A virtual press conference from Sound & Video Contractor

Archive of the Case Studies Category

HARMAN’s Studer To Showcase Its OnAir 3000 Digital Mixing Console At International Radio Festival 2014

ZURICH, Switzerland – HARMAN’s Studer will be showcasing its OnAir 3000 digital mixing console at the International Radio Festival (IRF) 2014 in Zurich, Switzerland, August 21 through September 7. The IRF is the world’s largest public on-air festival and conference and brings together industry professionals and radio stations from around the world, which will be broadcasting shows to a worldwide audience and giving attendees the opportunity to “Listen to How the World Sounds.” The Studer OnAir 3000 will also be featured at SwissRadioDay 2014, which will take place during the IRF on September 3.

The Studer OnAir 3000 is a highly versatile digital console designed for radio and TV broadcasting and production. It features Studer’s exclusive Touch-n-Action color touchscreen user interface that provides intuitive operation and ready access to all key functions, and offers a comprehensive array of cueing, routing, signal processing and metering options.

“Our OnAir 3000 is ideal for the medium to upper segment and combines exceptional flexibility with the pristine sound quality that has made Studer the industry standard in broadcast consoles worldwide,” said Keith Watson, Marketing Director, Soundcraft Studer. “At IRF and Swiss Radio Day, attendees will have a unique opportunity to see and hear the OnAir 3000 first-hand and experience what it can do in live broadcast situations.”

The Studer OnAir 3000 is based on a completely modular concept. The fader module includes six fader strips and up to eight fader modules can be fitted for a maximum console size of 48 faders. A variety of layout options are available, to perfectly tailor the OnAir 3000 for any radio or TV broadcast application. Available modules include fader, motorized fader and fader assign modules; monitoring and talkback modules; main screen and fader screen modules and more. The console provides a host of digital and analog connectivity options.

The OnAir 3000 provides three main stereo mix busses plus an audition facility, four stereo AUX busses and three independent studio monitoring circuits with a talkback speaker built into the console. The console offers assignable rotary controls and complete EQ, dynamics processing, noise gate, de-esser and other processing and input/output routing for each channel. The OnAir 3000 integrates completely with radio playout systems and the Studer CMS Call Management System that allows the operator to easily manage incoming phone calls on a single screen.

“We are honored to have Studer as our radio studio partner at this year’s IRF 2014,” said Darryl von Däniken, Festival Director of IRF and event organizer for the SwissRadioDay 2014. “Studer is known worldwide as a leader in digital consoles for radio and TV and the company’s presence at IRF validates the growing importance of the event also as a ‘must-see’ technology showcase for broadcast professionals and attendees.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

HARMAN’s Martin Professional Exterior 200 Fixtures Light Russian Residential Complex in Celebration of World Cup Final

MOSCOW, Russia — In celebration of the 2014 World Cup final game, the three towers of “Vorobievy gory”, an iconic residential complex in Moscow that faces the German Embassy, were lit during the match with the colors of Germany and Argentina’s national flags. With only a single day to light the towers, lighting designer Sergey Babaliants of Moscow-based BaSinstall was brought in to program the tower’s existing system, which includes 198 of HARMAN’s Martin Professional Exterior 200 fixtures.

Installed in 2006, the exterior lighting for each of the three towers features 30 Exterior 200s for the “crown,” located on the roof level and 36 Exterior 200s for the “gallery,” located three floors below the crown. The design is controlled via LightJockey placed on the second level below the middle tower, while the left and right towers were connected through wireless DMX signal via an omnidirectional antenna on the roof of the middle tower.

The lighting design for the World Cup’s final match was pre-programmed to ensure the right tower was fixed with the German colors and the left with Argentina’s, while the middle tower alternated between each nation’s colors every 15 seconds.

One of the project’s major challenges was the tower’s aging and poorly maintained existing system.

“The whole installation had not seen any serious maintenance for about eight years,” said Babaliants. “The building management only replaced fixture lamps. The system’s control had never been replaced or even switched off. And on the top of all that we discovered a serious problem with the DMX radio transmitter that prevented us from synchronizing the towers.”

The unusually tight scheduling presented additional challenges. “Having only one day at my disposal, I had to find a creative solution to light the towers with the very limited capabilities of the system in place,” said Babaliants. “We would not have successfully completed this project without the ability of Martin’s Exterior fixtures to withstand such low maintenance in such a demanding environment. It’s a true testament to the durability and reliability of Martin lighting.”

For more information on BaSinstall, please visit: http://basinstall.ru/

To learn more about Martin’s architectural lighting solutions, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Jünger Audio Launches D*AP8 Codec Edition At IBC 2014

Digital audio specialist Jünger Audio is using the IBC 2014 platform (Hall 10, Stand A49) to launch a new Codec Edition of its D*AP8 Digital Audio Processor.

This unique device has a vital role to play in today’s broadcast environment because it is the only combination of broadcast audio codec and processor on the market that can carry out real-time metadata emulation.

Peter Poers, CEO of Jünger Audio, says: “Following Dolby’s decision in 2013 to discontinue its DP570 Multichannel Audio Tool, we are now the sole company in the world making and supplying a product that fills that gap. Our D*AP8 Codec Edition incorporates a Dolby decoder as standard and with a choice of optional encoders means that broadcast engineers in post-production, DVD and DTV facilities can check the quality of Dolby Digital AC3/E-AC3 encoded audio prior to transmission. Without this product, it is fair to say that broadcast engineers would not be able to carry out precise real-time metadata emulation in recent build production environments and would therefore have no way of checking exactly what television audiences hear at home.”

Mike Babbitt, Senior Manager, Professional Support Dolby Laboratories, Inc., says: “Dolby is happy to partner with Jünger Audio in bringing critical and innovative broadcast-enablement products to the worldwide broadcast community. Through our technical partnerships with valued partners like Jünger Audio, Dolby is continuing to enable current and next-generation broadcast and OTT workflows to provide consumers with the ‘In Dolby’ experience.”

The D*AP8 Codec Edition features a built-in Dolby® Metadata generator and Dolby® decoder that allows users to decode Dolby-E, Dolby-D (AC-3) and Dolby Digital plus (E-AC-3).

“Metadata is important because it ensures that television audiences at home hear their programs the way producers and content creators intended them to be. All kinds of audio parameters, including Loudness levels, are controlled this way. In countries where you can be fined if you get audio loudness wrong, it’s vital that broadcasters can check exactly what consumers will hear before material leaves their facilities.” Peter Pörs adds.

By incorporating SDI I/O with 3G/HD/SD auto detection, the D*AP8 Codec gives users the option of dealing with all 16 channels of SDI embedded audio at the same time. It is also possible to send further embedded programs to D*AP8 MAP’s AES outputs to feed a third party instrument for analyzing and/or display.

The D*AP8 Codec SDI board also acts as an embedder and comes with video delay to compensate for any kind of audio delay. This feature is ideal for those looking to maintain lip sync before encoding in QA suites or control rooms.

“Now that most of the DP products are no longer available, broadcast engineers still need hardware based solutions that can decode and encode Dolby®-E, Dolby®-D (AC-3) and Dolby® Digital plus (E-AC-3), as well as HE-AAC formats, and provide the essential metadata emulation function” Poers explains. “Our D*AP8 Codec Edition is the latest unit on the market that can offer various combinations of this and is effectively the successor of not just the DP570, but also in combination with the DP564/569 and 571/572.”

For more information about Jünger Audio, please visit IBC stand 10.A49 or visit the company’s website at www.jungeraudio.com

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Point Source Audio SERIES8 Microphones Endorsed by Lou Mannarino

Lou Mannarino trusts Point Source Audio for his work with The New York Philharmonic.

Lou Mannarino

Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” miniature microphones, announced that its SERIES8 miniature microphones have been selected by famed musician, audio engineer and conductor Lou Mannarino for use in high profile performance applications including the New York Philharmonic Orchestra.

The SERIES8 microphones were specified by Mannarino’s distinguished New York production company L&M Sound & Light for applications in similarly prestigious institutions such as the Metropolitan Museum of Art, New York Historical Society and New York Public Library, to name a few. L&M Sound & Light’s team of engineers and sound technicians has over 30 years of experience creating audio designs for the most esteemed musical artists, concert halls, theaters, museums and event spaces.

“We are blown away by your mics,” said Mannarino.

“The SERIES8 mics stand alone thanks to excellent build quality, durability, and the X-connectors that offer easy wireless compatibility. In our world, people do not want to hear the amplification, they just want the natural sound of the speaker. The SERIES8 needs no improvement.”

The SERIES8 is available in three different styles: headset, earworn and lavalier. Created for use in broadcast, theater and live production, the miniature microphones have also been adopted by distinguished venues such as Universal Studios, the Kravis Center, and Shiki Theater Company Tokyo. The product line is similarly well suited to corporate applications and presentations, thanks to the sleek design and hands-free advantages.

“We’re delighted that the features of SERIES8 microphones have earned them a place in front of stage and screen icons at some of the finest concert and performance venues in the world,” said James Lamb, President for Point Source Audio. “From spoken word presentations to finely tuned falsettos, our microphones are ultra durable, wearable and most importantly enjoyable for people on both sides of the stage due in part to our rigorous testing and engineering standards.”

SERIES8 mics have set a new standard for performance and durability in a micro size capsule. While the mic elements measure a mere 2-4 mm in diameter, the mics’ robust features are unlike any others on the market today. The omnidirectional microphones feature 148dB max SPL with an “Unbreakable Boom” bendable to 360°. In addition, they are IP57 waterproof rated against water, sweat and makeup, and feature interchangeable X-connectors for wireless compatibility on the spot.

The SERIES8 cardioid microphones are an ideal solution for performers who require isolation from surrounding set noise or environmental acoustics. The cardioid mics perform best when placed just at the corner of the mouth, which also allows them to maintain an unobtrusive appearance when worn.
With an MSRP starting at $389, Point Source Audio’s SERIES8 miniature microphones are available for purchase at a number of resellers and distributors worldwide. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Case Studies, Large Venue, Microphones, News |

Delicate Teams With Martin Audio MLA For Latin Radio Concert

Delicate Productions recently provided a Martin Audio MLA system for the Reventon Super Estrella 2014 concert at the Staples Arena in Los Angeles.

Put on by L.A.’s leading Latin FM radio station La Super Estrella 107.1, the show featured an impressive lineup of artists including La Santa Cecilia, La Union, Fobia, Roco Pachukote, Bunbury, La Ley, Caifanes and Victimas for a capacity crowd of over 18,000.

Asked about the show, Delicate Production Manager Meegan Holmes explained, “Our challenge with any concert style event in an arena is integrating our PA hangs with the lighting truss and the flown LED elements. We worked closely with the LED vendor Global Trends to ensure the best positioning of the PA versus the LED wall. The walls were all solid, so our concern was areas of the audience that would be affected in terms of being able to hear the audio. We took care to lay out our PA points so we could get past the LED but still not block the view of the screen.

“Staples Center is taller than the average arena,” Meegan continued. “The back wall has decorative metal above the top level of seating. The MLA’s versatility and output control enabled us to get to the last row without hitting that highly reflective metal.”

The system Delicate rigged for the show included 28 Martin Audio MLA and 4 MLD (downfill) for the main hangs; 16 MLA Compact for outer fills; 16 MLA Mini under 4 MSX power plant/subwoofers for sidefills, and 12 MLX subs. Other elements included Avid Profile consoles for Front of House, a DiGiCo SD11 as production console and a Yamaha DME matrix for system control.

In addition to Holmes, the Delicate crew was made up of Brennan Houser (System Engineer), Craig Robertson and Tony Luna (FOH Technicians), George Squiers and Mark Ramos (Monitor Technicians), and Russ Cunningham and Billy Flores (Stage Technicians).

Asked about reactions to the sound system, Meegan explained, “Each band in the show seemed a little louder than the previous and the PA kept up without issue. All eight engineers had fun mixing on the system, which resulted in great sounding shows. They all commented on how they were able to get so much power from so few MLX subs and how efficient they are.

“Our client came to me after the show amazed at how the rig sounded the same everywhere, how smooth and even the MLA sounds.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

USO’s 4th of July Pitbull Concert at the White House Celebrates Veterans with Event Tech and HARMAN Professional

WASHINGTON, D.C. – Contracted by the United Service Organizations, Inc. (USO) for the sixth year to integrate the sound at the 4th of July concert on the South Lawn of the White House, live production company Event Tech deployed HARMAN’s JBL VTX line arrays, Crown amplifiers and dbx signal processing to meet the strict demands of the venue and to deliver high-quality sound to the honorable audience.

International pop star Pitbull gave an hour-long performance for the 1,200 US servicemen and servicewomen that were present, as well as their families and the White House staff. Besides the show, there were various activities such as barbecue, lawn-games, photo stands and meet-and-greets. However, the annual event would have not been as successful without Event Tech’s ability to bring high-level production quality to the events.

Because of a gradient on the South Lawn, it was a challenge to balance the sound between the two ends of the stage; stage-left was elevated two feet above the ground, and stage-right was elevated five-and-a-half feet above ground. To provide precise coverage of 280 degrees, Event Tech used four stacks of six ground-stacked JBL VTX V20 loudspeakers and one VTX S25 subwoofer per stack, as well as six VTX G28 subwoofers per side in cardioid arrangement as the main PA. Two VTX F12 and two VTX F15 loudspeakers were deployed for front and out fills.

Four VRack 4x3500HD and two VRack 12000HD amplification systems powered the entire PA system. A dbx DriveRack 4800 unit enhanced the signal processing and routing for the overall system. The system was configured and controlled with JBL HiQnet Performance Manager™.

“We did a lot of pre-work at our office with the VTX rig, because we wanted to make sure that the coverage was precise and make it drop off 300 feet from stage left, so that the sound did not penetrate the White House,” said Jeremy Meyers, Account Executive and Audio Systems Designer for Event Tech. “I was very impressed with the output from these small V20 boxes, given their relative size compared to those from other manufacturers that I have worked with in the past. The detailed coverage from JBL’s patented waveguide and the precise frequency output of the D2 drivers allowed us to accomplish our goal.”

Since the stage was set up between the fountain and the White House, space was tight and the FOH position was at an awkward location. Also, the crew was forced to use smaller sized loudspeakers in order to fit all the equipment onto the stage. However, compromising on power was not an option either, since Pitbull’s music has significant output requirements, especially for low frequencies.

“The VTX V20s were truly perfect because of their power-to-size ratio and the Crown amplifiers were also compact and powerful enough for this event,” said Raul Gonzalez of HARMAN. “The front stacks could throw the music 225 feet to the back of the audience, and the stacks on the side were so powerful that we did not need separate loudspeakers for the FOH position. Overall, the performance was great and we were able to deliver everything in a compact, tightly-integrated package.”

“We were also impressed with the VTX F12 and F15 fills, which had amazing output, even when compared to the V20 boxes,” said Meyers. “Thanks to our experience in live corporate events and the incredible caliber of these JBL loudspeakers, our veterans received a terrific 4th of July gift.”

For more information about Event Tech go to www.eventtech.com.

Event Tech is a nationally recognized leader in providing production services to the trade show, entertainment, industrial, and special events industries. No matter the location or project size, Event Tech meets and exceeds the needs of its clients through the use of the latest in audio, lighting, power distribution, mobile stages, roof systems, staging and structures, and is supported by some of the industry’s leading professionals. Event Tech carries a wide array of Harman brands’ equipment for sale and rental, and proudly uses Harman brands on their own productions around the country.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Rockdale Town Hall Upgrades to State-of-the-Art Audio System with HARMAN’s JBL Loudspeakers and Soundcraft Digital Console

SYDNEY, Australia – In a project designed to reinvigorate the city’s regional arts and cultural hub, systems integration firm The P.A. People recently upgraded the audio system at Sydney’s Rockdale Town Hall. The new state-of-the-art system features HARMAN’s JBL VRX Constant Curvature loudspeakers and a Soundcraft Si Expression 1 digital console.

The new audio components at Rockdale Town Hall provide fresh life to the historic complex and provided Sydney with a world-class venue that can accommodate a varied array of events from musical concerts and variety shows to business, community and social events. In addition to the new PA and communications system, the auditorium’s beautiful Art Deco detailing has been restored.

To avoid intruding on the classical aesthetics of the venue, an unobtrusive yet powerful PA system was required and Brett Steele, project manager for The P.A. People, immediately thought of the JBL VRX Constant Curvature loudspeakers. Hung in a left/center/right configuration, the VRX932LA loudspeakers deliver extraordinary power handling, clarity, flexibility and, of course, stunning JBL sound in an attractive, easy to handle and affordable package.

“The VRX loudspeakers are configured to ensure maximum coverage and cater to the widest range of applications from musical theater to simple speeches,” Steele said. “The VRX rigging made it easy to install and the system is performing well.”

The PA is controlled through a Soundcraft Si Expression 1 digital mixing console, which is ideal for a venue that has to accommodate a wide variety of uses.

“This easy-to-use console from Soundcraft has the flexibility to accept local inputs in the control area, such as radio microphones and playback sources, as well as accepting microphone and line level inputs via the mini stage box located on the stage,” Steele added. “This is a great general purpose console for this venue.”

The reopening concert received a warm reception from both the crowd and in particular, the council.

“The Rockdale Town Hall reopening concert proved the sound system, specifically designed for this unique 1940s Art Deco auditorium, has the dynamic range to cater for any type of performance from opera to basic public speaking” endorsed a Council spokesman. “It complements and supplements the existing natural excellent acoustics of the Hall. Rockdale City Council is very happy with the end result.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

AV Stumpfl gives Norwegian rock ‘Wings’ for Pink Floyd tribute concerts

YouTube video: watch?v=BeOmGmiHa-s&feature=youtu.be © Blank

Unique projection mapping, blending and warping in spectacular setting

Everyone is familiar with the idea of a rock concert, but few events take the word ‘rock’ as literally as the recent series of outdoor gigs staged in Norway by the Pink Floyd tribute band Puls. Against the dramatic backdrop of the Kilden-Fjæreheia quarry in Grimstad, the band played six sold-out nights to audiences who were wowed not just by the music but by the spectacular projection-mapped backdrop that was created courtesy of AV Stumpfl’s Wings AV multi-image control technology.

Event design and production for the Puls concerts was the responsibility of Norwegian company Blank. Tomas Håvik, CEO of AV Stumpfl’s Scandinavian distributor Preqbi AB, recalls the project’s technical origins:

“Blank were searching for a solution that could deliver edge-blending and warping of multiple projected images, automated according to a timeline and with built-in media serving capability. We advised them that Wings AV could deliver exactly what they needed, and once the decision had been taken, we helped them with education and support.”

Kent Bakke, General Manager at Blank, explains: “Our challenge was that we wanted to map the actual face of the quarry that provides a backdrop to the band’s stage set. The face of this ‘mountain’ measures about 55 metres wide by 20 metres high, and our render size for the project was 3120 x 1200 pixels, with a 256 pixel overlap between the two halves of the image.

“The Vioso module of Wings split the image into a multi-display, blending and warping the output of six high-output HD projectors with ease. We also used Vioso to create and edit the video content, building up an exact replica of the ‘mountain’ in 3D.

“The content was stored and played back using the Wings Engine media server, with the Wings Avio control protocol allowing secure and perfectly synchronised connection via MIDI to the show’s lighting-control desk. This meant that the video timeline was perfectly sync’d to the music and associated lighting cues, every step of the way.”

With an audience of around 950 people per night seated in a U-shaped amphitheatre exactly opposite the quarry wall, each show culminated in a spectacular climax that echoed the finale of Pink Floyd’s ‘The Wall’, with pieces of rock from the quarry appearing to break up and fall towards the stage and theatre.

Tobias Stumpfl, Commercial Director, AV Stumpfl, concludes: “From video editing to large-scale projection, interactivity and show control, our Wings platform does it all. With the support of local partners such as Preqbi AB and the superb creativity of customers like Blank, our technologies are delivering spectacular results that wow audiences all over the world.

“We congratulate everyone involved with the Puls concerts in Norway and look forward to many more exciting applications of Wings to come!”

Some useful links:

Facebook:
@AV.Stumpfl.Pro
@blank.no
@Preqbi-AB

More information about Preqbi AB can be found at www.preqbi.se.

About AV Stumpfl
AV Stumpfl is an award-winning Austrian company that designs, manufactures and markets a range of high-performance mobile and installation projection screens and multi-display and show control systems for professional and business applications. As a family business, its founders started the company out of a passion for the advancement of presentation and installation technologies. The product range is warranted for 24/7 usage. AV Stumpfl is located in Wallern, Austria, and is supported by a global network of distribution and service partners.
www.avstumpfl.com

Slamhammer and Martin Audio Step Up At All-Star Game Concert

Minneapolis, MN––The Target All-Star Concert was held at the TCF Bank Stadium on the University of Minnesota campus a few days before the 2014 Major League Baseball All-Star game.

Slamhammer Productions provided audio, staging and video for the sold-out show that featured Grammy Award winner Imagine Dragons and local hip-hop phenomenon Atmosphere playing to an enthusiastic crowd of over 30,000.

To get the depth and impact of coverage required, Slamhammer set up a Martin Audio loudspeaker system consisting of 16 W8LCs a side for the main hangs; 10 (stage right) and 14 W8LCs a side as outfill; a hang of 2 W8LMDs as center downfill; 4 W8LMs across the front lip of the stage for additional front fill, and 40 WSX subs ground-stacked in front of the stage. Two delay towers with 12 W8LM speakers each were set up 175 feet back in the audience.

Even though Slamhammer had done three smaller shows at TCF Bank Stadium, there were still particular challenges given the size and high profile nature of the event.

According to company President Peter Skujins, “We were faced with long throws of over 400 feet and were limited in terms of rigging capacity. The mobile stage we were using is a beautiful structure with a huge total capacity, but you eat that up pretty quick with multiple hangs weighing over 6400 lbs on the roof. We were also concerned about having a major sightline problem with the delay towers because it was a seated house.

“Fortunately, these all turned out to be non-issues because the W8LM is a very compact box and the Martin Audio system did what it’s supposed to do. It sounded great and everyone was really happy with the coverage and audio quality, including our client Major League Baseball who called the concert ‘a huge success.’”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Thunder Audio Rolls and Roars with L-ACOUSTICS

Thunder Audio's Tony Villarreal (left) and Paul Owen with a few of their new L-ACOUSTICS K1 enclosures

Detroit/Nashville sound company purchases K1 system after taking K2 on Vampire Weekend tour

LIVONIA, Michigan — After putting a new K2 loudspeaker system through its paces – including a recent trek on Vampire Weekend’s North American tour leg – Thunder Audio, Inc. has expanded its inventory with a large-format K1 system from L-ACOUSTICS.

According to Thunder Audio Business Development Manager Greg Snyder, the company is currently taking delivery of 48 K1 enclosures, as well as bringing the rest of its total L-ACOUSTICS inventory up to 36 K2 and 24 KARA elements, 18 K1-SB and 34 SB28 subs, six ARCS II and 22 LA-RAK, each loaded with three LA8 amplified controllers. An additional 48 K2 are also on order for the first quarter of 2015.

“K1 has become the industry’s first choice for live audio reinforcement systems, but K2 is the reason we finally became a member of the L-ACOUSTICS family,” says Snyder. “It’s a stellar system for arena tours, like Vampire Weekend, as well as the perfect support box for K1 on larger stadium and festival shows. We are thrilled with the linearity in performance across L-ACOUSTICS’ entire product range and excited about the solutions that these systems will provide for our clients.”

Vampire Weekend performing on Thunder Audio's K2 system in Chicago

Client response has, indeed, been very favorable. Neil Heal, Vampire Weekend’s FOH engineer since late-2007, commented on his use of Thunder Audio’s K2 rig. “The typical configuration on our most recent American tour leg was left and right arrays of 14 K2, plus eight KARA outfills and four SB28 per side, all of which sounded fantastic. It seemed odd to be using so few subs, but more than that would have been overkill with K2, which is such a full range enclosure with a really nice usable low end. Vampire Weekend’s mix is all about vocal and instrumental clarity, and I could literally run the rig without subs in most arenas, but having just a few of them more than adequately filled out the low end.”

“We used K2 both indoors and outdoors, with arrays ranging between eight and 14 boxes per side, and I’m very impressed with the sonic consistency we got from night to night,” he continues. “K2′s ‘steerability’ with Panflex is also really nice in the event that Jonny [Winkler, Thunder Audio FOH systems engineer] had to hang the arrays near a glass wall or whatever; we could aim the top end away from it, which is great.”

Thunder Audio’s Winkler appreciates not only the fidelity of K2, but also the ease with which the system flies and strikes. “We flew the rig so fast each day that the lighting guys and carpenters were angry with me,” he laughs. “It takes longer to get the pins pre-set than it does to fly it, and that doesn’t even take that long. We have several other manufacturer’s boxes in our inventory here at Thunder Audio, and this is by far the fastest and easiest. I’ve flown an entire K2 rig totally by myself in less than four hours.”

Vampire Weekend heard via L-ACOUSTICS K2 at Chicago's UIC Pavilion

As for Heal, his only regret is that he didn’t have the system earlier. “The band was out on the road for 17 months and carried another PA for most of the tour because K2 simply didn’t exist when we started,” he says. “But I really prefer K2. It’s awesome. I’d love to have it every night, without a doubt. But it’ll be available on the next tour, and I’ll certainly take it out again. Plus, our festival stops this summer are on K1 mains with K2 outfills, which is just perfect.”

Thunder Audio Vice President Paul Owen sums up his investments by adding, “This was a huge undertaking by Tony [Villarreal, President] and I, and we had to take a lot into consideration before moving forward with K1 and K2: popularity, demand and, of course, availability. K1 is the first choice on the majority of riders that we handle and the predominant system when it comes to festivals. There’s no denying its sheer power and quality. We feel that K1 and K2 are our best venture to date for attracting new customers and facilitating old ones, and we’re very excited for what these systems can do for our clients and company’s future.”

For more info on Thunder Audio, visit www.thunderaudioinc.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication