A virtual press conference from Sound & Video Contractor

Archive of the Case Studies Category

The Music Producers Guild Holds Its Second Scottish Speakeasy

Following on from the success of its regular Speakeasy networking evenings in London and the East Midlands, the Music Producers Guild is now extending the initiative to Scotland where a Caledonian MPG Speakeasy was held to tie in with goNorth.

MPG Executive Directors and producers Mick Glossop and Andrew Hunt hosted the event, which was held at McPhabb’s bar in Charing Cross, Glasgow, and was organised by Caroline Cooper and Stewart Henderson of the Scottish Music Industry Association (SMIA).

“Andrew and I were in Scotland, having once again taken part in the annual goNorth conference and festival in Inverness,” Mick Glossop says. “We held a Speakeasy after last year’s goNorth and it was such a success that we decided to hold another this year. It was the perfect way to end our trip and we welcomed the opportunity to reconnect with producers we had met in the past and forge stronger links with other recording professionals north of the border. We hope that there will be many more opportunities in the future.”

This year’s goNorth attracted over 100 leading industry players from the fields of music, screen, broadcast and gaming. The conference included daytime panels and workshops, and provided showcasing opportunities for artists and bands from all over Europe.

Mick Glossop and Andrew Hunt were there to promote the value of music production to artists, musicians, producers, recording engineers, record company executives, publishers and managers. They took part in a lively discussion panel entitled Meet The Producers, which was moderated by Mick Glossop and featured contributions from producers Tony Doogan, Simon Gogerly, Gilles Perring and Scottish recording artist, Roddy Hart.

“There is a strong, vibrant and incredibly enthusiastic music industry in Scotland, supported by several organisations, including the SMIA, Creative Scotland and Highlands and Islands Enterprises, with which the MPG now has strong links,” says Andrew Hunt. “The sense of community in Scottish music is markedly apparent – something that you don’t often witness in London, which is a real shame.”

Glossop adds: “MPG will continue to develop the links we have established in Scotland, and make every attempt to create further opportunities to promote the MPG and the value of music production, north of the border.”

-ends-

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

The Music Producers Guild Criticizes YouTube

London, UK: The Music Producers Guild is lending its support to Independent record labels as they battle YouTube for a better deal for continued access to YouTube’s online video platform.

In a statement issued today, the MPG board says:

“With regards to the recent dispute between YouTube and independent labels and the unfavourable terms which YouTube seeks, without negotiation, to impose upon independent record labels, the Music Producers Guild is deeply concerned about Google’s apparent abuse of its monopoly and associated market power and the adverse effect this will have on the wider industry and funds available for innovative and creative content production in the future.

“Independent record producers everywhere, in common with recording artists, rely upon the income from sales and streaming of music files, the production of which they have been responsible, often with little or no credit (itself ironic in this digital age). Attempts by international media conglomerates to throttle negotiation and impose unfavourable and unjust terms upon independent record companies, whom they perceive to be “small fry” and thus “fair game”, should be opposed at every opportunity.”

For more information on this subject and the MPG’s response to it, please visit
www.mpg.org.uk

About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers.

HARMAN’s Martin Professional MAC Quantum Wash & MAC Quantum Profile Redefine Lighting Expectations

LAS VEGAS, Nevada — HARMAN’s Martin Professional today introduced the MAC Quantum Wash and MAC Quantum Profile, the latest solution to provide brighter and more compact LED lights.

The MAC Quantum Wash features tight beams, beautiful wash fields, a market-leading color palette and uniform mixing that combines to accommodate the most demanding applications with brightness and perfection. Combining an impressive 750-watt of RGBW LED power with Martin’s market-leading optical system ensures Quantum’s 1:5 zoom operates with maximum output and superior performance.

“By combining the lens shift possibilities first seen in the MAC Viper Quadray with the MAC Aura’s ground-breaking optical system, MAC Quantum Wash sets new standards for light and color morphing effects from a wash light,” says Markus Klüsener, Product Manager for Stage Lighting, Martin Professional. “Putting together the new beam twister, patented Aura effect and wash capabilities of Quantum sets new standards for what is possible with effects in a wash light.”

The MAC Quantum Profile is a fully featured LED profile that sets new standards for combined performance, weight and size, and represents the latest in LED technology which in combination with Martin’s proprietary optical design delivers a crisp and bright output.

Any concerns about lamp aging, shifts in color temperatures, green color points, misaligned lamps and declining output are eliminated, as consistent LED technology guarantees that the last show on the tour looks as good as the first. The MAC Quantum Profile is the first real alternative to a 700 watt HID fixture, with super high-speed movements and effects for a flat field, crisp image and high contrast.

With its compact form factor, easy handling, high-speed movements, low noise cooling and rugged construction, the MAC Quantum Series does not compromise on any aspect lighting designers expect from a wash light. Designed for demanding applications, the MAC Quantum will be the new workhorse in a professional lighting rig.

Martin’s combination of technologies animates expressive projection and aerial looks. The synthetic look of LED lights is removed from Quantum and the organic, analogue effect puts a beautiful “face” on the product, looking great in person or on camera.

“Throughout the development of the MAC Quantum, it was important for us to ensure it would be both the brightest and best LED wash light in the category. Therefore, I was extremely pleased to see our R&D team working to animate the fixture and deliver beautiful and subtle looks without compromising the core part of the product,” continued Klüsener, “We’ve had a fantastic market response and are already receiving an impressive number of order inquiries for the MAC Quantum.”

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

First Baptist Church Uses Versatile Hitachi Projectors For Environmental Ambiance and Mood-Setting

Las Vegas Nevada, June 18, 2014 – Jeff Mize, Minister of Music for First Baptist Church in Allen, Texas, discovered Hitachi projectors after being introduced to environmental projection in late 2013. Once he realized how environmental projections can add to the dynamism of worship services, the church purchased three Hitachi CP-X8170 projectors to be installed in the 1,400-person-capacity sanctuary.

“First Baptist Church hadn’t upgraded its video equipment since it was built in 2001 and was in need of some improvements,” said Mr. Mize. “The environmental projections provide a way to not only modernize our services but also set the appropriate tone through colorful backgrounds, gradient fills, texture surfaces and sometimes customized themes based on the subject of the sermon.”

With the help of Camron Ware of Visual Worshiper, who assisted in the design, training and implementation of the system, the projectors were mounted and installed on the front edge of the balcony of the church, allowing for floor-to-ceiling coverage at the front of the church.

Along with its practical price point, the Hitachi CP-X8170 projector was recommended to Mr. Mize based on its sharpness and clarity. Mr. Mize stated that the church has found more than just environmental projection uses for the projectors, which have been installed since December 2013.

“We were able to project a backdrop of modern day as well as biblical cityscapes and landscapes for a Christmas production without having to build sets,” said Mr. Mize. “The projectors have proven very simple to use and versatile—we’ve projected words on the walls for special effect and emphasis and our youth ministry has used the projectors for interacting with Twitter.”

All three Hitachi CP-X8170 projectors are networked to an upstairs control booth that is integrated with other technology regulators in the church.

Mr. Mize rented the projectors in early December 2013 in order to expose the church members to and gauge their acceptance of the new technology.

“We used the projectors for a particularly wide range of services and productions in December and just as we hoped, no one was ready to give them up after that,” said Mr. Mize.

The Hitachi CP-X8170 3LCD projector features 7,000 ANSI lumens brightness, and an aspect ratio of 4:3 (XGA).

For more information on First Baptist Church, visit http://www.fbcallen.org/

For more information on Visual Worshipper, visit www.visualworshiper.com

For more information on Hitachi projectors visit www.hitachi-america.us/projectors

Follow Hitachi on Facebook

About Hitachi
Hitachi America, Ltd., headquartered in Tarrytown, New York, a subsidiary of Hitachi, Ltd., and its subsidiary companies offer a broad range of electronics, power and industrial equipment and services, automotive products and consumer electronics with operations throughout the Americas. For more information, visit www.hitachi-america.us. For more information on other Hitachi Group companies in the United States, please visit www.hitachi.us.

About Hitachi, Ltd.
Hitachi, Ltd. (TSE: 6501), headquartered in Tokyo, Japan, delivers innovations that answer society’s challenges with our talented team and proven experience in global markets. The company’s consolidated revenues for fiscal 2013 (ended March 31, 2014) totaled 9,616 billion yen ($93.4 billion). Hitachi is focusing more than ever on the Social Innovation Business, which includes infrastructure systems, information & telecommunication systems, power systems, construction machinery, high functional materials & components, automotive systems, health care and others. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

Avolites Lights Up The Strip at South Point Hotel and Casino

Joey Juliano creates a visual mix on the Avolites Sapphire Touch for South Point's showroom

LAS VEGAS — If there’s a word that characterizes Las Vegas, it’s “spectacle,” something that South Point Hotel and Casino on the south end of The Strip has in spades, especially now that the property has recently added three Avolites products to illuminate its live entertainment offerings.

On weekends, South Point hosts national artists ranging from Tower of Power to Tony Orlando, in addition to a wide variety of regional acts. With its 4,600-seat arena and 400-seat showroom, plus convention hall, the resort’s crews are lighting acts six or seven days a week – often with multiple shows on the same day and going into the wee hours for nightclub bands.

For South Point’s production team, the investment in Avolites’ Sapphire Touch lighting control console for the showroom, Tiger Touch II for the convention facility and original Tiger Touch for a portable rig that does arena and pool shows was a “no-brainer,” according to Jason Lein, the casino’s production manager.

When asked about what specific factors helped the venue choose Avolites products, Lein responds succinctly: “Powerful consoles for a fraction of the price of their competitors with the same capabilities if not more power.”

The desks were sold and installed by Kelly Koster at Blue Planet Lighting Inc., founded in 2008, a leading provider of entertainment stage lighting gear and services with offices located in Hollister, Missouri and Las Vegas, Nevada.

South Point's Jason Lein (left) and Joey Juliano stand behind Avolites' flagship product

The gear’s flexibility and ease of use are major selling points for Joey Juliano, South Point’s entertainment lead LD, who cites the “awesomeness” of Avolites’ Cue Stacking for South Point’s big production shows and the consoles’ general plug-and-play operation. “The first time the audience sees our shows is the first time I see the show. With an ‘Avo’ I can make the show look like I’ve seen it a million times.”

Juliano learned stage lighting from Group One Limited’s (Avolites’ US distributor) Brad White on an Avolites Diamond III console eight years ago. “I have been lucky enough to be able to progress my lighting designs with each new Avolites console that is produced without having to take any more classes. They have kept their language the same through all their upgrades in their consoles, which is very smart.”

Two Avolites console functions that Juliano finds integral to his job in achieving his lighting design goals are Fixture Overlap and Fixture Exchange. “The Pixel Mapper is so addicting and super powerful as well,” he says. The coolest new function that I use literally all the time is being able to steal any aspect of a previous show and drop it into my current show, like cues, palettes, shapes, etc. The consoles also handle our media server in a plug-and-play manner.”

South Point’s Jason Lein notes that equipment features are important, but so is servicing from whom sold it, and he doesn’t take for granted the casino’s relationship with Blue Planet Lighting.

“When we decide on a product to purchase, the support that is behind it is just as important as the product and its capabilities,” he says. “Kelly Koster at Blue Planet and Brad White at Group One have shown that Avolites has a perfect balance of great products with the right support systems behind them.”

South Point Hotel and Casino can be found online at www.southpointcasino.com, while Blue Planet Lighting’s home on the Web is located at www.blueplanetlighting.com.

About Group One Ltd.
Group One Ltd. is a U.S. importer and distributor for a number of professional audio and lighting manufacturers. The company’s audio division currently distributes Blue Sky powered nearfield monitors, DiGiCo digital mixing consoles, MC2 high quality innovative amplifiers, and XTA digital signal processing equipment. The lighting division currently distributes Avolites lighting control consoles, ElektraLite controllers and intelligent lighting, and Pulsar LED lighting.

# # #

Contact:
Avolites U.S. / Group One Ltd.
70 Sea Lane, Farmingdale, NY 11735
Tel: 516.249.1399 / Fax: 516.249.8870
Email: sales@g1limited.com
Web: www.g1limited.com / www.avolites.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, Large Venue, News |

PRG Calls K2 Into Active Duty for National Memorial Day Concert

PRG's initial deployment for K2 was at the 25th annual National Memorial Day Concert on the West Lawn of the U.S. Capitol (photo credits: Alan Henig)

Two complete L-ACOUSTICS rigs purchased, one immediately deployed at 25th annual event on the U.S. Capitol’s West Lawn

WASHINGTON, D.C. — Leading entertainment and event production services provider Production Resource Group (PRG) has officially begun upgrading to L-ACOUSTICS’ new K2 platform with the purchase of two complete line source array systems. Delivered in mid-May, the sale comprised a total of 48 K2 enclosures and 24 LA8 amplified controllers.

PRG’s inaugural K2 deployment came almost immediately – two dozen enclosures were put into active duty for the 25th annual National Memorial Day Concert, attended by countless spectators on the West Lawn of the U.S. Capitol in Washington, D.C. on May 26. This year’s event, hosted by actors Joe Mantegna and Gary Sinise, featured an all-star lineup of performers, including the National Symphony Orchestra, Jennifer Nettles, Megan Hilty, the U.S. Army Chorus and Air Force Singing Sergeants.

One of the L-ACOUSTICS K2 arrays

Having supported this annual holiday event for over two decades now, PRG’s new K2 rig replaces the call for V-DOSC used in years past. “PRG has been anxiously waiting for the arrival of the L-ACOUSTICS K2 system and it went right to work at the Capitol for Memorial Day,” says Randy Hutson, GM of PRG Chicago and vice president of PRG Audio. “We’ve been looking for a speaker system that is versatile yet meets the needs of our most demanding clients and L-ACOUSTICS has delivered with the K2. It is a high-powered, full-range speaker that weighs less, has a small footprint, offers excellent audience coverage with superb audio qualities and can easily support multiple markets, from music concerts to corporate events.”

“The K2 gives us more reach into large-scale venues, such as arenas and stadiums, but does so at significantly reduced weight without sacrificing power,” says Mark Boettcher, project manager at the Memorial Day event and a senior engineer at PRG. “At the same time, its lighter weight means it can go into venues like ballrooms and expo centers that have a lower-load rigging capacity.

“Also, the K2 enclosures have the same width as the L-ACOUSTICS K1, so it has complete rigging compatibility with K1 and K1-SB enclosures. That allows us to use K2 for downfill on K1 arrays. And all of that has significant economic implications, making the K2 extremely cost-effective. There’s just so much in the way of flexibility with the system.”

At the National Memorial Day Concert on the U.S. Capitol’s massive West Lawn, the K2 rig was configured in left and right hangs of 12 enclosures each. These were flown from towers, also used for fixed and moving lighting fixtures, positioned 105 feet downstage of the stage deck. Eight SB28 subs deployed in an end-fire array configuration provided the low-end reinforcement, while 16 coaxial 12XT wedges served as stage monitors. Thirteen LA-RAK touring racks, each loaded with three LA8 amplified controllers, furnished power and processing for the entire system.

In addition to the K2s, the project also used a total of 24 ARCS II systems – two hangs of five each for the invited-guest main stage, two more hangs of five for the reverse satellite stage, and two hangs of two each flanking the K2 arrays for wide horizontal coverage. Twenty-four dV-DOSC speakers, in four stacks of six enclosures each coupled with a single SB28 sub, provided delay while two more stacks of four dV-DOSC were used as guest area fills positioned on a tower on either side of the stage, also used for lighting fixtures and video screens.

With K2′s new PANFLEX variable horizontal coverage technology, the familiar challenge of surface reflections was easily overcome. “The stage was playing directly into the face of the Capitol building, which is flanked by stairs on either side, but centered on a large, ornate glass window – beautiful, certainly, but nothing we wanted to purposefully fire acoustic energy against,” notes Chris “Sully” Sullivan, L-ACOUSTICS’ east coast application engineer. “To solve the problem, we viewed the obstacle in SOUNDVISION, predicted which elements in the K2 array were going to hit it, then simply shifted the K2′s pattern asymmetrically for just those loudspeakers in the middle of the array. We reduced the reflected energy in excess of 6dB, and that was just the direct reflected energy! Combine that benefit with the reduction or elimination of the myriad of tangential off-time tertiary reflections and that becomes a massive win for the whole audience.”

PRG employees with a few of their new K2 enclosures

In terms of overall performance, the K2s were troupers. “What I can tell you is that the K2 system went up very quickly thanks to its lighter weight – much faster than the comparable V-DOSC system it was replacing – and the same goes for taking it down,” says Boettcher, who worked on the event with Alan Henig, co-systems engineer. “And the rig sounded extremely transparent. There tends to be a natural fall off of the high frequencies by the time the sound hits the Capitol steps, but the K2 had extended frequency response past 10 kHz that far out, so the sound was exquisite.”

This year’s Memorial Day concert also saw another first. Previously, the show’s FOH had been mixed using a total of three consoles – a Yamaha PM5D, PM1D and an LS9/32, all connected with multiple copper-cable snakes. This year, PRG ran the entire show on just a pair of DiGiCo SD7 consoles, with six DiGiCo SD-I/O racks and an SD-Mini I/O rack, connected by two fiber-optic cables, with the FOH mix handled by Patrick Baltzell. “This really unified operations at the site and, combined with the much lighter K2 system, gave us the same amount of punch in a smaller and more efficient footprint.”

The same system will be deployed for the July 4th concert event in the same location. “The K2 will set the benchmark going forward as its predecessor V-DOSC did when it was released years ago,” Hutson declares. “Along with K1, this gives L-ACOUSTICS the leading edge in line arrays and we at PRG are very excited to add K2 to our extensive inventory of L-ACOUSTICS products. They listened to our needs and have delivered an innovative product that will perform for years to come.”

For more details on the 2014 National Memorial Day Concert, which was broadcast live via the Public Broadcasting Service (PBS) and American Forces Network, visit www.pbs.org/national-memorial-day-concert.

About Production Resource Group
Production Resource Group (PRG) is the world’s leading provider of entertainment and event technology and production services to a wide range of markets, including corporate events, concerts, special events, theatre, television, film and installations, such as theme parks, museums, retail stores and performing arts centers. PRG provides integrated services and equipment, including audio, video, lighting, rigging, staging, and scenery and automation systems, for these markets from more than 40 offices in North and South America, Europe, Asia and Australia. For more info on PRG, visit www.prg.com.

About L-ACOUSTICS
L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Pivitec Personal Mixing System on tour with Dirty Loops

Swedish “fusion-pop” band Dirty Loops has chosen a Pivitec Personal Monitor Mix System for touring in support of their first album, “Loopified”. The 3 piece band also chose an Avid S3L to handle front of house. Rather than rent or rely on whatever console the venue may (or may not) have, Dirty Loops, travels with the S3L and Pivitec for consistent sound gig to gig whether they are in Stockholm, LA or, most recently, NYC where I had a chance to meet up with the band.

The band with their Pivitec and IEM racks. L-R Henrik Linder, bass; Jonah Nilsson, vocals and keys; Aaron Mellergardh, drums.

The system was put together by Marcus Agnesund of Arva Trading AB, Pivitec’s Swedish distributor. Marcus also handles FOH for the band on tour. Marcus and Dirty Loops chose the Pivitec / Avid combo not only for the compact nature of the system but also because Ethernet AVB interfacing makes for streamlined set up and connectivity. The whole rig packs packs into a few flight cases that the band check as luggage when they fly from gig to gig.

The band, known for their extremely tight, jazz influenced arrangements, appreciate the level of detail and control afforded by the Pivitec system. The Pivitec e32 Mixers and network switch are mounted in their own small rack with the line level outputs of the 4 x Mixers each feeding a Shure PSM 1000 Wireless IEM. Control is handled via Pivitec V2Mix Pro App running on  Apple iPads.  Wireless control and monitoring means less clutter and no wedges means no stage spill for Marcus to deal with from FOH.

The Pivitec system also simplifies sound check by eliminating the usual back-and-forth “can I have more….” between musician and engineer and gives the band a consistent mix from night to night with only small tweaks required. As the band uses pre-recorded loops and click live, In Ear Monitors are essential and with 32 discrete channels Pivitec offers more than enough capacity and control to handle their complex instrumentation.

The Pivitec team are really honored to be working with Dirty Loops. And BTW – they are really nice guys as well. It was great meeting them and seeing them live in NYC. We are looking forward to their return to US later this year.

See Pivitec at InfoComm 2014 booth C11446

For more info: www.pivitec.com

3TS Capital Partners Invests 7.2 million US$ into Visual Unity

Leading OTT platform and multiscreen solution provider, Visual Unity announces an investment of 7.2 million US$ (5.2 million Euros) by 3TS Capital Partners, the growth capital technology fund. This investment will strengthen Visual Unity’s delivery of end-to-end OTT solutions on a global scale.

The investment of 3TS, into Visual Unity is from their Cisco, EBRD, EIF and OTP backed growth capital fund, which focuses on investments in fast growing technology companies primarily in Central and Eastern Europe (CEE). Visual Unity will use the investment to support the growth of an international customer base for vuMedia™, its flagship OTT platform. vuMedia™ enables content owners and distributors to monetize their video assets over the Internet.

The company’s goal is to be the leading provider of OTT and multiscreen solutions. This investment will hasten leading-edge development of vuMedia™, Visual Unity’s world-class digital content delivery and smooth-multiscreen-user-experience product. 3TS is initially acquiring a minority stake in Visual Unity and commits to supporting the company at both a strategic and operational level.

Tomas Petru, Visual Unity’s Founder and CEO, says: “This is an exciting time for Visual Unity, with 3TS taking a key role in the future success of our company. Our robust, end-to-end product is already used by our customers worldwide. We support close to 10.000 different screens and devices in conjunction with every conceivable monetization method. 3TS’ diligent examination of, and investment into our product portfolio not only attests to its innovation, but will be instrumental in fueling our sales, marketing and development expansion.”

“Our strategic investment into Visual Unity will enable a strong focus in product development, while reaching previously untapped markets around the world,” commented Daniel Lynch, Managing Partner of 3TS Capital. “We look forward to establishing Visual Unity as a global leader in OTT and multiscreen products and services.”

“This investment from 3TS is coming at an ideal juncture for Visual Unity, in helping us realize our global expansion ambitions in response to overwhelming customer demand,” comments Tony Hasek, Chief Commercial Officer at Visual Unity. “This investment will provide the resources needed to service key markets around the world, and capitalize on the amazing growth opportunity in OTT and video streaming services.”

-ends-

About Visual Unity
Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMedia™ platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMedia™ is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.
Visual Unity is based in Los Angeles, Munich, Prague, Moscow, Istanbul, Dubai, Hong Kong. For further information, please visit www.visualunity.com, info@visualunity.com
About 3TS Capital Partners
3TS Capital Partners (www.3tscapital.com) is one of the leading private equity and venture capital firms in Central and Eastern Europe operating through offices in Budapest, Bucharest, Istanbul, Prague, Vienna and Warsaw. 3TS targets investments in growth sectors including Technology & Internet (Software, Hardware, Mobile, Ecommerce, Social, etc.), Media & Communications and Technology-Enabled Services. Investors in the current and earlier 3TS funds totaling over € 300 million include Cisco, EIF, EBRD, OTP, Sitra, 3i and KfW among others.
3TS Capital Partners, 3TS and the 3TS logo are registered trademarks or trademarks of 3TS Capital Partners Ltd. and/or its affiliates. For more Information Please contact Anikó Horváth ahorvath@3tscapital.com, tel. +43-699-10313369 or Managing Partner Daniel Lynch dlynch@3tscapital, tel. +420 225 990 856.

Wesley United Methodist Church Reinforces Its Sound With HARMAN’s Soundcraft Vi3000 Digital Console

(Gray Shirt) Garret Kyler, Wesley United Methodist Church; and (Black Shirt) Chase Daigle, MSC Systems.

BEAUMONT, Texas – Wesley United Methodist Church in Beaumont, Texas recently improved its audio capacity with the new HARMAN’s Soundcraft Vi3000 digital console and Soundcraft Si Performer 3 digital console. Installed by MSC Systems of Beaumont, the consoles are part of a sound reinforcement project aimed at providing better audio fidelity to the 100-year-old church, which provides contemporary services for up to 500 people.

The newly launched Vi3000 features the new powerful SpiderCore DSP, plus extensive onboard options such as Dante and MADI interfaces. The expanded capabilities of the new 40-bit floating point DSP engine mixes FPGA and DSP technologies in a unique combination with a footprint small enough for it to be included within a control surface. While adding the usual ease-of-use features that made Soundcraft consoles so desirable, such as the Vistonics™ user interface and FaderGlow™ functionality, this console takes any venue to new heights.

“The capabilities of the Vi3000 are amazing, as it has plenty of ins and outs,” said Chase Daigle, Lead Designer/Installer of MSC Systems. “The operators can now mix 12 stereo in-ear monitor mixes right on the console, and have 48 local inputs in addition to the 48×32 stage box run with fiber and 64×64 capability of Dante to the Si Performer. We can also configure presets for every channel, which means we can now recall settings for every single musician on different weeks, instead of resetting the whole board. Operation was so easy that the technical staff often involves the assistance of local volunteers, who despite lacking professional training were able to operate the Vi3000 and the Si Performer 3 after a few pointers.”

Nothing was compromised to provide the best audio solution for this house of worship, with the Vi3000 handling FOH and monitors on different sections of the same board, while the Si Performer 3 with an additional Dante card is used for recording in a separate room. Feeds from the Vi3000 are also routed through the Si Performer 3, so the church services can be streamed directly online.

“The audio has been dramatically improved over our old system,” said Garret Kyler, Worship and Technical Arts Director of Wesley United Methodist Church. “The new Vi3000 console does not sound thin and digital, but very warm and analog-like. It’s also not like other consoles such as those made by Yamaha, where you go through layers of menus. The whole thing is incredibly responsive, because whatever you put in, you get back immediately.”

With a completely remodeled sound and lighting infrastructure, the church is set to handle another decade of contemporary performances. With the “spectacular and natural” Lexicon effects that Daigle applauds, the new Vi3000 will grant church members the sound they were looking for.

For more information on MSC Systems, please visit www.mscsound.com

Photo Credit: Abel McBride

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Martin Audio MLA Goes The Distance At BottleRock 2014

Napa, CA––Under new management, BottleRock 2014 provided three days of exceptional music, food and drink without any of the problems that affected last year’s trial launch.

As Jason Alt of Delicate Productions, provider of audio, video and lighting for the event points out, “This year’s festival was smoother, more organized and better run. Participating vendors and artists were taken care of in advance and everyone had a very positive festival experience.”

The eclectic lineup for the festival included The Cure, Outkast, Weezer, TV On The Radio, Heart, Third Eye Blind, Blues Traveler, Spin Doctors, Gin Blossoms and dozens more bands, solo artists and comedians that spanned a range of styles and musical generations.

Once again, Delicate provided Martin Audio MLA and MLA Compact loudspeaker systems for the two main sponsored stages, Toshiba and Sprint, to ensure proper coverage within the festival grounds and output control to prevent noise overspill in surrounding residential neighborhoods.

“The city of Napa didn’t have a noise ordinance until after last year’s event and we teamed with the city to establish one that would work for the festival and the city,” Jason explains. “We came up with 105dB C-weighted at front of house, 110 feet from the stage, measured over an hour period average. This gave us enough latitude for bands to get louder for ten minutes at a time, which allowed for dynamics within that average without adversely affecting any artist’s performance.

“None of the artists or engineers had any issues with the noise ordinance. Even with the newly imposed time restrictions of stopping by 10pm, the festival went really well. And we had no noise complaints from those living near the festival site either.”

Part of this year’s new PA guidelines included removing the delay towers from the main stage to eliminate excess noise, which had no negative impact on coverage according to Alt. “It made the throw for MLA about 600 feet and the system still performed really well. The audience listening experience didn’t suffer at all. People were able to hear it and everything sounded really consistent and clear.”

The Toshiba main stage system consisted of two speaker clusters a side, each consisting of 16 Martin Audio MLA and two MLD (downfill) enclosures; 24 ground-stacked MLX subs; 12 W8LM speakers for front fills; two clusters for side fills, each containing 4 W8C, 4 W8CS compact subs, and 2 WS218X subs; and 6 MLA Compact each as side hangs.

An Avid Profile 96/24 console was used for FOH, and Yamaha PM5D-RH, DSP5D and Avid Venue 48/24 consoles were used for Monitors. Six Shure UHF-R wireless systems with SM58 capsules were also part of the main stage setup.

For the second (Sprint) stage, Delicate combined 18 Martin Audio MLA Compact enclosures per side with 12 DSX ground-stacked subs; 2 side fill clusters containing 2 W8Cs, 2 W8CS compact subs and a WS218X sub; 4 W8LCs for front fills and Martin Audio LE1200S and LE2100S stage monitors to complete the package.

Asked about MLA, Outkast FOH engineer Darcy Khan replied, “I enjoyed the system a lot. The most important thing was the clarity at 200 feet. I was skeptical about that because a lot of line arrays claim to have it but don’t deliver. And this is the only system I’ve come across that can produce enough low end with just 24 subs, but the way Delicate set it up with that block across the front of the stage, it was there. I was very pleased with it, the system really delivered the goods.”

Concluding, Jason added, “Overall the MLA’s performance exceeded our expectations. Everybody was very impressed with what the system was able to do and all of the engineers, many of whom were new to the system, had a great mixing experience with it.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

July 2014
M T W T F S S
« Jun    
 123456
78910111213
14151617181920
21222324252627
28293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication