built control room, located in the College of Journalism and Communications building on campus, houses a full complement of cutting-edge production gear suited to both outside broadcasts and in-venue content.

For in-venue productions, Tightrope Media Systems is helping the GatorVision production team score points with fans at football, basketball, volleyball and gymnastic events. The control room includes two of its ZEPLAY slo-mo instant replay systems to inject added excitement into game day action via multi-angle replays, on-the-fly highlight packages and more.

Brad Noblitt, director of engineering for University of Florida’s College of Journalism and Communications, states ease of use and flexibility as two reasons for choosing ZEPLAY over competitive solutions. Noblitt has assigned a seasoned operator of a well-known instant replay brand to operate the primary system. That operator simultaneously trains students to run the second ZEPLAY.

“The learning curve on ZEPLAY is not nearly as steep as competing products,” said Noblitt. “We have a lot of student involvement at GatorVision, being part of the College of Journalism and Communications. Our primary operator teaches students how to use ZEPLAY keystroke by keystroke. Within an hour, the student can really understand the concept of the workflow.”

Noblitt also feels that ZEPLAY offers the best price to feature set ratio of slo-mo instant replay systems available.

“This gives us a true four-by-four system,” said Noblitt, referring to its four input and four output configuration. “ZEPLAY offers a lot of flexibility based on the project size and budget. We rely heavily on the system for the fan experience, and I am astounded by how quickly we can produce multiple replays. We can fire off a replay even as our opponent heads back down the basketball court. It is the meat and potatoes of our system.”

The GatorVision team further benefits from a built-in multiviewer that provides operators with a clear visual tool to monitor the various camera angles. According to Noblitt, the ZEPLAYS never stop recording, which compel camera operators to keep shooting. This ultimately creates exceptional value in terms of replay content.

Noblitt adds that the latest software release has simplified how his team can edit, trim and build packages for game highlights. Additionally, the GatorVision team creates “melts” after every game for later use, with direct playout to our XDCam disc or as an exported .mov file(s). This highlights the open, non-proprietary nature of ZEPLAY.

These features combined add even more to the educational experience for College of Journalism and Communications students interested in learning the system.

“We can easily set up a simulated game by taking our four camera feeds from the previous game, and using one of our ZEPLAY units to playback the game through our switcher,” he said. “This helps us teach our students how to direct, how to TD and how to do replays offline. If there is a problem we can hit stop, discuss what went wrong, back up a few plays and try it a different way. We built that functionality into GatorVision because it is a teaching facility. ZEPLAY offers a teaching tool to get students up to speed with true hands-on experience.”

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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HARMAN Professional Delivers Superior Sound to Arbor Brewing Company India

BANGALORE, India – The craft beer and micro-brewing industry is a worldwide sensation that in recent years has found its way to Bangalore, the pub capital of India. The Arbor Brewing Company (ABC), a local brewpub and eatery in Ann Arbor, Michigan, is the inspiration for one of Bangalore’s largest and most popular brewpubs: ABC India. With the recent increase in pub-goers, ABC India’s sound system was in need of an upgrade to cover the multiple zones throughout its 12,000 square feet and support its future expansion plans. HARMAN Professional’s Application Engineering team specified a system consisting of HARMAN’s BSS Audio signal processing, JBL loudspeakers, and Crown amplifiers.

The HARMAN team carried out the entire design process, testing and commissioning of the project while India based System Integrator, Sigma Byte handled the installation which includes a BSS Audio Soundweb London BLU-100 networkable signal processor with two BOB2’s for sixteen additional audio channels to create four stereo zones throughout the venue (outdoor area, tap room, bar and lounge, dining and cellar). A single BSS BLU-8v2 programmable zone controller was integrated in the AV Control room to control each of the four zones.

“As the crowd sizes increased, the existing system could not produce adequate SPL with intelligibility needed throughout the pub,” commented Sunil Karanjikar, Application Manager, HARMAN India. “Due to the crowd noise level and size of the venue, the pub was split into controllable zones. The zones were created with the help of the BSS BLU-100 and BOB2’s while a BLU 8v2 was installed to control the volume and source of each zone.”

The outdoor area was fitted with JBL Control 23 indoor/outdoor loudspeakers backed by SB-2 dual coil wall-mounted subwoofers and powered by a Crown XLi 3500 dual-channel amplifier. JBL Control 25AV loudspeakers cover the tap room, and are supplemented with SB-2 subs. HARMAN’s Application Engineering team designed the tap room zone with a Crown XLi 3500 amp and Soundcraft EPM6 audio mixing console for signal monitoring and the added ability to use the tap room for private dinners or parties with its own music source.

In the bar and lounge zone, the front system consists of JBL PRX615M powered loudspeakers, AC15 compact loudspeakers for center fill, as well as VRX918SP powered subwoofers. In addition, Sigma Byte deployed C29AV-1 loudspeakers and Control SB210 subwoofers powered by Crown XTi 6002 and 2002 amplifiers. The dining and cellar areas were outfitted with Control 25AV and C29AV-1 loudspeakers with Control SB-2 and Control SB210 subwoofers powered by an XTi 6002 amplifier.

“The system we had in place was unable to effectively cover the areas we needed it to,” commented Gaurav Sikka, CEO of Arbor Brewing Company India. “With the new HARMAN system customers are afforded the luxury of crystal-clear sound while still enjoying conversation with their friends and family. It’s truly a luxury because rarely do pubs have the ability to offer great conversation and great sound at the same time.”

“Arbor Brewing Company India’s management team requested a high-quality, high-performance system and we are proud to help further their endeavor in India,” commented Prashant Govindan, Director, India Operations HARMAN Professional. “An installation of this size consisting entirely of HARMAN components is a testament to our commitment to offering full-service solutions for the needs of any venue.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

North St. Paul Community Center Offers Even More with Hitachi Projectors

North St. Paul, Minnesota, February 21, 2014 – The North St. Paul Community Center in Minnesota, which features a gymnasium, running track, and public library, can certainly be described as multi-purpose. But it’s the community center’s Fireside Room that, through a recent installation of Hitachi projectors, demonstrates the community center’s flexible use of media.

The Fireside Room accommodates 100 guests for any kind of meal, function or gathering. Divided by a center accordion wall that can be left open or closed to form two separate rooms, John Rudie of Provision Media Inc., was tasked with finding a solution that would maximize the versatile space’s entertainment potential.

“They wanted as big of a display screen as possible,” said Mr. Rudie. “But the folding wall presented the real challenge. We ended up installing two separate Hitachi CP-X5021N projectors firing from opposite walls that can be used to project the same image if the need arises.”

The Hitachi CP-X5021N 3LCD projectors feature XGA 1024 x 768 resolution and offer 5,000 ANSI lumens brightness.

“The Fireside Room had one west-facing wall nearly covered in windows,” said Mr. Rudie. “Knowing that these projectors will see a lot of use in the evening, the 5,000 ANSI lumens brightness was enough to counteract all that ambient light.”

The CP-X5021N projectors are regulated by Kramer control panels that make operation simple and intuitive for staff and guests alike.

“So much goes into every installation these days that it’s easy to forget about the core components,” said Mr. Rudie. “Hitachi projectors are the core component of every one of our installations. We’ve never been more satisfied with a projector and based on our feedback, neither have our customers.”

For more information on ProVision visit http://www.provision-media.com/

For more information on Hitachi projectors visit www.hitachi-america.us/projectors

Follow Hitachi on Facebook

About Hitachi
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For more information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 326,000 employees worldwide. The company’s consolidated revenues for fiscal 2012 (ended March 31, 2013) totaled 9,041 billion yen ($96.1 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional material & components, automotive systems and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com/.

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HARMAN’s JBL Professional LSR6300 Series Studio Monitors and VERTEC® Line Arrays Support the Music Industry’s Best at the 56th Annual GRAMMY® Awards

Photo Caption (Left to Right): Hank Neuberger, GRAMMY Awards Telecast Sound Supervisor; Bryan Bradley, Vice President, General Manager, JBL Professional; Michael Abbott, GRAMMY Awards Audio Director

LOS ANGELES, California – HARMAN’s JBL loudspeakers were once again put to use at Sunday’s 56th Annual GRAMMY® Awards, with JBL VERTEC® line arrays comprising the live sound reinforcement system at the STAPLES Center and a JBL LSR6300 Series 5.1 surround sound studio monitor system used in the Television Committee Room.

The annual GRAMMY Awards telecast, known as Music’s Biggest Night®, is presented by The Recording Academy® to honor outstanding achievements in the production and performance of recorded music. The GRAMMY Awards were broadcast live in HDTV and 5.1 surround sound on the CBS Television Network. More 28.5 million viewers watched this year’s Awards telecast.
This year’s Awards were hosted by LL Cool J and featured performances by Paul McCartney and Ringo Starr, Madonna, Beyonce, Jay-Z, Bruno Mars, Katy Perry and more. Macklemore and Ryan Lewis earned Best New Artist, Lorde won Song of the Year for “Royals,” while Daft Punk won Album of the Year for Get Lucky, plus two other GRAMMY Awards.

In addition, HARMAN’s Lexicon earned a Technical GRAMMY Award, which is presented to individuals and companies that have made contributions of outstanding technical significance to the recording field.

ATK Audiotek provided the main PA system for the Awards ceremony, which featured four arrays each containing 12 VERTEC VT4889 fullsize line array elements, plus two arrays of six VT4880A fullsize arrayable subwoofers each. An additional 12 VRX932 Constant Curvature loudspeakers were used for front fill.

The STAPLES Center also features a permanent JBL VERTEC line array system, which ATK Audiotek also utilized. The STAPLES Center system features eight arrays each containing between 11 and 13 JBL VT4889DP-DA powered line array elements, plus two fill clusters each containing four VT4889DP-DA elements, which are specially positioned to cover the end seating areas. The system also features four subwoofer arrays, each containing six VT4880A fullsize arrayable subwoofers.

In the Television Committee Room, Michael Abbott, Audio Director for the GRAMMY Awards, along with Recording Academy executives, relied on five JBL LSR6328P studio monitors and two LSR6312SP subwoofers to listen to the mix of the show in real time. “Attention to detail is always essential for the GRAMMY telecasts, and this year’s Awards were no different,” Abbott said. “Thanks to the LSR6300’s accuracy and RMC Technology, we were able to hear every nuance of the performances, and the 6300’s gave us exactly what we needed.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

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