A virtual press conference from Sound & Video Contractor

Archive of the Case Studies Category

DPA Appoints New Distributors In South East Asia and Taiwan

AV-United, Ken Kimura & Chin Foo Heng

DPA Microphones has reorganised its distribution channels in South East Asia by appointing new distributors in Malaysia, Thailand, Vietnam, Indonesia and Taiwan.

Ken Kimura, DPA’s general manager for the APAC region, says the appointments reflect the company’s ongoing commitment to develop new business channels and support DPA’s influential customer base.

“Sales in virtually every APAC country are showing growth as the market recognises the quality and breadth of DPA’s product range,” he says.

Francis Lai, DPA’s Regional Sales Manager, continues: “With our new distribution channels in place, we are now better able to promote DPA microphones and increase brand awareness in many industry areas including broadcast, film, theatre, installation, conferencing and security.”

The new appointments include AV United in Malaysia (www.av-united.com); Vision One Co. Ltd in Thailand (www.visionone.co.th); Pro AVL in Vietnam (www.proavl-group.com); Promedia in Indonesia (www.promediasolution.com) and Shin Lee Sheng Music Corp. (SLS) in Taiwan.

Chin Foo Heng, Managing Director of AV United says: “We are very proud to be appointed as DPA distributor in Malaysia as this not only enhances our company status but also enables AV-United to deliver unique high quality microphones and thereby lead the industry to a higher standard. DPA Microphones is a reference, a standard, a MUST-HAVE item in the audio solution.”

Tanapat Mongkolkosol, Managing Director of Vison One, Thailand, adds: “We guide our customers by identifying which equipment is the best solution for them. DPA is one of these solutions because it offers high quality microphones that are easy to use, with great sonic results fit for recording and live sound productions.”

For more information please contact Ken Kimura at kek@dpamicrophones.com.
-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Prism Sound Makes Its Audio Interfaces Even More Affordable

Prism Sound Atlas

As part of its commitment to offering customers the best possible value, Prism Sound has introduced a new pricing structure for three of its critically acclaimed audio interfaces.

The new pricing structure, which significantly reduces the cost of purchasing a Prism Sound Lyra 1, Lyra 2, Titan and Atlas audio interface, has been applied globally and is being backed by a special Christmas offer of a further 5% discount.

“We are adjusting our pricing to reflect the continuing evolution of the pro audio market,” says Prism Sound’s Sales and Marketing Director Graham Boswell. “This area of the pro audio business has exploded in recent years with vast numbers of musicians, producers, DJ’s and others entering the market with project or home studio and mobile applications for audio interfaces. These changes mean that we can offer lower prices and enable many more people to enjoy the premium sound quality that we strive for in our products.”

The new prices see the cost of a Lyra 1 audio interface dropping to just £995 plus VAT $1,745). Equally large reductions have been applied to the other interfaces, especially the Atlas which is reduced by more than £1,000 ($1,700).

“All of our audio interface products have been carefully designed to meet customer needs, and every one of them incorporates the same no-compromise design and acclaimed converter performance that users have long come to expect from Prism Sound’s high quality audio products,” Graham Boswell adds. “By making these units even more affordable, we aim to help spread the word about improving the quality of digital audio for today’s consumers. This is a cause that has been championed by leading figures in the global music business such as Sir Paul McCartney, Neil Young and many others.”

Prism Sound’s Lyra 1, Lyra 2, Titan and Atlas USB interfaces incorporate Prism Sound’s latest and award-winning CleverClox clocking technology and the company’s popular mic pre’s as standard. Each one offers recording professionals the ultimate in audio quality and ease of use.

Prism Sound will be showing its entire product range, including its flagship ADA-8XR modular converter, at CES Suites #29-217 and 219, at Venetian Towers, Las Vegas from January 6th – 9th 2015, and at NAMM 2015 in Los Angeles, from January 22nd – 25th (Booth 7120).

For more information about Prism Sound products and the new pricing structure, please visit www.prismsound.com or contact your nearest Prism Sound dealer.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the dScope Series III audio analyser system.

Prism Sound’s Lyra 2 Makes its Las Vegas Debut

Luca Pretolesi

Studio DMI, a private facility that focuses on mixing and mastering electronic music, has incorporated a range of Prism Sound equipment, including a Lyra 2 audio interface that is being used to record mixes and A/B two different sound sources.

Based in Las Vegas, Studio DMI is owned by European Music Market Inc, which also owns two publishing companies and an entry level entertainment service company called Weebang. EUMM also operates The Studio at The Wynn, a high-end recording facility in The Wynn Casino Hotel that is made available to very high end producers and artists performing at The Wynn’s venues.

Ronnie F Lee, CEO of EUMM, says: “Studio DMI is more than a studio – it is a concept based on the engineer lifestyle and creative process. Literally speaking, we have combined the word ‘studio, which means study in Italian, with DMI, which stands for digital music innovation. The basic philosophy comes from the heart, soul and mind of Luca Pretolesi, who is the creative side of our business and handles all the engineering and training of our engineering associates. Luca has 25 years’ experience of producing, performing, mixing, mastering and pioneering electronic music. This has given him a very unique grasp on the EDM industry.”

The choice of Prism Sound equipment was taken by Pretolesi after he visited the Winter Music Conference in 2013. He opted for a Prism Sound MEA-2 Equaliser, an MLA-2 Compressor and a Lyra 2 audio interface, which he installed in Studio DMI along with a new Maselec MTC-1X stereo mastering console.

“The MTC1 serves as the brain for the entire studio. It is like the hub between the mixing and mastering process,” Luca Pretolesi says. “Even before mastering, it acts as a great way to monitor multiple sources with no latency or added colour, check mono compatibility and side information – and it is all done with one finger. During mastering, it is also great to have the ability to flip between inputs, mid/side information and add parallel processing with just your hands. It allows you to make changes very quickly using only your ears rather than a mouse and your eyes.”

Pretolesi adds that, based on his 20-plus years of experience, the Prism Sound MLA-2 is by far the most transparent and musical compressor he has ever heard.

“You can really get it pumping but it doesn’t colour the sound,” he says. “I usually use a low ratio with a slow attack but it is very versatile and you can do a lot of very versatile compression.”

Pretolesi is equally impressed with his Prism Sound MEA-2 Equaliser that, like the MLA-2, is mostly used during the final stage of the mastering process.

“I usually spilt this into two parts,” he explains, “the top end, which I use for more surgical EQ-ing and the low end, between 40-300hz, which gives the sounds a great attitude and weight. The MEA-2 is capable of some very heavy lifting on the low end without losing the transients or the overall sound.”

Studio DMI’s Lyra 2 audio interface plays a bigger role in the recording and mixing process than in mastering.

“We included the Lyra 2 because we were looking for a fantastic converter to capture our mixes with the great high end sound that Prism Sound is known for,” Pretolesi says. “However, we also wanted the ability to A/B two sources, which we can do with Lyra 2 because it is a two in/four out interface.”

Studio DMI is now using its Lyra 2 to record a mix while also comparing it to reference tracks.

“Non-traditionally, I also use it musically by clipping the input to achieve a certain sound on a lot of my mixes,” Luca Pretolesi adds.

Studio DMI is primarily Luca Pretolesi’s facility, while the Wynn Studio operated by Studio DMI attracts high profile producers and artists such as Diplo, Lil Jon, Gareth Emery, MakJ and Morgan Page.

“We are currently in the process of creating an educational division to spread Luca’s passion and knowledge about mixing and mastering electronic music,” Ronnie F Lee adds. “This will be a unique learning opportunity that targets post graduates from more traditional schools and focuses on application more than theory.

The first three day workshop under the Studio DMI.edu brand will run in the first quarter of 2015, in either Las Vegas or Los Angeles. Courses will be offered in English, with other languages made available later in the year.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the dScope Series III audio analyser system.

For more information: www.prismsound.com

Tightrope Media Systems and University of Massachusetts Bring Interactive Digital Signage to Campus

Touchscreen-enabled kiosk at new Football Performance Center engages visitors with 130 years of historical data about the UMass Minutemen football program

ST. PAUL, MINNESOTA, December 8, 2014
– The University of Massachusetts in Amherst recently opened its Football Performance Center, a 55,000 square foot facility representing the UMass Minutemen football program. Visitors are greeted by a hall of fame showcasing the university’s 130-year football program as they enter the facility, located at the north end of Warren P. McGuirk Alumni Stadium. As part of the experience, the university sought an interactive kiosk to compile and present detailed information about the football program. A Carousel digital signage solution from Tightrope Media Systems was selected to address the challenge, featuring custom software-defined programming to bring decades of historical and current data together.

Vanderwarker-6209

Vanderwarker-6188

kiosk2

The interactive kiosk catalogues an impressive array of details and statistics related to the storied football program, showcasing players, teams, coaches, seasons and accomplishments. The system reaches beyond the realm of football action, generating information about the bands, mascots and other entries supporting the teams over the years. In casting a wide net, it’s assured that every visitor engaged with the kiosk will discover something of interest while controlling the touchscreen.

“We wanted a searchable system that delivered an interactive experience for current players, students, alumni, fans and visitors,” said John Sinnett, assistant athletic director, University of Massachusetts. “We faced the significant challenge of finding a system that could centralize 130 years of information, make it interactive, and intelligently display a large amount of content in a sortable manner on demand. This is a homegrown system and we’re not aware of another university that offers anything similar. There’s no question that this was a steep hill to climb.”

Sinnett and his team soon engaged with Tightrope to generate a custom program for pulling historical and recent content from various online sources. Driven by intelligent, automated software-defined triggers and a central content management system, the Carousel solution manages a giant block of XML data, extensively programmed to ensure the right information correlates with the right targets.

However, Carousel’s trademark ease of use also provides staff with an intuitive interface to manually upload content, ensuring that missing details from player numbers and headshots to game stats and team descriptions can be effortlessly edited or added on the fly.

Most importantly, the varied and dynamically updating information gives everyone something to enjoy, increasing dwell times and generating a deeper connection between the user and the football program. Current Minutemen players and their families can follow seasonal statistics, while visiting alumni can look back at past achievements. Sinnett also views the interactive kiosk as an intriguing recruitment tool, allowing prospective players to search which Minutemen have made NFL rosters, and which teams have made collegiate football history over the years.

“The touchscreen is emblematic of the overall mission of the Football Performance Center,” said Sinnett. “This venue ties in a large part of the program’s history into a modern home that will be a future cornerstone of the program. Carousel is efficiently driving and disseminating information about the historical past and success of the program, while keeping visitors up to the date on the latest activities. Tightrope is helping us push that history forward, drawing in anyone with interest in our football program.”

The system is based on a scalable architecture powered by a single Carousel 330 server, capable of supporting 15 channels should the university choose to add more kiosks or displays in the future.

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

# # #

Munich Airport: Inonet Selects Matrox M-Series Graphics Cards to Drive One of the World’s Largest Flight Information Display Walls

Matrox M-Series quad and octal-monitor graphics cards drive an expansive 72-monitor FIDS video wall showcasing crisp, high-quality flight arrival and departure content

Matrox® Graphics Inc. today announced that Munich Airport has leveraged Matrox M-Series multi-display graphics cards to power a 72-monitor flight information display system (FIDS). Recommended and installed by local system integrator InoNet, Matrox M9148 quad-monitor and M9188 octal-monitor boards reliably drive high-definition flight and departure information on a 19-meter-wide by 2.30-meter-high FIDS video wall—one of the largest of its kind.

Flight-Information-Display-Munich-Airport-M-Series-Graphics-Cards-410pix

To run the unique installation, InoNet uses an M9148 and M9188 board pairing within six of their Magnius-2 video wall controller systems. Each workstation’s 12 displays have been combined to form an 18×4 matrix, outputting an astonishing 72 NEC X463UN displays at individual resolutions of 1920×1080. With the NEC display’s slim 5.7mm bezel design, the resulting video wall enables a nearly 180° viewing platform on which all 72 displays are completely visible from any front-viewing position. A configured fail-safe mechanism on the displays also ensures continuous operation with minimal downtime and IT intervention.

“The aim of the installation was to present razor-sharp content across the entire display. There is no scaling via daisy chaining on the 72 displays, where each monitor is individually supplied with Full HD content,” said Susanne Gomez, Key Account Manager Digital Signage at InoNet. “Using Matrox M-Series, we were able to realise the requirements quickly and easily.”

To read the complete story and view pictures, visit One of the World’s Largest Flight Information Displays Powered by Matrox M-Series Cards.

See Matrox demonstrate its latest multi-display graphics cards live at ISE (Amsterdam RAI, NL, February 10-12, stand 11-F68) and DSE (Las Vegas, March 11–12, booth 1645).

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

Noted Surgeon Finds Live 3D Streaming and Recording from Matrox Monarch HD “Irreplaceable” for Live Teaching and Archiving

To expand his teachings to aspiring surgeons and gynecologists all over the world, Dr. Rajesh Modi, Director of the Akola Endoscopy Centre in Maharashtra, India, relies on the Matrox Monarch HD video streaming and recording appliance combined with the Matrox MC-100 SDI-to-HDMI mini converter to distribute 3D video and audio of his daily surgical procedures and to record them for the facility’s record keeping and as future teaching material. Students can view live streams of his gynecologic and endoscopic procedures on www.drmodi.in and by using the mobile app “Dr. Modi.”

www.drmodi.in_475pix

Dr. Modi is a frequent speaker at medical conferences throughout India and often leads training sessions from the Akola Centre for surgeons looking to increase their knowledge of gynecological endoscopy.

Previously, Dr. Modi used three separate products – two to handle the streaming and one as the recorder – to stream and record his daily operations. “Irreplaceable” is the word he uses now to describe Monarch HD’s role for his daily teaching and administrative needs. Dr. Modi reports that data collection for the large amount of surgical work he conducts is of paramount importance in terms of record keeping, as well as providing high-quality video for future lectures.

“There’s no other option out there that comes close to this in terms of its dual use for recording and streaming, while at different settings, that does not compromise the quality of the recording,” he explained. “The Monarch HD/MC-100 combination is the only system that can convert two SDI inputs into a single HDMI output, and the HD recording it provides is simply brilliant.”

The compact design and intuitive interface that lets users easily set up, control and output streams using any computer or mobile device with a browser has simplified this process and made portability much easier for Dr. Modi, which he said he particularly appreciates as someone who’s not a full-time video professional.

Two outputs for the 3D endo camera from the operating room provide left-eye and right-eye video signals which are sent to the Matrox MC-100 and multiplexed into one side-by-side HDMI signal. The HDMI signal is used as the source for the Monarch HD which streams the side-by-side video to a Flash Media Server. Viewers tune into Dr. Modi’s website to access the 3D content which they watch on any 3D display.

Monarch_DrModi_casestudy_diagram_475pix

The above-and-beyond technical support he’s received from Matrox has solidified Dr. Modi’s confidence in this equipment selection. “The company provided a free demo of the equipment on-site in our operating theatre at Akola. Plus, their online and phone technical support has been consistently excellent. I know, without hesitation, if anything should go wrong, someone at Matrox is there for me.”

Matrox Monarch HD is a cost-effective, small, and easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. It provides these two independent modes in an integrated unit. From any HDMI input source, such as a camera or switcher, Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, USB drive, or network-mapped drive.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, Education, News, Training |

Professional Wireless Systems Says Adios to Signal Interference at NBA Global Games Mexico City 2014

MEXICO CITY, NOVEMBER 24, 2014 — As the Houston Rockets and Minnesota Timberwolves tipped off at the Mexico City Arena on November 12, as part of NBA Global Games Mexico City 2014, Professional Wireless Systems (PWS) was courtside to manage all wireless frequencies throughout the game.

PWS’s overall goal was to provide frequency coordination for all wireless communications, enabling multiple wireless frequencies to be used in conjunction with one another without interference. PWS’ presence reaffirmed that the NBA would have clear communications throughout the event, without worry of dropped signals or unwanted interference during the live show. In all, the PWS team coordinated approximately 110 frequencies.

Two challenges that the PWS team faced in managing frequencies while on-site centered on combating potential signal interference from several active TVBDs in the area and successfully coordinating frequencies with the influx of international media. “There were many more frequencies in use in the area than initially anticipated, which meant that our team had to be prepared and on-guard for unexpected challenges and potential interference during the game,” says John Garrido, PWS’ main RF coordinator for the event.

PWS utilized a selection of equipment, including multiple Telex BTR-800s with wireless intercom beltpacks for extended coverage and range, the Shure UHF-R wireless system, and an assortment of Shure handheld microphones and Lectrosonics IFB kits. In addition, PWS set up a main intercom master station for the game’s courtside lead director, which enabled her to utilize multiple channels at one time and effectively coordinate the game entertainment with all parties involved. For this event, PWS also supplied all the hardware for the hard-wired communications using a Telex RTS-BP325 for all technical positions, which amounted to 25 drops.

“The intercoms proved essential during the event and kept the production running smoothly, allowing crew members to seamlessly coordinate the timing of all talent acts,” adds Garrido. “At one point, one of the team mascots acted out physically eating the game floor host! It seems a crazy act in and of itself, but it is one that was only possible because she was working with wireless equipment.”

In addition, PWS used several of its own proprietary equipment. This includes two Domed Helical Antenna kits, one PWS GX-4 combiner and one PWS DB-IC Custom Intercom Antenna Distribution System.

“We have enjoyed a long relationship with the NBA and were very excited to be a part of the NBA’s Global Games initiative in Mexico City,” says Jim Van Winkle, general manager, PWS. “It is difficult to know what to expect when working an event outside of the United States, especially a live one, but our extensive experience and expert team once again did a great job and the broadcast went off without any issues.”

Along with the on-court action, NBA Global Games 2014-15 will feature a variety of off-the-court activities, including NBA Cares community programs and interactive fan events in each city. The games will also be supported by a variety of marketing and merchandising partners, and fans will be able to receive real-time updates through the NBA Game Time App, on NBA.com, and NBA social media channels, as well as watch globally on television and digital media, including NBA LEAGUE PASS International.

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

# # #

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, News, Video |

PRO SOUND EFFECTS DEBUTS SOUND DESIGN SPOTLIGHT VIDEO SERIES

Episode 1: How Ryan Billia (Rumble Audio, Brooklyn) is Making it in Indie Film

NEW YORK, NY – Pro Sound Effects®, the next level sound effects library company, has released the first video in its Sound Design Spotlight Series featuring Ryan Billia of Rumble Audio in Brooklyn, NY. The Spotlight Series is designed to bring awareness to the art and craft of sound design and to provide practical knowledge and inspiration for the growing number of aspiring sound designers.

Sound_Design_Spotlight_Pro_Sound_Effects

In the Series debut, Pro Sound Effects takes us into Billia’s one-stop audio post facility in Williamsburg, Brooklyn, goes behind the scenes to reveal workflow and creative approach, and finally onto the big screen where Billia shows us how he designed Icelandic Geyser explosion sounds for Land Ho! (Sony Picture Classics) using Pro Tools and the Hybrid Library.

“People hear sound design everywhere, but are not exposed in-depth to the art and craft behind it,” said Douglas Price, Founder & President of Pro Sound Effects. “To raise the bar, we decided to create a series of video interviews with forward-thinking sound designers to capture the creative spirit and technology of storytelling’s other side – that which is heard and not seen.”

Watch the full Spotlight Series video (11:17) here.

Or, skip to Geyser explosion design scene here.

ABOUT the SOUND DESIGN SPOTLIGHT Series:
The Sound Design Spotlight video series interviews forward-thinking sound designers to capture the creative spirit of story-telling through sound design and technology.

ABOUT PRO SOUND EFFECTS:
Pro Sound Effects® curates and delivers the Next Level sound effects library for media producers worldwide. The Pro Sound Effects Library is 220,000+ royalty-free sounds effects available both online and on hard drive. The Library spans the entire sonic spectrum and is continually updated. Founded in 2004, Pro Sound Effects is relied upon by top freelancers and big media production companies worldwide.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, New Products, News |

Matrox Maevex Streams Full HD Camera Footage from Hong Kong International Airport to Off-Site Aviation Gallery

Maevex H.264 encoders and decoders selected to distribute high-quality, low-bandwidth video over the existing network infrastructure—simplifying integration and reducing project costs

Matrox® Graphics Inc. today announced that the Hong Kong Civil Aviation Department (HKCAD) has successfully installed Matrox Maevex™ H.264 encoders and decoders to stream live, low-bandwidth, 1080p60 ATC tower camera footage to its HKCAD Education Path aviation gallery 2 km (1.2 mi) away. Selected for its ability to distribute high-quality video at low, user-definable bit rates (100 Kbps to 25 Mbps), the Maevex AV-over-IP platform lets HKCAD present a dynamic air traffic control exhibit to the gallery’s visitors.

AV-over-IP-Hong-Kong-Airport-H.264-Encoders-Decoders

After evaluating several third-party AV-over-IP options, HKCAD brought in local IT solutions provider Amara International Ltd. Amara recommended the cost-effective Maevex encoder/decoder system. Amara demonstrated how the bundled Matrox PowerStream™ software can be used to easily customize the bit-rate limit to the existing infrastructure’s available 8Mbps. As a result, HKCAD was able to stream smooth and uninterrupted traffic footage from a 1080p60 HD camera in Hong Kong International Airport’s ATC tower to the off-site Epson® HD projector, giving gallery visitors a highly engaging air traffic controller experience.

“Pristine image quality, low-bandwidth consumption, high stability…these are the qualities that make Matrox Maevex a unique AV-over-IP solution,” said Miss Michelle Siu, Project Officer at the Hong Kong Civil Aviation Department. “Matrox Maevex was instrumental in helping us stream video over our existing IP network and we are very satisfied with the equipment’s performance so far.”

To read the complete story and view pictures, visit Matrox Maevex Streams Live Airport Traffic Footage to Off-Site Aviation Gallery.

See Matrox Maevex demonstrated live at ISE 2015 (Amsterdam RAI, NL, February 10-12, stand #11-F68).

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, Government, ISE Newslink, News |

Hawthorn Names DPA As Its Microphone Brand of Choice

Ben McAlonan and Jon Curnew

Hawthorn, the UK’s largest independent supplier of technical production services, has named DPA as its primary microphone brand.

Established in 1987, Hawthorn employs over 120 staff from offices around the UK and handles over 1,000 events every year, including gala dinners, product launches, conferences and parties. The company’s product portfolio has seen a 4.4 EUR investment over the last two years and now includes state of the art lighting, sound, AV, rigging, staging and drapes.

Among this phenomenal inventory are a wide range of DPA microphones including d:fine™ Headset Microphones, d:screet™ 4060 lavalier microphones and d:vote™ 4099 Instrument Microphones.

Audio quality is very important to Hawthorn, which bases its reputation on delivering exceptionally high standards. It was this desire to use the best that initially brought DPA to the company’s attention.

“It all started a few years ago when we were looking for headset microphones to replace the brand we had previously been using,” says Jon Curnew, Hawthorn’s Head of Sound. “We discovered the DPA d:fine Headset Microphone range and were immediately taken with the fact that they came with single and dual ear attachments. That really appealed to us because it made them so versatile. We now have a stock of about 35 d:fine microphones and we use them all the time. They are much easier to position than any other headset mic we have tried and our customers love them.”

Although Hawthorn also offers DPA d:screet™ 4060 lavalier microphones, most of its customers prefer headsets because they don’t have to worry about accidentally knocking them – or forgetting to take them off when they go off stage.

“Headsets are also better at picking up weaker voices because the microphone is positioned so close to the mouth and doesn’t have to compete with background noise,” Curnew says. “Once they are in place, they tend to stay in place – we even had a guy wearing one while he was doing aerobics and it managed to survive that.”

For musicians, Hawthorn stocks DPA d:vote 4099 Instrument Microphones and now has 17 in its microphone cupboard.

“We use them with a variety of clips and they are great because they deliver such a clean, transparent sound,” Curnew says.

Hawthorn recently added six DPA d:facto™ Vocal Microphones toits stock, which it bought from DPA’s UK distributor Sound Network.

“We saw the d:facto Vocal Microphones at PLASA two years ago but we needed the right event to inspire us to buy some,” Curnew says. “This turned out to be SunWalk in London’s Battersea Park – a charity event raising money for breast cancer research, for which we delivered full technical production.”

Four wired and two wireless d:facto’s were immediately put to use on the SunWalk live music stage.

“Everyone loved them,” Curnew says. “They sounded amazing and we had no issues with feedback or rejection – they worked well across a range of artists and really brought out the subtlety in the vocalists’ voices. We have since used them on other events including an opera. It’s interesting to note how often they are cropping up on artist’s riders – that’s another reason why we felt the time was right to invest in some.”

Although most of Hawthorn’s DPA microphones are used for in-house productions, they are also available for dry hire and Curnew says the DPA d:facto Vocal Microphones, in particular, are already making a name for themselves amongst dry hire customers.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

February 2015
M T W T F S S
« Jan    
 1
2345678
9101112131415
16171819202122
232425262728  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication