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L-ACOUSTICS Sonically Unites Woodstream Church

RCI Systems utilizes SOUNDVISION to create a powerful and uniform system based on ARCS “WIFO” and XT Series enclosures

BOWIE, Maryland — With its high-energy praise team backed by a full band and choir, Woodstream Church’s musical ministry is a blessing for those in its sanctuary every Sunday – especially now that a full L-ACOUSTICS amplifier and loudspeaker system has been installed.

Prior to the recent system retrofit, the Independent Fundamental Baptist house of worship in Bowie, Maryland suffered from uneven coverage with sound getting lost at the edges of the room and under the balcony.

To breathe new life into the sanctuary, the church called upon Beltsville-based AV systems integrator RCI Systems, which turned to L-ACOUSTICS’ acoustical simulation software, SOUNDVISION, to create a solution. According to RCI designer Bob Capotosto (CTS), the ideal remedy predicted was achieved with a combination of the manufacturer’s ARCS “WIFO” – WIDE and FOCUS – and coaxial XT product ranges. “SOUNDVISION gives us an extremely accurate picture of what we’ll need in terms of components to get a complex project like this successfully completed, and WIFO and XT were right for the job,” he says.

Today, the sanctuary’s main system utilizes an LCR arrangement of three arrays each comprised of two SB18m subs, two ARCS WIDE and two ARCS FOCUS enclosures. Ten compact 8XTi individually spread out just under the lip of the balcony deliver blanketed audio coverage to the rear sanctuary seats, while a single ultra-compact 5XT at each far edge of the underbalcony ensures optimum coverage to even the furthest corner seating areas. The entire loudspeaker system is powered and processed by a total of five LA8 amplified controllers.

Capotosto notes that the L-ACOUSTICS WIFO system, in particular, was ideal in that it is remarkably lightweight for its power, which minimized the amount of additional steel bracing required for the new hang points in the sanctuary’s ceiling. He also cites the tight directivity patterns and full range performance of the arrays as instrumental in being the right choice for the tall, fan-shaped space.

“Plus, the sound is amazing,” adds Capotosto, who points out that RCI has long had the ARCS WIFO solution in its rental inventory. “All of the coverage and intelligibility issues that the church had been experiencing are now gone. And the WIFO solution was affordable for the church, giving them all the power they need and with a substantial amount of headroom left to go. Also, the underbalcony area, which had been the hardest problem in the past to solve, is now completely addressed with coherent sound from the stage’s backline to the last row of the house. The church’s FOH engineer came to us and said we’ve made his job so much easier. That’s the best compliment you can get.”

Woodstream Church’s home on the web is found at www.woodstreamchurch.org, while RCI Systems can likewise be visited online at www.rcisound.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for North America is handled by L-ACOUSTICS’ subsidiary in Oxnard, California.

# # #

Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

DPA Helps Ivan Rutherford Bring Broadway to Hong Kong

Internationally acclaimed artist Ivan Rutherford turned to DPA’s d:facto™ Vocal Microphone to help him give a truly emotional performance during a recent one-off show in Hong Kong.

The actor and singer, who has performed the role of Jean Valjean in Les Miserables over 2,000 times on Broadway, was looking for a microphone that could deliver exceptional sound quality and clarity through a large venue sound system. He also wanted a hand held microphone so that he could move freely on stage while he sang a series of Broadway hits dating from the 1930s to the present day. DPA’s d:facto Vocal Microphone fitted the bill perfectly. Rutherford used the microphone in a wireless configuration with a Sennheiser Wireless System, which made movement possible and allowed him to deliver a vocal performance that was memorable for the audience.

“I had never used a DPA microphone before and I was very pleased with the experience,” Rutherford says. “I was impressed with the intensity of the sound and the mobility it allowed onstage, which gave me great freedom to make unobstructed connections with my audience. I also enjoyed the feel and weight of the microphone in my hand, and found that it helped give me the necessary confidence for a one man performance. I would very much enjoy working with a DPA mic again.”

Rutherford’s show, entitled A Taste of Broadway, took place at the Academic Community Hall in Hong Kong. Mr. Clarence Chang, from Jazz World Live Series that organized the concert, says: “The only instrument on stage was a grand piano, which was also miked with DPA – a matched pair of d:dicate™ 4011A Cardiod Microphones in A-B configuration to capture the main piano signal and d:vote™ 4099 Instrument Microphones in a stereo piano kit configuration to provide additional percussive effect from the hammers. This proved to be a very successful formula because the piano sounded fantastic – really crisp and lively, yet with all the body and warmth one would expect from a top of the range instrument.”

Ken Kimura, DPA’s General Manager for the APAC region, and Ricky Wan, from DPA’s Hong Kong distributor Digital Media Technology, were on hand to ensure the optimal microphone set up.

“The d:facto Vocal Microphone in a wireless configuration was a perfect match for Ivan Rutherford as it enabled him to move freely, while capturing every nuance of his voice,” Kimura says. “When you have a two hour show that only consists of a singer and grand piano, you really need that artist to be super talented and to have a great voice. Ivan Rutherford had both of these attributes in abundance and gave a fantastic performance.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Summerfest, and the Mixing is Easy on DiGiCo

Clearwing Productions deploys SD Series consoles on nearly every major stage of “world’s largest music festival”

MILWAUKEE, Wisconsin — With over 800 national and regional acts performing on 11 stages spanning over 11 days at this year’s “Big Gig,” as the locals call it, Milwaukee’s Summerfest once again proved why Guinness World Records has named it the world’s largest music festival for the past 16 consecutive years.

Held at Henry W. Maier Festival Park on the city’s scenic Lake Michigan shoreline, the 47th annual bash hosted some of the world’s biggest artists, including Bruno Mars, Outkast, Lady Gaga, Usher, Brad Paisley, OneRepublic, Dave Matthews Band, Luke Bryant, Nas and Ludacris to name just a few. more

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Alex Clare Rocks the V Festival with HARMAN Soundcraft Vi6 Digital Consoles

LONDON, United Kingdom – Singer-songwriter Alex Clare headlined the Future Stage at the recent V Festival in Celmsford Essex, with The Old Lion Touring Company providing a pair of HARMAN Soundcraft Vi6 digital consoles for FOH and monitors.

According to Alex Clare’s FOH engineer Harry Devenish, Clare’s performances showcase a human approach to electronic music. “Alex’s performances fuse the weight and power of electronic records with live elements,” he said. “A lot of that is due to the bass setup—the bass guitars trigger a synth and a sub, creating a heavy, dynamic sound on stage.”

Devenish has significant depth of experience with the Soundcraft Vi6, having used one of the first models several years ago. “I come from more of an analog background and was slow to embrace digital, but I’ve always been comfortable with the Vi6,” he said. “It has a very intuitive surface, with hands-on encoders and two layers, it’s very flexible. You can do a lot on the Vi that you can’t do on other digital desks.”

“Vi Series consoles are so easy to work on,” said Tim Boardman, Tour Manager for The Old Lion Touring Company. “I’m from the studio world but I can walk up to the Vi6 and make it work, which is saying something!”

This fall, Old Lion will provide a Vi3000 and Vi6 console for a 10-week tour with Clare, where Boardman and Devenish plan on using the Soundcraft Realtime Rack library of plug-ins from Universal Audio. “We’re really excited about using the Realtime Rack library,” Boardman noted. “Bringing those effects that are predominantly used in studio settings to live performances makes a lot of sense.”

“Realtime Rack will be massive for us!” Devenish remarked. “The Vi6 is already a convenient console to work on and this will take the performance up another level.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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FIFA World Cup Stadiums Feature World-Class Audio with HARMAN Professional

Arena da Amazonia in Manaus, Brazil (Photo Credit: Gabriel Smith)

BRASILIA, Brazil – With hundreds of thousands of fans in the stadiums, not to mention the billions who tune in from across the globe, making sure the sound is perfect for the 2014 FIFA World Cup is no small undertaking. When faced with challenge of delivering the most sophisticated, world-class audio experience possible, from the Amazon basin in the north to the banks of the River Guaiba in the south, eight of the major stadium venues in Brazil’s 12 host cities featured HARMAN’s wide range of audio solutions. In addition, a wide variety of Studer Vista consoles were used for television broadcast of the games.

“From inception through delivery, each component in our family of brands is designed to provide a sophisticated, integrated and affordable audio solution,” said Robert Klesser, National Sales Manager, Install & Cinema, HARMAN Brazil. “As soccer transcends sport and becomes an expression of culture, we are honored to be the brand of choice for so many of the venues hosting matches during the 2014 FIFA World Cup.”

While the components installed vary by venue, popular products include HARMAN’s IDX communication systems, AKG microphones, BSS signal processing, Crown amplifiers, Soundcraft digital consoles and JBL loudspeakers. The range of stadiums equipped with HARMAN audio solutions is diverse in terms of size, location and age.

Beginning on a plateau in southeastern Brazil, on the Atlantic Coast, Arena de Sao Paulo hosted the opening match between Croatia and Brazil. Built specifically for the World Cup, the facility seats 68,807 and will serve as the new home for Sport Club Corinthians Paulista. Systems integrator Johnson Controls and audio integrator Soundvision outfitted the facility with the IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL Control Contractor ceiling loudspeakers and Soundcraft Si Expression digital consoles.

Surrounded by mountains in Belo Horizonte, Brazil, which is inland from Sao Paulo and Rio, Estadio Mineirao is a national monument that will host not only World Cup matches but also numerous matches during the 2016 Summer Olympics as well. Built in 1965, the venue seats 57,400 and recently underwent an extensive renovation that took three years. Johnson Controls systems integrator and Soundvision audio integrator equipped the landmark stadium with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Nacional, in Brazil’s capital city, Brasilia, opened in 1974, was renovated in 2013 and seats 68,009. Systems integrator Siemens and audio integrator Loudness equipped the massive facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Castelao is located in Fortaleza, Brazil, considered a “fortress” port on the country’s northeast coast, more than 1,500 miles from Rio. The facility, which opened in 1973 and reopened in 2013, seats 58,000. For sound, systems integrator TODO and audio integrator Telem equipped the stadium with an IDX communication system, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Compact digital consoles.

Arena da Amazonia is in Manaus, Brazil, the capital of the state of Amazonas and, at 2,659 miles from Rio, the furthest north of the host cities. The stadium, which opened in March 2014, seats 42,374. Systems integrator Johnson Controls and audio integrator Soundvision equipped the facility with AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers and JBL Control Contractor Series ceiling speakers.

Arena Pantanal, which opened just two months before the World Cup, is 1,200 miles from Rio, near the Bolivian border and close to the center of South America, in Cuiaba, Brazil. It seats 42,968. Systems integrator Canal Livre and audio integrator Soundvision equipped the facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, Crown DCi amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Expression digital consoles.

Arena Pernambuco is in an economically deprived area on the outskirts of Recife, Brazil, more than 1,400 miles from Rio. With a seating capacity of 42,800, the stadium was opened in 2013 with the hope that it will act as a catalyst for local regeneration long after the World Cup. Systems integrator NEC and audio integrator Telem installed an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Finally, the oldest of the World Cup venues, Arena de Baixada is in Curitba, Brazil, south of Sao Paulo and about 500 miles from Rio. Originally built in 1914, the stadium was completely rebuilt in 1999 and then renovated again for the World Cup. It seats 41,456. Systems integrator NEC and audio integrator Telem equipped the facility with a HARMAN lineup that includes IDX communications systems, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL AWC weatherized compact loudspeakers, JBL PD5000 Series loudspeakers, JBL Control Contractor loudspeakers and Soundcraft Si Expression 3 digital consoles.

HARMAN Professional also had a strong presence in the broadcast elements of the World Cup, with multiple Studer Vista consoles in use for television broadcast of the games. In Rio de Janeiro, a Studer Vista 9 digital console was used to broadcast all 64 games via the TV Globo Network to the Jardim Botanico area. In addition, TV Globo’s OB Van HD3 used a Vista 9 to specifically feed games from Maracana Stadium for live transmission to Jardim Botanico. Projac, the main center of television production for TV Globo, also used a Vista 9 in its OB Van HD8 for live shows related to World Cup events. TV Globo also utilized a pair of Vista 8 digital consoles for television broadcast of live performances centered on the World Cup.

In Sao Paulo and Brasilia, TV Globo’s OB Van HD1 was equipped with a Vista 8 console for the games that were hold in those two cities. A Vista 8 and a Vista 9 were also used in Sao Paolo for live performances related to the World Cup.

Lastly, RCN in Colombia used its OB Van, equipped with a Studer Vista 5 digital console, to broadcast the entirety of the Colombian National Team’s games in the World Cup.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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This One’s For You: Sound Image and Jimmy Buffett Celebrate 40 Years On the Road Together Using HARMAN’s Crown I-Tech HD Amps and JBL VTX Line Arrays

ESCONDIDO, California — Jimmy Buffett has been extolling the laid-back pleasures of Margaritaville, having a Cheeseburger In Paradise and the fact that it’s Five O’Clock Somewhere since he recorded his first album in 1970. For 2014, San Diego’s Sound Image is celebrating 40 years as Buffett’s live sound provider with a new touring system based around HARMAN’s JBL VTX line arrays and Crown I-Tech HD Series amplifiers.

“When it comes to connecting with the audience, I think you can safely say that nobody’s better at it than Jimmy Buffett,” said Dave Shadoan, who partnered with Sound Image’s founder and partner, the late Ross Ritto, in 1971. “His fans hang onto every word at his live shows and they deserve nothing less than the best sound we can deliver.”

Buffett’s audience certainly isn’t going to have to strain to hear him sing. The live sound rig consists of 80 Crown I-Tech 12000HD amplifiers driving 52 JBL VTX V25 line array loudspeakers and 24 S28 cardioid-arrayable subwoofers. “We generally hang 14 V25 loudspeakers per side in the main array, with eight S28 subs next to them and 12 V25 loudspeakers in each of the left and right side hangs,” noted Sound Image front of house engineer Rich Davis. Depending on the venue, Davis will add more S28 subwoofers at the middle of the stage to fill out any void in the low frequencies, plus three S28 subs on each side if necessary. “We were in sheds at the start of the tour and will be outdoors through October.”

Davis noted that the biggest issue Buffett will have with a sound system is keeping the low end from building up on the “deck” that makes up the floor of the stage. “That’s one of the reasons I like to spread out the subwoofers and not use massive ground stacks,” he said.

Davis sets up the system using JBL’s HiQnet Performance Manager™ system control software. “The latest version of Performance Manager saves us a lot of time and simplifies the entire configuration and calibration process,” Davis pointed out. “It enables us to go deeply into the I-Tech HD’s many DSP functions, filters and crossovers and fine-tune the sound. It also gives me automatic control screens for each of the line array columns and if I need to edit, modify, add or delete a hang, it’s actually easy instead of being a time-consuming chore.”

Davis notes that he rarely needs any EQ on the high end and that the system is smooth from top to bottom. “We did a show in Raleigh and I walked up on the lawn, which was about 430 feet from the speaker stacks and there was solid low end all the way in the back of the lawn, which never happened before. This new system is more coherent and the low end really holds up.”

“The PA is super stable,” Davis added. “Jimmy is known for talking between songs and when he talks to the other band members it’s often sideways off the mic. I can ram that fader all the way up so that he can be heard and the system still doesn’t have any problems.”

“It’s been an honor, a privilege and a great time working with Jimmy all these years,” Shadoan concluded. “The only thing missing in this 40th year is my former partner and Jimmy’s former monitor engineer, Ross Ritto. Sound Image has always been about technological innovation and I know Ross would be thrilled to hear what we’re doing with Jimmy on his 2014 This One’s For You tour.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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You Say You Want More Resolution – Renault’s CAVE Raises the Bar for Virtual Reality Design

Paris, France – August 2014…Virtual Reality (VR) technology first appeared on the virtual horizon several decades ago, but it’s safe to say that the past few years have seen a quantum leap in its evolution. With ever-increasing processing power and ultra-high resolution display technologies, the cartoon-ish, low bitrate virtual worlds of yesterday have given way to stunningly realistic environments shockingly close to the real thing. And VR technology has become an integral aspect of so many of our most prolific industries, from military and pilot training, architecture, and medical research, to aerospace and automobile design.

French automobile manufacturer Renault has long been ahead of the curve in embracing new technologies. Most recently, the company has implemented a new CAVE (Cave Automatic Virtual Environment) facility at the Paris headquarters. While other auto manufacturers have also implemented CAVE technology, Renault’s facility boasts the highest resolution ever realized in a VR environment, with five sides of Sony-based imaging that can deliver up to 16k resolution.

Renault partnered with Mechdyne, a leader in VR and visual technologies, to design and implement the new CAVE facility. “Renault approached us to bid on the project, because we had already built a six-sided CAVE of that resolution, and we understood the challenges,” explains Mechdyne’s Richard Cashmore. “They had a very clear concept of what they wanted to do.”

“We wanted to work with a company who could provide us with a holistic, integrated system, including structure, projection, and computers,” explains Andras Kemeny, founder and head of Renault’s Virtual Reality and Immersive Simulation Technologies Group. “While many of the leading manufacturers have provided exceptionally good support and advice, we found that Mechdyne was not bound to a specific technology. They were able to look at the entire technological landscape, and consider combinations of different brands and products. Their approach was very focused on our specific goals, rather than on whatever technology they favored.”

The system includes five sides of Sony SXRD 4k projectors at 5.5k lumens, scalable to 16k — the first 16k VR environment anywhere in the world. “While there were some other options using newer DLP projection, ultimately, the Sony system delivered the fastest performance and the highest resolution, both of which were critical factors,” observes Cashmore.

Kemeny adds, “In this case, the Sony projector Mechdyne specified was originally designed for cinema-based solutions. Calibrating multiple projectors was not something Sony had addressed. Sony provided us some data, and then our engineers at Renault and Mechdyne collaborated for several months to design a calibration protocol. We’ve been quite happy with the results.”

Indeed, the collaboration between Renault and Mechdyne created a powerful synergy. “Originally, the relationship was that of client and provider, but over time it really evolved to where we were all really part of the same team,” says Kemeny.

“I think that’s one thing that’s unique about our approach,” observes Cashmore. “We really try and look at the project through the eyes of the end user. We’re not trying to sell whatever technology we’ve got in stock. We can recommend what we feel is best for them, given their goals and the technologies available.”

Though Renault’s CAVE was initially created for interior ergonomic design, Kemeny reports that the technology has become popular with other departments within the organization.

“One thing that was very exciting for us was the fact that the CAVE was being embraced by various departments within Renault,” he says. “Ultimately, this is enabling us to build a better vehicle.”

In fact, the Renault CAVE has led to discussions with Daimler (parent company of Mercedes Benz) on a new collaborative project. “There has long been a strong working relationship between Renault and Daimler,” says Kemeny.

“The collaboration with Mechdyne has given us the most state-of-the-art facility in the automotive industry,” Kemeny concludes. “It’s a system we can be very proud of.”

###

About Mechdyne 
Mechdyne is one of the world’s leading providers of innovative visual information technologies.  We bend technology to our will in ways that transform complex data into insights and ideas.  To ensure our customers succeed, we provide comprehensive, customized solutions that include consulting, software, technical services, and hardware integration.
With offices around the world, Mechdyne serves a global customer base.  Our customers include: leading government laboratories, energy companies, universities, manufacturing and design firms, U.S. armed forces, and other users of visual information technologies.

Titan Mobile Knocks It Out Of The Park For MLB

Avolites’ compact console slugs a grand slam controlling lights at SE Systems-manned Major League Baseball stadium concert series

GREENSBORO, NC — As Major League Baseball pennant races hit a feverish pitch during these dogs days of summer, many teams are adding value to ticket prices with post-game stadium concerts by an eclectic group of all-star talent ranging from country’s Martina McBride to rap’s 50 Cent.

Much like a manager draws up a powerful yet balanced lineup full of professionals, turnkey production house SE Systems of Greensboro, NC was summoned earlier this summer by Select Artists Associates of Scottsdale, AZ to handle the pro audio/lighting needs for many of these entertaining shows hosted by the Washington Nationals and New York Mets, among others scheduled through the end of September.

Demanding a seamless, quick switchover as soon as the last pitch is thrown, SE Systems is tapping Avolites’ Titan Mobile lighting console for its small footprint (19″ x 14″), perfect for the field-friendly, time-sensitive roll-on for such a post-game assignment, explains SE lighting designer Nehemiah (aka “Captain Nemo”) Grubbs. more

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L-ACOUSTICS Serves Up Sound Solution For Clowes Memorial Hall Of Butler University

Wright Consulting Associates and Mid-America Sound team up for KARAi install

INDIANAPOLIS, Indiana — In celebration of its 50th anniversary last fall, Clowes Memorial Hall, Butler University’s professional performing arts venue, embarked on a $2M restoration project under the direction of Elise Kushigian, Executive Director, and daily supervision of all 18 contractors by Karen Steele, Director of Operations. The restoration included much-needed updates to its roof, walls, seating, carpet, acoustics and audio enhancement system. The acoustical and audio enhancement portion of the project was spearheaded by David Wright of Indianapolis-based Wright Consulting Associates, Inc. (WCA) who called upon local tour sound provider Mid-America Sound Corporation (MAS) to provide system expertise and, ultimately, the recommendation for a new L-ACOUSTICS KARAi house sound system. more

Kreative Teknik AB Illuminates Ullevi Stadium’s Iconic Pillars with HARMAN’s Martin Exterior 400 Wash Lights

GOTHENBURG, Sweden — As one of the largest arenas in the Nordic region, Sweden’s Ullevi Stadium recently completed a renovation that increased its capacity from 54,000 to 75,000 people featuring 43,000 seats with another 32,000 in standing room. Located in the Swedish city of Gothenburg, the outdoor arena was inaugurated in 1958 when the country hosted one of the world’s most prestigious soccer competitions. However, as the stadium has aged it has undergone a series of renovations, the first in 1985 when the stadium’s iconic concrete pillars on either side of the main entrance were reinforced. Further renovations in 2004 brought Swedish lighting design firm Kreative Teknik AB on board to light the pillars and recently the company retrofitted their original design with six of HARMAN’s Martin Professional Exterior 400 light fixtures.

Each pillar features three Exterior 400 fixtures mounted over 200 feet or 65 meters above the ground, shining both up and down to ensure the entire length is evenly covered. The lighting is controlled by a CueServer-system via DMX that allows for the facility manager to easily change the appearance through a simple click on the touchscreen or by a pre-programmed calendar.

Martin’s Exterior 400 now produces a much brighter and crisper light with more saturated colors when compared to the earlier models Kreative Teknik installed back in 2004. Today, the Exterior 400 line boasts a brighter light with lower power consumption of 139 W, down from the 575 W of its predecessor. Additionally, the fixture’s advanced LED technology limits downtime and maintenance costs while increasing the life span from 2,000 hours to 40,000 hours.

“Once again Martin’s fixtures were the best choice and we are extremely proud of the result of this project,” said Marcus Persson, CEO and Owner of Kreative Teknik AB. “We chose Martin because of their well-documented quality of outdoor fixtures in installations and their exceptional ability to support us with spare-part handling.”

The lighting concept was designed to allow the city’s population to know what type of event was being held inside the venue, such as blue and white washes over the pillars to signal a soccer match for the local team. The color-changing technology and rugged design of the Martin Exterior 400 made it a clear choice for Kreative Teknik.

“The technology has changed drastically since we first installed a number Martin’s Exterior 200 and 600 at the stadium,” said Persson. “Almost a decade has passed and Martin’s been a proven innovator in LED technology, energy-efficiency, RA-index and fixture design. The Exterior 400 is a great example of their ability to provide designers with advanced technology to empower their creative visions.”

For more information on the Martin Exterior 400 wash light, please visit: http://www.martin.com/product/product.asp?product=exterior400

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

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