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Delicate Teams With Martin Audio MLA For Latin Radio Concert

Delicate Productions recently provided a Martin Audio MLA system for the Reventon Super Estrella 2014 concert at the Staples Arena in Los Angeles.

Put on by L.A.’s leading Latin FM radio station La Super Estrella 107.1, the show featured an impressive lineup of artists including La Santa Cecilia, La Union, Fobia, Roco Pachukote, Bunbury, La Ley, Caifanes and Victimas for a capacity crowd of over 18,000.

Asked about the show, Delicate Production Manager Meegan Holmes explained, “Our challenge with any concert style event in an arena is integrating our PA hangs with the lighting truss and the flown LED elements. We worked closely with the LED vendor Global Trends to ensure the best positioning of the PA versus the LED wall. The walls were all solid, so our concern was areas of the audience that would be affected in terms of being able to hear the audio. We took care to lay out our PA points so we could get past the LED but still not block the view of the screen.

“Staples Center is taller than the average arena,” Meegan continued. “The back wall has decorative metal above the top level of seating. The MLA’s versatility and output control enabled us to get to the last row without hitting that highly reflective metal.”

The system Delicate rigged for the show included 28 Martin Audio MLA and 4 MLD (downfill) for the main hangs; 16 MLA Compact for outer fills; 16 MLA Mini under 4 MSX power plant/subwoofers for sidefills, and 12 MLX subs. Other elements included Avid Profile consoles for Front of House, a DiGiCo SD11 as production console and a Yamaha DME matrix for system control.

In addition to Holmes, the Delicate crew was made up of Brennan Houser (System Engineer), Craig Robertson and Tony Luna (FOH Technicians), George Squiers and Mark Ramos (Monitor Technicians), and Russ Cunningham and Billy Flores (Stage Technicians).

Asked about reactions to the sound system, Meegan explained, “Each band in the show seemed a little louder than the previous and the PA kept up without issue. All eight engineers had fun mixing on the system, which resulted in great sounding shows. They all commented on how they were able to get so much power from so few MLX subs and how efficient they are.

“Our client came to me after the show amazed at how the rig sounded the same everywhere, how smooth and even the MLA sounds.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

USO’s 4th of July Pitbull Concert at the White House Celebrates Veterans with Event Tech and HARMAN Professional

WASHINGTON, D.C. – Contracted by the United Service Organizations, Inc. (USO) for the sixth year to integrate the sound at the 4th of July concert on the South Lawn of the White House, live production company Event Tech deployed HARMAN’s JBL VTX line arrays, Crown amplifiers and dbx signal processing to meet the strict demands of the venue and to deliver high-quality sound to the honorable audience.

International pop star Pitbull gave an hour-long performance for the 1,200 US servicemen and servicewomen that were present, as well as their families and the White House staff. Besides the show, there were various activities such as barbecue, lawn-games, photo stands and meet-and-greets. However, the annual event would have not been as successful without Event Tech’s ability to bring high-level production quality to the events.

Because of a gradient on the South Lawn, it was a challenge to balance the sound between the two ends of the stage; stage-left was elevated two feet above the ground, and stage-right was elevated five-and-a-half feet above ground. To provide precise coverage of 280 degrees, Event Tech used four stacks of six ground-stacked JBL VTX V20 loudspeakers and one VTX S25 subwoofer per stack, as well as six VTX G28 subwoofers per side in cardioid arrangement as the main PA. Two VTX F12 and two VTX F15 loudspeakers were deployed for front and out fills.

Four VRack 4x3500HD and two VRack 12000HD amplification systems powered the entire PA system. A dbx DriveRack 4800 unit enhanced the signal processing and routing for the overall system. The system was configured and controlled with JBL HiQnet Performance Manager™.

“We did a lot of pre-work at our office with the VTX rig, because we wanted to make sure that the coverage was precise and make it drop off 300 feet from stage left, so that the sound did not penetrate the White House,” said Jeremy Meyers, Account Executive and Audio Systems Designer for Event Tech. “I was very impressed with the output from these small V20 boxes, given their relative size compared to those from other manufacturers that I have worked with in the past. The detailed coverage from JBL’s patented waveguide and the precise frequency output of the D2 drivers allowed us to accomplish our goal.”

Since the stage was set up between the fountain and the White House, space was tight and the FOH position was at an awkward location. Also, the crew was forced to use smaller sized loudspeakers in order to fit all the equipment onto the stage. However, compromising on power was not an option either, since Pitbull’s music has significant output requirements, especially for low frequencies.

“The VTX V20s were truly perfect because of their power-to-size ratio and the Crown amplifiers were also compact and powerful enough for this event,” said Raul Gonzalez of HARMAN. “The front stacks could throw the music 225 feet to the back of the audience, and the stacks on the side were so powerful that we did not need separate loudspeakers for the FOH position. Overall, the performance was great and we were able to deliver everything in a compact, tightly-integrated package.”

“We were also impressed with the VTX F12 and F15 fills, which had amazing output, even when compared to the V20 boxes,” said Meyers. “Thanks to our experience in live corporate events and the incredible caliber of these JBL loudspeakers, our veterans received a terrific 4th of July gift.”

For more information about Event Tech go to www.eventtech.com.

Event Tech is a nationally recognized leader in providing production services to the trade show, entertainment, industrial, and special events industries. No matter the location or project size, Event Tech meets and exceeds the needs of its clients through the use of the latest in audio, lighting, power distribution, mobile stages, roof systems, staging and structures, and is supported by some of the industry’s leading professionals. Event Tech carries a wide array of Harman brands’ equipment for sale and rental, and proudly uses Harman brands on their own productions around the country.

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Rockdale Town Hall Upgrades to State-of-the-Art Audio System with HARMAN’s JBL Loudspeakers and Soundcraft Digital Console

SYDNEY, Australia – In a project designed to reinvigorate the city’s regional arts and cultural hub, systems integration firm The P.A. People recently upgraded the audio system at Sydney’s Rockdale Town Hall. The new state-of-the-art system features HARMAN’s JBL VRX Constant Curvature loudspeakers and a Soundcraft Si Expression 1 digital console.

The new audio components at Rockdale Town Hall provide fresh life to the historic complex and provided Sydney with a world-class venue that can accommodate a varied array of events from musical concerts and variety shows to business, community and social events. In addition to the new PA and communications system, the auditorium’s beautiful Art Deco detailing has been restored.

To avoid intruding on the classical aesthetics of the venue, an unobtrusive yet powerful PA system was required and Brett Steele, project manager for The P.A. People, immediately thought of the JBL VRX Constant Curvature loudspeakers. Hung in a left/center/right configuration, the VRX932LA loudspeakers deliver extraordinary power handling, clarity, flexibility and, of course, stunning JBL sound in an attractive, easy to handle and affordable package.

“The VRX loudspeakers are configured to ensure maximum coverage and cater to the widest range of applications from musical theater to simple speeches,” Steele said. “The VRX rigging made it easy to install and the system is performing well.”

The PA is controlled through a Soundcraft Si Expression 1 digital mixing console, which is ideal for a venue that has to accommodate a wide variety of uses.

“This easy-to-use console from Soundcraft has the flexibility to accept local inputs in the control area, such as radio microphones and playback sources, as well as accepting microphone and line level inputs via the mini stage box located on the stage,” Steele added. “This is a great general purpose console for this venue.”

The reopening concert received a warm reception from both the crowd and in particular, the council.

“The Rockdale Town Hall reopening concert proved the sound system, specifically designed for this unique 1940s Art Deco auditorium, has the dynamic range to cater for any type of performance from opera to basic public speaking” endorsed a Council spokesman. “It complements and supplements the existing natural excellent acoustics of the Hall. Rockdale City Council is very happy with the end result.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

AV Stumpfl gives Norwegian rock ‘Wings’ for Pink Floyd tribute concerts

YouTube video: watch?v=BeOmGmiHa-s&feature=youtu.be © Blank

Unique projection mapping, blending and warping in spectacular setting

Everyone is familiar with the idea of a rock concert, but few events take the word ‘rock’ as literally as the recent series of outdoor gigs staged in Norway by the Pink Floyd tribute band Puls. Against the dramatic backdrop of the Kilden-Fjæreheia quarry in Grimstad, the band played six sold-out nights to audiences who were wowed not just by the music but by the spectacular projection-mapped backdrop that was created courtesy of AV Stumpfl’s Wings AV multi-image control technology.

Event design and production for the Puls concerts was the responsibility of Norwegian company Blank. Tomas Håvik, CEO of AV Stumpfl’s Scandinavian distributor Preqbi AB, recalls the project’s technical origins:

“Blank were searching for a solution that could deliver edge-blending and warping of multiple projected images, automated according to a timeline and with built-in media serving capability. We advised them that Wings AV could deliver exactly what they needed, and once the decision had been taken, we helped them with education and support.”

Kent Bakke, General Manager at Blank, explains: “Our challenge was that we wanted to map the actual face of the quarry that provides a backdrop to the band’s stage set. The face of this ‘mountain’ measures about 55 metres wide by 20 metres high, and our render size for the project was 3120 x 1200 pixels, with a 256 pixel overlap between the two halves of the image.

“The Vioso module of Wings split the image into a multi-display, blending and warping the output of six high-output HD projectors with ease. We also used Vioso to create and edit the video content, building up an exact replica of the ‘mountain’ in 3D.

“The content was stored and played back using the Wings Engine media server, with the Wings Avio control protocol allowing secure and perfectly synchronised connection via MIDI to the show’s lighting-control desk. This meant that the video timeline was perfectly sync’d to the music and associated lighting cues, every step of the way.”

With an audience of around 950 people per night seated in a U-shaped amphitheatre exactly opposite the quarry wall, each show culminated in a spectacular climax that echoed the finale of Pink Floyd’s ‘The Wall’, with pieces of rock from the quarry appearing to break up and fall towards the stage and theatre.

Tobias Stumpfl, Commercial Director, AV Stumpfl, concludes: “From video editing to large-scale projection, interactivity and show control, our Wings platform does it all. With the support of local partners such as Preqbi AB and the superb creativity of customers like Blank, our technologies are delivering spectacular results that wow audiences all over the world.

“We congratulate everyone involved with the Puls concerts in Norway and look forward to many more exciting applications of Wings to come!”

Some useful links:

Facebook:
@AV.Stumpfl.Pro
@blank.no
@Preqbi-AB

More information about Preqbi AB can be found at www.preqbi.se.

About AV Stumpfl
AV Stumpfl is an award-winning Austrian company that designs, manufactures and markets a range of high-performance mobile and installation projection screens and multi-display and show control systems for professional and business applications. As a family business, its founders started the company out of a passion for the advancement of presentation and installation technologies. The product range is warranted for 24/7 usage. AV Stumpfl is located in Wallern, Austria, and is supported by a global network of distribution and service partners.
www.avstumpfl.com

Slamhammer and Martin Audio Step Up At All-Star Game Concert

Minneapolis, MN––The Target All-Star Concert was held at the TCF Bank Stadium on the University of Minnesota campus a few days before the 2014 Major League Baseball All-Star game.

Slamhammer Productions provided audio, staging and video for the sold-out show that featured Grammy Award winner Imagine Dragons and local hip-hop phenomenon Atmosphere playing to an enthusiastic crowd of over 30,000.

To get the depth and impact of coverage required, Slamhammer set up a Martin Audio loudspeaker system consisting of 16 W8LCs a side for the main hangs; 10 (stage right) and 14 W8LCs a side as outfill; a hang of 2 W8LMDs as center downfill; 4 W8LMs across the front lip of the stage for additional front fill, and 40 WSX subs ground-stacked in front of the stage. Two delay towers with 12 W8LM speakers each were set up 175 feet back in the audience.

Even though Slamhammer had done three smaller shows at TCF Bank Stadium, there were still particular challenges given the size and high profile nature of the event.

According to company President Peter Skujins, “We were faced with long throws of over 400 feet and were limited in terms of rigging capacity. The mobile stage we were using is a beautiful structure with a huge total capacity, but you eat that up pretty quick with multiple hangs weighing over 6400 lbs on the roof. We were also concerned about having a major sightline problem with the delay towers because it was a seated house.

“Fortunately, these all turned out to be non-issues because the W8LM is a very compact box and the Martin Audio system did what it’s supposed to do. It sounded great and everyone was really happy with the coverage and audio quality, including our client Major League Baseball who called the concert ‘a huge success.’”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Thunder Audio Rolls and Roars with L-ACOUSTICS

Thunder Audio's Tony Villarreal (left) and Paul Owen with a few of their new L-ACOUSTICS K1 enclosures

Detroit/Nashville sound company purchases K1 system after taking K2 on Vampire Weekend tour

LIVONIA, Michigan — After putting a new K2 loudspeaker system through its paces – including a recent trek on Vampire Weekend’s North American tour leg – Thunder Audio, Inc. has expanded its inventory with a large-format K1 system from L-ACOUSTICS.

According to Thunder Audio Business Development Manager Greg Snyder, the company is currently taking delivery of 48 K1 enclosures, as well as bringing the rest of its total L-ACOUSTICS inventory up to 36 K2 and 24 KARA elements, 18 K1-SB and 34 SB28 subs, six ARCS II and 22 LA-RAK, each loaded with three LA8 amplified controllers. An additional 48 K2 are also on order for the first quarter of 2015.

“K1 has become the industry’s first choice for live audio reinforcement systems, but K2 is the reason we finally became a member of the L-ACOUSTICS family,” says Snyder. “It’s a stellar system for arena tours, like Vampire Weekend, as well as the perfect support box for K1 on larger stadium and festival shows. We are thrilled with the linearity in performance across L-ACOUSTICS’ entire product range and excited about the solutions that these systems will provide for our clients.”

Vampire Weekend performing on Thunder Audio's K2 system in Chicago

Client response has, indeed, been very favorable. Neil Heal, Vampire Weekend’s FOH engineer since late-2007, commented on his use of Thunder Audio’s K2 rig. “The typical configuration on our most recent American tour leg was left and right arrays of 14 K2, plus eight KARA outfills and four SB28 per side, all of which sounded fantastic. It seemed odd to be using so few subs, but more than that would have been overkill with K2, which is such a full range enclosure with a really nice usable low end. Vampire Weekend’s mix is all about vocal and instrumental clarity, and I could literally run the rig without subs in most arenas, but having just a few of them more than adequately filled out the low end.”

“We used K2 both indoors and outdoors, with arrays ranging between eight and 14 boxes per side, and I’m very impressed with the sonic consistency we got from night to night,” he continues. “K2′s ‘steerability’ with Panflex is also really nice in the event that Jonny [Winkler, Thunder Audio FOH systems engineer] had to hang the arrays near a glass wall or whatever; we could aim the top end away from it, which is great.”

Thunder Audio’s Winkler appreciates not only the fidelity of K2, but also the ease with which the system flies and strikes. “We flew the rig so fast each day that the lighting guys and carpenters were angry with me,” he laughs. “It takes longer to get the pins pre-set than it does to fly it, and that doesn’t even take that long. We have several other manufacturer’s boxes in our inventory here at Thunder Audio, and this is by far the fastest and easiest. I’ve flown an entire K2 rig totally by myself in less than four hours.”

Vampire Weekend heard via L-ACOUSTICS K2 at Chicago's UIC Pavilion

As for Heal, his only regret is that he didn’t have the system earlier. “The band was out on the road for 17 months and carried another PA for most of the tour because K2 simply didn’t exist when we started,” he says. “But I really prefer K2. It’s awesome. I’d love to have it every night, without a doubt. But it’ll be available on the next tour, and I’ll certainly take it out again. Plus, our festival stops this summer are on K1 mains with K2 outfills, which is just perfect.”

Thunder Audio Vice President Paul Owen sums up his investments by adding, “This was a huge undertaking by Tony [Villarreal, President] and I, and we had to take a lot into consideration before moving forward with K1 and K2: popularity, demand and, of course, availability. K1 is the first choice on the majority of riders that we handle and the predominant system when it comes to festivals. There’s no denying its sheer power and quality. We feel that K1 and K2 are our best venture to date for attracting new customers and facilitating old ones, and we’re very excited for what these systems can do for our clients and company’s future.”

For more info on Thunder Audio, visit www.thunderaudioinc.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Over 1,400 of HARMAN’s Martin Professional Lighting Fixtures Provide Vehicle Lighting Across the 2014 North American International Auto Show

DETROIT, Michigan — The North American International Auto Show (NAIAS), better known as the Detroit Auto Show, is one of the largest automotive shows in North America and annually features many national and worldwide introductions from the world’s most renowned auto manufacturers. Perennially held at Detroit’s Cobo Center, the 2014 NAIAS showcased the industry’s latest innovations to more than 800,000 attendees over the course of nine days. As a critical component of the show’s experience, over 1,400 of HARMAN’s Martin Professional lighting fixtures were deployed by a number of leading production partners and lighting-provider Christie Lites across the entire show, including booths for Chrysler, Nissan, Infiniti, Ford, Lincoln, Acura, Volvo, and more.

Chrysler
Chris Wojcieszyn of Lighthaus Design teamed with Bruce Spillman, Onsite Lighting Designer, who oversaw the execution and focus for Chrysler’s 2014 NAIAS booth, to develop an elaborate lighting design for the booth which also featured Fiat, Dodge, Jeep, Ram, and SRT. Wojcieszyn used 270 of Martin’s MAC 2000 XB Wash lights with super wide lenses to create an even white wash across the booth’s exterior, which consisted of large flat white walls on three sides. Spillman and Wojcieszyn also deployed 81 of Martin’s Viper Wash DX luminaires on all the featured vehicles on revolving platforms across the booth. “The new internal barn-door setting and shuttering system on the DX washes are really easy to work with,” commented Wojcieszyn. “It allows you to manipulate and shape the light exactly how you need it without compromising the power and amount of light you are getting.”

Acura
Chris Wojcieszyn was also the Principal Lighting Designer for the 2014 Acura booth, which featured 138 of Martin’s MAC Aura Wash lights. The booth featured two suspended rings that twist throughout the entire space, one made of silver and the other wood to represent man and machine. “At a previous show we used the Viper DXs to wash over the rings but it proved to be a bit too strong, which is really a credit to the design of the fixtures,” explained Wojcieszyn. “I switched to the MAC Auras for the Detroit show and I was able to mix the color effectively and really get the warmth I was looking for out of the rings.”

Nissan
Principal lighting design for the Nissan booth was developed by Chris Medvitz of Lightswitch and included 52 Martin Viper Wash DX fixtures to light the key vehicles for press events and reveals. Additionally, Medvitz used 90 Martin MAC 2000 Wash XBs to light the booth’s signature architectural feature or ‘halo’. “As an elliptical cantilevered sculptural element dominating the booth, the ‘halo’ was animated with light to enhance and extend the audience experience of the audio/visual content from a giant curved LED video screen also featured on the booth,” explained Medvitz. “The MAC 2000 fixtures were configured with buxom lenses as the throw was only a few feet away, but the bright light paired with the Martin color mixing system bathed the ‘halo’ in a vibrant and robust ‘Nissan Red’ when not animated.”

Infiniti
Medvitz also served as the principal lighting designer behind the 2014 Infiniti booth where he deployed 10 Martin Viper Wash DXs and 84 of Martin’s MAC Aura fixtures to provide light for VIP lounges, highlight corporate logos, add color and movement to the press event, and even light a DJ featured on the booth. Additionally, Medvitz used 24 MAC Auras on a circular truss to light the new Infiniti Q50 Eau Rogue concept car. “The Auras created an extremely smooth and soft wash for the concept vehicle that allowed us to fine tune color and color temperature to make the red paint on the vehicle appear the way our clients wanted both on camera and in person,” commented Medvitz.

Commenting on his choice of the Viper Wash DXs for the Nissan and Infiniti booths, Medvitz said, “I’m a big fan of the Viper DX! They have great output but don’t have the excessive weight or size of other wash fixtures. The beam shaping feature on the DX allowed us to more precisely light the vehicles for camera–the ability to shape the light on the cars and control spill proved to be an invaluable asset.”

Ford and Lincoln
Lighting Designer Jonny Milmer of Imagination used 166 Martin Professional MAC Aura, 12 MAC 700 Wash and four MAC III fixtures for lighting of the feature vehicles on both the Ford and Lincoln booths. For Ford, Milmer used the MAC Aura to light both the featured vehicles and the key interactive display due to its light weight, speed and light versatility. “We needed a fitting that could match the daylight lamp from the Static Daylight Pars while creating full color sequences to help tell the design and production story,” explained Milmer.

For the Lincoln booth, Milmer chose the MAC Auras to light the feature vehicle on the center revolve stage due to its clarity and the consistent color temperature it produces. “Our clients take the car colors very seriously and the color of the lighting is a crucial part of getting the color of the car right for the designers,” commented Milmer. “For us, the Martin MAC Aura is the only fitting that allows us the consistency of color that enables us to match the colors we need perfectly every time without creating colored reflections.”

Milmer also used Martin’s MAC III for gobo projection to create interesting animation and morphing effects across the booths. Additionally, Martin’s MAC 700 Wash lights were deployed to help light the Mustang display area that consisted of a large interactive presentation. “We simply used the MAC 700s to provide a bit more punch and drama in this area of the booth,” stated Milmer. “These fixtures are very compact for their output and they were able to fit comfortably on our custom truss.”

Volvo
Developed by Robert Cangemi, Principal Lighting Designer of Cangemi Design, the lighting design for Volvo’s 2014 NAIAS booth featured 72 of Martin Professional’s MAC Auras, 16 MAC III Performances, and 12 MAC Vipers. As a crucial element of the design, Cangemi relied on Martin’s MAC Aura to match the color temperatures of the daylight Par fixtures used on the cars and ensure the feature vehicles sparkled. “In my opinion the Auras are the single best LED moving light released in a long time,” stated Cangemi. “I always use them in color calibration mode which renders an amazing clean cool open white. Also, I can match other daylight products with a fraction of the weight and power while the zoom range and color mixing is incredible.”

Commenting on the reliability of Martin’s lighting fixtures, Cangemi said, “Booth maintenance was a breeze as the fixture worked and continued to work despite the harsh environment of a trade show that required continuous lighting for upwards of 14 hours a day. Whether in the same static position, running a slow moving effect continuously, the Martin fixtures did not let us down.”

Mercedes and Porsche
Additionally, Martin’s MAC Viper Profile, MAC Viper Wash DX and MAC 2000 Wash XB fixtures were deployed on the Mercedes booth for feature car lighting. The Porsche booth also featured Martin’s MAC 2000 Wash luminaires.

Production Companies:
SEIBO (www.seibollc.com) – Honda, Acura, Nissan, Infiniti, Chrysler
Creative Technology (www.ctus.com) – Kia, Jaguar, Land Rover
2XD (www.2xdproductions.com) – Volvo, Mercedes, Porsche
Imagination (www.imagination.com) Ford, Lincoln

Vendor:
Christie Lites (www.christielites.com)

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s JBL Professional and Crown Uncork Extraordinary Sound at BottleRock Napa Valley

NAPA, California — Billing itself as the Ultimate Celebration, the 3-day BottleRock Napa Valley Festival offered the best in music, wine, beer and gourmet food, accompanied by stellar sound courtesy of HARMAN Professional audio systems featuring JBL’s VTX Series line array loudspeakers and Crown I-Tech HD Series amplifiers. The festival, which took place on three stages at the Napa Valley Expo, hosted an unusually diverse lineup including Outkast, Eric Church, The Cure, Weezer, Heart, The Fray, Barenaked Ladies, Thee Oh Sees, and more than 70 other acts.

Camarillo, California-based full-service event production company Delicate Productions provided sound, light and video for the event. It was the second year Delicate got the exclusive to handle all the A/V and lighting setup for all three stages—and the first year the company used JBL VTX line arrays.

BottleRock is held right in the actual heart of the city of Napa, which meant the stages were 200 feet from houses in every direction. On top of that, the sound system was not allowed to exceed an SPL of 105dB C-weighted, so Delicate needed loudspeakers that could meet these requirements yet deliver the high-impact, full-range sound that the artists and concertgoers expect at an outdoor festival.

Delicate Productions’ President Jason Alt and his crew had previously heard a VTX demo at JBL’s Northridge, California headquarters, liked what they heard and thought the VTX Series would be well suited for the requirements of the festival. “We had never used the VTX loudspeakers before, but we had complete confidence after hearing them for ourselves at Northridge,” Alt said.

For each of the three BottleRock stages, Delicate hung nine JBL VTX V20 line array elements and six S28 subwoofers on each side of the stage, along with 12 F12 loudspeakers for out fill and six F15 loudspeakers for down fill.

Amplification was provided by two Crown I-Tech 12000 HD VRacks for the subwoofers, three I-Tech 4×3500 HD VRacks for monitor mixes, out fills and stage subs, and two I-Tech 4×3500 HD VRacks to power the V20 loudspeakers. The amps were linked to the VTX loudspeakers via JBL’s HiQnet Performance Manager™ system setup, calibration and control software.

“The VTX line arrays, subwoofers and loudspeakers proved to be exactly what was needed for the application,” Alt noted. “The VTX’s acoustic energy was focused in the right direction, with the correct directivity being delivered forward to the audience and with very little spill to the surrounding neighborhood.”

Alt was equally impressed by the VTX’s sound quality, particularly the accuracy and resolution of the D2 dual-diaphragm high-frequency compression driver and the smoothness of the transition from the midrange to the upper-midrange and highs. “The V20 is really impressive and the fidelity is second to none, including any of the highest-end boxes that are out there,” he said. “The way the V20 pairs with the subwoofer, it’s all elegantly designed.”

Alt noted that he was “really blown away” by the entire HARMAN package for the way the synergy between the VTX loudspeakers, I-Tech HD Series amps and HiQnet Performance Manager software enabled the crew to set up the entire system faster and more accurately and optimize the performance of the loudspeakers and amps to a greater degree than in previous events. “Looking at the way JBL, Crown and Performance Manager tied together, it’s apparent that HARMAN has thought out the process very well.”

For more information on Delicate Productions, please visit www.delicate.com

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

Martin Audio MLA Continues Hyde Park Sound Evolution At BST

Proving last year that London’s controversial Hyde Park festival site could be uniquely protected from noise leakage into the surrounding neighborhood by deploying Martin Audio’s award-winning MLA technology, promoters AEG Live adopted a similar solution for this year’s Barclaycard presents British Summer Time Hyde Park festival—but with significant enhancements.

While Capital Sound again deployed MLA and MLA Compact to guarantee coherent site coverage, Martin Audio’s R&D Director Jason Baird, was determined that new optimizations would enable them to eke out as much as an additional 3dB at front-of-house without increasing offsite pollution.

As a result, 102dB(A) was achieved for McBusted, with 73dB(A) recorded offsite, comfortably within the maximum allowable of 75dB(A), while both Tom Jones (during his louder numbers) and Black Sabbath nudged 103dB(A).

Baird explained that the journey to accomplish this had begun three months earlier; with the concept tested and proven on the Glastonbury Festival delay rig the week before.

“We conducted the propagation tests based on what we learned last time around,” he said. One of the key offsite measurement points identified by both Westminster Council and acoustics specialists Vanguardia at Hyde Park was on top of flats in Mayfair’s nearby Upper Brook Street. “When I visited the property last year, I was able to look at the complete spectrum of the signal,” says Baird. “You could hear there was only LF and low mid that was contributing to the A-weighted measurements and we realized that if we could reduce that frequency band we could have a better differential.”

And so his R&D team set to work on the optimization routines across the full frequency range to improve the differential between on- and off-site levels without extending latency––and this trial optimization will in time feature in new data firmware. While Baird maintains that testing will remain ongoing he says the success at Glastonbury gave him the confidence to deploy it on additional arrays in Hyde Park including house left side hang and the two delays nearest to Park Lane.

He describes these early tests and the additional increase of around 2-3dB in max FOH levels over the previous year as “encouraging and significant”.

Capital Sound’s Technical Manager and Systems Designer, Ian Colville, confirmed, “It all worked well and there were no issues with the three arrays we used the new optimization algorithm on.”

His site design replicated last year’s when the stage was reoriented through 30° to point it away from sensitive offsite areas, and included 10 delay towers (in two rings of four plus one ring of two). However, there was one exception. “We dropped a delay position [in Ring 3] which didn’t need to be there because the design of the back of the field changed,” he said.

For the main PA, Capital deployed two hangs of 16 x MLA and 1 x MLD Downfill per side, with 12 x MLA and 1 x MLD Downfill for the sidefills. The sub array consisted of 21 x MLX in a broadside cardioid array, with a further 11 enclosures back facing.

The three delay rings comprised between seven and nine MLA element hangs (supported by MLD Downfill and MLX subs). Ring 3 featured eight MLA Compacts. These were set at distances from the stage of 295, 524 and 688 ft. (for the MLA Compacts). Distance from FOH to stage was 165 ft.

Capital and Martin Audio deployed a team of technical heavyweights, including Chris Pyne, who handles Martin Audio product support for SE Asia and has worked closely with Capital since piloting Kylie Minogue’s mix in the 1990s; Capital had Dave Roden babysitting consoles and the accomplished Toby Donovan once again acting as system engineer while Martin Connolly was the account manager.

With FOH engineers no longer worrying about trading offsite noise pollution with audience sound levels, it meant they could really focus on the mix they wanted and at the same time appreciate the musicality of the system.

One visiting sound engineer Chris Madden (working with Little Mix), had nothing but positive comments. “I used the Martin MLA system about two years ago with Jessie J and I enjoyed it then,” he said. “But I think it was even better this time. It’s a very interesting and remarkable piece of equipment …I didn’t EQ it at all at BST and it sounded great.”

Matteo Cifelli, FOH engineer for Tom Jones, who performed on the final Sunday, was equally effusive. “I was very happy with the results we achieved, the mix immediately sounded just as it was conceived,” he says. “This is the sign of a good cabinet, and also of a well tuned system.”

“I was very pleased with the purity and musicality of the cabinet. I also appreciated the consistency in frequency response at different levels. The sound image was among the best I have ever heard on a large system. Even mixing off center, I could hear all the reverbs and details of my mix clearly and the presence and sweetness on the vocals was great, in your face and never harsh.”

( left to right): Martin Audio’s Jason Baird and Chris Pyne; Capital Sound’s Ian Colville

Summing up Jason Baird says, “What FOH engineers want at festivals is plenty of headroom and not to worry about offsite restrictions. Having reduced the low mid and LF spectrum this year, we’ve been able to further ensure this, and that means the power, depth and definition of the system can also really shine too.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Johnny D’s Serves Up A Superior Sound Experience with HARMAN’s Soundcraft Si Expression 3

SOMERVILLE, Massachusetts – For a 300-seat nightclub that is 45 years old and doubles as a restaurant in David Square, Somerville, Massachusetts, Johnny D’s required a renovation of its outdated sound system. While MJ Audio integrated the front end of the new system, which features HARMAN’s Crown amplifiers and BSS signal processors, Technical Manager Dana Westover has installed a Soundcraft Si Expression 3 to improve upon its existing analog consoles.

Given the popular area in which Johnny D’s is situated, its stage enjoys many touring bands and guest engineers in addition to local artists. Therefore, Westover needed a reliable console that is not only within the venue’s budget and able to accommodate the various performers, but also one that is user-friendly for the various engineers working at the club.

“We’ve been running analog mixers up until now, and have had a slow transition towards digital technology, because we get a lot of guest engineers who come from the analog world,” said Westover. “However, the Si Expression 3 is perfect as an upgrade, because it helps people transition to digital due to its logical layout and ease of use. For example, we had a guest engineer who has never worked on a Soundcraft board before, and within 15 minutes, he was ready for the show.”

The room housing the new equipment contains no parallel surfaces, thus leading to unique acoustics and an intimate layout of the venue. With a Soundcraft Si Expression 3 console, a sound engineer can ensure that guests enjoy the most distinctive sounding shows. In addition, FaderGlowTM illumination of the faders prevents any unwanted mistakes in dark club environments that might hamper the audio experience.

“I think the audio quality is very solid, especially considering the price of the console,” said Westover. “I’m very happy that we have a great sounding venue, and now we have a great sounding board that any traveling engineer can do well with. I especially like how FaderGlow allows me to identify everything clearly, but I can also adjust the intensity of the LED’s depending on the lighting of the venue.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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